TCG Books

This three-play collection celebrates the vibrancy and vitality of modern Indigenous culture and draw attention to complex issues within the contemporary Native experience.

This latest volume from the acclaimed author of The Thanksgiving Play collects a trilogy of plays co-created with Cornerstone Theater Company as well as urban Native artists and culture bearers.

In Urban Rez, five interconnected stories depict members of a Native tribe in Los Angeles weighing the pros and cons of federal recognition.

Developed through talking circles with Indigenous peoples of Arizona, Native Nation is an immersive theatrical production that seeks to combat the erasure of Native people from wider American culture by telling the story of the land through the eyes of its original people.

Created with people of the Lakota and Dakota tribal nations, Wicoun centers on Áya and their brother Khoskalaka, who are already busy enough raising cousins and siblings while trying to graduate high school. Then the zombies arrive. When Áya summons a native superhero for help, they set off on a journey across the lands of the Oceti Sakowin.

Together, these plays explore a wide range of urgent issues that continue to affect Indigenous communities today, including assimilation, two-spirit identity, food equity, water rights, tribal sovereignty, broken treaties, genocide, and violation of sacred lands. They also celebrate a rich history and essential culture, telling stories by and for Native people.

Red Pitch. South London. Three lifelong friends Omz, Bilal and Joey are playing football. Like they always have. Living out dreams of football stardom. Beyond their football pitch, local shops are closing, old flats are being demolished as new flats shoot up, some residents struggle to stay while others rush to leave.

A coming-of-age story about what it means to belong somewhere, Tyrell Williams' fast-paced and sharp-edged play tells a powerful story about gentrification, regeneration and the impact of this relentless change on London's communities.

Red Pitch received an ecstatic critical and audience response when it was first performed at the Bush Theatre, London, in February 2022, directed by Associate Artistic Director Daniel Bailey. The production was revived at the Bush in September 2023, and transferred to @sohoplace in London's West End in March 2024.

For Red Pitch, Tyrell Williams won the Evening Standard Theatre Award and the Critics' Circle Theatre Award both for Most Promising Playwright, The Stage Debut Award for Best Writer, the George Devine Award, as well as the Off West End Award for Best New Play.

An earlier version of the play was presented in June 2019, as part of the Untold Season at Ovalhouse, London.

Hailed as 'the most exciting new British musical in years' (WhatsOnStage), Standing at the Sky's Edge was originally written as a love letter to Sheffield, charting the hopes and dreams of three generations over the course of six tumultuous decades, navigating universal themes of love, loss and survival.

With irresistible songs by legendary singer-songwriter Richard Hawley and a beautiful, hilarious and gut-wrenching book by Chris Bush, Standing at the Sky's Edge reveals the history of modern Britain through the stories of a landmark housing estate. It is a heartfelt exploration of the power of community and what it is we all call home.

It was first performed at Sheffield Theatres in 2019, directed by Robert Hastie, before transferring to the National Theatre in 2023, and then the Gillian Lynne Theatre in London's West End in 2024. It won the Olivier Award for Best New Musical, the UK Theatre Award for Best Musical Production and the South Bank Sky Arts Award for Theatre.

Cover image courtesy of Various Productions; original graffiti copyright © 2001 Jason Lowe

It’s summertime on the rez, the frybread is sizzling, and the local radio station plays bluegrass, Anishinaabemowin lessons, and Friday-night bingo numbers. Lenna, the youngest of the Little family, is preparing to leave home for her first year at college, with little enthusiasm or help from her stubborn father and reckless brother. Amidst lingering doubts about departing the family flock, Lenna collides into a meet-cute with the charming and awkward Sam Thomas, who is returning to the reserve after many years away. With the promise of a romance budding between them, Lenna is caught in a whirlwind of uncertainty, wondering if she’s ready to bid farewell just as she's about to take flight.

Filled with Indigenous humour, small-town seasoning, and dream-world interludes, this heartwarming love story captures the bittersweet highs and lows of a rural teenage upbringing. A love letter to community, Niizh is a refreshing coming-of-age rom-com about two young lovebirds leaving the nest.

Kris, a young diasporic Chinese woman, attempts to reconcile her upbringing between Canada and Singapore. In doing so, she comes face to face with herself as she pulls apart the tactics she uses in an attempt to fit into two wildly different cultures. Weaving in and out of English, Mandarin, and Singlish, Kris uses storytelling to navigate beauty standards, body image, family, food, and an unexpected friendship with a Chicken Rice Uncle.

Deftly unraveling stereotypes and addressing the universal through Kris’s determined persistence and heartwarming sense of humour, 我的名是张欣恩 (Gimme chance leh) is about celebrating difference and existing in the in-between.

A new political party has swept into office, promising big changes to curb the impending climate crisis—changes that could put the nail in the coffin for a tiny carbon-economy town in the heart of Northern BC. When an elected representative who grew up in the town arrives to appease the residents, her urban idealism clashes with the hard-hitting realities faced by her family and childhood friends. How will pulling the plug on fossil-fuel dependency play out for this resilient northern community? And does it even matter when a forest fire is encroaching on the town’s borders?

Inspired by playwright Pedro Chamale's own experiences growing up in Chetwynd, BC, Peace Country is a poignant plea for dialogue in a time marked by profound division. Teetering between progress and preservation, this very human drama invites readers to contemplate the fate of communities standing on the precipice of ruin.

Matt and Masha hit it off during a theatre research trip in Ukraine. At first they seem like opposites: Masha loves the sea, Matt loves mountains. Masha is Ukrainian, Matt is Métis. But the passionate spark ignited between them cannot be denied. Despite the improbabilities of a cross-continental relationship, a few fairy-tale visits overseas solidifies their bond. But when it seems distance could be the only obstacle in their path, a series of extreme circumstances put their commitment to the ultimate test.

Based on actual events, First Métis Man of Odesa is the extraordinary true story of a whirlwind romance that withstands a global pandemic, a surprise pregnancy, and the Russian invasion of Ukraine. Transcending the usual tropes of documentary theatre, this heartwarming how-we-got-together tale turns art of the here and now into a catalyst for action and a hopeful ode for a better future.

In eighteen hundred and something something, somewhere upon the banks of a Reddish River in Treaty One Territory, three very different women with a preference for twenty-first century slang sit in a fort sharing their views on life, love, and the hot nerd Louis Riel. Marie-Angelique, a Métis Taurus, is determined to woo Louis (a Métis Libra)—who will be arriving soon—by sending him boldly flirtatious letters. Eugenia, an Ojibwe Sagittarius, brings news of rebellion back to the fort after trading, but isn’t impressed by Louis’s true mediocre nature. And Cecilia, a pregnant British Virgo, is anxiously waiting on her husband’s return from an expedition, but can’t resist pining over the heartthrob Thomas Scott (Irish Capricorn), who is actually the one secretly responding to Marie-Angelique’s letters. This will all go smoothly, right?

Updated after its sold-out run at the Stratford Festival and with a brand-new study guide, this lively historical satire of survival and cultural inheritance shifts perspectives from the male gaze onto women’s power in the past and present through the lens of the rapidly changing world of the Canadian fur trade.

When Ben Targét was nominated for Best Newcomer at the 2012 Edinburgh Comedy Awards, he was set on the path to becoming a critically acclaimed, multi-award-winning performance artist.

Eight years later, amidst a global pandemic, he gave it all up to become the live-in carer for his uncle: an irascible octogenarian prankster called Lorenzo Wong.

LORENZO is their story, a show that confronts the messiness of ageing and dying through the medium of storytelling, servitude to the audience and live carpentry, a combination not seen on the world stage since Nazareth circa 30AD.

This book is the full script of that life-affirming show, with illustrations by Targét himself. It was directed by Adam Brace, and was premiered at Summerhall, Edinburgh, during the 2023 Edinburgh Festival Fringe, where it was awarded a Fringe First. It subsequently transferred to Soho Theatre, London.

When the worlds of science-fiction and science-fact collide… extraordinary things can happen.

Dave is the great-great grandson of H.G. Wells, author of the 1895 novella The Time Machine, a book that foretold (with suspicious accuracy) the future of the human species. What if the ideas in that book weren't entirely fiction? Right now, Dave and his friends Amy and Michael must set out on a journey through time… the journey of a lifetime!

The Time Machine: A Comedy is (very loosely) adapted from H.G. Wells by Steven Canny and John Nicholson, whose previous adaptation of The Hound of the Baskervilles was a hit in the West End and subsequently for numerous companies worldwide. It was first produced in 2023 on a tour of the UK, before a run at Park Theatre, London, produced by Original Theatre and directed by Orla O'Loughlin.

Fast-paced and wise-cracking, this riotous retelling zips from the nineteenth century to the end of the world, and (with any luck) back again. It will suit any theatre company looking for a time-bending adaptation of a well-loved story – and a surefire audience-pleaser.

This comprehensive, hands-on guide to making theatre – perfect for any school, college, youth group or amateur-theatre company – gives you the knowledge you need to take your productions to the next level.

Curtain Up! is packed with invaluable advice and practical tips on every aspect of putting on your show, including:

Direction: from choosing your project to casting, rehearsals and opening night

Vocal Direction: give your singers and actors the confidence to deliver great performances

Choreography: step-by-step advice on bringing your choreography to life

Production Design: use set, costumes and more to realise your vision innovatively (and come in on budget)

Puppets & Props: inject some practical magic into your production – and how to make your own puppets

Scriptwriting: beat the blank page and pen your own original show

Lighting Design: maximise your resources to create a whole world on stage

Publicity: identify your audience, reach them and get those bums on seats

Each section is written by an experienced theatre professional, laying out the essentials of every role and offering creative, practical ideas to breathe new life into your own theatre projects.

Also included is a section on planning, with tips and worksheets to assist with everything from budgeting to selecting your production team.

Wherever and however you make theatre, this inspiring, empowering and highly accessible manual will help make your next production your best yet!

Best Play - Evening Standard Awards - 2023

1964: Richard Burton, the firebrand Welsh actor, newly married to movie star Elizabeth Taylor, is to play the title role in an experimental new production of Hamlet under the exacting direction of John Gielgud.

But as rehearsals progress, the collaboration between actor and director soon threatens to unravel. One of them is the most famous movie star in the world; the other, a patrician from an earlier age of theatre. The stage is set for two titans to collide.

Jack Thorne's The Motive and the Cue is a fierce, funny play which offers a glimpse into the politics of a rehearsal room and the relationship between art and celebrity. This edition was published alongside the West End transfer in 2023, following its world premiere at the National Theatre, London, earlier that year. Originally commissioned and co-produced by Neal Street Productions, it was directed by Sam Mendes, and starred Johnny Flynn as Burton, Mark Gatiss as Gielgud and Tuppence Middleton as Taylor. It was named Best Play at the Evening Standard Theatre Awards in 2023.

Arriving from his East Midlands beginnings into a London thick with the grime of industrialization, Joseph Merrick is an anomaly. In a city of factories that churn out uniformity, there is no place for someone like him.

But Merrick and the city are evolving into something new. We follow him through the workhouse, the freak show and the hospital, as he searches for acceptance in a society that just wants to stare at him.

Powerful, angry and surprising, Tom Wright's acclaimed play imagines an alternative history of the person who came to be known as 'the Elephant Man'. It restores Joseph Merrick to the center of his own story: a man fighting for his right to be and to belong.

The Real & Imagined History of the Elephant Man was first performed at Melbourne's Malthouse Theatre, before receiving its European premiere at Nottingham Playhouse in 2023, directed by Stephen Bailey, and supported by a grant from The Royal Theatrical Support Trust.

Christmas Eve, 1946, Bedford Falls. Down-on-his-luck banker George Bailey feels life has passed him by, and he's at the end of his rope.

But when George's guardian angel pays him a visit, he's amazed to discover what life in his beloved town would be like without him. Maybe it's a wonderful life, after all?

Based on the critically acclaimed Frank Capra movie, Mary Elliott Nelson's reimagining is a joyful story of love, hope and community.

Commissioned by New Perspectives Theatre, It's a Wonderful Life has been produced around the UK, including a revival in 2023 at Reading Rep Theatre. Written for four actors, but suitable for many more, it offers other theatre companies a heartfelt adaptation of a much-loved classic to charm and delight audiences – at Christmas or any other time of the year!

The spellbinding story of love and murder, power and paranoia, and the internal struggles of a married couple as they try to control their destiny, and one another…

This official tie-in edition to the Donmar Warehouse's hotly anticipated 2023 revival of Shakespeare's extraordinary psychological drama features rich and revealing behind-the-scenes material exploring how the production was conceived and developed.

Starring David Tennant and Cush Jumbo, and directed by Donmar Associate Director Max Webster, this bracingly fresh version used binaural sound technology to place the audience inside the minds of the Macbeths, asking us: are we are ever really responsible for our actions?

In addition to the version of Shakespeare's text performed, this volume also includes a fascinating rehearsal diary, color photos, and interviews with its leading cast and creative team: Tennant, Jumbo and Webster, plus designer Rosanna Vize, sound designer Gareth Fry and composer and musical director Alasdair Macrae.

Jacq and Kas's boutique restaurant has gone bust, and telling their oldest friends Adaego and her rich husband Tobin that his investment is toast is only the start of the evening.

Cash, class, identity and infidelity are all on the menu. As the last of the expensive wine flows, a dangerous drinking game reveals long-hidden truths and provokes an unspeakable dare.

Never Have I Ever is an explosive, savagely funny play which brilliantly skewers the contradictions of contemporary society, and the shifting sands of power and sexual politics. It premiered at the Minerva Theatre, Chichester, in 2023, directed by Emma Butler and starring Alex Roach, Amit Shah, Greg Wise and Susan Wokoma.

Freedom: A Mixtape is a soulful artistic response to recent and historical violence on Black bodies, presented through a collection of original songs, stories, poems, anecdotes, spoken-word pieces, and musical instrumentation from folks living in the Niagara Region. A community conversation about our complicated relationship with emancipation and the human right to be free, Freedom: A Mixtape is a compilation album that is part protest and part celebration. It is history and the present moment all at once, a reminder that this moment is part of a larger, ongoing movement. Familiar pains are felt deeply in moments both bygone and bitingly present, setting the tone—and stage—for action.

Analog field recordings and soothing talk-radio energy give voice to the residue of intergenerational trauma, the depths of colonialism, resilience amidst oppressive conditions, and a clarion call that joy is a birthright for everyone. With emotional precision and softness, Freedom: A Mixtape offers a radical reminder that in our bleakest moments, we rise up through love of self and community.

Mustapha Matura Award - 2022

Malachi's been looking forward to a fresh start at uni for months. He's settling in, he's got a stack of books to read and he's met someone new – Kojo, a musician with a megawatt smile, who's basically perfect.

But something doesn't feel right. He keeps having the same nightmare – sinking, crushed by the weight of the ocean – and it's getting worse… A beast grows in the water, hungry, relentless, hunting him but always just out of sight. As the boundaries between nightmare and reality fracture, Malachi must fight harder than ever to stay afloat.

Kwame Owusu's play Dreaming and Drowning is an intimate and visceral deep-dive into the boundless mind of a young Black queer man wrestling with anxiety.

It won the Mustapha Matura Award, was shortlisted for the Alfred Fagon Award, and was one of the winning plays in the RSC's 37 Plays competition. It was first performed at the Bush Theatre, London, in November 2023, directed by the playwright, performed by Tienne Simon, and produced by WoLab.

A playwright known for dazzling structural inventiveness combined with emotional intelligence and wit, James Fritz is a unique voice in British theatre. His work, reflected in these six plays covering the first decade of his career, confronts the fault lines in our culture with thrilling imagination, an unflinching moral seriousness and a warm, compassionate sense of humour.

Four Minutes Twelve Seconds (Hampstead Theatre, 2014; Trafalgar Studios, 2015; winner of the Critics' Circle Award for Most Promising Playwright) is a 'morally terrifying drama' (Evening Standard) that unpicks the trust between parents and their teenage offspring in an age of selfies and sexting.

Ross & Rachel (Edinburgh Fringe, 2015; Off-Broadway, 2016) is a 'dialogue for one' that takes an incisive look at the myths of modern love. 'Shockingly good... a virtuosic piece of writing, playful, post-modern and devastatingly serious, all at once' Time Out

Parliament Square (Royal Exchange Theatre, Manchester, and Bush Theatre, London, 2017; winner of the Judges' Award, Bruntwood Prize for Playwriting) is a searingly powerful exploration of what one individual can do to effect change. 'There are few playwrights working in Britain today whose work is as slick and unsettling as James Fritz's' Exeunt

Lava (Nottingham Playhouse/Fifth Word, 2018; revived 2022) is a funny, tender and moving story about friendship and reconnection in the aftermath of catastrophe. 'Compassionate, warm and funny... Fritz's plays find reservoirs of humour in places you wouldn't expect' The Stage

Skyscraper Lullaby (Audible Original, 2022) is a powerful drama, first written as an audio play, about two parents trying to come to terms with the disappearance of their toddler, a haunting examination of the ways we cope with tragedy, complicity and remorse.

Also included is a previously unpublished short play, twins (Arcola Theatre, 2015), as well as a playful and illuminating introduction written by the author.

From escape rooms to TikTok to Tim Horton’s “Roll Up the Rim to Win” to DIY everything, participatory performance is ingrained in the very fabric of our contemporary society. Written in a series of alphabetical, standalone mini essays that activate the reader as a participant who chooses their own path, PLAY: Dramaturgies of Participation collects, describes, and analyzes live performances in which the audience become participants in the piece itself.

Jenn Stephenson and Mariah Horner explore the parallels between participatory theatre and the interactive phenomenon where the passive consumer is now engaging with their content. In a world where participation is key to our social interaction, Stephenson and Horner find a unique approach to understanding our relationship with theatre, and by extension, each other.

1979. Clarence House, London. The Queen Mother's receptions are in full swing and the champagne is flowing. Guiding the proceedings is William 'Billy' Tallon, page of the backstairs, keeper of the keys, holder of the royal corgis – and the royal secrets.

Outside the palace walls, unemployment, inflation and industrial action are bringing Britain to its knees, and the country is on the verge of changing seismically under Prime Minister Margaret Thatcher. These two worlds are about to collide, with dizzying consequences for everyone...

Backstairs Billy examines the fifty-year relationship between the Queen Mother and her most loyal, most outrageous servant, who joined her household at the age of fifteen. Marcelo Dos Santos's irreverent comedy was first produced by the Michael Grandage Company at the Duke of York's Theatre, London, in 2023, directed by Grandage and starring Penelope Wilton and Luke Evans.

Revived from a coma after a traumatic event, Megan’s injuries leave her capable of great violence, forcing her desperate physician Cassandra to recruit Alison, an Indigenous clinician, as her consultant. Alison uses an innovative form of technologically enhanced expressive arts therapy to augment the rehabilitative effects of speaking Lenape, their shared (and almost extinct) language. However, this reminder of cultural expression and identity triggers Megan, putting herself into a life-threatening situation. With Megan’s safety in jeopardy, Alison must internalize a life-changing lesson to save her: pain is often unjust, but it also reminds us that we’re alive.

Everything I Couldn’t Tell You is a potent reminder of the healing and rehabilitative power within Indigenous languages.

Professor George Grey is world-renowned for her pioneering research into octopus intelligence. Recently bereaved, her closest relationship these days is with her research subject: Frances, who resides in a large, purpose-built tank in George's campus accommodation.

But when ambitious anthropologist Harry enters her life, his breathtaking new theory threatens to tear her world apart in more ways than one…

A play for two actors – and one octopus – Octopolis by Marek Horn is a fascinating and funny exploration of love, grief and what makes us human. It premiered at Hampstead Theatre, London, in September 2023, directed by Ed Madden.

Irina takes erotic photos of average-looking men. Always behind the lens, she watches, she molds, and she stalks. These boys are putty in her hands, just the way she likes it.

When the opportunity to show her photographs in a fashionable London gallery coincides with a new boy to obsess over, cracks begin to appear. How far can she push her new prey for the perfect shot, or has she already gone too far?

Based on the critically acclaimed debut novel by Eliza Clark, which was a finalist for the Women's Prize Futures Award, Boy Parts is a pitch-black psychological thriller that subverts the erotic gaze and asks what happens when our need for connection gets twisted.

This stage adaptation for one actor by Gillian Greer was premiered in 2023 at Soho Theatre, London, in a co-production between Metal Rabbit Productions and Soho Theatre and directed by Sara Joyce.

On the surface, Michael and Cheryl have it all: a posh new home in suburban Belfast, good jobs, 2.4 pets.

But things take a sinister turn when, living opposite a bonfire site, they unwittingly become the targets of a hate campaign involving missing animals, graffiti and explosions…

Gary Mitchell's play Burnt Out is a blackly comic psychological thriller exposing the darker side of suburban life. It was first performed in 2023 at the Lyric Theatre Belfast, as part of the Belfast International Arts Festival.

Gary Mitchell is a British playwright based in Northern Ireland. His plays, many of them political thrillers about contemporary life in Belfast, have been widely performed, and he has been called 'Northern Ireland's greatest playwright' (Guardian).

Edinburgh Fringe First Award - 2022

A permanently single, professionally neurotic stand-up comedian finally meets his Mr Right – and then does everything wrong.

Is Mr Right quite what he seems? And just how far will the comedian go to get a laugh?

Marcelo Dos Santos's play Feeling Afraid As If Something Terrible Is Going To Happen is a dark and bitingly funny one-man show about vulnerability, intimacy, ego and truth. It premiered in the Roundabout at the 2022 Edinburgh Festival Fringe, produced by Francesca Moody Productions, directed by Matthew Xia, and starring Samuel Barnett.

The critically acclaimed, Fringe First-winning production transferred to the Bush Theatre, London, in November 2023.

Casey's new boyfriend Brett is handsome, romantic and devoted – a dream come true. He writes poetry! He makes quiche! For once in her life, Casey is in a relationship with a man who attends to her every whim and desire.

But when her suspicious sister Cynthia starts digging into Brett's past, she threatens to take away the one good thing that's ever happened to Casey…

Nancy Harris's play Somewhere Out There You is a romantic comedy with a twist, playfully unravelling the love stories we weave for ourselves and inviting us to question what compels us to tell them in the first place. It was first performed in 2023 at the Abbey Theatre, as part of Dublin Theatre Festival, directed by Wayne Jordan.

Mark and Tiny go for walks along the beach at Seaton Carew, County Durham. Their dad is dying, and their town is crumbling. Family rifts and political divides try to pull them apart, and a figure made of driftwood stalks the shore at night.

Tim Foley's Driftwood is an intoxicating and mystical play about love, belonging and the tides within us. It was premiered in 2023 by Pentabus and ThickSkin on a tour of the UK, co-directed by Neil Bettles and Elle While.

1917: World War One is raging in Europe. In Britain, Sterling Ladies – known as the Dagenham Invincibles – are playing to win. For two whirlwind seasons, they never lose a game. Yet once peace is restored, the factory girls must hang up their boots and see triumph fade into obscurity.

2023: Injured footballer Maya follows England's progress through the Women's World Cup. The world has changed, yet the roar of the Lionesses echoes the Invincibles' war-cry. Watching at home, Maya fears she'll never play again – but as she loses herself in the present, she hears the call of the past and finds fresh hope for the future.

Amanda Whittington's play The Invincibles celebrates two generations of inspirational women, and their adventures on the football pitch a century apart. It premiered at Queen's Theatre Hornchurch in 2023, and offers rich opportunities for other theatre companies looking to score a hit with their audiences.

Gregor Samsa wakes up each morning, quietly leaves the house to take the same train, and works to pay off the family debt.

But that world explodes one morning, when Gregor awakes to find himself changed. To those around him he is dangerous, untouchable vermin. Worse than that, he is a burden.

Metamorphosis, Franz Kafka's shocking tale of cruelty and kindness, has been a literary landmark since it was first published in 1915. Lemn Sissay's thrilling stage adaptation is a visceral and vital depiction of humans struggling within a system that crushes them under its heel. It was commissioned and first produced in 2023 by Frantic Assembly, in a co-production with Theatre Royal Plymouth, Curve, MAST Mayflower Studios and Lyric Hammersmith Theatre, and was directed by Scott Graham.

For Charly, every day is the same. Things used to be different, when there was Clo, but now there isn't Clo, and Charly doesn't want to dwell on that. She just wants to chug coffee, blast Beastie Boys and deal drugs. Simple.

But when Charly suffers a power cut, she's forced back into the real world of knock-off Morrisseys, disapproving mothers and, ultimately, a world she has to navigate alone.

Lady Dealer is a mile-a-minute, one-person poem play by Martha Watson Allpress about forgiveness, the exhaustion of trying, and mistaking self-destruction for self-preservation.

It premiered in Paines Plough's Roundabout during the 2023 Edinburgh Festival Fringe.

An anthology of six new plays written in Arabic, published here in English translation. Including five plays selected from over 500 submissions to Masrah Ensemble’s 2021 Open Call and one by Masrah Ensemble’s former playwright-in-residence, these six texts—by Yasser Abu Shaqra, Arzé Khodr, Rim Mejdi, Wael Qaddur, Nasr Sami, and Leila Tubal—represent a diverse array of voices and styles, and push at the limits of theatrical form and public discourse. The volume features an introduction by theater writer/director/academic Hanan Qassab Hassan along with short introductions to the plays by US-based playwrights Lucas Baisch, Jess Barbagallo, Agnes Borinsky, Nazareth Hassan, Kristen Kosmas, and Haruna Lee.

Ruby by Leila Tubal (Tunisia)

Translated by Hisham Ben Khamsa, with an introduction by Haruna Lee

A rhythmic monologue, lyrical and dark, in which a woman unpacks a life of misogyny and violence as she prepares to meet her daughter for the first time.

Braveheart by Wael Qaddur (Syria)

Translated by Clem Naylor, with an introduction by Lucas Baisch

A play about a group of friends writing a novel together, in which relationships collapse and get rebuilt through the act of writing. How do you move out of a state of war into a time of presumed stability?

Eternity by Rim Mejdi (Morocco)

Translated by Melanie Magidow and Caline Nasrallah, with an introduction by Kristen Kosmas

A young woman is stuck on a train, and just wants to get off. An allegorical knot of a play that moves between liveness and video, vernacular and formal Arabic, with interludes from Rimbaud's French.

Sometimes We Remember by Arzé Khodr (Lebanon)

Translated by Clem Naylor, with an introduction by Nazareth Hassan

A Fornesian diamond of a play that unfolds in a series of seemingly simple domestic and urban scenes, about the lure of dwelling in memories of war.

Dog and Cat Pizza Chapters by Nasr Sami (Tunisia)

Translated by Sam Kimball, with an introduction by Jess Barbagallo

A dizzying trip into a world of violence and distortion, by way of the Biblical Song of Songs. In which cats are nailed to walls, and two lovers seek to become one.

Unsettled by Yasser Abu Shaqra (Palestine/Syria)

Translated by Zeina Halabi, with an introduction by Agnes Borinsky

A Syrian family arrives as refugees in Europe, where life does not resemble what they imagined. Over the course of the play, each member of the family finds themselves backed deeper and deeper into a corner, and “safety” proves a devil’s bargain.

In October 2013, Scott Jones was leaving a bar in New Glasgow, Nova Scotia, when he was attacked, stabbed in the back, and left paralyzed from the waist down. In the months following his attack, Scott Jones’s story garnered international attention, not only for its brutality, but also for his uncommonly early decision to forgive his attacker. Furiously researching restorative justice practices and success stories, Jones sits down to ask himself the hardest question he’s ever had to answer: Does he have it in him to not just forgive his attacker, but to accept his new life as a disabled man?

Based on the incredible true story, I Forgive You explores the complexities of forgiveness, privilege, recovery, and self-love in Scott’s own words backed by a live children’s choir performing the music of legendary Icelandic band Sigur Rós.

Hailed as the world’s first Deaf musical—told entirely in American Sign Language and Signed Music—The Black Drum revolves around Joan and her journey to healing after the death of her wife, Karen. Since Karen’s passing, Joan has been unable to share her music with the world, anguish snatching her desire to perform. Joan’s grief pulls her into a bizarre, black-and-white world where her two beautiful tattoos come to life as guides and together they confront a monster called the Minister. But the only way to defeat the Minister and begin to heal is for Joan to embrace her own voice.

An epic fantasy about grief and healing, The Black Drum questions the concept of music we are conditioned to believe, suggesting that music is not just something you hear, it is something you see and feel.

Exploring reconciliation and connection through a story that spans seven generations, Frozen River (nîkwatin sîpiy) tells the story of two eleven-year-olds through the eyes of Grandmother Moon. Eilidh and Wâpam are born under the same blood moon, but Eilidh was born in Scotland and Wâpam in Kihci-Manito kâ ayapit, now known as Manitoba. After sailing across the ocean in hopes of a more prosperous life, Eilidh meets Wâpam deep in the forest, and the two become instant friends. Coming from vastly different worlds, Eilidh and Wâpam decide to teach each other about their ways of life. But when a sacred promise between them is broken, the relationship among cultures becomes jeopardized for generations to come.

Frozen River (nîkwatin sîpiy) shows audiences that an openness to learn from those who have protected and honoured the waterways for centuries can lead to healing and reconciliation.

When shy Aaron joins the hotel's inharmonious team, he's faced with emotionally volatile guests, apathetic staff and management that doesn't have a clue. Not to mention the rumour of singing ghosts haunting the corridors.

But through all the madness, one voice stands out, capturing his ears and his heart – and Aaron must go into battle with the hotel's magical chaos to find out the truth.

An uplifting ensemble comedy, Isobel McArthur's The Grand Old Opera House Hotel is a story of art bringing us together in hopeless circumstances, to the tune of some of the most popular opera songs ever written. It premiered at the Traverse Theatre, Edinburgh, during the Festival in August 2023, with Dundee Rep Theatre, directed by Gareth Nicholls. It was the recipient of an Edinburgh Fringe First Award.

Chunkyz Shisha Lounge is a home away from home for Jihad, Rashid and Asif, a space where community whispers are heard, jokes are told, and new hustles are born. But its future is under threat, having become a target for local politicians.

Aspiring journalist Jihad wants to fight back. After winning a competition to produce his own documentary, he sets out to create something that gives a voice to his community and challenges the usual stereotypes that fill the airwaves. Will he be able to create something that makes his boys proud? Or will his dreams of becoming a journalist come at a cost too high to bear?

Mohamed-Zain Dada's debut play, Blue Mist is a story about South Asian Muslim men navigating a system that isn't built for them. It premiered at the Royal Court Theatre, London, in October 2023, directed by Milli Bhatia, in a co-production with SISTER.

You can call him Cockroach, or Roach for short. He’s a catnip-smoking city slicker living in the dark corners behind the toilet. After diving into the diaper of a Chinese baby, Cockroach watches the boy grow up to lose his sense of identity. Understanding what it means to live in a world not built for outsiders, he attempts to help the boy reclaim his culture. But when the Bard himself makes a surprise appearance in hopes of influencing the boy with the “superior” English language, Cockroach finds himself caught in a collision of linguistics, longing, and lobsters (who sometimes burp).

A unique exploration of xenophobia and the dangers of language erosion, cockroach (曱甴) is a coming-of-age play about the stories we tell ourselves to comfort, to survive, to resist, to overcome, and to be.

The story Charles Dickens might have written after drinking too much gin…

Follow half-orphan Pip's extraordinary exploits with sisters Pippa and Poppy and best friend Harry Biscuit, as they attempt to escape the calculating clutches of the dastardly Mr Gently Benevolent, defeat the hideous Hardthrasher siblings, and deflect disaster at every turn! Will evil be vanquished by virtue? Can love triumph over hate?

Mark Evans' stage play Bleak Expectations is a hilarious, chaotic caper, featuring dastardly villains, preposterous names, pulse-quickening romances, heart-rending death scenes, and definitely, probably, hopefully a happy ending.

Based on the award-winning BBC Radio 4 series, the play opened at The Watermill Theatre, Newbury, in 2022, directed by Caroline Leslie. It transferred to the Criterion Theatre in London's West End in 2023, where it featured a medley of many well-known actors and comedians.

It offers rich opportunities to amateur theater companies looking for a gloriously daft Dickensian romp which will have their audiences joyfully transported and begging for more.

Helen is forty when she loses her husband. Her daughter Becca is fifteen when her dad dies. Now it's just the two of them... what do they do next?

Unfolding through snapshots of a relationship over forty years, Helen explores the threads which bind mother and daughter together, how they damage each other, and how they come to each other's rescue.

A play for two actors – about love, grief, and getting ashes stuck to your trouser leg – Helen by Maureen Lennon was shortlisted for the 2020 Theatre503 International Playwriting Award. It was first produced at Theatre503, London, in May 2023, in a co-production with Terrain, a company dedicated to promoting Northern artists and the stories they tell.

“The book flinches like a school of fish, a murmuration, a murder nation, my colonizer's baby handprint on a paneled wall in a farmhouse in Ovid, Michigan. The book unearths burial mounds and flattens them into fields. My ancestors removed the bones, and I removed arrowheads from the creek, and I held them to my heart, and I searched the grass for blood, but all I saw was a starling. She hid her eggs in my chest, and when I drifted to sleep I saw black-winged, nameless shadows.

This is the Book of Lily.”

In Faun, Brandi George explores the sudden erasure of human and nonhuman populations from her hometown of Ovid, Michigan. Embodying various voices, forms, and media, a young girl named Lily undergoes a series of transformations guided by nymphs, flora, and fauna. A reworking of Ovid's Metamorphoses, Faun also reflects on the themes of sexual violence that often occur in the mythic.

Pog sprawls on a couch. Gomey stands by a large globe. Pog sits at the counter. Gomey sits at a table. Two broken lawn chairs, center stage. Pog and Gomey listless in these chairs. Pog and Gomey seated, next to each other, but at different tables. Pog dressed as Punch, or Judy. Gomey dressed as Judy, or Punch. Pog, you know. Gomey, too. In chairs, side by side: Pog and Gomey. Left of center, Pog at a lectern. Right of center, Gomey at a lectern. A post-apocalyptic place, no sign of anyone. Pog dressed in bird mask and long iron sheets. Gomey on stilts. Nothing. Nothing. Nothing. The audience almost gets up to leave. A smell of popcorn. Pog puts on a big floppy hat. Gomey is sniffling. Pog, a man, barely. Gomey, another man, also barely.

In their collection of collaborative short plays, poets Jon Cone and Rauan Klassnik introduce us to Pog & Gomey—a Waiting for Godot-esque pair for the new millennium. Except our friends aren't waiting for anyone in particular—they might not even be friends. They're just stuck with each other. But the globe keeps spinning. And an audience has come to watch.

“I told you how I blamed you for so much,
your fist blooming into a prismed silence, a spectral call
for quiet, cheering from the chorus as your fist anoints
liquid mercury to my lips, the sign to all that I have
succumbed to your weight, wordless.

Brother, if you called for purple, I would give you amethyst
from my mouth; if blue, water and a sail.”

Guided by Dante, Freud, and a pantheon of other literary and mythical figures, Justin Limoli travels to hell and back in this new play about brotherhood, loss, and what it means to keep writing when all you write about is grief. A stand-alone work as well as a follow-up to Bloodletting in Minor Scales [A Canvas in Arms.], Limoli's latest blurs the intersection of play and poetry even further, creating something both beautiful and wholly unique in the process.

It's 1671, and the charismatic and unpredictable Colonel Blood is planning the greatest heist of all time: stealing – in plain sight – the Crown Jewels from the Tower of London.

With an audacious plan and a gang of misfits by his side, can he possibly pull it off? And is King Charles II in any mood to have his crown jewels handled?

Based on the scarcely believable true story, Simon Nye's play The Crown Jewels is a riotous and uproarious royal affair. It opened at the Garrick Theatre in London's West End in 2023 before touring, and was directed by Sean Foley with a star-studded cast including Al Murray, Mel Giedroyc, Carrie Hope Fletcher, Aidan McArdle, Neil Morrissey, Joe Thomas and Tanvi Virmani.

It will appeal to any amateur theater company – monarchists and republicans alike – who want to get their hands on a royally funny caper to perform.

When orphaned Mary Lennox comes to live at her uncle's great house on the Yorkshire Moors, she finds it full of secrets. Left to make her own entertainment, Mary stumbles upon a garden, overgrown and locked for years. A forbidden garden.

Finding her way inside, with the help of a friendly robin, Mary begins to feel a connection to the house and its inhabitants. Then, one night, in one of the house's many rooms, she hears the sound of crying...

Frances Hodgson Burnett's delightful and enduring tale celebrates the power of transformation and healing through nature. Elizabeth Newman's magical adaptation was premiered at Pitlochry Festival Theatre's open-air amphitheatre in 2023, where Newman is Artistic Director.

This version will appeal to other professional and amateur companies looking for a much-loved classic that can be easily staged in theatres, outdoor venues – and gardens.

A group of teenagers, their lives shaped by billions of seemingly random events going back to before they were born, come together onstage to share stories about their past, their present, and what might lie ahead.

When This Is Over is a uniquely personal, theatrical celebration of hope, possibility and imagination. It's about how we can work with chaos, and embrace our collective imagination as we prepare for a deeply uncertain future – together.

Originally conceived by Company Three – and developed alongside more than fifty other youth theatres across the UK – When This Is Over is a play designed to be created and performed by teenage casts, drawing directly on their own life experiences and the stories they want to tell. As with Company Three's widely performed youth-theatre play Brainstorm, the script is a blueprint for an amazing theatrical adventure.

This published edition contains a series of exercises and activities for schools, youth-theatre groups and community companies to create and perform their own unique productions, and also features the complete script of Company Three's version, which was performed at The Yard, London, in 2022.

When This Is Over was named Community Project of the Year at The Stage Awards, and Outstanding Drama Initiative at the Music and Drama Education Awards.

Two couples each invite a stranger into their homes in the hope of sparking new life. Instead, they find themselves threatened by invasion, alienation and abduction…

Louis Emmitt-Stern's uncanny and razor-sharp sci-fi comedy-drama I Fucked You in My Spaceship received a sold-out premiere at VAULT Festival 2023, winning the Origins Award for Outstanding New Work. It subsequently transferred to Soho Theatre, London.

The play is also available (in an earlier version) in the volume Plays from VAULT 6.

Years and years ago, Hope disappeared. Now, she's back. To find something she left behind.

But in the People's Republic of Koka Kola – a world of dwindling resources, corruption and corporate giants – what happens to Hope?

A surreal and frenetic quest through a hyper-capitalist country, Tom Fowler's play Hope has a Happy Meal premiered at the Royal Court Theatre, London, in June 2023, directed by Lucy Morrison, in a co-production with SISTER.

Dan is a carpenter. A Geordie through and through. He had a heart attack recently, but he's on the mend now.

Katie has just arrived from London. She's finally got a council flat, somewhere for her and her daughter, Daisy. A fresh start.

In adversity, people come together. But when the system is stacked against you, how does anyone get by? With 14.5 million people (Joseph Rowntree Foundation 2022 Poverty Report) living in poverty in the UK, this is not fiction. It is reality.

I, Daniel Blake was originally a film – directed by Ken Loach, written by Paul Laverty and produced by Rebecca O'Brien for Sixteen Films – which won the 2016 Palme d'Or at the Cannes Film Festival. This touching and vital stage adaptation by Dave Johns, who played Dan in the film, toured the UK in 2023, co-produced by tiny dragon Productions, Northern Stage, Birmingham Rep and ETT, in association with Cardboard Citizens.

It's 1874, and Elizabeth Thompson stuns the artistic establishment with her painting The Roll Call. Five years later, she falls two votes short of becoming the first woman elected to the Royal Academy.

In between, she shoulders the hopes and dreams of female artists across the country, while fighting for her place at a table full of top hats, neckties and mutton chop beards.

A thrilling collision of music hall, cabaret and drag king swagger, Modest tells the true story of a pioneering megastar of the Victorian art scene. Written by Ellen Brammar and with music by Rachel Barnes, it was first produced in 2023 by Middle Child in collaboration with Milk Presents at Hull Truck Theatre before touring.

Summer 1860, an elegant country house, a young boy is found dead in an outside privy. All clues point towards the murderer being a member of the grieving household.

Called to the scene is the most celebrated detective of his day, Jonathan Whicher from Scotland Yard. But this case challenges him in ways he's never been challenged before.

Over twenty years later, still haunted by the case, Whicher visits the murderer. As they replay the past, they start to question the nature of truth, the desire for certainty and the possibility of redemption.

This compelling stage adaptation of Kate Summerscale's gripping bestseller opened at The Watermill Theatre, Newbury, in May 2023.

This ensemble piece provides rich opportunities for companies looking to intrigue their audiences with a fresh take on a dark Victorian mystery.

They don't seem an obvious match. Joanne is spiky, defensive, a survivor; Paul is quiet, considered – and hiding profound grief for his father. But the pleasure he takes in cooking – and the astonishing food he prepares – creates a bond between them.

When the hotel where they both work closes and they start to spiral into poverty, it throws everything up in the air – first their plans for a cookbook and a restaurant, and, eventually, even their dreams of a future together...

Gareth Farr's play Biscuits for Breakfast is a tender, heartfelt drama about families – the ones we inherit and the ones we create – and the struggle to survive when times get tough. It opened at Hampstead Theatre, London, in May 2023, directed by Tessa Walker.

In Exploring Shakespeare, acclaimed theatre director Bill Alexander takes us inside the rehearsal room to reveal – in unprecedented and captivating detail – exactly what happens there. He examines the key relationship between the actors and the director, how they work together to bring Shakespeare's vision to life, and how choices are made that will shape every aspect of the play in production.

Full of acute observations and perceptions drawn from a long and brilliant career, the book covers the essential aspects of any Shakespeare production, from understanding the world of the play, to preparing and cutting the text, deciding on costumes and set design, handling soliloquies, and considering character and backstory.

There are detailed studies of eight plays spanning the full length and breadth of the Shakespearean canon, from Titus Andronicus and The Shrew to The Tempest, via Macbeth, Othello, Hamlet, Lear and Twelfth Night. Alexander also provides first-hand case studies of three of his own productions, including his famous Richard III starring Antony Sher.

Personal, forthright, and full of pragmatic advice, Exploring Shakespeare is a masterclass for directors and actors, and a fascinating insight for anyone interested in Shakespeare.

Es and Flo fell fiercely in love in the eighties. They've been living as secret lovers ever since. As Es becomes more forgetful around their home, an unexpected carer arrives. Who sent this woman? Why? And can they trust her?

As the outside world comes crashing in, Flo fights to protect the life they've built together over forty years behind closed doors. And faces the hardest battle of her life – to hold on to the woman she loves.

Jennifer Lunn's play Es & Flo is a sharply observed, deeply compassionate drama, coloured with memories of the Greenham Common Women's Peace Camp. It celebrates an older lesbian relationship, women coming together to fight for what's right, and the healing power of chosen family.

The play was produced by Wales Millennium Centre, Cardiff, and opened there in April 2023 before moving to Kiln Theatre, London, directed by Susie McKenna. It won the Popcorn Group Writing Award and the Nancy Dean Lesbian Playwriting Award.

We are all a complex mixture of the elemental energies identified by many different cultures throughout history: Earth, Air, Fire, Water – and a fifth element called Quintessence or Spirit. As an actor, you need to be able to access each of them, so that you can draw on whichever element you need to bring your role fully into life.

In The Elemental Actor, Mel Churcher explores these deep, primal drives, and gives you practical tools to harness them to make your work more powerful and alive. Her unique approach combines elements of actor training, voice work and movement to increase your range and help you bring depth, specificity and intensity to your performance.

The book includes over one hundred games and exercises to help you explore each of the elements, incorporate this work into your practice, and apply it to the world of your role. There are also tips for preparing for auditions and dealing with performance anxiety, as well as advice on how to stay healthy in body, voice and mind.

Offering an everlasting palette that will enrich any performance, whether on stage or screen, The Elemental Actor will help you release the wellspring of your imagination, and put elemental power into your work.

Summer 1945. Hitler is dead, but the war in the Pacific rages on. When six of Germany's top nuclear scientists – including three Nobel Prize winners – are detained by Allied forces at a stately home in the Cambridgeshire countryside, they find themselves shut off from the outside world. Their only distractions are board games, a broken piano and a copy of Blithe Spirit. But as the months go by, their attention turns to the ongoing war and thoughts of their broken homeland.

The scientists' tranquil summer is shattered by the inconceivable news that the Americans have succeeded where the Germans have failed: the United States has not only built an atomic bomb, but they have used one against Japan.

Katherine Moar's captivating debut play Farm Hall dramatises the true story recorded inside the bugged walls of the actual Farm Hall between July 1945 and January 1946. It was premiered at Jermyn Street Theatre, London, in March 2023, before transferring to the Theatre Royal Bath, directed by Stephen Unwin.

Sophie is about to become a single mum – a third-generation one – and she's terrified. How will she afford to feed her baby? Or a Deluxe Snuggle Pod? Can she hold on to her job? What if she's crap at parenthood? Surely she can count on her own mum and nan to help...

Except her mum's got used to having a life of her own, and doesn't fancy giving up pole-dancing class and Tinder to go back to changing nappies and no sleep. Meanwhile, fresh out of hospital with a broken leg, her nan's having a three-quarter-life crisis of her own.

From slammed doors to living-room karaoke, Lydia Marchant's play Mumsy is a sparky, soulful comedy drama about the highs and lows of motherhood. It premiered at Hull Truck Theatre in March 2023.

Amber is trapped – by her family's rules and expectations, and by her own fears. But on the running track she feels free. As her body speeds up, the world slows down. And the tangled, mixed-up words in her head start to make sense...

It's time to start a revolution: for her mother, for her sister, for herself. Run, Amber. Run.

Manjeet Mann's multi-award-winning verse novel, Run, Rebel, about a young woman beginning to take control of her life, was shortlisted for the Carnegie Medal 2021 and won the CILIP Carnegie Shadowers Choice Award, a UKLA Book Award, a Diverse Book Award and the Sheffield Children's Book Award.

This fast-paced, mesmerising stage version, adapted by the author, was first produced in 2023 by Pilot Theatre, with Mercury Theatre, Colchester, Belgrade Theatre Coventry, Derby Theatre and York Theatre Royal. 

In 2019, a group of scholar-artists led by Jill Carter stood with their audience in a liminal space at the edge of the woods—a space between now and then, a space between now and later. Together, they engaged in a survivance intervention: an Indigenous reclamation of territory, using Storyweaving practices rooted in personal connections to the land as a method of restor(y)ing treaty relationships.

Retreating to Re-Treat documents both their artistic offering and creation process, offered in the spirit of knowledge-sharing and enriching scholarship around collaborative practices. By revealing their unique and still-developing method for addressing a fraught and tangled (hi)story, the Collective Encounter invites readers to join them as we mediate those sites of profound experiences and renewal—sites in which the project of conciliation might truly begin.

A small military-occupied community sits, waiting, parched of natural water while nearby levees hold the rising global shoreline. Seventeen-year-old twins Alix and Evan pass the time in an empty, abandoned pool with what they are able to scavenge from the abandoned houses, while government official Portia returns to familiar places, her past colliding with the present. The planned evacuation notice that eventually reaches all cities has finally come, but the twins learn that survival is not guaranteed. As they rush to reach their grandmother, a retired journalist now living with dementia, her snippets of memories flow like humanity’s record player, skipping tracks before the final flood.

A non-linear poetic play that acts like a postcard from the future, Shorelines is about family and community in a world ravaged by climate change. It also speaks to the inevitable inequality of disaster response and how poorer communities are disproportionately affected by it. Mishka Lavigne’s message within her lyrical piece is urgent and multi-dimensional: it is a reminder that all things are connected and hope can only lie in the relationships we form with the people around us.

It’s 1970s Winnipeg—a time of revolution and radical possibilities—and an apartment building of Indian immigrant friends is about to be transformed by their latest arrival. A young Bengali Muslim woman, Nuzha, has just married Qasim over the phone at his mother’s insistence, and can’t wait to start her new life with him. But Qasim struggles to let go of his true love, a Canadian nurse named Abby, making him an emotionally and physically distant husband. Broken-hearted but full of pluck, Nuzha finds comfort and adventures on her own terms by exploring everything her new community has to offer. From braving the bus schedule to building close relationships with Qasim’s friends, Nuzha’s discoveries are thrilling, enriching, and crack open new possibilities for everyone.

From the creator of the powerful solo show Crash, Pamela Sinha’s New is an evocative, emotionally-astute comedy about the complex nature of love and sacrifice, joyful togetherness and piercing loneliness, and what it means to create entirely new ways of life through our willingness to tread uncharted territory.

David is in love with King. But King is a superhero.

After an unexpected encounter, David plunges himself into a world of sex, drugs and hero worship in the hope of being rescued, until fantasy and reality merge with devastating consequences.

Danny Lee Wynter's play BLACK SUPERHERO is a brutal, unflinching, funny portrait of one man's life spiralling out of control, in an age where our idols are Kings and our superheroes Gods. It was premiered at the Royal Court Jerwood Theatre Downstairs, London, in March 2023, directed by Daniel Evans and with a cast including Dyllón Burnside and the playwright Danny Lee Wynter.

Mary has just been released from prison. She wants to come home and forget all about it – but Briana has other ideas.

Over two tumultuous days, a family is forced to confront not only their past, but everything about themselves. Because the truth doesn't go away, even if you refuse to hear it.

A powerful story of family and forgiveness, Deborah Bruce's play Dixon and Daughters was first performed at the National Theatre, London, in April 2023, directed by Róisín McBrinn and co-produced with Clean Break.

On the twentieth anniversary of its first volume, Staging Coyote’s Dream Volume 3 is a curated collection of new works rooted in Indigenous values, aesthetics, and narrative structures. Inspired by their own dramaturgical practices and current conversations in contemporary theatre creation, co-editors Monique Mojica and Lindsay Lachance identify the invaluable and understudied ways that many Indigenous theatre artists are creating culturally specific dramaturgical processes and shifting the paradigm for what is considered “text.” By presenting models for relational theatre-making and land-based explorations outside the traditional “well-made-play” structure, Staging Coyote’s Dream Volume 3 is more than just a collection of plays; it offers some strategies and tools for how Indigenous artists can reimagine the structures of new-play development and performance on Turtle Island.

An anthology that identifies and highlights a vast array of anti-colonial performing arts processes, including reclamation, embodiment, and community-engaged work—to name only a few—Mojica and Lachance gather the works of artists leading these practices to not only honour how their plays are expanding dramaturgy, but to build Indigenous performance literacies for all practitioners creating on Turtle Island.

David is gay, disabled and profoundly horny. He can't eat, drink or shower by himself – or wank. Totally inexperienced, he embarks on a sexual and romantic odyssey, armed with a fierce brain, and dick pics that he has to get someone to take.

Can he keep it casual whilst also relying on round-the-clock care? And will he manage the thrill and uncertainty of random hook-ups after a lifetime of knockbacks?

Animal is a hilarious, challenging and heartbreaking play by Jon Bradfield, from a story by Bradfield and Josh Hepple. It won the inaugural Through the Mill Playwriting Prize, was shortlisted for the Papatango Prize, and was first performed at the Hope Mill Theatre, Manchester, and Park Theatre, London, in 2023.

What is the future of Blackness? Obsidian Theatre presents twenty-one versions of it.

In 2021, Obsidian Theatre engaged twenty-one writers to create twenty-one new stories about imagined Black futures. Twenty-one to celebrate Obsidian’s twenty-first anniversary in 2021. Each playwright was tasked with scripting a ten-minute monodrama in response to the question “What is the future of Blackness?” To counter the intense early-pandemic isolation and the trauma of witnessing heightened violence toward Black bodies, Obsidian’s goal was to give as many opportunities to as many diverse Black artists as possible and to bring new voices together from both theatre and film. It was a grand experiment to create a rich tapestry of possibilities and to uplift Black artists in the process.

A radical offering in unprecedented times, newly appointed Obsidian artistic director Mumbi Tindyebwa Otu’s curatorial aim was joyful, aspirational, and empowering: come together in this moment and create something communal, unapologetically Black, and with the Black gaze at its centre—art as the architecture for creating those futures.

Set seven years before King Lear, Queen Goneril centres the struggles of Lear’s daughters as they negotiate patriarchal systems built to keep them relegated to the sidelines. In Goneril, we find a natural-born leader. In Regan, a boundary pusher. And in Cordelia, a reluctant peacekeeper. As the three work to dismantle their individual constraints, a storm of inner reckoning begins to brew that reflects their deepest yearnings and mirrors our contemporary world.

Whip smart and wide awake, Queen Goneril is another deliciously disruptive adaptation from Erin Shields. In her signature revisionist style, Shields investigates some of our most urgent feminist issues by reimagining the roles of women in classic texts—shifting them from subjects, objects, or witnesses to central figures of both their own lives and the story’s narrative. Queen Goneril lays bare the challenges of maintaining authenticity while achieving authority—how we retain a strong sense of self while twisting around systems meant to make us play small. A compelling story about complicated characters struggling—the way we all struggle—to find their place in this world.

A clear, supportive and comprehensive guide to writing a play – based on the author's long-running playwriting masterclasses, as taught at the UK's National Theatre.

This book leads you through everything you need to know, including:

• The theatrical tools and techniques you can use to bring your play to life on the stage (and how these differ from writing for film and TV)
• Discovering and trusting your writing process, with a range of approaches for developing your initial idea into a completed script
• Understanding your characters, including their goals and central conflicts, and using emotional logic to connect them to your story
• Finding the dramatic structure and theatrical setting that best suits your play
• The key elements of constructing a great scene, including how to handle exposition, invoke tension, deepen characterisation and create effective transitions
• Writing engaging, active dialogue by finding each character's voice, balancing exposition with subtext, and rooting what a character says in their specific context

Throughout, you'll find examples from classical and modern plays, plus insights from other contemporary playwrights into their own writing journeys. Each chapter provides a set of exercises to help you practise what you've learnt.

There's also advice on what to do once you've finished your script – including redrafting, receiving feedback and taking notes – and how to navigate your play's progress towards production.

Whether you're an emerging playwright or embarking on your first-ever play, The Playwright's Journey will help you develop your creativity, strengthen your connection to your material, and transform your idea into a fully formed play that feels alive on the page – and the stage.

Gabriel Dolan's never been up to much. That's what everyone says. Until she meets Alex, a young, ambitious woman who sells essential oils for a multi-level marketing company called Paradise – and overnight, Gabriel is drawn into a bright, new, floral-scented world.

In Paradise, you're your own boss. In Paradise, you could make a fortune. Embraced by a new community of women just like her, Gabriel rises through the ranks of the company like a shooting star. But when she gets to the top, it doesn't quite feel like she thought it would.

Margaret Perry's Paradise Now! is a funny and raging play about ambition, exploitation and the search for connection in a fractured world. It was first performed by an all-female cast at the Bush Theatre, London, in December 2022, directed by Jaz Woodcock-Stewart.

Entrenched in her picturesque Devonshire village, Ivy Tiller is preparing to wage a war.

Her target: the invasive grey squirrel. Her goal: to oust the invaders and restore the native red squirrels as the 'rightful' inhabitants. Galvanised by her important mission, Ivy's determination swells to uncomfortable heights.

Bea Roberts' blackly comic play Ivy Tiller: Vicar's Daughter, Squirrel Killer challenges our assumptions about who belongs and who thrives, and exposes the dark side of the rural idyll. It was first performed by the Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, in October 2022.

When Eddie returns home to Shropshire, he falls back into his fractious, complicated relationship with his father, both skirting around things long left unsaid. As their connection starts to evolve, can they break through and find the new beginning they both need?

Tom Wentworth's Little Bits of Ruined Beauty is a darkly comic play examining the subtle shift from cared-for to carer, and how dignity and independence are maintained in isolated rural areas.

It was premiered in 2022 by Pentabus on a tour of the UK, directed by Nickie Miles-Wildin, and commissioned and supported by Unlimited, celebrating the work of disabled artists.

Scotland, 1504, seen fresh through the eyes of new arrivals Ellen and Anne, two Moorish women who were expected to take their place at a royal court… but not this one.

Both women now have to fight to find and keep a place in the dazzling, dangerous world of the Scottish court of James IV. It's a world where war is never far away, words of love and promises of peace are not what they seem, and where poets might turn out to be more dangerous than any assassin.

Rona Munro continues her journey through an uncharted period of Scottish history with James IV: Queen of the Fight, which was first presented in 2022 by Raw Material and Capital Theatres in association with National Theatre of Scotland, and directed by Laurie Sansom.

It follows the spectacular success of Munro's plays about James I, II and III, which were first performed by National Theatre of Scotland, transferred to the National Theatre, London, and were named Best New Play at the Evening Standard Awards.

The original three-play cycle is available in the volume The James Plays: James I, II and III.

A series of random nocturnal assaults in the back streets and alleyways of Victorian London are spreading fear and panic. Meanwhile, the friends of a highly respected doctor are beginning to wonder why he goes missing on exactly the same nights…

Neil Bartlett's inventive, brilliantly theatrical adaptation cuts right to the heart of Robert Louis Stevenson's darkly fascinating tale of male violence, guilt and privilege.

It premiered at Derby Theatre in 2022, directed by Artistic Director Sarah Brigham, before transferring to Queen's Theatre Hornchurch. Written for an ensemble and with several key roles for women, this adaptation will appeal to any theatre or company looking to thrill their audiences with a bold new take on this classic tale of murder and mayhem.

Medea and Jason, clinging together as refugees in Corinth, have struggled to bring up their beloved offspring in this alien and unsympathetic society. Now Jason has a plan to better integrate himself. Unfortunately, this involves abandoning his wife, the mother of his children…

Spurned, destitute, desperate, Medea exacts her terrible retribution.

Liz Lochhead's Scots-inflected version of Euripides' classic revenge tragedy was first performed by Theatre Babel in 2000 and won the Saltire Society Scottish Book of the Year Award. It was revived by the National Theatre of Scotland as part of the 2022 Edinburgh International Festival, with Adura Onashile as Medea, directed by Michael Boyd.

2022 Edinburgh Fringe First Award

A permanently single, professionally neurotic stand-up comedian finally meets his Mr Right – and then does everything wrong.

Is Mr Right quite what he seems? And just how far will the comedian go to get a laugh?

Marcelo Dos Santos's play Feeling Afraid As If Something Terrible Is Going To Happen is a dark and biting one-man show about vulnerability, intimacy, ego and truth. It premiered in the Roundabout at the 2022 Edinburgh Festival Fringe, produced by Francesca Moody Productions, directed by Matthew Xia, and starring Samuel Barnett.

The play received an Edinburgh Fringe First Award, and Samuel Barnett was named the first winner of The Stage Edinburgh Awards 2022 for his performance.