Trinity University Press

One afternoon in fall 2015 Cristina Devereaux Ramírez’s mother called and, with a tone of urgency in her voice, asked her to come to the house and take a look at something she had discovered when she was sorting through boxes in the attic. When Ramírez arrived, she found her family sifting through papers in an old vegetable box, reading some of the more than 750 pages of Spanish language poems, short stories, fables, and dichos Ramírez’s maternal grandmother, Ramona González, had written. Some pieces were works in progress, complete with word and phrase strikethroughs and handwritten notes in the margins, while others were neatly typed prose or what might have been final drafts. None of González’s writings had seen the outside of that box for decades, at least since 1995 when the family matriarch passed away.

González—or Doña Ramona, as she was often called—was born in 1906 in the El Paso border barrio of Chihuahuita, sometimes referred to as the Ellis Island of the Southwest. Her writing celebrates the rich Mexican American culture of Chihuahuita, a neighborhood the National Trust for Historic Preservation identified in 2016 as one of America’s most endangered historic places. A mother, corner grocery store owner, published writer, and community activist, González was one of the few Tejanas profiled in Worthy Mothers of Texas, 1776–1976

A Story of Stories from a Texas Border Barrio, Ramírez chronicles the life of her abuela with the care of a granddaughter and, with the eye of a scholar, analyzes selections from González’s work and its significance to El Paso history, Chicano literature, border barrio folklore, and cross-border civic movements in the mid-twentieth century.

One afternoon in fall 2015 Cristina Devereaux Ramírez’s mother called and, with a tone of urgency in her voice, asked her to come to the house and take a look at something she had discovered when she was sorting through boxes in the attic. When Ramírez arrived, she found her family sifting through papers in an old vegetable box, reading some of the more than 750 pages of Spanish language poems, short stories, fables, and dichos Ramírez’s maternal grandmother, Ramona González, had written. Some pieces were works in progress, complete with word and phrase strikethroughs and handwritten notes in the margins, while others were neatly typed prose or what might have been final drafts. None of González’s writings had seen the outside of that box for decades, at least since 1995 when the family matriarch passed away.

González—or Doña Ramona, as she was often called—was born in 1906 in the El Paso border barrio of Chihuahuita, sometimes referred to as the Ellis Island of the Southwest. Her writing celebrates the rich Mexican American culture of Chihuahuita, a neighborhood the National Trust for Historic Preservation identified in 2016 as one of America’s most endangered historic places. A mother, corner grocery store owner, published writer, and community activist, González was one of the few Tejanas profiled in Worthy Mothers of Texas, 1776–1976

A Story of Stories from a Texas Border Barrio, Ramírez chronicles the life of her abuela with the care of a granddaughter and, with the eye of a scholar, analyzes selections from González’s work and its significance to El Paso history, Chicano literature, border barrio folklore, and cross-border civic movements in the mid-twentieth century.

One of the most pervasive yet least studied figures in Latin American culture is La Llorona, the weeping woman. Doomed to wander riverbanks searching for her children, she is both cursed and revered, especially in Mexico and the U.S. borderlands but also throughout Central and South America. The legend tells of a woman who, after being betrayed by her husband, drowns her children in a river in a fit of rage and despair. Overcome with guilt and grief, she spends the rest of her days wandering the riverbank, crying out for her lost children. 

La Llorona’s origins date to precolonial indigenous cultures. She is said to have been a celebrated goddess of fertility who was worshiped by the Aztecs. When the Spanish conquistadors arrived, however, they sought to suppress the native religions and turned La Llorona into a symbol of sin and punishment. Her legend has been passed down for generations and has taken on many variations over time, from a ghostly figure to a vengeful spirit preying on children who wander too close to the water’s edge. The figure appears in literature, film, music, and pop culture media. 

Weeping Women: La Llorona in Modern Latina and Chicana Lore is an illustrated mixed-genre anthology that brings together poets, researchers, artists, and storytellers from diverse backgrounds to examine the figure’s literal and metaphorical influence. La Llorona continues to be a popular legend in Latin America, but one in need of greater study in order to fully understand her cultural influence and importance.