Products

Climate change and the intertwined extinction crisis lend themselves to political economy. Joseph Henry Vogel has constructed an argument for bringing the carbon-rich but economically poor countries through the bottleneck of a cowboy economy and into the 'cap and trade' Annex I countries of the Kyoto Protocol. Ecuador serves as the example. ‘The Economics of the Yasuní Initiative’ is a counterpoint to ‘The Economics of Climate Change’ by Sir Nicholas Stern on many levels. At the most basic level, Vogel argues that Stern is wrong for his failure to recognize the nature of climate change as thermodynamic, thereby missing the point of Northern appropriation of the atmospheric sink. The switch to thermodynamics brings into focus the legitimacy of a 'carbon debt’ that starts to tick with the first report of the IPCC in 1990. Through the lens of economic theory, the understandable intransigence of poor countries to assume the 'cap' in 'cap and trade' is a distortion to the economic system. But by that same economics, one distortion can justify another. That other distortion is the payment Ecuador seeks for not drilling in the Yasuní Biosphere. Heeding the call of Deirdre (formerly Donald) McCloskey that economics needs more humor, Vogel has written a scathing critique of economics-as-usual which also entertains.

Climate change and the intertwined extinction crisis lend themselves to political economy. Joseph Henry Vogel has constructed an argument for bringing the carbon-rich but economically poor countries through the bottleneck of a cowboy economy and into the 'cap and trade' Annex I countries of the Kyoto Protocol. Ecuador serves as the example. ‘The Economics of the Yasuní Initiative’ is a counterpoint to ‘The Economics of Climate Change’ by Sir Nicholas Stern on many levels. At the most basic level, Vogel argues that Stern is wrong for his failure to recognize the nature of climate change as thermodynamic, thereby missing the point of Northern appropriation of the atmospheric sink. The switch to thermodynamics brings into focus the legitimacy of a 'carbon debt’ that starts to tick with the first report of the IPCC in 1990. Through the lens of economic theory, the understandable intransigence of poor countries to assume the 'cap' in 'cap and trade' is a distortion to the economic system. But by that same economics, one distortion can justify another. That other distortion is the payment Ecuador seeks for not drilling in the Yasuní Biosphere. Heeding the call of Deirdre (formerly Donald) McCloskey that economics needs more humor, Vogel has written a scathing critique of economics-as-usual which also entertains.

“The Ecstasy of Reproduction,” is an analysis of contemporaneity which the author still terms postmodernity. Aesthetics and critical theory are at stake to define concepts such as the end of art, kitsch, simulacra, reproduction, and commodity.

Explores the rise of resurgent Philippine liberalism, its ties to neoliberalism and U.S. influence, and its role in exacerbating inequality and geopolitical tensions, rooted in both contemporary and historical contexts

A resurgent liberalism has become hegemonic in Philippine media and academic discourses, which were for many years characterized by progressive and nationalist perspectives. Resurgent Philippine liberalism (RPL) is defined by its relationships with neoliberalism’s instantiation in the Philippine economy and society and the neoliberal wing of the contemporary Philippine political elite. The transnational positionality of many of its exponents has allowed RPL to converge with and support the priorities of U.S. military, economic, and cultural power, especially since the projection of this power has been cloaked in the progressive rhetoric of “human rights,” “freedom of speech,” “anti-populism,” “anti-disinformation,” and so on. Moreover, RPL intersects with new technologies, forms of social capital, and iterations of dynastic politics, while playing a deleterious role in domestic and global crises that are intensifying inequality and geopolitical conflict. While RPL has arguably been precipitated by current affairs and concomitant anxieties (such as about U.S.–Philippine elite relations in a new multipolar geopolitics), it also has long-term historical roots in the post-Marcos era of elite democracy and further back to the origins of ilustrado liberalism and reformist nationalism in the nineteenth century.
This book makes certain novel theoretical interventions by interrogating the defining assumptions of the liberal critique of Philippine autocracy, which all too often exculpates U.S. imperial power (in both its “hard” and “soft” forms) in sustaining such regimes, rejects more holistic and materialist theories of socio-political change as precipitated by mass-movements of the working-class, and naively proposes Philippine elite liberal politics and/or the Western model of “liberal democracy” as viable alternatives to Philippine authoritarian populism.
In addition to this empirical, real-world analysis, the book is concerned with the ontological, epistemological, and more broadly theoretical dimensions of RPL, as manifested in Philippine academia, journalism, politics, activism, and culture. In its rejection – covert or overt – of formerly pre-eminent materialist theories of social change precipitated by mass movements of working-class people, RPL risks either resuscitating classical liberal methodologies such as the Great Man Theory of History or offering some new techniques for gaining knowledge about culture, politics, and economics. Concomitant problems include RPL’s historiography seeking to rehabilitate controversial historical subjects such as the Spanish and American colonial eras and how modern-day academic RPL has sought to obscure its more illiberal affiliations with U.S. imperialism and its tacit endorsement of the Philippine political status quo by drawing on the intellectual paradigms of “the global theory industry” (Brickhill, 2022) and a dematerialized conception of identity politics that reduces racism and other instruments of oppression to matters of interpersonal misunderstanding, rather than as the structural and material sine qua non of precisely the global liberal capitalism such scholars largely subscribe to. Finally, the authors seek to answer the question, how is RPL enabled and supported by non-Filipino foreign-based intellectuals and media commentators based largely in the United States and Western Europe? And how, further to Caroline Hau’s (2019) reflections, the RPL’s agenda has come to shape the academic study and comprehension of the Philippines in overseas university curricula?

The Kete royal dance, originating from the Ashanti people of Ghana, is a cultural treasure deeply rooted in the history and traditions of the Ashanti Kingdom. This dance form, once exclusive to royal courts, has undergone a transformative journey, transcending its palace origins to find a place within academic settings.
The history of the Kete royal dance dates back centuries to the Ashanti Kingdom, where it served as an integral part of royal ceremonies, festivals, and courtly events. Originally performed exclusively for Ashanti kings and queens, the dance symbolized royal prestige, spirituality, and cultural identity. Over time, the dance gained recognition beyond the palace walls, becoming a symbol of Ashanti cultural heritage. Kete dance is a language in itself, with each movement conveying a specific message or emotion. The dance communicates narratives of Ashanti history, spirituality, and societal values. Intricate footwork, hand gestures, and facial expressions are meticulously choreographed to tell stories, celebrate victories, or express reverence. The communicative power of Kete lies in its ability to transcend verbal language, conveying rich cultural narratives through the physical language of dance. In recent decades, Kete dance has transitioned from the exclusive domain of the palace to academic institutions. Dance scholars, educators, and students have recognized its cultural significance, leading to its inclusion in dance curricula. From an Afrocentric perspective, this volume discusses the transmission of the dance to the academy and in the diaspora. It highlights not only the teaching of the physical movements but also how heritage is imparted through specific cultural and generational contexts, historical narratives, and symbolic meanings embedded in Kete.

Explores the possibilities and ethical dilemmas of radical life extension through biotechnology, examining the impact of potentially treating aging and living indefinitely on humanity, society, and individual identity

What if you could live not just longer, but healthier—and possibly forever? In his groundbreaking exploration of biotechnology, ethics, and the philosophy of very long lives, Thomas Ramge takes readers on a thought-provoking journey through the possibilities and consequences of radical life extension. Drawing on cutting-edge research in molecular biology, genetics, and AI-driven medicine, the book examines how humanity is on the brink of a revolution—one where aging may soon become a treatable condition. Through engaging thought experiments, such as choosing between three pills that extend life to 100, 200, or eternity, the book challenges our assumptions about mortality, identity, and purpose. Would centuries of life bring wisdom or existential despair? Could societies sustain themselves in a world where death is optional? And who would have access to these medical breakthroughs—everyone, or only the wealthy elite? Combining scientific rigor with philosophical depth, this book is a must-read for those fascinated by the intersection of technology, ethics, and the human condition. If the future of life itself is at stake, what will we choose?

An up-to-date book of quotations for executives, academics and anyone who wants to spice speeches and business presentations or simply reflect on some of the best things ever said on topics linked to management and business life in general. From “Aristotle” to “Mark Zuckenberg” and from “Action” to “Work”, this book is a formidable source of witty remarks and inspiration for all. Best of its kind, the book covers classic and modern topics such as “Bitcoins”, “Digitalization”, “Sustainability” or “Fake News. It introduces a large number of quotations never published before and includes an index of topics and authors that refers to thousands of classic and unique smart comments.

A critique of the ethical and political dilemmas confronting global research universities that play the game of the internationalisation of higher education.

The post-1990s commercial turn in the internationalisation of higher education has given rise to the global research university (GRU). Promoting educational exchanges and research partnerships as the engine of the knowledge economy, GRUs that play in a deterritorialised academic super league are hindered by their national origins, in which they remain ethically embedded, and their national orientation to which they are politically wedded. Like any organisation within an institutional environment undergoing change, GRUs that internationalise without also denationalising their organisational culture are saddled with contradictions. The Ethics of Internationalisation offers a critique of three of them: the ethical dilemmas of trans-national scholars, who face estrangement when their difference encounters the ethno-national prejudice of local faculty; the politics of the idea of the university, which under the logic of new public management valorises commercially viable, quantitative research and side-lines critically focused, qualitative studies; and given the event of the Anthropocene, the imperative to reclaim internationalisation from its commercial hijackers in favour of an ethical iteration, which takes up the challenge of thinking the idea of the university vis-à-vis the existential condition of the potential extinction of homo sapiens together with other forms of life on earth.
• The book begins by introducing its niche approach of a philosophy of internationalisation. Using the method of problematisation, the introduction highlights the challenges facing the university today and lays the groundwork for the rest of the discussion by explaining the personal and academic rationale behind the book as well as delving into an interpretation of the notion of the university. Chapter 1 takes up these themes and focuses on the crisis of internationalisation in the global north, where it has been subjected to a commercial hegemony that is blind to the switch in the conditions of possibility for thinking from globalisation to the Anthropocene. Chapter 2 takes its cue from the crisis and lays out an ethics of internationalisation by tracing the genealogical origins of the international to show how an ethical imperative has always informed it. The second chapter also considers geopolitanism as a way to think trans-species subjectivity, which is the mode of becoming-animal that underpins the ethics of internationalisation. Chapter 3 turns to the concrete case of internationalisation in Japan. Through an autoethnography, it discloses the ethical dilemmas faced by trans-scholars in an ethno-national culture and derivative organisational academic life that is designed for the exclusive use of insiders. Chapter 4 continues the pragmatic concern. It analyses how informational capitalism infiltrates the university through the discourse of new public management, which poses a threat to thinking tout court, particularly to critique within the university. As a remedy, the university as a heterotopia, or a space otherwise, is proposed. Finally, the conclusion uses the concept of the stranger as a regulatory metaphor for universities internationalising under the commercial logic and keen to switch to an ethical mode. Strangers, such as the trans-scholar, are unsettling figures who voice the ethical and political dilemmas that arise at the front-line of the process of internationalisation, hereby imploring an unconditional hospitality from the university in the name of its denationalisation, which in turn serves thinking our existential predicament in respect of the Anthropocene.

This volume’s relevance may be explained, first and foremost, during a time of unprecedented loss of life around the world each day. The data, which is oftentimes incomplete and misleading, nonetheless reveals the state as deficient as well as negligent in its response to social healthcare needs. This volume attests to the fact that pressing global public health concerns are ever present as subjects of societal discourse and debate in developed and developing states. Moreover, the COVID-19 pandemic makes the omission of the ethics of personal data collection analysis in the international relations literature even more salient given the rise of contact tracing and increased uses of mobile phone Apps to track citizens by states and firms across the globe, as this volume’s chapters analyzing the responses to COVID-19 in Iran and Taiwan explain. 

For this reason, dialogue connecting research and practice is necessary to identify ways to address these emerging challenges at the conceptual, economic, legal, political, and social levels. The perspectives of researchers and the experience of practitioners must come together to bring the discussion forward. In response to this plea, a community of research-practitioners remains in dialogue after two Bosch Workshops at New York University to define the contents of case studies in this volume. The responsibility of this research-practitioner community is to grapple with specific issues that define the state of the discipline in personal data collection ethics. Case studies, including prominent uses of crowd-mapping platforms and mobile telephony Apps, document legal and human rights concerns in remote areas. Field research speaks to cases ranging from an analysis of Iran’s response to the COVID-19 pandemic to the exploitation of personal data collection to perpetuate modern slavery through re-education camps in the People’s Republic of China to crowd-mapping stories of physical abuses in public spaces by Safecity in India.

The emphasis on the ethics of personal data collection in this edited volume through various case studies is to bring race and gender to the forefront once again as lenses to understand international relations. The myth of the founding of international relations in 1919, analyzed by Acharya and Buzan (2019) a century later, is one that obfuscates the influence of race relations as well as gender in the early development of the discipline during the mid-nineteenth and early twentieth centuries. These case studies broaden the ways we understand international relations in the West and, as importantly, in the non-Western space given the countries that are the subjects of analysis: China, Iran, Taiwan, and India, as well as the European Union and the United States. As the contributors focus on the relevance of race and gender across cases, this volume underlines our concerns about the future of democracy in the face of the rising tide of authoritarianism around the world. The plight of the world’s largest and most plural democracy, India, under the Modi government, the increasingly aggressive nature of China under President Xi Jinping as well as the challenge of Trumpism in the United States make these concerns, which place illiberalism at the center of developments, pressing as well as timely.

This volume’s relevance may be explained, first and foremost, during a time of unprecedented loss of life around the world each day. The data, which is oftentimes incomplete and misleading, nonetheless reveals the state as deficient as well as negligent in its response to social healthcare needs. This volume attests to the fact that pressing global public health concerns are ever present as subjects of societal discourse and debate in developed and developing states. Moreover, the COVID-19 pandemic makes the omission of the ethics of personal data collection analysis in the international relations literature even more salient given the rise of contact tracing and increased uses of mobile phone Apps to track citizens by states and firms across the globe, as this volume’s chapters analyzing the responses to COVID-19 in Iran and Taiwan explain. 

For this reason, dialogue connecting research and practice is necessary to identify ways to address these emerging challenges at the conceptual, economic, legal, political, and social levels. The perspectives of researchers and the experience of practitioners must come together to bring the discussion forward. In response to this plea, a community of research-practitioners remains in dialogue after two Bosch Workshops at New York University to define the contents of case studies in this volume. The responsibility of this research-practitioner community is to grapple with specific issues that define the state of the discipline in personal data collection ethics. Case studies, including prominent uses of crowd-mapping platforms and mobile telephony Apps, document legal and human rights concerns in remote areas. Field research speaks to cases ranging from an analysis of Iran’s response to the COVID-19 pandemic to the exploitation of personal data collection to perpetuate modern slavery through re-education camps in the People’s Republic of China to crowd-mapping stories of physical abuses in public spaces by Safecity in India.

The emphasis on the ethics of personal data collection in this edited volume through various case studies is to bring race and gender to the forefront once again as lenses to understand international relations. The myth of the founding of international relations in 1919, analyzed by Acharya and Buzan (2019) a century later, is one that obfuscates the influence of race relations as well as gender in the early development of the discipline during the mid-nineteenth and early twentieth centuries. These case studies broaden the ways we understand international relations in the West and, as importantly, in the non-Western space given the countries that are the subjects of analysis: China, Iran, Taiwan, and India, as well as the European Union and the United States. As the contributors focus on the relevance of race and gender across cases, this volume underlines our concerns about the future of democracy in the face of the rising tide of authoritarianism around the world. The plight of the world’s largest and most plural democracy, India, under the Modi government, the increasingly aggressive nature of China under President Xi Jinping as well as the challenge of Trumpism in the United States make these concerns, which place illiberalism at the center of developments, pressing as well as timely.

Explores Byron’s borrowings from Thomas Moore, Torquato Tasso, Percy Shelley, and so on, and transformations as they manifested themselves in his reading.

Byron concealed himself in various literary disguises, a process he called “mobility.” In this study of influences on Byron’s verse and Byron’s European impact, I explore these borrowings and transformations as they manifested themselves in his reading. At issue is the very concept of romantic poetic voice. Framing himself in the tradition of the Irish yet cosmopolitan Thomas Moore, Byron adopted continental guises, imitating both Italian writers and political heroes, such as Dante, Machiavelli, and Tasso in such works as “The Lament of Tasso” and “Don Juan”. In establishing an Italian identity, Byron relied upon the Italian writers he translated (Boiardo, Pulci, Dante), Thomas Moore’s “Fudge Family in Paris,” and Shelley’s “Julian and Maddalo,” as well as his transformation of Goethe’s “Faust” in “Manfred”. This Europeanization of Byron should not conceal the fact that Byron adopted poses from his predecessors, such as Walter Scott, in order to fashion himself as a Scottish poet who also happened to be English. Byron became the writers he read: Moore, Shelley, Wordsworth, Scott, Foscolo, Lady Morgan, and Madame de Staël. Those who imitated Byron, particularly Alexander Pushkin and Adam Mickiewicz, often read him in French translations, but became acute interpreters of his literary example. They explained how the European Byron was created in the nineteenth century, and what it meant to be a Harold in Muscovite Cloak, or a Polish Byron, or any national reincarnation of this complex, chameleon poet.

By borrowing from a wide eighteenth-century field, Byron showed how reading could become writing, fulfilling, for Pushkin and Mickiewicz, a mobile and chameleon definition of the epic, as a novel in verse or product of digressions and improvisations. I begin by examining Thomas Moore, whose “Fudge Family in Paris” helped shape the tone and style of Byron’s Don Juan, despite its more obvious European borrowings. Byron’s conversations with Madame de Staël encouraged him to “Stick to the East,” and he followed her example during his years in England. By examining the manuscripts and marginalia of Byron, the author shows the key influence of Madame de Staël’s Corinne, Ugo Foscolo’s Last Letters of Jacopo Ortis, and Lady Morgan’s Italy on Childe Harold I-II, Hebrew Melodies, and Childe Harold IV, and Don Juan.

In “The Ironic Mode in Politics,”the author considers Byron’s support for the Greek Revolution, which he cast in cynical terms. His political/poetic example led Pushkin to enlist and Adam Mickiewicz as well, the latter of whom died in Istanbul. The museums that honor them present narratives of Byron’s European impact, particularly his legacy in political liberalism. The book thus concludes by considering how scholarship on Alexander Pushkin’s Eugene Onegin transformed the epic into a novel in verse. Adam Mickiewicz's translation of "The Giaour" and his improvisations, which impressed Pushkin, draw on Byron’s digressive style. Their epics, Eugene Onegin and Pan Tadeusz, show the legacy of Byron’s poetic influence and his political support for freedom of speech.

Gabrielle Appleby is a professor of constitutional law at the UNSW Faculty of Law & Justice and is currently a Professorial Research Fellow at the Pro Vice Chancellor Society at UNSW (Sydney). She researches and teaches in public law, with her areas of expertise including the role, powers and accountability of the Executive; parliamentary law and practice; the role of government lawyers; the integrity of the judicial branch; and First Nations constitutional recognition. She is the Director of The Judiciary Project at the Gilbert + Tobin Centre of Public Law, the constitutional consultant to the Clerk of the Australian House of Representatives and a member of the Indigenous Law Centre. Gabrielle was the founding editor of Australia’s national public law blog, AUSPUBLAW (www.auspublaw.org). In 2015–2018, Gabrielle was a Chief Investigator on the ARC Discovery Project, Law, Order and Federalism, looking at the effects of the High Court’s chapter III jurisprudence on State government law and order policy development. In 2016–2017, she worked as a pro bono constitutional adviser to the Regional Dialogues and the First Nations Constitutional Convention that led to the Uluru Statement from the Heart. Her books include Australian Public Law (4th ed., 2024); The Judge, The Judiciary and the Court: Individual, Collegial and Institutional Judicial Dynamics in Australia (2021); Judicial Federalism in Australia (2021); The Role of the Solicitor-General: Negotiating Law, Politics and the Public Interest (2016); The Critical Judgments Project: Re-reading Monis v The Queen (2016); and The Tim Carmody Affair (2016). Gabrielle has also spent time working for the Queensland Crown Solicitor and the Victorian Government Solicitor’s Office.
Megan Davis is the Pro Vice-Chancellor Society (PVCS) at UNSW Sydney and a UNSW Scientia Professor. She holds the Balnaves Chair in Constitutional Law and the Whitlam Fraser Harvard Chair in Australian Studies at Harvard University and is a Visiting Professor at Harvard Law School. She has also been appointed a Penn Carey Law Bok Visiting International Professor, University of Pennsylvania Carey Law School (Penn Carey Law). Professor Davis is a renowned constitutional lawyer and public law expert, specialising on Indigenous peoples and the law, the constitutional recognition of First Nations and democracy. Professor Davis is a Fellow of the Australian Academy of Law, a Fellow of the Australian Academy of Social Sciences, and a Fellow of the Australian Academy of the Humanities. She is an Acting Commissioner of the NSW Land and Environment Court. She has been the leading Australian lawyer on constitutional recognition of First Nations peoples for two decades and designed the Referendum Council’s deliberative process that led to the Uluru Statement from the Heart. From 2022 to 2023, she served on the Referendum Working Group, the Referendum Engagement Group and the Attorney General’s Constitutional Expert Group. She was a member of the Prime Minister’s Referendum Council (2015–2017) and the Prime Minister’s Expert Panel on the Recognition of Aboriginal and Torres Strait Islander Peoples in the Constitution (2011–2012). She is the Co-Chair of the Uluru Dialogue – the group of First Nations leaders who led the Uluru Statement from the Heart work. Professor Davis was a Commissioner on the QLD Commission of Inquiry into Youth Detention Centres in 2016, and was the Chair and author of ‘Family is Culture’, an inquiry into NSW Aboriginal Children in Out of Home care (2017–2019). She is a globally recognised expert in Indigenous peoples legal rights and was elected by the UN Economic and Social Council as an expert member of the United Nations Permanent Forum on Indigenous Issues (2011–2016). Professor Davis was also appointed by the United Nations Human Rights Council to the Expert Mechanism on the Rights of Indigenous peoples twice (2017–2022). Professor Davis is a Sydney Peace Prize Laureate for the Uluṟu Statement from the Heart and was awarded a 2024 PeaceWomen Award by the Women’s International League for Peace & Freedom (WILPF). In 2023, Professor Davis was named on TIME Magazine’s TIME NEXT100 list of the Next Generation of Global leaders. She was also named Marie Claire ‘Powerhouse of the Year’ in 2023. She is a previous Overall Winner of the AFR Women of Influence (now AFR Women of Leadership) awards in 2018 and was previously named on the AFR Annual Cultural Power list and AFR’s Australia’s top 5 Legal Powerbrokers list.

Adoor Gopalakrishnan, India’s most distinguished contemporary filmmaker, has made eleven award-winning films and over forty documentaries, most of which are set in his native state of Kerala, in southern India. A 1965 graduate of the Film and Television Institute of Pune, his first film, “Swayamvaram” (1972), heralded the New Wave in Kerala. The region’s displacement from a princely feudal state into twentieth-century modernity forms the backdrop to most of his complex narratives about identity, selfhood and otherness, in which innocence is often at stake and characters grapple with their consciences. The films deal with eviction and dislocation, with the precarious nature of space, and the search for home. They are also about power and its abuse within a destructive patriarchy and the abject conditions of servility it breeds. At the same time, these narratives are usually placed within the larger frameworks of guilt and redemption where hope of emancipation—moral, spiritual, and creative—is a real one. This first comprehensive study of Gopalakrishnan’s feature films offers a compelling analysis of these issues within their socio-historical contexts.

Adoor Gopalakrishnan, India’s most distinguished contemporary filmmaker, has made eleven award-winning films and over forty documentaries, most of which are set in his native state of Kerala, in southern India. A 1965 graduate of the Film and Television Institute of Pune, his first film, “Swayamvaram” (1972), heralded the New Wave in Kerala. The region’s displacement from a princely feudal state into twentieth-century modernity forms the backdrop to most of his complex narratives about identity, selfhood and otherness, in which innocence is often at stake and characters grapple with their consciences. The films deal with eviction and dislocation, with the precarious nature of space, and the search for home. They are also about power and its abuse within a destructive patriarchy and the abject conditions of servility it breeds. At the same time, these narratives are usually placed within the larger frameworks of guilt and redemption where hope of emancipation—moral, spiritual, and creative—is a real one. This first comprehensive study of Gopalakrishnan’s feature films offers a compelling analysis of these issues within their socio-historical contexts.

The great historical and economic transformations of the late twentieth-century city are vividly reflected in John Schlesinger’s oeuvre. In films of the early sixties ‘A Kind of Loving’ and ‘Billy Liar’, the city was imagined as industrial and residential, with the characters confronting life on the local and familial level. In ‘Darling’, ‘Midnight Cowboy’ and ‘Sunday Bloody Sunday’, films made from 1965 to 1971, the city had become cosmopolitan, ruled over by international finance and riven by class tensions. And in two films of the eighties ‘The Falcon and the Snowman’ and ‘Madame Sousatzka’, Schlesinger was emphatic in showing the desperation with which youthful characters struggled to come of age, not in a local urban environment, but in a national and global one. The specific economic and political forces driving these urban changes have been extensively treated in the growing body of scholarship on the ‘cinematic city’. While these forces form an important backdrop to ‘The Films of John Schlesinger’ , the aim of the book overall is to demonstrate the centrality of Schlesinger's aesthetic imagination, but not as something divorced from political, moral and historical life.

The distinguished British cinematographer Billy Williams once described Schlesinger as the ‘most complete’ director he ever worked with. Schlesinger combined a directorial ‘eye’ (mastery of camera movement, framing, editing, production design, etc.) with a profound literary sense (understanding of character and situation). He began his career with the award-winning documentary ‘Terminus’ (1961) and went on to make a total of seventeen feature films and five films for television. Several of his films had a genuinely innovative impact: Andy Warhol said that ‘Midnight Cowboy’ ‘took a real drawing card from the underground’ in the way it dealt with ‘forbidden subjects’. Pauline Kael described ‘Sunday Bloody Sunday’ as ‘a novel written on film’ and, in being so, an entirely new achievement, ‘instantly recognizable as a classic’. Other Schlesinger films are also of lasting interest: ‘Billy Liar’, reissued by Criterion in 2001, is a comic gem. ‘The Day of the Locust’ is taught in film schools today. Yet there is a dearth of intelligent conversation about these rich works. Contemporary reviews by leading film critics are insightful, as are selected articles and the sole full-length study of Schlesinger, which appeared years before his career ended. A full-scale ‘interpretation’ of what Schlesinger’s oeuvre teaches us about modern life has yet to appear.

Schlesinger’s films have been undervalued for reasons that have little to do with their achievement: he fell out of favour in Hollywood, offended critics with his satire of American society and made a few relatively uninspired films just to keep working. The time is ripe for a revaluation of his oeuvre. ‘The Films of John Schlesinger’ engages the innovative content and form of the major films, and makes critical judgements identifying their strengths and weaknesses. It explores their major theme, which is the importance of survival, and of trying to make the best of what one has, particularly as this theme is played out in modern, urban society. It takes up different theories of film – that of Benjamin, Hansen and others – but it is not a theoretical analysis intended solely for academics.

This is a book about dying, or, more accurately, about the representation of dying in the theatre. Its chief concern is how actors undertook to translate words and concepts into forms legible and significant to an audience. It deals with the ways in which playwrights wrote about death and attitudes towards death in their cultures. Nevertheless, the emphasis is on the practice of acting.

Before the nineteenth century, when death began to be confined behind closed doors, it was widely available as a spectacle. Death and the suffering that preceded it were in plain sight; no effort was made to hide the diseased and moribund. The absence of medical means of alleviating pain or of hygienic measures meant that the most distressing and abhorrent aspects of dying were out in the open. The contempt for human life shown by the law-courts and the death penalty for the slightest offence occasioned frequent and enthusiastically attended public executions. In addition, the Church and religion generally hoped, through elaborate rites and ceremonies, both before and after death, to invest it with an edifying value that could be extended for the greater good. The sacred and social ceremony makes a transition into an aesthetic and political performance, marking a more modern frame of mind.

Neoclassic decorum eschewed such displays; and, after a heyday of spectacular dying on the nineteenth-century stage, critics again began to insist on more moderate displays. This conformed to the growing emphasis on mental processes and psychological complexity. However, it runs counter to the theatre’s need for high color, extreme situations and fanciful invention. Denied house-room in literary drama, these desiderata found a welcome haven in the various manifestations of performance art.

This is a book about dying, or, more accurately, about the representation of dying in the theatre. Its chief concern is how actors undertook to translate words and concepts into forms legible and significant to an audience. It deals with the ways in which playwrights wrote about death and attitudes towards death in their cultures. Nevertheless, the emphasis is on the practice of acting.

Before the nineteenth century, when death began to be confined behind closed doors, it was widely available as a spectacle. Death and the suffering that preceded it were in plain sight; no effort was made to hide the diseased and moribund. The absence of medical means of alleviating pain or of hygienic measures meant that the most distressing and abhorrent aspects of dying were out in the open. The contempt for human life shown by the law-courts and the death penalty for the slightest offence occasioned frequent and enthusiastically attended public executions. In addition, the Church and religion generally hoped, through elaborate rites and ceremonies, both before and after death, to invest it with an edifying value that could be extended for the greater good. The sacred and social ceremony makes a transition into an aesthetic and political performance, marking a more modern frame of mind.

Neoclassic decorum eschewed such displays; and, after a heyday of spectacular dying on the nineteenth-century stage, critics again began to insist on more moderate displays. This conformed to the growing emphasis on mental processes and psychological complexity. However, it runs counter to the theatre’s need for high color, extreme situations and fanciful invention. Denied house-room in literary drama, these desiderata found a welcome haven in the various manifestations of performance art.

Africa: Envisioning Tomorrow explores the major trends that will define the face of the sub-Saharan continent in the next three decades. The near doubling of Africa’s population by 2050 will lead to more than twenty million new job seekers entering the African labour market every year until then. Right now, Africa doesn’t seem armed to offer jobs to this many people, resulting in possible unrest and intra-African or intercontinental migration flows, including to Europe. Climate change creates additional migratory pressure as it threatens the future of agriculture and livestock.
The author explores the opportunities for increased job creation in Africa. Work provides income, and decent and meaningful jobs contribute to prospects and social stability. The evolution of the labour market is essential for the continent’s future. Fortunately, Africa has some major strengths. The continent has the youngest population in the world and represents a wealth of creativity and innovation. Moreover, Africans excel in ‘market-creating innovation’: the ability to see market opportunities and innovations that others do not. Africans create their own jobs through micro and small enterprises. A young well-trained middle class, familiar with digital technologies, is emerging. Africa’s abundant natural resources also attract global regional powers aspiring to secure access to critical raw materials, something the continent can use to its own advantage.
Special attention goes to the European Union’s Africa policy: the book takes a critical look at the European Union’s intentions and approach and formulates recommendations to the European Commission. The author combines economic analysis with stories from twenty-five years of experience with impact investments in Africa. He challenges the typical pessimistic stereotypes about the continent and provides an optimistic vision of Africa’s future.

Africa: Envisioning Tomorrow explores the major trends that will define the face of the sub-Saharan continent in the next three decades. The near doubling of Africa’s population by 2050 will lead to more than twenty million new job seekers entering the African labour market every year until then. Right now, Africa doesn’t seem armed to offer jobs to this many people, resulting in possible unrest and intra-African or intercontinental migration flows, including to Europe. Climate change creates additional migratory pressure as it threatens the future of agriculture and livestock.
The author explores the opportunities for increased job creation in Africa. Work provides income, and decent and meaningful jobs contribute to prospects and social stability. The evolution of the labour market is essential for the continent’s future. Fortunately, Africa has some major strengths. The continent has the youngest population in the world and represents a wealth of creativity and innovation. Moreover, Africans excel in ‘market-creating innovation’: the ability to see market opportunities and innovations that others do not. Africans create their own jobs through micro and small enterprises. A young well-trained middle class, familiar with digital technologies, is emerging. Africa’s abundant natural resources also attract global regional powers aspiring to secure access to critical raw materials, something the continent can use to its own advantage.
Special attention goes to the European Union’s Africa policy: the book takes a critical look at the European Union’s intentions and approach and formulates recommendations to the European Commission. The author combines economic analysis with stories from twenty-five years of experience with impact investments in Africa. He challenges the typical pessimistic stereotypes about the continent and provides an optimistic vision of Africa’s future.

Explores the rise of the “gig public” in the age of performative publicness, highlighting challenges in sustaining meaningful discourse, the impact of new technologies and AI on public engagement, and the emergence of the will to visibility within the context of capitalism and algorithmic governmentality.

This monograph explores the evolving nature of publicness in the era of digital communication and social media saturation, arguing that the rise of the “gig public” represents a new paradigm that challenges the traditional conceptualization of the public in shaping social and political change. The gig public departs from traditional notions of publicness and the public, characterized by individuals’ spontaneous and less-structured engagement in public discourse. This engagement is often hampered by challenges in fostering sustained interaction and depth of discussion, due to the ephemeral nature of online interactions.
In particular, this monograph highlights the importance of customs, negotiations, and contracts that complement the normatively privileged public reasoning in public domains. It examines the transformations in the multifaceted nature of the public and its interrelationship with other social structures amid the shifting boundaries between public and private domains. In addition, it explores the evolution of conceptualizations of publicness and related concepts within critical theory, illustrating how contemporary shifts are redefining civic engagement and the essence of public life in a rapidly changing world. From these perspectives, the study is structured around three primary focal points: First, it analyzes how new information technologies and AI have altered human interactions within the public sphere. Second, it examines the impact of capitalist economic dynamics and governmentality strategies on reshaping the public realm, fundamentally altering the essence of the public and its democratic potential. Third, it explores how habitual and routine practices traditionally associated with the private sphere are now influencing the ongoing evolution of publicness.
The monograph aims to provide a comprehensive analysis of the challenges posed by the fragmentation of contemporary public discourse and the emergence of gig publics. It also considers strategies to invigorate publicness through AI technology that enables users to transform plain language into automated actions on their computers, potentially reshaping civic engagement in the digital age.

Explores the rise of the “gig public” in the age of performative publicness, highlighting challenges in sustaining meaningful discourse, the impact of new technologies and AI on public engagement, and the emergence of the will to visibility within the context of capitalism and algorithmic governmentality.

This monograph explores the evolving nature of publicness in the era of digital communication and social media saturation, arguing that the rise of the “gig public” represents a new paradigm that challenges the traditional conceptualization of the public in shaping social and political change. The gig public departs from traditional notions of publicness and the public, characterized by individuals’ spontaneous and less-structured engagement in public discourse. This engagement is often hampered by challenges in fostering sustained interaction and depth of discussion, due to the ephemeral nature of online interactions.
In particular, this monograph highlights the importance of customs, negotiations, and contracts that complement the normatively privileged public reasoning in public domains. It examines the transformations in the multifaceted nature of the public and its interrelationship with other social structures amid the shifting boundaries between public and private domains. In addition, it explores the evolution of conceptualizations of publicness and related concepts within critical theory, illustrating how contemporary shifts are redefining civic engagement and the essence of public life in a rapidly changing world. From these perspectives, the study is structured around three primary focal points: First, it analyzes how new information technologies and AI have altered human interactions within the public sphere. Second, it examines the impact of capitalist economic dynamics and governmentality strategies on reshaping the public realm, fundamentally altering the essence of the public and its democratic potential. Third, it explores how habitual and routine practices traditionally associated with the private sphere are now influencing the ongoing evolution of publicness.
The monograph aims to provide a comprehensive analysis of the challenges posed by the fragmentation of contemporary public discourse and the emergence of gig publics. It also considers strategies to invigorate publicness through AI technology that enables users to transform plain language into automated actions on their computers, potentially reshaping civic engagement in the digital age.

So far, the history of football has been written by sport historians who have considered the history of this sport in isolation from the context in which it emerged. In the second half of the nineteenth century, football was created by educators and students as part of school reform. Football served as a new and enticing teaching tool that gave students freedom, encouraged self-determination, and fostered teamwork. After the game had been developed at English public schools, it was introduced by teachers and students at high schools and colleges in England, Germany, Argentina, and the United States during the 1870s. The game proved particularly popular among the children of parents who engaged in trade and industry since this new sport offered an introduction to essential modern values such as teamwork and collaboration that were needed in an industrialized society.

Football was, furthermore, part of the social reform movement that emerged in the second half of the nineteenth century in response to the social ills of urban life. Adults and children spent more and more time inside badly ventilated buildings. Even physical education was conducted inside high school gymnasiums. Beginning in the 1870s, social reformers and teachers called for the introduction into school curricula of physical exercises that could be conducted on the meadows and sport fields outside cities. Those educators joined the calls for the introduction of football into high school curricula found themselves in the company of social reformers who championed the creation of public parks, tenement gardens, and clothing reform.

These two contexts have not mattered in books about the history of football written by sport historians. Sport historians have always separated football from the social and cultural contexts in which it emerged and have paid little attention to the reasons for which football was introduced into German, Argentinian, or American society in the first place. Historians of education have likewise ignored the role of football within school reform. The result is a narrative that provides vertical (national, regional, or local) accounts of this sport from its introduction into a specific geographic space (i.e., city, region, or country) from its first occurrence to the present time. Thisbook, by contrast, will offer a horizontal perspective that focusses on the spread of football in the 1870s from its English cradle to Germany, the United States, and Argentina. It will be the very first account of football that does not treat this sport in isolation but brings together the phenomenon of football with the conditions in nineteenth-century high schools and the crisis of urban living and, thereby, explains why this sport was so willingly and quickly accepted into various societies and cultures around the globe.

There is no good human life outside of a state, and the good state enables us to live well together – so says Constitutivism, the theory developed in this book. Reinvigorating Aristotelian ideas, the author asks in what sense citizens of modern, populous and pluralistic societies share a common good.

While we can easily find examples of cooperation that benefit each member, such as insurances, the idea that persons could share a common good became puzzling with modernity – a puzzlement epitomised in Margaret Thatcher’s ‘What is society? There is no such thing!’ Aristotle describes the state as the end of human development, both chronologically and normatively, but modern philosophers, from Thomas Hobbes to Carl Schmitt, conceive the relation between state and citizen as instrumental. Either the state is a means of advancing each member’s individual good or the individual is a means of advancing some collective good. From both perspectives, the Aristotelian idea that human individuals somehow realise their own good in realising some communal good appears metaphysically puzzling, even nonsensical.

This puzzlement, the author argues, results from our profoundly modern understanding of rational actions, which we generally see as means toward outcomes. If we allow that not only outcomes but also histories and identities can be good reasons for actions, then it makes sense to see a person’s good and the common good of their political community as constitutive of one another, as Aristotle thought. Building on this idea, the author argues that individual actions and lives exist only in conjunction with a political community. In designing our institutions, we hence also give ourselves an identity and, in that sense, constitute ourselves as persons. Her arguments shed new light on a range of traditional topics of political theory, such as the justification of state authority or the question of how to justify or challenge the design of social institutions.

The Gothic Literature and History of New England surveys the history, nature and future of the Gothic mode in the region, from the witch trials through the Black Lives Matter Movement. Three main areas of its focus are women’s representation as writers and consumers of Gothic literature, the Puritans’ fear of the wilderness and treatment of the native peoples, and the legacy of slavery and enduring racism. Texts include Cotton Mather and other Puritan divines who collected folklore of the supernatural; the Frontier Gothic of Indian captivity narratives; the canonical authors of the American Renaissance such as Melville and Hawthorne; the women's ghost story tradition and the Domestic Gothic from Harriet Beecher Stowe to Charlotte Perkins Gilman to Shirley Jackson; Stephen King and the horror boom of the twentieth century; and writers of the current generation who respond to the racial and gender issues in the work of H. P. Lovecraft, the Providence writer whose stories once defined New England’s Gothic heritage. 

The Gothic Literature and History of New England brings to the surface the religious intolerance, racism and misogyny inherent in the New England Gothic, and how these nightmares continue to haunt literature and popular culture—tourism, films, television, games, the visual arts and more.

This is a high-interest work designed for scholars of the Gothic mode who may not be familiar with more recent developments in fiction and film as well as for advanced undergraduate and graduate students searching for a compact introduction to this area of the American Gothic. It will provide an overview of criticism, a timeline of historical events and literary texts, and suggestions for further reading. The approach relies on open-ended questions that may help instructors “teach the conflicts” around race, gender, class and the aesthetics of the Gothic. 

Although there have been over 700 illustrators of Poe’s work over the past two centuries, this book chooses to examine only the best of them.  Beginning with the French in the nineteenth century and tracing the great illustrators of Poe to the present, this book not only provides close analyses of individual visualizations but also seeks to supply an art history context to understanding their emergence.  The majority of the artists featured remain unknown, even to Poe scholars, although their artwork represents iterations inspired by the most famous of Poe’s poems and stories.  In some cases, the illustrations helped increase the visibility of particular Poe works and to make them part of the international Poe canon.  A few of the illustrators featured in this book (e.g., Manet, Doré, Redon, Beardsley) are recognized among the most famous artists in the world.  Others, such as Martini and Blumenschein, while remaining minor figures in art history, nevertheless produced immortal work based on Poe’s fiction and poetry.  While still other visual artists represented here (Rackham, Dulac, Clarke) achieved artistic fame as book illustrators based on homages to other writers and fairy tales in combination with their Poe studies; their work on Poe, however, helped to solidify their larger reputations as professional illustrators.  The last chapter extends traditional visualizations influenced by Poe to include his impact on twentieth- and twenty-first century filmmakers and cartoonists.  They, too, found in Poe’s writing either a source for direct re-creation or an inspiration for their own atmospheric excursions into the bizarre, the exotic, and the psychologically complex.  

While many of the artists included in the book are represented in important collections from libraries and art galleries around the world, Poe scholars (and art historians) have yet to explore both the range of these illustrations and analyze their significance in the context of how they enrich our understanding of Poe. Some of the questions this book seeks to answer are: What was there about Poe’s narrative and poetic art that impressed and continues to inspire illustrators and other visual artists?  What kinds of insights and understandings do these visual artists help readers of Poe to see and/or reconsider about his work?  Are there definite distinctions—e.g., stylistic, thematic, historical, etc.—that were more relevant to Poe illustrators from the nineteenth century compared to those from the twentieth?  How are these emphases reflective of the various art movements to which Poe’s illustrators were associated? And lastly, what do these illustrations reveal about changing attitudes and critical emphases toward Poe’s canon over time? 

Although there have been over 700 illustrators of Poe’s work over the past two centuries, this book chooses to examine only the best of them.  Beginning with the French in the nineteenth century and tracing the great illustrators of Poe to the present, this book not only provides close analyses of individual visualizations but also seeks to supply an art history context to understanding their emergence.  The majority of the artists featured remain unknown, even to Poe scholars, although their artwork represents iterations inspired by the most famous of Poe’s poems and stories.  In some cases, the illustrations helped increase the visibility of particular Poe works and to make them part of the international Poe canon.  A few of the illustrators featured in this book (e.g., Manet, Doré, Redon, Beardsley) are recognized among the most famous artists in the world.  Others, such as Martini and Blumenschein, while remaining minor figures in art history, nevertheless produced immortal work based on Poe’s fiction and poetry.  While still other visual artists represented here (Rackham, Dulac, Clarke) achieved artistic fame as book illustrators based on homages to other writers and fairy tales in combination with their Poe studies; their work on Poe, however, helped to solidify their larger reputations as professional illustrators.  The last chapter extends traditional visualizations influenced by Poe to include his impact on twentieth- and twenty-first century filmmakers and cartoonists.  They, too, found in Poe’s writing either a source for direct re-creation or an inspiration for their own atmospheric excursions into the bizarre, the exotic, and the psychologically complex.  

While many of the artists included in the book are represented in important collections from libraries and art galleries around the world, Poe scholars (and art historians) have yet to explore both the range of these illustrations and analyze their significance in the context of how they enrich our understanding of Poe. Some of the questions this book seeks to answer are: What was there about Poe’s narrative and poetic art that impressed and continues to inspire illustrators and other visual artists?  What kinds of insights and understandings do these visual artists help readers of Poe to see and/or reconsider about his work?  Are there definite distinctions—e.g., stylistic, thematic, historical, etc.—that were more relevant to Poe illustrators from the nineteenth century compared to those from the twentieth?  How are these emphases reflective of the various art movements to which Poe’s illustrators were associated? And lastly, what do these illustrations reveal about changing attitudes and critical emphases toward Poe’s canon over time? 

The purpose of this book is to explore the major conceptual differences between classical and modern political philosophy and to understand how these differences have yielded competing conceptions of justice. If ancient and modern thinkers used a different set of constructs, definitions, and methods to explain justice, then it is our duty to understand them. It is also our duty to understand why they have such differences.
Modern thinkers, beginning with Thomas Hobbes, developed a thought experiment—the state of nature—that allowed them to redefine well-established political terms (nature, happiness, virtue, equality, freedom) to determine what people were like in the absence of any external authority, that is, a state. The argument was so compelling that their adherents applied this logic to determine what they deemed legitimate forms of government. In doing so, they made classical articulations of justice appear irrelevant.
This shift—a seismic move away from more than 1,500 years of political philosophy, validated the new approach and called into question the approach of classical theorists. As a result, we now inhabit a world that sees little political significance in the work of the ancients. The classical theory of Plato and Aristotle appears too subjective. It seems too ideological and at times mystical. Such a momentous shift in thinking has resulted in a change in the way citizens see themselves in relation to the state and more importantly, toward each other.

'The Hidden Form of Capital' presents evidence from several parts of the changing world about how the realm of the spirit affects the economy. The idea that societies have economic cultures as well as aesthetic, literary, and artistic cultures is well-embedded in a number of major studies attempting to identify the origins of national wealth and progress. This book provides an original contribution to the debate, by discussing the relationship between religion and the economy not via further theoretical speculation, but through the presentation of analytical evidence from real-life case studies in Europe, Asia, Africa, Russia, and the United States.

There is currently a major re-assessment of assumptions about the foundations of societal progress, as the market rationality model is exposed for its moral weaknesses. The emergence of socio-economics as a scholarly field, as well as the embracing of complexity theory and the societal effect in economic analysis, brings the question of cultural effects to the forefront. This collection of studies offers more practical and tangible evidence, especially unique and useful for its comparative aspect. The book skilfully combines this comparative and descriptive character with an accessible writing style intended for a wide audience.

'The Hidden Form of Capital' presents evidence from several parts of the changing world about how the realm of the spirit affects the economy. The idea that societies have economic cultures as well as aesthetic, literary, and artistic cultures is well-embedded in a number of major studies attempting to identify the origins of national wealth and progress. This book provides an original contribution to the debate, by discussing the relationship between religion and the economy not via further theoretical speculation, but through the presentation of analytical evidence from real-life case studies in Europe, Asia, Africa, Russia, and the United States.

There is currently a major re-assessment of assumptions about the foundations of societal progress, as the market rationality model is exposed for its moral weaknesses. The emergence of socio-economics as a scholarly field, as well as the embracing of complexity theory and the societal effect in economic analysis, brings the question of cultural effects to the forefront. This collection of studies offers more practical and tangible evidence, especially unique and useful for its comparative aspect. The book skilfully combines this comparative and descriptive character with an accessible writing style intended for a wide audience.

This book traces the often sharply differing perspectives historians have formed with regard to the key incidents in the careers of the two foremost politicians of the Victorian age – Gladstone and Disraeli. Following the parallel careers of both men, it focuses upon such contentious questions as why Disraeli opposed Corn Law repeal in 1846, if and when Gladstone became a Liberal, why Disraeli oversaw the 1867 Reform Act, how successful a Chancellor of the Exchequer was Gladstone, whether Disraeli was ever an Imperialist, and why Gladstone took up the cause of Irish Home Rule. In each case it juxtaposes the various interpretations of events historians have advocated, guiding the reader through the often complicated and nuanced debates. Motivating this approach is the conviction that history is a continually evolving subject in which finality is not to be looked for. Every generation poses new questions, or reformulates answers to old ones, and nowhere has this been more apparent than in our understanding of the Victorian age, which has retained the capacity to both challenge and provoke us, and whose legacy continues to actively shape our present and future. It is this very fluidity and contestability of key historical doctrines that gives the subject its perennial attraction and ensures that every student must confront the issues for themselves, and weigh up the sometimes bewildering array of theories and explanations, so as to come to their own conclusion. This book provides a uniquely rich and comprehensive guide through the historiographical terrain of Victorian Britain and will be an invaluable asset to any student grappling with the rivalry between Gladstone and Disraeli and the issues that formed both them and the Victorian age of which we are the heirs.

Presents the very first global treatment of eugenics, pursuing a thematic approach in individual countries.

For a long time, eugenics was closely identified by historians with the mass murder of people who were disabled and of people who were considered part of the “Jewish race” in Nazi Germany. The last three decades have finally seen a growing number of publications that have explored the thriving eugenics movement in the United States and more recently also in Canada. Research about eugenics in the United States, Canada, and Germany has, however, been conducted in isolation from each other. Few scholars such as Stefan Kuehl and Egbert Klautke have looked at the intersections of eugenic research, organization, and practice between the eugenics movements in these three countries.
What is missing is a global history of eugenics, which explores eugenics as a phenomenon that transcended nearly all religions, political orientations, and ideologies. Eugenics emerged at the end of the nineteenth century first in the United Kingdom and spread from here first to the United States and later to continental Europe. It deeply influenced thinking, concepts of health care, and state policies in many countries. Modern-day specialization and fragmentation of the historical profession have proven as ill-equipped to capture a global phenomenon such as eugenics and instead produced national or even regional studies of eugenics in which authors highlight the perceived national and regional specifics of eugenics in a particular setting.

This book presents the very first global treatment of eugenics. It does not claim that eugenics was the same in countries such as the United States, Germany or China, but that developments in each country emerged from intensive contacts between eugenicists in these countries with each other. These eugenicists spoke the same language, followed similar trajectories, and shared a common vision.
This book, furthermore, provides the very first comprehensive history of eugenics by providing chapters on confinement, sterilization, marriage restrictions, and euthanasia. This book is the very first book to provide a comprehensive history of eugenic marriage restrictions. It is also the very first book on the topic of eugenics that includes the topic of euthanasia.

Assessments of the history of literary criticism suffer from two errors. On one hand, they often ignore the relationship between critical history and literary history. On the other hand, they tend to assume a progressive vision of history where literary movements or critical schools of thought build upon each other. As a result, such assessments either privilege the present and praise its progress or express nostalgia for the past.

The Humanist Critic: Lionel Trilling and Edward Said demonstrates the poverty of these tendencies. By examining the careers of two of the most significant figures in literary-critical history, it demonstrates how Said inherits and revises an older style of criticism that Trilling practices, and conversely, we see how Trilling anticipates future directions in criticism that Said will scrutinize. At the same time, The Humanist Critic argues that developments in critical history and developments in literary modernism represent a parallel story. Recognizing these intertwined narratives is key to lessening the perceived antagonism between modernism, continental critical theory, and what each presumably displaced.

The Humanist Critic thus studies the influence of Matthew Arnold and Thomas Mann on Trilling and the influence of Joseph Conrad and Gerard Manley Hopkins on Said while also putting the careers of Trilling and Said in dialogue with structuralist and deconstructive thought. The Humanist Critic is ultimately a focused genealogy of literary studies; a study of influence; a critique of current trends in critical culture; and a renewed justification for the humanist vocation.

As the Bretton Woods institutions enter their sixtieth year, they face a number of challenges. Some are the result of changes that have occurred in the world economy while others are the outcome of their approaches to the problems of stabilization and development, and of their own governance structure. 'The IMF and the World Bank at Sixty' presents a selection of essays prepared for the Group of Twenty-Four Developing Nations (G24), by some of the foremost authorities in their fields, which address these challenges and suggest the need for reform in several areas. Ariel Buira's introduction presents a critical overview of the functioning of the IMF and the international monetary system, underscoring a number of shortcomings that could be remedied to make it more supportive of development through changes in governance. The other essays focus on two areas: financial issues, particularly the prevention of financial crises; and secondly, the policies of the Bretton Woods institutions. These essays have onefundamental aim: to improve the functioning of the global economy and to better enable the developing countries to share in the gains in prosperity of recent decades.

In 21 short case studies, this short book examines the distinctive coincidental history of America, Britain, and various Asian countries during the twentieth century. It covers a wide range of historical events, from American expansion into the Pacific to the creation of the Soviet gulags in Siberia to the end of the Vietnam War. 

Each of the short case studies focuses on one set of coincidental actions. Were they linked in some way? Or completely random? The reader is allowed to decide for themselves. Often, the coincidental overlap is due to timing, with various events throughout history occurring on the same dates. For example, Great Britain’s controversial blockade of Venezuela began on December 7, 1902, the U.S. Navy and the Royal Navy merged forces on December 7, 1917, and Japan attacked American and British naval bases on December 7, 1941. The author will suggest that these three actions were linked, but it is up to the reader to decide if it was really just a coincidence.

The main goal of this short book is to show how watershed historical events can often become layered or overlap each other, sometimes by intent but often merely by happenstance. As Ian Fleming once famously opined about actions in war: “Once is happenstance. Twice is a coincidence. Three times is enemy action.”

In recent years growing numbers of investors have been joining the community interested in not only generating financial returns but also creating positive social and environmental value in the world. “The ImpactAssets Handbook for Investors” offers an introductory overview for those interested in investing their capital in a sustainable, responsible and impactful manner.

The handbook offers insights and approaches to developing strategy as well as an understanding of the issues and considerations of impact investors in practice. In addition to discussions of portfolio structure and strategy, the handbook offers an overview of due diligence necessary to assess potential investments, a discussion of communications and performance measurement issues and other factors key to managing capital for multiple returns.

With contributions from some of the field’s leading experts in impact investing, “The ImpactAssets Handbook for Investors” will provide the reader with both broad advice and specific guidance on how to become best positioned to engage in impact investing as an asset owner, both large and small. While not an “answer book,” the handbook offers practical insights and presents critical questions every investor should consider in creating an investment strategy and executing the deployment of investment capital.

In recent years growing numbers of investors have been joining the community interested in not only generating financial returns but also creating positive social and environmental value in the world. “The ImpactAssets Handbook for Investors” offers an introductory overview for those interested in investing their capital in a sustainable, responsible and impactful manner.

The handbook offers insights and approaches to developing strategy as well as an understanding of the issues and considerations of impact investors in practice. In addition to discussions of portfolio structure and strategy, the handbook offers an overview of due diligence necessary to assess potential investments, a discussion of communications and performance measurement issues and other factors key to managing capital for multiple returns.

With contributions from some of the field’s leading experts in impact investing, “The ImpactAssets Handbook for Investors” will provide the reader with both broad advice and specific guidance on how to become best positioned to engage in impact investing as an asset owner, both large and small. While not an “answer book,” the handbook offers practical insights and presents critical questions every investor should consider in creating an investment strategy and executing the deployment of investment capital.

On Becoming Reasonable explores the contributions that 18th Century Scottish philosophers Thomas Reid, Adam Smith, and David Hume make to our understanding of important factors in the development of children as they gradually acquire central features of reasonableness. Smith and Reid explicitly discuss the importance of sentiment and reason in the development of children. Their views are favorably influenced by the writings of their English predecessor Joseph Butler. Hume, too, valued much of Butler’s thinking. But, unlike Smith and Reid, he said little about Butler’s specific reflections on sentiment and reason. Despite this, one of the aims of this little book is to show that each contributes to our understanding today of what the encouragement of the philosophical thinking of children can play in helping them to come to an appreciation of reasonableness. Although his earlier book, Reasonable Children (University Press of Kansas, 1996), made some use of Thomas Reid’s writings on practical ethics, He had yet to become acquainted with Adam Smith’s Theory of Moral Sentiments (TMS), whose several editions were composed at the same time he was writing his more celebrated Wealth of Nations. Reading TMS has led him in this book to compare and contrast Smith’s views with those of his good friend David Hume and Hume’s notable critic, Reid. These further reflections have resulted in a revisiting of several major concerns of Reasonable Children.
His special focus is on their views about the moral development of children. He regards each of the three, in their differing but sometimes complementary ways, as welcoming the sorts of refinements of reason and sentiments that play a fundamental role in the moral development of children. He concludes that each can be regarded as supporting the general view that the moral development of children can fairly be characterized in terms of the degree to which they are becoming reasonable persons. This, he argues, fits in well with the more recent work of philosophers such as Matthew Lipman, Ann Margaret Sharp, and Gareth Matthews who began urging in the late 20th Century that the philosophical thinking of children should be encouraged.

This fascinating book, based on extensive archival research in Britain and India, examines why mutineer-rebels chose to attack prisons and release prisoners, discusses the impact of the destruction of the jails on British penal policy in mainland India, considers the relationship between India and its penal settlements in Southeast Asia, re-examines Britain’s decision to settle the Andaman Islands as a penal colony in 1858, and re-evaluates the experiences of mutineer-rebel convicts there. As such this book makes an important contribution to histories of the mutiny-rebellion, British colonial South Asia, British expansion in the Indian Ocean and incarceration and transportation. Coinciding with the 150th anniversary of the mutiny-rebellion, this book will be of interest to academics and students researching the history of colonial India, the history of empire and expansion and the history of imprisonment and incarceration.

This fascinating book, based on extensive archival research in Britain and India, examines why mutineer-rebels chose to attack prisons and release prisoners, discusses the impact of the destruction of the jails on British penal policy in mainland India, considers the relationship between India and its penal settlements in Southeast Asia, re-examines Britain’s decision to settle the Andaman Islands as a penal colony in 1858, and re-evaluates the experiences of mutineer-rebel convicts there. As such this book makes an important contribution to histories of the mutiny-rebellion, British colonial South Asia, British expansion in the Indian Ocean and incarceration and transportation. Coinciding with the 150th anniversary of the mutiny-rebellion, this book will be of interest to academics and students researching the history of colonial India, the history of empire and expansion and the history of imprisonment and incarceration.

This book analyses the impact of the publications written by the economist, jurist, administrator and historian José da Silva Lisboa, the future Viscount of Cairu, from 1821 to 1822, on the events that led to the independence of Brazil in 1822. It reassesses the many interpretations of his role throughout the period, repositioning him among those who are part of the broad reformist Catholic Enlightenment.

In an original account of his career and a new interpretation of his role in helping create an appropriate environment for ideas to be discussed during the post constitutional period that followed the Liberal Revolution in 1820 in Portugal, the book brings to light the extent to which his ideas were influenced by the Enlightenment, and how these ideas influenced public opinion in the transition away from the Reino Unido with Portugal, between 1815 and 1822, towards an independent Brazilian empire under Dom Pedro. 

The book argues that while a supporter of Brazilian autonomy, a fierce critic of the Cortes of Lisbon, and an important figure in the events that unfolded after the departure of Dom João VI from Rio de Janeiro in 1821, he did not openly embrace the independence from the United Kingdom with Portugal and would instead work towards a solution that would encompass Brazil’s autonomy within a Portuguese empire, which did not take place.

For the 2019 IVR World Congress of Philosophy of Law meeting in Lucerne, Switzerland, Drs. Barry W. Bussey and Angus J. L. Menuge organized a special workshop on the inherence of human dignity, featuring participation from philosophers, legal scholars, and legal practitioners from around the world. Many of the chapters in these volumes are the result of that invigorating two-day workshop. In addition, several new papers were solicited to round out each volume so that it offers broad coverage of the issues it addresses. 

The second volume, Law and Religious Liberty, explores the value of dignity as a foundation for law. It addresses the following questions. What context is necessary to create an understanding of the need to protect human dignity? Is dignity a useful legal concept or not? If it is, what difference does it make if dignity is recognized in a state’s constitution? Can we discover dignity by its de facto role in legal decisions? Should dignity be extended to groups? What are the practical, legal implications of various understandings of human dignity for international law, religious freedom cases and the permissibility of legal determination of religious doctrine?

For the 2019 IVR World Congress of Philosophy of Law meeting in Lucerne, Switzerland, Drs. Barry W. Bussey and Angus J. L. Menuge organized a special workshop on the inherence of human dignity, featuring participation from philosophers, legal scholars, and legal practitioners from around the world. Many of the chapters in these volumes are the result of that invigorating two-day workshop. In addition, several new papers were solicited to round out each volume so that it offers broad coverage of the issues it addresses. 

The second volume, Law and Religious Liberty, explores the value of dignity as a foundation for law. It addresses the following questions. What context is necessary to create an understanding of the need to protect human dignity? Is dignity a useful legal concept or not? If it is, what difference does it make if dignity is recognized in a state’s constitution? Can we discover dignity by its de facto role in legal decisions? Should dignity be extended to groups? What are the practical, legal implications of various understandings of human dignity for international law, religious freedom cases and the permissibility of legal determination of religious doctrine?

For the 2019 IVR World Congress of Philosophy of Law meeting in Lucerne, Switzerland, Drs. Barry W. Bussey and Angus J. L. Menuge organized a special workshop on the inherence of human dignity, featuring participation from philosophers, legal scholars, and legal practitioners from around the world. Many of the chapters in these volumes are the result of that invigorating two-day workshop. In addition, several new papers were solicited to round out each volume so that it offers broad coverage of the issues it addresses. 

The first volume, Foundations of Human Dignity, focuses on the foundational questions concerning the meaning, nature, and scope of human dignity, and our ability to know it. It addresses the following questions: It addresses the following questions. How was dignity understood by the drafters of the Universal Declaration of Human Rights? Can human dignity be grounded in natural characteristics of human beings accessible by reason, or must it be grounded in God? How can we recognize and promote dignity? What is the connection between dignity and religious liberty? Should dignity be understood in terms of autonomy or well-being? What is the origin of the new dignity jurisprudence, and is it defensible? Can dignity be understood as social characteristic? Can it be extended to artificially intelligent systems?

For the 2019 IVR World Congress of Philosophy of Law meeting in Lucerne, Switzerland, Drs. Barry W. Bussey and Angus J. L. Menuge organized a special workshop on the inherence of human dignity, featuring participation from philosophers, legal scholars, and legal practitioners from around the world. Many of the chapters in these volumes are the result of that invigorating two-day workshop. In addition, several new papers were solicited to round out each volume so that it offers broad coverage of the issues it addresses. 

The first volume, Foundations of Human Dignity, focuses on the foundational questions concerning the meaning, nature, and scope of human dignity, and our ability to know it. It addresses the following questions: It addresses the following questions. How was dignity understood by the drafters of the Universal Declaration of Human Rights? Can human dignity be grounded in natural characteristics of human beings accessible by reason, or must it be grounded in God? How can we recognize and promote dignity? What is the connection between dignity and religious liberty? Should dignity be understood in terms of autonomy or well-being? What is the origin of the new dignity jurisprudence, and is it defensible? Can dignity be understood as social characteristic? Can it be extended to artificially intelligent systems?

The Inner World of Research is a book about the misery and joy of life as a researcher. It deals with essential but rarely spoken of topics in the everyday life of a researcher, focussing in particular on the role of emotions and social relations in research. It stretches from the individual researcher, to the ‘micro-cosmos’ of the research team and to the broader policy environment in which research takes place.

The book is to a large extent based on autobiographical material from the author’s long career as a leading social scientist. But it also derives from extended interviews with researchers from a variety of disciplines, and with authors, artists and musicians. It delves into the mysteries of creativity; the joys and frustrations of collaboration; and the role of fear, anger, and boredom in the life of a researcher. It is driven by a quiet fury about how research as a practice is so little understood and so poorly administrated and communicated.

Neither a standard research monograph nor a typical memoir or autobiography, The Inner World of Research belongs to the academic essay genre. It is a book based on the author’s frustrations, experiences and curiosity but all through written in dialogue with colleagues supported by adequate scholarship. It is personal and self-reflexive yet authoritative and offers significant insights into the heaven and hell of contemporary academic life in general. And in contrast to many other contemporary books on ‘the decline of the university’, this book is not only critical but also self-critical and constructive.

The Inner World of Research is a book about the misery and joy of life as a researcher. It deals with essential but rarely spoken of topics in the everyday life of a researcher, focussing in particular on the role of emotions and social relations in research. It stretches from the individual researcher, to the ‘micro-cosmos’ of the research team and to the broader policy environment in which research takes place.

The book is to a large extent based on autobiographical material from the author’s long career as a leading social scientist. But it also derives from extended interviews with researchers from a variety of disciplines, and with authors, artists and musicians. It delves into the mysteries of creativity; the joys and frustrations of collaboration; and the role of fear, anger, and boredom in the life of a researcher. It is driven by a quiet fury about how research as a practice is so little understood and so poorly administrated and communicated.

Neither a standard research monograph nor a typical memoir or autobiography, The Inner World of Research belongs to the academic essay genre. It is a book based on the author’s frustrations, experiences and curiosity but all through written in dialogue with colleagues supported by adequate scholarship. It is personal and self-reflexive yet authoritative and offers significant insights into the heaven and hell of contemporary academic life in general. And in contrast to many other contemporary books on ‘the decline of the university’, this book is not only critical but also self-critical and constructive.

For decades, museums have been recognized as spaces for public debate and civic education, where discourses produced through exhibitions and other activities contribute to the construction and legitimation of particular views of society and the world. The research presented in this book stems from a desire to engage in the ongoing debate aimed at rethinking ethnographic museums and their ways of producing representations of others. It seeks to explore new ways and possible solutions, alongside existing ones, to transform these spaces into inclusive environments for the production of knowledge that is as shared, plural, and decolonized as possible.
The focus is on some artifacts belonging to two Brazilian Indigenous populations, but kept and exhibited in two ethnographic museums in Lisbon and Vienna. Specifically, a Kambeba bamboo board for flattening the head of newborn babies, collected by Alexandre Rodrigues Ferreira during the Philosophical Journey of 1783–1792 and kept at the Academy of Sciences in Lisbon, and a set of Munduruku feather works collected by the Austrian naturalist Johann Natterer between 1817 and 1835 and kept at the Völkerkundemuseum in Vienna.
By combining historical and ethnographic approaches, the aim is, on one hand, to show the role of objects in producing a specific stereotypical image of Brazilian natives, and, on the other hand, to discuss the presence of Indigenous objects in European museums to bring out different discourses, histories, and categories that have been silenced by colonial power and through which material culture is perceived and contextualized across time and space.

A young Tokyoite doctor accepts a post on a remote island south of Okinawa. When a highly contagious fatal disease breaks out, he has to choose between saving himself or saving others.

A hormone-ridden teenage youth left alone with his young stepmother following his father’s death is consumed with jealousy as her affections turn to another man.

A journalist in search of answers travels from the metropolis to a bleak shore on the Japan Sea and eventually the furthest extreme of ice-bound Hokkaido, as he investigates the suicide of a young man.

In a backstreet of the metropolis, a wily old detective follows his hunches to nail the murderer of a young prostitute.

A conflict arises between two detectives investigating the shocking suicide of a 6-year-old child, the son of a young actress famed for her immoral behavior. Can it really be suicide, or is it murder?

In this early collection of five short stories, Kyotaro Nishimura explores the criminal mind and what makes people do the unthinkable.

Journalist Takashi Hayami meets Ai Katsuragi, a member of a religious organization, Tenmu Jinshinko, which meets secretly at the tomb of the Emperor Nintoku. The group adheres to the nomadic way of life of its ancestors, which lacked family registers and fixed abodes, and flouts civic duties such as paying taxes, serving in the armed forces and compulsory education. Even when the government tries to crack down on a segment of the populace, they continue to discipline themselves in the way of living as ambulatory people. They rely on the company Ikarino to fund the various political, social and cultural activities they promote that protect their unique lifestyle. But when Ikarino becomes a giant conglomerate that destroys the forests and mountains that form the foundation of the Tenmu Jinkshinko, Hayami must join the group’s struggle to save their way of life.