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This book explores ethnographically moments when the issue of poverty and ‘being poor’ feature in everyday lives and interactions in Harpurhey. The book begins by situating the production of poverty outside the everyday lives of people in Harpurhey to better focus on its lived effects.
The chapters that follow provide a nuanced understanding of what it means for people in Harpurhey to live with poverty. Each chapter provides intimate ethnographic insights into the ways in which relationships are forged, maintained, ended and re-emerge in the context of the lived experience of poverty, and in the knowledge that welfare reforms, public spending cuts and social and political stigma will remain enduring issues for them into the future. The relationships between persons and between persons and the state that are explored in this book are necessarily unstable and contingent. The expression of personal needs, circumstances, moral frameworks and imaginations of the future in an ever-changing post-welfare landscape are at the centre of analysis.
Whether individuals are navigating the interstices of the state for (largely) financial support or the intricate interpersonal relationships and obligations they have with each other for moral, social and financial support, the viability of the person to take control over their own assets and futures, and to be recognised in so doing, is paramount to the sociality and moral reckoning of everyday life. By exploring the everyday lives of people who are managing to make ends meet whilst living with poverty, this book asks how poverty and multiple interdependencies are experienced, negotiated and used in the maintenance, dissolution and recuperation of dynamic kinship, and neighbourly and friendship relations of support.

‘Lloyd George at War, 1916–1918’ provides a much needed re-evaluation of this charismatic prime minister’s wartime leadership. Calling on a wide range of primary sources and focussing on Lloyd George’s role in the war cabinet, Cassar compellingly argues that George’s reputation as the “man who won the war” was wholly unmerited. Instead Cassar shows that Lloyd George’s heavy handed leadership was often detrimental to the Allied cause. From his wholehearted support for the disastrous Nivelle offensive, to his pursuit of a peripheral strategy that diverted troops away from the critical theatre of war on the Western Front, Cassar shows that Lloyd George consistently bucked the advice of his generals in preference for ineffectual and dangerous military strategies. Cassar’s approach also differs from that of other studies of Lloyd George by adopting a thematic approach in preference to a chronological narrative, thereby allowing a closer evaluation of Lloyd George’s handling of complex issues.

‘Lloyd George at War, 1916–1918’ provides a much needed re-evaluation of this charismatic prime minister’s wartime leadership. Calling on a wide range of primary sources and focussing on Lloyd George’s role in the war cabinet, Cassar compellingly argues that George’s reputation as the “man who won the war” was wholly unmerited. Instead Cassar shows that Lloyd George’s heavy handed leadership was often detrimental to the Allied cause. From his wholehearted support for the disastrous Nivelle offensive, to his pursuit of a peripheral strategy that diverted troops away from the critical theatre of war on the Western Front, Cassar shows that Lloyd George consistently bucked the advice of his generals in preference for ineffectual and dangerous military strategies. Cassar’s approach also differs from that of other studies of Lloyd George by adopting a thematic approach in preference to a chronological narrative, thereby allowing a closer evaluation of Lloyd George’s handling of complex issues.

‘Locating Australian Literary Memory’ explores sites which are explicitly connected with Australian authors through material forms of commemoration such as houses, graves, statues and assorted artefacts. The focus is on eleven Australian authors – Adam Lindsay Gordon, Joseph Furphy, Henry Handel Richardson, Henry Lawson, A. B. ‘Banjo’ Paterson, Nan Chauncy, Katharine Susannah Prichard, Eleanor Dark, P. L. Travers, Kylie Tennant and David Unaipon. Each of these writers offers different perspectives on the conventions of literary commemoration from the nineteenth century onwards.

Australian heritage terrain has been thoroughly mapped by nationalist heritage practices which may no longer relate to contemporary values. As elsewhere, the focus is moving towards a greater recognition of the contributions of women authors, migrants, expatriates and First Nations peoples. There is an often unacknowledged dissonance between imported modes of commemoration and the unceded lands onto which they have been introduced. The designation of ‘author countries’ is especially problematic in a postcolonial context because it ‘overwrites’ Indigenous Country, obscuring it from the view of non-Indigenous Australians.

Rather than advocating for the creation of more literary monuments, or the further preservation of memorials that currently exist, ‘Locating Australian Literary Memory’ seeks to reveal the many blind spots, contradictions, challenges and eccentricities of literary commemoration in Australia. While observing the value of literary memorials and the voluntary labour that enables their construction, this book argues for an expanded repertoire of practices to recognise authors and storytellers who have been hitherto overlooked.

Ruskin Bond's life - and, for that matter, his semi-autobiographical works - are allegories of the colonial aftermath. His is an odd but exemplary attempt at absorption as a member of the Anglo-Indian ethnic minority, a community whose role in the shaping of the postcolonial Indian psyche has yet to be systematically analysed. This study explores the dialogue between the biographical and authorial selves of Ruskin Bond, whose subjectivity is informed by the fantasies of space and time.

Bond's experiences of socio-political discrimination underwrite his repressed concerns. He seeks to allay his anxieties through an attempt to signify defiance of the functional agencies of those parameters, which ironically become more active as he attempts a symptomatic mastery of their inductive agencies. Nevertheless, for a nostalgic writer the unconscious - which is shaped by the impressions of the experiences of negotiation between double inheritances - exerts a problematic yet discerning influence on Bond's literary self. This study offers a chronological reading of Bond's texts, seeking to bring out the constant presence of this repressed anxiety and the psychological compulsion to dramatize the Self-Other dynamics as a symptomatic method to acquire a conviction of the self.

This renewed edition of the Tractatus Logico-Philosophicus, exactly a century after Wittgenstein’s release, presents the text in a hierarchical manner, “which is the way in which the book was composed and in which Wittgenstein arranged (selected and supplemented) the best of the philosophical remarks that he had been writing since 1913” (Peter Hacker). That tree-like reading is recommended by Wittgenstein himself in the sole footnote of his book, in which he suggests that the inner logical structure of the text is set by the decimal numbers of its propositions. “They alone – the Author will add – give the book perspicuity and clearness, and without this numbering it would be an incomprehensible jumble”. Indeed, the compact and intricate sequence of the traditional presentation is only a rigorous logical bet, but only a logical machine or a robot can unravel the tangle: for an ordinary human understanding that does not exploit its numbering, the book remains “an incomprehensible jumble”.

In the present disposition, instead, all horizontal and vertical references become directly manifest and any reader can enjoy the fine architecture and the elegant reasoning of Wittgenstein's work. Every page is an actual reading unit, perfectly coherent and complete. The Tractatus becomes comprehensible also to unskilled readers, of course at more or less deep levels, while a scholar or a more practised reader can detect suggestions and meanings that had remained, until now, completely hidden. A historical note shows in which manner the new structural perspective sheds new light also in the compositional manuscript we have, which “writing units” are very similar, actually, to the pages of the present edition. Besides, this allows to rebuild the list of “Supplements” (here in the Appendix) that Wittgenstein gathered after he roughly finished his manuscript, but that he used very little in the final book.

Printing the Tractatus following Wittgenstein's decimal prescriptions required meticulous philological care and some discretional conventions: for instance, at the top of each page the commented-upon proposition is printed again, to make the sight complete and self-sufficient. On the other hand, some forcing of the text by the translators in their sequential reading could be eliminated, restoring a more literal translation. Also the famous and intriguing picture of the eye and its visual field (5.6331) has been restored as Wittgenstein drafted it, making the entire page perfectly understandable and coherent. This documented and editorial work on one of the most referenced books of the last century was conceived to obtain, and in fact gained, a perspicuous and crystal clear text, philologically faithful and relaxingly readable at the same time.

This renewed edition of the Tractatus Logico-Philosophicus, exactly a century after Wittgenstein’s release, presents the text in a hierarchical manner, “which is the way in which the book was composed and in which Wittgenstein arranged (selected and supplemented) the best of the philosophical remarks that he had been writing since 1913” (Peter Hacker). That tree-like reading is recommended by Wittgenstein himself in the sole footnote of his book, in which he suggests that the inner logical structure of the text is set by the decimal numbers of its propositions. “They alone – the Author will add – give the book perspicuity and clearness, and without this numbering it would be an incomprehensible jumble”. Indeed, the compact and intricate sequence of the traditional presentation is only a rigorous logical bet, but only a logical machine or a robot can unravel the tangle: for an ordinary human understanding that does not exploit its numbering, the book remains “an incomprehensible jumble”.

In the present disposition, instead, all horizontal and vertical references become directly manifest and any reader can enjoy the fine architecture and the elegant reasoning of Wittgenstein's work. Every page is an actual reading unit, perfectly coherent and complete. The Tractatus becomes comprehensible also to unskilled readers, of course at more or less deep levels, while a scholar or a more practised reader can detect suggestions and meanings that had remained, until now, completely hidden. A historical note shows in which manner the new structural perspective sheds new light also in the compositional manuscript we have, which “writing units” are very similar, actually, to the pages of the present edition. Besides, this allows to rebuild the list of “Supplements” (here in the Appendix) that Wittgenstein gathered after he roughly finished his manuscript, but that he used very little in the final book.

Printing the Tractatus following Wittgenstein's decimal prescriptions required meticulous philological care and some discretional conventions: for instance, at the top of each page the commented-upon proposition is printed again, to make the sight complete and self-sufficient. On the other hand, some forcing of the text by the translators in their sequential reading could be eliminated, restoring a more literal translation. Also the famous and intriguing picture of the eye and its visual field (5.6331) has been restored as Wittgenstein drafted it, making the entire page perfectly understandable and coherent. This documented and editorial work on one of the most referenced books of the last century was conceived to obtain, and in fact gained, a perspicuous and crystal clear text, philologically faithful and relaxingly readable at the same time.

The essays in Logos and Life, the earliest written in 2001 but mainly dating from 2014 and later, cover topics in philosophy of mind, philosophy of action, ethics and philosophy of language. There are discussions of the voluntary and the involuntary; reasons for action; the idea of an ‘inner state’; pleasure; the nature of ethics; justice; necessity and possibility; and a number of other topics. Numerous strands connect these four areas, which Roger Teichmann highlights: in this sense the collection exhibits thematic unity as well as diversity.

Several of the essays take as their starting points the ideas and philosophical methods of Wittgenstein and of Elizabeth Anscombe, and so will be of interest to anyone studying those philosophers. Anscombe was a friend and pupil of Wittgenstein, and Teichmann was fortunate enough to be a friend and pupil of Anscombe. He is now a leading authority on her philosophy.

A newly written Introduction serves to indicate the main themes and arguments of the book, and provide an overall statement of Teichmann’s philosophy. 

The essays in Logos and Life, the earliest written in 2001 but mainly dating from 2014 and later, cover topics in philosophy of mind, philosophy of action, ethics and philosophy of language. There are discussions of the voluntary and the involuntary; reasons for action; the idea of an ‘inner state’; pleasure; the nature of ethics; justice; necessity and possibility; and a number of other topics. Numerous strands connect these four areas, which Roger Teichmann highlights: in this sense the collection exhibits thematic unity as well as diversity.

Several of the essays take as their starting points the ideas and philosophical methods of Wittgenstein and of Elizabeth Anscombe, and so will be of interest to anyone studying those philosophers. Anscombe was a friend and pupil of Wittgenstein, and Teichmann was fortunate enough to be a friend and pupil of Anscombe. He is now a leading authority on her philosophy.

A newly written Introduction serves to indicate the main themes and arguments of the book, and provide an overall statement of Teichmann’s philosophy. 

Anthem's Travel Classics presents Thomas Holmes' masterpiece of early-twentieth-century social journalism: a quirky, engaging and witty look at London's criminal and social underworld of 1912. Holmes investigates the seedy intentions of the pickpockets, prostitutes, prisoners, drunks and murderers that comprise the capital's criminal element, all of whom he rather tends to admire! A more reflective and progressive theme also runs through this work, as the author considers the serious social problems faced by women, the disabled and the unemployed. Both a thrilling exposé and a considered anthropological review, 'London's Underworld' is driven by the author's conflicting feelings of admiration for the rebellious spirit which frees these criminals from the laws of reserved Victorian Society and also pity for the restless, violent attitudes which leave them stranded there alone. Introduced by a modern luminary, 'London's Underworld' is a revealing look at the crooked past of the great city.

'London: A Pilgrimage' was conceived in 1868 by the journalist and playwright Blanchard Jerrold. Accompanied by the famous artist Gustave Doré, Jerrold prowled every corner of the heaving metropolis, sometimes with plain-clothes police for protection. 'London: A Pilgrimage' is a forgotten classic of social journalism, a frank and brutal look at the poverty striken, gin-swilling London of the nineteenth century, written in a perceptive, bold and gripping style.

180 incredible etchings by Doré escort Jerrold on his odyssey through the pulsating city, into the Lambeth gas works, seedy opium dens and grubby bathing houses; peering curiously into the desperate lives of the flower sellers, lavender girls and organ grinders. 'London: A Pilgrimage' is an enlightening work that brings to life the chaotic and gloomy past of a great city on the cusp of modern times.

Peter Ackroyd's excellent introduction sheds further light on the period and the context in which Jerrold and Doré felt compelled to reveal to the world the squalor into which London was slowly sinking.

A stock boy is found to have made an expensive Matsusaka cow vanish from the cattle house right before shipment. But the question remains: How and why did the boy make a 700kg cow disappear?

Jukichi is a seasoned fisherman who can row a fishing boat with proficiency and catch an abundance of fish in the traditional way – until he comes across “naméso,” a sea beast. What will be the fate of the old fisherman, who has been on the sea for 80 years?

With its bright red pincers kept high above its head, a crab called Aka moves slowly along the highway. Can Shinichi, a lonely boy, help Aka reach the sea?

Irako, a cruel and heartless woman, murders a philandering and neglectful doctor by radiation exposure, thereby sealing her own fate. In her dying days, an unusual group of animals gather around Irako to provide solace as she fades away. Can their uncanny companionship transform her demon heart?

“Lost Souls, Sacred Creatures” features four stories written by award-nominated author Juko Nishimura.

In June 1992 the High Court of Australia ruled in favour of a claim by a group of Indigenous Australians, led by Eddie Koiki Mabo, to customary, “native title” to land. In recognising prior Indigenous occupation of the continent, the Mabo decision shook the foundations of white Australia’s belief in the legitimate settlement of the continent by the British. Indeed, more than any other event in Australia’s legal, political and cultural history, the Mabo decision challenged previous ways of thinking about land, identity, belonging, the nation and history. Now, more than a quarter of a century after Mabo, this book examines the broader impacts of this ground-breaking legal decision on Australian culture and select forms of cultural practice. If Mabo represents a “psychological” turning point (Behrendt), a “paradigm shift” (Collins and Davis) in Australian historical consciousness, if we are meant to be living in “the age of Mabo” (Attwood) or in a “post-Mabo imaginary” (Gelder and Jacobs), how is this shift or this contemporary imaginary being reflected, refracted and articulated in Australian film, fiction, poetry, biography and other forms of cultural expression? To what extent has the discussion and the practice of history, linguistics, anthropology and other branches of the humanities been challenged or transformed by Mabo? While a number of individual studies have focussed on Mabo’s impact on law, politics, film or literature, no single book provides an overview of the diverse impact and discursive influence of Mabo on various fields of artistic endeavour and cultural practice in Australia today. This book fills that gap in literary and cultural enquiry.

In considering the cultural legacies of the High Court’s landmark decision this book also engages in a critical dialogue with Mabo and post-Mabo discourse. While a number of Indigenous Australians have benefited, legally and politically from the Mabo decision, the majority of Indigenous peoples have gained nothing, materially, from subsequent native title rulings. In honouring Eddie Mabo’s achievement, then, the contributors also recognise that Indigenous sovereignty over the continent was denied by the High Court in Mabo, and that the struggle for the recognition of better and wider land rights recognition – indeed, of First Nations sovereignty, via a treaty, treaties or similar agreements – continues ‘beyond’ Mabo. 

Keeping such an acknowledgement of Indigenous sovereignty in mind, this interdisciplinary book offers a transnational perspective of Mabo’s cultural legacy by presenting the work of scholars based in Australia, continental Europe and the UK.

‘Mad Tales from the Raj’ is an extensively researched study of mental illness within the context of British colonialism in early nineteenth-century India. The author challenges the assumption that western medical psychology was impartial and highlights the extent to which it reflected British colonial ideology and practice. This long overdue reprint makes available in easily accessible form an authoritative assessment of western, institution-based psychiatry during the East India Company’s period. It includes a fully revised introduction that locates the work in relation to recent scholarly discourse in the field of history of colonial medicine as well as additional material on the treatment of the 'native insane'. The book provides the first comprehensive account of official attitudes and practices in relation to both Indian and European patients at a time when the dictum of the 'civilising mission' guided colonial social policy towards the colonized, and mental illness among the colonizers was seen to tarnish the prestige of the ruling race. Based on archival sources and reports by medical experts, the book provides a highly readable and illuminating account of contemporary psychiatric treatment and colonial policies. It will be fascinating reading not only to students of colonial history, medical sociology and related disciplines, but to all those with a general interest in life in the colonies.

‘Mad Tales from the Raj’ is an extensively researched study of mental illness within the context of British colonialism in early nineteenth-century India. The author challenges the assumption that western medical psychology was impartial and highlights the extent to which it reflected British colonial ideology and practice. This long overdue reprint makes available in easily accessible form an authoritative assessment of western, institution-based psychiatry during the East India Company’s period. It includes a fully revised introduction that locates the work in relation to recent scholarly discourse in the field of history of colonial medicine as well as additional material on the treatment of the 'native insane'. The book provides the first comprehensive account of official attitudes and practices in relation to both Indian and European patients at a time when the dictum of the 'civilising mission' guided colonial social policy towards the colonized, and mental illness among the colonizers was seen to tarnish the prestige of the ruling race. Based on archival sources and reports by medical experts, the book provides a highly readable and illuminating account of contemporary psychiatric treatment and colonial policies. It will be fascinating reading not only to students of colonial history, medical sociology and related disciplines, but to all those with a general interest in life in the colonies.

The essays gathered in Magazines and Modernity in Brazil explore transnational topics such as architecture; cosmopolitanism and universalism; antisemitism, anti-war movements; visual artistic movements; advertising; anti-racism; avant-garde; class; consumer society; design; ethnicity and race; fascism and anti-fascism; intellectual elites; literature; modernity; publishing; translation, as well as book and periodical exchange, which is the main focus of this collection.

Together, these essays propose a critique of traditional comparatist approaches, promoting instead the study of contact zones and intersections, highlighting the place of production and reception of cultural products, as well as the role of mediators. What guide these analyses of magazines are concepts such as connected and shared histories, which emphasize transnational interactions. Within the spectrum of global history, this collection is related to a recent body scholarship on cultural transfers, which opened a fertile field for new research based on the analysis of transnational movements not only of ideas but also of networks and magazines.

Organized chronologically, the chapters explore a period from the mid-nineteenth century to the aftermath of World War II, always having key magazines as the focus of analysis. The authors deliberately move away from traditional comparative approaches, in which two or more nations are set as a parameter, leading to emphasize their similarities and differences in a rigid framework that does not take into account interactions and cross-pollination of cultures and ideas. Some of the keywords that appear here are transnational models, global, circulation, mediation, hybridity, mestizaje, as well as histories that are shared and connected. These keywords help the authors to analyse the formation and development of the participation of Brazil in the global, modern periodical print culture. However, it should be noted that the purpose of this book is not to suggest a supposed singularity of the Brazilian case. The contribution of this volume of essays is precisely the opposite of this, showing how modernity in Brazil, including what is conventionally called modernism, is a complex expression of transnational movements and cross-cultural exchanges.

This book presents the very first analysis of male homosexuality in modern rural Thailand that is based on sociological/anthropological research directly with 25 young same-sex attracted men. It explores changes in the way men view and describe their sexuality over time by interviewing them three times over a period of around 18 months. The men are followed during an important transition in their lives: the end of their high school years and the end (in most cases) of their life as a child with parents or extended family at a rural home. Nearly all decided to move to a city to continue their education or to find work. Some also had stints with sex work in one of Thailand’s well-known centers for prostitution. For nearly all men, this transition brought them into contact with new ideas about gender and sexuality, and many experienced an abrupt increase in their opportunities to have sex, leading to a readjustment of their moral universes. The young men in the study were still in the process of figuring out who they were/wanted to be, and many contradictions emerged in their narratives over the period of data collection. These contradictions, and the way they were resolved, presented an opportunity to critically explore the way the social structures in which these young men operate influence the way they think and explain their own sexual/gendered selves, and how changes in these social structures affect their sense of self.

A number of explanatory ‘lenses’ are used in the different book chapters that zoom in on different structuring/explanatory frameworks for making sense of gender and sexuality in Thai cultural contexts, as used and applied by the study participants. The first is Buddhism. Buddhist beliefs and traditional ideas about karma, fate, hierarchy, family, masculinity and femininity played important roles in the young men’s childhood understandings about homosexuality and same-sex relations–  especially in terms of their cause and morality. The second lens for understanding male homosexuality in Thailand is gender, where men are divided into feminine-oriented bottoms and masculine-oriented tops. A third lens is modernity/the desire to develop and grow, closely linked to Thailand’s globalizing economy and the increasing role of the Internet and social media. The Internet functioned as an important ‘playground’, a platform for trying-out different presentations of the self via Facebook and chat applications – and in many men this resulted in a rejection of their previous self-presentation as effeminate, which they gradually started to associate with being backwards, rural and ‘traditional’. The fourth lens is related to economy. Many of the young men in the study searched for romantic relationships based on complementarity and were looking for boyfriends who had something they did not have—money, a better position in society, or ‘wisdom’/the ability to guide. Most of the more effeminate men saw their sexuality as valuable, and several of the study participants described in this book – especially those coming from poor families – engaged in sex work and used their youth and beauty to find a wealthy long-term partner, in the hope of lifting their families out of poverty, towards a more prosperous future. The fifth lens is nationalism, or more specifically the concept of ‘being a good Thai’; gradually the young men learned that the Thai sense of self and the importance of performing one’s role as a ‘good’ son in public can be used as a strategy to cover-up private behaviors and desires. The sixth and final lens is family. Being ‘good’, respecting elders and elder siblings, financially supporting (grand-)parents, having good manners, meaning ‘acting appropriately in time and space’, gave the young men a way to retain the respect and support of elders and seniors, and determined how they dealt with (non-)disclosure of their sexuality to their families and others and explained their ability and desire to remain part of the mainstream of society. In the final chapter, a discussion about three critical concerns pertaining the health and wellbeing of same-sex attracted Thai men are discussed in the light of this proposed model: the ongoing HIV epidemic, mental health and LGBTI rights. 

Overall, this book presents significant new insights about the Thai sex/gender system, particularly on how it is affected by processes of globalization and the ascent of the Internet and mobile phones as tools for dating and romance.

This book presents the very first analysis of male homosexuality in modern rural Thailand that is based on sociological/anthropological research directly with 25 young same-sex attracted men. It explores changes in the way men view and describe their sexuality over time by interviewing them three times over a period of around 18 months. The men are followed during an important transition in their lives: the end of their high school years and the end (in most cases) of their life as a child with parents or extended family at a rural home. Nearly all decided to move to a city to continue their education or to find work. Some also had stints with sex work in one of Thailand’s well-known centers for prostitution. For nearly all men, this transition brought them into contact with new ideas about gender and sexuality, and many experienced an abrupt increase in their opportunities to have sex, leading to a readjustment of their moral universes. The young men in the study were still in the process of figuring out who they were/wanted to be, and many contradictions emerged in their narratives over the period of data collection. These contradictions, and the way they were resolved, presented an opportunity to critically explore the way the social structures in which these young men operate influence the way they think and explain their own sexual/gendered selves, and how changes in these social structures affect their sense of self.

A number of explanatory ‘lenses’ are used in the different book chapters that zoom in on different structuring/explanatory frameworks for making sense of gender and sexuality in Thai cultural contexts, as used and applied by the study participants. The first is Buddhism. Buddhist beliefs and traditional ideas about karma, fate, hierarchy, family, masculinity and femininity played important roles in the young men’s childhood understandings about homosexuality and same-sex relations–  especially in terms of their cause and morality. The second lens for understanding male homosexuality in Thailand is gender, where men are divided into feminine-oriented bottoms and masculine-oriented tops. A third lens is modernity/the desire to develop and grow, closely linked to Thailand’s globalizing economy and the increasing role of the Internet and social media. The Internet functioned as an important ‘playground’, a platform for trying-out different presentations of the self via Facebook and chat applications – and in many men this resulted in a rejection of their previous self-presentation as effeminate, which they gradually started to associate with being backwards, rural and ‘traditional’. The fourth lens is related to economy. Many of the young men in the study searched for romantic relationships based on complementarity and were looking for boyfriends who had something they did not have—money, a better position in society, or ‘wisdom’/the ability to guide. Most of the more effeminate men saw their sexuality as valuable, and several of the study participants described in this book – especially those coming from poor families – engaged in sex work and used their youth and beauty to find a wealthy long-term partner, in the hope of lifting their families out of poverty, towards a more prosperous future. The fifth lens is nationalism, or more specifically the concept of ‘being a good Thai’; gradually the young men learned that the Thai sense of self and the importance of performing one’s role as a ‘good’ son in public can be used as a strategy to cover-up private behaviors and desires. The sixth and final lens is family. Being ‘good’, respecting elders and elder siblings, financially supporting (grand-)parents, having good manners, meaning ‘acting appropriately in time and space’, gave the young men a way to retain the respect and support of elders and seniors, and determined how they dealt with (non-)disclosure of their sexuality to their families and others and explained their ability and desire to remain part of the mainstream of society. In the final chapter, a discussion about three critical concerns pertaining the health and wellbeing of same-sex attracted Thai men are discussed in the light of this proposed model: the ongoing HIV epidemic, mental health and LGBTI rights. 

Overall, this book presents significant new insights about the Thai sex/gender system, particularly on how it is affected by processes of globalization and the ascent of the Internet and mobile phones as tools for dating and romance.

Have you ever wondered why many of the over 28 million small businesses in operation in the United States do not survive past the first five years? As a fellow small business owner (and professor of business administration) trying to compete in the global economy, I became interested in understanding the actual reasons that cause many small businesses to fail. This question consumed me to the point that I decided to go back to school and earn a doctorate degree in business to hopefully understand the answer.

Through my studies, I began to suspect that the main cause of failure for small businesses was the lack of understanding between the roles of management and leadership. I soon became very frustrated when I could not find research studies that showed the direct link between the necessary skills needed for small business survival.

With little information or resources to rely on, I knew that if I wanted the answers I would have to conduct my own research study to gain the necessary insight into this ongoing problem that has plagued over 50% of today’s workforce.

For two years, I studied small businesses in the global economy. After completing a comprehensive study, I was able to finally document actual information that proved the management and leadership skills that affect small business survival. Once I understood the effects of management and leadership skills had on small businesses, I wanted to apply my research to helping small business owners improve their business.

I thought about the struggles and how I could not find any books or resources that provided a ‘one stop shop’ with detailed information on how to succeed in small business management and leadership. All I had available was a lot of business books and models that were created for large corporations and had to modify bits and pieces from several resources to hopefully fit my needs. This process was very time consuming and did not give me a good sense of a how everything fit together to help me succeed.

In fact, everything I found I went through starting my own small business and wanted to create a resource guide that provided a quick resource for all small businesses.

Since there are many different types of small businesses in many different markets, it is easy to understand why there were no specific resources. A resource that looked at the primary basic functions and demonstrated the causal links between management and leadership skills had to be created that could apply to small businesses in the trade sector of the market needed to be created. ‘Management and Leadership Skills That Affect Small Business Survival’ was the outcome.

This volume reports on the research completed as part of the multi-year New England Climate Adaptation Project (NECAP), a partnership between the MIT Science Impact Collaborative, the US Government's National Estuarine Research Reserve System, four New England coastal towns, and the Consensus Building Institute. The first half of the book offers a series of chapters that explain how and why climate adaptation requires collective rather than individual risk management. It argues that most of the responsibility for responding to climate risks—including sea level rise, storm intensification, changing patterns of rainfall, and increasing temperature—must be taken by local and regional stakeholders.

While collective action is critical for climate adaptation, many communities are not ready to effectively tackle the adaptation challenge, and need enhanced collaborative capacity to support collective risk management. Using concrete examples, this book offers strategies to increase the readiness of communities to deal effectively with the impacts of climate change. It introduces methods for assessing local climate change risks and describes tools for evaluating the social and political contexts in which collective action can take place. It also shares NECAP research demonstrating that engaging communities in tailored role-play simulations has impacted public understanding of climate risks and local readiness to support collective risk management efforts.

The second half of the book presents the products of NECAP, including stakeholder assessments (showing how key stakeholders think about climate risks), risk assessments (including downscaled forecasts from global climate models presented in a way that is accessible to the public), tailored role play simulations (that other communities can use to engage residents in their locality), community case studies (that provide statistical and qualitative evidence of the before-and-after impact of public engagement in serious games), and the results of public opinion polls following interventions in each community after almost 18 months. 

This volume reports on the research completed as part of the multi-year New England Climate Adaptation Project (NECAP), a partnership between the MIT Science Impact Collaborative, the US Government's National Estuarine Research Reserve System, four New England coastal towns, and the Consensus Building Institute. The first half of the book offers a series of chapters that explain how and why climate adaptation requires collective rather than individual risk management. It argues that most of the responsibility for responding to climate risks—including sea level rise, storm intensification, changing patterns of rainfall, and increasing temperature—must be taken by local and regional stakeholders.

While collective action is critical for climate adaptation, many communities are not ready to effectively tackle the adaptation challenge, and need enhanced collaborative capacity to support collective risk management. Using concrete examples, this book offers strategies to increase the readiness of communities to deal effectively with the impacts of climate change. It introduces methods for assessing local climate change risks and describes tools for evaluating the social and political contexts in which collective action can take place. It also shares NECAP research demonstrating that engaging communities in tailored role-play simulations has impacted public understanding of climate risks and local readiness to support collective risk management efforts.

The second half of the book presents the products of NECAP, including stakeholder assessments (showing how key stakeholders think about climate risks), risk assessments (including downscaled forecasts from global climate models presented in a way that is accessible to the public), tailored role play simulations (that other communities can use to engage residents in their locality), community case studies (that provide statistical and qualitative evidence of the before-and-after impact of public engagement in serious games), and the results of public opinion polls following interventions in each community after almost 18 months. 

‘Managing Coral Reefs’ examines Indonesia’s and Malaysia’s pathways to implementing the international Convention on Biological Diversity (CBD), focusing specifically on how regional and national policies in Southeast Asia have fared when implementing the Aichi Targets of the CBD. These targets include safeguarding ecosystems through protection and ensuring that benefits from ecosystems can be enjoyed by all. Kelly Heber Dunning examines CBD implementation through marine protected areas (MPAs) for corals reefs in Indonesia and Malaysia.

Coral reefs, along with mangroves and seagrass, provide stakeholders with livelihoods in fisheries and tourism; they are also efficient natural barriers against extreme weather and climate change–related hazards. While Indonesia uses a co-managed framework, whereby villages and governments share power, to implement its MPAs, Malaysia uses a top-down network of federally managed Marine Parks. Using mixed methods through interviews and surveys as well as coral reef ecology surveys conducted over a year of fieldwork, Dunning argues that co-managed systems are the current best practice for implementing the CBD’s Aichi Targets in tropical developing countries. Not only do they prevent ecosystems from many local forms of degradation, but they also are seen as more legitimate by local resource user stakeholders, allowing them more adaptive capacity to manage the ecosystems under conditions of uncertainty, as well as allowing for a more integrated form of management whereby ecological, economic, and social considerations can be made for management decisions. Centralized MPAs can mimic the successes of co-managed systems through better stakeholder engagement, possibly with greater socio-ecological success in the long run, due to their superior financial, administrative and organizational powers.

In the present day, a young married couple, Asafumi and Shizuka are trying to start a new life, having had to move after losing their jobs. Asafumi decides to join the family business of selling medicines, and a notebook that used to belong to his grandfather Rentarō leads him to explore the mysterious Mandala Road in the hopes of finding his grandfather’s former customers. Shizuka, meanwhile, struggles to resign herself to her new role as a housewife and wonders if she made the right choice in marrying Asafumi.

Following the end of World War II, Saya, a woman from a Malayan native tribe, is on her way to Japan with her seven-year-old son to find Rentarō, who was her wartime lover and the father of her child. When she arrives, however, she discovers that Rentarō has another family and has no place for her. Haunted by memories of torture from the Japanese seeking information about Rentarō and the abuses she suffered working in a brothel, Saya tries to rebuild her life and learn to live with her past.

Both setting out alone on Mandala Road in two different time periods, Asafumi and Rentarō wake up one day having both entered a post-apocalyptic world, where the people seem to have mostly been wiped out by a mysterious “calamity” and the ones that remain are scarcely human. Asafumi, Rentarō, Saya, and Shizuka are all, in their own way, on a private journey to discover and reconcile themselves to the memories of violence, both seen and experienced, as they learn to live with a past that seems always to be too close behind them.

Edited by Professor Neera Chandhoke, 'Mapping Histories' is a fitting tribute to renowned historian Ravinder Kumar, well known for his pioneering work on the social consequences of colonial rule in India, and for founding the Centre for Contemporary Studies at the Nehru Memorial Museum and Library. Here, Fellows of the centre present a collection of historical and contemporary studies on India, which deal with diverse themes from religion to the environment, cultural studies to feminism. Together, these lively and challenging essays offer readings on how we understand India's history and, conversely, how we can use this comprehension of the past to interpret India's complex present.

Edited by Professor Neera Chandhoke, 'Mapping Histories' is a fitting tribute to renowned historian Ravinder Kumar, well known for his pioneering work on the social consequences of colonial rule in India, and for founding the Centre for Contemporary Studies at the Nehru Memorial Museum and Library. Here, Fellows of the centre present a collection of historical and contemporary studies on India, which deal with diverse themes from religion to the environment, cultural studies to feminism. Together, these lively and challenging essays offer readings on how we understand India's history and, conversely, how we can use this comprehension of the past to interpret India's complex present.

Focusing specifically on the poetic construction of India, ‘Mapping the Nation’ offers a broad selection of poetry written by Indians in English during the period 1870–1920. Centering upon the “mapping” of India – both as a regional location and as a poetic ideal – this unique anthology presents poetry from various geographical nodal points of the subcontinent, as well as that written in the imperial metropole of England.

The anthology’s selection defines India in various ways: as being against Britain in loyalty and/or critique; in “exile” in or through memories of England; through a reconstructed past; through satirical or earnest depictions of her contemporary politics; through depictions of the subcontinent’s landscape and scenery; through her various regions and their inhabitants, customs, cultures and religions; or through odes to British and Indian literary figures and politicians. This rich bounty of content is complemented by an equally detailed array of auxiliary notes, including annotations and appendices of poets’ prefaces, assessments of other contemporaries, and a collection of formerly lost archive material.

As becomes evident, the diversity of India’s imagining by her poets during this period corresponds to the diversity of her inhabitants and geography. In grouping its poetry according to region of publication, this anthology makes a structural innovation that negotiates the politics of locality, nation and empire by acknowledging the importance of all three terms in constructing an Indian national and cultural identity during the late nineteenth and early twentieth centuries.

Focusing specifically on the poetic construction of India, ‘Mapping the Nation’ offers a broad selection of poetry written by Indians in English during the period 1870–1920. Centering upon the “mapping” of India – both as a regional location and as a poetic ideal – this unique anthology presents poetry from various geographical nodal points of the subcontinent, as well as that written in the imperial metropole of England.

The anthology’s selection defines India in various ways: as being against Britain in loyalty and/or critique; in “exile” in or through memories of England; through a reconstructed past; through satirical or earnest depictions of her contemporary politics; through depictions of the subcontinent’s landscape and scenery; through her various regions and their inhabitants, customs, cultures and religions; or through odes to British and Indian literary figures and politicians. This rich bounty of content is complemented by an equally detailed array of auxiliary notes, including annotations and appendices of poets’ prefaces, assessments of other contemporaries, and a collection of formerly lost archive material.

As becomes evident, the diversity of India’s imagining by her poets during this period corresponds to the diversity of her inhabitants and geography. In grouping its poetry according to region of publication, this anthology makes a structural innovation that negotiates the politics of locality, nation and empire by acknowledging the importance of all three terms in constructing an Indian national and cultural identity during the late nineteenth and early twentieth centuries.

The book traces Luther’s career from his humble origins through his conflicts with pope and emperor, and his initiating the split between Protestants and Catholics. Based on the most recent scholarship, and drawing heavily upon Luther’s own writings, 'Martin Luther and the German Reformation' provides a picture of Luther that is historically faithful without being needlessly scholarly. Intended for use by students, it assumes no initial familiarity with Luther and is accessible to non-scholars. It would be ideal for any interested person who wants to get to know Martin Luther; one of the key figures in European history.

Marx in the Field is a unique edited collection illustrating the relevance of the Marxian method to study contemporary capitalism and the global development process. Essays in the collection bring Marx ‘to the field’ in three ways. They illustrate how Marxian categories can be concretely deployed for field research in the global economy, they analyse how these categories may be adapted during fieldwork and they discuss data collection methods supporting Marxian analysis. Crucially, many of the contributions expand the scope of Marxian analysis by combining its insights with those of other intellectual traditions, including radical feminisms, critical realism and postcolonial studies. The book defines the possibilities and challenges of fieldwork guided by Marxian analysis, including those emerging from the COVID-19 pandemic.

The collection takes a global approach to the study of development and of contemporary capitalism. While some essays focus on themes and geographical areas of long-term concern for international development – like informal or rural poverty and work across South Asia, Southern and West Africa, or South America – others focus instead on actors benefitting from the development process - like regional exporters, larger farmers, and traders – or on unequal socio-economic outcomes across richer and emerging economies and regions – including Gulf countries, North America, Southern Europe, or Post-Soviet Central and Eastern Europe. Some essays explore global processes cutting across the world economy, connecting multiple regions, actors and inequalities.

While some of the contributions focus on classic Marxian tropes in the study of contemporary capitalism – like class, labour and working conditions, agrarian change, or global commodity chains and prices – others aim at demonstrating the relevance of the Marxian method beyond its traditional boundaries – for instance, for exploring the interplays between food, nutrition and poverty; the links between social reproduction, gender and homework; the features of migration and refugees regimes, tribal chieftaincy structures or prison labour; or the dynamics structuring global surrogacy. Overall, through the analysis of an extremely varied set of concrete settings and cases, this book illustrates the extraordinary insights we can gain by bringing Marx in the field.

Marx in the Field is a unique edited collection illustrating the relevance of the Marxian method to study contemporary capitalism and the global development process. Essays in the collection bring Marx ‘to the field’ in three ways. They illustrate how Marxian categories can be concretely deployed for field research in the global economy, they analyse how these categories may be adapted during fieldwork and they discuss data collection methods supporting Marxian analysis. Crucially, many of the contributions expand the scope of Marxian analysis by combining its insights with those of other intellectual traditions, including radical feminisms, critical realism and postcolonial studies. The book defines the possibilities and challenges of fieldwork guided by Marxian analysis, including those emerging from the COVID-19 pandemic.

The collection takes a global approach to the study of development and of contemporary capitalism. While some essays focus on themes and geographical areas of long-term concern for international development – like informal or rural poverty and work across South Asia, Southern and West Africa, or South America – others focus instead on actors benefitting from the development process - like regional exporters, larger farmers, and traders – or on unequal socio-economic outcomes across richer and emerging economies and regions – including Gulf countries, North America, Southern Europe, or Post-Soviet Central and Eastern Europe. Some essays explore global processes cutting across the world economy, connecting multiple regions, actors and inequalities.

While some of the contributions focus on classic Marxian tropes in the study of contemporary capitalism – like class, labour and working conditions, agrarian change, or global commodity chains and prices – others aim at demonstrating the relevance of the Marxian method beyond its traditional boundaries – for instance, for exploring the interplays between food, nutrition and poverty; the links between social reproduction, gender and homework; the features of migration and refugees regimes, tribal chieftaincy structures or prison labour; or the dynamics structuring global surrogacy. Overall, through the analysis of an extremely varied set of concrete settings and cases, this book illustrates the extraordinary insights we can gain by bringing Marx in the field.

Offering an alternative exploration of the subject, ‘Marxism in Dark Times’ anchors its investigation of Marxism in the conceptual spheres of humanism, democracy and pluralism. Its essays question the stereotyped, positivist notion of the theory as practised by the exponents of official Marxism, highlight the legacy of the suppressed voices in the Marxist tradition, and provide new insights into reading Marxism in the twenty-first century—affording new perspectives on Antonio Gramsci, Rosa Luxemburg, Nikolai Bukharin, David Ryazanov and the Frankfurt School. They seek to review the phenomenon of ‘Perestroika,’ explore the new historiography on Comintern, and examine the relation between Marxism and postmodernism. With its wide-ranging provision of materials—some translated here into English from German and Russian for the first time—this collection offers a pioneering English assessment of some of the most debatable issues in contemporary Marxism.

Offering an alternative exploration of the subject, ‘Marxism in Dark Times’ anchors its investigation of Marxism in the conceptual spheres of humanism, democracy and pluralism. Its essays question the stereotyped, positivist notion of the theory as practised by the exponents of official Marxism, highlight the legacy of the suppressed voices in the Marxist tradition, and provide new insights into reading Marxism in the twenty-first century—affording new perspectives on Antonio Gramsci, Rosa Luxemburg, Nikolai Bukharin, David Ryazanov and the Frankfurt School. They seek to review the phenomenon of ‘Perestroika,’ explore the new historiography on Comintern, and examine the relation between Marxism and postmodernism. With its wide-ranging provision of materials—some translated here into English from German and Russian for the first time—this collection offers a pioneering English assessment of some of the most debatable issues in contemporary Marxism.

Max Nettlau’s Utopian Vision provides a historically grounded presentation of the entire literature of utopianism. Nettlau shows an encyclopaedic knowledge of the subject. He passionately believed that the value of utopian thinking and class struggle should not be underestimated as utopian desire exists in all of us. Utopian thinking, according to Nettlau, stimulates the imagination and awakens the desire to attain a better life for everyone. Nettlau argues that every idea begins as a utopia: some are realized; others are not. Utopian thinking also creates a desire for radical change in society without which no new reality could emerge. Every reality is first dreamed of and, then, the act of dreaming awakens the desire for realization. It is the same desire without which every piece of art would be unthinkable. When utopian ideas reach the masses, forces are released that build bridges into the future and make things possible that otherwise would only exist as dreamlike imaginings. Indeed, Nettlau claims that history is the record of utopian thought practically imagined.

May Alcott Nierike, Author and Advocate examines in-depth the writings on art and travel by the youngest sister of famed novelist Louisa May Alcott. Like other American women in the later nineteenth century, May was unable to receive the advanced training and exhibition opportunities in the USA that she needed to become a notable professional painter due to her gender. An additional obstacle for Alcott Nieriker was her family’s insecure financial status, making it difficult to travel or study abroad for training. Fortunately, following Louisa’s early publishing success, May was able to make three trips to London and Paris to immerse herself more fully in the art world, and eventually attained the prestigious honor of having two paintings accepted into the Paris Salon. However, the book argues that Alcott Nieriker’s main contributions to cultural history were not necessarily her artistic creations, but rather her publications on travel and art—specifically, four articles for the Boston Evening Transcript and an 1879 guidebook, Studying Art Abroad and How To Do It Cheaply. 

The book examines the art and travel writings of May Alcott Nieriker from three distinct but interrelated perspectives: (1) how Alcott Nieriker’s writings both relate to and yet stand apart from standard travel writing of the later nineteenth century; (2) how Alcott Nieriker’s travel writings smartly interweave art criticism and social as well as cultural advocacy, including her concerns about the lack of access to free museums in the USA; and (3) how Alcott Nieriker’s writings critique the social and cultural norms of the day in respect to equal opportunity for women artists, and in turn seek to empower women of modest means to navigate these obstacles and pursue careers as professional artists. In addition, the book provides more insight in general to the fields of nineteenth-century American art and art criticism, travel writing, gender studies, and American cultural studies. In sum, May Alcott Nieriker’s writings, a number of which are republished here for the first time since the 1870s, deserve further attention and interpretation because her texts give voice to critical social and cultural concerns of the nineteenth century, such as gender and class discrimination, that still resonate today.

May Alcott Nierike, Author and Advocate examines in-depth the writings on art and travel by the youngest sister of famed novelist Louisa May Alcott. Like other American women in the later nineteenth century, May was unable to receive the advanced training and exhibition opportunities in the USA that she needed to become a notable professional painter due to her gender. An additional obstacle for Alcott Nieriker was her family’s insecure financial status, making it difficult to travel or study abroad for training. Fortunately, following Louisa’s early publishing success, May was able to make three trips to London and Paris to immerse herself more fully in the art world, and eventually attained the prestigious honor of having two paintings accepted into the Paris Salon. However, the book argues that Alcott Nieriker’s main contributions to cultural history were not necessarily her artistic creations, but rather her publications on travel and art—specifically, four articles for the Boston Evening Transcript and an 1879 guidebook, Studying Art Abroad and How To Do It Cheaply. 

The book examines the art and travel writings of May Alcott Nieriker from three distinct but interrelated perspectives: (1) how Alcott Nieriker’s writings both relate to and yet stand apart from standard travel writing of the later nineteenth century; (2) how Alcott Nieriker’s travel writings smartly interweave art criticism and social as well as cultural advocacy, including her concerns about the lack of access to free museums in the USA; and (3) how Alcott Nieriker’s writings critique the social and cultural norms of the day in respect to equal opportunity for women artists, and in turn seek to empower women of modest means to navigate these obstacles and pursue careers as professional artists. In addition, the book provides more insight in general to the fields of nineteenth-century American art and art criticism, travel writing, gender studies, and American cultural studies. In sum, May Alcott Nieriker’s writings, a number of which are republished here for the first time since the 1870s, deserve further attention and interpretation because her texts give voice to critical social and cultural concerns of the nineteenth century, such as gender and class discrimination, that still resonate today.

Julia Tanney’s Meaning, Mind, and Action mounts an overarching challenge to widely held presuppositions within the practice of philosophy in its classical ‘analytic’ forms as well as in its ‘naturalist’ and ‘cognitivist’ turns, expanding upon those introduced in Rules, Reason and Self-Knowledge (2013).

Influenced by arguments of Wittgenstein, Ryle, and others, Tanney confronts the ‘platitudes’ or unalterable starting points that implicitly or explicitly ground mainstream, philosophical theorising, beginning with the ideas first, that the meaning of a complex, natural language expression such as a sentence is determined by its structure and second, that the meaning of its constituents and that such content—which must remain stable across contexts—is needed to accommodate logical transformations (embeddings in, say, negational, conditional, or propositional attitude contexts) and inferential reasoning. Opposing the ideas that this semantic or propositional content is the bearer of truth or falsehood and that to grasp a concept is to be equipped with rules which fix the relation between an expression and its reference or extension, Tanney argues, by contrast, that our practices are logically prior to their codifications. Explanations, justifications, or the appeal to principles, rules, norms are not on the same logical footing as the moves they endorse; in particular, our successful linguistic practices are not causally explained by a prior grasp of ‘meanings’. Further, to appreciate the indefinite elasticity of most, if not all, natural language expressions is to accept that there may be nothing in common by which we call a thing by the same name. Not only does this subvert the idea that the essence of our concepts can be revealed by contextually transcendent application conditions; it undermines the idea that they function to signify facts, properties, events, or relations whose nature is to be revealed by metaphysical or philosophical-scientific speculation. Construing them so would destroy the saying and explanatory power of the expressions subsumed by these concept-nouns in natural language discourses.

Provides a critical and comprehensive account of the mediation of rural darkness, analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries.

With the rapid and ubiquitous spread of urban light pollution, nocturnal darkness has become a rare and neglected experience. In response to the steady decline of gloom, researchers working across multiple disciplines have sought to understand the dynamic and innovative role nighttime plays in human cultures across time. From studies on the ritualistic function of darkened caves in Paleolithic times to contemporary policy concerns over the need for nighttime mayors and tourist economies, night research has emerged as a prolific line of inquiry capturing the night’s distinct qualities. However, while “night studies” brings much-needed attention to human experiences with darkness, little work exists outside the context of cities. The result is that explorations of rural darkness, such as the media genres and styles that culturally shape the meaning of the rural night, have been meager.

This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. On the one hand, many media genres contribute to a “preservation” ideology based on the Western myth of “wilderness.” Relying on the classic urban/rural binary, this culture of rural darkness imagines the night as a primal and ancient inheritance, a distant and remote frontier free from the ills of human technology. On the other hand, other media genres challenge this preservationist depiction of rural darkness, demonstrating that the rural night does not retreat from modern, urban life but is an extension of the urban-technological.

Promoting a hybrid, intermeshed view of the night, this culture of rural darkness dismantles the frontier myth by understanding “pristine” darkness as a cultural technology that seeks to erase the messy connections between the rural and the urban. The book contends that only the latter culture of rural darkness offers a responsible and accurate understanding of the rural night. Not only does the preservationist view of pristine darkness privilege “natural” darkness over other sustainable forms of gloom, but its endorsement of the frontier myth represents a flight from history, a rhetorical strategy that may actually prevent the night’s protection.

 “Media Sociology and Journalism: Studies in Truth and Democracy proposes an accurate reading on ‘fake populism’ regimes. Greg Nielson navigates on the fruitful and relevant tradition on media and power relationships to highlight the contributions of professional journalism to the fragility of democracy” — Fábio Pereira, Chair of Scientific Journalism, Université Laval.

 “Media Sociology and Journalism: Studies in Truth and Democracy proposes an accurate reading on ‘fake populism’ regimes. Greg Nielson navigates on the fruitful and relevant tradition on media and power relationships to highlight the contributions of professional journalism to the fragility of democracy” — Fábio Pereira, Chair of Scientific Journalism, Université Laval.

Multiculturalism has been a topic of scholarly exploration for almost fifty years. Most recently, these explorations have sought to respond to growing public sentiment that the multicultural ideal, borne out of Western liberalism, has failed. Indeed, ‘multiculturalism is dead’ has been a popular catch cry in Anglo- and Western-European countries for the past decade. Significantly, the continued discussion about the success or otherwise of multiculturalism registers the topic as alive as ever (albeit in a mode of crisis) and one that shows no signs of disappearing.

There are currently two main scholarly approaches to the so-called crisis of multiculturalism. The first approach retains the importance of multiculturalism by inflating and promoting its positive attributes. The second approach problematizes multiculturalism by retexturing its meaning and attempting to reconnect its political/theoretical domain with its ordinary manifestations. In some instances, the second approach renounces the concept of multiculturalism altogether, positioning it as a past phenomenon. Both approaches frequently mirror broader trends in cultural studies and artistic domains by turning to ‘the everyday’, using on-the-ground experiences as a tool to redefine the meaning of multiculturalism. But what work is done in the name of the everyday? Is ‘the everyday’ really a sanctioned, authentic space where cultural difference exists beyond the State? These are questions that neither approach takes seriously nor appropriately addresses. 

This modern book addresses this oversight by taking the everyday of everyday multiculturalism to task and doing so via the increasingly popular and everyday medium: digital storytelling. The ‘digital’ is an important node of analysis, not only because it has so far been overlooked in studies of everyday multiculturalism, but because its immateriality often affords it a distance from critical analyses pertaining to material effects. This book forefronts the materiality of digital storytelling by closely considering how the genre enables racialization to manifest at the level of the body. How does the genre compel the creators of digital stories to embody and/or reject racialized structures associated with concepts of multiculturalism? What do these stories tell us about the way multiculturalism is mediated and, importantly, how it might be re-mediated?

As we enter an era of unprecedented global mobility, discussions pertaining to cultural difference and the systems used to negotiate it become more frequent and more complex. This book makes a timely intervention into these discussions to both consolidate and reimagine the rocky terrain of multiculturalism, providing a valuable resource for scholars in cultural studies, media and internet studies, and ethnic and race studies. Additionally, the book provides a foundation for rethinking digital narrative production pertaining to cultural difference, giving it a practical purpose for educators and digital practitioners alike.

Multiculturalism has been a topic of scholarly exploration for almost fifty years. Most recently, these explorations have sought to respond to growing public sentiment that the multicultural ideal, borne out of Western liberalism, has failed. Indeed, ‘multiculturalism is dead’ has been a popular catch cry in Anglo- and Western-European countries for the past decade. Significantly, the continued discussion about the success or otherwise of multiculturalism registers the topic as alive as ever (albeit in a mode of crisis) and one that shows no signs of disappearing.

There are currently two main scholarly approaches to the so-called crisis of multiculturalism. The first approach retains the importance of multiculturalism by inflating and promoting its positive attributes. The second approach problematizes multiculturalism by retexturing its meaning and attempting to reconnect its political/theoretical domain with its ordinary manifestations. In some instances, the second approach renounces the concept of multiculturalism altogether, positioning it as a past phenomenon. Both approaches frequently mirror broader trends in cultural studies and artistic domains by turning to ‘the everyday’, using on-the-ground experiences as a tool to redefine the meaning of multiculturalism. But what work is done in the name of the everyday? Is ‘the everyday’ really a sanctioned, authentic space where cultural difference exists beyond the State? These are questions that neither approach takes seriously nor appropriately addresses. 

This modern book addresses this oversight by taking the everyday of everyday multiculturalism to task and doing so via the increasingly popular and everyday medium: digital storytelling. The ‘digital’ is an important node of analysis, not only because it has so far been overlooked in studies of everyday multiculturalism, but because its immateriality often affords it a distance from critical analyses pertaining to material effects. This book forefronts the materiality of digital storytelling by closely considering how the genre enables racialization to manifest at the level of the body. How does the genre compel the creators of digital stories to embody and/or reject racialized structures associated with concepts of multiculturalism? What do these stories tell us about the way multiculturalism is mediated and, importantly, how it might be re-mediated?

As we enter an era of unprecedented global mobility, discussions pertaining to cultural difference and the systems used to negotiate it become more frequent and more complex. This book makes a timely intervention into these discussions to both consolidate and reimagine the rocky terrain of multiculturalism, providing a valuable resource for scholars in cultural studies, media and internet studies, and ethnic and race studies. Additionally, the book provides a foundation for rethinking digital narrative production pertaining to cultural difference, giving it a practical purpose for educators and digital practitioners alike.

To date, masculinity has tended to be presented in cinema studies as a monolithic category that serves the interests of a hegemonic, normative patriarchy. This book demonstrates how the art-house film, in the form of personal cinema and its exploitation of the melodramatic mode, tells a different story, presenting a vision of masculinity that is sexually fluid, fragmented, unstable, and often incapacitated to the point of paralysis, being undermined not only from within, but also by external circumstance. Hollywood, in the form of “male weepies,” offered preliminary insights into this failing masculinity, but it is with the flowering of Post-World War II art film and its subsequent movement into the “indie” waves of the late 20th century and the early 21st century that cinema more profoundly realizes its potential to serve as a vehicle for the exploration of men’s interior lives, developing what might be termed the “male melodrama,” the correlative of the woman’s film. 

The present volume offers a series of essays that reassess the role of melodrama in a number of touchstone films in the art-cinema tradition that explore the subjective experience of a male protagonist, announcing the emergence of a genre that has progressively proliferated in contemporary cinema. While these films, made by such notable auteurs as Vittorio De Sica, Satyajit Ray, Vincente Minnelli, Pier Paolo Pasolini, Ingmar Bergman, François Truffaut, Jacques Demy, Rainer Werner Fassbinder, and Luca Guadagnino have been frequently discussed as outstanding examples of art films, to date, with a few exceptions, they have not been examined in terms of their representation of gender and subjectivity, which has left a lacuna in accounts of screened masculinities.

To date, masculinity has tended to be presented in cinema studies as a monolithic category that serves the interests of a hegemonic, normative patriarchy. This book demonstrates how the art-house film, in the form of personal cinema and its exploitation of the melodramatic mode, tells a different story, presenting a vision of masculinity that is sexually fluid, fragmented, unstable, and often incapacitated to the point of paralysis, being undermined not only from within, but also by external circumstance. Hollywood, in the form of “male weepies,” offered preliminary insights into this failing masculinity, but it is with the flowering of Post-World War II art film and its subsequent movement into the “indie” waves of the late 20th century and the early 21st century that cinema more profoundly realizes its potential to serve as a vehicle for the exploration of men’s interior lives, developing what might be termed the “male melodrama,” the correlative of the woman’s film. 

The present volume offers a series of essays that reassess the role of melodrama in a number of touchstone films in the art-cinema tradition that explore the subjective experience of a male protagonist, announcing the emergence of a genre that has progressively proliferated in contemporary cinema. While these films, made by such notable auteurs as Vittorio De Sica, Satyajit Ray, Vincente Minnelli, Pier Paolo Pasolini, Ingmar Bergman, François Truffaut, Jacques Demy, Rainer Werner Fassbinder, and Luca Guadagnino have been frequently discussed as outstanding examples of art films, to date, with a few exceptions, they have not been examined in terms of their representation of gender and subjectivity, which has left a lacuna in accounts of screened masculinities.

This book explores the history of hypertext, an influential concept that forms the underlying structure of the World Wide Web and innumerable software applications. Barnet combines an analysis of contemporary literature with her exclusive interviews with those at the forefront of the hypertext innovation. She tells both the human and the technological story, tracing its path back to an analogue device imagined by Vannevar Bush in 1945, before modern computing had happened.

‘Memory Machines’ offers an expansive record of hypertext over the last 60 years, pinpointing the major breakthroughs and fundamental flaws in its evolution. Barnet argues that some of the earliest hypertext systems were more richly connected and in some respects more flexible than the Web; this is also a fascinating account of the paths not taken.

Barnet ends the journey through computing history at the birth of mass domesticated hypertext, at the point that it grew out of the university labs and into the Web. And yet she suggests that hypertext may not have completed its evolutionary story, and may still have the capacity to become something different, something much better than it is today.

This book explores the history of hypertext, an influential concept that forms the underlying structure of the World Wide Web and innumerable software applications. Barnet combines an analysis of contemporary literature with her exclusive interviews with those at the forefront of the hypertext innovation. She tells both the human and the technological story, tracing its path back to an analogue device imagined by Vannevar Bush in 1945, before modern computing had happened.

‘Memory Machines’ offers an expansive record of hypertext over the last 60 years, pinpointing the major breakthroughs and fundamental flaws in its evolution. Barnet argues that some of the earliest hypertext systems were more richly connected and in some respects more flexible than the Web; this is also a fascinating account of the paths not taken.

Barnet ends the journey through computing history at the birth of mass domesticated hypertext, at the point that it grew out of the university labs and into the Web. And yet she suggests that hypertext may not have completed its evolutionary story, and may still have the capacity to become something different, something much better than it is today.

As an ancient Indian poet-dramatist, Kālidāsa cannot be absorbed into the homogenizing tendencies of Hindu hagiography, as has often been attempted, especially in the period after independence. From being projected as a Brahmin by birth in legends, a Vedāntist and Vaishnavite in darsana (theology), and more recently, owing to Western theoretical perspectives being applied to texts separated in time and contexts, Kalidasa is critiqued for a patriarchal and casteist outlook. These various readings have privileged personal theories and validated them by reading literary texts in certain ways. ‘Memory, Metaphor and Mysticism in Kalidasa’s ‘AbhijñānaŚākuntalam’’ brings together scholars from both sides of the globe who offer possibilities for reviewing this text, not as an Oriental discovery or a cultural property, but as an ancient literary text that can be read in multiple philosophical contexts. Further, the translations of ‘AbhijñānaŚākuntalam’ into South Asian languages like Urdu and Nepali and a classical language like Persian are also included for detailed study for understanding the impact of this text in the respective literary traditions of these languages, and to assess the actual cross-literary dialogue that this text made, without hyperboles and generalizations, given the fact that many of these translation happened just before and after independence when literary historiography and nation writing project went hand in hand in India.

The written histories, built memorials and spoken narratives of settler descendants often reveal an absence of Aboriginal people in Australian settlers’ historical consciousness and a lack of empathy for those whose lands were taken over. This absence reflects an intellectual and emotional disconnect from Aboriginal people’s experiences and from recent national debates about reconciling contested pasts. The aim of ‘Memory, Place and Settler‒Aboriginal History’ is to understand the evolution and endurance of this disconnect. Drawing on archival research, interviews and fieldwork, Skye Krichauff fuses the methodologies and theories of historical enquiry, anthropology and memory studies to investigate the multifaceted processes through which current generations of rural settler descendants come to know the colonial era. Primarily focussing on analysing and comparing the historical consciousness of a specific group of settler descendants – namely those who have grown up on land in the mid-north of South Australia that was occupied by their forebears in the nineteenth century – this book is additionally informed by interviews and fieldwork conducted with Aboriginal descendants. In addition, as a fifth-generation settler descendant herself, Krichauff utilises her insider status to provide personal insights and reflections with her analysis.

Within spoken narratives and during site visits, settler descendants demonstrate that their consciousness of the colonial past has been formed by growing up in places surrounded by people and objects that provide continuous reminders and physical evidence of the lives of previous generations. This book argues that the primary and most powerful way through which this group knows the colonial past is through lived experience. A recognition that (and how) previous generations’ experiences transfer through the generations is crucial to any investigation into the past known and understood through lived experience. As such, this monograph investigates and contextualises the timing, speed and intensity with which rural districts were occupied, Aboriginal people were dispossessed, and the extent and nature of previous generations’ relations with Aboriginal people.

Included in this monograph is an analysis of public histories (local written histories and plaques, monuments and information boards) which demonstrates a settler-colonial historical epistemology that frames the way mid-northern settler descendants make sense of the past. Memories of personal lived experiences are remembered, understood and articulated – are composed and constructed – using the public language and the meanings available in the wider culture in which individuals live. Krichauff provides concrete examples which demonstrate how, amongst many settler descendants, the memories, family stories and lived experiences of Aboriginal presence and positive settler‒Aboriginal interaction (stories which fall outside the dominant epistemology) are ignored or neglected. While knowledge about the past learned through external sources (books, films, documentaries) can, to varying degrees, shape and inform settler descendants’ consiousness of the colonial era, Krichauff argues that it is the degree of connection with experience that is crucial to understanding the extent to which external knowledge is absorbed and remembered. By connecting Aboriginal people (past and present) with people and places known through everyday life, settler descendants are more likely to intellectually and emotionally connect their own histories with those of the victims of colonialism. This book concludes by demonstrating how it is possible to unsettle settler descendants’ consciousness of the colonial past in ways that enable a tentative connection with Aboriginal people and their experiences.

'Men and Masculinities in South India' aims to increase understanding of gender within South Asia and especially South Asian masculinities, a topic whose analysis and ethnographising in the region has had a very sketchy beginning and is ripe for more thorough examination. This is, in short, an almost empty field dominated so far by short articles and collections and the time is right for the first full-length ethnographic study of masculinities. This ground-breaking monograph covers a range of areas including work, cross-sex relationships, sexuality, men's friendships, religious practices and leisure. This book is especially concerned with issues arising from debates which broadly argue over the differences and merits of approaches to gender and identity - rooted in essentialism versus performativity. Questions about the tensions between essentialist and performative theories of self and gender are therefore highlighted throughout the book and explored in relation to various bodies of theory and to South Asian understandings of personhood.

‘Mesoscale Modelling for Meteorological and Air Pollution Applications’ combines the fundamental and practical aspects of mesoscale air pollution and meteorological modelling. Providing an overview of the fundamental concepts of air pollution and meteorological modelling, including parameterization of key atmospheric processes, the book also considers equally important aspects such as model integration, evaluation concepts, performance evaluation, policy relevance and user training. Based on research topics that are the most relevant to the development, with models for high resolution meteorology and air quality simulations, and also based on the experience of a large number of meteorological services and air pollution modelling research and user groups, mainly from Europe and North America, ‘Mesoscale Modelling for Meteorological and Air Pollution Applications’ encapsulates the basic concepts of numerical modelling of air quality, model structures, operational characteristics and applications of air pollution mesoscale models for research as well as operational tasks.

• Mexico–US, Serbia–EU Border Lives and Works pushes the boundaries of traditional border studies by incorporating perspectives beyond the humanities and social sciences, engaging engineers, public health scholars, humanitarian practitioners, human rights activists, and artists. Through accessible and interdisciplinary exploration, the book examines the Mexico–US and Serbia–EU border regimes, providing a nuanced understanding of these spaces as sources of inspiration, sites of research and ethical dilemmas, locations of service, and for many contributors, a place to call home. Across four sections, the edited volume fosters conversations that traverse disciplines while addressing conflicting perspectives on border-making, life at the border, and migration across borders.
• A central theme of the book emerges as writers engage with ethical concerns raised by conventional research methods, such as interviews and surveys, and the challenges posed by incorporating insights from diverse fields. Contributors critically reflect on these dilemmas, offering perspectives that traditional border studies often overlook. The result is a multifaceted engagement with border regimes, presented through qualitative research, cultural and textual analysis, art installations, personal essays, and interviews.
• Mexico–US, Serbia–EU Border Lives and Works aims to reframe existing conceptions of US and EU border regimes, highlighting how governments, NGOs, media, researchers, and citizens respond to migration, often in conflicting ways. It situates Serbia and Mexico’s border politics within the global context of “migration management,” emphasizing that border regimes developed by the United States and the European Union affect more than just the movement of people. They reshape the social, cultural, and political fabric of communities, influencing protests, hospitality, and artistic expression.
•  By critiquing policies and practices that harm migrants, asylum seekers, and host communities, this book seeks to inform activism and policymaking in the United States, European Union, Mexico, and Serbia. It advocates for intersectional and collaborative research that bridges disciplines and speaks effectively to policymakers, activists, and broader communities. By addressing the complexities of migration and displacement alongside the systems that support people on the move, Mexico–US, Serbia–EU Border Lives, and Works highlights the need for border research and policy informed by the lived experiences of displaced populations and their hosts, as well as the work of humanitarian actors, artists, and activists.

The 2020 COVID-19 pandemic imposed immobility on large sectors of the world’s population, with confinement becoming for several years an everyday reality. The lives of those who previously enjoyed the privileges of being ‘fast castes’ ground to a halt, while at the same time the displacement of more vulnerable populations along well-established migration corridors has been radically reduced. The result has been a recalibration of the scale of journeying, with travellers slowing down and readjusting their relationship to the proximate and nearby. This situation has provided an opportunity for those who study travel and travel writing to rethink their object of study. This volume explores and historicizes the phenomenon of ‘microtravel’, designating slower journeys within a limited radius which allow, and sometimes necessitate, new forms of experiencing the world.
The contributors reveal how these practices are far from new and are indeed evident across numerous examples of journey narratives from earlier periods. The volume considers a diverse range of forms, including fictional texts. It also includes ficto-critical writing, allowing a fuller exploration of new approaches to microtravel in the twenty-first century. Sometimes deceleration is reduced to immobility, with the traditional horizontal axis of travel replaced by a burrowing down into time, place and space. Contributions engage with the following four intersecting themes:
Confinement and immobility: travel writing is traditionally associated with tropes of expansiveness and openness. The volume disrupts this understanding by claiming that the travelogue is often more accurately understood as a form dependent on tensions between mobility and immobility, between confinement and liberty. Confined travellers may experience a breakdown of the journey as their progress stalls and they are reduced to a state of sessility. This physical restriction can lead, however, to different modes of travelling, an understanding of microtravel associated with slowing down and perceiving the place differently. For some, this sessility is a choice, a restricted frame of reference or scope imposed on their travels. Deceleration and pedestrianism: confinement leads to an inevitable slowing down of the journey, but microtravel encompasses other forms of spatial limitation. Eschewing mechanized transport, for instance, the pedestrian becomes reliant on self-propulsion, reducing the dimensions of the world to those of the travelling self. Walking exemplifies the impact of deceleration on the journey, activating multisensory forms of engagement and ensuring direct, close contact with the field of travel. The return of walking in contemporary travelogues may demonstrate, however, a nostalgia for earlier modes of journeying, and there is a need to recognize the pitfalls of such romanticization. Palimpsestic travel: Kris Lackey coined the term ‘vertical travel’ to describe journeys that disrupt the traditional horizontal axes of travel. Robert Macfarlane has written, in Underground, about itineraries that burrow beneath our feet and explore the hidden and the unseen. This volume focuses also on the notion of palimpsestic journeying as a form of microtravel, an engagement with place that reveals historical layers and allows the travellers to create connections between the past and present. Microspection and microsound: just as deceleration can trigger heightened sensory awareness of the multiple textures of place, on occasion moving beyond the human emphases of the Anthropocene, so our understanding of microtravel is associated with an attention to detail otherwise missed from mechanized journeys or those reliant on acceleration of the body through space.

The essays in ‘Migrant Nation: Australian Culture, Society and Identity’ work within the gap between Australian image and experience, focusing on particular historical blind spots by telling stories of individuals and groups that did not fit the favoured identity mould and can therefore offer fresh insights into the other side of identity construction. In this way this collection casts light onto the hidden face Australian identity and pays respect to the experiences of a wide variety of people who have generally been excluded, neglected or simply forgotten in the long-running quest to tell a unified story of Australian culture and identity, a story that is rapidly unravelling. [NP] Whether in terms of language, history, culture or personal circumstances, many of the subjects of these essays were foreign to the settler dream. The stories reveal their efforts to establish a sense of legitimacy and belonging outside of the dominant Australian story. Drawing upon memories, letters, interviews, documentary fragments and archives, the authors have in common a commitment to give life to neglected histories and thus to include, in an expanding and open-ended national narrative, people who were cast as strangers in the place that was their home.

Following the collapse of the USSR in 1991 and the rapid political, social and economic change that ensued, widespread population movements took place across the former territory of the Soviet Union. 'Migrant Resettlement in the Russian Federation' offers a new perspective on one of the most significant movements - the ethnic Russian and Russian-speaking population moving from Soviet successor states to the Russian Federation. While the substantial domestic and foreign policy implications of this migration movement have been recognized, there has to date been little exploration of another crucial aspect of this phenomenon: the micro-level sociocultural experiences and implications of movement and resettlement, and the nature of migrant response.

Based on original empirical data collected by the author, this timely book offers a unique insight into the individual and collective experiences of movement and resettlement among Russian migrants 'returning' to the Russian Federation over the period 1991–2002. Moya Flynn uses different levels of analysis (local, regional, national and global) to open up fresh perspectives on the nature of the Russian migration regime and government migration policy. The book offers the first in-depth examination of non-governmental development in the area of migration in post-Soviet Russia and provides new understandings of the experience of migration and resettlement at the individual level, specifically through an exploration of understandings of 'home' and 'homeland' and a focus on the role of migrant networks.

'Migrant Resettlement in the Russian Federation' is a major new contribution to current debates in migration studies. Its unique synthesis of original theoretical and empirical material will appeal to students of contemporary Russian politics, geography, culture and society, academics and policymakers alike.

Following the collapse of the USSR in 1991 and the rapid political, social and economic change that ensued, widespread population movements took place across the former territory of the Soviet Union. 'Migrant Resettlement in the Russian Federation' offers a new perspective on one of the most significant movements - the ethnic Russian and Russian-speaking population moving from Soviet successor states to the Russian Federation. While the substantial domestic and foreign policy implications of this migration movement have been recognized, there has to date been little exploration of another crucial aspect of this phenomenon: the micro-level sociocultural experiences and implications of movement and resettlement, and the nature of migrant response.

Based on original empirical data collected by the author, this timely book offers a unique insight into the individual and collective experiences of movement and resettlement among Russian migrants 'returning' to the Russian Federation over the period 1991–2002. Moya Flynn uses different levels of analysis (local, regional, national and global) to open up fresh perspectives on the nature of the Russian migration regime and government migration policy. The book offers the first in-depth examination of non-governmental development in the area of migration in post-Soviet Russia and provides new understandings of the experience of migration and resettlement at the individual level, specifically through an exploration of understandings of 'home' and 'homeland' and a focus on the role of migrant networks.

'Migrant Resettlement in the Russian Federation' is a major new contribution to current debates in migration studies. Its unique synthesis of original theoretical and empirical material will appeal to students of contemporary Russian politics, geography, culture and society, academics and policymakers alike.

Eight American military veterans of the Vietnam/Cold War era describe their service and its influence on their lives since leaving active service in this book. Their stories are preceded by a concise history of America's methods of raising its military forces from colonial days to today. Particular focus is given to the 34 years in which the nation relied on the possibility of mandatory service (the draft, Selective Service) from young men. Drafted service was essential to America's role in World War I, World War II, the Cold War with the Soviet Union, and the Korean and Vietnam Wars. Special emphasis is given to Congressional acceptance of drafted service in World War I which shaped the remaining uses of the draft until 1973.

The largest part of the book provides the author's recollections of their service in the Army, Navy, Air Force, Marine Corps, and Coast Guard in the United States and overseas. Their service was compelled or stimulated by the presence of the draft. Their military service then shaped the next half-century of their working lives.

The final section of the book provides the author’s collective recollections of their military service as seen from the third decade of the 21st century and half a century after the end of the military draft. They reflect on the challenges faced by the current American military and the possibilities of a return to some form of drafted military service.

Eight American military veterans of the Vietnam/Cold War era describe their service and its influence on their lives since leaving active service in this book. Their stories are preceded by a concise history of America's methods of raising its military forces from colonial days to today. Particular focus is given to the 34 years in which the nation relied on the possibility of mandatory service (the draft, Selective Service) from young men. Drafted service was essential to America's role in World War I, World War II, the Cold War with the Soviet Union, and the Korean and Vietnam Wars. Special emphasis is given to Congressional acceptance of drafted service in World War I which shaped the remaining uses of the draft until 1973.

The largest part of the book provides the author's recollections of their service in the Army, Navy, Air Force, Marine Corps, and Coast Guard in the United States and overseas. Their service was compelled or stimulated by the presence of the draft. Their military service then shaped the next half-century of their working lives.

The final section of the book provides the author’s collective recollections of their military service as seen from the third decade of the 21st century and half a century after the end of the military draft. They reflect on the challenges faced by the current American military and the possibilities of a return to some form of drafted military service.

The archipelago of the Philippines is well endowed in nonferrous mineral resources such as copper, gold, lead, silver, nickel, and zinc. In recent years, the government of the Philippines, acting under the influence of the dominant and seemingly ubiquitous neoliberal development paradigm, has liberalized its mining laws to encourage the extraction of minerals by foreign corporations in order to accelerate the development of the economy. The Philippines is also a nation highly prone to a variety of natural hazards such as earthquakes, volcanoes, tsunamis, typhoons, and El Niño–induced droughts.

Nonferrous metals mining is an activity with a substantial potential for environmental degradation, and these various natural hazards have a high potential to adversely interact with mining’s potential for environmental degradation. Earthquakes can destabilize tailings storage facilities, typhoons can flood tailings ponds, and mine-pit dewatering can enhance the competition for groundwater resources during droughts. This study show how natural hazards can amplify the environmental harm prevalent in mining and pose a substantial threat to the livelihoods of archipelago’s poor, who are dependent upon subsistence agriculture and subsistence aquaculture.

The archipelago of the Philippines is well endowed in nonferrous mineral resources such as copper, gold, lead, silver, nickel, and zinc. In recent years, the government of the Philippines, acting under the influence of the dominant and seemingly ubiquitous neoliberal development paradigm, has liberalized its mining laws to encourage the extraction of minerals by foreign corporations in order to accelerate the development of the economy. The Philippines is also a nation highly prone to a variety of natural hazards such as earthquakes, volcanoes, tsunamis, typhoons, and El Niño–induced droughts.

Nonferrous metals mining is an activity with a substantial potential for environmental degradation, and these various natural hazards have a high potential to adversely interact with mining’s potential for environmental degradation. Earthquakes can destabilize tailings storage facilities, typhoons can flood tailings ponds, and mine-pit dewatering can enhance the competition for groundwater resources during droughts. This study show how natural hazards can amplify the environmental harm prevalent in mining and pose a substantial threat to the livelihoods of archipelago’s poor, who are dependent upon subsistence agriculture and subsistence aquaculture.

The Doomsday Clock was created in 1947 by a group of atomic scientists to symbolise the perils facing humanity from nuclear weapons. In 2007 it was set at five minutes before the final bell, including for the first time the threat of climate change as well as new developments in the life sciences and nanotechnology. This book aims at an analysis of the evolution of our present predicament throughout the Anthropocene Era beginning in 1763, making special reference to the history of the period, the study of the subject and major advances in the natural sciences.

Adam Smith and Adam Ferguson set out the basis for a scientific approach to the pre-industrial stages of historical development in the Enlightenment of the late eighteenth century, when the American and French Revolutions created a vocabulary of modernity. Throughout the nineteenth and twentieth centuries, as the industrial revolution unfolded in several stages, nationalism, imperialism and totalitarianism were among the phenomena impeding the update of the Enlightenment programme as well as the fulfilment of the aspirations of 1776 and 1789. Our present predicament demands a rigorous examination of its origins and an assertion of a scientific pandisciplinary approach involving history and other academic specialisations.

The Doomsday Clock was created in 1947 by a group of atomic scientists to symbolise the perils facing humanity from nuclear weapons. In 2007 it was set at five minutes before the final bell, including for the first time the threat of climate change as well as new developments in the life sciences and nanotechnology. This book aims at an analysis of the evolution of our present predicament throughout the Anthropocene Era beginning in 1763, making special reference to the history of the period, the study of the subject and major advances in the natural sciences.

Adam Smith and Adam Ferguson set out the basis for a scientific approach to the pre-industrial stages of historical development in the Enlightenment of the late eighteenth century, when the American and French Revolutions created a vocabulary of modernity. Throughout the nineteenth and twentieth centuries, as the industrial revolution unfolded in several stages, nationalism, imperialism and totalitarianism were among the phenomena impeding the update of the Enlightenment programme as well as the fulfilment of the aspirations of 1776 and 1789. Our present predicament demands a rigorous examination of its origins and an assertion of a scientific pandisciplinary approach involving history and other academic specialisations.

In 1947, the Doomsday Clock was created by a group of atomic scientists to symbolise the perils facing humanity from nuclear weapons. In 2007, it was set five minutes before the final bell, including for the first time the threat of climate change as well as new developments in the life sciences and nanotechnology. This book aims at an analysis of the evolution of our present predicament throughout the Anthropocene Era beginning in 1763, making special reference to the history of the period, the study of the subject and major advances in the natural sciences.

Adam Smith and Adam Ferguson set out the basis for a scientific approach to the pre-industrial stages of historical development in the Enlightenment of the late eighteenth century, when the American and French revolutions created a vocabulary of modernity. Throughout the nineteenth and twentieth centuries, as the industrial revolution unfolded in several stages, nationalism, imperialism and totalitarianism were among the phenomena impeding the update of the Enlightenment programme as well as the fulfilment of the aspirations of 1776 and 1789. Our present predicament demands a rigorous examination of its origins and an assertion of a scientific pandisciplinary approach involving history and other academic specialisations.

The idea of the tragic has permeated Western culture for millennia, being closely bound with the concept of the limit of inescapable necessity that has been embodied in and expressed through theatre since the time of the ancient Greeks. This book addresses the question of how the twentieth century – one of the most violent periods of human history – dealt with the fundamental structure that is the tragic. Examining the consciousness of the era through an in-depth analysis of some of the twentieth century’s most outstanding texts – including works by Ibsen, Claudel, O’Neill, Brecht, Camus, Beckett, Pasolini, Grotowski, Delcuvellerie and Josse De Pauw – ‘Modern European Tragedy’ draws a vivid picture of the development that tragedy experienced during this time. Along the way, the book engages with some of the prominent currents of twentieth-century thought and philosophy that can still be found in the varied map of contemporary thought today: the ideas of modern Christianity, psychoanalysis, the theory of the Absurd, nihilism, Marxism and the acceptance of the limit. Together, analyses of these currents serve to support the book’s key avenues of investigation: its explorations of what inspired these key authors to engage with the idea of the tragic; and its explanation of why the contemporary tragic no longer bears the form of classic tragedy.

The idea of the tragic has permeated Western culture for millennia, being closely bound with the concept of the limit of inescapable necessity that has been embodied in and expressed through theatre since the time of the ancient Greeks. This book addresses the question of how the twentieth century – one of the most violent periods of human history – dealt with the fundamental structure that is the tragic. Examining the consciousness of the era through an in-depth analysis of some of the twentieth century’s most outstanding texts – including works by Ibsen, Claudel, O’Neill, Brecht, Camus, Beckett, Pasolini, Grotowski, Delcuvellerie and Josse De Pauw – ‘Modern European Tragedy’ draws a vivid picture of the development that tragedy experienced during this time. Along the way, the book engages with some of the prominent currents of twentieth-century thought and philosophy that can still be found in the varied map of contemporary thought today: the ideas of modern Christianity, psychoanalysis, the theory of the Absurd, nihilism, Marxism and the acceptance of the limit. Together, analyses of these currents serve to support the book’s key avenues of investigation: its explorations of what inspired these key authors to engage with the idea of the tragic; and its explanation of why the contemporary tragic no longer bears the form of classic tragedy.

Modern Persian, Elementary Level is a textbook of the Persian language spoken in Iran. It is intended for university-level learners and features material for two consecutive semesters of elementary Persian. The textbook aims to facilitate the implementation of the most recent trends in language instruction by emphasizing the basic tenets of flipped learning and practicing the communicative language teaching methodology with the student-centric approach to language instruction. With its real-world topics; high-frequency structures and vocabulary; thematic presentation of material; a plethora of engaging speaking activities in each chapter; dedicated listening, reading and writing sections; and integration of cultural material, this textbook is an integrated, straightforward and culture-conscious way to acquiring functional proficiency in spoken and written Persian. Complete with a companion website, over 300 audio and video presentations, answer key, a searchable audio dictionary and a special appendix for instructors that features classroom activity materials for the entire year, this textbook makes for an innovative and modern language-learning resource that is available in print and in an E-book format. Extra features and accompanying online resources make this textbook an effective option for those who wish to learn the language on their own.
The theoretical framework and underlying linguistic philosophy of the book, its methodology and practical approach to language instruction, format, and learning objectives are based on the latest trends in foreign language instruction defined by the Modern Language Association and the American Council on the Teaching of Foreign Languages. The material of the textbook also reflects the 5 Cs of National Standards in Foreign Language Education.

Modern Persian, Elementary Level features all the attributes necessary for the implementation of modern practices in foreign language instruction such as context-based teaching for real-world objectives, integrated approach toward all language skills (speaking, listening, reading, and writing), thematic presentation of material, differentiation between proficiency and competence, and student-centred classrooms. The curriculum, lessons plans, exercises and activities that inspired the material of the chapters have been tested at Cornell University for several years with groups of students from beginners with no background in Persian to Persian-heritage students, undergraduate and graduate students, and even faculty members from other fields. Feedback from students has been considered and incorporated in the development of the textbook. Modern Persian, Elementary Level is inspired by the author’s extensive years of experience in designing and teaching less-commonly-taught language programs and is informed by the experiences, research, and data across various modern languages. The textbook is intended to train literate Persian speakers and teaches familiarity with both colloquial pronunciation and written spelling as practised naturally by Persian native speakers.

Modern Persian, Elementary Level is a textbook of the Persian language spoken in Iran. It is intended for university-level learners and features material for two consecutive semesters of elementary Persian. The textbook aims to facilitate the implementation of the most recent trends in language instruction by emphasizing the basic tenets of flipped learning and practicing the communicative language teaching methodology with the student-centric approach to language instruction. With its real-world topics; high-frequency structures and vocabulary; thematic presentation of material; a plethora of engaging speaking activities in each chapter; dedicated listening, reading and writing sections; and integration of cultural material, this textbook is an integrated, straightforward and culture-conscious way to acquiring functional proficiency in spoken and written Persian. Complete with a companion website, over 300 audio and video presentations, answer key, a searchable audio dictionary and a special appendix for instructors that features classroom activity materials for the entire year, this textbook makes for an innovative and modern language-learning resource that is available in print and in an E-book format. Extra features and accompanying online resources make this textbook an effective option for those who wish to learn the language on their own.
The theoretical framework and underlying linguistic philosophy of the book, its methodology and practical approach to language instruction, format, and learning objectives are based on the latest trends in foreign language instruction defined by the Modern Language Association and the American Council on the Teaching of Foreign Languages. The material of the textbook also reflects the 5 Cs of National Standards in Foreign Language Education.

Modern Persian, Elementary Level features all the attributes necessary for the implementation of modern practices in foreign language instruction such as context-based teaching for real-world objectives, integrated approach toward all language skills (speaking, listening, reading, and writing), thematic presentation of material, differentiation between proficiency and competence, and student-centred classrooms. The curriculum, lessons plans, exercises and activities that inspired the material of the chapters have been tested at Cornell University for several years with groups of students from beginners with no background in Persian to Persian-heritage students, undergraduate and graduate students, and even faculty members from other fields. Feedback from students has been considered and incorporated in the development of the textbook. Modern Persian, Elementary Level is inspired by the author’s extensive years of experience in designing and teaching less-commonly-taught language programs and is informed by the experiences, research, and data across various modern languages. The textbook is intended to train literate Persian speakers and teaches familiarity with both colloquial pronunciation and written spelling as practised naturally by Persian native speakers.

Simply the best atlas for students, Anthem’s ‘Modern World University Atlas’ is the essential reference resource for the contemporary world. This is the only student atlas with fully integrated study maps and other illustrations on: climate and the environment; geological processes; natural disasters; economic and social concerns; health and education; wealth and poverty; travel and tourism; population trends, and maps of the world’s 18 greatest cities.

The ‘Modern World University Atlas’ also benefits from clear, detailed and fresh political and physical digital colour maps of our world and stunning colour imagery of the Earth from space, study maps providing in-depth colour analysis of key regions and themes, a section on map-making, satellites and remote sensing, up-to-date social and economic statistics for every country of the world, a comprehensive, 16-page index of world place names and features, and a flags of the world display.

Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.

Modernist Afterlives in Irish Literature and Culture closely examines how Irish writers and artists from the mid-twentieth century onwards grapple with the legacies bequeathed by modernism and seek to forge new modes of expression for modern and contemporary culture.

Modernist Afterlives in Irish Literature and Culture brings together many of the most respected and renowned scholars in Irish and modernist studies, demonstrating the diversity of intellectual approaches to the Irish culture produced in the wake of high modernism.

Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.

Modernist Afterlives in Irish Literature and Culture closely examines how Irish writers and artists from the mid-twentieth century onwards grapple with the legacies bequeathed by modernism and seek to forge new modes of expression for modern and contemporary culture.

Modernist Afterlives in Irish Literature and Culture brings together many of the most respected and renowned scholars in Irish and modernist studies, demonstrating the diversity of intellectual approaches to the Irish culture produced in the wake of high modernism.

What happens when the dramatic art of Molière is unleashed onto the stage and explodes into new life? ‘Molière on Stage’ takes the reader onstage, backstage and into the audience of Molière’s plays, analyzing the performance of his works in both his own time and ours. Written by a professional stage director with over fifty years of experience directing and translating Molière, this original, in-depth study allows the reader to see how the playwright’s lines have been brought to new life on stage throughout the centuries.

The text explores how Molière strove to create a communal experience of shared laughter that fulfilled the universal need for union, and focuses on four key topics: the elements of Molière’s early life that are evidenced in his later theater works; his great central plays that focus on love and lust; his comedic genius and his passion for the theater; and the final words and performances of his vivid and exceptional life. Inspired by the actions of the great French masters, the text pays homage to the interpretations of Molière offered by the playwright himself, Louis Jouvet, Jacques Copeau and Jean-Louis Barrault, as well as those staged by American actors and directors such as Ron Leibman, Stephen Epp, Steven Wadsworth, Robert Falls and the author.

What happens when the dramatic art of Molière is unleashed onto the stage and explodes into new life? ‘Molière on Stage’ takes the reader onstage, backstage and into the audience of Molière’s plays, analyzing the performance of his works in both his own time and ours. Written by a professional stage director with over fifty years of experience directing and translating Molière, this original, in-depth study allows the reader to see how the playwright’s lines have been brought to new life on stage throughout the centuries.

The text explores how Molière strove to create a communal experience of shared laughter that fulfilled the universal need for union, and focuses on four key topics: the elements of Molière’s early life that are evidenced in his later theater works; his great central plays that focus on love and lust; his comedic genius and his passion for the theater; and the final words and performances of his vivid and exceptional life. Inspired by the actions of the great French masters, the text pays homage to the interpretations of Molière offered by the playwright himself, Louis Jouvet, Jacques Copeau and Jean-Louis Barrault, as well as those staged by American actors and directors such as Ron Leibman, Stephen Epp, Steven Wadsworth, Robert Falls and the author.

A war correspondent's breathtaking account of early twentieth-century wars, including the Greek-Turkish War (1897) and the Spanish-American War (1898). These events have fallen into relative obscurity, following the two World Wars, yet remain important forces shaping modern politics. ‘Moments in Hell’ reveals the conflicting loyalties of the war correspondent, caught between political ideologies and personal suffering, and provides an enlightening background to recent conflicts. Harding Davis was a dashingly fashionable figure in turn-of-the-century New York, and cited as the inspiration for the 'Gibson man' – fitting the adventurous image of the journalist popular in film and literature. While his accounts highlight the brutality and inhumanity of war, they are riveting pieces of reportage. Harding Davis makes it clear that these moments in hell can make heroes and villains of us all.

The Spirit of the Laws not only systematizes the foundational ideas of “separation of powers” and “balances and checks,” it provides the decisive response to the question of whether power in the nation-state can be limited in the aftermath of the Westphalian settlement of 1648. It describes a civilizational change through which power becomes domesticated, with built-in resistance to attempts to absolutize (or make total) political power. As such, it is the Bible of modern politics, now made more accessible to English readers than it ever has been.

There have been in English only two prior translations of this work that first appeared in 1748. The deficiencies of those two efforts have been broadly identified in the scholarship. Although the text is still used with regularity in university instruction (having been recovered after a lull in the 1950s and 60s), it deserves – and now receives – a presentation that enhances its usefulness in the analysis both of politics and the philosophical foundations of human life.

Montesquieu’s singularity – the first secular argument against race-based slavery and only the second secular argument against the servitude of women – provides a special heritage for the modern word to preserve and a key to making operational those fundamental insights within the context of sustained political and cultural development. The replacement of blood and tribe with the universal attributes of humanity (while recognizing the highly variable ecologies of communities) constitutes the single-most important moral and political development of the modern world. And The Spirit of the Laws bears a primary responsibility for that accomplishment.

The book collects almost thirty-two opinion pieces, essays, and two poems written by the author on a wide variety of public policy topics and published in books, magazines, and online between 2006 and 2022. The author, a self-described “militant moderate,” draws on his participation as a commentator in these and many other public debates.

The articles are grouped into six parts, topical groupings that range widely: the growing need for moderate voices in policy debates, the nature of American exceptionalism, the challenge of civic discourse, the depredations of the Trump years, the role of campus debates in the formation of public ideas, and policies concerning immigration, citizenship, and refugees.

In each of the essays (and poems), the author's distinctive voice is resonant. It is militant, emphasizing the major values at stake and explaining why he would resolve them in particular ways. But it is also moderate in patiently but firmly rejecting extreme factual and normative claims. The form and content of these writings model civic engagement in its highest sense: respectful of differences, reasonable in its reliance on sound evidence, appealing to civic virtue, and rejecting the extreme claims of left and right.

Muhammad Ali in Africana Cultural Memory is a contemporary evaluation primarily of Ali in African-American and African diasporic memory, based on the field of Africana studies’ updated critical tools for considering inheritance, mythological structure, memorialization, epic intuitive conduct, hero dynamics, immortalization philosophy, and resistance-based cognitive survival. In terms of how Muhammad Ali, as an historical actor, has left an heroic legacy that bequeaths to us a sort of inheritance, the critical task at hand is to systematically explore this historical actor’s life, feats, philosophy, grit, worldview, and even his folkloric antiheroic, to decipher his Africana cultural memory value. At the core of this edited collection is a commitment to enhance the cultural storytelling about Muhammad Ali and to critically itemize the lessons we garner from his life as allegory. The ancestral life is one that is remembered and recalled. The contributors’ research uncovers Ali’s local, national, and global encounters that are legacy worldviews. These perspectives give us direction for mining the critical depth of Ali’s encounters which map his memory in terms of culturally sustaining confidence, self-esteem, reinvention, immortalization, and empathy. These are the fertile seeds of Africana cultural memory which bloom into powerful markers and monuments of an epic life of hyperheroic activity relevant to cultural memory, sports, history, politics, health, and aesthetics.

Muhammad Ali in Africana Cultural Memory is a contemporary evaluation primarily of Ali in African-American and African diasporic memory, based on the field of Africana studies’ updated critical tools for considering inheritance, mythological structure, memorialization, epic intuitive conduct, hero dynamics, immortalization philosophy, and resistance-based cognitive survival. In terms of how Muhammad Ali, as an historical actor, has left an heroic legacy that bequeaths to us a sort of inheritance, the critical task at hand is to systematically explore this historical actor’s life, feats, philosophy, grit, worldview, and even his folkloric antiheroic, to decipher his Africana cultural memory value. At the core of this edited collection is a commitment to enhance the cultural storytelling about Muhammad Ali and to critically itemize the lessons we garner from his life as allegory. The ancestral life is one that is remembered and recalled. The contributors’ research uncovers Ali’s local, national, and global encounters that are legacy worldviews. These perspectives give us direction for mining the critical depth of Ali’s encounters which map his memory in terms of culturally sustaining confidence, self-esteem, reinvention, immortalization, and empathy. These are the fertile seeds of Africana cultural memory which bloom into powerful markers and monuments of an epic life of hyperheroic activity relevant to cultural memory, sports, history, politics, health, and aesthetics.

The aim of this book is to provide an overview of the principles of multicriteria analysis (MCA), and a series of case studies that illustrate its application to a variety of environmental decision-making problems, ranging from the siting of facilities with critical environmental effects to Natural Park planning, and from the prioritisation of environmental restoration interventions to the assessment of the impact of tourism infrastructures.

Chapter 1 introduces the principles of MCA and describes the main stages of a generalized MCA process, by providing details and references to support the implementation of each stage. Chapter 2 reviews the application of MCA for a specific field of environmental decision-making: nature conservation. The objective is twofold: to take stock of past experiences by investigating how key stages of the MCA process have been performed, and to compare findings with best practices in order to provide recommendations for successful applications.

In Chapter 3, a case study about landfill site selection is presented. The method is based on the combination of stakeholder analysis and spatial MCA to first design possible sites for a landfill, and then rank them according to their suitability. Chapter 4 presents an application of MCA to support protected area planning. The case study illustrates the process of proposing a zoning scheme for a natural park, by combining MCA and multiobjective evaluation. Chapter 5 addresses the problem of forest landscapes restoration. In this case study, spatial and non-spatial MCA are applied to first identify forest reforestation priority areas, and then design landscape-scale reforestation options aimed at improving both ecosystem quality and human living conditions. [NP] The last case study, described in Chapter 6, shows how MCA can be combined with GIS-based indicators to assess and compare the environmental impacts of proposed ski areas in a mountain watershed. Finally, Chapter 7 provides some conclusions about the potential of MCA to support environmental decision-making, and about the set of skills required for successful MCA applications.

‘Music Scenes and Migrations’ brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged – such as São Paulo, Lisbon and Madrid – where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical ‘mainstream’.

The contributions to the volume are grouped according to three key thematic areas. ‘Colonial and Post-Colonial Transnationalisms, Migrations and Diasporas’ focuses on the musical movements and fluxes that have traversed the Atlantic world since the colonial period, including the diasporic extensions of African music-making; the role of early forms of mechanical music-recording in mediating between Portuguese and Brazilian popular songs in nineteenth-century Rio de Janeiro; the story of música caipira in articulating the ‘rooting’ and ‘uprooting’ migratory experience of the São Paulo peasantry in the twentieth century; and the contemporary phenomenon of Brazilian musicians living in the cities of Lisbon and Madrid, where they negotiate the needs and expectations of their expatriate communities, tourists and local audiences.

‘Relocating Rio de Janeiro’ considers how, in its identification with key musical traditions such as samba, pagode and choro, the city has been a contested space – geographically, symbolically and politically – whether in the memories and mythologies of key neighbourhoods and locations of music-making as expressed in the musical discourses themselves, through music’s involvement in the material forms of community life and popular culture, including religion, carnival and other festivals, or through the competing claims of official state institutions and policies, the recording industry and grassroots communitarian initiatives.

The essays in ‘Demetropolitanizing the Musical City: Other Scenes, Industries, Technologies’ explore how contemporary developments in the independent, underground and peripheral music scenes in Brazil and Portugal have challenged traditional narratives and hierarchies that dichotomized the field in terms of national tradition v. internationalism, mainstream v. margins, pop v. popular. Genres such as sertaneja universitária, funk, heavy metal, Brazilian jazz and instrumental music, post-Vanguarda Paulista MPB and rap are considered in the light of profound shifts in the economy and technology of the music industry, including fluctuations in the recording sector, the internationalization of audiences, and the rise of YouTube, among other video-based digital platforms, as a predominant medium for the consumption of music.

The gramophone was thought to be perverse because it allowed people to listen to music on their own. Rock ‘n’ Roll was the devil’s music. Home taping supposedly killed music. Copyright piracy is not a victimless crime. Downloading music is stealing. Spotify doesn’t adequately pay artists. YouTube remuneration creates a value gap for artists. Mp3s make music sound flat. TikTok shortens songs. AI steals ideas.
With each new music distribution technology, the powerful corporate interests of the moment try to make people afraid to use it. In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok, Dr. David Arditi examines how the major record labels single-out new technologies as if they will bring an end to recorded music. They use what he calls the “piracy panic narrative”—a narrative in which new technologies threaten the very existence of recorded music. The piracy panic narrative is a rhetorical construct that helps to hide the material reality of the recording industry by positioning major record labels and their recording artists as the victims of widespread crime in the form of piracy.
Now, divorced from piracy, the recording industry continues to use the panic narrative to dissuade fans from specific practices and to lobby the government for particular policies. Each time, they use the narrative to change public sentiment, the law, and policy to strengthen their profits. It works because fans feel a connection with their favorite artists. Fans want their artists to be paid a fair wage. But at every moment what gets ignored is labels are the primary exploiter of musicians. Asking why YouTube underpays artists is the wrong question because streaming platforms pay labels. The question that never gets asked: why don’t labels pay artists a livable wage?

Musicians on Twitch: Creativity, Challenges, and the Reality Behind Live Streaming unpacks the untold stories of musicians who have turned to Twitch as a platform to share their art, engage with audiences and seek financial stability. While on the surface Twitch appears as a hub for creativity and innovation, this book reveals a dichotomous reality where opportunities and challenges are in constant tension.
Through interviews with this new breed of ‘musician-streamers’ and extensive observation of their mediated, online lives, this book explores what it takes to succeed – or simply survive – on a platform originally built for gaming but now home to a vibrant music community.
The journey begins by examining Twitch’s evolution from a gaming-centric site to a space where live music performances have gained traction. Whether driven by creative freedom, financial aspirations or a desire to connect with global audiences, this book examines who these musicians are and what draws them to the platform. Throughout this chapter, key concepts and terms are introduced to provide readers with a clear and accessible framework for understanding and analysing the evolving landscape of online live music.
Building on the exploration of Twitch as a platform for creativity and opportunity, this book also sheds light on the difficult realities faced by musicians on the platform. Beneath Twitch’s innovative and appealing surface lies a stark and often challenging environment. From the ‘happy-few-take-all’ dynamic, where only a small elite garners the majority of audience attention and earnings, to the gamified, attention-driven ecosystem that creates relentless pressure to remain ‘always on’, many musicians are flirting with their breaking point. These challenges are even more pronounced for female streamers and those from minority groups, who often contend with persistent harassment, amplifying the psychological toll in an already demanding, high-pressure environment.
Musicians on Twitch provides a nuanced, unfiltered, at times brutal, exploration of Twitch’s promises and pitfalls for musicians. It is an important read for anyone curious about the intersection of music, technology and creative labour, and what it really means to be a musician today.

As countless alterations have taken place in medicine in the twenty-first century so too have literary artists addressed new understanding of disease and pathology. Dis/ability studies, fat studies, mad studies, end-of-life studies, and critical race studies among other fields have sought to better understand what social factors lead to pathologizing certain conditions while other variations remain “normalized.” While recognizing that these scholarly approaches often speak to identities with radically different experiences of pathologization, this collection of essays is open to all critical engagements with narratives of health in order to facilitate the messiness of cross-disciplinary collaboration and interdisciplinarity. As scientific advances provide insight into a wide range of well-being issues and help extend life, it is vital that we come to question the very categories of healthy and unhealthy. This collection brings together analyses of cultural productions which probe those categorizations and suggest new psychological and philosophical understandings which will help better apply and guide the knowledge being rapidly developed within the life sciences. “Right of health” is a widely accepted human right, but in applying a right to healthcare what care and what sort of health are less universally agreed upon. The contributors share an interest in addressing who controls answers to the questions of “how do we define a healthy body and a healthy life?” and “what are the political forces that influence our definitions of health?”

Although not all contributions take a feminist lens, feminist thought has questioned the medical community’s response to women’s bodies, contributed to the de-stigmatization of difference, and challenged gendered binaries. Consequently, many of the essays are informed by the possibilities enabled through the work of feminist scholars. Just as feminist writing positioned storytelling as a way of overcoming the way women’s bodies were defined as unfit and inferior, so too are literary and visual artists exploring how empowering personal and cultural expressions of dis/abled bodies, mad bodies, trans bodies, fat bodies, racialized bodies, and aged bodies among others can overcome pathologizing normative standards. 

The globalization of healthcare protocols has brought many advances but also challenges to traditional understanding of health within many cultures. This collection includes papers that examine narratives of health from all countries, cultures, and communities and is not limited to a North American or Western locus. Further, just as Edward Said problematized “travelling theory” this book hopes to bring together scholars who look at how literary works also show that medical interventions from a Western perspective need to be challenged when applied to communities whose voices are often not heard or deliberately undermined when those “treatments” are developed.

Regional integration is gathering momentum in Asia. This study examines the diverse experience of regional integration of South and East Asian economies during the last two decades and offers lessons for latecomers. The global economic crisis is expected to merely dampen rather than halt the pace of Asian integration. Global recovery will give renewed impetus to Asian integration. East and South Asia include the world’s largest and most dynamic open economies alongside several least developed countries. Using a set of country cases based on a similar framework, the study addresses an important policy question: how can each country’s integration with its neighbors and more distant regional economies be improved? Of the eight country studies, five are from South Asia (India, Pakistan, Bangladesh, Nepal, and Sri Lanka) and three are from East Asia (the People’s Republic of China, Thailand, and Singapore). The country cases—which differ by per capita income, country size and location—provide fascinating insights on the relationship between regional economic performance and strategies for regional integration at the country level.

Regional integration is gathering momentum in Asia. This study examines the diverse experience of regional integration of South and East Asian economies during the last two decades and offers lessons for latecomers. The global economic crisis is expected to merely dampen rather than halt the pace of Asian integration. Global recovery will give renewed impetus to Asian integration. East and South Asia include the world’s largest and most dynamic open economies alongside several least developed countries. Using a set of country cases based on a similar framework, the study addresses an important policy question: how can each country’s integration with its neighbors and more distant regional economies be improved? Of the eight country studies, five are from South Asia (India, Pakistan, Bangladesh, Nepal, and Sri Lanka) and three are from East Asia (the People’s Republic of China, Thailand, and Singapore). The country cases—which differ by per capita income, country size and location—provide fascinating insights on the relationship between regional economic performance and strategies for regional integration at the country level.

‘National Systems of Innovation’ presents a new perspective on the dynamics of the national and the global economy. Its starting point is that the international competitiveness of nations is founded on innovation. Which role do different parts of the national system play in determining the long-term dynamics of the economy? What is happening to the coherence of national systems of innovation in an era characterised by far-reaching internationalisation and globalisation?

These and other issues are addressed in this volume. Available for the first time in paperback, the book is an invaluable resource for scholars and policy-makers.

‘National Systems of Innovation’ presents a new perspective on the dynamics of the national and the global economy. Its starting point is that the international competitiveness of nations is founded on innovation. Which role do different parts of the national system play in determining the long-term dynamics of the economy? What is happening to the coherence of national systems of innovation in an era characterised by far-reaching internationalisation and globalisation?

These and other issues are addressed in this volume. Available for the first time in paperback, the book is an invaluable resource for scholars and policy-makers.

‘Nationalizing the Body’ revisits the history of ‘western’ medicine in colonial South Asia through the lives, writings and practice of the numerous Bengali ‘daktars’ who adopted and practised it. Refusing to see ‘western’ medicine as an alienated appendage of the colonial state, this book explores how ‘western’ medicine was vernacularised. It argues that a burgeoning medical market and a medical publishing industry together gave ‘daktari’ medicine a social identity which did not solely derive from its association with the state. Accessing many of the best-known ideas and episodes of colonial South Asian medical history, it seeks to understand how ‘daktari’ medicine re-positioned the colonized bodies as nationalized bodies.

‘Nationalizing the Body’ revisits the history of ‘western’ medicine in colonial South Asia through the lives, writings and practice of the numerous Bengali ‘daktars’ who adopted and practised it. Refusing to see ‘western’ medicine as an alienated appendage of the colonial state, this book explores how ‘western’ medicine was vernacularised. It argues that a burgeoning medical market and a medical publishing industry together gave ‘daktari’ medicine a social identity which did not solely derive from its association with the state. Accessing many of the best-known ideas and episodes of colonial South Asian medical history, it seeks to understand how ‘daktari’ medicine re-positioned the colonized bodies as nationalized bodies.

In the aftermath of considerable seismic unrest caused by the tsunami in the Indian Ocean, this volume focuses on exposing the coastal vulnerability of the region. Despite a plethora of enquiries into natural disasters in different parts of the globe, there is now a more conspicuous concern than ever for the South East Asian region. This global concern has become all the more prevalent since the Hyogo Declaration in January 2005 and the recent Asian Summit in Indonesia. The purpose of this treatise is to bring the characteristics of the disastrous events of the region to the fore, seeking to present not only the continuing fatalities and fragilities of the area, but also the possibilities for coping with natural disasters. The book’s layout is specifically shaped by the nature of the damage and threat caused by these disasters, particularly concerning the communities at risk and their responses. This book will appeal to those involved in both global and local organizations as administrators, facilitators, stakeholders and activists, as well as Governmental / Non Governmental agencies, societies including organizations such as ESCAP, UNDP, WMO, UNESCO, UNCRD.

This text will examine U.S. Supreme Court cases which highlight, feature and illuminate some facets of natural law reasoning since the Court’s decree in Roe v. Wade. For most of our constitutional and legal history, there has been an exhilarating debate about whether natural law commands or encourages certain legal resolutions – even from the time of the Founders. Most would concur that the legal philosophy of Jefferson and other Founders favored a natural law basis for this republic and its corresponding rights. And while the proposed text accepts that the concept and understanding of natural law reasoning has both supporters and detractors in contemporary settings, earlier Supreme Court rulings on controversial subject matter used natural law language with regularity. Since the 1970s, the idea of a perennial, immutable and unassailable natural law has lost favor. And given the recent surge in controversial case law and conflicting decisions on highly charged topics, a return to first principles grounded in nature and natural law might be beneficial. Indeed, the proposed research hopes to gauge its current relevance, usage and reliance in more modern judicial cases.

This text will examine U.S. Supreme Court cases which highlight, feature and illuminate some facets of natural law reasoning since the Court’s decree in Roe v. Wade. For most of our constitutional and legal history, there has been an exhilarating debate about whether natural law commands or encourages certain legal resolutions – even from the time of the Founders. Most would concur that the legal philosophy of Jefferson and other Founders favored a natural law basis for this republic and its corresponding rights. And while the proposed text accepts that the concept and understanding of natural law reasoning has both supporters and detractors in contemporary settings, earlier Supreme Court rulings on controversial subject matter used natural law language with regularity. Since the 1970s, the idea of a perennial, immutable and unassailable natural law has lost favor. And given the recent surge in controversial case law and conflicting decisions on highly charged topics, a return to first principles grounded in nature and natural law might be beneficial. Indeed, the proposed research hopes to gauge its current relevance, usage and reliance in more modern judicial cases.

The book explores how consumer data is currently collected from people’s everyday interactions, surveys, website usage, purchases and more, then examines how that information feeds data and business strategies for companies around the world. Data collection is often complex - it requires different kinds of technology and uses different validation methods, all across different pieces of data - and this complexity can lead to issues with accuracy and tracking of when and how consumer data is used.  Data is used to drive business strategies by helping companies find their most loyal users, bring in new customers and increase usage, among other things.  An underlying guide for data principles, also known as a data ethics agenda, can  lead to improved accuracy in data collection, help businesses stay transparent with consumers, generate more trust, and ultimately, business performance.

‘Navigating Social Exclusion and Inclusion in Contemporary India and Beyond’ examines the applicability of the concept of social exclusion in contemporary India, and addresses the following questions: How does an increasingly liberalised Indian economy contribute to processes of social inclusion and exclusion and to the reproduction of poverty and inequality? To what extent does the deepening of Indian democracy offer hitherto marginalised social groups new opportunities for pursuing strategies of inclusion? And how does ‘development’ alter the social terrain on which inequalities are negotiated? These and related discussions form the focal points of the volume. Importantly, the contributors deal explicitly with the simultaneity of processes of exclusion and inclusion, and with their entangled manifestation in social life. By applying the concept of social exclusion to concrete empirical case studies, the contributors expand conceptual horizons by keeping in mind that neither exclusion nor inclusion can be considered without its ‘alter ego’. The volume also challenges narrow conceptualisations of social inclusion and exclusion in terms of singular factors such as caste, policy or the economy. This collaborative endeavour and cross-disciplinary approach, which brings together younger and more established scholars, facilitates a deeper understanding of complex social and political processes in contemporary India.

‘Navigating Social Exclusion and Inclusion in Contemporary India and Beyond’ examines the applicability of the concept of social exclusion in contemporary India, and addresses the following questions: How does an increasingly liberalised Indian economy contribute to processes of social inclusion and exclusion and to the reproduction of poverty and inequality? To what extent does the deepening of Indian democracy offer hitherto marginalised social groups new opportunities for pursuing strategies of inclusion? And how does ‘development’ alter the social terrain on which inequalities are negotiated? These and related discussions form the focal points of the volume. Importantly, the contributors deal explicitly with the simultaneity of processes of exclusion and inclusion, and with their entangled manifestation in social life. By applying the concept of social exclusion to concrete empirical case studies, the contributors expand conceptual horizons by keeping in mind that neither exclusion nor inclusion can be considered without its ‘alter ego’. The volume also challenges narrow conceptualisations of social inclusion and exclusion in terms of singular factors such as caste, policy or the economy. This collaborative endeavour and cross-disciplinary approach, which brings together younger and more established scholars, facilitates a deeper understanding of complex social and political processes in contemporary India.

Doctors, engineers, lawyers, architects, designers, managers, artists, scientists, innovators, inventors, farmers and all other professions and walks of life have the immense possibilities of making it big. And such immense possibilities represent in terms of scale, value, excellence, and tremendous impact upon the larger society. However, quite often, it is observed that the efforts and impact of making it big fail to live up to the expectations of self and others and do not take off the way envisaged. 

Everyone has desires. Spiritual leaders too give up the mundane life. However, they carry the deeply rooted desire to attain insights and enlightenment, eventually. Irrespective of what life one leads, one core but common desire is to enjoy the autonomy to make decisions. However, life introduces one to several ups and downs resulting in both successes and failures. Nonetheless, one desires to be happy throughout and enjoy whatever is in possession. Also, one aspires to achieve all that one feels capable of achieving, thus driving oneself to take risks against the opportunities identified. 

In the backdrop, the present book is for every individual who is either an aspiring entrepreneur or serial entrepreneur, irrespective of the domain expertise or industry one represents. The book attempts to focus and address a pressing pain point of entrepreneurs: the pain point happens to be one of the major gaps towards successful and sustainable entrepreneurship in one’s life. 

A strong but subtle factor impacting in this context is the failure to achieve entrepreneurial success through great deals in all stages, at all levels of entrepreneurial journey. The present book attempts to bridge the gap through the power (soft) skill – ‘negotiation’ for entrepreneurs!

Doctors, engineers, lawyers, architects, designers, managers, artists, scientists, innovators, inventors, farmers and all other professions and walks of life have the immense possibilities of making it big. And such immense possibilities represent in terms of scale, value, excellence, and tremendous impact upon the larger society. However, quite often, it is observed that the efforts and impact of making it big fail to live up to the expectations of self and others and do not take off the way envisaged. 

Everyone has desires. Spiritual leaders too give up the mundane life. However, they carry the deeply rooted desire to attain insights and enlightenment, eventually. Irrespective of what life one leads, one core but common desire is to enjoy the autonomy to make decisions. However, life introduces one to several ups and downs resulting in both successes and failures. Nonetheless, one desires to be happy throughout and enjoy whatever is in possession. Also, one aspires to achieve all that one feels capable of achieving, thus driving oneself to take risks against the opportunities identified. 

In the backdrop, the present book is for every individual who is either an aspiring entrepreneur or serial entrepreneur, irrespective of the domain expertise or industry one represents. The book attempts to focus and address a pressing pain point of entrepreneurs: the pain point happens to be one of the major gaps towards successful and sustainable entrepreneurship in one’s life. 

A strong but subtle factor impacting in this context is the failure to achieve entrepreneurial success through great deals in all stages, at all levels of entrepreneurial journey. The present book attempts to bridge the gap through the power (soft) skill – ‘negotiation’ for entrepreneurs!

Recent years have seen the strong development of Neo-Victorian studies, including its theorisation by such scholars as Cora Kaplan, Sally Shuttleworth, Ann Heilmann, Christian Gutleben, Marie-Louise Kohlke, Mark Llewellyn and others. It is a focus that has engaged literary critics from around the globe like Carmen Veronica Borbély (Romania), Susanne Gruß (Germany), Tiffany Gagliardi Trotman (Spain), Hitomi Nakatani (Japan), Agnieszka Matysiak (Poland), Max Duperray (France), Jeanne Ellis (South Africa) and Van Leavenworth (Sweden) to name just a few. [NP] ‘Neo-Gothic Narratives’ defines and theorizes what, exactly, qualifies as such a text, what mobilises the employment of the Gothic to speak to our own times, whether nostalgia plays a role and whether there is room for humour besides the sobriety and horror in these narratives across various media. What attracts us to the Gothic that makes us want to resurrect, reinvent, echo it? Why do we let the Gothic redefine us? Why do we let it haunt us? Does it speak to us through intertexuality, self-reflectivity, metafiction, immersion, affect? Are we reclaiming the history of women and other subalterns in the Gothic that had been denied in other forms of history? Are we revisiting the trauma of English colonisation and seeking national identity? Or are we simply tourists who enjoy cruising through the otherworld? The essays in this volume investigate both the readerly experience of Neo-Gothic narratives as well as their writerly pastiche.

Recent years have seen the strong development of Neo-Victorian studies, including its theorisation by such scholars as Cora Kaplan, Sally Shuttleworth, Ann Heilmann, Christian Gutleben, Marie-Louise Kohlke, Mark Llewellyn and others. It is a focus that has engaged literary critics from around the globe like Carmen Veronica Borbély (Romania), Susanne Gruß (Germany), Tiffany Gagliardi Trotman (Spain), Hitomi Nakatani (Japan), Agnieszka Matysiak (Poland), Max Duperray (France), Jeanne Ellis (South Africa) and Van Leavenworth (Sweden) to name just a few. [NP] ‘Neo-Gothic Narratives’ defines and theorizes what, exactly, qualifies as such a text, what mobilises the employment of the Gothic to speak to our own times, whether nostalgia plays a role and whether there is room for humour besides the sobriety and horror in these narratives across various media. What attracts us to the Gothic that makes us want to resurrect, reinvent, echo it? Why do we let the Gothic redefine us? Why do we let it haunt us? Does it speak to us through intertexuality, self-reflectivity, metafiction, immersion, affect? Are we reclaiming the history of women and other subalterns in the Gothic that had been denied in other forms of history? Are we revisiting the trauma of English colonisation and seeking national identity? Or are we simply tourists who enjoy cruising through the otherworld? The essays in this volume investigate both the readerly experience of Neo-Gothic narratives as well as their writerly pastiche.

If neo-Victorianism is, as Ann Heilmann and Mark Llewellyn remark, ‘more than historical fiction set in the nineteenth century’, then it is because it ‘must in some respect be self-consciously engaged with the act of (re)interpretation, (re)discovery and (re)vision concerning the Victorians’ while keeping in mind the ethical, metafictional and metacritical parameters in ‘acts of (readerly/writerly) appropriation’ in the metafictional mode. They acknowledge the initial definition had to be aware of ‘metafictional and metahistorical concern with the process of narrating/re-imagining/re-visioning histories, and had to be self-conscious about its own position as literary or filmic reconstruction’ but now they are alert to the global, ongoing ‘discourse around nostalgia, heritage and cultural memory’ in other parts of the long-nineteenth century world as portrayed in neo-Victorian narratives. Neo-Victorian Lesbians on Screen argues the portrayal on screen of lesbians situated in the long nineteenth century across various countries is at the very least a dual task; the imperative project of revoicing lesbian silence and female companionship is complicated by the lack of and/or complex representation of such women in the past. The adaptations, with varying degrees of success, carefully manipulate the gaze of the viewer to illustrate both how crucial the act of looking proves to be for lesbian attachment in these films and how the viewer’s own gaze changes the way the lesbian is represented. Texts, subtexts and intertextualities help elucidate the memories and sexualities of the various women. Men – in their silence, abuse, misunderstanding or love – relate to the women with a lack of social roadmap to govern their responses. Maier and Friars consider the adaptations’ awareness of the audience and the ways in which the films implicitly acknowledge the stakes behind bringing the lesbian to life, as it were, in visual media. Because screen adaptations disrupt historical distance by literally picturing Victorian subjects via a medium they did not have, films of novels as well as biofictions, and new narratives are challenged by the lesbian subject’s vivid presence on screen. The lesbian is no longer a contained (neo)Victorian presence in the ‘othered’ nineteenth century, but her very existence on screen signals her effervescent modernity, which filmmakers alternately embrace or reject.

“Network Persistence and the Axis of Hierarchy” reimagines the very nature of social life starting from quite ordinary, even banal considerations, culminating in conclusions that challenge central, universally held tenets. The main argument shows how networks, modestly redefined as a strong, yet imperfect tendency for pairings to recur day after day, that is, stickiness, imply a singular axis of stratification. This is contrary to the nearly universal insistence that stratification is multidimensional. Reanalysis of three central mobility data sets strongly sustains the novel claim. Network concepts provide a supple base for analysis whereby order and regularity are firmly enforced in network neighborhoods by repetitive, often collective, action and mutual regulation but are not necessarily uniform or universal across locales. This provides new takes, often quite radical, on accounts of structure and order by authors such as Bourdieu, Collins and Parsons. The new formulation local rules but not necessarily global rules allows for a plural reality where varied theoretical ideals are possible and could occur but are not inevitable or universal. This tames the otherwise inevitable cacophony of competing foundational accounts whose claims to universality exclude some to much of what is claimed by rivals. Meanwhile, the potential lability of plural possibilities is sharply constrained by the overarching principal axis of stratification which is the joint condition of social life.

This book introduces a new thrilling field–neurocomputional poetics, the scientific ‘marriage’ between cognitive poetics, data science and neuroscience. Its goal is to uncover the secrets of verbal art reception and to explain how readers come to understand and like literary texts. For centuries verbal art reception was considered too subjective for quantitative scientific studies and still nowadays many scholars in the humanities and neurosciences alike view literary reading as too complex for accurate computational prediction of the neuronal, experiential and behavioural aspects of reader responses to texts. This book sets out for changing this view. 

It offers state-of-the-art computational models and methods allowing to predict which crucial textual features of prose and poetry, such as syntactic and semantic complexity or emotion potential, interact with reader features, such as empathy or openness to experience, in shaping a literary reading act. It contains hands-on practical examples on how to do computational text analyses of books and poems that can answer questions like: 

• Which is Jane Austen’s most beautiful book?
• Which poet created the most fitting poetic metaphors? or
• Which author of plays of the nineteenth century was the most literary?

The book’s first chapter about ‘The Two Boons of an Unnatural Daily Activity’ discusses the neuronal bases and other relevant aspects of immersive and aesthetic processes evoked by reading prose and poetry. In the second chapter, the author introduces a comprehensive model of verbal art reception that can explain what makes texts comprehensible and likeable and how they affect our body and mind. The model makes explicit important differences between the reading of prose and poetry and clarifies which text features make prose more immersive and poetry more aesthetic. The next two chapters discuss state-of-the-art methods for quantitative text, reader and reading act analyses from cognitive poetics, data science, psychology and neuroscience and shows how they can be used to dissect the complex author-text-reader nexus that shapes verbal art reception.

Chapters 5 and 6 then present hands-on practical examples on how to do simple and sophisticated computational text analyses including sentiment and topic analyses, cutting-edge machine learning methods, and multivariate predictive modeling using neural nets. Chapters 7 and 8 of the book then present a representative sample of empirical studies in both computational and neurocognitive poetics the author and his collaborators have carried out during the last decade. The results of these studies provide comprehensive insights into the complex workings of the brain during verbal art reception from the processing of single words and sentences to the aesthetic evaluation of metaphors or entire poems and novels, including a qualitative-quantitative analysis of the reading of Shakespeare sonnets that will change the ways of scientific studies of literature. The book ends with a short chapter about conclusions and future developments.

The model and methods introduced in the book offer game-changing insights for both fundamental and applied science that will affect standard metrics of readability and the way text processing and verbal art reception are viewed in literary studies, education, psychology or the media sciences.

This book introduces a new thrilling field–neurocomputional poetics, the scientific ‘marriage’ between cognitive poetics, data science and neuroscience. Its goal is to uncover the secrets of verbal art reception and to explain how readers come to understand and like literary texts. For centuries verbal art reception was considered too subjective for quantitative scientific studies and still nowadays many scholars in the humanities and neurosciences alike view literary reading as too complex for accurate computational prediction of the neuronal, experiential and behavioural aspects of reader responses to texts. This book sets out for changing this view. 

It offers state-of-the-art computational models and methods allowing to predict which crucial textual features of prose and poetry, such as syntactic and semantic complexity or emotion potential, interact with reader features, such as empathy or openness to experience, in shaping a literary reading act. It contains hands-on practical examples on how to do computational text analyses of books and poems that can answer questions like: 

• Which is Jane Austen’s most beautiful book?
• Which poet created the most fitting poetic metaphors? or
• Which author of plays of the nineteenth century was the most literary?

The book’s first chapter about ‘The Two Boons of an Unnatural Daily Activity’ discusses the neuronal bases and other relevant aspects of immersive and aesthetic processes evoked by reading prose and poetry. In the second chapter, the author introduces a comprehensive model of verbal art reception that can explain what makes texts comprehensible and likeable and how they affect our body and mind. The model makes explicit important differences between the reading of prose and poetry and clarifies which text features make prose more immersive and poetry more aesthetic. The next two chapters discuss state-of-the-art methods for quantitative text, reader and reading act analyses from cognitive poetics, data science, psychology and neuroscience and shows how they can be used to dissect the complex author-text-reader nexus that shapes verbal art reception.

Chapters 5 and 6 then present hands-on practical examples on how to do simple and sophisticated computational text analyses including sentiment and topic analyses, cutting-edge machine learning methods, and multivariate predictive modeling using neural nets. Chapters 7 and 8 of the book then present a representative sample of empirical studies in both computational and neurocognitive poetics the author and his collaborators have carried out during the last decade. The results of these studies provide comprehensive insights into the complex workings of the brain during verbal art reception from the processing of single words and sentences to the aesthetic evaluation of metaphors or entire poems and novels, including a qualitative-quantitative analysis of the reading of Shakespeare sonnets that will change the ways of scientific studies of literature. The book ends with a short chapter about conclusions and future developments.

The model and methods introduced in the book offer game-changing insights for both fundamental and applied science that will affect standard metrics of readability and the way text processing and verbal art reception are viewed in literary studies, education, psychology or the media sciences.