A study of the archer and his weapon from the 11th to the 15th century, focusing on military tactics but also exploring the archer's position in society.
It is a delight to read a book which recognises the importance of warfare in medieval times...also...discusses the changing role of the archer in medieval society. SIR STEVEN RUNCIMAN
This book traces the historyof the archer in the medieval period, from the Norman Conquest to the Wars of the Roses. From a close study of early evidence, the author shows that the archer's role before the time of Edward I was an important but rarely documented one, and that his new prominence in the fourteenth century was the result of changes in development of military tactics rather than the introduction of the famous "longbow". A second thread of the book examines the archer's role in society, with particular reference to that most famous of all archers, Robin Hood. The final chapters look at the archer in the early fifteenth century and then chronicle the rise of the handgun as the major infantryweapon at the bow's expense.
JIM BRADBURY writes and lectures on battles and warfare in England and France in the Middle Ages.
Simon Roffey
The Medieval Chantry Chapel
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An archaeological investigation into the structure of the medieval chantry chapel, with many implications for religious practice at the time.
The chantry -- a special, often private, chapel within a church dedicated to a particular benefactor or benefactor's family, where prayers for the benefactor's soul were said -- was probably the most common, and also one of the most distinctive, of all late medieval religious foundations. These structures, although much altered with time, are still a very noticeable feature of many late medieval parish churches. However, no systematic, thorough or comparative examination has been undertaken to discover what they may reveal about contemporary devotion, aspiration and planning. This is a void which this book seeks to fill. It shows how the use of archaeological approaches can illuminate aspects of medieval religious practice only hinted at in many historical documents; it also demonstrates how the structural and spatial analysis of former chantry chapels can shed light on the level of private and communal piety and reveal a wider, more universal, context to chantry foundation in the medieval parish church. In addition, it discusses how various personal strategies for intercession shaped both chapel space and fabric, and the ultimate effects of the Reformation on such structures. Includes a selected gazetteer of chantry chapels.
Dr SIMON ROFFEY teaches in the Department of Archaeology at the University of Winchester.
Ivy A. Corfis
The Medieval City under Siege
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[This] substantial book...makes an important and stimulating contribution. MEDIEVAL ARCHAEOLOGY
Warfare in Europe in the middle ages underwent a marked change of emphasis as urban life expanded. The concentration of wealth represented by a city was a valuable objective, and the static nature of a siege was infinitely preferable to the uncertainties of campaign. As the incidence of sieges increased, so pitched battles declined. The studies in this book, intended for specialists as well as general readers, follow the history of siege warfare, exploringthe urban milieu within which it developed, and the evolution of siege technology up to the advent of gunpowder weaponry. The logistics of specific sieges, from the Crusader kingdoms in the Near East and the Byzantine Empire as well as medieval Europe, are also considered, with evidence from literature, engineering, architecture and cliometrics. IVY CORFIS is professor in the department of Spanish and Portuguese at the University of Wisconsin, Madison; MICHAEL WOLFE is professor in the department of history at Penn State University, Altoona. Contributors: MICHAEL WOLFE, JAMES F. POWERS, MICHAEL TOCH, DENYS PRINGLE, ERIC McGEER, PAUL E. CHEVEDDEN, MICHAEL HARNEY, HEATHER ARDEN, WINTHROP WETHERBEE, KELLY DEVRIES, MICHAEL MALLETT, BERT S. HALL.
John S. Lee
The Medieval Clothier
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A clear and accessibly written guide to the medieval cloth-making trade in England.
Cloth-making became England's leading industry in the late Middle Ages; clothiers co-ordinated its different stages, in some cases carrying out the processes themselves, and found markets for their finished cloth, selling to merchants, drapers and other traders. While many clothiers were of only modest status or "jacks of all trades", a handful of individuals amassed huge fortunes through the trade, becoming the multi-millionaires of their day. This book offers the first recent survey of this hugely important and significant trade and its practitioners, examining the whole range of clothiers across different areas of England, and exploring their impact within the industry andin their wider communities. Alongside the mechanics of the trade, it considers clothiers as entrepreneurs and early capitalists, employing workers and even establishing early factories; it also looks at their family backgrounds and their roles as patrons of church rebuilding and charitable activities. It is completed with extracts from clothiers' wills and a gazetteer of places to visit, making the book invaluable to academics, students, and local historians alike.
JOHN S. LEE is a Research Associate at the Centre for Medieval Studies at the University of York.
John S. Lee
The Medieval Clothier
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A clear and accessibly written guide to the medieval cloth-making trade in England.
Cloth-making became England's leading industry in the late Middle Ages; clothiers co-ordinated its different stages, in some cases carrying out the processes themselves, and found markets for their finished cloth, selling to merchants, drapers and other traders. While many clothiers were of only modest status or "jacks of all trades", a handful of individuals amassed huge fortunes through the trade, becoming the multi-millionaires of their day. This book offers the first recent survey of this hugely important and significant trade and its practitioners, examining the whole range of clothiers across different areas of England, and exploring their impact within the industry andin their wider communities. Alongside the mechanics of the trade, it considers clothiers as entrepreneurs and early capitalists, employing workers and even establishing early factories; it also looks at their family backgrounds and their roles as patrons of church rebuilding and charitable activities. It is completed with extracts from clothiers' wills and a gazetteer of places to visit, making the book invaluable to academics, students, and local historians alike.
Bridget Ann Henisch
The Medieval Cook
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The figure of the medieval cook revealed, in the context of time and circumstance.
`Stylish and racy... An excellent book and a delight to read, written with panache and entirely convincing.' Professor PETER COSS, Cardiff University.
This book takes us into the world of the medieval cook, from the chefs in the great medieval courts and aristocratic households catering for huge feasts, to the peasant wife attempting to feed her family from scarce resources, from cooking at street stalls to working as hired caterers for privatefunctions. It shows how they were presented in the art, literature and moral commentary of the period (valued on some grounds, despised on others), how they functioned, and how they coped with the limitations and the expectationswhich faced them in different social settings. Particular use is made of their frequent appearance in the margins of illuminated manuscript, whether as decoration, or as a teaching tool.
Bridget Ann Henisch
The Medieval Cook
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The figure of the medieval cook revealed, in the context of time and circumstance.
Stylish and racy... An excellent book and a delight to read, written with panache and entirely convincing. Professor PETER COSS, Cardiff University.
This book takes us into the world of the medieval cook, from the chefs in the great medieval courts and aristocratic households catering for huge feasts, to the peasant wife attempting to feed her family from scarce resources, from cooking at street stalls to working as hired caterers for privatefunctions. It shows how they were presented in the art, literature and moral commentary of the period (valued on some grounds, despised on others), how they functioned, and how they coped with the limitations and the expectationswhich faced them in different social settings. Particular use is made of their frequent appearance in the margins of illuminated manuscript, whether as decoration, or as a teaching tool.
Susan Ridyard
The Medieval Crusade
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Papers on major themes in current scholarly work on the medieval crusade, including the Templars and Jewish-Christian polemics.
These papers explore major themes in recent scholarship on the medieval crusade and its religious, political and cultural context, re-evaluating the issue of "were the Templars guilty?" and suggesting their problem was one of organisation; one study looks at the impact and effect of the crusade on Jewish-Christian relations, another at crusaders and their interaction with indigenous Christians in the county of Edessa as a case study of developments in other crusader states; and there are papers on Peter the Hermit, on the political and religious context and impact of the Fourth Crusade, on the influence of the crusade on Piers Plowman, and on the political context for the failure of crusading ideals in fifteenth-century Burgundy.
Contributors ALFRED ANDREA, ROBERT CHAZAN, KELLY DEVRIES, CHRISTOPHER McEVITT, THOMAS MADDEN, JONATHAN RILEY-SMITH, WILLIAM E. ROGERS, JAY RUBINSTEIN
SUSAN J. RIDYARD is Professor of History, University of the South.
Karen Jankulak
The Medieval Cult of St Petroc
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The saint's cult casts light on relations between Cornwall and Brittany - and Henry II's empire - in the 12th century.
The historical, political, ecclesiastical, and religious relationships between medieval Cornwall, Brittany, Wales, Ireland and England are explored here through a study of the cult of St Petroc. Evidence for the cult in each areais thoroughly surveyed, but Cornwall and Brittany, the most important loci of the cult and most closely linked by language and culture, are the book's primary focus. The implications of the cult of a Celtic saint [generallyan intensely local phenomenon] shared between Cornwall and Brittany are discussed, and attention is given to the highly politically-directed twelfth-century account of the furtive translation of the saint's relics to Brittany, which offers invaluable evidence for relations between Cornwall and Brittany, and also for Brittany's position in the Angevin empire of Henry II.
Dr KAREN JANKULAK lectures in the Department of Welsh, University of Wales,Lampeter. She gained her Ph.D. from the Centre for Medieval Studies, Toronto, and was a post-doctoral fellow at the School of Celtic Studies, Dublin Institute for Advanced Studies.
John Clark
The Medieval Horse and its Equipment, c.1150-1450
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Over 400 recent finds associated with horses and excavated in London, from the utilitarian to the highly decorated, illustrated and discussed.
Whether knight's charger or beast of burden, horses played a vital role in medieval life. The wealth of medieval finds excavated in London in recent years has, not surprisingly, included many objects associated with horses. This catalogue illustrates and discusses over four hundred such objects, among them harness, horseshoes, spurs and curry combs, from the utilitarian to highly decorative pieces. London served by horse traffic comes vividly in view. The introductory chapter draws on historical as well as archaeological sources to consider the role of the horse in medieval London. It looks at the price of horses and the costs of maintaining them, the hiring of 'hackneys' forriding, the use of carts in and around London, and the work of the 'marshal' or farrier. It discusses the evidence for the size of medieval horses and includes a survey of finds of medieval horse skeletons from London. It answersthe key questions, how large a 'Great Horse' was, and why it took three horses to pull a cart. This is a basic work of reference for archaeologists and those studying medieval artefacts, and absorbing reading for everyone interested in the history of the horse and its use by humankind.
JOHN CLARK is Curator (Medieval) at the Museum of London.
Geoff Egan
The Medieval Household
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Catalogue of excavated household items from the middle ages provides an invaluable reference tool for experts and the general reader alike.
This book brings together for the first time the astonishing diversity of excavated furnishings and artefacts from medieval London homes. These include roofing and other structural items, decorative fixtures and fittings, and assortment of culinary utensils, writing instruments, and toys and weights. Illustrating some 1,000 items, the catalogue provides a fascinating account of how metalwork and glassware manufacturing trends changed during the period covered, while close dating of many of the finds has resulted in many new insights into life at the time.
Peter Purton
The Medieval Military Engineer
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Sheds light on the skills and techniques of the medieval military engineer, over a thousand year sweep.
The results of medieval engineering still surround us - cathedrals, castles, stone bridges, irrigation systems. However, the siege artillery, siege towers, temporary bridges, earthwork emplacements and underground mines used for war have left little trace behind them; and there is even less of the engineers themselves: the people behind the military engineering achievements. The evidence for this neglected group is studied here. The author begins byconsidering the evolution of military technology across centuries, and the impact of new technologies in the context of the economic and social developments which made them possible. He looks at how military engineers obtained their skills, and the possible link with scholastic scientific awareness. With the increased survival of government records from the middle ages, engineers acquire names and individuals can be identified. And the fifteenth century -the age of polymaths such as Leonardo da Vinci - saw a new type of literate military engineer, part of a recognized profession, but with its roots in a thousand years of historical development.
PETER PURTON, D Phil (Oxon), FSA, has written extensively on medieval fortifications and siege warfare; his publications include the comprehensive two-volume history of the medieval siege (Boydell, 2010).
Dolly Jørgensen
The Medieval Pig
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Examines the role of the pig in medieval society in material and textual sources.
The pig was a common sight in the Middle Ages. They might be eating under an oak tree, or out in a field. They might be in the street, with the swineherd close behind at their heels. They might be dismembered, for sale by a butcher. They might be represented on misericords, in a church or cathedral, dancing, playing the bagpipes, or suckling people. Pigs were in all these places. But what was the pig's place?
This book considers pigs in medieval Europe from a number of angles: whether part of the countryside, the cityscape, on the plate or in the mind. Drawing on a rich wealth of sources, both textual and material, it examines in particular the paradoxes that the pig presented: both good and bad, fecund/fornicator, noble/filthy. It uncovers the pig's numerous roles in medieval society, how pigs shaped human life, and how humans shaped theirs.
Dolly Jørgensen
The Medieval Pig
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Examines the role of the pig in medieval society in material and textual sources.
The pig was a common sight in the Middle Ages. They might be eating under an oak tree, or out in a field. They might be in the street, with the swineherd close behind at their heels. They might be dismembered, for sale by a butcher. They might be represented on misericords, in a church or cathedral, dancing, playing the bagpipes, or suckling people. Pigs were in all these places. But what was the pig's place?
This book considers pigs in medieval Europe from a number of angles: whether part of the countryside, the cityscape, on the plate or in the mind. Drawing on a rich wealth of sources, both textual and material, it examines in particular the paradoxes that the pig presented: both good and bad, fecund/fornicator, noble/filthy. It uncovers the pig's numerous roles in medieval society, how pigs shaped human life, and how humans shaped theirs.
Jim Bradbury
The Medieval Siege
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A guide to sieges that took place in Europe and the Near East between 450 and 1565.
The chapter on weaponry is descriptive and there are excellent drawings as well as contemporary illustrations. Equally, the final chapter on the conduct of sieges is admirably forthright... the index is particularly good. TIMES LITERARY SUPPLEMENT
In medieval warfare, the siege predominated: for every battle, there were hundreds of sieges. Yet the rich and vivid history of siege warfare has been consistently neglected. Jim Bradbury's panoramic survey takes the history of siege warfare in Europe from the late Roman Empire to the 16th century, and includes sieges in Byzantium, Eastern Europe and the areas affected by the Crusades. Within this broad sweep of time and place, he finds, not that enormous changes occurred, but that the rules and methods of siege warfare remained remarkably constant. Included are detailed studies of some of the major sieges including Constantinople and Chateau-Gaillard. Throughout, Bradbury supports his narrative with chronicles and letters. irst-hand accounts of danger, famine and endurance bring the acute reality of siege warfare clearly before the reader.
JIM BRADBURY is the author of The Medieval Archer; he writes and lectures on battles and warfare in England and France in the middle ages.
Tony Hunt
The Medieval Surgery
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The complete illustrations, with commentary, from the 13th-century Anglo-Norman translations of Roger of Parma's Surgery(c.1180), the first original treatise on surgery to be written in the medieval West.
Tony Hunt presents, for the first time, the complete set of illustrations which accompany a 13th-century Anglo-Norman translation of Roger of Parma's Surgery (c.1180), the first original treatise on surgery to be written inthe medieval West. His commentary relates the drawings precisely to the sections of text they illustrate, providing accurate identification of the different medical treatments depicted, fusing careful translation from the Latintext with modern medical perception. These distinctive drawings, almost without parallel in 13th-century England, show a consummate medical illustrator at work and reveal a great deal of information on the medieval pharmacy and the range of therapeutic treatments practised.
TONY HUNT is the author of Popular Medicine, Plant Names of Medieval England and Teaching and Learning Latin in Thirteenth-Century England.
Alan V. Murray
The Medieval Tournament as Spectacle
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Fresh insights into the development of the tournament as an opportunity for social display.
The period from the thirteenth to the sixteenth century witnessed a rapid development of the tournament. Alongside the original tourney - a mass battle fought between opposing armies of knights with minimal and rudimentary regulation - new forms of chivalric military contests emerged, in which entertainment featured alongside the necessity of practice for war. The joust featured individual combats, with increasingly elaborate rules and variations in form and accompanying pageantry, while the passage of arms placed tournaments within theatrical and allegorical formats. This volume brings together the latest research on the late medieval tournament, demonstrating how such events, particularly at the courts of France, Burgundy, England and the German principalities, were increasingly integrated in wider festivities, ceremonies and diplomatic negotiations. Published in association with the Royal Armouries, it will appeal to all those interested in chivalric culture and medieval warfare.
Alan V. Murray
The Medieval Tournament as Spectacle
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Fresh insights into the development of the tournament as an opportunity for social display.
The period from the thirteenth to the sixteenth century witnessed a rapid development of the tournament. Alongside the original tourney - a mass battle fought between opposing armies of knights with minimal and rudimentary regulation - new forms of chivalric military contests emerged, in which entertainment featured alongside the necessity of practice for war. The joust featured individual combats, with increasingly elaborate rules and variations in form and accompanying pageantry, while the passage of arms placed tournaments within theatrical and allegorical formats. This volume brings together the latest research on the late medieval tournament, demonstrating how such events, particularly at the courts of France, Burgundy, England and the German principalities, were increasingly integrated in wider festivities, ceremonies and diplomatic negotiations. Published in association with the Royal Armouries, it will appeal to all those interested in chivalric culture and medieval warfare.
Norbert Ohler
The Medieval Traveller
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An updated edition of this classic study of travelling in the middle ages, demonstrating that our ancestors moved about far more than one might expect.
How did people travel in the middle ages? Evidence shows that despite all the likely deterrents - danger from man and beast, uncertainty of lodging and food, even the basic matter of finding the way -our medieval ancestors moved about far more than we might expect. They set out even on major journeys with a confidence which argues the existence of a network of major routes and minor tracks, the arteries by which new ideas entered Europe's fast-changing civilisation: the knowledge brought back by travellers played an important part in the development of the medieval world. Norbert Ohler lets the travellers speak for themselves, and from the many sources builds up a picture of what travel was really like.
Neal Garnham
The Militia in Eighteenth-Century Ireland
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Shows how the development of the militia in eighteenth century Ireland was closely bound with politics and the changing nature of the Protestant Ascendancy.
The militia in eighteenth century Ireland was a contentious issue: initially only those of a certain social and political class could participate, dissenters and catholics being excluded, and the degree of enthusiasm with which people participated was an indication of their commitment, or otherwise, to the regime. However, as this book demonstrates, the militia as an issue changed over the course of the eighteenth century, with, from about 1760, demands for the reform of the militia being a key issue spearheading demands for wider constitutional reform. The book traces the militia in Ireland from early Protestant militia forces in the sixteenth century, through formal establishmentin 1716, to demise in 1776 and re-formation in 1793. It shows how the militia played a larger role in the defence of Ireland than has hitherto been realised, and how its reliability was therefore a key point for government. It discusses how political debates about the militia reflected changing views about the nature of the Irish establishment and how these changing views were incorporated in legislation. It examines how the militia operated as an institution; considers how the militia reflected social and political divisions; and compares the militia in Ireland with similar bodies in England, Scotland and Europe more widely, relating debates about the militia in Ireland to widerdebates about whether a country is best defended by a professional soldiery or a citizen army.
NEAL GARNHAM is a Senior Lecturer in History at the University of Ulster and the author of two books and more than twenty articles published in refereed academic journals.
Marcus Bull
The Miracles of Our Lady of Rocamadour
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Medieval miracle stories from a major pilgrim destination in 12c France.
In the second half of the twelfth century Rocamadour developed an international reputation as a centre of devotion to the Virgin Mary, drawing pilgrims from Spain, Italy, Germany, England and the Latin East as well as France, as witnessed by the 126 miracle stories written there in 1172-3, here translated for the first time. Reflecting and enhancing Rocamadour's status (aristocratic figures feature prominently), they throw light on many of the dangers faced by medieval men and women: illness and injury; imprisonment; warfare; arbitrary justice; and natural disasters. In his introduction Marcus Bull identifies issues which the collection helps to elucidate, and assesses thevalue of the text as source material, particularly in view of the lack of other chronicles from southern France for the period. He makes comparisons with other texts, such as the miracle collection compiled at the shrine of Thomas Becket at Canterbury, and argues that the monks of Rocamadour asserted their importance through the miracles, in the face of competition from neighbouring monastic communities.
MARCUS BULL is Andrew W. Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina, Chapel Hill.
Beth C. Spacey
The Miraculous and the Writing of Crusade Narrative
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First comprehensive study of miracles in Crusade narrative, showing how and why they were deployed by their authors.
The medieval Latin Christian narratives of the crusades are replete with references to miracles, visions and signs. Mysterious white-clad knights lead crusader armies to victory in battle, Christ and the saints offer guidance in visions, and great signs are seen in the skies. However, despite the frequent appearance of these themes in the sources, and the evident importance of these ideas to the narratives which describe them, scholars have often analysed examples in isolation. This book represents the first far-reaching examination of the miraculous in crusade narrative, offering an analysis of the role of miracles, marvels, visions, dreams, signs and augury in narratives of the crusades of 1096 to 1204 and produced between c.1099 and c.1250. It argues that the miraculous and its related themes represented a powerful tool for the authors of crusade narrative because of its ability to convey divine agency and will, ideas which were central to the belief held among Latin Christian contemporaries that crusade was divinely inspired and spiritually salvific. Overall, the volume demonstrates how the authors of crusade narrative drew upon various intellectual authorities on the miraculous in the service of their narrative agendas and reveals how the use of the miraculous changed as authors were forced to respond to the challenges of narrating crusade during this period.
Beth C. Spacey
The Miraculous and the Writing of Crusade Narrative
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[This] is a book that should become compulsory reading for anyone studying crusading literature or the use of miracles in medieval narratives. - HISTORY
First comprehensive study of miracles in Crusade narrative, showing how and why they were deployed by their authors.
The medieval Latin Christian narratives of the crusades are replete with references to miracles, visions and signs. Mysterious white-clad knights lead crusader armies to victory in battle, Christ and the saints offer guidance in visions, and great signs are seen in the skies. However, despite the frequent appearance of these themes in the sources, and the evident importance of these ideas to the narratives which describe them, scholars have often analysed examples in isolation. This book represents the first far-reaching examination of the miraculous in crusade narrative, offering an analysis of the role of miracles, marvels, visions, dreams, signs and augury in narratives of the crusades of 1096 to 1204 and produced between c.1099 and c.1250. It argues that the miraculous and its related themes represented a powerful tool for the authors of crusade narrative because of its ability to convey divine agency and will, ideas which were central to the belief held among Latin Christian contemporaries that crusade was divinely inspired and spiritually salvific. Overall, the volume demonstrates how the authors of crusade narrative drew upon various intellectual authorities on the miraculous in the service of their narrative agendas and reveals how the use of the miraculous changed as authors were forced to respond to the challenges of narrating crusade during this period.
John Miller
The Modern Brass Ensemble in Twentieth-Century Britain
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The first study of the performance practice, repertoire and context of the modern 'brass ensemble' in the musical world.
Whereas the British 'brass band' originated in the nineteenth century and rapidly developed into a nationwide working-class movement, the perceived modern 'brass ensemble' has a less clear foundation and identity. This book is the first to focus exclusively on the performance, practice, repertoire and context of the 'brass ensemble' in the musical world.
Following World War II, the brass quintet and other orchestral groupings emerged in the United States and Europe, with musical customs established by professional players playing orchestral instruments. These groups initially played a combination of the music of Gabrieli and his contemporaries as well as newly commissioned works. By the late twentieth century, however, repertory spanned works by Elliott Carter, Maxwell Davies and Lutosławski, together with music that integrated jazz, commercial elements, and landmark transcriptions.
At the book's heart is the story of the London-based, internationally acclaimed, Philip Jones Brass Ensemble. But this is not a story of one ensemble, as the 'brass ensemble' can be defined in several forms. The Modern Brass Ensemble in Twentieth-Century Britain offers a comprehensive account by an author and performer who was involved in many of the key developments of the modern 'brass ensemble'.
Catherine A Bradley
The Montpellier Codex
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The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music.
The Montpellier Codex (Bibliothèque interuniversitaire, Section Médecine, H.196) occupies a central place in scholarship on medieval music. This small book, packed with gorgeous gold leaf illuminations, historiated initials, and exquisite music calligraphy, is one of the most famous of all surviving music manuscripts, fundamental to understandings of the development of thirteenth- and fourteenth-century polyphonic composition. At some point in its historyan eighth section (fascicle) of 48 folios was appended to the codex: when and why this happened has long perplexed scholars. The forty-three works contained in the manuscript's final section represent a collection of musical compositions, assembled at a complex moment of historical change, straddling the historiographical juncture between the thirteenth and fourteenth centuries. This book provides the first in-depth exploration of the contents and contexts of the Montpellier Codex's final fascicle. It explores the manuscript's production, dating, function, and notation, offering close-readings of individual works, which illuminate compositionally progressive features of therepertoire as well as its interactions with existing musical and poetic traditions, from a variety of perspectives: thirteenth- and fourteenth-century music, art history, and manuscript culture.
CATHERINE A. BRADLEY isan Associate Professor at the University of Oslo; KAREN DESMOND is Assistant Professor of Music at Brandeis University.
Contributors: Rebecca A. Baltzer, Edward Breen, Sean Curran, Rachel Davies, Margaret Dobby, Mark Everist, Solomon Guhl-Miller, Anna Kathryn Grau, Oliver Huck, Anne Ibos-Augé, Eva M. Maschke, David Maw, Dolores Pesce, Alison Stones, Mary Wolinski
J.C.S. Mason
The Moravian Church and the Missionary Awakening in England, 1760-1800
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The influence of the Moravian Church on the missionary awakening in England and its contribution to the movement's nature and vitality.
The Moravian Church became widely known and respected for its "missions to the heathen", achieving a high reputation among the pious and with government. This study looks at its connections with evangelical networks, and its indirect role in the great debate on the slave trade, as well as the operations of Moravian missionaries in the field. The Moravians' decision, in 1764, to expand and publicise their foreign missions (largely to the British colonies) coincided with the development of relations between their British leaders and evangelicals from various denominations, among whom were those who went on to found, in the last decade of the century, the major societies which were the cornerstone of the modern missionary movement. These men were profoundly influenced by the Moravian Church's apparent progress, unique among Protestants, in making "real" Christians among the heathen overseas, and this led to the adoption of Moravian missionary methods by the new societies. Dr Mason draws on a wide range of primary documents to demonstrate the influences of the Moravian Church on the missionary awakening in England and its contribution to the movement.
Dr J.C.S. Mason first became aware of both the International Moravian Church (Unitas Fratrum) and his La Trobe forebears, who appear in the book, whilst working for his degree as a mature student at Birkbeck College, University of London; he later completed his thesis at King's College London.
Simon Desbruslais
The Music and Music Theory of Paul Hindemith
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A detailed study of the well-known, yet poorly understood, music theory of composer Paul Hindemith (1895-1963).
The music theory of composer Paul Hindemith (1895-1963), originally entitled Unterweisung im Tonsatz, is well known, yet poorly understood. This book provides a critical engagement with Hindemith's Unterweisung, particularly concerning its relationship to existing acoustic music theories. By examining different Unterweisung-versions, it charts the evolution of Hindemith's use of language and mode of communication, including his reference to polytonality, atonality, Fuxian species counterpoint, and avoidance of existing music for his examples. It also elaborates the source material on which the theory is based, using a reconstruction of Hindemith's personal library. Central to the book is the relationship of Hindemith's Unterweisung to his compositional practice. Hindemith's fascination with the challenges of music theory falls into a middle period in his oeuvre, enabling profitable comparisons with his compositional practice both before and after his theory-making. The book also comprises a detailed discussion of Hindemith's theoretical and compositional legacy. Beginning with an overview of existing polemics, it draws together unpublished materials from the Yale Hindemith Institute with reminiscences from former students to construct an Unterweisung reception history. The book shows that, while many areas of Hindemith's theory have been overtaken by recent interests in music theory that relate to cognition and geometry, his influence has been deeply felt.
SIMON DESBRUSLAIS is Lecturer in Music and Director of Performance at the University of Hull and an internationally acclaimed trumpet soloist.
Fabian Huss
The Music of Frank Bridge
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A detailed and long-overdue study of Frank Bridge's music and its socio-cultural and aesthetic contexts
The English composer, violist, and conductor Frank Bridge (1879-1941), a student of Sir Charles Villiers Stanford, was one of the first modernists in British music, developing the most radical and lastingly modern musical languageof his generation. Bridge was also one of the most accomplished British composers of chamber music in the twentieth century. After the lyrical romanticism of the early period, a notable expansion of style can be observed as earlyas 1913, leading eventually to the radical language of the Piano Sonata and Third String Quartet, drawing on influences such as Debussy, Stravinsky and the Second Viennese School composers.However, Bridge became frustrated that his later, more complex music was often ignored in favour of his earlier 'Edwardian' works; this neglect of his mature music contributed to the growing obscurity into which his music and reputation fell in his last years and afterhis death. Symptomatically, Bridge is still often remembered primarily for privately tutoring Benjamin Britten, who later championed his teacher's music and paid homage to him in the 'Variations on a Theme of Frank Bridge' (1937).This book, the first detailed, and long-overdue, study of Bridge's music and its relevant socio-cultural and aesthetic contexts, encourages a more thorough understanding of Bridge's style and development and will appeal to readers with interests in British music, early twentieth-century modernism and post-romanticism as well as genre and style.
FABIAN HUSS is Visiting Fellow at the University of Bristol and has published widely on British music (particularly EJ Moeran), with an emphasis on cultural history, and aesthetic and analytical issues.
Jeremy Dibble
The Music of Frederick Delius
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This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice.
Frederick Delius' (1862-1934) music has proved impervious to analytical definition. Delius's approaches to genre, form, harmony, orchestration and literary texts are all highly individual, not to say eccentric in their deliberate aim to avoid conformity. Rarely does Delius follow a conventional line, and though one can readily point to important influences, the larger Gestalt of each work has a syntax and coherence for which conventional analytical methods are mostly inadequate. Delius's musical style has also defied one of the most essential critical tools of his musical epoque - that of national identity. His style bears no relation either to the Victorian or Edwardian aesthetic of British music spearheaded by Parry, Stanford and Elgar before the First World War, nor to the more overtly nationalist, folk-song-orientated pastoralism of post-war Britain in such composers as Vaughan Williams and Holst. In contrast, Delius acknowledged himself a 'stateless' individual and considered that his music refused to belong to any national school or movement. To test these claims, the book explores a number of important factors. Delius's musical education at the Leipzig Conservatorium and the works he produced there. Delius's musical voice, notably his harmonic and melodic style and the close structural relationship between these two factors. The book also explores the question of Delius and 'genre' in which the investigation of form is central, especially in opera, the symphonic poem, the choral work (where words are seminal to the creation of structural design) and the sonata and concerto (to which Delius brought his own individual solution). Other significant factors are Delius's cosmopolitan use of texts, operatic plots and picturesque impressions, his relationship to Nietzsche's writings and the genre of dance, and the role of his 'earlier' works (1888-1896) in which it is possible to plot a course of stylistic change with reference to the influences of Grieg, Sinding, Florent Schmitt, Wagner, Strauss and Debussy.
Phillip A. Cooke
The Music of Herbert Howells
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The first large-scale study of the music of Herbert Howells, prodigiously gifted musician and favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford.
Herbert Howells (1892-1983) was a prodigiously gifted musician and the favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Throughout his long life, he was one of the country's most prominent composers, writing extensively in all genres except the symphony and opera. Yet today he is known mostly for his church music, and there is as yet relatively little serious study of his work. This book is the first large-scale study of Howells's music, affording both detailed consideration of individual works and a broad survey of general characteristics and issues. Its coverage is wide-ranging, addressing all aspects of the composer's prolific output and probing many of the issues that it raises. The essays are gathered in five sections: Howells the Stylist examines one of the most striking aspect of the composer's music, its strongly characterised personal voice; Howells the VocalComposer addresses both his well-known contribution to church music and his less familiar, but also important, contribution to the genre of solo song; Howells the Instrumental Composer shows that he was no less accomplished for his work in genres without words, for which, in fact, he first made his name; Howells the Modern considers the composer's rather overlooked contribution to the development of a modern voice for British music; and Howells in Mourning explores the important impact of his son's death on his life and work. The composer that emerges from these studies is a complex figure: technically fluent but prone to revision and self-doubt; innovative but also conservative; a composer with an improvisational sense of flow who had a firm grasp of musical form; an exponent of British musical style who owed as much to continental influence as to his national heritage. This volume, comprising a collection of outstanding essays by established writers and emergent scholars, opens up the range of Howells's achievement to a wider audience, both professional and amateur.
PHILLIP COOKE is Lecturer in Composition at theUniversity of Aberdeen.
DAVID MAW is Tutor and Research Fellow in Music at Oriel College, Oxford, holding Lectureships also at Christ Church, The Queen's and Trinity Colleges.
CONTRIBUTORS: Byron Adams, Paul Andrews, Graham Barber, Jonathan Clinch, Phillip A. Cooke, Jeremy Dibble, Lewis Foreman, Fabian Huss, David Maw, Diane Nolan Cooke, Lionel Pike, Paul Spicer, Jonathan White. Foreword by John Rutter.
Phillip A. Cooke
The Music of James MacMillan
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Known for his orchestral, operatic and choral works, James MacMillan (b. 1959) appeals across the spectrum of contemporary music making.
James MacMillan appeals across the spectrum of contemporary music making and is particularly celebrated for his orchestral, operatic and choral pieces. This book, published in time to mark the composer's sixtieth birthday, is thefirst in-depth look at his life, work and aesthetic. From his beginnings in rural Ayrshire and his early work with Sir Peter Maxwell Davies, through the international breakthrough success of The Confession of Isobel Gowdie,the continuing success of works such as the percussion concerto Veni, Veni, Emmaneul and his choral pieces, to his current position as one of the most prominent British composers of his generation, the book explores MacMillan's compositional influences over time. It looks closely at his most significant works and sets them in a wider context defined by contemporary composition, culture and the arts in general. The book also considers MacMillan's strong Catholic faith and how this has influenced his work, along with his politics and his on-going relationship with Scottish nationalism. With the support of the composer and his publisher and unprecedented access to interviews and previously unpublished materials, the book not only provides an appraisal of MacMillan's work but also insights into what it means to be a prominent composer and artist in the twenty-first century.
PHILLIP A. COOKE is a Composer and Senior Lecturer and Head of Music at the University of Aberdeen. He has previously co-edited The Music of Herbert Howells for Boydell.
Katharina Uhde
The Music of Joseph Joachim
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Joseph Joachim (1831-1907) was arguably the greatest violinist of the nineteenth century. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures and chamber music works. Uhde's book will be thestandard work on the music of Joseph Joachim for many years to come.
Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim wasalso a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositionalpath through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yetseasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim'saesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, andemerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come.
KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN.
Nicholas Jones, Richard McGregor
The Music of Peter Maxwell Davies
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Peter Maxwell Davies (1934-2016) was one of the leading international composers of the post-war period as well as one of the most productive.
Peter Maxwell Davies (1934-2016) was one of the leading international composers of the post-war period as well as one of the most productive. This book provides a global view of his music, integrating a number of resonant themes in the composer's work while covering a representative cross-section of his vast output - his work list encompasses nearly 550 compositions in every established genre. Each chapter focuses on specific major works and offers generaldiscussion of other selected works connected to the main themes. These themes include compositional technique and process; genre; form and architecture; tonality and texture; allusion, quotation and musical critique; and place and landscape. Throughout, the book contends that Davies's works are not created in a vacuum but are intimately connected to, and are a reflection of, 'the past'. This deep engagement occurs on a number of levels, fluctuating and interacting with the composer's own predominantly modernist idiom and evoking a chain of historical resonances. Making sustained reference to Davies's own words, articles and programme notes as well as privileged access to primary source material from his estate, the book illuminates the composer's practices and approaches while shaping a discourse around his music.
David Charlton
The Music of Simon Holt
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Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015.
British composer Simon Holt (b. 1958) has been a leading presence in contemporary music since the early 1980s and Kites. His output is diverse, comprising chamber music, concertos for diverse instruments, songs, piano musicand opera. Holt is a composer who demands unusual commitment from his interpreters - the intricate sound-worlds he creates often contain complex, rich textures, offset by 'still centres' - for the purpose of making music which speaks with extraordinary power. Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015 and Fool is hurt. It uses a variety of approaches to help readers, listeners and players to find ways into the pieces and to understand the influence of visual art and poetry on Holt's work. Colour illustrations, music examples, tables and sketch facsimiles offer a rounded impression of Holt's inspiration and thought to date. Also included are a wide-ranging conversation between Simon Holt and the artist Julia Bardsley, and a text by the conductor Thierry Fischer. The volume also offers the first detailed catalogue of Holt's compositions, drawn up together with the composer. It reveals that the last twenty years have seen no slowing-up in his rate of creative production, notwithstanding that the nature of his writing has changed during this time. DAVID CHARLTON is Professor Emeritus of Music History, Royal Holloway, University of London.
Contributors: JULIA BARDSLEY, DAVID BEARD, DAVID CHARLTON, THIERRY FISCHER, ANTHONY GILBERT, STEPHEN GUTMAN, MELINDA MAXWELL, RICHARD MCGREGOR, STEPH POWER, PHILIP RUPPRECHT, SIMON SPEARE, REBECCA THUMPSTON, EDWARD VENN
Stephanie Carter
The Music Trade in Regional Britain, 1650–1800
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Explores the breadth, diversity and significance of the commercial music trade and its communities across Britain during the late seventeenth and eighteenth centuries.
Adding to the existing scholarship on music publishers and instrument makers, mostly based in London and the university cities, the collection challenges this historiography by offering the first collective narrative for the commercial trade in musical goods and services - including the printing, publishing and sale of printed music, the sale of manuscript music, musical instruments and related wares, and the tuning and general maintenance of musical instruments such as organs and pianos.
Contributions draw on evidence from across the country of the trade's activities, networks and communities, and recognize the significance of small cities, market towns and regional hubs in cultural dissemination. The Music Trade in Regional Britain therefore contributes to a growing body of work offering a nationwide account of musical culture. It foregrounds a trade that was far more geographically dispersed, economically significant and culturally broad than has previously been acknowledged.
CONTRIBUTORS: Stephanie Carter, Simon D.I. Fleming, David Griffiths, Nancy A. Mace, Martin Perkins, Christopher Roberts, Roz Southey, Matthew Spring, Robert Thompson
J. Ross Dancy
The Myth of the Press Gang
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Overturns the generally held view that the press gang was the main means of recruiting seamen by the British navy in the late eighteenth century.
SHORTLISTED for the Society for Nautical Research's prestigious Anderson Medal.
The press gang is generally regarded as the means by which the British navy solved the problem of recruiting enough seamen in the late eighteenth century. This book, however, based on extensive original research conducted primarily in a large number of ships' muster books, demonstrates that this view is false. It argues that, in fact, the overwhelming majority of seamen in the navy were there of their own free will. Taking a long view across the late eighteenth century but concentrating on the period of the French Revolutionary and Napoleonic Wars of 1793-1815, the book provides great detailon the sort of men that were recruited and the means by which they were recruited, and includes a number of individuals' stories. It shows how manpower was a major concern for the Admiralty; how the Admiralty put in place a rangeof recruitment methods including the quota system; how it worried about depleting merchant shipping of sufficient sailors; and how, although most seamen were volunteers, the press gang was resorted to, especially during the initial mobilisation at the beginning of wars and to find certain kinds of particularly skilled seamen. The book also makes comparisons with recruitment methods employed by the navies of other countries and by the British army.
J. ROSS DANCY is Director of Graduate Studies in History and Assistant Professor of History at Sam Houston State University
J. Ross Dancy
The Myth of the Press Gang
Regular price
$120.00
Save $-120.00
Overturns the generally held view that the press gang was the main means of recruiting seamen by the British navy in the late eighteenth century.
SHORTLISTED for the Society for Nautical Research's prestigious Anderson Medal.
The press gang is generally regarded as the means by which the British navy solved the problem of recruiting enough seamen in the late eighteenth century. This book, however, based on extensive original research conducted primarily in a large number of ships' muster books, demonstrates that this view is false. It argues that, in fact, the overwhelming majority of seamen in the navy were there of their own free will. Taking a long view across the late eighteenth century but concentrating on the period of the French Revolutionary and Napoleonic Wars of 1793-1815, the book provides great detail on the sort of men that were recruited and the means by which they were recruited, and includes a number of individuals' stories. It shows how manpower was a major concern for the Admiralty; how the Admiralty put in place a range of recruitment methods including the quota system; how it worried about depleting merchant shipping of sufficient sailors; and how, although most seamen were volunteers, the press gang was resorted to, especially during the initial mobilisation at the beginning of wars and to find certain kinds of particularly skilled seamen. The book also makes comparisons with recruitment methods employed by the navies of other countries and by the British army.
J. Ross Dancy is Assistant Professor of History at Sam Houston State University.
James Walters
The National Covenant and the Solemn League and Covenant, 1660-1696
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Examines how the form and function of the Covenants were shorn of religious implications and repurposed, serving a pluralistic vision of the role of religion in politics and public life.
Until now, scholarship on the Covenants has mainly focussed on their role in the conflicts of the 1640s, with discussion of the Covenants after 1660 mostly limited to the context of violent Scottish radicalism. This book moves beyond a rigid focus on Scotland to explore the legacy of the Covenants in England. It examines the discourse surrounding key events in the Restoration period and traces the influence of the Covenants in the context of radical Presbyterianism, and in mainstream debates around politics, church government, and the constitution of the British kingdoms.
The Covenants continued to have relevance in two primary respects. Firstly, the Covenants were used as reference points for discussing the competing legacies of the English and Scottish Reformations and the confused issues of church and state that defined the Restoration period. Furthermore, the form of the Covenants as solemn individual subscriptions to a constitutional and religious model, and the political ideas that underpinned them, were emulated by those seeking to resist royal authority during the Exclusion Crisis of 1679-81, and during the events surrounding the Revolution of 1688. Thus, this book holds particular interest for students of constitutionalism, legal pluralism or civil religion in seventeenth-century Britain, and for those seeking to deepen their understanding of the intellectual origins of the Wars of the Three Kingdoms and the Revolution of 1688-9.
Chris R. Langley
The National Covenant in Scotland, 1638-1689
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What did it mean to be a Covenanter?
From its first subscription in 1638, the National Covenant was an aspect of life that communities across Scotland encountered on a daily basis. However, how contemporaries understood its significance remains unclear. This edited collection assesses how people interacted with the National Covenant's infamously ambiguous text, the political and religious changes that it provoked, and the legacy that it left behind. This volume contains eleven chapters divided between three themes that reveal the complex processes behind Covenanting: the act of swearing and subscribing the Covenants; the process of self fashioning and identity formation, and, finally, the various acts of remembering and memorialising the history of the National Covenant. The collection reveals different narratives of what it meant to be a Covenanter rather than one, uniform, and unchanging idea. The National Covenant forced contortions in Scottish identities, memories, and attitudes and remained susceptible to changes in the political context. Its impact was dependent upon individual circumstances. The volume's chapters contend that domestic understanding of the National Covenant was far more nuanced, and the conversations very different, from those occurring in a wider British or Irish context. Those who we now call 'Covenanters' were guided by very different expectations and understandings of what the Covenant represented. The rules that governed this interplay were based on local circumstances and long-standing pressures that could be fuelled by short-term expediency. Above all, the nature of Covenanting was volatile. Chapters in this volume are based on extensive archival research of local material that provide a view into the complex, and often highly personalised, ways people understood the act or memory of Covenanting. The chapters explore the religious, political, and social responses to the National Covenant through its creation in 1638, the Cromwellian invasion of 1650 and the Restoration of monarchy in 1660.
Stephen C Taylor
The Nature of the English Revolution Revisited
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New insights into the nature of the seventeenth-century English revolution - one of the most contested issues in early modern British history.
The nature of the seventeenth-century English revolution remains one of the most contested of all historical issues. Scholars are unable to agree on what caused it, when precisely it happened, how significant it was in terms of political, social, economic, and intellectual impact, or even whether it merits being described as a "revolution" at all. Over the past twenty years these debates have become more complex, but also richer. This volume brings together new essays by a group of leading scholars of the revolutionary period and will provide readers with a provocative and stimulating introduction to current research. All the essays engage with one or more of three themes which lieat the heart of recent debate: the importance of the connection between individuals and ideas; the power and influence of religious ideas; and the most appropriate chronological context for discussion of the revolution.
STEPHEN TAYLOR is Professor in the History of Early Modern England at the University of Durham.
GRANT TAPSELL is Lecturer in Early Modern History, University of Oxford and Fellow and Tutor at Lady Margaret Hall.
Contributors: Philip Baker, J. C. Davis, Kenneth Fincham, Rachel Foxley, Tim Harris, Ethan H. Shagan, John Spurr, Grant Tapsell, Stephen Taylor, Tim Wales, John Walter, Blair Worden
Ann Coats
The Naval Mutinies of 1797
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A reassessment of the naval mutinies of 1797, arguing that the mutinies were more industrial dispute than expression of French revolution inspired political radicalism.
The naval mutinies of 1797 were unprecedented in scale and impressive in their level of organisation. Under threat of French invasion, crews in the Royal Navy's home fleet, after making clear demands, refused to sail until their demands were met. Subsequent mutinies affected the crews of more than one hundred ships in at least five home anchorages, replicated in the Mediterranean, Atlantic and Indian Ocean. Channel Fleet seamen pursued their grievances of pay and conditions by traditional petitions to their commanding officer, Admiral Richard Howe, but his flawed comprehension and communications were further exacerbated by the Admiralty. The Spithead mutiny became the seamen'slast resort. Ironically Howe acknowledged the justice of their position and was instrumental in resolving the Spithead mutiny, but this did not prevent occurrences at the Nore and elsewhere. The most extensive approach sinceConrad Gill's seminal and eponymous volume of 1913, The Naval Mutinies of 1797 focuses on new research, re-evaluating the causes, events, interpretations, discipline, relationships between officers and men, political inputs and affiliations and crucially, the rôle of the Irish and quota men. It poses new answers to old questions and suggests a new synthesis - self-determination - the seamen on their own terms.
ANN VERONICA COATS is senior lecturer in the the School of Civil Engineering and Surveying at the University of Portsmouth and is Secretary of the Naval Dockyards Society. PHILIP MACDOUGALL is a writer and historian, author of seven books, with a doctorateon naval history from the University of Kent at Canterbury.
Michael Pitassi
The Navies of Rome
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A groundbreaking new chronological study of the role played by the Navy in the successful development of the Roman Empire.
Both welcome and useful. [...] This is a narrative history as well as a focused study of the development of the ships, officers, and crews and the overall naval establishment. Recommended. CHOICE
This publication represents the first true examination of the Roman Navy as an independent arm of the military. Though many may perceive the Roman Empire as a primarily land-based organisation, an empire forged by the formidable legions of infantry, thetruth is that it was as much a maritime empire as that of the British in the nineteenth century, and in fact the Roman Navy was the most powerful maritime force ever to have existed. It secured the trade routes and maintained thecommunications that allowed the Roman Empire to exist; and it brought previously untouchable and unreachable enemies to battle and enabled the expansion of Imperial power into areas thought hitherto inaccessible. This book, featuring detailed reconstructions of the ships themselves, provides an engaging survey of the craft, their crewmen, and the navy's major contribution to the Empire's growth.
Colin Helling
The Navy and Anglo-Scottish Union, 1603-1707
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Examines the union of England and Scotland by weaving the navy into a political narrative of events between the regal union in 1603 and the parliamentary union in 1707.
This book examines the union of England and Scotland by weaving the navy into a political narrative of events between the regal union in 1603 and the parliamentary union in 1707. For most of the century the Scottish crown had no separate naval force which made the Stuart monarchs' navy, seen by them as a personal not a state force, unusual in being an institution which had a relationship with both kingdoms. This did not necessarily make the navy a shared organisation, as it continued to be financed from and based in England and was predominantly English. Nevertheless, the navy is an unusually good prism through which the nature of the regal union can be interrogated as English commanded ships interacted with Scottish authorities, and as Scots looked to the navy for protection from foreign invaders, such as the Dutch in the Forth in 1667, and for Scottish merchant ships trading with the Baltic and elsewhere. These interactions were often harmonious, but there were also many instances of tensions, particularly in the 1690s. The book illustrates both the ambiguous relationship between England and Scotland in the seventeenth century and also the navy's under-appreciated role in creating the political union of Britain.
Peter Damian-Grint
The New Historians of the Twelfth-Century Renaissance
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Examination of the striking new style of writing history in the twelfth century, by men such as Gaimar, Wace and Ambroise.
The mid-twelfth century saw the sudden appearance of a remarkable group of writers: the "new historians", authors such as Geffrei Gaimar, Benoît de Sainte-Maure, Wace, Jordan Fantosme and Ambroise, who were the earliest historicalwriters to use French. Each had his own style and authorial persona; yet together, despite their considerable differences, they pioneered a common form of historical writing which is quite distinct from the styles of previous vernacular writers. This book studies some of the more characteristic elements of the common style used by the vernacular historians. Their detached and "self-conscious" authorial presentation is particularly notable: it is seen both in the prologues and epilogues to their works, where they present their source materials as reliable, themselves as serious scholars, and their works as worthy of belief, and constantly throughout the text as the historians direct audience response to their work. The author shows how this "historical" style fits into both the vernacular and the Latin literature current in the period: the vernacular historians borrowed elements from both the learnedand the popular traditions to produce their own successful and vigorous hybrid, one which was still producing new shoots as late as the fifteenth century and which was widely copied and imitated by both writers of courtly romanceand by writers of prose history.
Dr PETER DAMIAN-GRINT teaches at Brasenose College, Oxford.
Penelope Thwaites
The New Percy Grainger Companion
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A new collection with contributions from performing musicians and Grainger scholars and a detailed Catalogue of Works.
In the thirty years since his Centenary in 1982 it has become even clearer that Percy Grainger [1882-1961] - composer, pianist and revolutionary - was a man born out of his time. Many of his ideas, both musical and social, sit farmore easily in our contemporary world. Those thirty years have also seen a notable expansion of interest in Grainger's music. Innumerable recordings have been made, including the first complete Grainger recording survey by Chandos in its monumental Grainger Edition. The growth of the internet has made it possible, as never before, for Grainger's music to be heard widely. The central theme of The New Percy Grainger Companion is to give information and help from established musicians for performing and listening to this life-celebrating repertoire. The Companion's fully detailed, up-to-date Catalogue of Works - the most complete of any existing catalogue - givesinvaluable assistance. Authoritative contextual chapters in the Companion offer some surprising new background information, together with thoughtful evaluations which signal a new twenty-first century perspective in Grainger scholarship.
PENELOPE THWAITES is recognised internationally as a leading Grainger exponent. Her research, performances and extensive Grainger discography over four decades reflect a unique understanding of the manand his music.
Contributors: BRIAN ALLISON, TERESA BALOUGH, ROGER COVELL, KAY DREYFUS, LEWIS FOREMAN, PAUL JACKSON, JAMES JUDD, JAMES KOEHNE, ASTRID BRITT KRAUTSCHNEIDER, BARRY PETER OULD, STEWART MANVILLE, MURRAY MCLACHLAN, TIMOTHY REYNISH, BRUCE CLUNIES ROSS, DESMOND SCOTT, PETER SCULTHORPE, GEOFFREY SIMON, RONALD STEVENSON, STEPHEN VARCOE, DAVID WALKER
Nigel Bryant
The New Reynard
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A translation of three works from the second half of the 13th century: Rutebeuf's Renart le Bestourné, the anonymous Le Couronnement de Renart and Jacquemart Gielée's Renart le Nouvel. These savage and highly entertaining satires are in a league of their own, and Renart le Nouvel contains important music which is reproduced in the text.
Rarely can a medieval work have resonated with the mood of the present as uncannily as do these three satires. Acerbic, raging and finally apocalyptic, these poems from the second half of the thirteenth century, richly entertaining and wickedly comic though they are, express a vision of the world and its descent into corruption and disaster which mirrors our own state of rampant alarm. The animal tales of the 12th- and 13th-century Roman de Renart - the Romance of Reynard the Fox - were immensely popular. Any satire in those original tales was generally light of touch, but the characters created in them, fox and wolf and ass and lion to name but four, were an open invitation to anyone of a more scathing satirical bent. The poet Rutebeuf, in his short but startling Renart le Bestourné ('Reynard Transformed'), deploys the beasts to make a venomous attack on the mendicant orders and on 'Saint' Louis IX of France. The anonymous Le Couronnement de Renart ('Reynard Crowned') then has the Fox crowned king, establishing a reign of every vice. And most ambitiously of all, Jacquemart Gielée in his Renart le Nouvel ('The New Reynard'), gripped by an increasingly pervasive sense of apocalypse, ends his poem with the Fox, the epitome of deceit and lying, not merely crowned king, but seated in permanent, malign control of the world atop a chocked, unturning Fortune's Wheel. The New Reynard is of special interest not only to students of medieval literature but also to musicologists. Music, in the form of numerous songs, plays an important part in Renart le Nouvel's satirical and apocalyptic message, and the poem is renowned as the most abundant source of late medieval refrains. The notations have survived, and the music is edited in this volume by Matthew P. Thomson.
Elizabeth Gemmill
The Nobility and Ecclesiastical Patronage in Thirteenth-Century England
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A detailed examination of the patronage rights exerted over the church by the nobility, illuminating the complex network of relationships between them, the Church, and the clergy.
While there has been work on the nobility as patrons of monasteries, this is the first real study of them as patrons of parish churches, and is thus the first study to tackle the subject as a whole. Illustrated with a wealth of detail, it will become an indispensable work of reference for those interested in lay patronage and the Church more generally in the middle ages. Professor David Carpenter, Department of History, King's College London
This book provides the first full-length, integrated study of the ecclesiastical patronage rights of the nobility in medieval England. It examines the nature and extent of these rights, how they were used, why and for whom they were valuable, what challenges lay patrons faced, and how they looked to the future in making gifts to the Church. It takes as its focus the thirteenth century, a critical period for the survival and development of these rights, being a time of ambitious Church reform, of great change in patterns of land ownership in the ranks of the higher nobility, and of bold assertion by the English Crown of its claims to control Church property. The thirteenth century also saw a proliferation of record keeping on the part of kings, bishops and nobility, and the author uses new evidence from a range of documentary sources to explore the nature of the relationships between the English nobility, theChurch and its clergy, a relationship in which patronage was the essential feature.
Dr Elizabeth Gemmill is University Lecturer in Local History and Fellow of Kellogg College. University of Oxford.
Georgios Theotokis
The Norman Campaigns in the Balkans, 1081-1108
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First full-length analysis of Norman military organisation in the Balkans: events, strategy, and tactics.
The Norman expansion in eleventh-century Europe was a movement of enormous historical importance, which saw men and women from the duchy of Normandy settling in England, Italy, Sicily and the Middle East. The Norman establishmentin the South is particularly interesting, because it represents the story of a few hundred mercenaries who managed to establish a principality in the Mediterranean that would later develop in to the Kingdom of Sicily. In thisbook the author examines the clash of two different "military cultures" - the Normans and the Byzantines - in one theatre of war - the Balkans. It is the first study to date of the military organization of the Norman and Byzantine states in the Mediterranean, and of their overall strategies and their military tactics in the battlefield. It is also the first to examine the way in which each military culture reacted and adapted to the strategies and tacticsof its enemies in Italy and the Balkans. The author closely follows the campaigns conducted by the Normans in the Byzantine provinces of Illyria and Macedonia and their battles against Imperial armies commanded by the Byzantine Emperor. He also examines the ways in which the Italian-Norman and Byzantine military systems differed, and their relative efficiencies.
Dr GEORGIOS THEOTOKIS is Assistant Professor of European History at Fatih University, Istanbul.
Georgios Theotokis
The Norman Campaigns in the Balkans, 1081-1108
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First full-length analysis of Norman military organisation in the Balkans: events, strategy, and tactics.
The Norman expansion in eleventh-century Europe was a movement of enormous historical importance, which saw men and women from the duchy of Normandy settling in England, Italy, Sicily and the Middle East. The Norman establishmentin the South is particularly interesting, because it represents the story of a few hundred mercenaries who managed to establish a principality in the Mediterranean that would later develop in to the Kingdom of Sicily. In thisbook the author examines the clash of two different "military cultures" - the Normans and the Byzantines - in one theatre of war - the Balkans. It is the first study to date of the military organization of the Norman and Byzantine states in the Mediterranean, and of their overall strategies and their military tactics in the battlefield. It is also the first to examine the way in which each military culture reacted and adapted to the strategies and tacticsof its enemies in Italy and the Balkans. The author closely follows the campaigns conducted by the Normans in the Byzantine provinces of Illyria and Macedonia and their battles against Imperial armies commanded by the Byzantine Emperor. He also examines the ways in which the Italian-Norman and Byzantine military systems differed, and their relative efficiencies.
Dr Georgios Theotokis is Assistant Professor of European History at Fatih University, Istanbul.
R. Allen Brown
The Norman Conquest of England
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R. Allen Brown selects original material - literature, legal documents, letters and objects -to present the Norman Conquest.
This selection of documents offers an insight into the Norman Conquest of England from a variety of perspectives. It is divided into four parts, each dealing with evidence of a different kind: literary and narrative sources (including Norman, Old English and Anglo-Norman texts); documentary sources, such as charters, writs and leases; letters; and the art of the period, principally, though not exclusively, from the Bayeux Tapestry. Both Anglo-Saxon and Norman England are represented, and Normandy itself is the subject of one section. R. Allen Brown's general introduction supplies a broad context for the material, and commentaries are provided with the documents where necessary, explaining points of particular significance, while a select bibliography gives suggestions for further reading. All documents are provided in translation. Reprint; first published in 1984. R. ALLEN BROWNwas professor of history at King's College, London, and founder of the annual Battle conference on Anglo-Norman studies.
R. Allen Brown
The Normans and the Norman Conquest
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Classic work assessing the impact of the Norman Conquest in European context.
The introduction of Brown's book should be made compulsory reading- LONDON REVIEW OF BOOKSThe `English' who faced the forces of William duke of Normandy on 14 October 1066 were by no means a pure-bred and unified race, norwas the flower of England's manhood laid low by an army of self-seeking Norman opportunists. R. Allen Brown traces the forces and influences that shaped both England and Normandy in the decades before 1066, and shows how the new order, emerging from the aftermath of the battle of Hastings, produced a degree of political unity and social dynamism previously unknown in England, bringing a reinvigorated nation fully into the mainstream of the dynamic expansion of western Latin Christendom.R. ALLEN BROWN was professor of History at King's College, London and founder of the annual Battle Conference on Anglo-Norman studies.
Richard P. Abels
The Normans and their Adversaries at War
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Studies of warfare, armies, logistics and weapons throughout the Norman realms.
The studies in this book examine and illuminate the Anglo-Saxon and Anglo-Norman military institutions that supported and shaped the conduct of war in northwestern Europe in the central middle ages. Taken together they challenge received opinion on a number of issues and force a profound reconsideration of the manner in which the Normans and their adversaries, Anglo-Saxons, Danes, Angevins and the Welsh, prepared for and waged war.
Contributors: RICHARD ABELS, BERNARD BACHRACH, KELLY DEVRIES, JOHN FRANCE, C.M. GILLMOR, ROBERT HELMERICHS, NIELS LUND, STEPHEN MORILLO, MICHAEL PRESTWICH, FREDERICK SUPPE.
Emily Albu
The Normans in their Histories: Propaganda, Myth and Subversion
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Contemporary historians overtly eulogising the Norman achievement are shown to have employed a variety of literary strategies to convey implicitly their treacherous and predatory ways.
The first Normans were Rollo and his fellow Vikings, marauders from the north, who fashioned the county [later the Duchy] of Normandy from lands won at the mouth of the Seine in about 911, making Rouen their capital. The heirs ofthese pagan Northmen contrived a brilliant transformation of themselves into Christian warriors, and went on to conquer England, southern Italy and Sicily, and even distant Antioch, in the process carving out a dynamic reputationthroughout Western Europe and the Mediterranean. Norman princes encouraged the celebration of these remarkable achievements in histories written to verify the legitimacy of their claims to settle and dominate their lands. From Dudo of Saint-Quentin [late tenth/early eleventh centuries] to the twelfth-century vernacular histories of Wace and Benoit, the Norman historical tradition largely acceded to these expectations: beneath the surface, however, virtually all the histories told a contrary story, condemning the Normans as treacherous to kin and ally as well as to foe. Emily Albu examines the myths the historians fashioned, and the other literary strategies they employed, to expose and explain the wolfish predation at the core of Normanness.
EMILY ALBU is Assistant Professor of Classics, University of California, Davis.
Kelly DeVries
The Norwegian Invasion of England in 1066
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Three weeks before the battle of Hastings, Harold defeated an invading army of Norwegians at the battle of Stamford Bridge, a victory which was to cost him dear. The events surrounding the battle are discussed in detail.
This very accessible narrative...tells the story of "the first two important battles of 1066", Fulford Gate and Stamford Bridge, and of the leaders of the opposing English and Norwegian factions. CHOICE
The evidence of later 12th- and 13th-century Norse sagas, Snorri Sturlusson's Heimskringla, and the less well known Norwegian Kings Sagas present far more detail about the invasion and its battles than the more widely accepted sources couldpossibly allow... He places the invasion in a broad context. He outlines the Anglo-Scandinavian nature of the English kingdom in the eleventh century, traces the careers of the major leaders, and devotes a chapter each to the English and Norwegian military systems. JOURNAL OF MILITARY HISTORY [US]
William the Conqueror's invasion in 1066 was not the only attack on England that year. On September 25, 1066, less than three weeks before William defeated King Harold II Godwinson at the battle of Hastings, that same Harold had been victorious over his other opponent of 1066, King Haraldr Hardrádi of Norway at the battle of Stamford Bridge. It was an impressive victory, driving an invading army of Norwegians from the earldom of Northumbria; but it was to cost Harold dear. In telling the story of this neglected battle, Kelly DeVries traces the rise and fall of a family of English warlords, the Godwins,as well as that of the equally impressive Norwegian warlord Hardrádi.
KELLY DEVRIES is Associate Professor, Department of History, Loyola College in Maryland.
Kelly DeVries
The Norwegian Invasion of England in 1066
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$36.95
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Three weeks before the battle of Hastings, Harold defeated an invading army of Norwegians at the battle of Stamford Bridge, a victory which was to cost him dear. The events surrounding the battle are discussed in detail.
This very accessible narrative...tells the story of 'the first two important battles of 1066', Fulford Gate and Stamford Bridge, and of the leaders of the opposing English and Norwegian factions. CHOICE He places the invasion in a broad context. He outlines the Anglo-Scandinavian nature of the English kingdom in the eleventh century, traces the careers of the major leaders, and devotes a chapter each to the English and Norwegian military systems. JOURNAL OF MILITARY HISTORY
William the Conqueror's invasion in 1066 was not the only attack on England that year. On September 25, 1066, less than three weeks before William defeated King Harold II Godwinson at the battle of Hastings, that same Harold had been victorious over his other opponent of 1066, King Haraldr Hardrádi of Norway at the battle of Stamford Bridge. It was an impressive victory, driving an invading army of Norwegians from theearldom of Northumbria; but it was to cost Harold dear. In telling the story of this neglected battle, Kelly DeVries traces the rise and fall of a family of English warlords, the Godwins, as well as that of the equally impressiveNorwegian warlord Hardrádi.
KELLY DEVRIES is Associate Professor, Department of History, Loyola College in Maryland.
Ruth A. Canning
The Old English in Early Modern Ireland
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Examines the divided loyalties of the descendants of Ireland's Anglo-Norman conquerors during the wars against the Irish confederate rebels.
WINNER of the NUI Publication Prize in Irish History 2019
Descendants of Ireland's Anglo-Norman conquerors, the Old English had upheld the authority of the English crown in Ireland for four centuries. Yet the sixteenth century witnessed the demotion of this Irish-born and predominantly Catholic community from places of trust and authority in the Irish administration in favour of English Protestant newcomers. Political alienation and growing religious tensions strained crown-community relations and caused many Old Englishmen to reconsider their future in Ireland.
The Nine Years' War (1594-1603) presented them with an ideal opportunity to reassess their relationshipwith the crown when the Irish Confederates, led by Hugh O'Neill, Earl of Tyrone, sought their support. This book explores the role of the Old English during the Nine Years' War. It discusses the impact of divided loyalties, examines how they responded to political, social, religious, and military pressures, and assesses how the war shaped their sense of identity. The book demonstrates that despite the anxieties of English officials, the Old English remained loyal. More than that, they played a key role in defeating the Irish Confederacy through military and financial support. It argues that their sense of tradition and duty to uphold English rule in Ireland was central to their identity and that appeals to embrace a new Irish Catholic identity, in partnership with the Gaelic Irish, was doomed to failure.
RUTH CANNING is Lecturer in Early Modern History at Liverpool Hope University.
Julia Marvin
The Oldest Anglo-Norman Prose Brut Chronicle
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First modern text and translation of the prose Brut chronicle, the most popular secular vernacular work of the middle ages.
First composed in Anglo-Norman French around the end of the thirteenth century, the anonymous prose Brut chronicle became the most popular secular vernacular work, and the most widespread Arthurian work, of the later middle ages in England: repeatedly expanded, revised, and translated, it remained influential for centuries. Yet it has been little studied, in part because of the lack of any full modern edition. This edition of the Oldest Version of the prose Brut, running from the fall of Troy to the death of Henry III in 1272, provides the Anglo-Norman text with facing-page translation and textual apparatus, a comprehensive introduction, and extensive explanatory notes. It makes new contributions, on, for example, the identification and classification of the manuscripts, the identification and analysis of the sources [far more varied and numerous than had been previously recognised], and the probable circumstances of the chronicle's composition. It will enable scholars to make full use of this remarkable resource for the study of Arthurian tradition, contemporary visions of British history, popular thought about society and government in late-medieval England, and the history of reading itself.
Professor JULIA MARVIN teaches at the University of Notre Dame.
Claire Seymour
The Operas of Benjamin Britten
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This controversial analysis of Britten's operatic works demonstrates how he used music to explore his most private concerns.
Claire Seymour examines ways in which Britten's operas explored and articulated the inherent ambiguity and latent sexuality of music, particularly song, and suggests that they may illustrate his search for a public "voice" which would embody, communicate, and perhaps resolve his private beliefs and anxieties. She demonstrates how the delicate balance between private and public communication, and the tension between art as self-expression and art as moral resolution were key concerns in Britten's music. Analyses of Britten's operas from Paul Bunyan to Death in Venice, the three Church Parables, and several of the "children's operas" offer evidence that, for Britten, opera was the natural medium through which to explore, express and, paradoxically, repress his private concerns.
Christina Guillaumier
The Operas of Sergei Prokofiev
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The first book in the English language to engage with Prokofiev's operatic output in its entirety.
The operas of Sergei Prokofiev (1891-1953) mark a significant contribution to twentieth-century music and theatre. Opera was Prokofiev's preferred genre; not counting juvenile and unfinished works, he wrote a total of eight. Yet,to date, little has been published about the context, rationale or musical and compositional processes behind this output. While systematic studies of Prokofiev's symphonies and his ballets exist, the operas have come under no such scrutiny. This book is the first in the English language to engage with the composer's operatic output in its entirety and provides a contextual, critical and musico-analytical account of all of Prokofiev's operas, including those juvenile works that are unpublished as well as the incomplete works composed towards the end of his life. It also includes synopses of the operas. Drawing on a wealth of archival material and other sources, the book provides the compelling untold story of Prokofiev the opera composer.
Antti Matikkala
The Orders of Knighthood and the Formation of the British Honours System, 1660-1760
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A detailed analysis of the political, social and cultural aspects of the British orders of knighthood in the seventeenth and eighteenth centuries.
`Sheds considerable new light on the nature, development and functions of the orders in a key phase of their history, and goes a long way to explaining how such archaic institutions could flourish in a culture that is commonly thought anti-traditional and especially hostile to the "middle ages"'. Professor JONATHAN BOULTON, University of Notre Dame.
This is the first comprehensive study to set the British orders of knighthood properly into the context of the honours system - by analysing their political, social and cultural functions from the Restoration of the monarchy to the end of George II's reign. It examines the revival of the Order of the Garter and the proposalsto establish the Orders of the Royal Oak and the Esquires of the Martyred King at the Restoration, the foundation [1687] and the revival [1703-4] of the Order of the Thistle as well as the foundation of the Order of the Bath [1725]. It establishes just how central a part the orders played in the British high political life and its comprehensive and multidimensional approach carefully contrasts the idealistic discourse of virtue and honour to the real workings of the honours system; it also makes the case for the 'Chivalric Enlightenment'. The 'orders over the water', the Garter and the Thistle conferred by the Jacobite claimants, are discussed for the first time in the context of the established British honours system. Overall, the comparison between the socially very restricted British and the increasingly meritocratic Continental orders highlights the isolation of the British honours system from the European tendencies.
Sandy Calder
The Origins of Primitive Methodism
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The Primitive Methodist Connexion's mature social character may have been working-class, but this did not reflect its social origins.
This book shows that while the Primitive Methodist Connexion's mature social character was working-class, this did not reflect its social origins. It was never the church of the working class, the great majority of whose churchgoers went elsewhere: rather it was the church whose commitment to its emotional witness was increasingly incompatible with middle-class pretensions. Sandy Calder shows that the Primitive Methodist Connexion was a religious movementled by a fairly prosperous elite of middle-class preachers and lay officials appealing to a respectable working-class constituency. This reality has been obscured by the movement's self-image as a persecuted community of humble Christians, an image crafted by Hugh Bourne, and accepted by later historians, whether Methodists with a denominational agenda to promote or scholars in search of working-class radicals. Primitive Methodists exaggerated their hardships and deliberately under-played their social status and financial success. Primitive Methodism in the later nineteenth and early twentieth centuries became the victim of its own founding mythology, because the legend of a community of persecuted outcasts, concealing its actual respectability, deterred potential recruits.
SANDY CALDER graduated with a PhD in Religious Studies from the Open University and has previously worked in the private sector.
Samuel Barnish
The Ostrogoths from the Migration Period to the Sixth Century
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Essays examining the Ostrogoths, the richest and most powerful Germanic tribe to emerge after the fall of the Roman Empire, and their role in the evolution of medieval Europe.
Among the Germanic tribes who ruled the fragments of the western Roman empire, the Ostrogoths enjoyed the greatest wealth and splendour. Conquering Italy itself from the warlord Odoacer, they inherited the buildings, traditions, and administrative apparatus of imperial rule, and revived the empire in Spain, southern Gaul and the northwest Balkans. Aspects of their history and empire examined here include their ethnic identity in Italy and relations (as Asian heretics) with the Catholic Church; the vicissitudes of sixth century Rome, the monuments of the period in Ravenna; their influence on the economy, settlements, and social structures throughout Italy; the interweaving of society and administration with their internal and external politics; and the history of their Spanish empire. There are also studies of the Goths in eastern Europe before the emergence of the Ostrogoths, and under Hunnic rule. The whole significantly advances an understanding of how medieval Europe evolved from the combination of Roman civilisation with Germanic outsiders.
Contributors: S. BARNISH, G.P. BROGLIO, T.S. BROWN, P.C. DIAZ, D.H. GREEN, W. HAUBRICHS, P. HEATHER, M. KAZANSKI, A. KOKOWSKI, F. MARAZZI, G. NOYE, I. WOOD
Michael Church
The Other Classical Musics
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The Other Classical Musics offers challenging new perspectives on classical music by presenting the history of fifteen parallel traditions.
Winner of the Royal Philharmonic Society Music Award for Creative Communication 2015
There is a treasure trove of underappreciated music out there; this book will convince many to explore it. The Economist
What is classical music? This book answers the question in a manner never before attempted, by presenting the history of fifteen parallel traditions, of which Western classical music is just one. Each music is analysed in terms of its modes, scales, and theory; its instruments, forms, and aesthetic goals; its historical development, golden age, and condition today; and the conventions governing its performance. The writers are leading ethnomusicologists, and their approach is based on the belief that music is best understood in the context of the culture which gave rise to it.
By including Mande and Uzbek-Tajik music - plus North American jazz - in addition to the better-known styles of the Middle East, the Indian sub-continent, the Far East, and South-East Asia, this book offers challenging new perspectives on the word 'classical'. It shows the extent to which most classical traditions are underpinned by improvisation, and reveals the cognate origins of seemingly unrelated musics; it reflects the multifarious ways in which colonialism, migration, and new technology have affected musical development, and continue to do today. With specialist language kept to a minimum, it's designed to help both students and general readers to appreciate musical traditions which may be unfamiliar to them, and to encounter the reality which lies behind that lazy adjective 'exotic'.
MICHAEL CHURCH has spent much of his career in newspapers as a literary and arts editor; since 2010 he has been the music and opera critic of The Independent. From 1992 to 2005 he reported on traditional musics all over the world for the BBC World Service; in 2004, Topic Records released a CD of his Kazakh field recordings and, in 2007, two further CDs of his recordings in Georgia and Chechnya.
Contributors: Michael Church, Scott DeVeaux, Ivan Hewett, David W. Hughes, Jonathan Katz, Roderic Knight, Frank Kouwenhoven, Robert Labaree, Scott Marcus, Terry E. Miller, Dwight F. Reynolds, Neil Sorrell, Will Sumits, Richard Widdess, Ameneh Youssefzadeh
Frances Andrews
The Other Friars
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A concise and accessible history of four of the monastic orders in the middle ages.
In 1274 the Council of Lyons decreed the end of various 'new orders' of Mendicants which had emerged during the great push for evangelism and poverty in the thirteenth-century Latin Church. The Franciscans and Dominicans were explicitly excluded, while the Carmelites and Austin friars were allowed a stay of execution. These last two were eventually able to acquire approval, but other smaller groups, in particular the Friars of the Sack and Pied Friars, were forced to disband.
This book outlines the history of those who were threatened by 1274, tracing the development of the two larger orders down to the Council of Trent, and following the fragmentary sources for the brief histories of the discontinued friaries. For the first time these orders are treated comparatively: the volume offers a total history, from their origins, spirituality and pastoral impact, to their music, buildings and runaways.
FRANCES ANDREWS teaches at the University of St Andrews and is the author of The Early Humiliati (CUP 1999).
Frances Andrews
The Other Friars
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$39.95
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A concise and accessible history of four of the monastic orders in the middle ages.
In 1274 the Council of Lyons decreed the end of various 'new orders' of Mendicants which had emerged during the great push for evangelism and poverty in the thirteenth-century Latin Church. The Franciscans and Dominicans were explicitly excluded, while the Carmelites and Austin friars were allowed a stay of execution. These last two were eventually able to acquire approval, but other smaller groups, in particular the Friars of the Sack and Pied Friars, were forced to disband.
This book outlines the history of those who were threatened by 1274, tracing the development of the two larger orders down to the Council of Trent, and following the fragmentary sources for the brief histories of the discontinued friaries. For the first time these orders are treated comparatively: the volume offers a total history, from their origins, spirituality and pastoral impact, to their music, buildings and runaways.
FRANCES ANDREWS teaches at the University of St Andrews and is the author of The Early Humiliati (CUP 1999).
Ludo J.R. Milis, Tanis Guest
The Pagan Middle Ages
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Evidence for the survival of paganism in the medieval world.
Many aspects of the pagan past continued to survive into the middle ages despite the introduction of Christianity, influencing forms of behaviour and the whole mentalitéof the period. The essays collected in this stimulating volume seek to explore aspects of the way paganism mingled with Christian teaching to affect many different aspects of medieval society, through a focus on such topics as archaeology, the afterlife and sexuality, scientific knowledge, and visionary activity. Tr. TANIS GUEST.Professor LUDO J.R. MILIS teaches at the University of Ghent.Contributors: LUDO J.R. MILIS, MARTINE DE REU, ALAIN DIERKENS, CHRISTOPHE LEBBE, ANNICK WAEGEMAN, VÉRONIQUE CHARON
Kathryn A. Smith
The Painted Histories of the Welles-Ros Bible (Paris, BnF Fr.1)
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A lavishly illustrated study of the Welles-Ros Bible, exploring its provenance, ownership, design and production.
At some point between c.1366 and 1373, the noblewoman Maud de Ros, widow of the Lincolnshire baron John de Welles, commissioned what is now the earliest surviving entire translated Bible from England. The Welles-Ros Bible contains the most complete edition of the Anglo-Norman Bible - a close, often literal translation of the Vulgate into insular French - as well as 82 narrative, highly personalized illustrations.
As this first long-form study of the manuscript argues, Maud commissioned the Bible to serve as a mirror, guide, family archive, dynastic chronicle, and source of spiritual instruction and consolation for her youthful son, John, 5th Baron Welles (1352-1421). Moreover, Maud played a key role in the production of the text edition and the design of many of the images. This book analyzes the manuscript, its text, and its vivid illuminations in the context of rich traditions of medieval biblical translation, production, and illustration, offering fresh insights into the roles of images in shaping and mediating scripture and religious experience. Adding to our understandings of life among the lower nobility in later fourteenth-century England, this cultural history of a major artefact also expands our picture of the cultural patronage and creative agency of laywomen, as well as medieval strategies of memorialization, responses to the Plague, and ideas about gender, identity, sexuality and the emotions.
C.J. Cook
The Palfrey Notebook
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Fully annotated edition of a Cambridge student's notebook from the seventeenth century sheds important light on developments in philosophy during the period, as well as on the structure and content of a university education.
The Palfrey Notebook is a unique survival from the early seventeenth century. Compiled in around 1623 by George Palfrey of Sidney Sussex College, Cambridge, probably as a record of his studies for his Master's degree, it covers many of the widely-used texts of the period. Although primarily devoted to a detailed evaluation of Aristotelian natural philosophy, it includes an extended survey of the literature on Natural Magic, records of orations and disputations (including Palfrey's own) delivered in college or at the Schools, notes on logic and ethics, personal notes, and anti-papal diatribe. Since the Master of the college at the time was the renowned, moderate-Calvinist scholar Samuel Ward, Palfrey's views, as reflected in the Notebook, can be taken to represent this aspect of Anglicanism, although most of the sources are Roman Catholic, specifically Jesuit texts. A full transcript of the Notebook ispresented here, with detailed commentary and extensive notes which illuminate Palfrey's material and explain its relationship to contemporary texts. A substantial introduction places the Notebook in its historical, educational andphilosophical contexts, examines the apparent contradictions between Palfrey's Aristotelianism and interest in magic, his Calvinism and use of Jesuit material, and suggests that the notebook represents a coherent response to thesocial and intellectual challenges of the times.
C. J. Cook holds a Doctorate in the History of Philosophy from Cambridge University.
Enrico Veneziani
The Papacy and Ecclesiology of Honorius II (1124-1130)
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A complete reappraisal of the papacy of Honorius II, highlighting the strategies to which this pontificate turned in order to govern ecclesiastical institutions and to deal with secular matters.
The papacy of Honorius II (1124-1130) has often been overlooked by historians, usually considered uneventful, transitional and colourless. This book offers a complete reappraisal, drawing on a detailed examination of the surviving letters produced by the papal chancery to show that conversely, it was a vital and innovative pontificate. It argues that during what was a stabilising period for the papacy in an era of peace, Honorius and the chancery were able to enact the instruments and ecclesiological claims dictated by external threats and produced during previous papacies. In particular, it shows that by adapting the content and form of the letters it issued, Honorius's chancery, led by the official Haimeric, played a decisive role in extending the ecclesiological thinking of the papacy. Furthermore, these years paved the way for ideas which were further developed later in the twelfth century, especially the arguments created by the warring parties in the Schism of 1130 to legitimise their respective popes. This study thus presents a different view of Honorius' administration, highlighting the strategies to which the papacy turned in order both to govern ecclesiastical institutions and to deal with secular matters, when previous protocols and routines could no longer be relied upon.
Sarah E. Thomas
The Parish and the Chapel in Medieval Britain and Norway
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Interdisciplinary study of chapels provides a more complex and fuller picture of engagement with the Church and Christianity in the Middle Ages.
From the eleventh and twelfth centuries, Latin Christendom was increasingly focussed, both institutionally and culturally, on Rome and the papacy. A key element of these changes was a growing concern with the provision of pastoralcare and the standardisation of practices and beliefs. However, whilst parish churches have received considerable scholarly attention, chapels have been largely neglected, despite the fact that they were widespread in the landscape of medieval Britain and Norway, found in locations ranging from villages to castles, and central to the life of many. This book, the first major comparative study of the subject, begins by examining what a chapel was, whoused them, and their purpose. Using archaeological remains, the wider parish landscape - settlements, transport and geography - and historical records such as papal letters, it then categorises chapels according to function and their relationship with the parish church, showing that they served a far greater range of purposes than has previously been assumed. The author also considers whether the drive for uniformity had an impact on religious landscapesin Britain and Norway, arguing that there is little evidence of a Viking impact on chapel organisation in the British Isles, with the evidence pointing towards Scandinavian adoption of pre-existing organisation and local cults.
Sarah Thomas gained her PhD from the University of Glasgow; she is currently a postdoctoral researcher at the University of Stirling.
Seymour Phillips
The Parliament Rolls of Medieval England, 1275-1504
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A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. This volume contains the records of the parliaments held during the reign of Edward II, between October 1307 and November 1325. The parliament of January 1327, which was called in the nameof Edward II, was instead treated as the first parliament of the reign of Edward III. It covers a very eventful reign, which was marked by political conflict, strong personal enmities and civil war, wars with Scotland and France,and the unprecedented deposition of the king in 1327 - all events reflected, directly or indirectly, within the Rolls. An Introduction to each of the Parliaments during this period discusses the political context in which itwas held; the purpose for which it was summoned; who was summoned; and analyzes the proceedings of the parliament both as recorded in the Parliament Rolls (several of which have not previously been published) and in other sources, such as royal records and chronicles.
Seymour Phillips is Professor of History, University College Dublin.
Chris Given-Wilson
The Parliament Rolls of Medieval England, 1275-1504
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A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. The nine parliaments held during the reign of Henry IV (1399-1413) witnessed some of the most dramatic encounters between king and commons of the middle ages, especially those of the first seven years of the reign. Principles which were to become staples of parliamentary debate, such as the demand for redress of grievances before grant of supply, insistence on the accountability to parliament of royal ministers, and the right of those who granted taxes to determine how they should be used (appropriation of supply) were openly demanded and to some extent conceded by the king. These demands reached a climax in the Long Parliament of 1406,which lasted for nine months, twice as long as any previous English parliament, and witnessed a prolonged stand-off between king and commons. The second half of the reign saw more docile parliaments, although the struggle betweenthe king and his son, the future Henry V, for control of the executive produced some dramatic parliamentary moments such as an attempt to force the king to abdicate. These early fifteenth-century parliaments also witnessed the passing of some extremely interesting social and religious legislation on matters such as heresy, law and order and the regulation of labour. The rolls from the period are reproduced in their entirely, complented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English).
Chris Given-Wilson is Professor of Late Medieval History, University of St Andrews.
Rosemary Horrox
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$170.00
Save $-170.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. The first three parliaments of Edward IV's reign - 1461, 1463 and 1467 - document the establishment of the new regime, including the new king's efforts to win over former Lancastriansas well as to punish the unreconciled. All three parliaments include acts of resumption deliberately deployed by the crown rather than by its critics. The volume also includes a partial reconstruction of the business of Henry VI'sresumption parliament of 1470 for which no roll survives.
The rolls from the period are reproduced in their entirely, complemented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English).
Dr Rosemary Horrox is Fellow and Director of Studies in History, Fitzwilliam College, Cambridge.
Rosemary Horrox
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$190.00
Save $-190.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of the lords, and, somewhat later, the commons. It is striking that this volume ends in 1504 although Henry's reign continued until 1509, and that the volume includes five parliaments - in sharp contrast to the four previous volumeswith three apiece. Henry's parliaments were shorter and more narrowly focussed on the king's business, including his dealings with the land of the formerly disaffected. The rolls from the period are reproduced in their entirely, complemented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English).
Dr Rosemary Horrox is Fellow and Director of Studies in History, Fitzwilliam College, Cambridge.
Seymour Phillips, Mark Ormrod
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$190.00
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A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. This volume covers the first ten years of the reign of Edward III. It begins with the parliament of 1327, during which Edward II was deposed, which was called in the name of Edward II but was treated as the first parliament of the reign of Edward III. In addition to the deposition and later murder of Edward II, this period was marked by other dramatic events: the rule of Roger Mortimer and Isabella, the former queenof Edward II; the trials in 1330 of Mortimer and his accomplices for the murder of Edward II; the renewal of war with Scotland and the path to war with France. All these are reflected directly or indirectly in the Parliament Rolls. An introduction is provided to each of the Parliaments during this period, discussing the political context in which it was held; the purpose for which it was summoned; who was summoned; and analyzing the proceedings of the parliament both as recorded in the Parliament Rolls and in other sources, such as royal records and chronicles.
Seymour Phillips is Professor of History, University College Dublin; Mark Ormrod is Professor of History,University of York.
Chris Given-Wilson
The Parliament Rolls of Medieval England, 1275-1504
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$130.00
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A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. The nine parliaments held during the reign of Henry IV (1399-1413) witnessed some of the most dramatic encounters between king and commons of the middle ages, especially those of the first seven years of the reign. Principles which were to become staples of parliamentary debate, such as the demand for redress of grievances before grant of supply, insistence on the accountability to parliament of royal ministers, and the right of those who granted taxes to determine how they should be used (appropriation of supply) were openly demanded and to some extent conceded by the king. These demands reached a climax in the Long Parliament of 1406,which lasted for nine months, twice as long as any previous English parliament, and witnessed a prolonged stand-off between king and commons. The second half of the reign saw more docile parliaments, although the struggle betweenthe king and his son, the future Henry V, for control of the executive produced some dramatic parliamentary moments such as an attempt to force the king to abdicate. These early fifteenth-century parliaments also witnessed the passing of some extremely interesting social and religious legislation on matters such as heresy, law and order and the regulation of labour. The rolls from the period are reproduced in their entirely, complented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English).
Chris Given-Wilson is Professor of Late Medieval History, University of St Andrews.
Mark Ormrod
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$130.00
Save $-130.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. Those edited in this volume cover the dramatic period from the Black Death to the end of the reign of Edward III. The parliaments of the 1350s and 1360s were marked by a strong sense of combined purpose as crown and political community drew together to buttress their economic interests and enjoy the benefits of peace with Scotland and France. The 1370s, by contrast, was a decade of military disaster, economic gloomand increasing faction-fighting at court. Notably, the volume provides the first ever translation of the official record of the so-called "Good Parliament" of 1376, at which Edward III's mistress and ministers were publicly exposed as enemies of the common good. This assembly was a major turning-point in political history, marking the first appearance of the office of Speaker of the House of Commons and the first use of parliamentary impeachment in medieval England. The rolls from the period are reproduced in their entirely, complented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English).
Mark Ormrod is Professor of History at the University of York.
Chris Given-Wilson
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$190.00
Save $-190.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons.
Chris Given-Wilson is Professor of Late Medieval History, University of St Andrews
Anne Curry
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$190.00
Save $-190.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. This volume covers the first nine years of the minority of Henry VI, which saw seven parliaments. This high frequency is linked to the fact that Henry was only nine months old when hebecame king in 1422. The rolls of this period have much of interest on how government functioned during a minority. Parliament became a crucial cog in the wheel of collective and conciliar rule, and also had to deal with disputesbetween Henry's advisers. Also interesting is the transition from the regime of Henry V to that of his son. The roll for the 1423 assembly includes the inventory of Henry V's moveable goods as dealt with by his executors. That forthe 1429 meeting, during which the coronation occurred and a royal visit to France was planned, saw many significant common petitions, including that concerning the electorate of the 40s freeholder. The rolls from the periodare reproduced in their entirely, complented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English).
Anne Curry is Professor of History andDean of the Faculty of Humanities, University of Southampton
Anne Curry
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$190.00
Save $-190.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. This volume covers the years of crisis of Henry VI's reign. They begin with the unusual assembly at Bury St Edmunds in 1447 during which the king's uncle, Humphrey, duke of Gloucester,was arrested and died, and end with the parliament of 1460 at which Richard, duke of York, made a formal claim to the throne. In the interim the rolls are vital for assessing the impact of the loss of French lands between 1449 and 53, and for showing how the king's mental collapse halfway through the parliament of 1453 began a period of political instability which finally led to civil war in 1459. The rolls from the period are reproduced in their entirely, complemented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English).
Anne Curry is Professor of History and Dean of the Faculty of Humanities, University of Southampton; Dr Rosemary Horrox is Fellow and Director of Studies in History, Fitzwilliam College, Cambridge.
Paul Brand
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$195.00
Save $-195.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. The rolls presented here cover the first years of the rule of Edward I, whence the first records of parliament survive. During his reign parliament gained a new importance and centrality inthe lives of the king's subjects - in part a result of the king's decision to encourage his subjects to submit written petitions to parliament, in part because of the role parliament played in the drafting and approval of a majorprogramme of legislative change, in part because it was largely in parliament that the king obtained consent to the levying of the taxation that was required for his major military expenditure. This new edition of the documents is presented with the first ever translation, together with related materials; it also includes a discussion of all the known parliaments of the reign.
Professor Paul Brand is Senior Research Fellow and Senior Dean, All Souls College, Oxford
Geoffrey H Martin
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$190.00
Save $-190.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons.
Chris Given-Wilson is Professor of Late Medieval History, University of St Andrews
Anne Curry
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$190.00
Save $-190.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. This volume covers the last four parliaments of Henry VI's minority (1432-7) and the first three held during his majority (1439-1445). Once the king had come of age, the constitutionalneed for frequent and regular parliaments subsided. The rolls show clearly the transition towards the king's personal role. The impact of the king's own preferences is seen in material linked to the foundations at Eton and Cambridge which were initiated in 1440. The second session of the 1445 parliament saw the coronation of his queen, Margaret of Anjou. Growing financial problems as well as in the war with France after the defection of the duke of Burgundy from his English alliance are also revealed in the rolls. The rolls from the period are reproduced in their entirely, complented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English).
Anne Curry is Professor of History and Dean of the Faculty of Humanities, University of Southampton
Rosemary Horrox
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$190.00
Save $-190.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. The three parliaments of Edward IV's second reign are strikingly unbalanced. The first, which lasted from 1472-75, was from the king's point of view mainly concerned with financing theprojected war against France, but also sees the final settlement of the Yorkist regime with former Lancastrians making their peace and a further act of resumption reconsidering earlier royal grants. The last two parliaments weremuch briefer and, again from the king's perspective, mono-causal. That of January 1478 was called to try Edward's brother the duke of Clarence, although this is barely reflected in the roll itself. Five years later Edward was in search of funding for his Scottish war. The rolls from the period are reproduced in their entirely, complemented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Normanand Middle English).
Dr Rosemary Horrox is Fellow and Director of Studies in History, Fitzwilliam College, Cambridge.
Paul Brand
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$195.00
Save $-195.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. The rolls presented here cover the second part of Edward I's reign. Under his rule parliament gained a new importance and centrality in the lives of the king's subjects - in part a result of the king's decision to encourage his subjects to submit written petitions to parliament, in part because of the role parliament played in the drafting and approval of a major programme of legislative change, in part because it was largely in parliament that the king obtained consent to the levying of the taxation that was required for his major military expenditure. This new edition of the documents is presented with the first ever translation, together with related materials; it also includes a discussion of all the known parliaments of the reign.
Professor Paul Brand is Senior Research Fellow and Senior Dean, All Souls College, Oxford
Rosemary Horrox
The Parliament Rolls of Medieval England, 1275-1504
Regular price
$170.00
Save $-170.00
A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. This volume contains the only parliament of Richard III - an essential source for his accession in 1483 and for his response to the subsequent rebellion. Henry VII's assertion of his title in 1485 is strikingly different, as is his long act of resumption (a roll in itself) that reveals not only which Yorkist grants he was prepared to continue but also which early grants of his own he was willing to abandon. The1487 parliament shows the new regime continuing to try and establish itself in the face of continuing opposition. The rolls from the period are reproduced in their entirely, complemented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English).
Dr Rosemary Horrox is Fellow and Director of Studies in History, Fitzwilliam College, Cambridge.
Chris Given-Wilson
The Parliament Rolls of Medieval England, 1275-1504 [16 volume set]
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Major edition of all the surviving medieval Rolls of Parliament: an invaluable source for scholars.
The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. The rolls were first edited in the eighteenth century and published in 1767 in six folio volumes entitled Rotuli Parliamentorum, under the general editorship of the Reverend John Strachey. This new edition reproduces the rolls in their entirety, together with a few individual items published since 1783, as well as a substantial amount of material never previously published; it is complemented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English). It also includes an introduction to every parliament known to have been held by an English king (or in his name)between 1275 and 1504, whether or not the roll for that parliament survives. Where appropriate, appendices of supplementary material are also provided, and there is a General Introduction to the rolls.
Contributors to the set are as follows: PAUL BRAND (1275-1307), SEYMOUR PHILLIPS (1307-1337), MARK ORMROD (1337-1377), GEOFFREY MARTIN (1377-1379), CHRIS GIVEN-WILSON (1380-1421), ANNE CURRY (1422-1453), ROSEMARY HORROX (1455-1504).
Translated by Rachel Koopmans
The Passion and Miracles of St. Thomas Becket by Benedict of Peterborough
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The first full English translation of one of the most important sources on Thomas Becket.
Benedict of Peterborough's Passion and Miracles of St Thomas Becket puts the reader in Canterbury on the day of one of the most famous murders of all time, when four of King Henry II's knights killed the archbishop inside his cathedral on 29 December 1170. It reveals how a monk thrust into the role of chronicler attempted to understand the earliest cures at Thomas Becket's tomb and the rapid growth of his reputation as a miracle-worker. With its description of Becket's murder and some 275 miracles, all dating to 1171-1173, Benedict's text, which went on to circulate across Europe, is by far our most important source for the beginnings of the cult that would draw hundreds of thousands of medieval pilgrims to Canterbury.
This book provides the first full English translation of Benedict's Passion and Miracles from the original Latin. It includes an introduction that assesses the relationship of the Canterbury monks to the archbishop, analyses the story of the murder as told in the Passion, and examines the ways in which Benedict gathered material and constructed the Miracles. The translation is also accompanied by full explanatory notes, while two appendices provide biographical information and a translation of the eighteen stories in the Miracles that are also recounted in a slightly later Canterbury collection. This translation will make Benedict's hugely significant text accessible to a wider audience for the first time.
This book is available as Open Access under the Creative Commons license CC BY-NC-ND.
Translated by Rachel Koopmans
The Passion and Miracles of St. Thomas Becket by Benedict of Peterborough
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$170.00
Save $-170.00
The first full English translation of one of the most important sources on Thomas Becket.
Benedict of Peterborough's Passion and Miracles of St Thomas Becket puts the reader in Canterbury on the day of one of the most famous murders of all time, when four of King Henry II's knights killed the archbishop inside his cathedral on 29 December 1170. It reveals how a monk thrust into the role of chronicler attempted to understand the earliest cures at Thomas Becket's tomb and the rapid growth of his reputation as a miracle-worker. With its description of Becket's murder and some 275 miracles, all dating to 1171-1173, Benedict's text, which went on to circulate across Europe, is by far our most important source for the beginnings of the cult that would draw hundreds of thousands of medieval pilgrims to Canterbury.
This book provides the first full English translation of Benedict's Passion and Miracles from the original Latin. It includes an introduction that assesses the relationship of the Canterbury monks to the archbishop, analyses the story of the murder as told in the Passion, and examines the ways in which Benedict gathered material and constructed the Miracles. The translation is also accompanied by full explanatory notes, while two appendices provide biographical information and a translation of the eighteen stories in the Miracles that are also recounted in a slightly later Canterbury collection. This translation will make Benedict's hugely significant text accessible to a wider audience for the first time.
This book is available as Open Access under the Creative Commons license CC BY-NC-ND.
Richard Barber
The Pastons
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Attractive selection conveys well their recurrent concerns with land, money, civil violence, flirtation, marriage, and the purchase of ginger and lace. MEDIUM AEVUM Vivid first-hand accounts of life in England at the time ofthe Wars of the Roses, presented in their historical context. Essential reading on the English middle ages.
Within three generations (1426 to 1485), and through the dark anddangerous years of the Wars of the Roses, the Pastons establishedthemselves as a family of consequence, both in their native Norfolk andwithin court circles. Ambitious and highly mobile - womenfolk as wellas men - they kept in touch by correspondence, usually but notinvariably through the medium of a clerk. These letters, a raresurvival, break upon us across the centuries with the urgency, andsometimes the violence, of their preoccupations: defending property,fighting court cases, making the right alliances, and, on the domesticside, managing their estates, conducting their courtships, stockingtheir cupboards. Selected and presented here with Richard Barber'sinvaluable linking narrative, they bring the middle ages triumphantlyto life.
Beth Allison Barr
The Pastoral Care of Women in Late Medieval England
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A close examination of religious texts illuminates the way in which parish priests dealt with their female parishioners in the Middle Ages.
The question of how priests were taught to think about and care for female parishioners is the topic of this book. As neither misogynist villains nor saintly heroes, clerical authors of pastoral vernacular literature persisted both in their characterization of women as difficult parishioners and in their attempts to recognize women as ordinary parishioners who deserved ordinary pastoral care. Focusing on the important vernacular writings of John Mirk, his Festial and Instructions for Parish Priests, the author reveals how even a small number of influential sermon compilations, exempla, and pastoral guides could have significantly shaped the perceptions, attitudes, and- perhaps - actions of fourteenth- and fifteenth-century priests. Shedding light on the mental universe of the late medieval parish, this study offers important new insights into the reality of how priests perceived and fulfilled their spiritual obligations to the women they served.
BETH ALLISON BARR is Assistant Professor of European Women's History at Baylor University.
Grant Tapsell
The Personal Rule of Charles II, 1681-85
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The wider repercussions and consequences of Charles II's personal rule are discussed, with special reference to the fledgling Tory and Whig parties.
This book is concerned with political culture, government, and religion during the personal rule of Charles II, the period between the dissolution of his last English Parliament in 1681 and his death in 1685. The author argues that the nature of this phase of Stuart personal rule was different to that of Charles I in 1629-40. He discusses the nature of whig and tory politics during this crucial period in their formation as political parties, showing how they coped with the absence of a parliamentary forum. He also examines political life in the English localities, the growing importance of news dissemination in political life, and the politics of religious persecution and toleration. Scotland and Ireland are included in this analysis of Charles's rule, setting the discussion in a "Three Kingdoms" context.
GRANT TAPSELL is Lecturer in Modern History at St Andrews University.
Malasree Home
The Peterborough Version of the Anglo-Saxon Chronicle
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An examination of the linguistic and cultural construction of one of the texts of the Anglo-Saxon Chronicle.
In the twelfth century, a version of the Anglo-Saxon Chronicle was rewritten at Peterborough Abbey, welding local history into an established framework of national events. This text has usually been regarded as an exception, a vernacular Chronicle written in a period dominated by Latin histories. This study, however, breaks new ground by considering the Peterborough Chronicle as much more than just an example of the accidental longevity of the Chronicle tradition. Close analysis reveals unique interpretations of events, and a very strong sense of communal identity, suggesting that the construction of this text was not a marginal activity, but one essential to the articulation of the abbey's image. This text also participates in a vibrant post-Conquest textual culture, in particular at Canterbury, including the writing of the bilingual F version of the Chronicle; its symbiotic relationship witha wider corpus of Latin historiography thus indicates the presence of shared sources. The incorporation of alternative generic types in the text also suggests the presence of formal hybridity, a further testament to a fluid and adaptable textual culture.
Dr Malasree Home teaches at Newcastle University.
Misha Donat
The Piano in Beethoven’s Chamber Music
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Donat's vast expertise provides unique insight into the history and genesis of key works in the chamber music repertoire.
This is the first full-length study in English of an important area of Beethoven's output that has seldom been explored in detail. The principal compositions covered are the violin sonatas, cello sonatas and piano trios of the composer's maturity, ranging chronologically from the three piano trios op.1, to the two cello sonatas op.102 which stand on the threshold of his last period. The repertoire includes some of Beethoven's most famous chamber pieces, among them the 'Spring' and 'Kreutzer' violin sonatas, and the 'Ghost' and 'Archduke' piano trios.
The works are analysed in detail with the help of copious music examples, and are placed in their historical context through extracts from letters and contemporary reviews. The book provides performers, music students and music lovers with an insight into the history and genesis of some of the greatest works in the chamber music repertoire.
Misha Donat
The Piano in Beethoven’s Chamber Music
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$59.95
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Donat's vast expertise provides unique insight into the history and genesis of key works in the chamber music repertoire.
This is the first full-length study in English of an important area of Beethoven's output that has seldom been explored in detail. The principal compositions covered are the violin sonatas, cello sonatas and piano trios of the composer's maturity, ranging chronologically from the three piano trios op.1, to the two cello sonatas op.102 which stand on the threshold of his last period. The repertoire includes some of Beethoven's most famous chamber pieces, among them the 'Spring' and 'Kreutzer' violin sonatas, and the 'Ghost' and 'Archduke' piano trios.
The works are analysed in detail with the help of copious music examples, and are placed in their historical context through extracts from letters and contemporary reviews. The book provides performers, music students and music lovers with an insight into the history and genesis of some of the greatest works in the chamber music repertoire.
R.W. Dyson
The Pilgrim City
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$120.00
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St Augustine on the human condition, justice, the State, slavery, private property and war: essential sourcebook for historians of late classical and medieval thought.
The political and social ideas of St Augustine of Hippo are of central importance to the historian of late classical and medieval political thought: Augustine offers a penetrating critique of the moral and political claims of imperial Rome, and he is one of the founders of the Christian political thought of the middle ages. But the student's task is made difficult by the fact that Augustine did not write a single, systematic political treatise. His political remarks are always incidental to his theological and pastoral concerns; they occur in many different contexts; they have to be dissected out from a great variety of works. In this volume, Dr Dyson brings together an extensive selection of primary sources and provides a detailed commentary on them. The result is a full and wide-ranging narrative account of St Augustine's thinking on the human condition, justice, the State, slavery, private property and war. This comprehensive sourcebook will be of value to students of St Augustine at all levels.Dr R W DYSON lectures in the department of politics, University of Durham.
Alanna Ropchock Tierno
The Polyphonic Mass in Early Lutheran Central Europe
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Investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600.
The five-movement polyphonic Mass Ordinary emerged from the cultural and liturgical practices of medieval Roman Catholicism and became the pre-eminent large-scale musical genre of early modern Europe. By the end of the sixteenth century, the polyphonic mass remained a core musical genre among Catholics despite gaining widespread popularity within a new institution fundamentally opposed to the Catholic Church and best known for its cultivation of vernacular liturgical music: the Lutheran church. This book investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600.
Through careful source analysis, this study presents examples of polyphonic masses composed in both Lutheran and Catholic contexts that contradict the conventional conception of the Mass Ordinary as a fixed five-movement cycle with unaltered Latin texts. The book draws on sixteenth-century liturgical documents such as Lutheran church orders and hundreds of primary printed and manuscript sources of polyphonic masses; some of these items are well-known in Renaissance musicology source studies while others have received little to no scholarly attention. The book's findings invite reconsideration of how the Mass Ordinary genre is defined, allow for a discussion whether the polyphonic mass should be considered a bi-confessional genre, and present a cohesive examination of early modern liturgical music in the Germanic and western Slavic regions. It offers interesting reading to scholars and students of European Renaissance and religious music, as well as Reformation studies more generally.
Professor Mark Knights
The Power of Laughter and Satire in Early Modern Britain
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Leading scholars show how laughter and satire in early modern Britain functioned in a variety of contexts both to affirm communal boundaries and to undermine them.
This interdisciplinary collection considers the related topics of satire and laughter in early modern Britain through a series of case studies ranging from the anti-monastic polemics of the early Reformation to the satirical invasion prints of the Napoleonic wars. Moving beyond the traditional literary canon to investigate printed material of all kinds, both textual and visual, it considers satire as a mode or attitude rather than a literary genre and is distinctive in its combination of broad historial range and thick description of individual instances. Within an over-arching investigation of the dual role of laughter and satire as a defence of communal values and as a challenge to political, religious and social constructions of authority, the individual chapters by leading scholars provide richly contextualised studies of the uses of laughter and satire in various settings - religious, political, theatrical and literary. Drawing on some unfamiliar and intriguing source material and on recent work on the history of the emotions, the contributors consider not just the texts themselves but their effect on their audiences, andchart both the changing use of humour and satire across the whole early modern period and, importantly, the less often noticed strands of continuity, for instance in the persistence of religious tropes throughout the period.
MARK KNIGHTS is Professor of History at the University of Warwick.
ADAM MORTON is Lecturer in the History of Britain at the University of Newcastle.
Contributors: ANDREW BENJAMIN BRICKER, MARK KNIGHTS, FIONA MCCALL, ANDREW MCRAE, ADAM MORTON, SOPHIE MURRAY, ROBERT PHIDDIAN, MARK PHILP, CATHY SHRANK.
Sarah Hamilton
The Practice of Penance, 900-1050
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Penitential practice in the Holy Roman Empire 900-1050, examined through records in church law, the liturgy, monastic and other sources.
This study examines all forms of penitential practice in the Holy Roman Empire under the Ottonian and Salian Reich, c.900 - c.1050. This crucial period in the history of penance, falling between the Carolingians' codification of public and private penance, and the promotion of the practice of confession in the thirteenth century, has largely been ignored by historians. Tracing the varieties of penitential practice recorded in church law, the liturgy, monastic practice, narrative and documentary sources, Dr Hamilton's book argues that many of the changes previously attributed to the twelfth and thirteenth centuries can be found earlier in the tenth and early eleventh centuries. Whilst acknowledging that there was a degree of continuity from the Carolingian period, she asserts that the period should be seen as having its own dynamic. Investigating the sources for penitential practice by genre, sheacknowledges the prescriptive bias of many of them and points ways around the problem in order to establish the reality of practice in this area at this time. This book thus studies the Church in action in the tenth and eleventhcenturies, the reality of relations between churchmen, and between churchmen and the laity, as well as the nature of clerical aspirations. It examines the legacy left by the Carolingian reformers and contributes to our understanding of pre-Gregorian mentalities in the period before the late eleventh-century reforms.
SARAH HAMILTON teaches in the Department of History, University of Exeter.
Joseph A. Gribbin
The Premonstratensian Order in Late Medieval England
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Detailed study of monastic life of the English white canons, based on 15c visitation records.
Monasteries were a dominant feature of the landscape of medieval England, but although much critical attention has been devoted to them, comparatively little has been written on the thirty abbeys of the English Premonstratensians[`White Canons'], a gap which this book, the first detailed study since the early 1950s, seeks to fill. Centred upon the remarkable visitation records of Richard Redman [d.1505], commissary-general and visitor of the English Premonstratensian abbeys, it covers topics such as the foundation and development of the English Premonstratensian province; Redman's visitation of the Premonstratensian abbeys; conventual food and clothing; misdemeanours, such as sexual immorality and apostasy; liturgical observances; spirituality and learning; and English Premonstratensian libraries. It thus offers evidence for the vitality of the English Premonstratensians, as well as re-evaluating their monastic observances.
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