Provides a huge amount of detail about everyday maritime life in the important port of Whitby, home port of Captain Cook.
The ancient but isolated town of Whitby has made a huge contribution to the maritime history of Britain: Captain Cook learned sailing and navigation here; during the eighteenth century the town was a provider of an exceptionally large number of transport ships in wartime; and in the nineteenth century Whitby became a major whaling port. This book examines how it came to be such an important shipping centre. Drawing on extensive maritime records, the author shows that it was commercial entrepreneurship which brought about the growth of Whitby's shipping industry, first in the export of local alum and carrying coal to London, then in northern European trades, alongside its very successful ship-building industry. The book includes details from the financial accounts of voyages. These provide a fascinating insight into seafaring in the period with details of the hierarchical structure of crews,and of shipboard apprentices learning the trade. Overall, a very full picture emerges of every aspect of the shipping industry of this key port.
ROSALIN BARKER is an Honorary Fellow in the History Department at the University of Hull, and was formerly a tutor in adult education at the universities of Cambridge, Leeds and Hull and the Open University.
William Claxton
The Rites of Durham
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$115.00
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First modern edition of a major source of evidence for life in a cathedral immediately prior to the Dissolution.
The importance of the Rites of Durham as a description of a monastic cathedral on the eve of the Dissolution has long been recognized. This new edition, the first for over a century, includes an introduction, placing the Rites in the context of the religious tensions of the Reformation and attributing it to the late sixteenth-century Durham antiquary, William Claxton; a new text based on manuscripts not known to previous editors and giving the full range of variants; a detailed commentary explaining the text and testing out its accuracy against other evidence, including traces in the fabric of the cathedral and its precinct; thirty-six plates showing early drawings of the cathedral and its precinct, surviving objects relating to those described in the text; and manuscript illuminations casting light on the descriptions to be found there; and five plans to facilitate understanding of the text.In addition, a series of appendices contains a full edition of the related text which describes the windows of Durham Cathedral and its precinct; the first ever edition of the letters of William Claxton; an edition of the descriptions of the bells and the organs of the cathedral added to the Rites by the Durham antiquary James Mickleton the elder (1638-93); and a detailed analysis of the earliest surviving manuscript of the Rites, which is in the form ofa paper roll. The volume is completed by a comprehensive index.
Julian Brown
The Road to Soweto
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$75.00
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A new history of the 1976 Soweto Uprising and the events leading to it in the preceding decade, that will transform our understanding of the historical evolution of the struggle against apartheid.
This revisionary account of the Soweto Uprising of June 1976 and the decade preceding it transforms our understanding of what led to this crucial flashpoint of South Africa's history. Brown argues that far from there being "quiescence" following the Sharpeville Massacre and the suppression of African opposition movements, during which they went underground, this period was marked by experiments in resistance and attempts to develop new forms of politics that prepared the ground for the Uprising. Students at South Africa's segregated universities began to re-organise themselves as a political force; new ideas about race reinvigorated political thought; debates around confrontation shaped the development of new forms of protest. The protest then began to move off university campuses and onto the streets: through the independent actions of workers in Durban, and attempts by students to link their struggles with a broader agenda. These actions made protest public once again, and helped establish the patterns of popular action and state response that would come to shape the events in Soweto on 16 June 1976.
Julian Brown is a Lecturer in the Department of Political Studies at the University of the Witwatersrand, Johannesburg.
Southern Africa (South Africa, Namibia, Lesotho, Swaziland & Botswana): Jacana
'throws new light on the background to the Soweto Uprising, providing insight into white and black student politics, worker protest and broader dissent' - William Beinart, University of Oxford
'an extremely important contribution to the historiography on protest in South Africa. It links black and white student protests (too often studied in isolation from one another) to workers' movements by looking at the changing forms of protest during the 1960s and 1970s, and the apartheid government's changing responses.' - Anne Heffernan, University of the Witwatersrand
'By showing how the Soweto Uprising served as a precursor for later historical and political events, the author convincingly shows the continuity from one from one protest and decade to the next.' - Dawne Curry, University of Nebraska-Lincoln
Julian Brown
The Road to Soweto
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$29.99
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A new history of the 1976 Soweto Uprising and the events leading to it in the preceding decade, that will transform our understanding of the historical evolution of the struggle against apartheid.
This revisionary account of the Soweto Uprising of June 1976 and the decade preceding it transforms our understanding of what led to this crucial flashpoint of South Africa's history. Brown argues that far from there being "quiescence" following the Sharpeville Massacre and the suppression of African opposition movements, during which they went underground, this period was marked by experiments in resistance and attempts to develop new forms of politics that prepared the ground for the Uprising. Students at South Africa's segregated universities began to re-organise themselves as a political force; new ideas about race reinvigorated political thought; debates around confrontation shaped the development of new forms of protest. The protest then began to move off university campuses and onto the streets: through the independent actions of workers in Durban, and attempts by students to link their struggles with a broader agenda. These actions made protest public once again, and helped establish the patterns of popular action and state response that would come to shape the events in Soweto on 16 June 1976.
Julian Brown is a Lecturer in the Department of Political Studies at the University of the Witwatersrand, Johannesburg.
Southern Africa (South Africa, Namibia, Lesotho, Swaziland & Botswana): Jacana
'throws new light on the background to the Soweto Uprising, providing insight into white and black student politics, worker protest and broader dissent' - William Beinart, University of Oxford
'an extremely important contribution to the historiography on protest in South Africa. It links black and white student protests (too often studied in isolation from one another) to workers' movements by looking at the changing forms of protest during the 1960s and 1970s, and the apartheid government's changing responses.' - Anne Heffernan, University of the Witwatersrand
'By showing how the Soweto Uprising served as a precursor for later historical and political events, the author convincingly shows the continuity from one from one protest and decade to the next.' - Dawne Curry, University of Nebraska-Lincoln
Morton W. Bloomfield, Charles W. Dunn
The Role of the Poet in Early Societies
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This study draws on a wide range of texts - early Irish, pre-modern Scottish Gaelic, early Welsh, Early Norse, Old English -to illustrate the role of the poet as a tool of power, as seer, and as ceremonial figure.
Rosalind M.T. Hill
The Rolls and Register of Bishop Oliver Sutton [1280-1299]: V
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Published by Boydell & Brewer Inc.
Rosalind M.T. Hill
The Rolls and Register of Bishop Oliver Sutton, 1280-1299
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Bishop Sutton's ordination-lists, in common with the rest of his register, were kept on rolls for the first ten years of his episcopate. None of these rolls has survived, and the records therefore begin with the Whitsun ordinations of the eleventh year of Sutton's episcopate (which ran from May 19, 1290, to May 18, 1291) and continue until his death on November 13, 1299.
Alison Adams
The Romance of Yder
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$130.00
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The Romance of Ydersurvives in a unique manuscript in Cambridge University Library, and has only once been edited; no translation survives. Yet it is a highly interesting work, reflecting a tradition which reaches back to the beginnings of Arthurian romance in the early 12th century; it is linked to the famous Arthurian sculpture on the cathedral at Modena, and contains an episode which foreshadows the temptation scene in Sir Gawain and the GreenKnight, while elsewhere Celtic material is much in evidence as the basis of the tale. It is also close in style and sometimes in content to the work of Chrétien de Troyes. Dr Adams' text provides a clear version of an often corrupt original, and the facing translation serves to illuminate the text further, enabling this neglected work to take its rightful place in the ranks of Arthurian literature.
Susan M. Levin
The Romantic Art of Confession
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$90.00
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A fascinating analysis of major works of European Romanticism entitled "confessions."
The Romantic Art of Confession is about works specifically entitled 'confessions' written during the Romantic period in Britain and France: Thomas De Quincey's Confessions of an English Opium-Eater, Alfred de Musset's Confession d'un enfant du siècle, and James Hogg's The Private Memoirs and Confessions of a Justified Sinnerare among the works studied. Professor Levin argues that such works share a number of characteristics: they appropriate a religious form, they have narrators (confessors) who are outcasts and with whom the authors identify, and they focus on specific problems -- opium addiction, alcoholism, illegitimacy -- that suggest broader issues.Each of the book's chapters considers a confessional work as representative of the concerns of autobiographical discourse in general and of the form of the Romantic confession in particular, drawing on the procedures of post-structural critics and upon the psychological and feminist theories of Lacan and Chodorow.
Philippa Turner
The Rood in Medieval Britain and Ireland, c.800-c.1500
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$85.00
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New readings demonstrate the centrality of the rood to the visual, material and devotional cultures of the Middle Ages, its richness and complexity.
The rood was central to medieval Christianity and its visual culture: Christ's death on the cross was understood as the means by which humankind was able to gain salvation, and depictions of the cross, and Christ's death upon it,were ubiquitous. This volume brings together contributions offering a new perspective on the medieval rood - understood in its widest sense, as any kind of cross - within the context of Britain and Ireland, over a wide periodof time which saw significant political and cultural change. In doing so, it crosses geographical, chronological, material, and functional boundaries which have traditionally characterised many previous discussions of the medieval rood. Acknowledging and exploring the capacity of the rood to be both universal and specific to particular locations and audiences, these contributions also tease out the ways in which roods related to one another, as well as how they related to their physical and cultural surroundings, often functioning in dialogue with other images and the wider devotional topography - both material and mental - in which they were set. The chapters consider roods in a variety of media and contexts: the monumental stone crosses of early medieval England, twelfth-century Ireland, and, spreading further afield, late medieval Galicia; the three-dimensional monumental wooden roods in English monasteries, Irish friaries, and East Anglian parish churches; roods that fit in the palm of a hand, encased in precious metals, those that were painted on walls, drawn on the pages of manuscripts, and those that appeared in visions, dreams, and gesture.
Douglas H. Johnson
The Root Causes of Sudan's Civil Wars
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Expanded third edition of this key text on the complex underlying conditions of the civil war from the 1960s to the present day, including a new chapter on the current wars in Sudan's new south and South Sudan.
Sudan's post-independence history has been dominated by political and civil strife. Most commentators have attributed the country's recurring civil war either to an age-old racial divide between Arabs and Africans, or to recent colonially constructed inequalities. This book attempts a more complex analysis, briefly examining the historical, political, economic and social factors which have contributed to periodic outbreaks of violence between the state and its peripheries. In tracing historical continuities, it outlines the essential differences between the modern Sudan's first civil war in the 1960s and today, including an analysis of the escalation of the Darfur war, implementation of the 2005 peace agreement and implications of the Southern referendum in 2011 and the new war in Sudan's new south and South Sudan. The author also looks at the series of minor civil wars generated by, and contained within, the major conflict, as well as the regional and international factors - including humanitarian aid - which have exacerbated civil violence. This introduction is aimed at students of North-East Africa, and of conflict and ethnicity. It is essential reading for those in aid and international organizations who need a straightforward analytical survey which will help them assess the prospects for a lasting peace in Sudan.
Douglas H. Johnson is an independent scholar and former international expert on the Abyei Boundaries Commission.
Lorenzo Candelaria
The Rosary Cantoral
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$120.00
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Unlocks the secrets behind the images and music of an important Spanish musical manuscript compiled for a brotherhood of suspected heretics ca. 1500.
The Rosary Cantoral is a rare and beautifully decorated manuscript of Latin plainchant for the Catholic Mass compiled in Toledo, Spain, around the year 1500. In an engaging and richly interdisciplinary essay, Lorenzo Candelaria approaches the Rosary Cantoral as a cultural artifact, unlocking the secrets behind its images and music to reveal the social history and rituals of an elite brotherhood dedicated to the rosary and aspects of the religious communityit served: the Dominicans of San Pedro Mártir de Toledo. The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo presents a model for realizing the fuller significance of illuminatedmusic manuscripts as cultural artifacts and offers unprecedented insights into the social and devotional life of Toledo, Spain, around the turn of the sixteenth century. After solving the mystery of the Rosary Cantoral's origins,subsequent essays probe the meaning and cultural significance of the manuscript's iconography (including a border decoration after Albrecht Dürer), its rare Spanish chants for the Mass, and two striking musical works for multiplevoices (one by Josquin Desprez and another on "L'homme armé"). Ultimately, this book focuses on the extraordinary circumstances that engendered the compilation of the Rosary Cantoral around 1500: a system of patronage between a brotherhood of suspected heretics and a religious house that was a key supporter of the Inquisition in Toledo.
Lorenzo Candelaria (University of Texas at Austin) is co-author of American Music: A Panorama.
Lorenzo Candelaria
The Rosary Cantoral
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$29.99
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Unlocks the secrets behind the images and music of an important Spanish musical manuscript compiled for a brotherhood of suspected heretics ca. 1500.
The Rosary Cantoral is a rare and beautifully decorated manuscript of Latin plainchant for the Catholic Mass compiled in Toledo, Spain, around the year 1500. In an engaging and richly interdisciplinary essay, Lorenzo Candelaria approaches the Rosary Cantoral as a cultural artifact, unlocking the secrets behind its images and music to reveal the social history and rituals of an elite brotherhood dedicated to the rosary and aspects of the religious communityit served: the Dominicans of San Pedro Mártir de Toledo. The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo presents a model for realizing the fuller significance of illuminatedmusic manuscripts as cultural artifacts and offers unprecedented insights into the social and devotional life of Toledo, Spain, around the turn of the sixteenth century. After solving the mystery of the Rosary Cantoral's origins,subsequent essays probe the meaning and cultural significance of the manuscript's iconography (including a border decoration after Albrecht Dürer), its rare Spanish chants for the Mass, and two striking musical works for multiplevoices (one by Josquin Desprez and another on "L'homme armé"). Ultimately, this book focuses on the extraordinary circumstances that engendered the compilation of the Rosary Cantoral around 1500: a system of patronage between a brotherhood of suspected heretics and a religious house that was a key supporter of the Inquisition in Toledo.
Lorenzo Candelaria (University of Texas at Austin) is co-author of American Music: A Panorama.
Hugh Jackson Lawlor
The Rosslyn Missal
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A manuscript rather obliquely named from its once having been at Rosslyn Castle, but that at the time of this edition had come to the Advocates' Library at Edinburgh, which since 1925 is part of the National Library of Scotland (MS Advocates 18.5.19). Lawlor dated it to the late 13th or early 14th century, and saw it as an English copy of an Irish exemplar in turn descended from a book belonging to the Benedictine nuns of St Werbugh, Chester, in the 12thcentury.
Ron Baxter
The Royal Abbey of Reading
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First full-length survey of Reading Abbey, one of the most important ecclesiastical buildings of the Middle Ages.
Reading Abbey was built by King Henry I to be a great architectural statement and his own mausoleum, as well as a place of resort and a staging point for royal itineraries for progresses in the west and south-west of England. From the start it was envisaged as a monastic site with a high degree of independence from the church hierarchy; it was granted enormous holdings of land and major religious relics to attract visitors and pilgrims, and no expense was spared in providing a church comparable in size and splendour with anything else in England.
However, in architectural terms, the abbey has, until recently, remained enigmatic, mainly because of the efficiency with which it was destroyed at the Reformation. Only recently has it become possible to bring together the scattered evidence - antiquarian drawings and historic records along with a new survey of the standing remains - into a coherent picture. This richly illustrated volume provides the first full account of the abbey, from foundation to dissolution, and offers a new virtual reconstruction of the church and its cloister; it also shows how the abbey formed the backdrop to many key historical events.
Ron Baxter is the Research Director of the Corpus of Romanesque Sculpture in Britain and Ireland.
Michael Snape
The Royal Army Chaplains' Department, 1796-1953
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$190.00
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A survey and reassessment of the role of the army chaplain in its first 150 years.
Few military or ecclesiastical figures are as controversial as the military chaplain, routinely attacked by pacifist and anticlerical commentators and too readily dismissed by religious and military historians. This highly revisionist study represents a complete reappraisal of the role of the British army chaplain and of the Royal Army Chaplains' Department in the first century and a half of its existence. Challenging old caricatures and stereotypes and drawing on a wealth of new archival material, it surveys the political, denominational and organisational development of the R.A.Ch.D., analyses the changing role and experience of the British army chaplain across the nineteenth century and the two World Wars, and addresses the wider significance of British army chaplaincy for Britain's military, religious and cultural history over the period c.1800-1950.
MICHAEL SNAPE is Senior Lecturer in ModernHistory at the University of Birmingham. The volume has a Foreword by Richard Holmes.
Tim Thornton
The Royal Charters of Jersey, 1341-1687
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An edition and translation, with introduction and extended commentary, of all the royal charters granted to Jersey.
Examines the process by which the charters were negotiated and the pressures operating on the parties to each grant, including the crown and its local representatives, and the various elements of the local community. It compares and contrasts the charters with those granted to Guernsey, and sets them in the wider context of franchises and liberties across the territories of the English crown through the late medieval and early modern period.
Overall, the book highlights the crucial role of these charters in establishing the constitutional position of the bailiwick of Jersey. This is more than a subject of historical interest. The foundations of the constitutional position of Jersey are of great significance for the people of Jersey now and into the future. Jersey's constitutional relationship with the Crown is continuing to evolve, including to address the trading implications of Brexit. Understanding the distinct constitutional position of Jersey and the development of its rights to be governed by its own laws and customs may inform constitutional developments in Jersey, the crown dependencies and elsewhere.
Elizabeth Lane Furdell
The Royal Doctors, 1485-1714:
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Drawing upon a myriad of primary and secondary historical sources, The Royal Doctors: Medical Personnel at the Tudor and Stuart Courts investigates the influential individuals who attended England's most important patientsduring a pivotal epoch in the evolution of the state and the medical profession.
Drawing upon a myriad of primary and secondary historical sources, The Royal Doctors: Medical Personnel at the Tudor and Stuart Courts investigates the influential individuals who attended England's most important patientsduring a pivotal epoch in the evolution of the state and the medical profession. Over three hundred men [and a handful of women], heretofore unexamined as a group, made up the medical staff of the Tudor and Stuart kings and queensof England [as well as the Lord Protectorships of Oliver and Richard Cromwell]. The royal doctors faced enormous challenges in the sixteenth and seventeenth centuries from diseases that respected no rank and threatened the very security of the realm. Moreover, they had to weather political and religious upheavals that led to regicide and revolution, as well as cope with sharp theoretical and jurisdictional divisions within English medicine. The rulers often interceded in medical controversies at the behest of their royal doctors, bringing sovereign authority to bear on the condition of medicine.
Elizabeth Lane Furdell is Professor of History at the University of NorthFlorida.
Leanne Langley
The Royal Musical Association
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Charting the history of the Royal Musical Association over 150 years: from scientific roots and the long resistance of British universities to music study, to bringing UK musicology to worldwide recognition.
This book is the first comprehensive history of the Royal Musical Association. Drawing on extensive archival material and exploring a host of colourful people, it paints an absorbing picture of scholarly achievement in Britain across 150 years.
Founded in London in 1874 as a learned society for musical research, the Association emulated the venerable Royal Society in welcoming diverse backgrounds, but went further by including women. Charting its scientific roots and the long resistance of British universities to music study, the narrative shows how the Association published a strong body of research independently, blossoming from 170 members in the 1870s to more than 1400 today.
Early joiners included the scientists William Pole and John Tyndall (a founder of climate science), the art historian Elizabeth Eastlake, and musicians from John Stainer to Agnes Zimmermann. Their goal was to 'investigate' and 'discuss' music rather than perform it or give concerts. Because no member was yet trained in what would later be called musicology, the papers covered an eclectic range of scientific, ethnographic and historical questions, broad in scope and responsive to heard music. Whether measuring acoustic phenomena, studying popular music or deciphering manuscripts of early polyphony, the Association promoted wide engagement as well as the establishment of academic musicology.
Meanwhile, members including W.B. Squire, Edward J. Dent, Thurston Dart and Stanley Sadie transformed public understanding. Their work in music library development, opera, Musica Britannica, early music, criticism and music lexicography helped gain global recognition for British scholarship. With arts study under pressure in the current uncertain climate, the Association's recent concern for real-world issues in diversity, practice-based research and the vital role of music in schools remains true to its founding spirit.
Leanne Langley
The Royal Musical Association
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$125.00
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Charting the history of the Royal Musical Association over 150 years: from scientific roots and the long resistance of British universities to music study, to bringing UK musicology to worldwide recognition.
This book is the first comprehensive history of the Royal Musical Association. Drawing on extensive archival material and exploring a host of colourful people, it paints an absorbing picture of scholarly achievement in Britain across 150 years.
Founded in London in 1874 as a learned society for musical research, the Association emulated the venerable Royal Society in welcoming diverse backgrounds, but went further by including women. Charting its scientific roots and the long resistance of British universities to music study, the narrative shows how the Association published a strong body of research independently, blossoming from 170 members in the 1870s to more than 1400 today.
Early joiners included the scientists William Pole and John Tyndall (a founder of climate science), the art historian Elizabeth Eastlake, and musicians from John Stainer to Agnes Zimmermann. Their goal was to 'investigate' and 'discuss' music rather than perform it or give concerts. Because no member was yet trained in what would later be called musicology, the papers covered an eclectic range of scientific, ethnographic and historical questions, broad in scope and responsive to heard music. Whether measuring acoustic phenomena, studying popular music or deciphering manuscripts of early polyphony, the Association promoted wide engagement as well as the establishment of academic musicology.
Meanwhile, members including W.B. Squire, Edward J. Dent, Thurston Dart and Stanley Sadie transformed public understanding. Their work in music library development, opera, Musica Britannica, early music, criticism and music lexicography helped gain global recognition for British scholarship. With arts study under pressure in the current uncertain climate, the Association's recent concern for real-world issues in diversity, practice-based research and the vital role of music in schools remains true to its founding spirit.
Helen Lacey
The Royal Pardon: Access to Mercy in Fourteenth-Century England
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Pioneering investigation of the royal pardon, at a time of major change in the system of English justice, showing the important part it continued to play.
The letter of pardon was a document familiar to the king's subjects in the middle ages; imbued with symbolic resonance as the judgement of the monarch, it also served a practical purpose, offering a last hope of reprieve from thedeath sentence or life as an outlaw. The fourteenth century in particular was a pivotal time of change for the system of English justice, and saw the evolution of a legal structure still recognisable today, yet the role of the royal pardon adapted and endured. This book offers the first comprehensive study of the royal pardon in fourteenth-century England, using evidence drawn from legal and literary texts, parliamentary records, yearbooks, and plea rolls to examine the full influence of royal mercy. Its implications go well beyond legal history, encompassing the major political and constitutional debates of the period, the theological underpinnings of royal mercy, and the social context of the law. Chapters analyse the procedures of pardoning, the role of royal mercy at moments of political upheaval (such as at the Peasants' Revolt), and the range of views expressed by legal theorists, parliamentary representatives, and by the diverse range of people who at one time or another had reason to seek royal mercy. The appendices provide full lists of all those who acted as "intercessors" for mercy; comprising over 1000 names, they reveal the role of women and personal servants of the crown, alongside the great nobles of the realm, in providing access to royal grace.
Dr HELEN LACEY is Lecturer in Late Medieval History at Mansfield College, University of Oxford.
Stephen Brogan
The Royal Touch in Early Modern England
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First modern analysis of the custom of the "royal touch" in the Tudor and Stuart reigns.
The royal touch was the religious healing ceremony at which the monarch stroked the sores on the face and necks of people who had scrofula in order to heal them in imitation of Christ. The rite was practised by all the Tudor and Stuart sovereigns apart from William III, reaching its zenith during the Restoration when some 100,000 people were touched by Charles II and James II.
This book, the first devoted to the royal touch for almost a century, integrates political, religious, medical and intellectual history. The custom is analysed from above and below: the royal touch projected monarchical authority, but at the same time the great demand for it created numerous problemsfor those organising the ceremony. The healing rite is situated in the context of a number of early modern debates, including the cessation of miracles and the nature of the body politic. The book also assesses contemporary attitudes towards the royal touch, from belief through ambivalence to scepticism. Drawing on a wide range of primary sources including images, coins, medals, and playing cards, as well as manuscripts and printed texts, it provides animportant new perspective on the evolving relationship between politics, medicine and sin in sixteenth- and seventeenth-century England.
C.J. Kitching
The Royal Visitation of 1559. Act Book for the Northern Province
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Elizabethan survey of the state of religion after Marian reverses in the dioceses of York, Durham, Carlisle and Chester.
Introduction covers Royal Visitations of 1535, 1547 and 1559, with details of visitation procedure for both clergy and laity. Queen Elizabeth required the Visitation of 1559 to check on the damage caused to Protestant reforms under Queen Mary. The Act Book, State Papers 12/10, covers the dioceses of York, Durham, Carlisle and Chester and was originally two volumes. The first is here transcribed in full, the second calendared. Mostly Latin, though the churchwardens' presentments, the text of the recognisances and verbatim reports are in English. Provides detailed information about every aspect of the church in English society at this critical period.
Alberto García Porras
The Royal Workshops of the Alhambra
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The Alhambra is one of the most famous archaeological sites worldwide, yet knowledge of it remains very partial, focussing on the medieval palaces. This book addresses that imbalance, examining the adjacent urban and industrial zone.
The Alhambra is one of the most famous archaeological sites worldwide, yet knowledge of the complex remains very partial, focussing on its medieval Nasrid palaces. Other aspects of the site are virtually unknown, not only to the general public but to archaeologists and historians as well. The Royal Workshops of the Almambra addresses this imbalance, examining the urban and industrial zone adjacent to the palaces. Once the most densely populated and extensive area of the complex, this zone, the Secano, contained houses, tanneries, and workshops including a considerable number of pyrotechnological facilities for the production of metal, glass and ceramic items. Presenting the results of the Royal Workshops of the Alhambra (UNESCO World Heritage Site) project, the book gives a much-needed insight into the industrial sector of the Alhambra. Crucially, the project focusses on the early modern era, when the manufacture of ceramic, glass and metal actually reached their peak. The opening chapters set the archaeological work and the Secano in context and discuss the methodology for archaeological investigation of pyrotechnological activity; while further chapters present the results of the research. Drawing on both traditional and ground-breaking survey and excavation techniques, the book provides an invaluable wide-lens picture of the palatial city.
J.M. Upton-Ward
The Rule of the Templars
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Both monastic rule and military manual, the Rule is a unique document and an important historical source.
The Order of the Knights Templar, whose original purpose was to protect pilgrims to the Holy Land, was first given its own Rule in 1129, formalising the exceptional combination of soldier and monk. This translation of Henri de Curzon's 1886 edition of the French Rule is derived from the three extant medieval manuscripts. Both monastic rule and military manual, the Rule is a unique document and an important historical source. It comprises thePrimitive Rule, Hierarchical Statutes, Penances, Conventual Life, the Holding of Ordinary Chapters, Further Details on Penances, and Reception into the Order. There are details of clothing, armour and equipment; instructions on conduct while on campaign; information on the daily life of members of the order and on the discipline which made it a formidable fighting force. The Rule evolved over almost 150 years of the Order's history, and is thus a dynamic piece of work, showing how the Templars adapted to political change and formulated their disciplinary code. An introduction gives the historical background to the Rule and summarises the various sections. An appendixby MATTHEW BENNETT discusses the military implications.
J.M. UPTON-WARD gained her M.Phil. at the University of Reading.
Catherine E. Karkov
The Ruler Portraits of Anglo-Saxon England
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Analysis of a group of images of kingship and queenship from Anglo-Saxon England explores the implications of their focus on books, authorship and learning.
Between the reign of Alfred in the late ninth century and the arrival of the Normans in 1066, a unique set of images of kingship and queenship was developed in Anglo-Saxon England, images of leadership that centred on books, authorship and learning rather than thrones, sword and sceptres. Focusing on the cultural and historical contexts in which these images were produced, this book explores the reasons for their development, and their meaning and functionwithin both England and early medieval Europe. It explains how and why they differ from their Byzantine and Continental counterparts, and what they reveal about Anglo-Saxon attitudes towards history and gender, as well as the qualities that were thought to constitute a good ruler. It is argued that this series of portraits, never before studied as a corpus, creates a visual genealogy equivalent to the textual genealogies and regnal lists that are so mucha feature of late Anglo-Saxon culture. As such they are an important part of the way in which the kings and queens of early medieval England created both their history and their kingdom.
CATHERINE E. KARKOV is Professorof Art History at the University of Leeds.
Yitzhak Hen
The Sacramentary of Echternach (Paris, Bibliothèque Nationale, lat. 9433)
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Diplomatic edition of interesting sacramentary from the Carolingian period.
This sacramentary, compiled at the abbey of Echternach between 895 and 900, is one of the most interesting and unusual examples from the Carolingian period. Unique in combining aspects of Gregorian, Gelasian, and Old Gelasian sacramentaries, it also has important implications for such matters as Carolingian liturgical reforms, and it is a vital source for the study of the local history of the abbey of Echternach itself. The Sacramentary, with material appended to it (such as a list of the benefactors of the abbey), is presented here in a diplomatic edition, with introduction, notes and collation tables by the editor.
YITZHAK HEN is Lecturer in History at the Ben-Gurion University of the Negev, Israel.
Nicholas Orchard
The Sacramentary of Ratoldus [Paris, Bibliothèque nationale de France, lat. 12052]
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Edition of complex and important early liturgical work.
The highly complex combined sacramentary and pontifical presented here, preserved as Paris, Bibliothèque nationale de France, lat. 12052, was apparently written to the order of Ratoldus, abbot of Corbie (d. 986), but in fact has along and complicated history. The sacramentary descends from a book compiled at Saint-Denis, later augmented with material relating to Dol (in Brittany) and Arras, while the pontifical, such as it is, descends in large part froma book drawn up for Oda, archbishop of Canterbury (941-58). Moreover, late-tenth and eleventh-century additions show that Corbie was merely the last link in a fascinating and sometimes puzzling chain. The work is thus of considerable importance to scholars and this edition, with introduction, will be warmly welcomed.
Dr NICHOLAS ORCHARD is Deputy Slide Librarian at the Courtauld Institute of Art.
Dáithí O hOgain
The Sacred Isle
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Ancient monuments, legends and folklore interpreted to illuminate the realities of prehistoric Irish belief.
The myths and legends of prehistoric Ireland have inspired writers through the ages, down to W.B. Yeats and Seamus Heaney in our own century, but what do we know of the realities of ancient Irish belief? Daithi O hOgain's book approaches the question by studying archaeological remains such as tumuli, stone henges and circular enclosures and analysing the rich materials that have been handed down both in the great cycles of Irish heroic tales and the humblebut significant survivals of modern folklore, for instance the traditions associated with wells and springs. Drawing evidence from these varied sources, he arrives at a balanced picture of a society and its beliefs which have alltoo often been the subject of conjecture and fancy. CONTENTS Pre-Celtic Cultures . Basic Tenets in the Iron Age . The Druids and their Practices . The Teachings of the Druids . The Society of the Gods . The Rites of Sovereignty . The Triumph of Christianity.
DAITHI O HOGAIN was Professor of Folklore at University College Dublin.
Dáithí O hOgain
The Sacred Isle
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$29.95
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The first modern study of prehistoric religion in Ireland to draw on the combined evidence of archaeology, literature and folklore to illuminate practice and belief from the earliest human habitation in the island down to the advent of Christianity in the fifth century AD. An excellent book... a highly accessible and lively assessment of continuity and change in belief and religion from pre-Celtic times through to the arrival of St Patrick. ...Afine book and to be recommended to a wide readership, especially to all those who think that Irish history started in 1601. IRISH STUDIES REVIEW DAITHI O HOGAIN was Professor of Folklore at University College Dublin.
Lesley K. Twomey
The Sacred Space of the Virgin Mary in Medieval Hispanic Literature
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$190.00
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An examination of typology about place in relation to the Virgin Mary.
This book takes a fresh look at some of the seemingly tired images of the Virgin Mary across the medieval and early Golden Age period in Hispanic literatures. It explores the Virgin as a gateway and as a Temple, as a garden and asa fountain, as a scented space, and as a strong defensive place (fortress or castle wall). It also explores her as a home and as a nuptial bedchamber, and sets these images in the context of known liturgical usage in medieval andearly modern Spain.
LESLEY TWOMEY is Professor of Medieval and Golden Age Art and Literature at Northumbria University. She is the author of several books about peninsular Marian literature.
Siân E. Grønlie
The Saint and the Saga Hero
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$55.00
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A compelling argument that far from developing in a literary vacuum, saga literature interacts in lively, creative and critical ways with one of the central genres of the European middle ages.
The relationship between that most popular of medieval genres, the saint's life, and the sagas of the Icelanders is investigated here. Although saga heroes are rarely saints themselves - indeed rather the reverse - they interact with saints in a variety of ways: as ancestors or friends of saints, as noble heathens or converts to Christianity, as innocent victims of violent death, or even as anti-saints, interrogating aspects of saintly ideology. Via detailed readings of a range of the sagas, this book explores how saints' lives contributed to the widening of medieval horizons, allowing the saga authors to develop multiple perspectives (moral, eschatological, psychological) on traditional feud narratives and family dramas. The saint's life introduced new ideals to the saga world, such as suffering, patience and feminine nurture, and provided, through dreams, visions and signs, ways of representing the interior life and of engaging with questions of merit and reward. In dialogue with the ideology of the saint, the saga hero develops into a complex and multi-faceted figure.
Siân Grønlie is Associate Professor and Kate Elmore Fellow in English Language and Literature at St Anne's College, Oxford.
Helen Birkett
The Saints' Lives of Jocelin of Furness
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First comprehensive study of four important medieval saints' lives, setting them in their political and ecclesiastical context.
Jocelin of Furness (fl.1175x1214), the Cistercian hagiographer, composed four substantial and significant saints' lives; varying widely in both subject and patron, they offer a rich corpus of medieval hagiographical writing. Jocelin's Vita S. Patricii and Vita S. Kentegerni provide updated versions of each saint's legend and are carefully adapted to reflect the interests of their respective patrons in Ireland and Scotland. The Vita S. Helenae was probably commissioned by a female community in England; it represents an idealized narrative mirror of its early thirteenth-century context. In contrast, the Vita S. Waldevi was written to promote the formal canonization of a new saint, Waltheof (d.1159), abbot of the Cistercian house of Melrose in the Scottish borders. This is the first full-length study of the Lives. It combines detailed analyses of the composition of the texts with study of their patronage, audiences, and contemporary contexts; and it provides new insights into Jocelin's works and the writing of hagiography in the period.
Dr HELEN BIRKETT is Lecturer in Medieval History, University of Exeter.
Judith Jesch
The Scandinavians from the Vendel Period to the Tenth Century
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$170.00
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Ethnographic studies trace the background to and impact of urbanisation and Christianisation, and the development of royal power, which stimulated the transition from the Viking age to the medieval period.
Using the evidence of archaeology, poetry, legal texts and annals, this volume investigates the social, economic and symbolic structures of early Scandinavia at the time of the Viking expansion. The contributors provide an outlineethnograpjy, covering dwellings and settlements, kinship and social relations, law, political structures and external relations, rural and urban economies, and the ideology of warfare. The topics are discussed through case-studies from the contributors' recent research, illustrating the changing scholarly interpretations of this formative period in Scandinavian history. By addressing these key research questions, the contributions trace the background toand the impact of urbanisation and Christianisation, and the development of royal power, which stimulated the transition from the Viking age to the medieval period in Scandinavia. This book brings together for the first time in English a wealth of current Scandinavian archaeological, historical and cultural research.
JUDITH JESCH is Reader in Viking Studies at the University of Nottingham.
Contributors: LENA HOLMQUIST OLAUSSON, BENTE MAGNUS, E. VESTERGAARD, BIRGIT ARRHENIUS, STEFAN BRINK, LISE BENDER JORGENSEN, SVEND NIELSEN, FRANDS HERSCHEND, NIELS LUND, DAVID N. DUMVILLE, JUDITH JESCH, DENNIS H. GREEN.
Judith Jesch
The Scandinavians from the Vendel Period to the Tenth Century
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$39.95
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Ethnographic studies trace the background to and impact of urbanisation and Christianisation, and the development of royal power, which stimulated the transition from the Viking age to the medieval period.
Using the evidence of archaeology, poetry, legal texts and annals, this volume investigates the social, economic and symbolic structures of early Scandinavia at the time of the Viking expansion. The contributors provide an outlineethnography, covering dwellings and settlements, kinship and social relations, law, political structures and external relations, rural and urban economies, and the ideology of warfare. The topics are discussed through case-studies, illustrating the changing scholarly interpretations of this formative period in Scandinavian history. By addressing these key research questions, the contributions trace the background to and the impact of urbanisation and Christianisation, and the development of royal power, which stimulated the transition from the Viking age to the medieval period in Scandinavia.
JUDITH JESCH is Professor in Viking Studies at the University of Nottingham.
Contributors: LENA HOLMQUIST OLAUSSON, BENTE MAGNUS, E. VESTERGAARD, BIRGIT ARRHENIUS, STEFAN BRINK, LISE BENDER JORGENSEN, SVEND NIELSEN, FRANDS HERSCHEND, NIELS LUND, DAVID N. DUMVILLE, JUDITH JESCH, DENNIS H. GREEN.
Richard Maunder
The Scoring of Baroque Concertos
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Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed.
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line,discussing the question of what instruments were most appropriate and what was used when.
The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Richard Maunder
The Scoring of Early Classical Concertos, 1750-1780
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The sequel to Richard Maunder's The Scoring of Baroque Concertos
In the baroque era most concertos were - in the modern sense of the term - chamber music, to be played by a small group of musicians each reading from an individual printed or manuscript part. Indeed, composers often expected thesoloist to be accompanied by just a string quartet with a harpsichord or organ continuo. But over the thirty years from 1750, as the classical style was being developed, numbers began to rise slowly. This did not happen at a uniform rate throughout Europe, however, for many concertos continued to be played one-to-a-part, and even by 1780 an ensemble with more than eight or nine strings would have been unusual. The nineteenth-century notion that a concertopitted a lone soloist against a full symphony orchestra still lay some years in the future. At the same time ideas about form were changing, as the Vivaldian ritornello pattern metamorphosed into the concerto-sonata form usedby Mozart and his contemporaries; some unconventional variants appeared as composers strove to keep abreast of latest developments. It was a fascinating period of innovation, in which many hundreds of concertos were written. To be sure, not all of them can be described as "forgotten masterpieces", but among them there are some very fine works that certainly ought to be revived. It is hoped that readers of this book may be encouraged to explore this comparatively neglected repertoire.
The late RICHARD MAUNDER was a Fellow of Christ's College, Cambridge. His previous book, The Scoring of Baroque Concertos, was published by The Boydell Press in 2004. He has also published books on Mozart's Requiem, Keyboard Instruments in Eighteenth-Century Vienna and numerous editions of seventeenth- and eighteenth-century music.
Benjamin Wilkie
The Scots in Australia, 1788-1938
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$120.00
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The experience of immigration to Australia from Scotland is outlined here, from daily life and occupation, to interactions with the indigenous inhabitants.
Despite their significant presence, Scots have often been invisible in histories of Australian migration. This book illuminates the many experiences of the Scots in Australia, from the first colonists in the late-eighteenth century until the hopeful arrivals of the interwar years. It explores how and why they migrated to Australia, and their lives as convicts, colonists, farmers, families, workers, and weavers of culture and identity. It also investigatestheir encounters with the Australian continent, whether in its cities or on the land, and their relationship with its first peoples; and their connections to one another and with their own collective identities, looking at diversity and tension within the Scottish diaspora in Australia. It is also a book about the challenges of finding a place for oneself in a new land, and the difficulties of creating a sense of belonging in a settler colonial society.
Dr Benjamin Wilkie is a Lecturer in Australian Studies and Early Career Development Fellow at Deakin University, Australia.
Paul Wood
The Scottish Enlightenment
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$170.00
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A collection of essays dealing with the history of the Scottish Enlightenment, its connection with the European Enlightenment in general, such major figures as Francis Hutcheson, Thomas Reid, and David Hume, and the making of theScottish identity.
A collection of ten specially commissioned essays addressing five themes central to any study of the Scottish Enlightenment: one, the place [both physical and cognitive] of science and medicine in the Scottish Enlightenment; two,the institutionalization of enlightenment in the universities; three, the cultivation of the different branches of "the science of man" in the Scottish Enlightenment; four, the national and international contexts of enlightenmentthought in Scotland; and five, the historiography of the Scottish Enlightenment. Taking up these themes, the editor and contributors explore facets of enlightened culture in Scotland which have not been given their due in the literature, and reassess current interpretations of various aspects of the Scottish Enlightenment specifically and its relation to the European Enlightenment in general. Special emphasis is given to such major Scottish thinkersas Francis Hutcheson, George Campbell, Thomas Reid, and David Hume.
Anna Groundwater
The Scottish Middle March, 1573-1625
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$120.00
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A new investigation of James I and VI's policy in the troubled Border region between England and Scotland.
The Scottish Borders experienced dramatic change on James VI's succession to the throne of England: where characteristically hostile Anglo-Scottish relations had encouraged cross-border raiding, James was to prosecute a newly consistent pacification of crime in the region. This volume explores his actions in the Middle March, the shires of Roxburgh, Peebles and Selkirk, by examining governmental processes and structures of power there both before and afterUnion. It suggests that James utilised existing networks of authority, with the help of a largely co-operative Borders elite that remained in place after 1603; kinship and alliance helped to form these networks, and government isshown to have used their associated obligations. The book thus overturns the traditional view of a semi-anarchic region beyond the control of government in Edinburgh. Building on this account of the transformation wrought byUnion, the volume also places the Middle March in the context of Scottish state formation and the intensification of administrative activity and political control, particularly within James' determined efforts to suppress feuding. It therefore tests wider claims made by historians about the changing nature of governance and judicial processes in early modern Scotland as a whole, and within a nascent "Great Britain".
Anna Groundwater lectures inBritish and Scottish History at the University of Edinburgh.
Anna Groundwater
The Scottish Middle March, 1573-1625
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$29.99
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A new investigation of James I and VI's policy in the troubled Border region between England and Scotland.
The Scottish Borders experienced dramatic change on James VI's succession to the throne of England: where characteristically hostile Anglo-Scottish relations had encouraged cross-border raiding, James was to prosecute a newly consistent pacification of crime in the region. This volume explores his actions in the Middle March, the shires of Roxburgh, Peebles and Selkirk, by examining governmental processes and structures of power there both before and afterUnion. It suggests that James utilised existing networks of authority, with the help of a largely co-operative Borders elite that remained in place after 1603; kinship and alliance helped to form these networks, and government isshown to have used their associated obligations. The book thus overturns the traditional view of a semi-anarchic region beyond the control of government in Edinburgh. Building on this account of the transformation wrought byUnion, the volume also places the Middle March in the context of Scottish state formation and the intensification of administrative activity and political control, particularly within James' determined efforts to suppress feuding. It therefore tests wider claims made by historians about the changing nature of governance and judicial processes in early modern Scotland as a whole, and within a nascent "Great Britain".
Anna Groundwater lectures inBritish and Scottish History at the University of Edinburgh.
Jeffrey R. Watt
The Scourge of Demons
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$36.95
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A fascinating examination of alleged demon possession and witchcraft in a seventeenth-century convent in Carpi, Italy.
In 1636, residents at the convent of Santa Chiara in Carpi in northern Italy were struck by an extraordinary illness that provoked bizarre behavior. Eventually numbering fourteen, the afflicted nuns were subject to screaming fits,throwing themselves on the floor, and falling abruptly into a deep sleep. When medical experts' cures proved ineffective, exorcists ministered to the women and concluded that they were possessed by demons and the victims of witchcraft. Catering to women from elite families, the nunnery suffered much turmoil for three years and, remarkably, three of the victims died from their ills. A maverick nun and a former confessor were widely suspected to be responsible, through witchcraft, for these woes. Based primarily on the exhaustive investigation by the Inquisition of Modena, The Scourge of Demons examines this fascinating case in its historical context. The travails of Santa Chiara occurred at a time when Europe witnessed peaks in both witch-hunting and in the numbers of people reputedly possessed by demons. Female religious figures appeared particularly prone to demonic attacks, and Counter-Reformation Church authorities were especially interested in imposing stricter discipline on convents. Watt carefully considers how the nuns of Santa Chiara understood and experienced alleged possession and witchcraft, concluding that Santa Chiara's diabolical troubles and their denouement -- involving the actions of nuns, confessors, inquisitorial authorities, and exorcists -- were profoundly shaped by the unique confluence of religious, cultural, judicial, andintellectual trends that flourished in the 1630s.
Jeffrey R. Watt is professor of history at the University of Mississippi.
Robert B. Patterson
The Scriptorium of Margam Abbey and the Scribes of Early Angevin Glamorgan
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Evidence for the way in which a great barony organised and executed its affairs; the plates illustrate the evolution of secretarial hands in the twelfth/thirteenth century.
Margam Abbey was founded by the lord of Glamorgan, Earl Robert of Gloucester, in 1147. Its scriptorium was concerned not only with the usual business of a monastic house, but also provided staff for the central administration of the Gloucester earldom in the twelfth century and served as the earldom's writing-office for Glamorgan in the early thirteenth. Professor Patterson traces the organization and development of Margam's secretarial administration andanalyses the nature of other similar institutions in this Marcher lordship during Margam's first eighty years. This overall picture is made possible by his identification, dating, and bureaucratic attribution of over fifty scribalhands found in the Margam manuscripts of the National Library of Wales and the charter collections of the British Library and Hereford Cathedral Library. The hands are fully described and illustrated by plates, and they show in detail the evolution of secretarial hands in the twelfth and thirteenth centuries. No similar survey exists, and this one will be welcomed not only by those working with such documents, as also by students of medieval history in avariety of fields.
ROBERT B. PATTERSON is Distinguished Professor Emeritus, Department of History, University of South Carolina.
Sebastian I. Sobecki
The Sea and Englishness in the Middle Ages
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Essays examining the way in which the sea has shaped medieval and later ideas of what it is to be English.
Local and imperial, insular and expansive, both English yet British: geographically and culturally, the sea continues to shape changing models of Englishness. This volume traces the many literary origins of insular identity from local communities to the entire archipelago, laying open the continuities and disruptions in the sea's relationship with English identity in a British context. Ranging from the beginnings of insular literature to Victorian medievalisms, the subjects treated include King Arthur's struggle with muddy banks, the afterlife of Edgar's forged charters, Old English homilies and narratives of migration, Welsh and English ideas about Chester, Anglo-Norman views of the sea in the Vie de St Edmund and Waldef, post-Conquest cartography, The Book of Margery Kempe, the works of the Irish Stopford Brooke, and the making of an Anglo-British identity in Victorian Britain.
SEBASTIAN SOBECKI is Professor of Medieval English Literature and Culture at the Rijksuniversiteit Groningen.
Contributors: Sebastian Sobecki, Winfried Rudolf, Fabienne Michelet, Catherine A.M. Clarke, Judith Weiss, Kathy Lavezzo, Alfred Hiatt, Jonathan Hsy, Chris Jones, Joanne Parker, David Wallace
Sebastian I. Sobecki
The Sea and Medieval English Literature
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A fresh and invigorating survey of the sea as it appears in medieval English literature, from romance to chronicle, hagiography to autobiography.
As the first cultural history of the sea in medieval English literature, this book traces premodern myths of insularity from their Old English beginnings to Shakespeare's Tempest. Beginning with a discussion of biblical, classical and pre-Conquest treatments of the sea, it investigates how such works as the Anglo-Norman Voyage of St Brendan, the Tristan romances, the chronicles of Matthew Paris, King Horn, Patience, The Book of Margery Kempe and The Libelle of Englyshe Polycye shape insular ideologies of Englishness. Whether it is Britain's privileged place in the geography of salvation or the political fiction of the idyllic island fortress, medieval English writers' myths of the sea betray their anxieties about their own insular identity; their texts call on maritime motifs to define England geographically and culturally against the presence of the sea. New insights from a range of fields, including jurisprudence, theology, the history of cartography and anthropology, are used to provide fresh readings of a wide range of both insular and continental writings.
Philip de Souza, Pascal Arnaud, Christian Buchet
The Sea in History - The Ancient World
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$220.00
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An assessment of how important the sea was in the development of the ancient world.
How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development. The Sea in History - The Ancient World ranges very widely in its coverage, beginning with pre-historical maritime activity and going on to cover not only the classical Greek and Roman Mediterranean and Near Eastern worlds but also Africa, Asia and the Americas. Fascinating subjects covered include the migration of the Taíno people in the pre-historic Caribbean, the Athenian maritime empire at its height, the port of Alexandria in classical times, andships, sailors and kingdoms in ancient Southeast Asia.
25 of the contributions are in English; 18 are in French.
PHILIP DE SOUZA is Associate Professor of Classics at University College Dublin.
PASCAL ARNAUD is Professor of the History of the Roman World at the University of Lyon II, Senior Fellow at Institut Universitaire de France and co-director of the ERC-funded Grant Portus-Limen. CHRISTIAN BUCHET is Professor ofMaritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.
Christian Buchet
The Sea in History - The Early Modern World
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$210.00
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An assessment of how important the sea was in the early modern period.
How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development. The Sea in History - The Early Modern World covers the period from around the end of the fifteenth century up to the conclusion of the Napoleonic Wars in 1815. It examines the establishment and growth of 'the Atlantic World', but also considers maritime developments in the Indian Ocean, Southeast and East Asia and Africa, and highlights the continuing importance of the North Sea and the Baltic. A very wide range of maritime subjects is explored including trade, which went through a huge global expansion in this period; fishing; shipping, shipbuilding, navigation and ports; the role of the sea in the dissemination of religious ideas; the nature of life for sailors in different places and periods; and the impact of trade in particularly important commodities, including wine, slaves, sugar and tobacco. One particularly interesting chapter is on the Hanse, the important maritime commercial 'empire' basedin north Germany, which extended much more widely than is often realised and whose significance and huge impact have often been overlooked.
33 of the contributions are in English; 42 are in French.
CHRISTIAN BUCHET is Professor of Maritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.
GÉRARD LE BOUDEC is Emeritus Professor of the University of South Brittany.
Michel Balard
The Sea in History - The Medieval World
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$220.00
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An assessment of how important the sea was in the middle ages.
How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development. The Sea in History - The Medieval World covers the period from the end of the Roman Empire in the West up to around the year 1500. It demonstrates that for many peoples and states in this period the sea was central to theirexistence - the Vikings, the Hanse, Venice, Genoa, the Normans - and it shows also how important the sea was for states which are not normally thought of as maritime powers, such as Byzantium, the Crusader states and the Mongol Empire. The book is global in its coverage, including material on East and Southeast Asia, Latin America and the Caribbean and Africa, with particularly interesting material on China's extensive voyages of exploration in the fifteenth century, the role of the Vikings in the early formation of Russia, and on the building of ships, appropriate to local conditions, in different parts of the world.
40 of the contributions are in English; 34 are inFrench.
MICHEL BALARD is Emeritus Professor at the University Paris 1 - Panthéon Sorbonne. CHRISTIAN BUCHET is Professor of Maritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.
Nicholas AM Rodger
The Sea in History - The Modern World
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$220.00
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An assessment of how important the sea has been in the development of modern history.
How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development. The Sea in History - The Modern World covers the nineteenth and twentieth centuries, when the global reach of major powers frequently brought them into conflict with each other, including conflict at sea. The many majors wars at sea of the period are discussed, as are the planning and strategic thinking of the major powers in cases both where war followed and where it did not, and in addition the role and thinking of less important powers such as Portugal and Denmark are analysed. The book considers how in this first great age of 'globalisation' seaborne trade helped many countries to prosperity by participation in the global economy, a process halted by the First World War and not resumed until the 1950s. The book also examines maritime resources including fishing and whaling; ships, shipbuilding, ports and navigation; and the logistics of supporting long distance maritime activity. One very interesting chapter on late imperial China shows how China's then failure to take maritime issues seriously was a major factor in the empire's collapse.
58 of the contributions are in English; 6 are in French.
N.A. M. RODGER is a Senior Research Fellow at All Souls College, Oxford CHRISTIAN BUCHET is Professor of Maritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.
Christian Buchet
The Sea in History [4 Volume Set]
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An assessment of how important the sea was in the development of world history from the earliest times to the present.
How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four-volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development. Specific maritime subjects covered include shipbuilding, navigation, the exploitation of maritime resources, the social background of sailors and maritime communities, piracy, the financing and organisation of maritime endeavour, and many other subjects. Overall, the books represent an immense resource for all historians, providing concise overviews of virtually every subject in maritime history. CHRISTIAN BUCHET is Professor of Maritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.
Eric Saylor
The Sea in the British Musical Imagination
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$130.00
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For centuries, the sea and those who sail upon it have inspired the imaginations of British musicians.
For centuries, the sea and those who sail upon it have inspired the imaginations of British musicians. Generations of British artists have viewed the ocean as a metaphor for the mutable human condition - by turns calm and reflective, tempestuous and destructive - and have been influenced as much by its physical presence as by its musical potential. But just as geographical perspectives and attitudes on seascapes have evolved over time, so too have culturalassumptions about their meaning and significance. Changes in how Britons have used the sea to travel, communicate, work, play, and go to war have all irresistibly shaped the way that maritime imagery has been conceived, represented, and disseminated in British music. By exploring the sea's significance within the complex world of British music, this book reveals a network of largely unexamined cultural tropes unique to this island nation. The essaysare organised around three main themes: the Sea as Landscape, the Sea as Profession, and the Sea as Metaphor, covering an array of topics drawn from the seventeenth century to the twenty-first. Featuring studies of pieces by thelikes of Purcell, Arne, Sullivan, Vaughan Williams, and Davies, as well as examinations of cultural touchstones such as the BBC, the Scottish fishing industry, and the Aldeburgh Festival, The Sea in the British Musical Imagination will be of interest to musicologists as well as scholars in history, British studies, cultural studies, and English literature.
ERIC SAYLOR is Associate Professor of Musicology at Drake University.
CHRISTOPHER M. SCHEER is Assistant Professor of Musicology at Utah State University.
CONTRIBUTORS: Byron Adams, Jenny Doctor, Amanda Eubanks Winkler, James Brooks Kuykendall, Charles Edward McGuire, Alyson McLamore, Louis Niebur, Jennifer Oates, Eric Saylor, Christopher M. Scheer, Aidan J. Thomson, Justin Vickers, Frances Wilkins
Paul Griffiths
The Sea on Fire: Jean Barraqué
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The life and works of one of the most difficult yet rewarding composers of modern time.
Jean Barraqué is increasingly being recognized as one of the great composers of the second half of the 20th century. Though he left only seven works, his voice in each of them is unmistakeable, and powerful. He had no doubt of hisresponsibility, as a creator, to take his listeners on challenging adventures that could not but leave them changed. After the collapse of morality he had witnessed as a child growing up during the Second World War, and having taken notice of so much disarray in the culture around him, he set himself to make music that would, out of chaos, speak. Three others were crucial to him. One was Pierre Boulez, who, three years older, provided him with keysto a new musical language -- a language more dramatic, driving and passionate than Boulez's. Another was Michel Foucault, to whom he was close personally for a while, and with whom he had a dialogue that was determinative for bothof them. Finally, in the writings of Hermann Broch-and especially in the novel The Death of Virgil-he found the myth he needed to realize musically. He played for high stakes, and he took risks with himself as well as in hisart. Intemperate and difficult, even with his closest friends, he died in 1973 at the age of forty-five.
Paul Griffiths was chief music critic for the London Times (1982-92) and The New Yorker (1992-96) and since 1996 has written regularly for the New York Times. He has written books on Boulez, Cage, Messiaen, Ligeti, Davies, Bartók and Stravinsky, as well as several librettos, among them The Jewel Box (Mozart, 1991), Marco Polo (Tan Dun, 1996) and What Next? (Elliott Carter, 1999).
John Wickham Legg
The Second Recension of the Quignon Breviary, Following an edition printed at Antwerp in 1537 and collated with Twelve Other Editions, To which is Prefixed a Handlist of Editions of the First and Second Recensions.
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John Wickham Legg
The Second Recension of the Quignon Breviary, Following an edition printed at Antwerp in 1537 and collated with Twelve Other Editions, To which is Prefixed a Handlist of Editions of the First and Second Recensions.
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Valentina Glajar
The Secret Police Dossier of Herta Müller
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WNNER: British Association for Eastern European and Slavonic Studies' George Blazyca Prize for 2025
An in-depth investigation of the Romanian secret police's file on Müller, winner of the 2009 Nobel Prize for Literature, re-creating a "file story" of her surveillance.
"Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain. This book is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself.
Katy Masuga
The Secret Violence of Henry Miller
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Miller as a writer whose work does something more profound and violent to literary conventions than produce novel effects: it announces the possibility of difference and instability within language itself.
Henry Miller is a cult figure in the world of fiction, in part due to having been banned for obscenity for nearly thirty years. Alongside the liberating effect of his explicit treatment of sexuality, however, Miller developed a provocative form of writing that encourages the reader to question language as a stable communicative tool and to consider the act of writing as an ongoing mode of creation, always in motion, perpetually establishing itself and creating meaning through that very motion. Katy Masuga provides a new reading of Miller that is alert to the aggressively and self-consciously writerly form of his work. Critiquing the categorization of Miller into specific literary genres through an examination of the small body of critical texts on his oeuvre, Masuga draws on Deleuze and Guattari's concept of a minor literature, Blanchot's "infinite curve," and Bataille's theory of puerile language, while also considering Miller in relation to other writers, including Proust, Rilke, and William Carlos Williams. She shows how Miller defies conventional modes of writing, subverting language from within.
Katy Masuga is Adjunct Professor of British and American literature, cinema, and the arts in the Cultural Studies Department at the University of Paris III: Sorbonne Nouvelle.
Kevin Quinlan
The Secret War Between the Wars: MI5 in the 1920s and 1930s
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The methods developed by British intelligence in the early twentieth century continue to resonate today. Much like now, the intelligence activity of the British in the pre-Second World War era focused on immediate threats posed by subversive, clandestine networks against a backdrop of shifting great power politics.
Even though the First World War had ended, the battle against Britain's enemies continued unabated during the period of the 1920s and 1930s. Buffeted by political interference and often fighting for their very survival, Britain's intelligence services turned to fight a new, clandestine war against rising powers Soviet Russia and Nazi Germany.
Using recently declassified files of the British Security Service (MI5), The Secret War Between the Wars details the operations and tradecraft of British intelligence to thwart Communist revolutionaries, Soviet agents, and Nazi sympathizers during the interwar period. This new study charts the development of British intelligence methods and policies in the early twentieth century and illuminates the fraught path of intelligence leading to the Second World War. An analysis of Britain's most riveting interwar espionage cases tells the story of Britain's transition between peace and war.
The methods developed by British intelligence in the early twentieth century continue to resonate today. Much like now, the intelligence activity of the British in the pre-Second World War era focused on immediate threats posed by subversive, clandestine networks against a backdrop of shifting great power politics. As Western countries continue to face the challenge of terrorism, and in an era of geopolitical change heralded by the rise of China and the resurgence of Russia, a return to the past may provide context for a better understanding of the future.
Kevin Quinlan received his PhD in History from the University of Cambridge. He works in Washington, DC.
Kevin Quinlan
The Secret War Between the Wars: MI5 in the 1920s and 1930s
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$130.00
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The methods developed by British intelligence in the early twentieth century continue to resonate today. Much like now, the intelligence activity of the British in the pre-Second World War era focused on immediate threats posed by subversive, clandestine networks against a backdrop of shifting great power politics.
Even though the First World War had ended, the battle against Britain's enemies continued unabated during the period of the 1920s and 1930s. Buffeted by political interference and often fighting for their very survival, Britain's intelligence services turned to fight a new, clandestine war against rising powers Soviet Russia and Nazi Germany.
Using recently declassified files of the British Security Service (MI5), The Secret War Between the Wars details the operations and tradecraft of British intelligence to thwart Communist revolutionaries, Soviet agents, and Nazi sympathizers during the interwar period. This new study charts the development of British intelligence methods and policies in the early twentieth century and illuminates the fraught path of intelligence leading to the Second World War. An analysis of Britain's most riveting interwar espionage cases tells the story of Britain's transition between peace and war.
The methods developed by British intelligence in the early twentieth century continue to resonate today. Much like now, the intelligence activity of the British in the pre-Second World War era focused on immediate threats posed by subversive, clandestine networks against a backdrop of shifting great power politics. As Western countries continue to face the challenge of terrorism, and in an era of geopolitical change heralded by the rise of China and the resurgence of Russia, a return to the past may provide context for a better understanding of the future.
Kevin Quinlan received his PhD in History from the University of Cambridge. He works in Washington, DC.
Wolfgang Fuhrmann, Cristina Urchueguía
The Segovia Manuscript
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Essays illuminating a complex and sophisticated musical manuscript.
The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function. .
WOLFGANG FUHRMANN is Professor of Musicology at Leipzig University; CRISTINA URCHUEGUÍA is Professor of Musicology at the University of Bern.
Contributors: Bonnie J. Blackburn, Wolfgang Fuhrmann, Leofranc Holford-Strevens, Tess Knighton, Kenneth Kreitner, Honey Meconi, Emilio Ros-Fábregas, Cristina Urchueguía, Rob C. Wegman
Bruce J. Smith
The Sense of Injustice and the Origin of Modern Democracy
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A careful study of the political thought of Machiavelli, Hobbes, and Locke, revealing the roots of modern democracy
In this study of early modern political thought, Bruce Smith traces the origin of modern democracy to Machiavelli. Offering careful readings of Machiavelli's most important political writings, Smith shows that Machiavelli's analysis of the human sentiment of injustice provides the theoretical basis for the participation of ordinary people in political life and rule. Also including chapters on Hobbes and Locke, the book shows how these two modern theoristsresponded to Machiavelli by contesting and modifying his republican politics to lay the groundwork for the emergence of the democracies of the modern era. Smith sheds new light on not only the influence of Machiavelli but also thecharacter of our democracy, our democratic institutions, and even contemporary populism.
Bruce J. Smith is the Arthur E. Braun Professor of Political Science at Allegheny College.
Elystan Griffiths
The Shepherd, the Volk, and the Middle Class
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Analyzes the transformation of German-language pastoral from a portrayal of the idyllic lives of herdsmen into a vehicle for the concerns and aspirations of the middle class.
European pastoral tradition traces its roots to Theocritus's Idylls and Virgil's Eclogues, which portrayed herdsmen pursuing love and art. While the lives of shepherds, or of country folk generally, remain the ostensible subject of pastoral, Elystan Griffiths argues that in the German context after 1750 its central concerns were those of an emergent, nationally minded, creative middle class. These concerns became increasingly urgent in the face of the upheaval of the French Revolution and the need to respond to the rise of capitalist modernity. The Shepherd, the Volk, and the Middle Class traces how pastoral was transformed in the work of major German-language authors, including Gessner, "Maler" Müller, J. H. Voss, Goethe, Kleist, Mörike, and Nestroy, into a vehicle for serious moral, political, and social questions. Debates raged about whether present-day shepherds were fit to appear in literature, or whether the objects of pastoral should, rather, be the idealized shepherds of Arcadian prehistory or early Biblical times. Pastoral was thus bound up with cultural and political questions surrounding the relationships between the classes, the state of the peasantry, the nature of art, and most fundamentally the social constraints of the thinking subject amid the emancipatory promise of the Enlightenment.
Jeffrey L. Sammons
The Shifting Fortunes of Wilhelm Raabe
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Chronicles the most important scholarly criticism of the 19th-century German writer Wilhelm Raabe, from his day to the present.
Wilhem Raabe (1831-1910), the most gifted German novelist between Goethe and Fontane, was a kind of German Victorian writer, a counterpart to Dickens and Thackeray, by whom he was profoundly influenced. The reassessment and upgrading of his literary achievement has been one of the liveliest topics of German literary scholarship - much influenced by British and American contributions - of the last thirty years. This process has involved a rescue from a cult of idolatry that grew up around his death and evolved into a Nazi allegiance that for a time sank his reputation.
Lyn Marven
The Short Story in German in the Twenty-First Century
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Offers readings of key contemporary trends and themes in the vibrant genre of short-story writing in Germany, Austria, and Switzerland, with attention to major practitioners and translations of two representative stories.
Since the 1990s, the short story has re-emerged in the German-speaking world as a vibrant literary genre, serving as a medium for both literary experimentation and popular forms. Authors like Judith Hermann and Peter Stamm have had a significant impact on German-language literary culture and, in translation, on literary culture in the UK and USA. This volume analyzes German-language short-story writing in the twenty-first century, aiming to establish a framework for further research into individual authors as well as key themes and formal concerns. An introduction discusses theories of the short-story form and literary-aesthetic questions. A combination of thematic and author-focused chapters then discuss key developments in the contemporary German-language context, examining performance and performativity, Berlin and crime stories, and the openendness, fragmentation, liminality, and formal experimentations that characterize short stories in the twenty-first century. Together the chapters present the rich field of short-story writing in Germany, Austria, and Switzerland, offering a variety of theoretical approaches to individual stories and collections, as well as exploring connections with storytelling, modernist short prose, and the novella. The volume concludes with a survey of broad trends, and three original translations exemplifying the breadth of contemporary German-language short-story writing.
Priscilla Bawcutt
The Shorter Poems of Gavin Douglas
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Francisco Balbi di Correggio
The Siege of Malta, 1565
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An eyewitness account of one of the greatest-ever battles as a few men under the Knights of St John took on a huge Turkish armada.
This is the history of one of the great battles of the world, written by a private soldier who was an eye-witness. The siege of Malta was a crucial moment in the long struggle between Islam and Christendom for domination of the Mediterranean, fought out by unequal forces on the small island which commands the sea-routes at the centre of that sea. The Knights of St John were a survival from the medieval world, the largest of the surviving crusading orders,and they had been driven out of their base on Rhodes in the eastern Mediterranean after a great onslaught by the Turks in 1522. Now, forty-three years later, the Turkish ruler, Suleyman the Magnificent, who had been the victor atRhodes, was determined to finish them off. He sent out a huge armada, carrying the pick of his army, under two commanders. Against this powerful force, the Knights could only raise a handful of men and mercenaries, and had to depend on the fortifications they had raised in the thirty-five years since they first came to Malta, which bore no comparison to the massive walls and ditches on Rhodes. Francisco Balbi di Correggio was a humble soldier of fortune who enlisted under the charismatic command of the Grand Master of the Order, Jean de la Valette. The extraordinary drama that unfolded after the first appearance of the Turkish fleet in the summer of 1565 is told in his own words, giving equal credit to the courage and leadership of the Knights and the grim determination of the ordinary people of Malta.
Asta Nielsen
The Silent Muse
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WINNER: Danish American Heritage Society 2025 Best Book award
The memoirs of the pioneering Danish silent film star Asta Nielsen in English translation for the first time, with scholarly introduction and annotations.
From her explosive screen debut in The Abyss (1910) through her "scandalous" fourth marriage at age 89, the Danish actress Asta Nielsen (1881-1972) was a darling of fans and the press, a global star without parallel in the silent era. So famous in Germany that she was known simply as "die Asta," during her two decades of active filmmaking Nielsen also published about her career, her impoverished childhood, her breakthrough into film, the price of fame, and her interactions with the German film industry. In 1938 Nielsen returned to Denmark, where she published her memoirs in two volumes in 1945-46, expanding on her earlier writings. This carefully crafted, colorful text offers eyewitness insights into early European film, Nielsen's star persona, and the challenges of stardom in Germany in the tumultuous period before World War II. Yet although they have appeared in multiple Danish, German, and Russian editions, the memoirs have never been published in English until now. Nielsen's work has enduring value for transnational film history, and the recent growth of interest in women's contributions to early film makes the time ripe for this translation. Julie K. Allen accompanies the text with a scholarly introduction and annotations, and a foreword by leading early film scholar Jennifer M. Bean frames the volume.
Pratibha Chawla
The Silent Voices and the Creation of a New Universe
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Investigates the ideological attitudes of Sikh Gurus toward women and their resulting social impact.
This book is an analytical study of the Sikh Gurus' perception of women and their societal roles, with an emphasis on the impact of religious ideology on gender dynamics. Sikhism stands apart in its respectful attitudes towards women. This book explores how these religious perspectives shaped the social relations and evolution of the Sikh community (Sikh Panth), and whether there existed major differences in the views and ideologies of Sikh Gurus, contemporary Bhakti saints and Guru Nanak himself. The book also examines the influence of Sikh Gurus on patriarchal ideology, and whether their normative beliefs were reflected in operative realities.
Delving into the Sikh ideological history, so as to fully ascertain and comprehend the nuanced message of the Sikh Gurus who advocated for a more gender sensitive society, this work will help connect past and present, shedding new light on faultlines in our understanding which have occurred over the centuries, and have led us where we are today.
D Thomas Hanks Jr
The Social and Literary Contexts of Malory's Morte Darthur
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Malory's world explored, from the battle of Towton to the "grete bokes" of chivalric material composd for aristocratic families.
Many aspects of Malory's Morte Darthur reflect contemporary literary and social issues, and it is this topic which forms the focus for the eight essays in the volume, all by leading Malory scholars. Terence McCarthy suggests that the Morte was a book that came at the wrong time, and which we have admired for the wrong reasons. Andrew Lynch and D. Thomas Hanks Jr argue that Malory questions his culture's ideology of arms; Karen Cherewatuk andKevin Grimm discuss the manuscript and printed contexts of the Morte. Robert Kelly examines some of the political elements of the Morte; Ann Elaine Bliss points out the role of processions in Malory's time and in theMorte; and P.J.C. Field compares the Morte's final battle to elements of the Battle of Towton (1461), finding strong similarities between the two.
Cheryl Cheryl Fury
The Social History of English Seamen, 1485-1649
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An overview of a wide range of aspects of maritime social history in the Tudor and early Stuart period.
Traditionally, the history of English maritime adventures has focused on the great sea captains and swashbucklers. However, over the past few decades, social historians have begun to examine the less well-known seafarers who wereon the dangerous voyages of commerce, exploration, privateering and piracy, as well as naval campaigns. This book brings together some of their findings. There is no comparable work that provides such an overview of our knowledge of English seamen during the sixteenth and seventeenth centuries and the tumultuous world in which they lived. Subjects covered include trade, piracy, wives, widows and the wider maritime community, health and medicine at sea, religion and shipboard culture, how Tudor and Stuart ships were manned and provisioned, and what has been learned from the important wreck the Mary Rose.
CHERYL A. FURY is Professor of History at the University of New Brunswick, and on the editorial board of Northern Mariner [the Canadian journal of maritime history]. Contributors: J.D. ALSOP, JOHN APPLEBY, CHERYL A. FURY, GEOFFREY HUDSON, DAVID LOADES, VINCENT PATARINO JR, ANN STIRLAND.
Cheryl Cheryl Fury
The Social History of English Seamen, 1650-1815
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A survey of a wide range of new research on many aspects of life at sea in the early modern period.
Maritime social history is a relatively young and fertile field, with many new research findings being discovered on a wide range of aspects of the subject. This book, together with its companion volume The Social History of English Seamen, 1485-1649 (The Boydell Press, 2011), pulls together and makes accessible this large body of research work. Subjects covered include life at sea in different parts of the period for both officers and seamen, in both the navy and in merchant ships; piracy and privateering; health, health care and disability; seamen's food; homosexuality afloat; and the role of women at sea and on land. Written by leading experts in their field, the volumesoffer a nuanced portrait of seafarers' existence as well as an overview of the current state of the historiography.
CHERYL A. FURY is Professor of History at the University of New Brunswick (Saint John campus) and a Fellow of the Gregg Centre for War and Society.
Contributors: J.D. ALSOP, JOHN APPLEBY, JEREMY BLACK, B. R. BURG, BERNARD CAPP, PETER EARLE, CHERYL A. FURY, MARGARETTE LINCOLN, DAVID MCLEAN, N. A. M. RODGER, DAVID STARKEY
G.A. Loud
The Social World of the Abbey of Cava, c. 1020-1300
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A pioneering, comprehensive investigation into a major Italian monastery.
The Benedictine abbey of Holy Trinity, Cava, has had a continuous existence since its foundation almost exactly a thousand years ago. From its modest beginnings, it developed during the late eleventh and early twelfth centuries into one of the wealthiest and most influential monasteries in southern Italy.
This path-breaking study, based on many years research into the, largely unpublished, charters of Cava, begins by examining the growth of the abbey's congregation and property, and its struggle subsequently to defend its interests during the troubled thirteenth century. But, in addition, it uses the extensive evidence available to study its benefactors and dependents, administration and economy, and through this material to analyse the social and economic structures of the principality of Salerno. There is also a re-evaluation of the problem of forgery, practised on a large scale at Cava during the thirteenth century, a factor which has complicated and discouraged previous study of this important institution.
A major advance both in the study of the south Italian Church and of the medieval Mezzogiorno during the central Middle Ages, the volume presents a vivid and detailed picture of local society and its workings, and of the families and individuals who had dealings with the abbey.
Adrian R Bell
The Soldier Experience in the Fourteenth Century
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Essays throwing fresh light on what it was like to be a medieval soldier, drawing on archival research.
The "long" fourteenth century saw England fighting wars on a number of diverse fronts - not just abroad, in the Hundred Years War, but closer to home. But while tactics, battles, and logistics have been frequently discussed, the actual experience of being a soldier has been less often studied. Via a careful re-evaluation of original sources, and the use of innovative methodological techniques such as statistical analysis and the use of relational databases, the essays here bring new insights to bear on soldiers, both as individuals and as groups. Topics addressed include military service and the dynamics of recruitment; the social composition of the armies; the question of whether soldiers saw their role as a "profession"; and the experience of prisoners of war.
Contributors: Andrew Ayton, David Simpkin, Andrew Spencer, David Bachrach, Iain MacInnes, Adam Chapman, Michael Jones, Guilhem Pepin, Remy Ambuhl, Adrian R. Bell
Adrian R Bell
The Soldier Experience in the Fourteenth Century
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Essays throwing fresh light on what it was like to be a medieval soldier, drawing on archival research.
The "long" fourteenth century saw England fighting wars on a number of diverse fronts - not just abroad, in the Hundred Years War, but closer to home. But while tactics, battles, and logistics have been frequently discussed, the actual experience of being a soldier has been less often studied. Via a careful re-evaluation of original sources, and the use of innovative methodological techniques such as statistical analysis and the use of relational databases, the essays here bring new insights to bear on soldiers, both as individuals and as groups. Topics addressed include military service and the dynamics of recruitment; the social composition of the armies; the question of whether soldiers saw their role as a "profession"; and the experience of prisoners of war.
Contributors: Andrew Ayton, David Simpkin, Andrew Spencer, David Bachrach, Iain MacInnes, Adam Chapman, Michael Jones, Guilhem Pepin, Remy Ambuhl, Adrian R. Bell
Alon Schab
The Sonatas of Henry Purcell
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This pathbreaking study reveals Purcell's extensive use of symmetry and reversal in his much-loved trio sonatas, and shows how these hidden structural processes make his music multilayered and appealing.
Purcell's trio sonatas are among the cornerstones of Baroque chamber music. The composer himself unassumingly described them as "a just imitation of the most famed Italian masters." However, analysis of their underlying structuresreveals that Purcell's modesty hides a highly original blend of Italian models, complex English traditional compositional devices, and his own near obsession with compositional and contrapuntal technique.
Alon Schab'spathbreaking Sonatas of Henry Purcell: Rhetoric and Reversal begins with an overview of the two sets of sonatas and their sources, their movement types, and some of the basic compositional and rhetorical procedures they demonstrate. The book's main part highlights several covert structures that are not necessarily heard but are consistent and played an important part in the compositional process. Symmetry, both temporal and spatial, governs much ofthese underlying structures. Beneath the surface of his studies in Italian style, Purcell created intricate correspondences between the micro and macro levels of the works, as well as unities of proportions and, above all, impressive mirrorlike structures.
Schab's book opens an important window to seventeenth-century compositional technique and offers further evidence of Purcell's use of advanced compositional techniques in works that aimed to be pleasurable for the amateur and excitingly thought-provoking for the professional.
Alon Schab is a lecturer at the University of Haifa.
Nigel Bryant
The Song of Bertrand du Guesclin
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Bertrand du Guesclin was one of the main architects of the recovery of France. From humble beginnings he rose to become one of the great heroic figures of French history. This is the first English translation of Cuvelier's epic poem about him.
Bertrand du Guesclin is one of the great French heroes of the Hundred Years War, his story every bit as remarkable as Joan of Arc's. The son of a minor Breton noble, he rose in the 1360s and '70s to become the Constable of France- a supreme military position, outranking even the princes of the blood royal. Through campaigns ranging from Brittany to Castile he achieved not only fame as a pre-eminent leader of Charles V's armies, but a dukedom in Spain, burial among the kings of France in the royal basilica at Saint-Denis, and recognition as nothing less than the "Tenth Worthy", being ranked alongside the nine paragons of chivalry who included Alexander the Great, Julius Caesar, Charlemagne and King Arthur. His is a truly spectacular story. And the image of Bertrand, and many of the key events in his extraordinary life, are essentially derived from The Song of Bertrand du Guesclin, this epic poem by Cuvelier. Written in the verse-form and manner of a chanson de geste, it is the very last of the Old French epics and an outstanding example of the roman chevaleresque. It is a fascinating and major primary source forhistorians of chivalry and of a critical period in the Hundred Years War. This is its first translation into English. Cuvelier is a fine storyteller: his depictions of battle and siege are vivid and thrilling, offering invaluable insights into medieval warfare. And he is a compelling propagandist, seeking through his story of Bertrand to restore the prestige of French chivalry after the disastrous defeat at Poitiers and the chaos that followed, andseeking, too, to inspire devotion to the kingdom of France and to the fleur-de-lis.
NIGEL BRYANT is well known for his lively and accurate versions of medieval French authors. His translations of Chrétien de Troyes' Perceval and all its continuations and of the extraordinary late Arthurian romance Perceforest have been major achievements; he has also translated Jean le Bel's history of the early stages of the Hundred Years War, and the biography of William Marshal.
Nigel Bryant
The Song of Bertrand du Guesclin
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$190.00
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Bertrand du Guesclin was one of the main architects of the recovery of France. From humble beginnings he rose to become one of the great heroic figures of French history. This is the first English translation of Cuvelier's epic poem about him.
Bertrand du Guesclin is one of the great French heroes of the Hundred Years War, his story every bit as remarkable as Joan of Arc's. The son of a minor Breton noble, he rose in the 1360s and '70s to become the Constable of France- a supreme military position, outranking even the princes of the blood royal. Through campaigns ranging from Brittany to Castile he achieved not only fame as a pre-eminent leader of Charles V's armies, but a dukedom in Spain, burial among the kings of France in the royal basilica at Saint-Denis, and recognition as nothing less than the "Tenth Worthy", being ranked alongside the nine paragons of chivalry who included Alexander the Great, Julius Caesar, Charlemagne and King Arthur. His is a truly spectacular story. And the image of Bertrand, and many of the key events in his extraordinary life, are essentially derived from The Song of Bertrand du Guesclin, this epic poem by Cuvelier. Written in the verse-form and manner of a chanson de geste, it is the very last of the Old French epics and an outstanding example of the roman chevaleresque. It is a fascinating and major primary source forhistorians of chivalry and of a critical period in the Hundred Years War. This is its first translation into English. Cuvelier is a fine storyteller: his depictions of battle and siege are vivid and thrilling, offering invaluable insights into medieval warfare. And he is a compelling propagandist, seeking through his story of Bertrand to restore the prestige of French chivalry after the disastrous defeat at Poitiers and the chaos that followed, andseeking, too, to inspire devotion to the kingdom of France and to the fleur-de-lis.
NIGEL BRYANT is well known for his lively and accurate versions of medieval French authors. His translations of Chrétien de Troyes' Perceval and all its continuations and of the extraordinary late Arthurian romance Perceforest have been major achievements; he has also translated Jean le Bel's history of the early stages of the Hundred Years War, and the biography of William Marshal.
Noam Flinker
The Song of Songs in English Renaissance Literature: Kisses of Their Mouths
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Treatment of and reference to the Song of Songs by a variety of authors including Spenser and Milton.
Many English Renaissance texts offer readings of the Song of Songs, by both well-known authors, such as Shakespeare, and the long neglected (William Baldwin, Robert Aylett, Abiezer Coppe and Lawrence Clarkson). This new study looks at the different traditions they represent, and most notably the balance in the tension of the Song of Songs as oral and written, carnal and spiritual. The introduction presents a historical and theoretical discussion of Canticles, using a Rabbinic model for juxtaposing orality and textuality; the author goes on to argue that from the time of ancient Sumer through medieval England motifs found in the Song of Songs are simultaneously sexual and spiritualjust as they are likewise oral and textual. By attempting to recover oral approaches to any text, we encounter a series of forces that act to balance an open, oral, and sexual understanding of the erotic biblical text against a more closed, textual and spiritual reading. This balance is then traced through works by Baldwin, Spenser, Aylett, Coppe, Clarkson and Milton.
NOAM FLINKER is currently Chairperson at the Department of English, University of Haifa.
Emily Lyle
The Song Repertoire of Amelia and Jane Harris
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Published by Boydell & Brewer Inc.
Andrew Taylor
The Songs and Travels of a Tudor Minstrel: Richard Sheale of Tamworth
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A reconstruction of the life and works of a sixteenth-century minstrel, showing the tradition to be flourishing well into the Tudor period.
Richard Sheale, a harper and balladeer from Tamworth, is virtually the only English minstrel whose life story is known to us in any detail. It had been thought that by the sixteenth century minstrels had generally been downgradedto the role of mere jesters. However, through a careful examination of the manuscript which Sheale almost certainly "wrote" (Bodleian Ashmole 48) and other records, the author argues that the oral tradition remained vibrant at this period, contrary to the common idea that print had by this stage destroyed traditional minstrelsy. The author shows that under the patronage of Edward Stanley, earl of Derby, and his son, from one of the most important aristocratic families in England, Sheale recited and collected ballads and travelled to and from London to market them. Amongst his repertoire was the famous Chevy Chase, which Sir Philip Sidney said moved his heart "more than witha trumpet". Sheale also composed his own verse, including a lament on being robbed of 60 on his way to London; the poem is reproduced in this volume.
ANDREW TAYLOR lectures in the Department of English, University of Ottawa.
Beryl Foster
The Songs of Edvard Grieg
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Comprehensive survey of Grieg's 180 songs, considering particularly questions and issues of performance.
Edvard Grieg's 180 songs mirror his artistic and personal development more intimately than any of his other music, yet are still the least known part of his output. This definitive appraisal, now revised and updated, discusses every song, including those left only in manuscript and sketches at the composer's death, set against the background of his life and times. It also deals with the poetry set, often chosen to reflect his current situation, and the poets, several of whom, including great figures of the day such as Ibsen and Bjornson, were his friends and colleagues. Grieg frequently bemoaned poor translations and indifferent performances, and the various editions and translations, from first publication to the present day, are also discussed, together with his own ideas for interpretation. Musical examples and analysis are included to give a closer understanding of Grieg's word-setting and harmonic development, although their performance is always kept paramount.
BERYL FOSTER is a graduate of London University and studied singing in Colchester and at the Royal College of Music. As well as all the usual repertoire, since 1980 she has made a particular study of the songs of Grieg and other Norwegian composers, giving recitals, lectures and workshops in Britain, Norway, Germany, the Netherlands, Italy and China. She is also a private teacher andfestival adjudicator.
Gustav Djupsjöbacka
The Songs of Jean Sibelius
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A landmark in Sibelius scholarship, this is the first book that presents all of Sibelius's solo art songs in their musical and aesthetic context. Indispensable for scholars and performers alike.
This is the first book to discuss the complete solo art songs of Jean Sibelius and to locate them in their musical, literary and artistic context. The book is organized around the poets Sibelius set to music and the literary themes associated with them, thus providing invaluable information for the scholar, student and performer. The musical and aesthetic contextualisation of the songs will help to enable new interpretations on the performance stage.
Anja Bunzel
The Songs of Johanna Kinkel
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Drawing on a wealth of unpublished sources surrounding Kinkel, this book explores the extent to which Kinkel's Lieder reflect and transcend compositional-aesthetic, cultural, and socio-political facets typically associated with the first half of the nineteenth century.
Johanna Kinkel (1810-1858) was a German composer, music pedagogue, pianist, poet, writer, and activist. This is the first study to offer an exhaustive examination of Kinkel's published songs through the lens of her extraordinary biography and reception. Throughout her life, Kinkel was strongly invested in traditional family and household duties. First married to a Catholic book seller, she successfully filed for divorce in 1840, converted to the Protestantfaith, and, in 1843, married the poet, professor, and revolutionary Gottfried Kinkel (1815-1882), with whom she had four children. Many of her love songs reveal a sense of emotional hardship and longing for support and recognition. Similar sentiments can also be traced in Kinkel's private letters. On the other hand, she challenged typical gender conventions of the time in these private correspondences, in her poetry, music, and writings, and through public socio-political participation. Her political songs to words by herself, by Gottfried Kinkel, and by some of their poet-friends draw on such themes as freedom and democracy and are anchored in the German democratic movement during the first half of the century. Furthermore, Kinkel treats in her songs such typical Romantic topoi as nature, loneliness, eternity, and night thoughts. Her compositional aesthetics range from simple strophic settings with straightforward harmony to more diverse harmonic progressions, rhythmic peculiarities, and complex musical interpretations of poetic Romantic irony.
This book provides insights into the depth and width of Kinkel's song aesthetics and into her positioning within and between such domains as musical professionalism and amateurism and 'masculine' and 'feminine' musical styles. It argues that Kinkel's songs both reflect and transcend aesthetic, cultural,and socio-political facets typically associated with female composers of the first half of the nineteenth century, thus adding a new layer to our understanding of both the composer Johanna Kinkel and nineteenth-century song moregenerally.
Patrick Walsh
The South Sea Bubble and Ireland
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A study of the first great global stock market crash and and its impact on the peripheries of the British state
In late September 1720 the South Sea bubble burst. The collapse of the South Sea Company's share price caused the first great British stock market crash, the repercussions of which were felt far beyond the City of London. PatrickWalsh's book traces for the first time the impact of the rise and fall of the South Sea bubble on the peripheries of the British state. Its primary focus is on Ireland, but Irish developments are placed within a comparative context, with special attention paid to Scotland. Drawing on an impressive array of evidence, including bank ledgers, private correspondence, pamphlets, newspapers, and contemporary literary sources, this book examines not only investment in London but also the impact of the bubble on the fate of non-metropolitan projects in the 'South Sea Year', notably the failed project for an Irish national bank. Central to the book is the lived experience of the bubble and the wider financial revolution. The stories of individual investors - their strategies, speculations, aspirations, gains, losses and misunderstandings - are employed to create a new, more personal narrative of the momentousevents of 1720, showing how they impacted on the lives of the inhabitants of early eighteenth-century Britain and Ireland.
Patrick Walsh is Irish Research Council CARA Postdoctoral Fellow at University College Dublin. He is the author of The Making of the Irish Protestant Ascendancy: The Life of William Conolly, 1662-1729 (Boydell Press, 2010).
Elaine Graham-Leigh
The Southern French Nobility and the Albigensian Crusade
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A fresh look at the Albigensian Crusade, highlighting its effects upon the indigenous nobility.
The Albigensian Crusade was called by Pope Innocent III in 1208 against the Count of Toulouse in response to the murder of the papal legate Pierre des Castelnau. The Pope's aim was to force the Count and other nobles in Languedocto take action against the Cathar heretics in their lands, but in the end, the defeat of Catharism in the south of France was achieved through the establishment of the Inquisition and the extension of French royal authority to thearea. While some Occitan noble families survived the crusade, others were destroyed and the behaviour of the crusaders towards the local nobility has often been regarded as rather arbitrary, unconnected to how these families related to each other before 1209. This study takes the case of the Trencavel Viscounts of Béziers and Carcassonne, who were the only members of the higher nobility to lose their lands to the crusade, and argues that an understandingof how the Occitan nobility fared in the crusade years must be based in the context of the politics of the noble society of Languedoc, not only in the thirteenth century but also in the twelfth.
ELAINE GRAHAM-LEIGH gained her Ph.D. from the University of London.
Jennifer M. Hoyer
The Space of Words
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A new evaluation of one of the most significant Holocaust poets, Nelly Sachs (1891-1970), offering the first sustained critical analysis of Sachs's largely unanalyzed pre-war poetry and prose.
Nelly Sachs (1891-1970) has long been regarded as one of the most significant Holocaust poets. Her conception of language and words as a landscape has been understood by scholars and critics as an exilic ersatz Heimat for the lost German homeland of a displaced poet. This reading, however, is based entirely on her postwar poems. Such an isolated approach to her complex body of work is increasingly historically problematic; it is also at odds with Sachs's generally cyclical poetic process. In "The Space of Words," Jennifer Hoyer offers the first sustained critical analysis of Sachs's largely unanalyzed prewar poetry and prose, as well as the first analysis that examines structural and thematic ties between the prewar works and the Nobel Prize-winning postwar poetry. Through close readings of both Sachs's prewar and postwar works, Hoyer reveals a diasporic rather than exilic conception of the landscape of language, a position of constant wandering rather than static longing for return. This diasporic poetics promotes the intellectual and linguistic power of the wanderer and opens new insights into Sachs's essentialsignificance as a Holocaust poet and a twentieth-century German-Jewish writer wary of the link of literary language to geopolitics and the narrative of nations.
Jennifer M. Hoyer is Assistant Professor of German at theUniversity of Arkansas.
Nigel Griffin
The Spanish Ballad in the Golden Age
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A guide to the interpretation of the Golden-Age ballad.
Collections of traditional Spanish ballads were made in the early seventeenth century; some recorded directly from singers, others reworked by educated poets. So popular were these that Court poets composed ballads of their own. Most Spanish poetry of the sixteenth and seventeenth centuries circulated in manuscript among a small coterie of wits and fellow poets, and it often contains references to contemporary events and people, sideswipes at institutionsand individuals, and allusions to other writings of the time. The modern reader has to know about the people and events criticized and lampooned, and everything from municipal by-laws to contemporary painting can prove helpful. The traditional popular associations of the ballad also led to many poets combining in their poems the language of the street alongside that of polite society and the schoolroom. This volume discusses some of the problems encountered by anglophone students and teachers of literature when they turn to the Golden-Age ballad and offers informed guidance on how such poems might be read. The nine poems discussed have been chosen with such difficulties in mind and a strophe-by-strophe prose translation is provided for each, followed by a detailed critical analysis.
Edited by NIGEL GRIFFIN, CLIVE GRIFFIN, ERIC SOUTHWORTH and COLIN THOMPSON, all of Oxford University. OTHER CONTRIBUTORS: Oliver Noble-Wood, John Rutherford, Ronald Truman.
Crystal Anne Chemris
The Spanish Baroque and Latin American Literary Modernity
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This book aims to develop a broader view of the trajectory of Hispanic modernity, tracing a motif of recurring impasse, first seen in peninsular Baroque texts and continuing into Latin American colonial and modern literature.
Inspired by Walter Benjamin's notion of constellation, this book draws on theories of Latin American modernity to investigate the Spanish literary Baroque and its repetitions as a historical-cultural predicament in Latin American colonial and modern texts. Inca Garcilaso, Borges, Carpentier, Rulfo, Darío and a range of Latin American "Post-Symbolist" poets (Agustini, Pizarnik, Sosa, Lienlaf and Huinao) are juxtaposed with the Lazarillo, the Quijote, Fuenteovejuna and Góngora's Soledades to produce original readings on topics of violence, rape, frustrated pilgrimage, and the truncated ambitions of colonized peoples and confessional minorities. In turn, Benjamin is juxtaposed with Mallarmé to recast the aesthetic dynamics of modernity in political terms, in order to understand the Baroque within a more broadly historicized concept of the avant-garde. Generous in scope, this book addresses the community of Spanish and Latin American criticism as well as emerging and pressing theoretical concerns within the field of comparative literature.
Pauline Croft
The Spanish Company
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Published by Boydell & Brewer Inc.
Juan Udaondo Alegre
The Spanish Hermes and Wisdom Traditions in Medieval Iberia
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A captivating study of translation, adaptation, and intellectual cross-pollination that situates the Castilian Hermes in the center of medieval Mediterranean cultural exchange
Hermes Trismegistus, a Hellenistic conflation of the Greek Hermes (god of interpretative wisdom) and the Egyptian Thoth (god of wisdom) was considered by many in the medieval world as the father of culture. Between c. 300 BCE - c. 1200 CE various treatises were attributed to the legendary sage, becoming known as the Hermetica - a combination of diverse philosophical and spiritual systems, addressing subjects such as alchemy, magic, and astrology.
The Hermetica circulated widely, with premodern translations in Latin, Hebrew, Syriac, Persian, Arabic, and other Eastern languages. Whilst these iterations have been thoroughly researched, little attention has been paid to the Castilian Hermes, the first rendition of the wisdom traditions of Hermes Trismegistus in a Romance language. This book follows the ways in which Hermetic knowledge was brought to the Iberian Peninsula, showing how Hermes became the philosophical and spiritual inspiration for Christian, Arabic, and Jewish scholars there.
Udaondo Alegre unveils the pivotal role of King Alfonso X ("the Learned") of Castile (1252-84) in creating this Spanish Hermes. Through the meticulous tracing of source texts and literary influences, the author explores the myriad ways in which Hermes crossed religious and linguistic boundaries to embody a composite intellectual identity, emblematic of medieval Spain's multicultural ethos. Alfonso's court is revealed as the site for a unique convergence of translation and interpretation that shaped a distinctly "Hispanic" Hermes.
María-Isabel Porras-Gallo
The Spanish Influenza Pandemic of 1918-1919
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Sheds new light on what the WHO described as "the single most devastating infectious disease outbreak ever recorded," focusing on social control, gender, class, religion, national identity, and military medicine's reactions to thepandemic.
Situating the Iberian Peninsula as the key point of connection between Europe and the Americas, both epidemiologically and discursively, The Spanish Influenza Pandemic of 1918-1919 sheds new light on what the World Health Organization described as "the single most devastating infectious disease outbreak ever recorded." The essays in this volume elucidate specific aspects of the pandemic that have received minimal attention until now, including social control, gender, class, religion, national identity, and military medicine's reactions to the pandemic and relationship with civilian medicine. While World War I, as the authors point out, is the context for these discussions, the experiences of 1918-19 remain persistently relevant to contemporary life, particularly in view of events such as the 2009 H1N1 swine flu pandemic and the Ebola outbreak of 2014.
Contributors: Catherine Belling, JosepBernabeu-Mestre, Liane Maria Bertucci, Ryan A. Davis, Esteban Domingo, Magda Fahrni, Hernán Feldman, Pilar León-Sanz, Maria Luísa Lima, Maria de Fátima Nunes, Mercedes Pascual Artiaga, María-Isabel Porras-Gallo, Anny Jackeline Torres Silveira, José Manuel Sobral, Paulo Silveira e Sousa, Christiane Maria Cruz de Souza.
María-Isabel Porras-Gallo is professor of history of science in the Medical Faculty of Ciudad Real at the University of Castilla-La Mancha (Spain). Ryan A. Davis is assistant professor in the Department of Languages, Literatures, and Cultures at Illinois State University.
Glyn S. Burgess, Robert A. Taylor, Alan Deyermond et al
The Spirit of the Court
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42 papers on all aspects of court-orientated culture, ranging from the period of the earliest troubadour, William of Poitiers, in the twelfth century, to the Renaissance and beyond.
Anne-Marie Storrs
The Spiritual Consciousness of Carmen Martín Gaite
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An exploration of Spanish writer Carmen Martín Gaite's religious outlook through the inner journeys of five female characters.
For Martín Gaite, a truly religious, or spiritual, perspective requires conscious attention to the products of the unconscious (dreams, images, memories, premonitions), followed by reflection and action, as well as a similar attentiveness and responsiveness to external events both large and small. This reconnection of the supernatural and day-to-day worlds also involves descent to the unconscious - the way to wholeness - as depicted in so many myths and fairy tales, including those which Martín Gaite used to retell or enhance the works analysed in this book: Sleeping Beauty, The Little Mermaid, Amor and Psyche, Demeter and Persephone, and the Descent of the Goddess Inanna.
Looking at the extent to which these female characters attend to, reflect on, and respond to their dreams, images, memories and events, the analysis suggests that Martín Gaite uses her stories to try to communicate both the road to her own enlightenment and warnings about paths that lead away from this.
David Burke
The Spy Who Came In From the Co-op
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A story of wartime intelligence, super-power relations and spies and their handlers - seen through the experience of Melita Norwood.
On September 11th 1999 The Times newspaper carried the front page article "Revealed: the quiet woman who betrayed Britain for 40 years. The spy who came in from the Co-op." Melita Norwood, the last of the atomic spies, hadfinally been run to ground, but at 87 she was deemed too old to prosecute. Her crime: the shortening of the Soviet Union's atomic bomb project by up to 5 years. At a time when the world faces fresh dilemmas caused by the proliferation of nuclear weapons, this is the remarkable story of a much earlier drama. After the atomic bomb strikes on Hiroshima and Nagasaki in August 1945, British and American intelligence estimated the earliest date for the production of a Soviet bomb to be 1953. In fact, the Soviet Union went nuclear in 1948, and tested an atomic bomb in 1949. The Soviet Union's bomb coincided with the onset of The Cold War, and threatened humankind with extinction. Melita Norwood was a member of one of those communist spy networks in America and Britain, who by guaranteeing those weapons of mass destruction threw down a challenge to America as sole superpower in the post-Second World War era. This fascinating book sets her in the context of the times, and uses her as a prism and focus through which to investigate the whole milieu.
Dr DAVID BURKE is a Supervisor for the Rise of the Secret World: Governments and Intelligence Communities since 1900 at the University of Cambridge.
David Burke
The Spy Who Came In From the Co-op
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A story of wartime intelligence, super-power relations and spies and their handlers - seen through the experience of Melita Norwood.
On September 11th 1999 The Times newspaper carried the front page article "Revealed: the quiet woman who betrayed Britain for 40 years. The spy who came in from the Co-op." Melita Norwood, the last of the atomic spies, hadfinally been run to ground, but at 87 she was deemed too old to prosecute. Her crime: the shortening of the Soviet Union's atomic bomb project by up to 5 years. At a time when the world faces fresh dilemmas caused by the proliferation of nuclear weapons, this is the remarkable story of a much earlier drama. After the atomic bomb strikes on Hiroshima and Nagasaki in August 1945, British and American intelligence estimated the earliest date for the production of a Soviet bomb to be 1953. In fact, the Soviet Union went nuclear in 1948, and tested an atomic bomb in 1949. The Soviet Union's bomb coincided with the onset of The Cold War, and threatened humankind with extinction. Melita Norwood was a member of one of those communist spy networks in America and Britain, who by guaranteeing those weapons of mass destruction threw down a challenge to America as sole superpower in the post-Second World War era. This fascinating book sets her in the context of the times, and uses her as a prism and focus through which to investigate the whole milieu.
Dr DAVID BURKE is a Supervisor for the Rise of the Secret World: Governments and Intelligence Communities since 1900 at the University of Cambridge.
Anna A. Grotans, David W. Porter
The St. Gall Tractate
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New edition of 10th-century German manuscript occupying an important place in the history and development of syntax.
The St Gall Tractate is the earliest medieval attempt at a comprehensive treatment of syntax. Dating from the tenth century and originating in the Swiss St Gall monastic school, the Tractate instructs readers in the art of analysing the construction of Latin texts. While its aim, the comprehensible oral delivery of Latin sentences, is purely practical, the Tractate also develops a penetrating analysis of language, anticipating by a full two centuries the exploration of syntax by the modistic grammarians. Its anonymous author demonstrates an encyclopedic knowledge of late classical, patristic and early medieval school texts; the topics addressed cover the entire scope of the liberal arts. This volume replaces the nineteenth-century edition by Paul Piper, and presents the Latin text from the Zurich, Zentralbibliothek C98 manuscript (not used by Piper) with English translation (by David Porter) on the facing page. A full set of textual and explanatory notes by both editors, and a scholarly introduction by Anna Grotans, setting the text in its cultural and intellectual context, complete the volume.
Alan E. Knight
The Stage as Mirror
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Aspects of medieval theatre examined for reflection of contemporary life.
The essays in this volume explore ways in which plays and public spectacles mirrored the beliefs and values of the late medieval world. Topics covered include seasonal festivals, trade gilds, stagecraft, and the role played by themunicipal governments in fostering and controlling dramatic productions. The geographic range takes in all western Europe, with particular consideration of the connections between the various medieval European dramatic traditions. Inter-disciplinary in approach, perspectives range from the history of theatre to cultural and political history and literary criticism. There is particular emphasis on the real advances that can be made in expanding knowledge of medieval theatre through research in local and regional archives.
ALAN E. KNIGHT is professor emeritus of French at the Pennsylvania State University.
Contributors: ALEXANDRA F. JOHNSTON, LYNETTE R. MUIR, PAMELA SHEINGORN, R.B. DOBSON, GERARD NIJSTEN, CLIFFORD DAVIDSON, WIM HÜSKEN, STEPHEN SPECTOR, ALAN E. KNIGHT
Naseem Badiey
The State of Post-conflict Reconstruction
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Traces the dynamics of state-building in Juba, Southern Sudan 2005-2011, revealing how underlying ties of ethnicity and land dominated the actions of the various parties in post-conflict reconstruction and how these may continue to influence power and resource-sharing in the newly independent state of South Sudan.
Naseem Badiey examines the local dynamics of the emerging capital city of Juba, Southern Sudan, during the historically pivotal transition period following the 2005 Comprehensive Peace Agreement (CPA). Focusing on the intersections of land tenure reform and urban development, she challenges the dominant paradigm of 'post-conflict reconstruction' and re-conceptualizes state-building as a social process underpinned by negotiation. Badiey explores local resistance to reconstruction programmes, debates over the interpretation of peace settlements, and competing claims to land and resources not as problems to be solved through interventions but as negotiations of authority which are fundamental to shaping the character of the 'state'. While donors and aid agency officials anticipated clashes between the Government of Sudan and the Sudan People's Liberation Movement (SPLM) following the CPA, they did not foresee internal divisions that impeded reconstruction in Southern Sudan, raising serious questions about the viability of an independent state. In Juba local elites interpreted the CPA in line with their economic and political interests, using claims to land, authority and political power to challenge the SPLM's agenda for urban reconstruction. In revealing how local actors strategically interpreted the framework of land rights in Southern Sudan, the book offers a basis for understanding the challenges that confront the nascent South Sudan's state-builders and their international partners in the future.
NASEEM BADIEY is Assistant Professor of International Development andHumanitarian Action at California State University Monterey Bay.
Brian Cowan
The State Trials and the Politics of Justice in Later Stuart England
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The book discusses the 'state trial' as a legal process, a public spectacle, and a point of political conflict - a key part of how constitutional monarchy became constitutional.
State trials provided some of the leading media events of later Stuart England. The more important of these trials attracted substantial public attention, serving as pivot points in the relationship between the state and its subjects. Later Stuart England has been known among legal historians for a series of key cases in which juries asserted their independence from judges. In political history, the government's sometimes shaky control over political trials in this period has long been taken as a sign of the waning power of the Crown. This book revisits the process by which the 'state trial' emerged as a legal proceeding, a public spectacle, a point of political conflict, and ultimately, a new literary genre. It investigates the trials as events, as texts, and as moments in the creation of historical memory. By the early nineteenth century, the publication and republication of accounts of the state trials had become a standard part of the way in which modern Britons imagined how their constitutional monarchy had superseded the absolutist pretensions of the Stuart monarchs. This book explores how the later Stuart state trials helped to create that world.
Theodor Fontane, William L. Zwiebel
The Stechlin
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First English translation of the final work of Theodor Fontane, one of Germany's most significant novelists.
Theodor Fontane (1819-98), widely regarded as Germany's most significant novelist between Goethe and Thomas Mann, pioneered the German novel of manners and upper-class society, following a trend in European fiction of the period.The Stechlin is Fontane's last book and his political testament. Like Effi Briest, his great work on the place of women in Bismarck's empire, it is set at the apex of the Wilhelmine era, both in Berlin and on the estate of a Prussian Junker on the shores of Lake Stechlin. It is a significant historical and cultural document, probably the finest chronicle of the lifestyle of the German upper classes in the late nineteenth century; Fontane portrays the best in the life and ways of the passing Prussian aristocracy, while describing his hopes for the future of Germany and its nobility, which were never to be fully realized. Although this novel has been translated into many languages, it has never before been available in English; this edition thus fills an important gap in the significant works of European literature accessible to English readers.
Seán Allan
The Stories of Heinrich von Kleist
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New and insightful interpretations of the controversial stories of Heinrich von Kleist.
The fascinating and controversial German writer of dramas and novellas Heinrich von Kleist (1777-1811) is one of the most interesting objects of analysis for scholars of German literature even today, nearly two centuries after hisdeath by suicide. In recent years, disagreements among Kleist scholars have been so extreme that some have suggested that his work subverts the very process of interpretation. Seán Allan challenges this view and the related one of Kleist as a profound pessimist. He argues that the focus on Kleist's uninterpretability has obscured important elements of social criticism present in his 'moral stories.' To correct the widely-held view of Kleist as a 'poet without a society,' Allan approaches the stories via investigation of four thematic clusters: justice and revenge; revolution and social change; education and the nature of evil; and art and religion. Allan holds that the perspectiveendorsed by the Kleistian narrator is designed to reflect the assumptions and prejudices of the members of the dominant class of Kleist's time (authoritarian and male-dominated as it was), and finds that by the end of the storiesit is precisely this perspective that has been profoundly called into question.
Seán Allan is lecturer in German at the University of Warwick, UK.
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