The volume contains the histories of the three ancient parishes in Blackburn hundred north of the Ribble (Mitton, Chipping. and Ribchester) and of the eight ancient parishes in Amounderness hundred (Preston, Kirkham, Lytham, Poulton-le-Fylde, Bispham, part of Lancaster, St. Michael-on-Wyre, and Garstang). A very large part of Amoundernesshundred is the level area between the Ribble estuary and Cockerham Sands called the Fylde and one known as 'the wheatfield of Amounderness'. Some of the ancient parishes include places that have become larger, more populous, and better known than the old centres ofpopulation which gave the parishes their names. Poulton-le-Fylde includes Fleetwood, and Bispham is better known to the world as the seaside resort of Blackpool, which also extends into Poulton.
William Farrer
The Victoria History of the County of Lancaster
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Topography: West Derby hundred (cont., including Liverpool, Wigan), Salford hundred.(part, including Manchester)
William Farrer
The Victoria History of the County of Lancaster
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Natural History. Early Man. Anglo-Saxon Remains. Domesday. The Fuedal Baronage.
William Farrer
The Victoria History of the County of Lancaster
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The volume contains histories of the eleven ancient parishes in Leyland hundred (Leyland, Penwortham, Brindle, Croston, Hesketh-with-Becconsall, Tarleton, Rufford, Chorley, Hoole, Eccleston, Standish) and of two of the five ancient parishes in Blackburn hundred (Blackburn parish and Whalley). Some very considerable places in the volume never achieved the status of ancient parish: Darwen was part of Blackburn parish, and Whalley included Accrington, Burnley, Clitheroe, Colne, and Nelson. In the Middle Ages the area was relatively poor, with extensive royal forests used for deer and, later, cattle and sheep farming. From the late 18th century the woollen industry gave way to cotton spinning and weaving in hundreds of factories, and the coalfield was exploited. Despite the growth of industry the area retains much undeveloped countryside, gentry houses in the lush pasture land of the Ribble Valley, and many oldfarmhouses on the slopes of the Pennine moorlandsand Pendle Hill.
William Page
The Victoria History of the County of Lincoln
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The volume was published more than eighty years ago, and its reissue makes available what is virtually an antiquarian book; it is nevertheless a work of reference that in many respects has not been replaced. Half the volume is devoted to Ecclesiastical History and separate histories of the religious houses of the county, numbering no less than 125 and including Lincoln cathedral and Crowland abbey; several of those histories were written by Rose Graham andthe accounts of the seventeen friaries by A. G. Little. The second half of the volume contains chapters on Political History (by C. H. Vellacott), Social and Economic History (including a table of population summarizing the firsteleven national censuses), Industries, Agriculture, Forestry, Endowed Schools, and Sport.
William Page
The Victoria History of the County of Norfolk
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Published by Boydell & Brewer Inc.
Philip Riden
The Victoria History of the County of Northampton
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Cleley comprises a dozen parishes in the south on either side of Watling Street, and includes the royal estate, the honor of Grafton.
This new volume, the first to be published for Northamptonshire since 1937, deals with a group of a dozen parishes in the south of the county, on either side of Watling Street between Towcester and Stony Stratford. Essentially a group of typical Midland open-field parishes, the main interest of the area lies in the creation of a great royal estate, the honor of Grafton, in 1542, which occupied about half the hundred. In 1706 the honor passed to the secondDuke of Grafton under a grant made by his grandfather, Charles II. The dukes remained the principal owners in the district until a series of sales just after the First World War.Researched with the thoroughness for which the Victoria County History has long been well known, and illustrated with numerous maps and plates, this volume will be of great interest to local residents who wish to know about the past history of their community, and also to a widerange of academic readers, especially historians interested in landed estates between the sixteenth and the twenty-first century.
Charles Insley
The Victoria History of the County of Northampton
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This latest volume in the history of Northamptonshire covers the history of its industry in the nineteenth and twentieth centuries, including, of course, its most celebrated products: boots and shoes. Particular attention is givento the impact of industrial development upon the infrastructure, topography and environment of the county.
William Page
The Victoria History of the County of Nottingham
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Published by Boydell & Brewer Inc.
William Page
The Victoria History of the County of Nottingham
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Published by Boydell & Brewer Inc.
Alan Crossley
The Victoria History of the County of Oxford
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Published by Boydell & Brewer Inc.
H.E. Salter
The Victoria History of the County of Oxford
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The volume was originally published in 1954, and was the work of a team of distinguished historians. It broke new ground, for although separate histories of the university and its colleges had been written, it was the first comprehensive scholarly account of all those institutions. The opening chapter on the history of the university from its 12th-century beginnings to the mid 20th century is followed by chapters on the grammar schools of the medieval university and on the architectural and institutional history of the several university buildings. The greater portion of the book is devoted to the histories of the colleges and halls, each of which is the subject of a separate article. The articles are precise and fully referenced, telling of such matters as the foundation and buildings of the college, its estates, its religious and academic history, and its outstanding personalities. The many illustrationsinclude plates of old prints and drawings; there are also plans which carry forward the work of the Royal Commission on Historical Monuments. 'The book abounds in new and interesting information ... the result of research in muniments which have not before been so carefully and intelligently investigated.' (F. M. Powicke in English Historical Review).
William Page
The Victoria History of the County of Oxford
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Ecclesiastical History, Religious Houses, Social and Economic History, Table of Population, Industries, Agriculture, Forestry, Ancient Earthworks, Sport.
Mary D. Lobel
The Victoria History of the County of Oxford
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Simon Townley
The Victoria History of the County of Oxford: Volume XX
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Unique multi-disciplinary study of a key part of the Oxfordshire Chilterns over a thousand years, based on intensive new research and exploring landscape, settlement, farming, and social and religious life.
Drawing on intensive new research, this volume covers a dozen ancient parishes straddling the south-west end of the Chiltern hills, set within a large southwards loop of the Thames close to Reading, Wallingford, and Henley-on-Thames. London, connected by river, road, and (later) rail, lies some 40 miles east. The uplands feature the dispersed settlement and wood-pasture typical of the Chilterns, contrasted with nucleated riverside villages such as Whitchurch and Goring. Caversham, formerly "a little hamlet at the bridge", developed from the 19th century into a densely settled suburb of Reading (across the river), while other recent changes have largely obliterated the ancient pattern of "strip" parishes stretching from the river into the hills, which bound vale and upland together and had its origins in 10th-century estate structures.
The economy was predominantly agricultural until the 20th century, with woodland playing a significant role alongside rural crafts and industry. Crowmarsh Gifford (near Wallingford) had an early market and fair. Gentrification and tourism gained momentum from the mid 19th century, accelerated by the arrival of the railway from 1840 and especially affecting riverside villages such as Goring and Shiplake, which saw extensive new building by wealthy incomers. Goring was earlier the site of an Augustinian nunnery and (probably) of a small pre-Conquest minster, while Mapledurham and several other places became foci for post-Reformation Roman Catholic recusancy, with Protestant Nonconformity expanding from the 19th century. Major buildings include mansion houses at Hardwick (in Whitchurch) and Mapledurham, alongside timber or brick vernacular structures and some striking modernist additions.
N. J. Tringham
The Victoria History of the County of Stafford
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Classic VCH account of the important town of Tutbury and its environs.
Tutbury and Needwood forest have a rich history, fully explored here from the earliest times to the present day: the former with its great medieval castle, the heart of a major feudal honor held from the 13th century by the royalearls and dukes of Lancaster, and the latter with its medieval parks and hunting lodges. The volume also covers the important early Anglo-Saxon monastic and royal site of Hanbury, the burial place of St Werburh, a Mercian princess; and offers accounts of the mansion houses built in and around the ancient forest area by members of the Bass brewing family and others, and the magnificent late 19th-century church of Hoar Cross, one of Bodley's masterpieces.
NIGEL TRINGHAM is County Editor for VCH Stafforshire and lecturer in history at the University of Keele.
L.F. Salzman
The Victoria History of the County of Sussex
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Cichester rape, the western end of the county, including Midhurst and Bognor.
William Page
The Victoria History of the County of Sussex
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Natural History, Archaeology, Domesday, Political History.
L.F. Salzman
The Victoria History of the County of Sussex
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Romano-British Sussex, Chichester City.
William Page
The Victoria History of the County of Sussex
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Ecclesiastical History, religious Houses, Maritime, History, Social and Economic History, Industries, Agriculture, Endowed Schools, Sport.
J.W. Willis-Bund
The Victoria History of the County of Worcester
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Published by Boydell & Brewer Inc.
William Page
The Victoria History of the County of York
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Natural History, Early Man, Schools and Forestry.
Ian Woodfield
The Vienna Don Giovanni
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Aspects of Don Giovanni's compositional history are uncovered and the study provides for detailed evidence with which to evaluate Da Ponte's recollections. The essential truth of his account - that the revision of the operain Vienna was an interactive process - seems to be fully borne out. A general theory of transmission is proposed, which clarifies the relationship between the fluid text produced by re-creation and the static text generated by replication.
In the year following its 1787 Prague première, Don Giovanni was performed in Vienna. Everyone, according to the well-known account by Da Ponte, thought something was wrong with it. In response, Mozart made changes, producing a Vienna 'version' of the opera, cutting two of the original arias but inserting three newly-composed pieces. The dilemma faced by musicians and scholars ever since has been whether to preserve the opera in these two 'authentic' forms, or whether to fashion a hybrid text incorporating the best of both. This study presents new evidence about the Vienna form of the opera, based on the examination of late eighteenth-century manuscript copies. The Prague Conservatory score is identified as the primary exemplar for the Viennese dissemination of Don Giovanni, which is shown to incorporate two quite distinct versions, represented by the performing materials in Vienna [O.A.361] and the early Lausch commercial copy in Florence. To account for this phenomenon, seen also in early sources of the Prague Don Giovanni and Così fan tutte, a general theory of transmission for the Mozart Da Ponte operas is proposed, which clarifies the relationship between the fluid text produced by re-creation (performing) and the static text generated by replication (copying). Aspects of the compositional history of Don Giovanni are uncovered. Evidence to suggest that Mozart first considered an order in which Donna Elvira's scena precedes the comic duet 'Per queste tue manine' is assessed. The essential truth of Da Ponte's account - that the revision of the opera in Vienna was an interactive process, involving the views of performers, the reactions of audiences and the composer's responses - seems to be fully borne out. The final part of the study investigates the late eighteenth-century transmission of Don Giovanni. The idea that hybrid versions gained currency only in the nineteenth century or in the lighter Singspiel tradition is challenged.
IAN WOODFIELD is Professorand Director of Research at the School of Music and Sonic Arts, Queen's University Belfast.
Helen Bradley
The Views of the Hosts of Alien Merchants, 1440-1444
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Edition of the returns made by English merchants, recording the transactions of foreign traders.
The "Views of Hosts" is the name given to the returns which merchant "hosts" in London, Southampton and Hull were required to provide for the Exchequer. They listed the imports and purchases made by their foreign merchant "guests", who came mostly from Italy, Spain and the Low Countries. The returns, printed here in full for the first time, provide details of the goods traded in and out of these ports, and also the names of the foreign merchants, and of the local men and women who bought their wares and sold English goods to them in return. The volume thus not only throws light on individual merchants and craftsmen living and working in these ports, but will also be of interest tothose concerned with the patterns and practices of English trade in the fifteenth century. The returns themselves are complemented with full apparatus and notes; introduction; biographies of more than 500 English people mentionedin the texts, as well almost 130 foreign merchants; and a glossary of commodities.
Andrew Wawn
The Vikings and the Victorians
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The first book-length treatment of C19 fascination with Norse heroes.
This is the first book-length treatment of the Victorians' fascination with the old north. It explores the ways in which the terms 'Viking' and 'Viking Age', both unknown in 1800, were invented, explored and popularised during thenineteenth century. The material examined - published and unpublished - includes novels, poems, plays, lectures, reviews, secondary school textbooks, saga-stead travelogues, private correspondence, art and music, as well as dictionaries, grammars and scholarly editions of eddas and sagas. In the cast of characters Sir Walter Scott, William Morris, Edward Elgar and Rudyard Kipling appear alongside long-forgotten amateur enthusiasts from Lerwick to the Isleof Wight. We follow the pursuit of Viking-related archaeology, dialectology, folklore, philology, runology and mythology. We see the old north used to legitimise many concepts and causes - from buccaneering mercantilism and imperial expansion to jury trial and women's rights. In drawing this wide range of materials together, Andrew Wawn presents a comprehensive and colourful account of the construction and translation of the Viking Age in Queen Victoria'sBritain. ANDREW WAWN is Professor of Anglo-Icelandic Studies at the University of Leeds.
Heitor Villa-Lobos
The Villa-Lobos Letters
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Presents for the first time the complete surviving correspondence of the outstanding Brazilian composer Heitor Villa-Lobos [1887-1959], one of the most colourful figures in twentieth-century music.
This complete edition of the letters of the Brazilian composer Heitor Villa-Lobos, collected for the first time in any language, details his stay in the Paris of the 1920s, his work in Brazil and the 1930s and `40s and his international travels as conductor of his own music. The letters also discuss commissions for ballets, concertos and other works. Lisa M. Peppercorn, who knew Villa-Lobos, is the acknowledged expert on the life and music of this colourful figure, and she gives a detailed commentary on the events giving rise to the letters. A chronology gives a detailed account of Villa-Lobos' life, which is thoroughly illustrated with photographs of the persons and places associated with Villa-Lobos, facsimiles of works and concert programmes, and so on. The letters thus form a guide to the most productive years of his life.
Robert Portass
The Village World of Early Medieval Northern Spain
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The pattern of rural life in early medieval Spain is here vividly brought to life through careful examination of contemporary documents.
In the early eighth century, the Muslim general Tariq ibn Ziyad led his forces across the Straits of Gibraltar and conquered most of the Iberian Peninsula. However, alongside the flourishing kingdom of al-Andalus, the small Christian realm of Asturias-León endured in the northern mountains. This book charts the social, economic and political development of Asturias-León from the Islamic conquest to 1031. Using a forensic comparative method, which examinesthe abundant charter material from two regions of northern Spain - the Liébana valley in Cantabria, and the Celanova region of southern Galicia - it sheds new light on village society, the workings of government, and the constantswirl of buying, selling and donating that marked the rhythms of daily life. It also maps the contact points between rulers and ruled, offering new insights on the motivations and actions of both peasant proprietors and aristocrats.
Robert Portass is Senior Lecturer in Medieval History at the University of Lincoln.
Robert Riggs
The Violin
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Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature.
With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling andto the violin and violinists as metaphors in literature and the visual arts.
CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny.
Musicologist and violinist Robert Riggs (PhD,Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010).
Laura Saetveit Miles
The Virgin Mary's Book at the Annunciation
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Winner of the 2021 Frank S. and Elizabeth D. Brewer Prize of the American Society of Church History
Winner of the 2022 SMFS Best First Book in Medieval Feminist Studies Award
An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.
The Annunciation remains one of the most recognizable scenes in western Christianity: the angel Gabriel addressing the Virgin Mary, capturing the moment when Christ becomes incarnate. But one consistent detail has evaded our scrutiny - Mary's book. What was she reading? What does her book mean? This innovative study traces the history of Mary's book at the Annunciation from the early Middle Ages through to the Reformation, focusing on a wide variety of religious treatises, visionary accounts, and art. It argues that the Virgin provided a sophisticated model of reading and interpretation that was foundational to devotional practices across all spectrums of society in medieval England, and especially for enclosed female readers. By imitating the Virgin, readers learned how to read; they learned how to pray; they learned how to channel God through vision and revelation. Most of all, they learned how to conceive God spiritually, just as Mary had conceived him physically, and just as she had conceived intellectually her reading of the Old Testament prophecies foretelling the Incarnation - that she herself was part of their fulfillment. The Annunciation offered a hermeneutic model of conception radically based on the reproductive female body, otherwise deeply problematic in medieval culture. Scholars have long studied the importance of the Virgin Mary for medieval people. But few would think of her as an intellectual role model. Yet that is what this book contends - that Mary's reading at the Annunciation is, essentially, a missing link for understanding how reading, interpretation, and devotion worked in the Middle Ages.
Laura Saetveit Miles
The Virgin Mary's Book at the Annunciation
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Winner of the 2021 Frank S. and Elizabeth D. Brewer Prize of the American Society of Church History
Winner of the 2022 SMFS Best First Book in Medieval Feminist Studies Award
An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.
The Annunciation remains one of the most recognizable scenes in western Christianity: the angel Gabriel addressing the Virgin Mary, capturing the moment when Christ becomes incarnate. But one consistent detail has evaded our scrutiny - Mary's book. What was she reading? What does her book mean? This innovative study traces the history of Mary's book at the Annunciation from the early Middle Ages through to the Reformation, focusing on a wide variety of religious treatises, visionary accounts, and art. It argues that the Virgin provided a sophisticated model of reading and interpretation that was foundational to devotional practices across all spectrums of society in medieval England, and especially for enclosed female readers. By imitating the Virgin, readers learned how to read; they learned how to pray; they learned how to channel God through vision and revelation. Most of all, they learned how to conceive God spiritually, just as Mary had conceived him physically, and just as she had conceived intellectually her reading of the Old Testament prophecies foretelling the Incarnation - that she herself was part of their fulfillment. The Annunciation offered a hermeneutic model of conception radically based on the reproductive female body, otherwise deeply problematic in medieval culture. Scholars have long studied the importance of the Virgin Mary for medieval people. But few would think of her as an intellectual role model. Yet that is what this book contends - that Mary's reading at the Annunciation is, essentially, a missing link for understanding how reading, interpretation, and devotion worked in the Middle Ages.
Glenda McLeod, Charity Cannon Willard
The Vision of Christine de Pizan
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Translation of Christine's autobiographical Vision, both dealing with her own life and career, and offering a possible solution to the troubled state of France at the time.
Christine de Pizan's The Vision is both a powerful contemporary response to the chaos that would eventually precipitate Henry V's invasion of France, and a fascinating view of the author's own progress as a woman reader, writer, and public commentator in the late Middle Ages. As a long-time intimate of the French court, Christine here analyses the origins of the civil strife in which France found itself in 1405, and offers a possible future, callingfor its resolution in the voice of a prophet. Alongside her documentation of the difficulties faced by a medieval woman left widowed early in life, she also explores issues of gender and authorship, interpretation and misinterpretation in her remarkable career as a writer and advisor of princes.
Glenda McLeod is Professor Emerita, Gainesville State College; Charity Cannon Willard was Professor Emerita, Ladycliff College.
Elizabeth Teresa Howe
The Visionary Life of Madre Ana de San Agustín
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Madre Ana's account of her life gives insight into the nature of female monasticism at the turn of the seventeenth century.
In two relaciones of her life, Madre Ana de San Agustín, a member of the Discalced Carmelite reform under Santa Teresa, reveals a rich interior life of visions, locutions, and visits to heaven and hell. Guiding her at manyjunctures of her spiritual journey is the figure of Santa Teresa, both before and after the saint's death in 1582. Although Madre Ana does not refer to any books save the Divine Office, the details she provides suggest her familiarity with numerous devotional and mystical texts by men and women available at the time. Her accounts share many of the characteristics of these earlier works. Equally interesting are the connections she draws between her visions and the outside world, especially the struggle over the Carmelite reform.
En las dos 'relaciones' de su vida, la Madre Ana de San Agustín, Carmelita descalza de la Reforma teresiana, revela una rica vida interior de visiones, locuciones, y visitas al cielo y al infierno. Guiándola en su viaje espiritual está la figura de Santa Teresa, antes y después de la muerte de ésta en 1582. Aunque Madre Ana no cita ninguna obra salvo el Oficio Divino, los detalles empleados en sus narrativas sugieren un conocimiento de varios textos de la literatura mística y devota escritos por hombres y mujeres que fueron publicados y circulados durante la época. Las 'relaciones' de Madre Ana reflejan algunas de las características de estas obras anteriores. A la vez las conexiones que ella hace entre sus visiones y el mundo cotidiano, especialmente en cuanto al conflicto de la Reforma Descalza, son igualmente interesantes.
ELIZABETH HOWE is Professor of Spanish at Tufts University, Massachusetts.
Professor Ian Forrest
The Visitation of Hereford Diocese in 1397
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Text with facing English translation provides fascinating insights into medieval religious life.
In 1397 the bishop of Hereford toured his diocese asking questions about its churches and people. The answers he received were written into a slim paper book, which survives in the cathedral archives today. This important medieval document offers unparalleled insight into social life, sexual behaviour, religious belief and practice, and gender relations during a period of religious and political turmoil, revealing how the clergy were disciplined, how English- and Welsh-speakers interacted, and how the congregation experienced worship. It is also a major early source for Welsh naming practices, and a treasure trove of information about local churches and parishes before the Reformation. This volume provides a complete scholarly edition, accompanied by a full facing-page translation, introduction and notes; it will be invaluable for experienced researchers and students alike.
Professor Ian Forrest
The Visitation of Hereford Diocese in 1397
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Text with facing English translation provides fascinating insights into medieval religious life.
JOINT WINNER: 2023 BRITISH RECORD ASSOCIATION HARLEY PRIZE
In 1397 the bishop of Hereford toured his diocese asking questions about its churches and people. The answers he received were written into a slim paper book, which survives in the cathedral archives today. This important medieval document offers unparalleled insight into social life, sexual behaviour, religious belief and practice, and gender relations during a period of religious and political turmoil, revealing how the clergy were disciplined, how English- and Welsh-speakers interacted, and how the congregation experienced worship. It is also a major early source for Welsh naming practices, and a treasure trove of information about local churches and parishes before the Reformation. This volume provides a complete scholarly edition, accompanied by a full facing-page translation, introduction and notes; it will be invaluable for experienced researchers and students alike.
Michael Talbot
The Vivaldi Compendium
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The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.
The Vivaldi Compendium will serve as the most reliable and up-to-date source of quick reference on the composer Antonio Vivaldi and his music. This takes the form of a dictionary listing persons, places, musical works and many other topics connected with Vivaldi; its alphabetically arranged entries are copiously cross-referenced to guide the reader towards related topics. The Vivaldi Compendium also provides a gateway to further reading via an extensive bibliography, to which reference is made in most of the dictionary entries. These two sections are complemented by a biography of the composer and a carefully organized list of his works. Knowledge about Vivaldi and his music is still advancing at an incredible rate - many discoveries occurred while the book was in preparation - and every effort has been made to ensure that The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.
MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool and a Fellow of the British Academy. He isknown internationally for his studies of late-baroque Italian music, which include recent books on Vivaldi's chamber cantatas [2003] and the same composer's fugal writing [2007].
Andrew Cusack
The Wanderer in Nineteenth-Century German Literature
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Pathbreaking examination of the prominent 19th-c. motif with an eye toward literature as social commentary.
The wanderer is an indispensable part of the German cultural imaginary. The nineteenth-century prominence of the motif owes much to the self-conception of the intellectual pioneers of the day as wanderers. The motif is also a keyto interpretation of the social and cultural phenomena of a turbulent century that began with the emancipatory claims of the Enlightenment and ended in untrammeled industrialism. Writers from Goethe to Büchner, Fontane to Holtei were keenly aware of the motif's interpretive value, attempting to grasp with it not only such developments as mass migration and disappearing institutions but also unprecedented opportunities for artistic and scientific innovation. This book re-interprets canonical works such as Goethe's Wilhelm Meister novels, Heine's Harzreise, and Büchner's Lenz, examines underresearched works by Fontane and Raabe, and charts new territory with readings of works by Gotthelf and Holtei -- a selection of texts that reveals the vast scope and changing function of the wanderer motif. Andrew Cusack pays scrupulous attention to the historical specificity of each work and to its relationship to contemporary aesthetic and philosophical currents, revealing the wanderer motif to be a significant vehicle of cultural memory that sustained the ideas of the Enlightenment and of Romanticism.
Andrew Cusack is a Lecturer in the Department of Germanic Studies at Trinity College Dublin.
Luke Blaxill
The War of Words
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A radical new approach to the political speeches delivered during this period.
The late nineteenth and early twentieth century have been widely eulogised as a "golden age" of popular platform oratory. This book considers the language of British elections - especially stump speeches - during this period. It employs a "big data" methodology inspired by computational linguistics, using text-mining to analyse over five million words delivered by Conservative, Liberal and Labour candidates in the nine elections that took place in this period. It systematically and authoritatively quantifies how and how far key issues, values, traditions and personalities manifested themselves in wider party discourse. The author reassesses a number of central historical debates, arguing that historians have considerably underestimated the transformative impact of the 1883-5 reforms on rural party language, and the purchase of Joseph Chamberlain's Unauthorized Programme; that the centrality of Home Rule and Imperialism in the late 1880s and 1890s have been exaggerated; and that the New Liberalism's linguistic impact was relatively weak, failing to contain the message of the emerging Labour alternative.
Eric Morier-Genoud
The War Within
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A fresh analysis of the post-colonial war in Mozambique that contributes to debates about conflict, peacebuilding, development and nationalism and offers insights into the nature of contemporary politics and the current conflict.
The 1976-1992 civil war which opposed the Government of Frelimo and the Renamo guerrillas (among other actors) is a central event in the history of Mozambique. Aiming to open up a new era of studies of the war, this book re-evaluates this period from a number of different local perspectives in an attempt to better understand the history, complexity and multiple dynamics of the armed conflict. Focusing at local level on either a province or a single village, the authors analyse the conflict as a "total social phenomena" involving all elements of society and impacting on every aspect of life across the country. The chapters examine Frelimo and Renamo as well as private, popular and state militias, the Catholic Church, NGOs and traders. Drawing on previously unexamined sources such as local and provincial state archives, religious archives, the guerrilla's own documentation and interviews, the authors uncoveralternative dimensions of the civil war. The book thus enables a deeper understanding of the conflict and its actors as well as offering an explanatory framework for understanding peacemaking, the nature of contemporary politics,and the current conflict in the country.
Eric Morier-Genoud is a Lecturer in African history at Queen's University Belfast; Domingos Manuel do Rosário is Lecturer in electoral sociology and electoral governance at Eduardo Mondlane University, Maputo, Mozambique; Michel Cahen is a Senior Researcher at the Centre National de la Recherche Scientifique (CNRS) at Bordeaux Political Studies Institute and at the Casa de Velázquez in Madrid.
Eric Morier-Genoud
The War Within
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A fresh analysis of the post-colonial war in Mozambique that contributes to debates about conflict, peacebuilding, development and nationalism and offers insights into the nature of contemporary politics and the current conflict.
The 1976-1992 civil war which opposed the Government of Frelimo and the Renamo guerrillas (among other actors) is a central event in the history of Mozambique. Aiming to open up a new era of studies of the war, this book re-evaluates this period from a number of different local perspectives in an attempt to better understand the history, complexity and multiple dynamics of the armed conflict. Focusing at local level on either a province or a single village, the authors analyse the conflict as a "total social phenomena" involving all elements of society and impacting on every aspect of life across the country. The chapters examine Frelimo and Renamo as well as private, popular and state militias, the Catholic Church, NGOs and traders. Drawing on previously unexamined sources such as local and provincial state archives, religious archives, the guerrilla's own documentation and interviews, the authors uncoveralternative dimensions of the civil war. The book thus enables a deeper understanding of the conflict and its actors as well as offering an explanatory framework for understanding peacemaking, the nature of contemporary politics,and the current conflict in the country.
Eric Morier-Genoud is a Lecturer in African history at Queen's University Belfast; Domingos Manuel do Rosário is Lecturer in electoral sociology and electoral governance at Eduardo Mondlane University, Maputo, Mozambique; Michel Cahen is a Senior Researcher at the Centre National de la Recherche Scientifique (CNRS) at Bordeaux Political Studies Institute and at the Casa de Velázquez in Madrid.
Scott Parens, John H.R. Davis
The Warden's Punishment Book of All Souls College, Oxford, 1601-1850
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Edition, with full notes and apparatus, of a text which sheds much light on university affairs at the time.
The Warden's Punishment Book is a record of punishments imposed on the Fellows of All Souls College, Oxford, for minor infringements of the statutes and of College discipline, from its inception in 1601 until 1851. It is a uniquedocument in terms of its scope and detail among the College records of Oxford and Cambridge and provides significant insights into the daily life and personal relationships of such an institution during the early modern period. This volume presents an edition of the text of the Punishment Book, with a substantial biographical register detailing the careers of those mentioned as punishers or punished. An introduction explains the significance and context of the Punishment Book within collegiate, university, and social history.
Scott Mandelbrote is Fellow, Perne Librarian, and Director of Studies in History at Peterhouse, Cambridge, he was formerly Fellow and Sub-Warden of All Souls College, Oxford; John H.R. Davis is an Honorary Fellow of All Souls College, Oxford, of which he was Warden between 1995 and 2008. He is an anthropologist and was Professor of Social Anthropology at the Universityof Oxford, and, before that, at the University of Kent at Canterbury.
Brenda M. King
The Wardle Family and its Circle: Textile Production in the Arts and Crafts Era
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The history of an entrepreneurial family whose work influenced followers of the Arts and Crafts Movement, Gothic Revivalism, Art Needlework and Aestheticism
LONGLISTED for the Arnold Bennett Society Book Prize 2020
This book is a richly illustrated history of the Wardle family of Leek, Staffordshire, which rose to prominence in fine textile production in the second half ofthe nineteenth century. At its core is an object-centred exploration revealing how an entrepreneurial family responded to complex international factors. Beautiful dyed, printed and embroidered textiles were created in Leek using traditional craft skills. Followers of the Arts and Crafts Movement and Gothic Revivalism, as well as Art Needlework and Aestheticism, benefited from the family enterprises that flourished despite rapid industrialisation. The Wardle family's rich legacy is played out against the backdrop of the Anglo-Indian silk trade. Thomas Wardle travelled in India and integrated Indian designs into British silk production. His work attracted William Morris, Walter Crane and A. L. Liberty, among others, and their designs, printed by Wardle, were internationally applauded. Elizabeth Wardle, embroiderer, worked with many major architects such as R. N. Shaw, G. G. Scott Jnr and J. D. Sedding.Lavishly illustrated, this book will be of interest to those interested in textile and fashion history and the history of the Arts and Crafts movement, as well as the relationship between the British Empire and the Indian subcontinent.
BRENDA M. KING is a textile historian and holds the Chair of the Textile Society. She is also a freelance lecturer in the History of Design and Museum and Heritage Studies and the author of Silk and Empire (2005 and 2009) and Dye, Print, Stitch: Textiles by Thomas and Elizabeth Wardle (2009).
Clifford J. Rogers
The Wars of Edward III
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Contemporary documents and classic studies follow Edward's fortunes on the battlefield, from failure against the Scots to major military successes in France.
When Edward III came to the throne of England in 1327, England's military reputation had reached a low ebb. The young king's first campaign against the Scots was a complete failure, and the next year the `shameful peace' set the seal on Robert Bruce's victory in the First Scottish War of Independence. Twenty-two years later, however, King Jean II of France and King David II of Scotland were both prisoners in London, an English army was camped outside Paris, and Edward was widely considered the most skilful warrior in the world. Clifford Rogers uses contemporary documents (campaign bulletins, administrative documents, and excerpts from 29 different chronicles) to tell the story of the battles, sieges, and chevauchées that produced this remarkable reversal - and the subsequent restoration of French fortunes under Du Guesclin and Charles V. The majority of the texts employed have never before been translated into modern English (and a number have never been published before in any language). Complementing these primary source materials are eight classic articles covering the Scottish Wars, the outbreak of the Hundred Years War, the recruitment, organisation and supply of English armies, English strategy and war aims, and the war's impact on French society and on the development of Parliament in England. Together, they provide a complete introduction to the topic.
Dr CLIFFORD ROGERS teaches at the United States Military Academy at West Point.
Clifford J. Rogers
The Wars of Edward III
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Contemporary documents and classic studies follow Edward's fortunes on the battlefield, from failure against the Scots to major military successes in France.
This collection of sources and interpretations lays bare the truth about the wars of Edward's reign... Professor Rogers has provided a valuable service to scholars, students and general readers alike in bringing together this fascinating collection. MATTHEW BENNETT
When Edward III came to the throne of England in 1327, England's military reputation had reached a low ebb. The young king's first campaign against the Scots was a complete failure, and the next year the "shameful peace" set the seal on Robert Bruce's victory in the First Scottish War of Independence. Twenty-two years later, however, King Jean II of France and King David II of Scotland were both prisoners in London, an English army was camped outside Paris, and Edward was widely considered the most skilful warrior in the world. Clifford Rogers uses contemporary documents (campaign bulletins, administrative documents, and excerptsfrom 29 different chronicles) to tell the story of the battles, sieges, and chevauchées that produced this remarkable reversal - and the subsequent restoration of French fortunes under Du Guesclin and Charles V. The majority of the texts employed have never before been translated into modern English (and a number have never been published before in any language). Complementing these primary source materials are eight classic articles covering the ScottishWars, the outbreak of the Hundred Years War, the recruitment, organisation and supply of English armies, English strategy and war aims, and the war's impact on French society and on the development of Parliament in England. Together, they provide a complete introduction to the topic.
Professor CLIFFORD ROGERS teaches at the United States Military Academy at West Point.
Samantha Owens
The Well-Travelled Musician
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John Sigismond Cousser, as performer and composer, was a pioneering figure in the musical history of the European Baroque era.
John Sigismond Cousser - born Johann Sigismund Kusser in Pressburg, Hungary in 1660 - was a pioneering figure in the musical history of the Baroque era. Having worked professionally as a performer and composer across Europe over the span of a fifty-year career, this well-travelled and cosmopolitan musician was subsequently acknowledged by Johann Mattheson as having played a key role in the transmission of both the French and Italian musical styles throughout the German-speaking lands. Following study in Paris, Cousser was employed at a string of German courts, training musicians in the newly fashionable French style. At the court of Duke Anton Ulrich in Wolfenbüttel, he experienced at first hand performances of opera by Italian virtuosos and subsequently introduced countless German musicians and their audiences to the Italian musical style. Yet with the onset of war in 1701, Cousser was forced to seek his fortune elsewhere, moving to London in 1704 before settling permanently in Ireland. The Well-Travelled Musician expands current knowledge of Cousser's early life and professional career significantly, examining his particular role in the dissemination of music and musical styles throughout the German-speaking lands, as well as in early eighteenth-century London and Dublin. Drawing upon a rich body of primary sources, above all the unparalleled evidence contained in Cousser's so-called commonplace book, it reveals the practicalities of early modern musical exchange at a grass-roots level, from Pressburg (now Bratislava) to Paris, Hamburg to Dublin, and beyond.
SAMANTHA OWENS is Associate Professor of Musicology at Victoria University of Wellington, New Zealand
Rhys Morgan
The Welsh and the Shaping of Early Modern Ireland, 1558-1641
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Shows how the Welsh, as well as the English, were colonisers in Tudor and early Stuart Ireland.
The colonial presence in early modern Ireland is usually viewed as being thoroughly English, and in places Scottish, with the Welsh hardly featuring at all. This book, based on extensive original research, demonstrates that therewas in fact a significant Welsh involvement in Ireland between 1558 and 1641. It explores how the Welsh established themselves as soldiers, government officials and planters in Ireland. It also discusses how the Welsh, although participating in the 'English' colonisation of Ireland, nevertheless remained a distinct community, settling together and maintaining strong kinship and social and economic networks to fellow countrymen, including in Wales. It provides a detailed picture of the Welsh settler communities and their networks, and discusses the nature of Welsh settler identity. Overall, the book demonstrates how an understanding of the role of the Welsh in the shaping of early modern Ireland can offer valuable new perspectives on the histories of both countries and on the making of early modern Britain. Rhys Morgan completed his doctorate in history at Cardiff University
J. Wickham Legg
The Westminster Missal
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Missal text with notes and commentary: a fundamental tool for the study of both insular and continental medieval mass-books.
The manuscript edited in these volumes is a fine and elaborate missal of Westminster Abbey, given by Nicholas Lytlington (abbot 1362-1386) and often referred to by his name. As well as its importance as a particularly full missaltext from a royal abbey (it includes an extensive coronation ritual), it is also the only monastic representative of a `Sarum' type of sacramentary to have received a modern edition. John Wickham Legg's publication of this manuscript was an early milestone in the Henry Bradshaw Society programme, and is particularly notable for its extensive critical notes: employing over fifty other manuscripts, as well as printed sources, Legg provided a commentary whichgives an extraordinarily comprehensive view of texts for the celebration of mass in the middle ages. His work remains, over a century after its publication, a fundamental and indispensible tool for the study of medieval mass-books, both insular and continental. Reissue; First published 1891, 1895 and 1897 in three separate volumes.
Robert Morris
The Whistling Blackbird
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A collection of essays on new music, composers, and issues in American music criticism and aestheticson by composer and music theorist Robert Morris.
The Whistling Blackbird: Essays and Talks on New Music is the long-awaited book of essays from Robert Morris, the greatly admired composer and music theorist. In these essays, Morris presents a new and multifaceted view ofrecent developments in American music. His views on music, as well as his many compositions, defy easy classification, favoring instead a holistic, creative, and critical approach. The Whistling Blackbird contains fourteen essays and talks, divided into three parts, preceded by an "Overture" that portrays what it means to compose music in the United States today. Part 1 presents essays on American composers John Cage, Milton Babbitt, Richard Swift, and Stefan Wolpe. Part 2 comprises talks on Morris's music that illustrate his ideas and creative approaches over forty years of music composition, including his outdoor compositions, an ongoing project that began in 1999. Part 3 includes four essays in music criticism: on the relation of composition to ethnomusicology; on phenomenology and attention; on music theory at the millennium; and on issues in musical time. Threaded throughout this collection of essays are Morris's diverse and seemingly disparate interests and influences. English romantic poetry, mathematical combinatorics, group and set theory, hiking, Buddhist philosophy, Chinese and Japanese poetry and painting, jazz and nonwestern music, chaos theory, linguistics, and the American transcendental movement exist side by side in a fascinating and eclectic portrait of American musical composition at the dawn of the new millennium.
Robert Morris is Professor of Music Composition at the Eastman School of Music, University of Rochester.
Michael Jones
The White Book (Liber Albus) of Southwell
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First complete edition of an invaluable and extensive collection of medieval documents.
with contributions from Neil Bettridge, Jean Cameron, Paul Cavill and Teresa Webber.
The White Book of Southwell derives its name from its white vellum cover. Compiled between c.1350 and 1460, with a few later additions, its 500 pages record 620 individual documents from c.1100 onwards. They range widely from papal bulls and royal charters, quo warranto inquiries, privileges granted by many archbishops of York to the Chapter at Southwell,individual canons (or prebendaries) and the parishes where the Minster held lands or controlled livings. The majority date from c.1200-1460 and concern properties which the Chapter owned and administered through its courts, for which some rare proceedings are preserved. Because of their variety, the documents it contains are important not simply for ecclesiastical history but for broader social and economic trends in medieval Nottinghamshire either side of the Black Death. The volume also furnishes a remarkable amount of little-studied onomastic and linguistic evidence in medieval Latin, Anglo-Norman French and Middle English as well as strong traces of earlier Anglo-Scandinavianinfluences on Nottinghamshire. First brought to attention by the pioneering county historian Robert Thoroton (d. 1677), the White Book has been consulted in all subsequent generations. However, while some of its contents havebeen published in their original language or in translation, this is the first systematic, complete scholarly edition. A substantial introduction sets the White Book in context, describing its structure and content. Extensive commentary helps to date many undated individual documents and identify persons and places named, a detailed Fasti provides details on the personnel of the Minster and its appendant churches, while detailed indexes assist consultation.
Fatima Naqvi
The White Ribbon
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Explores Haneke's historically complex film as a reflection on purity, ideology, violence, and child-rearing.
White ribbons and black pedagogy - Michael Haneke's award-winning film The White Ribbon (2009) is a multilayered reflection on purity, ideology, violence, and child rearing. In this tense black-and-white whodunit, mysterious events occur in a small town on the German-Polish border in 1913-14. A tripwire fells the doctor's horse; a farmhand's wife falls through the floor of a shed; a barn goes up in flames; the baron's son is terribly beaten; a girls takes claims to clairvoyance; a mentally disabled boy is tortured and maimed. While the film unfolds on the eve of the First World War, the violence evokes other historical moments: the breakup of the multi ethnic Austro-Hungarian Empire, the rise of National Socialism, the emergence of 1960s German terrorism, and religious fundamentalism post 9/11. Fatima Naqvi's book looks at Haneke's technique of combining various histories in the digital era. It also reflects on the guise of literariness and historical authenticity in which the director clothes this fictional film. It meditates on the film's inscription techniques and its ability to appeal to international audiences. Naqvi shows that The White Ribbon bespeaks a certain historical "translatability" into historical and aesthetic contexts outside of Germany-in marked contrast to the historical specificity it conveys on a surface level.
Anselme Davril
The Winchcombe Sacramentary: Orleans, Bibliotheque municipale, 127 [105]
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Earliest surviving English sacramentary containing English and continental liturgical rite.
During the tenth century, there were intimate connections between the English Church and the French abbey of Fleury, which was at that time one of the foremost intellectual centres in Europe. A number of leading English churchmen,such as Archbishop Oswald (d.992) and Abbot Germanus, went to Fleury for their training, and it was from Fleury that Abbo, perhaps the most learned man in the Europe of his day, came to England to spend two years teaching at thefenland monastery of Ramsey (985-7). The `Winchcombe Sacramentary', which may have been written at Ramsey at this time, is the earliest complete surviving English sacramentary, and a product of the links between England and Fleury. Though written by an English scribe, it had been taken to Fleury by the early eleventh century, and remained there during the middle ages. The fascinating combination of English and continental liturgical rite represented in this manuscript is elucidated for the first time by Fr Anselme Davril.
Fr ANSELME DAVRIL, foremost living authority on tenth-century Fleury, is a monk of the Benedictine community at Fleury.
Richard Britnell
The Winchester Pipe Rolls and Medieval English Society
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The accounts of one of the great estates of medieval England, from 1209. A remarkable survival, they supply detailed evidence on a range of issues.
The Winchester pipe rolls - the estate accounts of the bishops of Winchester - constitute one of the most remarkable documentary survivals from medieval England, and are without parallel anywhere in the world, supplying detailed evidence for agriculture, prices, wages, the land market and peasant society in an exceptionally well-preserved sequence from 1209 onwards. They have attracted the attention of historians of medieval economy and society for over acentury, first in deposit in the Public Record Office, more recently in Hampshire Record Office. The essays collected here celebrate their survival and demonstrate their quality, putting them into perspective as a documentary source, and assessing how far their evidence is representative of England as a whole. The volume also demonstrates some of the new ways in which they are being put to use to enhance knowledge of medieval England, with a numberof the articles concerned with recent research projects. The book is completed with a handlist of these records up to 1455, the year in which the bishopric administration started to keep its accounts in registers rather than rolls.
Contributors: RICHARD H. BRITNELL, BRUCE M. S. CAMPBELL, JOHN LANGDON, JOHN MULLAN, MARK PAGE, K. J. STOCKS, CHRISTOPHER THORNTON, NICHOLAS C. VINCENT.
The late RICHARD BRITNELL was Professor of History at the University of Durham.
Walter Howard Frere
The Winchester Troper
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Published by Boydell & Brewer Inc.
Mark Richardson
The Wings of Atalanta
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Employing close reading of a kind usually associated with the study of lyric poetry, this book offers a general framework for reading African-American (and American) literature.
This book springs from two premises. The first is that, with a nod toward Marianne Moore, America is - has always been - an imaginary place with real people living in it. The second is that slavery and its legacies explain how and why this is the case. The second premise assumes that slavery - and, after that fell, white supremacy generally - have been necessary adjuncts to American capitalism. Mark Richardson registers these two premises at the level of style and rhetoric - in the texture as much as in the "arguments" of the books he engages. His book is written to appeal to a general reader. It begins with Frederick Douglass, continues with W. E. B. Du Bois, Charles Chesnutt, and Richard Wright, and treats works by writers not often discussed in books concerning race in American literature - for example, Stephen Crane and Jack Kerouac. It brings to bear on such books as Douglass's My Bondage and My Freedom, Du Bois's The Souls of Black Folk, and Crane's The Red Badge of Courage a degree and quality of attention one usually associates with the study of lyric poetry. The book offers a general framework within which to read African-American (and American) literature.
Mark Richardson is Professor of English at Doshisha University, Kyoto, Japan. He is co-editor of The Letters of Robert Frost (Harvard University Press) and author of The Ordeal of Robert Frost (University of Illinois Press, 1997).
Edited by Ian Convery, Peter Davis, Karen Lloyd, Owen T. Nevin and Erwin van Maanen
The Wolf
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New insights into the changing human attitudes towards wild nature through the depiction of wolves in human culture and heritage.
Few animals arouse such strong opinion as the wolf. It occupies a contested, ambiguous, yet central role in human culture and heritage. It appears as both an inspirational emblem of the wild and an embodiment of evil. Offering a mirror to different human attitudes, beliefs, and values, the wolf is, arguably, the species that plays the greatest role in shaping our views on what nature is or should be.
North America and, more recently, Europe have witnessed a remarkable return of the grey wolf (Canis lupus, and its close relative the Eurasian wolf, Canis lupus lupus) to eco-systems. The essays collected here explore aspects of this recovery, and consider the history, literature and myth surrounding this iconic species. There are chapters on wolf taxonomy, including the coywolf, the red wolf, and the many faces of the dingo. We also meet the Tasmanian wolf and encounter Nazi Werewolves from Outer Space. The book explores the challenges of separating fact from fiction and superstition, and our willingness to co-exist with large carnivores in the twenty-first century. Biologists, historians, anthropologists, cultural theorists, conservationists and museologists will all find riches in the detail presented in this wolf collection.
Ralph Hanna
The Wollaton Medieval Manuscripts
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A survey of the history, holdings, decoration, and conservation of one of England's finest medieval libraries, with full catalogue.
The Willoughby family, from Wollaton, Nottinghamshire, built up an extensive medieval library, including the notable Wollaton Antiphonal; theirs is the largest surviving library gathered by a gentry family of the period, the product of a single acquisitive burst, beginning around 1460 and mainly completed at about the time of the Dissolution in 1540. The manuscripts remain unique because of the very substantial core which survives more or less in situ, together with a huge collection of family archives, at the University of Nottingham, just a few miles from their original home. This book focuses upon the ten manuscripts now in the Wollaton Library Collection as well asthe famous Antiphonal. Essays explore the history of the library and the Willoughby family, the books of Sir Thomas Chaworth, the art and function of the Antiphonal, the works of pastoral instruction, the decoration of the Frenchmanuscripts (including the earliest fully illustrated manuscript of romances), the Confessio Amantis, and the conservation of the collection. The essays are followed by a full catalogue of the Wollaton Library Collection aswell as of manuscripts and early printed books now dispersed as far afield as Tokyo and New York.
Contributors: Alixe Bovey, Gavin Cole, Ralph Hanna, Dorothy Johnston, Rob Lutton, Derek Pearsall, Alison Stones, Thorlac Turville-Petre.
Mark Newman
The Wonder of the North
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A history and tour of this exceptionally beautiful designed landscape in North Yorkshire.
Dubbed "the Wonder of the North" in 1732, the National Trust's Fountains Abbey and Studley Royal Estate (now a World Heritage Site) encompasses one of the largest, most magnificent and beautiful designed landscapes ever created. This richly illustrated volume charts the landscape's history from the first arrival of prehistoric hunters, via medieval monasticism, the Dissolution of the monasteries, eighteenth-century aestheticism and scandal, and the first ages of mass tourism, to the present day. At the heart of the story lies the rise and fall of England's largest Cistercian monastery and how that shaped the origins of the Aislabie family's breathtaking gardens. Their Studley Royalwas at the forefront of every emergent landscape gardening fashion between 1670 and 1800. The book also describes the dramatic history of the family and the monumental scale of their achievements in this field, extending over many dozens of square miles of North Yorkshire - far beyond the limits of the garden as it is seen today (reduced to serve the more limited needs of Victorian day-trippers). The Wonder of the North brings social and garden history together with archaeology to reveal Fountains Abbey and Studley Royal - too often seen as "just" a ruined medieval monastery - as one of the world's greatest artistic creations.
Mark Newman has been the National Trust's archaeological adviser for Fountains Abbey and Studley Royal estate since 1988. He was also resident there, living in Fountains Hall from 1988-1995.
Maria Perry
The Word of a Prince
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She gives the general reader fresh access to Elizabeth's mind and ideas, her wit, verve, eloquence, circumlocution, and formidable learning. OBSERVER
A new approach to historical biography - she has studied both the original sources and recent works of scholarship and has a thorough understanding of the period. SUNDAY TIMES
Until Maria Perry began her exploration of Elizabeth's papers, this vivid raw material had only been partially studied. From it, a fresh portrait of Elizabeth emerges, one which is often more cohesive and less baffling than some offered by her biographers. The dangers and insecurities of her early life, her sense of divine protection, her formidable education, all stand out as crucial elements in the formation of her character; but behind the acquired circumspection lies a personality of great warmth and spirit. On the teasing questions of love, marriage and virginity, the letters and speeches offer oblique comment; it seems certain that Robert Dudley was her one true love, and that she felt his second marriage to Lettice Knollys as a bitter betrayal.
MARIA PERRY is a graduate of Somerville College, Oxford, where she read history.
Miri Rubin
The Work of Jacques Le Goff and the Challenges of Medieval History
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Essays on medieval history inspired by, and engaging with, the work of Jacques Le Goff.
The essays in this volume arise from the proceedings of a conference held in 1994 to celebrate the life and work of the eminent French medievalist Jacques Le Goff. Set within thematic sections -popular religion and heresy, the body, royalty andits mystique, intellectuals in medieval society, and others -many of the challenges raised by Le Goff are reassessed and reapproached. There is an explicit historiographical focus in a section on the reception and influence of Le Goff, with particular reference to the Annales school of history with which he is strongly identified; the volume also indicates the problems which animate current research in medieval studies, especially in certain areas of social and cultural history.
MIRI RUBIN is Professor of History, Queen Mary, University of London.
Contributors: ALEXANDER MURRAY, PETER BILLER, ANDRÉ VAUCHEZ, R.I. MOORE, OTTO GERHARD OEXLE,LESTER K. LITTLE, WALTER SIMONS, ADELINE RUCQUOI, ALAIN BOUREAU, JEAN DUBABIN, WILLIAM CHESTER JORDAN, PETER LINEHAN, MIRI RUBIN, GABOR KLANICZAY, AARON GUREVICH, ROBIN BRIGGS, STUART CLARK
Shifra Shvarts
The Workers' Health Fund in Eretz Israel
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The first study to research the history of the health funds established by Jewish laborers in Israel.
The history of Kupat Holim, the health organization of workers in Israel, began at the 2nd Convention of Jewish agricultural workers in Judea in December 1911. Due to the lack of health services within the economic means of the workers, and the refusal of the farmer-employers to extend health services to their employees, the Jewish agricultural workers in Eretz-Israel -- at that time, a distant province of the far-flung Ottoman empire -- decided to establish a workers' health fund [kupat holim in Hebrew]. In the years 1912-15, two funds similar to the ones in Judea were also established in the north and center of the country. In the first years, the health funds did not provide workers with medical assistance on their own. Only in 1913, with the outbreak of the First World War, were the health funds transformed from insuring organizations into ones that provided medical assistance services themselves. With the establishment of the General Federation of Labor [1920], the health funds were amalgamated into a single organization -- the Federation's Kupat Holim [1921]. The unification of Kupat Holim ultimately determined theorganization's future -- transforming it from a small, local, temporary body with a few dozen members into a national entity and a key factor in health services in Israel to this day. This volume seeks to describe the growth of Kupat Holim up to the point where it was transformed into a central health organization in Israel; its relationship with its parent-organization, the General Federation of Labor and its rivalry with its competitor in the health field, Hadassah; its evolution from an organization solely for laborers to one open to all; the efforts on the part of Kupat Holim during the British Mandate [1918-1948] to bring about legislation for a compulsory health insurance law; and the formulation of the basic principle that underlie the work of Kupit Holim to this day -- the principle of national and social responsibility for the provision of equal health services to all.
Dr. Shifra Shvarts is the head of the Health Systems Management Department of the Faculty of Health Sciences and School of Management at Ben-Gurion University.
Alexander M. Kinghorn, Alexander Law
The Works of Allan Ramsay
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Published by Boydell & Brewer Inc.
David E. White
The Works of Bishop Butler
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The complete works of Joseph Butler, newly edited, with an introduction, notes, glossary, and an analytic index.
This edition of Bishop Joseph Butler's [1692-1752] complete works is the first newly edited version to appear in a century, and is the only one to include a single, analytic index to the whole works. The editor's introduction presents Butler's ethics and philosophy of religion as a single, comprehensive system of pastoral philosophy and surveys the vast influence Butler exerted, especially in the nineteenth century.
Included here are all fifteen published sermons from Butler's tenure as Preacher at the Rolls Chapel, the only sermons in English routinely studied by secular ethicists to this day; six additional sermons on the great public institutions; his Charge to the Clergy at Durham, controversial in its day for its defense of external religion; his youthful letters sent anonymously to Samuel Clarke, and the complete text of his Analogy of Religion, an apologetic tour de force, including the famous introduction on probability as the guide to life, the analogical defense of immortality, free will and the moral order of nature, as well as his famous rebuttal of deism and his dissertations on virtue and on personal identify. Butler's work is among the monuments of classical Anglican theology. He is a major source for work in ethical theory and philosophy of religion, as well as for the background of Victorian literature.
David E. White teaches philosophy at St. John Fisher College and is an officer in the New York State Philosophical Association.
Jan Ross
The Works of Thomas Traherne I
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First volume in what will be the definitive edition of the complete works of Thomas Traherne, containing previously unpublished material.
Thomas Traherne [1637?-1674], a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were discovered. Although his reputation as a metaphysical poet in the tradition of Donne and Herbert has grown since then, there have only been miscellaneous publications of his poetry and devotional writings, with much of his output still unpublished. TheWorks of Thomas Traherne brings together all of Traherne's extant works in a definitive, printed edition for the first time, with the purpose of giving a sense of the manuscript or printed originals. His works not published in print will be edited by manuscript insofar as possible, giving due attention to their physical aspects and to their integrity as manuscript books. The text of Traherne's works will be printed in seven volumes, with an eighth volume of commentary, and a further volume of his notebooks. This first volume makes available in print four treatises contained in a single manuscript recently discovered in 1997 at Lambeth Palace Library. While they bear thestamp of Traherne's unique character of thought and writing, they are diverse in subject and form. Traherne wrote against a background of scepticism as well as a growing atheism. These four works show him to be profoundly aware ofthe currents of his age, theological, political, sociological and scientific, to which he responded with thoughtful and imaginative insights. They show him also to be a compelling apologist for the Christian religion and for thegoodness of the church. This much needed and important edition of the works of Thomas Traherne makes a valuable contribution not only to Traherne studies but also to seventeenth-century studies in general.
Jan Ross
The Works of Thomas Traherne II
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Traherne's voice can be heard as never before. THE TABLET
Thomas Traherne [1637? - 1674], a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were discovered. There have beensince miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together all of Traherne's extant works in a definitive, printed edition for the first time. It will include both his published and unpublished works, and his notebooks, presenting them insofar as possible by manuscript, giving due attention to their physical aspects and to their integrity as manuscript books. Volumes II and III make available the Commentaries of Heaven, preserved in one manuscript held at the British Library. Organised topically, it was intended to cover the whole of the alphabet but extends only through `A' and part of `B', with 95prose articles altogether. It possesses the characteristics of a commonplace book, encyclopaedia and dictionary, and contains poetry, meditations, philosophical discourse, and polemic. The unusual range of subjects treated, from `Abhorrence' to `Ant', `Aristotle' to `Atom', shows Traherne to be an imaginative and compelling writer in his approach to Christian theology, while maintaining both his integrity and orthodoxy as a priest.
Jan Ross
The Works of Thomas Traherne III
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Traherne's voice can be heard as never before. THE TABLET
Thomas Traherne [1637? - 1674], a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were discovered. There have beensince miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together all of Traherne's extant works in a definitive, printed edition for the first time. It will include both his published and unpublished works, and his notebooks, presenting them insofar as possible by manuscript, giving due attention to their physical aspects and to their integrity as manuscript books. Volumes II and III make available The Commentaries of Heaven, preserved in one manuscript held at the British Library. Organised topically, it was intended to cover the whole of the alphabet but extends only through `A' and part of `B', with 95prose articles altogether. It possesses the charactertistics of a commonplace book, encyclopaedia and dictionary, and contains poetry, meditations, philosophical discourse, and polemic. The unusual range of subjects treated, from`Abhorrence' to `Ant', `Aristotle' to `Atom', shows Traherne to be an imaginative and compelling writer in his approach to Christian theology, while maintaining both his integrity and orthodoxy as a priest.
Jan Ross
The Works of Thomas Traherne IV
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Traherne's voice can be heard as never before. THE TABLET
Thomas Traherne (1637-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. There have beensince only miscellaneous publications of his poetry and devotional writings fully edited, a gap which The Works of Thomas Traherne will remedy by bringing together Traherne's extant works, including his notebooks, in a definitive, printed edition for the first time. Volume IV makes available a single manuscript book held at the Bodleian Library, Oxford, never before published, the Church's Year-Book, Meditations and Devotions from the Resurrection to All Saints' Day, a work of celebration for the establishment and subsequent expansion of the universal Church and for the re-established Church of England. Also included is the anonymous devotional book that servedas the key to the initial identification of Traherne's manuscripts, A Serious and Pathetical Contemplation of the Mercies of GOD, in Several Most Devout and Sublime Thanksgivings for the Same, first printed in 1699 and commonly referred to as the "Thanksgivings". Both are works of universal appeal, learning and insight that show Traherne to be engaged in the central issues of his age and are essential reading for students not only of Traherne but also of seventeenth-century theological, liturgical and devotional literature. Printed in the Appendix is Meditations on the Six Days of the Creation, a work of questionable attribution to Traherne, as well as William T. Brooke's account of the discovery of Traherne's manuscripts, "The Story of the Traherne MSS. By their finder", held at the Bodleian Library, Oxford, and published for the first time.
Jan Ross
The Works of Thomas Traherne V
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This volume in the definitive edition of Thomas Traherne contains his best-known works, Centuries of Meditations and Select Meditations.
Thomas Traherne (1637?-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. There have beensince only miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together for the first time all Traherne's extant works, including his notebooks, in a definitive, printed edition. The six works in this volume are taken from two manuscripts. The first, held at the Bodleian Library, University of Oxford (MS Eng. th. e. 50), contains Centuries of Meditations; the other, held at the BeineckeRare Book and Manuscript Library, Yale University (Osborn MS b. 308), is comprised of three works by Traherne, Select Meditations and two brief untitled treatises, "Being a Lover of the world" and "The best principle whereby a man can Steer his course". It also includes two works by an unidentified writer, A Prayer for Ash Wednesday and A Meditation; neither work is of Traherne's making.
Jan Ross
The Works of Thomas Traherne VI
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Hereford Cathedral is proud of its four stained-glass windows commemorating Traherne, but these volumes are as glorious a memorial. DAILY TELEGRAPH [Christopher Howse]
Thomas Traherne (1637?-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. There have beensince only miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together for the first time all Traherne's extant works, including his notebooks, in a definitive, printed edition. The poems in this volume are independent, not extracted from Traherne's prose, and demonstrate the range of his imagination. Each poem has its own unique form, line numbers, meter and rhyme, and they are personal in nature with a didactic purpose, filled with joy and thanksgiving. They are also new transcriptions from four manuscripts, held variously at the Bodleian, the British Library, and the Folger Shakespeare Library. They include thirty-seven autograph poems from the "Dobell Folio"; Poems of Felicity, taken from Philip Traherne's incomplete edition of his brother's poems; The Ceremonial Law, an incomplete, autograph, narrative poem in rhyming couplets, wherein Traherne not only gives a reading of events in the Old Testament as types fulfilled in the New, but also interprets his own spiritual journey in terms of the stories from Pentateuch; and the "Early Notebook", made up ofnotes from various sources, probably from Thomas's undergraduate days, as well as five autograph poems. Included in the Appendix are the "Manuscript foliation of Poems" and "The Story of the Traherne MSS. by their Finder" byWilliam T. Brooke; a glossary and index of titles and first lines complete the volume.
Jan Ross
The Works of Thomas Traherne VII
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Hereford Cathedral is proud of its four stained-glass windows commemorating Traherne, but these volumes are as glorious a memorial. DAILY TELEGRAPH [Christopher Howse]
Thomas Traherne (1637-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. Since then, only selections of his poetry and devotional writings have been fully-edited for print publication, a gap which The Works of Thomas Traherne will remedy by bringing together Traherne's extant works, including his notebooks, in a definitive, printed edition for the first time.
Roman Forgeries (1673) is a complex analysis of the "False Decretals", forgeries produced by the Roman Catholic Church, making the Pope supreme head of the Church, which the Eastern Church rejected, fully accepting the Nicene Creed and the constitutions confirmed by the Œcumenical Church councils, which the forgeries attempted to alter. Christian Ethicks (published posthumously in 1675) is a book about the virtues every Christian ought to possess and practice as a witness to the world. Both texts have a complex transmission history, with details in book descriptions and provenance indicating that through the centuries Roman Forgeries and Christian Ethicks had various owners, were read, corrected, annotated and circulated. The copy texts, both held at the Cambridge University Library, have here been collated against others listed in this edition.
Genese Grill
The World as Metaphor in Robert Musil's The Man without Qualities
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The first study to utilize the Klagenfurt Edition of Musil's Nachlass offers a close reading of textual variations, emphasizing Musil's commitment to the artist's role in re-creating the world.
Robert Musil, known to be a scientific and philosophical thinker, was committed to aesthetics as a process of experimental creation of an ever-shifting reality. Musil wanted, above all, to be a creative writer, and obsessively engaged in almost endless deferral via variations and metaphoric possibilities in his novel project, The Man without Qualities. This lifelong process of writing is embodied in the unfinished novel by a recurring metaphor of self-generating de-centered circle worlds. The present study analyzes this structure with reference to Musil's concepts of the utopia of the Other Condition, Living and Dead Words, Specific and Non-Specific Emotions, Word Magic, andthe Still Life. In contrast to most recent studies of Musil, it concludes that the extratemporal metaphoric experience of the Other Condition does not fail, but rather constitutes the formal and ethical core of Musil's novel. Thefirst study to utilize the newly published Klagenfurt Edition of Musil's literary remains (a searchable annotated text), The World as Metaphor offers a close reading of variations and text genesis, shedding light not onlyon Musil's novel, but also on larger questions about the modernist artist's role and responsibility in consciously re-creating the world.
Genese Grill holds a PhD in Germanic Literatures and Languages from the GraduateSchool and University Center of the City University of New York.
Genese Grill
The World as Metaphor in Robert Musil's The Man without Qualities
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The first study to utilize the Klagenfurt Edition of Musil's Nachlass offers a close reading of textual variations, emphasizing Musil's commitment to the artist's role in re-creating the world.
Robert Musil, known to be a scientific and philosophical thinker, was committed to aesthetics as a process of experimental creation of an ever-shifting reality. Musil wanted, above all, to be a creative writer, and he obsessively engaged in almost endless deferral via variations and metaphoric possibilities in his novel project, The Man without Qualities. This lifelong process of writing is embodied in the unfinished novel by a recurring metaphor of self-generating de-centered circle worlds. The present study analyzes this structure with reference to Musil's concepts of the utopia of the Other Condition, Living and Dead Words, Specific and Non-Specific Emotions, Word Magic, and the Still Life. In contrast to most recent studies of Musil, it concludes that the extratemporal metaphoric experience of the Other Condition does not fail, but rather constitutes the formal and ethical core of Musil's novel. The first study to utilize the Klagenfurter Ausgabe (Klagenfurt edition) of Musil's literary remains (a searchable annotated text), The World as Metaphor offers a close reading of variations and text genesis, shedding light not only on Musil's novel, but also on larger questions about the modernist artist's role and responsibility in consciously re-creating the world.
Marcus Bull
The World of Eleanor of Aquitaine
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A revisionist approach to Eleanor of Aquitaine and the political, social, cultural and religious world in which she lived.
Eleanor of Aquitaine (1124-1204) is one of the most important and well-known figures of the Middle Ages; she exercised a huge influence on both the course of history, and on the cultural life, of the time. The essays in this collection use her as a point of entry into wider-ranging discussions of the literary, social, political and religious milieux into which she was born, and to which she contributed; they address many of the misconceptions that have grown around both Eleanor herself and the medieval Midi in general, and open up new areas of debate. Topics explored include the work of the troubadours and the importance to them of patronage; perceptions of southern France and itsinhabitants by outsiders; the early history of the Templars in southern France; cultural contacts between the Midi and other parts of the Latin world; the uses of ritual and historical myth in the expression of political power; and attitudes towards women.
Contributors: Catherine Léglu, Marcus Bull, Richard W. Barber, Daniel F. Callahan, Malcolm Barber, John B. Gillingham, Linda Paterson, Ruth Harvey, Daniel Power, Laurent Macé, William Paden.
Marjorie Chibnall
The World of Orderic Vitalis
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`A wise, learned, gracefully written account of the Anglo-Norman world and its most remarkable chronicler.' SPECULUM
Orderic Vitalis, born near Shrewsbury in 1075 and sent as a child oblate to the Norman abbey of Saint-Evroult, wrote one of the most vivid and important medieval chronicles. His world encompassed Shropshire in the aftermath of theConquest, Normandy in civil war and at peace, and, briefly, the wider French perspective of the priory of Maule. Saint-Evroult was open to all the cross-currents of a changing society, and Orderic witnessed fundamental changes inchurch organisation, patterns of aristocratic inheritance, attitudes towards knighthood, and Christian militancy towards non-Christians. This book is concerned with monastic life and culture and its interaction with the life of courts and Norman families. It also describes the life of Orderic himself, and an appendix gives a translation of his own moving account of his life, an epilogue to the Historia.MARJORIE CHIBNALL is a Fellow of Clare Hall, Cambridge. She has written many booksand articles about the Anglo-Norman world, including an edition of Orderic's Ecclesiastical History.
Robin Ward
The World of the Medieval Shipmaster
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A comprehensive picture of the life and responsibilities of an English medieval shipmaster.
Despite a background of war, piracy, depopulation, bullion shortages, adverse political decisions, legal uncertainties and deteriorating weather conditions, between the mid-fourteenth and the mid-fifteenth centuries the English merchant shipping industry thrived. New markets were developed, voyages became longer, ships and cargoes increased in size and value, and an interest in ship ownership as an investment spread throughout the community. Using a rich range of examples drawn from court and parliamentary records, contemporary literature and the codifications of maritime law, this book illuminates the evolving management and commercial practices which developed to regulate the relationships between shipowners, shipmasters, crews and shipping merchants. It also brings to life ship performance, navigation, seamanship, and the frequently harsh conditions on board.
Elizabeth Noble
The World of the Stonors
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First full-length survey of the Stonors, an important gentry family during the middle ages, exploring the wide connections they fostered.
The Stonor letters and papers are second in quantity only to the Paston letters. Nevertheless, while studies of the parvenu Pastons of Norfolk abound, no historian has used the Stonor archive to write about this significantly longer-established gentry family from Oxfordshire, despite the fact that their letters and papers have been available in print since the early twentieth century and have been recently re-issued. This present study helps to rectify that oversight. It argues that lineage, land and lordship were crucial elements in the Stonors' world, both materially and culturally, providing them with status and identity. They asserted their gentle lineage using a range of symbolic and other means, but did not neglect the more mundane management of their scattered lands. Ties of lordship with the influential helped them to retain these lands, and it is clear that the Stonors worked hard to fosterrelationships with kin and neighbours: indeed, their letters and papers allow us a far more extensive yet intimate view of all these social ties [extending over several counties] than is usually possible for the gentry.
Dr ELIZABETH NOBLE teaches in the School of the Humanities, University of New England, New South Wales.
H.V. Bowen
The Worlds of the East India Company
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The first multi-disciplinary history of the English East India Company, one of the most powerful commercial companies ever to have existed.
Throws light on significant aspects of the Company's history. INTERNATIONAL JOURNAL OF MARITIME HISTORY
The English East India Company was one of the most powerful commercial companies ever to have existed. It laid thefoundations of the British Empire in South Asia and thus lies at the very heart of the interlinked histories of Britain and Asia. This first multi-disciplinary history of the Company to be published commemorates the four-hundredth anniversary of the founding of this unique and extraordinary institution. Historians of art, culture, cartography, empire, politics, the sea, and trade, explore the origins, operation, and influence of the Company as an organisation that remained firmly engaged in maritime commercial activity in many different spheres, even as it acted as a powerful agent of territorial expansion on the Indian subcontinent. H.V. BOWEN is senior lecturer ineconomic and social history at the University of Leicester; NIGEL RIGBY and MARGARETTE LINCOLN work in the research department of the National Maritime Museum, London.
Nina Schmidt
The Wounded Self
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Takes the recent wave of German autobiographical writing on illness and disability seriously as literature, demonstrating the value of a literary disability studies approach.
In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes this writing seriously as literature,examining how the authors of such personal narratives come to write of their experiences between the poles of cliché and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read their narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schoßgebete(2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschläfer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends.
Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel Graduate School of Literary Studies at the Freie Universität Berlin.
Nina Schmidt
The Wounded Self
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Takes the recent wave of German autobiographical writing on illness and disability seriously as literature, demonstrating the value of a literary disability studies approach.
In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes this writing seriously as literature,examining how the authors of such personal narratives come to write of their experiences between the poles of cliché and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read their narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schoßgebete(2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschläfer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends.
Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel Graduate School of Literary Studies at the Freie Universität Berlin.
Richard Marggraf Turley
The Writer in the Academy: Creative Interfrictions
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For many years now the professional "creative writer" within universities and other institutions has encompassed a range of roles, embracing a plurality of scholarly and creative identities. The often complex relation between those identities forms the broad focus of this book, which also examines various, and variously fraught, dialogues between creative writers, "hybrid" writers and academic colleagues from other subjects within single institutions, andwith the public and the media. At the heart of the book is the principle of "creative writing" as a fully-fledged discipline, an important subject for debate at a time when the future of the humanities is in crisis; the contributors, all writers and teachers themselves, provide first-hand views on crucial questions: What are the most fruitful intersections between creative writing and scholarship? What methodological overlaps exist between creative writing and literary studies, and what can each side of the "divide" learn from its counterpart? Equally, from a pedagogical perspective, what kind of writing should be taught to students to ensure that the discipline remainsrelevant? And is the writing workshop still the best way of teaching creative writing? The essays here tackle these points from a range of perspectives, including close readings, historical contextualisation and theoretical exploration.
Professor Richard Marggraf Turley teaches in the Department of English and Creative Writing, Aberystwyth University. Contributors: Richard Marggraf Turley, Damian Walford Davies, Philip Gross, Peter Barry, Kevin Mills, Tiffany Atkinson, Robert Sheppard, Deryn Rees-Jones, Zoë Skoulding, Jasmine Donahaye
Stephen Brockmann
The Writers' State
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Examines the literature produced from the very beginnings of what became the GDR through the 1950s, redressing a tendency of literary scholarship to focus on the later GDR.
Twenty-five years after the demise of the German Democratic Republic, there is perhaps more scholarship being produced on all aspects of that country than ever. This is true also in the field of literary studies, but especially inEnglish-language literary scholarship there has been a strong imbalance toward a focus on the last three decades of GDR literature. The literature of the earlier GDR has mostly been dismissed or ignored by scholars, as the discontinuities between the early and late GDR have been emphasized over the considerable continuities. This book seeks to redress that state of affairs, examining the literature produced from the very beginnings of what became the GDRthrough the 1950s. In doing so it applies to GDR literature the insight gained by scholars over the past few decades that the immediate postwar period was more complex, more meaningful, and more rewarding of study than it was longdeemed to be. Far from all being mere propaganda or rote socialist realism, the literature of the early GDR has much to tell us about the budding socialist state, even as it goes far in explaining the developments in the later GDR.
Renate Blumenfeld-Kosinski
The Writings of Margaret of Oingt
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Margaret of Oingt was born around 1240 into a noble family in the French Beaujolais region, and became prioress of the Carthusian charterhouse of Poletains; visionary and mystic, her writings are intelligent and humorous. Includedhere are the Page of Meditations, on sin and salvation; the Mirror, a vision of Christ; the Life of the Virgin Saint Beatrice of Ornacieux, an exemplary text; and letters and stories, including comments on her problems as prioress. They are translated from the Latin and Francoprovencal with an introduction, notes, and interpretative essay.
Renate Blumenfeld-Kosinski is Chair, Department of French and Italian, and Professorof French, at the University of Pittsburgh.
Dayle Seidenspinner-Nunez
The Writings of Teresa de Cartagena
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Translation, with full explanatory notes, of the two works of Teresa de Cartagena, the fifteenth-century Spanish nun.
This affordable, engaging and important translation of Teresa de Cartagena's works significantly expands and enriches the current canon of medieval women writers. ANNE CLARK BARTLETT, DePAUL UNIVERSITY
Teresa de Cartagena was born in Burgos in about 1415-20, into a powerful family of Jewish origin. All we know of Teresa comes from her work: she was deaf and not physically strong, she was a nun, and - perhaps the source of her resilience -she was well-educated, above all in religion and moral philosophy. Deaf from early womanhood, her consolatory treatise Grove of the Infirm is a reflection on the spiritual benefits of illness; her second work, Wonder at the Works of God, was apparently written to counter the contention of her critics that a handicapped woman had nothing of value to say. This artful manipulation of the familiar devotional genre of "the treatise of consolation" reveals a woman writer intimately familiar with the cultural practices of her era; overall, both works allow a rare glimpse into the world of women in fifteenth-century Spain.
DAYLE SEIDENSPINNER-NUNEZ is Professor in the Department of Romance Languages and Literature at the University of Notre Dame.
Pamela M. King
The York Mystery Cycle and the Worship of the City
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An investigation into the connections between the York Plays, religious observance, and the role played by the city itself.
WINNER of the 2007 David Bevington Prize
The York Play is the earliest near-complete English civic mystery cycle. It evolved constantly throughout its long performance history, but the text that was recorded in the YorkRegister shows that it was already a mature and elaborate civic festival by the time it was written down. This study uncovers the Cycle's connection with worship in York, in the sense both of devotional practice and of civichonour, informing a particular period in the cultural history of the city. The pageants in the Register show in their different ways how the community which devised and performed the Cycle regarded the celebration of the great summer feast of Corpus Christi. Moreover the principles of selection that give the Cycle its structure reflect the broader pattern of the liturgical calendar, with its other feasts and fasts. The Cycle bears witness not only to thepractices of religious observance in York, but also to the ecclesiastical politics in which the city was caught up from the very beginning of the fifteenth century.
PAMELA KING is Professor of Medieval Studies at the University of Bristol.
George Redmonds, Alexandra Medcalf
The Yorkshire Historical Dictionary
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An invaluable reference work, providing definitions for a plethora of words old and new from Yorkshire's dialect.
This volume offers an unparalleled collection of words and phrases gleaned from Yorkshire's archives. The language it contains tells the story of Yorkshire in the words of the people who experienced it, providing a powerful new look at the county's intangible heritage and what it means to be from Yorkshire. The Dictionary uses a broad range of sources to widen the English lexicon, with new vocabulary for (among others) by-names and place-names; for agricultural and animal terms; and for specialist craft and industries. As well as new words such as fulture (a mixture of manure and bedding), working tree (a stand for hides to be worked upon), stonery (a place where stones could be quarried), and wand hagger (part of a wood set out for producing wands, or saplings, for baskets, hurdles, etc.), there are earlier references to established words that appear in the Oxford English Dictionary, such as necessary-house (privy, here from 1414 compared to 1609), orange (as a colour, here from 1504 compared to 1600) and oliver (a tilt hammer, used by early iron-workers, here from 1350, compared to 1846). The Dictionary also fills in in gaps in our understanding of the development of regional language, from "borrowings" from the Baltic and Low Countries to its decline from the Tudor period on.
This is the first time such a comprehensive glossary of regional words has been published. Its wide-ranging scope, underpinned with excellent scholarship, means this volume will be of interest not just to historians of Yorkshire, but to local historians across the country, as well as linguists and place-name and surname researchers.
Marie von Ebner-Eschenbach
Their Pavel
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Translation of nineteenth-century novel of life in a still-feudal Moravian village.
Marie von Ebner-Eschenbach (1830-1916) is Austria's most important nineteenth-century woman writer, but her works have remained largely unknown to English speakers, even her most important, the compelling Their Pavel, firstpublished serially in 1887. Based on a true incident, Their Pavel investigates the troubled social relations of a Moravian village that is endowed with the right of local governance but steeped in the habits of its feudalrelationship to the local barony. The novel explores the parallel fates of the children of a hanged murderer and thief. Milada, the appealing and alert daughter, is adopted on a whim by the aging baroness, while Pavel, the awkwardand taciturn son, is thrown upon the uncertain mercy of the village, but both suffer the stigma of their father's crime. In her sometimes grimly humorous picture of village life, the author spares neither the Catholic Church northe landed aristocracy nor the villagers themselves.
Lynne Tatlock is Hortense and Tobias Lewin Distinguished Professor in the Humanities in the Department of Germanic Languages and Literatures at Washington Universityin St. Louis.
Alexander Stephan
Themes and Structures
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Articles investigating important themes and structures in the works of major German writers from the eighteenth century to the present day.
This collection of essays focuses on the major figures in German literature from the eighteenth to the twentieth century, looking at themes and structures in works by Goethe, Schlegel, Tieck, Kempowski and others. Special emphasisis given to the turn of the nineteenth century, to the contemporary period, and to German/American relations, while topics include the popularisation of Copernicus and Newton; Goethe's Die Metamorphose der Pflanzen as elegy; and, moving to the present day, a close reading of themes and structures in Wedekind's Lulu plays, Handke's Repetition, and Wolf's Kassandra project; and an investigation of the changing image of post-war Germany in American fiction. The volume as a whole is thus a fitting tribute to Theodore Ziolkowski, longtime graduate dean of Princeton University and the author of numerous books on key aspects of German literature from Romanticism to the present day.
Wiebke Strehl
Theodor Storm's Immensee
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A chronological and comprehensive survey of the most important English and German language criticism about the novella in historical context.
Theodor Storm (1817-88), one of the leading literary Realists of the nineteenth century, achieved world-wide popularity with the novella Immensee in 1849. The work, which Storm himself referred to as a 'Perle deutscher Poesie' (pearl of German poetry) reached over thirty editions and was translated into 17 languages by the time of the author's death. But in addition to being called a masterpiece by such leading literary lights of the day as TheodorFontane and Paul Heyse, Immensee also attracted its share of criticism from the first, for instance as a mere sentimental love story. Then in the 1930s and forties Storm's novella was seized upon by right-wing critics as appropriate National Socialist reading material, which had the effect of sullying its reputation somewhat long after 1945. Since the 1960s Immensee's critical reputation has been rehabilitated and both novella and Storm himself analyzed from a variety of viewpoints, including Marxism and democratic humanitarianism. Strehl's book chronicles the highlights of this critical history.
Wiebke Strehl is assistant professor of German at the University of South Carolina.
Paul Mark Walker
Theories of Fugue from the Age of Josquin to the Age of Bach
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Few bodies of Western music are as widely respected, studied, and emulated as the fugues of Johann Sebastian Bach. Despite the esteem which Bach's contributions brought to the genre, however, the origin and early history of the fugue remain poorly understood. Theories of Fugue from the Age of Josquin to the Age of Bach addresses both the history and methodology of the pre-Bach fugue (from roughly 1500 to 1700), and, of greatest significance to the literature, it seeks to present a way out of the methodological dilemma of uncertainty which has plagued previous scholarly attempts by considering what musicians of the time had to say about the fugue: what it was, what it was not, how important it was, and where and how a composer should (or shouldn't) use it.
Paul Mark Walker is director of the Early Music Ensemble at the University of Virginia and an expert on the history of the fugue.
Flora Veit-Wild
They Called You Dambudzo
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Compelling memoir of Flora Veit-Wild and her relationship with the Zimbabwean novelist, poet, playwright, and essayist Dambudzo Marechera, one of Africa's most innovative and subversive writers and a significant voice in contemporary world literature.
How shall I tell our story? I hear your voice ringing in mine. I struggle to disentangle a dense tapestry of memories. One thread will be caught up in another. Early images will embrace later ones. My gaze will often be filtered through your eyes, your poems. In the end I will not always be able to tell the original from the reflection. Just as you wrote, Time's fingers on the piano / play emotion into motion / the dancers in the looking glass never recognise us as their originals. This book is a memoir with a 'double heartbeat'. At its centre is the author's relationship with the late Zimbabwean writer, Dambudzo Marechera, whose award-winning book The House of Hunger marked him as a powerful, disruptive, perhaps prophetic voice in African literature. Flora Veit-Wild is internationally recognised for her significant contribution to preserving Marechera's legacy. What is less known about Marechera and Veit-Wild is that they had an intense, personal and sexual relationship. This memoir explores this: the couple's first encounter in 1983, amidst the euphoria of the newly independent Zimbabwe; the tumultuous months when the homeless writer moved in with his lover and her family; the bouts of creativity once he had his own flat followed by feelings of abandonment; the increasing despair about a love affair that could not stand up against reality; and the illness of the writer and his death of HIV related pneumonia in August 1987. What follows are the struggles Flora went through once Dambudzo had died. On the one hand she became the custodian of his life and work, on the other she had to live with her own HIV infection and the ensuing threats to her health.
Jacana: Southern Africa
Flora Veit-Wild
They Called You Dambudzo
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Compelling memoir of Flora Veit-Wild and her relationship with the Zimbabwean novelist, poet, playwright, and essayist Dambudzo Marechera, one of Africa's most innovative and subversive writers and a significant voice in contemporary world literature.
How shall I tell our story? I hear your voice ringing in mine. I struggle to disentangle a dense tapestry of memories. One thread will be caught up in another. Early images will embrace later ones. My gaze will often be filtered through your eyes, your poems. In the end I will not always be able to tell the original from the reflection. Just as you wrote, Time's fingers on the piano / play emotion into motion / the dancers in the looking glass never recognise us as their originals. This book is a memoir with a 'double heartbeat'. At its centre is the author's relationship with the late Zimbabwean writer, Dambudzo Marechera, whose award-winning book The House of Hunger marked him as a powerful, disruptive, perhaps prophetic voice in African literature. Flora Veit-Wild is internationally recognised for her significant contribution to preserving Marechera's legacy. What is less known about Marechera and Veit-Wild is that they had an intense, personal and sexual relationship. This memoir explores this: the couple's first encounter in 1983, amidst the euphoria of the newly independent Zimbabwe; the tumultuous months when the homeless writer moved in with his lover and her family; the bouts of creativity once he had his own flat followed by feelings of abandonment; the increasing despair about a love affair that could not stand up against reality; and the illness of the writer and his death of HIV related pneumonia in August 1987. What follows are the struggles Flora went through once Dambudzo had died. On the one hand she became the custodian of his life and work, on the other she had to live with her own HIV infection and the ensuing threats to her health.
Jacana: Southern Africa
John McTague
Things that Didn't Happen
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An innovative exploration of fake news and alternative reality in late Stuart and early Hanoverian political and literary culture, from the Popish Plot and the South Sea Bubble to the Dunciad.
James Francis Edward Stuart, the Prince of Wales born in 1688, was not a commoner's child smuggled into the queen's birthing chamber in a warming pan, but many people said he was. In 1708, the same prince did not quite land in Scotland with a force of 5,000 men in order to claim the Scottish crown, but writers busied themselves with exploring what would have happened if he had succeeded. These fictions had as potent an effect on the political culture of late Stuart and early Hanoverian Britain as many events that really did happen.
From the alleged "Popish Plot" of Titus Oates to the South Sea Bubble, John McTague draws on a rich variety of sources - popular, archival and literary - to investigate the propagandic and literary exploitation of three kinds of things that did not occur at this time: failures which inspired "what if" narratives, speculative futures which failed to come to pass and "pure" fictions created and disseminated for political gain. Finally, a ground-breaking reading of the various versions of Pope's Dunciad reveals a work that in its exploration of historic causation and agency and its repurposing o fthe material of contemporary political and literary culture deploys many of the strategies explored in earlier chapters to present Hanoverian reality as if it were counterhistory.
JOHN MCTAGUE is Lecturer in English Literature at Bristol University.
Zrinka Stahuljak, Virginie Greene, Sarah Kay, Sharon Kinoshita and Peggy McCracke
Thinking Through Chrétien de Troyes
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An exciting reassessment of the works of Chrétien, making use of modern critical theory to test orthodox opinion.
This co-written, multi-stranded book challenges assumptions about Chrétien as the author of a canon of works. In a series of lively exchanges, its five authors reassess the relationship between lyric and romance, between individuality and social conditions, and between psychology and medieval philosophy. The idea of "logical time" is used to open up such topics as adventure, memory, imagination, and textual variation. Recent research on Troyes and on the political agency of women leads to the reappraisal of subjectivity and gender. Throughout, the medieval texts associated with the name of Chrétien are highlighted as sites where thought emerges; the implications of this thought arehistoricized and further conceptualized with the help of recent theoretical works, including those of Lacan.
ZRINKA STAHULJAK, VIRGINIE GREENE, SARAH KAY, SHARON KINOSHITA and PEGGY McCRACKEN are professors at the University of California, Los Angeles, Harvard, New York University, the University of California, Santa Cruz and the University of Michigan respectively.
Kenneth M. Ralston
Thinking Through German Literature with Andrew Jaszi
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Brings to light an important and unconventional teacher of literature whose way of thinking and method are relevant in German Studies and beyond, particularly in view of the present crisis of the humanities.
At a time when enrollment in the humanities is said to be in "free fall" (Nathan Heller, The New Yorker, 2/27/2023), the figure of Andrew Jaszi offers an alternative vision of what a literary education might look like. Jaszi was a Hungarian-born philosopher and literary scholar in the German Department at the University of California, Berkeley, from 1948 to 1985. His accessible, jargon-free approach, a method he developed through analogy with Goethe's unique way of doing science, attracted students of diverse backgrounds and majors to his classes, while also winning acclaim from colleagues who compared him to Wittgenstein and Buber.
Drawing on a set of previously unknown tape recordings of Jaszi's seminars, this book offers readers the opportunity to witness this legendary teacher in action. The book's immediate benefit is the illumination provided by Jaszi's original interpretations of Goethe's Faust and Kafka's "The Judgment." More broadly, it illustrates the transformative, whole-self education Jaszi advocated and himself embodied, one that runs counter to the technocratic imperatives of our time. Ultimately, the book's goal is to make better known an important literary thinker and an unconventional teacher of German Studies, the value of whose work extends beyond a single discipline to humanities education in general, with special bearing on its present crisis and potential future.
Peter Coss
Thirteenth Century England I
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Set to become an indispensible series for anyone who wishes to keep abreast of recent work in the field. WELSH HISTORY REVIEW
Peter Coss
Thirteenth Century England II
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Thirteenth Century England II continues the series which began in 1986 with the publication of the first volume of the biannual Newcastle upon Tyne conferences on thirteenth-century England. Important studies of aspects ofEnglish society and politics open up new areas of research and re-examine standard interpretations.
Peter Coss
Thirteenth Century England III
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Thirteenth-Century England IIIcontinues the series which began in 1986 with the publication of the first volume of the biannual Newcastle upon Tyne conferences on thirteenth-century England. Important studies of aspects ofEnglish society and politics open up new areas of research and re-examine standard interpretations.
Contributors: PAUL BRAND, D.W. BURTON, P.H. CULLUM, R.B. DOBSON, ELIZABETH GEMMILL, P.J.P. GOLDBERG, ANTONIA GRANSDEN, LINDY GRANT, MICHAEL PRESTWICH, ROBERT C. STACEY, R.L.STOREY, ROBIN STUDD, CHRISTOPHER WILSON.
Peter Coss
Thirteenth Century England IV
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`Set to become an indispensible series for anyone who wishes to keep abreast of recent work in the field.' WELSH HISTORY REVIEWImportant papers playing a key role in re-awakening scholarly interest in a comparatively neglected period of English history.
The thirteen papers in this volume represent a significant step forward in knowledge and understanding of a number of aspects of 13th-century England -in particular its economy, coinage, religious life and belief, manorial farming, language attitudes and norms, cartography and geographic perception, domestic architecture, foreign relations, and internal politics.
CONTRIBUTORS: J.L. BOLTON, R.J. EAGLEN, CHRISTOPHER THORNTON, MIRI RUBIN, MARGARET HOWELL, R.A. LODGE, PHILIP DIXON, P.D.A. HARVEY, JEFFREY DENTON, CHRISTOPHER HOLDSWORTH, NICHOLAS C. VINCENT, S.D. CHURCH, ROBIN FRAME.
Michael C Prestwich
Thirteenth Century England IX
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Studies on the cultural, social, political and economic history of the age.
This collection presents new and original research on the long thirteenth century, from c.1180-c.1330, including England's relations with Wales and Ireland. The range of topics embraces royal authority and its assertion and limitation, the great royal inquests and judicial reform of the reign of Edward I, royal manipulation of noble families, weakening royal administration at the end of the century, sex and love in the upper levels of society, monastic/layrelations, and the administration of building projects.
Contributors: RUTH BLAKELY, NICOLA COLDSTREAM, BETH HARTLAND, CHARLES INSLEY, ANDY KING, SAMANTHA LETTERS, JOHN MADDICOTT, MARC MORRIS, ANTHONY MUSSON, DAVIDA. POSTLES, MICHAEL PRESTWICH, SANDRA G. RABAN, BJORN WEILER, JOCELYN WOGAN-BROWNE, ROBERT WRIGHT.
THE EDITORS are all in the Department of History, University of Durham.
P.R. Coss, S.D. Lloyd
Thirteenth Century England V
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Studies in economic, political and social history in 13c England.
This latest volume in the series of selected proceedings of the conferences on thirteenth-century England, held biennially at Newcastle upon Tyne since 1985, contains fourteen papers given at the 1993 conference, most of them modified and expanded from their oral versions. As previously, they range widely over a variety of topics, embracing aspects of the political, legal, administrative, economic, religious and social history of the period, from merchantsand trade in medieval England to hagiographical writings and the role of the household knights of Edward I; there is also an important historiographical introductory essay considering past and present approaches to the study of thirteenth-century England, and indicating possible trends in the future.
Contributors: M.T. CLANCHY, PHILIP MORGAN, RUTH INGAMELLS, ROBERT BARTLETT, BRIAN GOLDING, ANDREW H. HERSHEY, SCOTT L. WAUGH, JAMES MASSCHAELE, R.H.BRITNELL, W.M. ORMROD, ANDREW F.McGUINNESS, R. MALCOLM HOGG, MICHAEL BURGER, A.A.M. DUNCAN
Michael C Prestwich
Thirteenth Century England VI
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`An indispensable series for anyone who wishes to keep abreast of recent work in the field'. WELSH HISTORY REVIEW
Volume VI of Thirteenth Century England sees a new impetus behind this biennial series. The conference which generates the studies - a generous thirteen in this volume - has now moved to Durham, where Professor MICHAEL PRESTWICH is Pro-Vice Chancellor and Professor ROBIN FRAME and Dr RICHARD BRITNELL are members of the History Department. It is the publishers' hope that, like Anglo-Norman Studies, the series will now be recognised as one which any library with a serious interest in medieval history will need to possess. This latest volume in the series takes a broad chronological approach, covering a wide range of topics over a period extending from the late twelfth to the early fourteenth century, the so-called `long thirteenth century'. Embracing different aspects of the economic, social and political history of the period, subjects include naval warfare under Richard I; England's relations with Wales and Scotland; the purchasing practices of great households, and the management of the Winchester estates; the expulsion of Jews in 1290; and the construction and political message of the Vita Edwardi Secundi. Two articles concern women, one looking at the role of queens in granting pardons, the other at the fate of widows in the aftermath of rebellion.
Contributors: JOHN GILLINGHAM, BARBARA HARVEY, MARK PAGE, PETER COSS,JENS RÖHRKASTEN, ROBERT C. STACEY, SUSAN CRANE, J.J. CRUMP, FIONA WATSON, JOHN PARSONS, PAULA DOBROWOLSKI, CHRIS GIVEN-WILSON, WENDY CHILDS
Michael C Prestwich
Thirteenth Century England VII
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An indispensable series for anyone who wishes to keep abreast of recent work in the field. WELSH HISTORY REVIEW
The continued vitality and rich diversity of thirteenth-century studies is demonstrated in this latest volume in the series. Economic and social history is particular well-served, with a close examination of the concept of "bastard feudalism", while a detailed exploration of the cloth industry and trade, together with a paper on London wardrobes, with their implications of conspicuous consumption, add much to our knowledge of the commercial world during the period. There is also a particular focus on English relations with Wales and Scotland under Edward I, and on the early history and development of parliament. Other subjects treated include the nature of Englishness; the serjeants of the Common Pleas; English verse chronicles; and Henry III's marriage plans.
Professor MICHAEL PRESTWICH, Professor ROBIN FRAME and the late Professor RICHARD BRITNELL taught at the Department of History at the University of Durham.
Contributors: SUSAN REYNOLDS, J.R. MADDICOTT, SCOTT L. WAUGH, DEREK KEENE, PAUL BRAND, JOHN H. MUNRO, THEA SUMMERFIELD, REBECCA READER, MICHAEL PRESTWICH, BJÖRN WEILER, J. BEVERLEY SMITH, ALAN YOUNG, MICHAEL HASKELL, HUGO SCHWYZER