Transformative Constitutionalism and Kenya

$120.00

A key book about rights, separation of powers and the State, which assesses a decade and a half of transformative constitutionalism in Kenya through the lens of landmark constitutional judgments, discussing their international import and suggesting new pathways towards democratic constitutionalism.

In 2010, after more than two decades of struggle, Kenya's new Constitution was born. Widely accepted to be "transformative" in nature, in the decade and a half since it was enacted, the Constitution has been at the centre of national discourse. And in that time, the country's courts have been confronted with crucial and high-stakes constitutional disputes, which are both distinctively Kenyan in nature, but also, are disputes that have long been common to constitutional democracies around the world: they include issues around constitutional change, federalism, imperial presidencies, the role of the legislature, election disputes, land rights, and horizontality, among others. Drawing comparisons with constitutional jurisdictions globally, which often rely upon precedent from each other's jurisdictions, this book examines transformative constitutionalism under the 2010 Constitution, and shows that while Kenyan courts have been informed by - and been in conversation with - global precedent, they have crafted unique and particular solutions.

The book excavates the engagement of Kenyan Courts with the 2010 Kenyan Constitution to highlight the unique and innovative contributions that Kenyan courts have made to global constitutional problems and to suggest pathways for the future. Showcasing the jurisprudence of the courts in action, this book discusses how and when the power to amend a constitution can be limited or constrained and how constitutional change can be insulated from political interference. It examines issues of parliamentarianism and devolution in the context of the national controversy around constituency development funds, and reveals how Kenya provides a model for understanding constitutional separation of powers. It looks at the process for challenging presidential elections, and details how the Supreme Court has aimed to set out clear legal and evidentiary standards for how a court ought to deal with a pure political dispute - something with which judiciaries around the world have struggled. It explores the evolution of socio-economic rights, including the right to housing, non-discrimination, and equality before the law, as well as the question of how transformative constitutionalism interrogates private power. Placing contemporary Kenyan constitutionalism at its heart, this work of comparative constitutional law asks what the ongoing, global constitutional conversation can learn from the Kenyan experience under its new order.

Cover image for Transformative Constitutionalism and Kenya, isbn: 9781847013897

Transformative Waters in Late-Medieval Literature

$120.00

A consideration of the metaphor of water in religious literature, especially in relation to women.

Women are frequently depicted as unpredictable, difficult to categorise and prone to transformation in medieval religious writings. Water is equally elusive: rivers, wells and seas slip and slide out of the readers' grasp as they alter in metaphorical meaning.

This book considers a large span of watery images in a small cluster of late-medieval devotional writings by and for women, in order to explore the association between women and water in the medieval religious imagination. Using writings by Aelred of Rievaulx, Julian of Norwich and a number of anonymous translators - as well as medical, scientific, and encyclopaedic works - it argues for water as an all-purpose metaphor with a particularly resonance for them. Its chapters are organised around a number of particular usages of water as a means of mediation and exchange between the human and the divine, from crossing a stream to dissolving in the peaceful sea of God's love. Through analysis of such recurring tropes, this book reveals that whilst water can be used to hint at transformation of the soul, and greater access to the divine, male authors also use the very same metaphorical material to regulate such access for their female readers.

Transformative Waters in Late-Medieval Literature

Transforming the Republic of Letters

$130.00

A multi-faceted study of intellectual transformation in early modern Europe as seen through the eyes of a leading French scholar and cleric, Pierre-Daniel Huet (1630-1721).

Early modern Europe's most extensive commonwealth -- the Republic of Letters -- could not be found on any map. This republic had patriotic citizens, but no army; it had its own language, but no frontiers. From its birth during theRenaissance, the Republic of Letters long remained a small and close-knit elite community, linked by international networks of correspondence, sharing an erudite neo-Latin culture. In the late seventeenth century, however, it confronted fundamental challenges that influenced its transition to the more public, inclusive, and vernacular discourse of the Enlightenment.

Transforming the Republic of Letters is a cultural and intellectual history that chronicles this transition to "modernity" from the perspective of the internationally renowned scholar Pierre-Daniel Huet (1630-1721). Under Shelford's direction, Huet guides us into the intensely social intellectual worldof salons, scientific academies, and literary academies, while his articulate critiques illumine a combative world of Cartesians versus anti-Cartesians, ancients versus moderns, Jesuits versus Jansenists, and salonnières versus humanist scholars. Transforming the Republic of Letters raises questions of critical importance in Huet's era, and our own, about defining, sharing, and controlling access to knowledge.

April G. Shelford is Assistant Professor in the History Department at American University, Washington, D.C.

Transhumance and the Making of Ireland's Uplands, 1550-1900

$120.00

First full survey of how transhumance operated in Ireland from the sixteenth century to the beginning of the twentieth.

WINNER: American Conference for Irish Studies Donald Murphy Prize for Distinguished First Book 2021
Special Commendation, Publication Prize in Irish History, NUI Awards 2021

SHORTLISTED: European Association of Archaeologists Book Prize 2023

The rearing of cattle is today a fairly sedentary practice in Ireland, Britain and most of north-west Europe. But in the not-so-distant past it was common for many rural households to take their livestock to hill and mountain pastures for the summer. Moreover, ethnographic accounts suggest that a significant number of people would stay in seasonal upland settlements to milk the cows and produce butter and cheese. However, these movements all but died out in the nineteenth and twentieth centuries, meaning that today transhumance is mainly associated with Alpine and Mediterranean landscapes.

This book is the first major interdisciplinary approach to the diversity and decline of transhumance in a northern European context. Focusing on Ireland from c.1550 to 1900, it shows that uplands were valuable resources which allowed tenant households to maintain larger herds of livestock and adapt to global economic trends. And it places the practice in a social context, demonstrating that transhumance required highly organized systems of common grazing, and that the care of dairy cows amounted to a rite of passage for young women in many rural communities.

Transhumance and the Making of Ireland's Uplands, 1550-1900

$39.95

First full survey of how transhumance operated in Ireland from the sixteenth century to the beginning of the twentieth.

WINNER: American Conference for Irish Studies Donald Murphy Prize for Distinguished First Book 2021
Special Commendation, Publication Prize in Irish History, NUI Awards 2021

SHORTLISTED: European Association of Archaeologists Book Prize 2023

The rearing of cattle is today a fairly sedentary practice in Ireland, Britain and most of north-west Europe. But in the not-so-distant past it was common for many rural households to take their livestock to hill and mountain pastures for the summer. Moreover, ethnographic accounts suggest that a significant number of people would stay in seasonal upland settlements to milk the cows and produce butter and cheese. However, these movements all but died out in the nineteenth and twentieth centuries, meaning that today transhumance is mainly associated with Alpine and Mediterranean landscapes.

This book is the first major interdisciplinary approach to the diversity and decline of transhumance in a northern European context. Focusing on Ireland from c.1550 to 1900, it shows that uplands were valuable resources which allowed tenant households to maintain larger herds of livestock and adapt to global economic trends. And it places the practice in a social context, demonstrating that transhumance required highly organized systems of common grazing, and that the care of dairy cows amounted to a rite of passage for young women in many rural communities.

Transitions in Mid-Baroque Music

$170.00

Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period.

This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe.

Translating Beowulf: Modern Versions in English Verse

$29.99

An examination of English verse translations of Beowulf, including Seamus Heaney's version alongside other influential renditions.

A senior scholar writing here at the height of his powers and bringing experience and insight to an important topic... the second chapter is one of the best short, general introductions to the artistry of the poem I have read...A dizzying and engaging narrative. Dr Chris Jones, Senior Lecturer in English Poetry, Department of English, University of St Andrews

Translations of the Old English poem Beowulf proliferate, and their number continues to grow. Focusing on the particularly rich period since 1950, this book presents a critical account of translations in English verse, setting them in the contexts both of the larger story of the recovery and reception of the poem and of perceptions of it over the past two hundred years, and of key issues in translation theory. Attention is also paid to prose translation and to the creative adaptations of the poem that have been produced in a variety of media, not least film.
The author looks in particular at four translations of arguably the most literary and historical importance: those by Edwin Morgan [1952], Burton Raffel [1963], Michael Alexander [1973] and SeamusHeaney [1999]. But, from an earlier period, he also gives a full account of William Morris's strange 1898 version.

Hugh Magennis is Professor of Old English Literature at Queen's University Belfast.

Cover image for Translating <I>Beowulf</I>: Modern Versions in English Verse, isbn: 9781843843948

Translating Beowulf: Modern Versions in English Verse

$95.00

An examination of English verse translations of Beowulf, including Seamus Heaney's version alongside other influential renditions.

A senior scholar writing here at the height of his powers and bringing experience and insight to an important topic... the second chapter is one of the best short, general introductions to the artistry of the poem I have read...A dizzying and engaging narrative. Dr Chris Jones, Senior Lecturer in English Poetry, Department of English, University of St Andrews

Translations of the Old English poem Beowulf proliferate, and their number continues to grow. Focusing on the particularly rich period since 1950, this book presents a critical account of translations in English verse, setting them in the contexts both of the larger story of the recovery and reception of the poem and of perceptions of it over the past two hundred years, and of key issues in translation theory. Attention is also paid to prose translation and to the creative adaptations of the poem that have been produced in a variety of media, not least film.
The author looks in particular at four translations of arguably the most literary and historical importance: those by Edwin Morgan [1952], Burton Raffel [1963], Michael Alexander [1973] and SeamusHeaney [1999]. But, from an earlier period, he also gives a full account of William Morris's strange 1898 version.

Hugh Magennis is Professor of Old English Literature at Queen's University Belfast.

Cover image for Translating <I>Beowulf</I>: Modern Versions in English Verse, isbn: 9781843842613

Translating Early Medieval Poetry

$120.00

The essays here, united by their appreciation of the centrality of translation to the interpretation of the medieval past, add to our understanding of how the old is continually made anew

The first decades of the twenty-first century have seen an unprecedented level of creative engagement with early medieval literature, ranging from the long-awaited publication of Tolkien's version of Beowulf and the reworking of medieval lyrics by Ireland's foremost poets to the adaptation of Eddic and Skaldic poetry for the screen. This collection brings together scholars and accomplished translators working with Old English, Old Norse and MedievalIrish poetry, to take stock of this extraordinary proliferation of translation activity and to suggest new ways in which to approach these three dynamic literary traditions. The essays in this collection include critical surveysof texts and traditions to the present day, assessments of the practice and impact of individual translators from Jorge Luis Borges to Seamus Heaney, and reflections on the particular challenges of translating poetic forms and vocabulary into different languages and media. Together they present a series of informed and at times provocative perspectives on what it means to "carry across" early medieval poetry in our contemporary cultural climate.

Dr Tom Birkett is lecturer in Old English at University College Cork; Dr Kirsty March-Lyons is a scholar of Old English and Latin poetry and co-organiser of the Irish Research Council funded conference and translation project "Eald to New".

Contributors: Tom Birkett, Elizabeth Boyle, Hannah Burrows, Gareth Lloyd Evans, Chris Jones, Carolyne Larrington, Hugh Magennis, Kirsty March-Lyons, Lahney Preston-Matto, Inna Matyushina, Rory McTurk, Bernard O'Donoghue, Heather O'Donoghue, Tadhg Ó Síocháin, Bertha Rogers, M.J. Toswell.

Translating Literature

$95.00

The problems of translating literature explored through both theoretical approaches and practical case studies.

Interest in the issues of translation continues to grow, and is reflected in this collection of essays by specialists in both literature and translation studies, all of whom have experience of translating literary texts themselves. The essays include both diverse theoretical approaches and practical case studies, and a wide range of topics are covered, including the history of translation in Scotland, the problems of translating Chinese poetry into English, renaissance theories of translation, George Eliot's translations, and Eastern European perceptions of English Romantic literature.

Professor SUSAN BASSNETT teaches at the Centre for British and Comparative Cultural Studies at the University of Warwick.

Contributors: SUSAN BASSNETT, THEO HERMANS, FELICITY ROSSLYN, ANDRE LEFEVERE, PIOTR KUHIWCZAK, JOHN CORBETT, SUSANNE STARK

Translation and Temporality in Benoît de Sainte-Maure's Roman de Troie

$120.00

An exciting new approach to one of the most important texts of medieval Europe.

The story of the Trojan War has been told and retold across the ages, from Homer's Iliad and Virgil's Aeneid to recent film and television adaptations. The peoples of medieval Europe were especially enthralled with the tale of the siege of the great city by the Greeks, and by the fourteenth century virtually every royal house in Europe traced its ancestry to some long-ago Trojan warrior. The medieval West, however, had no access to Homer, and though Virgil was certainly read, the most influential version of the Troy story for centuries was that recounted in the Roman de Troie, by Benoît de Sainte Maure. This massive poem in Old French claimed to be a translation of two eyewitness accounts of the War, both actually late antique forgeries, but it is in reality a largely original tapestry of chivalric exploits, elaborate descriptions and marvellous creatures such as centaurs and Amazons. The love story of Troilus and Briseida was invented in its pages, later inspiring Boccaccio, Chaucer and Shakespeare. The huge popularity of the Roman de Troie allowed medieval dynasties to create new kinds of political authority by extending their pedigrees back into days of legend, and was an essential element in the inauguration of a new genre, romance.
This book uses approaches from theories of translation and temporality to develop its analysis of the Roman de Troie and its context. It reads the text against Geoffrey of Monmouth's History of the Kings of Britain to argue that Benoît is a participant in the Anglo-Norman invention of a new kind of history. It develops readings grounded in both gender studies and queer theory to demonstrate the ways in which the Roman de Troie participates in the invention of romance time, even as it uses its queer characters to cast doubt upon the optimistic genealogical fantasies of romance. Finally, it argues that the great series of ekphrastic passages so characteristic of the Roman de Troie operate as lieux de mémoire, epitomizing the potential of poetry to stop time, at least in the moment. The author also provides an overview of the complex manuscript tradition of the Roman de Troie in support of the contention that the text deserves to be central to any study of medieval literature.

Translation and Temporality in Benoît de Sainte-Maure's <I>Roman de Troie</I>

Translators and their Prologues in Medieval England

$95.00

An examination of French to English translation in medieval England, through the genre of the prologue.

The prologue to Layamon's Brut recounts its author's extensive travels "wide yond thas leode" (far and wide across the land) to gather the French, Latin and English books he used as source material. The first Middle English writer to discuss his methods of translating French into English, Layamon voices ideas about the creation of a new English tradition by translation that proved very durable.
This book considers the practice of translation from French into English in medieval England, and how the translators themselves viewed their task. At its core is a corpus of French to English translations containing translator's prologues written between c.1189 and c.1450; this remarkable body of Middle English literary theory provides a useful map by which to chart the movement from a literary culture rooted in Anglo-Norman at the end of the thirteenth century to what, in the fifteenth, is regarded as an established "English" tradition. Considering earlier Romance and Germanic models of translation, wider historical evidence about translation practice, the acquisition of French, the possible role of women translators, and the manuscript tradition of prologues, in addition to offering a broader, pan-European perspective through an examination of Middle Dutch prologues, the book uses translators' prologues as a lens through which to view a period of critical growth and development for English as a literary language.

Elizabeth Dearnley gained her PhD from the University of Cambridge.

Translators and their Prologues in Medieval England

Translingual Identities

$120.00

Explores the psychology of literary translingualism in the works of two authors, finding it expressed as loss and fragmentation in one case and as opportunity and mediation in the other.

The works of translingual writers-those who write in a language other than their native tongue-present a rich field for study, but literary translingualism remains underresearched and undertheorized. In this work Tamar Steinitz explores the psychological effects of translingualism in the works of two authors: the German Stefan Heym (1913-2001) and the Austrian Jakov Lind (1927-2007). Both were forced into exile by the rise of Nazism; both chose English asa language of artistic expression. Steinitz argues that translingualism, which ruptures the perceived link between language and world as the writer chooses between systems of representation, leads to a psychic split that can be expressed in the writer's work as a schizophrenic existence or as a productive doubling of perspective. Movement between languages can thus reflect both the freedom associated with geographical mobility and the emotional price it entails. Reading Lind's and Heym's works within their postwar context, Steinitz proposes these authors as representative models, respectively, of translingualism as loss and fragmentation and translingualism as opportunity and mediation.

Tamar Steinitz teaches English literature at Queen Mary and Goldsmiths colleges, University of London. She has also worked as a literary translator.

Transnational German Film at the End of Neoliberalism

$120.00

Posits a new, aesthetically and politically radical, transnational German cinema - "transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization.

This book makes a bold claim that, since around 2015, a new, transnational German cinema has arisen that is aesthetically and politically radical. "Transnational" here denotes not merely international co-productions but extends to theme and form in the films' concerns with movements of people and capital across borders and with globalization. The volume analyzes key films ranging in genre and mode from dramas and comedies, including the "New German Discourse Comedy," to documentaries and installations. The essays illuminate a shift beyond neoliberal stasis and a renewed embrace of political filmmaking that confronts realities of the present.

Analyzing works by a diverse array of filmmakers - including Fatih Akın, Irene von Alberti, Amel Alzakout and Khaled Abdulwahed, Forensic Architecture, Ruth Beckermann, Nils Bökamp, Susanne Heinrich, Gerd Kroske, Burhan Qurbani, Christian Petzold, Mario Pfeifer, Julian Radlmaier, Maria Speth, Tatjana Turanskyj, and Monika Treut - the contributions provide a broad yet in-depth look at contemporary German film. Through formal innovation as well as explicitly political storytelling, this cinema, the essays argue, points beyond political crises, social precarity, and the impasses of the present, sometimes with imagination and fantasy and often by embracing collectivity and resistance.

Edited by Claudia Breger and Olivia Landry. Contributors: Hester Baer, Angelica Fenner, Randall Halle, Lutz Koepnick, Angelos Koutsourakis, Richard Langston, Priscilla Layne, Ervin Malakaj, Gozde Naiboglu, and Fatima Naqvi.

Transnational German Film at the End of Neoliberalism

Transnational Women Writers in the Wilmot Coterie, 1798-1840

$120.00

Highlights the centrality of non-canonical, middle-ranking women writers to the production of literature and culture in Britain, Ireland, Europe and Russia in the late eighteenth century.

The Irish writers and editors Katherine (1773-1824) and Martha Wilmot (1775-1873) left a unique record of middle-ranking women's literary practices and experiences of travel in the late eighteenth and early nineteenth century. Their manuscripts are notable for their vivid portrayal of the era's political conflicts, capturing a flight from Ireland during the Irish Rebellion (1798), time spent in Paris during the Peace of Amiens (1801-03), and extended residences in Russia during the Napoleonic Wars. However, in their accounts of these key European events, the Wilmots' manuscripts, and published work, showcase their participation in a startling range of self-educating activities, including travel writing, biography, antiquarianism, early ethnographic observation, language acquisition, translation practices and editorial work.

Taking an interdisciplinary approach, this book explores the collaborative relationships formed by women participating in cosmopolitan networks beyond the typical locations of the Grand Tour. Across their travels, the sisters met, engaged with, and learned from numerous key women of the time, including Princess Ekaterina Dashkova, Margaret King, Lady Mount Cashell and Helen Maria Williams. In this first full-length study to focus on the literary and cultural exchanges surrounding the Wilmot sisters, Wolf showcases how manuscript circulation, coterie engagement and transnational travel provided avenues for women to engage with the intellectual discourses from which they were often excluded.

Transnational Women Writers in the Wilmot Coterie, 1798-1840

Transnationalism in Contemporary German-Language Literature

$130.00

Investigates the concept of transnationalism and its significance in and for German-language literature and culture.

Transnationalism has become a key term in debates in the social sciences and humanities, reflecting concern with today's unprecedented flows of commodities, fashions, ideas, and people across national borders. Forced and unforced mobility, intensified cross-border economic activity due to globalization, and the rise of trans- and supranational organizations are just some of the ways in which we now live both within, across, and beyond national borders.
Literature has always been a means of border crossing and transgression-whether by tracing physical movement, reflecting processes of cultural transfer, traveling through space and time, or mapping imaginary realms. It is alsobecoming more and more a "moving medium" that creates a transnational space by circulating around the world, both reflecting on the reality of transnationalism and participating in it. This volume refines our understanding of transnationalism both as a contemporary reality and as a concept and an analytical tool. Engaging with the work of such writers as Christian Kracht, Ilija Trojanow, Julya Rabinowich, Charlotte Roche, Helene Hegemann, Antje Rávic Strubel, Juli Zeh, Friedrich Dürrenmatt, and Wolfgang Herrndorf, it builds on the excellent work that has been done in recent years on "minority" writers; German-language literature, globalization, and "world literature"; and gender and sexuality in relation to the "nation."

Contributors: Hester Baer, Anke S. Biendarra, Claudia Breger, Katharina Gerstenberger, Elisabeth Herrmann, Christina Kraenzle, Maria Mayr, Tanja Nusser, Lars Richter, Carrie Smith-Prei, Faye Stewart, Stuart Taberner.

Elisabeth Herrmann is Associate Professor of German at Stockholm University. Carrie Smith-Prei is Associate Professor of German at the University of Alberta. Stuart Taberner is Professor of Contemporary German Literature, Culture and Society at the University of Leeds and is a Research Associate in the Department of Afrikaans and Dutch; German and French at the University of the Free State, South Africa.

Transnationalism in Contemporary German-Language Literature

Transport Corridors in Africa

$36.95

In-depth examination of the inherent tensions and dynamics of transport corridors in Africa: between short-term optics and long-term durability; between regional integration and national interest; between the facilitation of trade and the generation of corridor revenue.

The image of the corridor, a central pathway of road and rail carving its way through Africa's interior, has guided the coordination of transport and trade developments on the continent in recent decades. Existing analysis of the "Corridor" - a label with a great capacity to change shape, guiding funding and infrastructural priorities at different times and in different settings - tends to be presentist, technical, and conveyed in the language of transport economics. The chapters collected here showcase a more varied approach, offering perspectives from academics and policy-makers coming from a range of disciplinary backgrounds. They capture the varied forms of the corridor concept (developmental, transport, and trade corridors), the multiplicity of actors (including China and the European Union), as well as the different permutations of the infrastructure itself, in corridors linking coastal states and in others that link coastal states with the hinterland. The breadth of cases allows for a comparative perspective of East, West, and Southern Africa, as well as the basis of comparisons outside of the continent in Europe, South Asia, and elsewhere.
The motivations behind corridor initiatives in Africa range enormously, from resource extraction to urban development and poverty reduction. A lot depends on scale, and this collection places the grand designs thrashed out at continental and regional economic forums alongside the individual concerns of drivers and cross-border traders hauling goods across the continent's checkpoints. What emerges are a number of central tensions in the study of transport corridors: between short-term optics and long-term durability; between road and rail as modes of transportation; between regional integration and national interest; between the facilitation of trade and the generation of corridor revenue; between different port configurations; and between local dynamics and the dynamics of long-distance transportation.

This book is available as an Open Access ebook under the Creative Commons license CC-BY-NC.

Tratado de la Comunidad

$105.00

Published by Boydell & Brewer Inc.

Tratado Sobre el Título de Duque

$105.00

Published by Boydell & Brewer Inc.

Traumatic Verses

$36.95

Close readings of -- and the stories behind -- poems that are direct documents of the Holocaust.

Auschwitz, Buchenwald, Christianstadt, Dachau. The names of Nazi concentration camps evoke images of radical destitution. The atrocities we call the Holocaust defy comprehension, while thinkers continue to ponder the possibility of "poetry after Auschwitz." And yet a number of people composed poems while imprisoned in the camps. Unlike most documents about the camps, these poems are self-representations that convey the perspective of the inmates who wrotethem. Traumatic Verses provides psychoanalytically informed close readings of a range of poems and discusses their significance for aesthetic theory and for research on the camps. It also tells the stories behind the composition and preservation of these poems and the history of their publication since 1945. Most of the poems appear here for the first time in English translation along with the original texts. This book fills a gap left by literary historians, who have mostly ignored writings from the camps and avoided careful scrutiny of literature produced under the Nazi regime. Studies of trauma have concentrated on post-traumatic experiences; discussions of aesthetics after the Holocaust have neglected the issue of the artistic impulse in the camps. On both counts this book constitutes a unique contribution to scholarship, showing that, when read attentively, the poems written in thecamps are invaluable sites for confronting the Nazi past.

Andrés J. Nader is Project Manager at the Amadeu Antonio Foundation in Berlin, and lectures at the Humboldt University.

Travels in a Europe Restored: 1989-1995

$36.95

The collapse of Communism in eastern Europe viewed through personal experience.

Europe Restored is a highly personal account of the fall of the Iron Curtain, written from an unusual viewpoint. Eric Elstob was director of various investment trusts in the City during the years before and after the collapse of Communism, with a special interest in European affairs. But he also travelled as an ordinary tourist in eastern Europe, and this book juxtaposes vividly the vignettes of everyday life that he encountered with his high-levelcontacts in the financial and political world; a discussion of the problems of switching from a command economy to a market economy with the finance minister in the capital one month is set beside a talk with the baker who had just bought his shop in a village the next month. Such daily encounters offer exceptional grass-roots witness to the economic challenges facing the former eastern European countries as they struggle to rejoin the wider European economic and cultural entity.

ERIC ELSTOB was vice-chairman of the Foreign and Colonial Group until his retirement in 1995.

Travels in Scotland, 1788-1881

$36.95

Journals from early "tourists" in Scotland provide a vivid record of the joys (and otherwise) of travel.

Tourist travelling changed remarkably between 1780 and 1880, and the six accounts collected here help us to see how and why. Whether by a well-off and intrepid lady, a self-important youth, a young man and his parents, or an overweight middle-aged lawyer, what they have in common is a relish for the pleasures of discovery, of holidaymaking, of finding a Scotland for themselves. The writers travel, they see, they listen (some more than others), enjoy good weather (and endure the frequently bad), take in the scenery and sights, and talk with other visitors and locals. Theirs are intimate voices - they were writing for themselves, or friends or family, not for the public - but as we eavesdrop on them a larger picture unfolds. Travelling conditions vary: the first account shows to a world of elite travel, the private coach, and the privileges enjoyed by the well-heeled, while the last is the homely and charmingdescription of a one-week holiday taken with relatives in the country. In between comes the new world of travel: the steamer, the railway and the guidebook.
A general preface by the editor sets these pieces in their historical and social context, and a selection of photographs and sketches drawn from two of the accounts complements these hitherto unpublished visitors' narratives.

Alastair J. Durie is Teaching Fellow at the University of Scotland and Associate Lecturer at the Open University.

Treacherous Foundations

$120.00

Representations of treachery in medieval and early modern Spain.

Treacherous Foundations is the first sustained study of the theme of treachery in the founding myths of the Iberian Peninsula. It considers literary versions, in epic, chronicle and theatre, of the legends of Fernán González, Bernardo del Carpio and King Sancho II from medieval and early modern Spain and compares the representation of treachery across two critical periods in Spanish history, assessing its political, ideological, and cultural function.
This book explores the role played by representations of treachery in foundational texts in highlighting the ideological tensions that arise from movements toward the creation of collective identities. It discusses in particular visions of nationhood and the monarchical state in the thirteenth and late sixteenth centuries. The theme of treachery is expanded to cover all aspects of treason and political disloyalty and, engaging with loyalty, trust and the nature of kingship, the volume sheds new light on aspects of Spanish cultural and political history, and provides insight into the nature of myth and collective memory, historical change and the collective response to crisis.

GERALDINE COATES lectures in Medieval Spanish Literature at the University of Oxford.

Treason and Masculinity in Medieval England

$130.00

Groundbreaking new approach to the idea of treason in medieval England, showing the profound effect played by gender.

Conflicts over treason tormented English political society in the later Middle Ages. As legal and political historians have shown, treason was always a constitutional matter as well as a legal one because it was pivotal in mediating the relationship between English kings, their political subjects and the abstraction of the crown. However, despite renewed interest in constitutional history, there has been no extended examination of treason in medieval England since the 1970s.
This pioneering study presents a new interpretation of treason, not only as a legal construct, a political weapon and a tool for constitutional thinking, but also as a cultural category, aligning it with questions of gender, vernacularity and national identity. It examines cases from the 1380s to the 1420s, revealing how kings defended their claims to sovereign authority by using the laws of treason to bind their mortal male bodies to the enduring body politic of the realm, and explains how that body politic was masculinised through its entanglement in contests over manly honour and homosocial loyalties. Drawing on evidence from trial records, legislation and chronicles, it illuminates the ways in which cultural ideals of manhood reinforced or subverted government responses to crises of legitimacy, and demonstrates that gender conditioned understandings of treason in the political arena as well as the definitions embedded in statutes and case law. At the same time, it explores the varied ways men defended themselves from accusations of treason by invoking, and in the process helping to transform, shared beliefs about what it meant to be a man in medieval England.

Treason and Masculinity in Medieval England

Trees as Symbol and Metaphor in the Middle Ages

$130.00

WINNER: AFCEMS Prize 2024

Highlights human encounters with the forest and its trees at the time of the European Middle Ages, when their lofty boughs were weighted with meaning.

Forests, with their interlacing networks of trees and secret patterns of communication, are powerful entities for thinking-with. A majestic terrestrial community of arboreal others, their presence echoes, entangles, and resonates deeply with the human world.

The chapters interrogate the pre-Anthropocene environment, reflecting on trees as metaphors for kinship and knowledge as they appear in literary, historical, art-historical, and philosophical sources. They examine images of trees and trees in-themselves across a range of environmental, material, and intellectual contexts, and consider how humans used arboreal and rhizomatic forms to negotiate bodies of knowledge and processes of transition. Looking beyond medieval Europe, they include discussion of parallel developments in the Islamic world and that of the Māori, the indigenous people of New Zealand.

Trees as Symbol and Metaphor in the Middle Ages

Trees in Anglo-Saxon England

$29.99

A powerful exploration of trees in both the real and the imagined Anglo-Saxon landscape.

Trees played a particularly important part in the rural economy of Anglo-Saxon England, both for wood and timber and as a wood-pasture resource, with hunting gaining a growing cultural role. But they are also powerful icons in many pre-Christian religions, with a degree of tree symbolism found in Christian scripture too. This wide-ranging book explores both the "real", historical and archaeological evidence of trees and woodland, and as they are depicted in Anglo-Saxon literature and legend. Place-name and charter references cast light upon the distribution of particular tree species (mapped here in detail for the first time) and also reflect upon regional character in a period that was fundamental for the evolution of the present landscape.

Della Hooke is Honorary Fellow of the Institute for Advanced Research in Arts and Social Sciences at the University of Birmingham.

Trees in the Religions of Early Medieval England

$29.99

Drawing on sources from archaeology and written texts, the author brings out the full significance of trees in both pagan and Christian Anglo-Saxon religion.

Author won the Faculty Research Award from the Faculty of Arts and Humanities, Canterbury Christ Church University.

Trees were of fundamental importance in Anglo-Saxon material culture - but they were also a powerful presence in Anglo-Saxon religion before and after the introduction of Christianity. This book shows that they remained prominentin early English Christianity, and indeed that they may have played a crucial role in mediating the transition between ancient beliefs and the new faith. It argues that certain characteristics of sacred trees in England can be determined from insular contexts alone, independent of comparative evidence from culturally related peoples. This nevertheless suggests the existence of traditions comparable to those found in Scandinavia and Germany. Tree symbolismhelped early English Christians to understand how the beliefs of their ancestors about trees, posts, and pillars paralleled the appearance of similar objects in the Old Testament. In this way, the religious symbols of their forebears were aligned with precursors to the cross in Scripture. Literary evidence from England and Scandinavia similarly indicates a shared tradition of associations between the bodies of humans, trees, and other plant-life. Though potentially ancient, these ideas flourished amongst the abundance of vegetative symbolism found in the Christian tradition.

MICHAEL D.J. BINTLEY is Senior Lecturer in Medieval Literature at Canterbury Christ Church University.

Trees in the Religions of Early Medieval England

$120.00

Drawing on sources from archaeology and written texts, the author brings out the full significance of trees in both pagan and Christian Anglo-Saxon religion.

Author won the Faculty Research Award from the Faculty of Arts and Humanities, Canterbury Christ Church University.

Trees were of fundamental importance in Anglo-Saxon material culture - but they were also a powerful presence in Anglo-Saxon religion before and after the introduction of Christianity. This book shows that they remained prominentin early English Christianity, and indeed that they may have played a crucial role in mediating the transition between ancient beliefs and the new faith. It argues that certain characteristics of sacred trees in England can be determined from insular contexts alone, independent of comparative evidence from culturally related peoples. This nevertheless suggests the existence of traditions comparable to those found in Scandinavia and Germany. Tree symbolismhelped early English Christians to understand how the beliefs of their ancestors about trees, posts, and pillars paralleled the appearance of similar objects in the Old Testament. In this way, the religious symbols of their forebears were aligned with precursors to the cross in Scripture. Literary evidence from England and Scandinavia similarly indicates a shared tradition of associations between the bodies of humans, trees, and other plant-life. Though potentially ancient, these ideas flourished amongst the abundance of vegetative symbolism found in the Christian tradition.

Michael Bintley is Senior Lecturer in Medieval Literature at Canterbury Christ Church University.

Trial by Fire and Battle in Medieval German Literature

$120.00

Offers a broader, more contextualized understanding of the function of ordeals in medieval literature and society.

Medieval judicial ordeals, especially trial by fire or battle, conjure up vivid pictures in the modern imagination. Yet popular perceptions of the Middle Ages leave the reader without a context in which to understand these most drastic of medieval judicial remedies. This book analyzes literary texts that provide some of the most vivid and detailed accounts of the medieval ordeal: the dramatic treason trials in late medieval Charlemagne epics. The two epicschosen -- Stricker's Karl der Große and the Karlmeinet -- treat trial by battle as the living legal reality it was in those times, yet display very different attitudes toward feud and punishment in their respective(13th- and 14th-century) societies. Gottfried's Tristan contains an ordeal by battle, of which the author approves, and an ordeal by fire, of which he does not, reflecting a common position of the intelligentsia of the time. Well after the condemnation of ordeals by the Fourth Lateran Council, the Kunigunde legend preserves the ordeal by fire much as it was portrayed in the mid-12th-century Richardis legend, while Stricker's short secular burlesque"The Hot Iron," written in the mid 13th century, makes sport of this formerly serious legal proceeding, reflecting its sudden abandonment as a legal proof following the council's decision. The study brings extensive background material in legal and cultural history to bear on literary texts, helping both medievalists and general readers understand the function of the ordeal in the texts as well as in the larger society for whom these works were written.

Vickie L. Ziegler is professor of German and Director of the Center for Medieval Studies at the Pennsylvania State University.

Trial by Fire and Battle in Medieval German Literature

Trial by Ordeal

$75.00

A sharp view of a century's critical commentary on Hardy.

This book demonstrates how critical appropriations of Hardy's work often promote a simplifying, conventional, or conservative image that a sophisticated view of his creative intentions by no means confirms. Neill shows how tendentious and traditional approaches that diminish or even traduce Hardy's literary achievement have achieved a cultural prominence that still gives a false impression of the nature of those achievements. The first chapter discusses the biographical tradition, such a powerful aspect of Hardy's critical reception, defining the problems presented by biographically-based criticism in general and by Hardy, one of the slipperiest of literary practitioners, in particular. The second chapter offers a map of critical misreadings, suggesting how a certain "ideology" of critical reproduction emphasizes limited aspects of Hardy in a cult of nostalgic reaction, ignoring disconcertingly "subversive"or "interrogative" aspects of this intellectually progressive writer. The third chapter concentrates on the response to Hardy's poetry, persistently misrepresented as a series of essays in innocuous or eccentric rusticity; the fourth examines Jude the Obscure, the most provocative and controversial of Hardy's works, which still moves critics to howls of execration or considered, complex mediation. The bibliography includes in addition to more well-known critical works on Hardy a range of unusual and little-consulted items.

Trinity House of Deptford Transactions, 1609-35

$85.00

Published by Boydell & Brewer Inc.

Trinity House of Deptford Transactions, 1609-35

Troubadour Poems from the South of France

$36.95

Modern English translations of a wide selection of troubadour poems.

The poetry of the troubadours was famous throughout the middle ages, but the difficulty and diversity of the original languages have been obstacles to its appreciation by a wider audience. This collection aims to redress the situation, presenting English verse translations in contemporary idiom and a highly readable form. It includes some 125 poems, with a strong representation of those composed by women, and goes beyond traditional limits in time to feature a sampling of the earliest texts in the Occitan language, written in the tenth and eleventh centuries, and later works from the early fourteenth. Though most poems translated in the book were written in Occitan, the vernacularof southern France, there are also a few translations of poems written in the same place and time but in other languages, including Latin, Hebrew, Norse, Catalan, and Italian. Genres include love songs, satires, invectives, pastourelles, debates, laments, and religious songs.
A comprehensive introduction places the troubadours in their historical context and traces the development of their art; headnotes introduce each poet, and the book ends with a bibliography and suggestions for further reading.

WILLIAM D. PADEN is a Professor of French and Italian at Northwestern University, and was recently named a Chevalier dans l'Ordre des Palmes Académiques. FRANCES FREEMAN PADEN is a Distinguished Senior Lecturer in The Writing Program and Gender Studies, also at Northwestern University.

Troubadour Poems from the South of France

Troubadour Texts and Contexts

$130.00

New interpretations of different aspects of troubadour texts and lyrics, from their main themes and motifs to their reception and influence.

Nearly a millennium after their songs of love, politics, war, satire, and redemption began to fill the courts of Europe, the troubadours continue to fascinate modern audiences. However, many aspects of their work, such as the supposedly adulterous nature of fin'amor, the "Frenchness" of the troubadours, the biographical veracity of the vidas, and the inherent misogyny of the troubadour lyric, have long been taken for granted. This volume takes a fresh look at these ideas, questioning many of the formative assumptions of troubadour scholarship, and proposing alternative readings of many canonical texts.

Essays offer a reconsideration of the reception of works by such important figures as Guilhem IX, Jaufre Rudel, Peire Vidal, Pistoleta, Guilhem Adhemar, Giraut de Borneil, Perdigon, Fulk of Marseilles, and Arnaut Daniel. There are also examinations of the lexicon and cultural uses of chess, azure and tin, and the changing landscape of the Rhone delta, providing a deeper understanding of the imagery they furnished. Other essays consider the later life of the manuscripts, including the surprising story of how Napoleon demanded certain Occitan manuscripts after his conquest of Italy. The collection as a whole is thus a fitting tribute to the pioneering work of Wendy Pfeffer, who has made such a contribution to the field of troubadour studies.

Tudor Exeter

$36.95

This volume presents eight tax returns for the city of Exeter dating from the Tudor period. It includes the assessment of 1522, which also lists men with few assets and so offers one of the most detailed surveys of population surviving from the period. It will interest family historians, economic and social historians working on the history of towns, and historians of Tudor government.

Tuning the Kingdom

$39.95

Examines how the Kawuugulu Clan-Royal Musical Ensemble uses musical performance and storytelling to manage, structure, model, and legitimize power relations among the Baganda people of south-central Uganda.

Tuning the Kingdom draws on oral and written accounts, archival research, and musical analysis to examine how the Kawuugulu Clan-Royal Musical Ensemble of the Kingdom of Buganda (arguably the kingdom's oldest and longest-surviving performance ensemble) has historically managed, structured, modeled, and legitimized power relations among the Baganda people of south-central Uganda. Damascus Kafumbe argues that the ensemble sustains a complex sociopolitical hierarchy, interweaving and maintaining a delicate balance between kin and clan ties and royal prerogatives through musical performance and storytelling that integrates human and nonhuman stories. He describes this phenomenonas "tuning the kingdom," and he compares it to the process of tensioning or stretching Kiganda drums, which are always moving in and out of tune. Even as Kawuugulu continues to adapt to the rapidly changing world around it, Tuning the Kingdom documents how Kawuugulu has historically articulated and embodied principles of the three inextricably related domains that serve as the backbone of Kiganda politics: kinship, clanship, and kingship.

Winner of the 2020 Kwabena Nketia Book Prize of the African and African Diasporic Music Section of the Society for Ethnomusicology and Honorable Mention for the 2019 Ogot Book Prize of the African Studies Association

Damascus Kafumbe is Assistant Professor of Music at Middlebury College.

Turning Points in African Democracy

$29.99

A team of scholars examine the radical political changes that have taken place since 1990 in eleven key countries in Africa.

Radical changes have taken place in Africa since 1990. What are the realities of these changes? What significant differences have emerged between African countries? What is the future for democracy in the continent?
The editors have chosen eleven key countries to provide enlightening comparisons and contrasts to stimulate discussion among students. They have brought together a team of scholars who are actively working in the changing Africa of today.Each chapter is structured around a framing event which defines the experience of democratisation.
The editors have provided an overview of the turning points in African politics. They engage with debates on how to study andevaluate democracy in Africa, such as the limits of elections. They identify four major themes with which to examine similarities and divergences as well as to explain change and continuity in what happened in the past.

Abdul Raufu Mustapha is University Lecturer in African Politics at Queen Elizabeth House and Kirk-Greene Fellow at St Antony's College, University of Oxford; Lindsay Whitfield is a Research Fellow at the Danish Institute of International Studies, Copenhagen.

Turning Points in African Democracy

$95.00

A team of scholars examine the radical political changes that have taken place since 1990 in eleven key countries in Africa.

Radical changes have taken place in Africa since 1990. What are the realities of these changes? What significant differences have emerged between African countries? What is the future for democracy in the continent?
The editors have chosen eleven key countries to provide enlightening comparisons and contrasts to stimulate discussion among students. They have brought together a team of scholars who are actively working in the changing Africa of today.Each chapter is structured around a framing event which defines the experience of democratisation.
The editors have provided an overview of the turning points in African politics. They engage with debates on how to study andevaluate democracy in Africa, such as the limits of elections. They identify four major themes with which to examine similarities and divergences as well as to explain change and continuity in what happened in the past.

ABDUL RAUFU MUSTAPHA is University Lecturer in African Politics at Queen Elizabeth House and Kirk-Greene Fellow at St Antony's College, University of Oxford; LINDSAY WHITFIELD is a Research Fellow at the Danish Institute of International Studies, Copenhagen.

Turning Points in Historiography

$39.95

An examination of how historical thinking has changed in recent years, through a comparison between Eastern and Western epochs.

Until recently almost all histories of historiography have focused on national developments or at best introduced a comparative note from a limited Western perspective. Only in the last few years have there been serious attempts to transcend these borders. The present volume examines turning points in historical thought in a variety of cultures. The essays in the first half of the book deal with fundamental reorientations in historical thinking in the pre-modern period since Antiquity, specifically in ancient Greece and China and in medieval Christian Europe, the Islamic world and again China. The essays all proceed from the premise that historical thought in none of these cultures was static but underwent profound changes over time. The essays in the second part deal with historical writing beginning with the professionalization of history in the nineteenth century. National history researched and composed around a master narrative constituted a major turning point in this period. Although the new paradigm emerged in the West, it was broadly accepted by historians throughout the world.in the twentieth century. Individual chaptersdeal with conceptions of scientific history in the West, a comparison of national histories in Japan, France, and the United States, and the invention of Chinese, African and Indian national histories; finally the critiques of the modern paradigm in postmodernist and postcolonial theory and a consideration of the shortcomings of these critiques.

Georg Iggers is Professor Emeritus of History at the State University of New York at Buffalo; Q. Edward Wang is Associate Professor of History at Rowan University.

Twelfth-Century English Archidiaconal and Vice-Archidiaconal Acta

$36.95

Published by Boydell & Brewer Inc.

Twelfth-Century English Archidiaconal and Vice-Archidiaconal Acta

Twentieth-Century Reworkings of German Literature

$85.00

A study of six modern reworkings of classic works of German literature.

A "literary reworking" is a fictional work based on an earlier, usually canonical, literary work. Gundula M. Sharman considers six twentieth-century examples of this phenomenon in German literature, including Peter Schneider's Lenz as a reworking of Georg Büchner's novella of the same title, Ulrich Plenzdorf's Die neuen Leiden des jungen W. as a reworking of Goethe's Werther, Wolfgang Koeppen's Der Tod in Rom, based on Thomas Mann's Der Tod in Venedig, and three other pairs of reworkings/original works from the genres of drama, the novella, and the novel. The indebtedness of such reworkings to the original works is openly acknowledged -- often inthe title -- and this invites the reader to draw comparisons and to note contrasts between reworking and original. The twentieth-century author's interpretation and the reader's reception of the older work merge to form a subtextof the reworking, giving rise to a third narrative in the reader's imagination. The better the reader knows the literary model, the more multi-faceted the reworking appears. The purpose of each reworking is unique. One may demonstrate how much the world has changed since the publication of the original, while another argues that society has not changed at all. One may be conceived as an anti-work to the original, while another serves to endorse its message. Common to all reworkings, however, is a gain in historical depth, and in each case themes and issues arise from the relationship of reworking to original that are not immediately apparent when the reworking is considered on itsown.

Gundula M. Sharman teaches in the German Department at the University of Aberdeen, Scotland.

Twentieth-Century Reworkings of German Literature

Twenty Years On

$120.00

New essays on the evolution of cultural memory of the former German Democratic Republic since 1989-90 and its importance for Germany's continuing unification process.

Twenty years on from the dramatic events that led to the opening of the Berlin Wall and the collapse of the GDR, the subjective dimension of German unification is still far from complete. The nature of the East German state remains a matter of cultural as well as political debate. This volume of new research focuses on competing memories of the GDR and the ways they have evolved in the mass media, literature, and film since 1989-90. Taking as its point ofdeparture the impact of iconic visual images of the fall of the Wall on our understanding of the historical GDR, the volume first considers the decade of cultural conflict that followed unification and then the emergence of a morecomplex and diverse "textual memory" of the GDR since the Berlin Republic was established in 1999. It highlights competing generational perspectives on the GDR era and the unexpected "afterlife" of the GDR in recent publications.The volume as a whole shows the vitality of eastern German culture two decades after the demise of the GDR and the centrality of these memory debates to the success of Germany's unification process.

Contributors: Daniel Argelès, Stephen Brockmann, Arne De Winde, Wolfgang Emmerich, Andrea Geier, Hilde Hoffmann, Astrid Köhler, Karen Leeder, Andrew Plowman, Gillian Pye, Benjamin Robinson, Catherine Smale, Rosemary Stott, Dennis Tate, Frederik VanDam, Nadezda Zemaníková.

Renate Rechtien is Lecturer in German Studies, and Dennis Tate is Emeritus Professor of German Studies, both at the University of Bath, UK.

Two Anglo-Saxon Pontificals (the Egbert and Sidney Sussex Pontificals)

$75.00

The Egbert Pontifical (Paris, BN lat. 10575) and the Sidney Sussex Pontifical (Cambridge, Sidney Sussex College 100) cast light on the English church in the 10th century.

This book presents editions of two of the best known Anglo-Saxon pontificals, the so-called `Egbert Pontifical' (Paris, BN lat. 10575) and the `Sidney Sussex Pontifical' (Cambridge, Sidney Sussex College 100). The pontifical was abishop's book which contained the various ceremonies which ony a bishop could perform: consecration of a church or cemetary, consecration of all orders of clergy and of abbots and abbesses, and the coronation of a king. The various pontifical services in these two manuscripts, therefore, help to illustrate the nature of these solemn ceremonies in Anglo-Saxon England, and are a valuable index of the state of the English chuch in the 10th century.

Two Anglo-Saxon Pontificals (the Egbert and Sidney Sussex Pontificals)

Two Calvinistic Methodist Chapels, 1748-1811

$85.00

Published by Boydell & Brewer Inc.

Two Calvinistic Methodist Chapels, 1748-1811

Two Cartularies of Abingdon Abbey, Vol I

$49.95

Published by Boydell & Brewer Inc.

Two Cartularies of Abingdon Abbey, Vol II

$49.95

Published by Boydell & Brewer Inc.

Two Cartularies of Abingdon Abbey, Vol II

Two Medieval Outlaws

$29.99

Fascinating insights into medieval life. THE TIMES LITERARY SUPPLEMENT

Eustace the Monk and Fouke Fitz Waryn belong in the great tradition of medieval outlaws, and aspects of their lives, part-fact, part-fiction, find a reflection in the life of that most famous of all outlaws, Robin Hood. Glyn Burgess puts into modern English the two romances of the thirteenth century which relate their deeds, Li Romans de Witasse le Moine and Fouke le Fitz Waryn. He presents the historical reality of their respective "heroes",important but neglected figures: both were born around 1170; both broke with their overlords, the count of Boulogne and King John, at around the same time; and both spent a period as outlaws, during which they toyed with their lords and exacted revenge for the injustice they suffered. Eustace was not only an outlaw and a sea captain, but a pirate and magician; he was one of the most feared men of his day. Fouke's life was dominated by his attempt to takepossession of Whittington Castle in Shropshire, to which his family laid claim.
Alongside the historical discussion of the lives of the protagonists of the two romances, Glyn Burgess reveals the multiple layers of the romances themselves: historically verifiable facts, information which cannot be proved but rings true, and a wide range of material which is manifestly imaginary, containing stock motifs also found in other romances of the period. His bringing to life of two forgotten outlaws is a fascinating context for his spirited translation of the romances.

GLYN S. BURGESS is Emeritus Professor of French at the University of Liverpool.

Two Tudor Subsidy Assessment Rolls for the City of London 1541 and 1582

$85.00

Published by Boydell & Brewer Inc.

Two Tudor Subsidy Assessment Rolls for the City of London 1541 and 1582

Two Weather Diaries from Northern England, 1779-1807

$75.00

Journals of the natural world reveal fascinating details of life at the time.

These two journals, kept by Quakers in north-east and north-west England respectively, record in careful detail weather and agricultural events of their time and regions. But they also observe all manner of other things and events.
The journal of John Chipchase, schoolmaster of Stockton-upon-Tees, recently came to light for the very first time in a Montreal university library. It has much to say about weather and crops, but also meteor showers and the aurora borealis, lightning strikes, fatal diseases, fishing and fishkills, the homing instincts of cats, the life cycle of snails, fierce gales and consequent shipwrecks, and both the causes and local reactions to the near-famine of 1795. Elihu Robinson's record of weather, crops and prices has only been known in manuscript form to a few specialists. Possessed of both a barometer and thermometer, his sometimes even daily observations are remarkably meticulous. As an active Quaker, he also offers a rich description of their life and organization in the Northwest.
Taken together, these journals suggest something of the intellectual and cultural bent of two publicly engaged menof their time, both of middling status and informal education, living far from the cosmopolitan world of London and the universities.

ROBERT TITTLER is Distinguished Professor of History Emeritus at Concordia University in Montreal, and a Fellow of the Royal Society of Canada.

Two Weather Diaries from Northern England, 1779-1807

Two Ælfric Texts: "The Twelve Abuses" and "The Vices and Virtues"

$120.00

Text with facing translation of two important Old English texts.

The texts edited in this volume are Ælfric's vernacular versions of two highly influential early medieval ethical treatises. The first, De duodecim abusiuis, is his Old English version of a seventh-century Hiberno-Latin tract dealing with the twelve abuses of the world. The second, De octo uitiis et de duodecim abusiuis, is a composite text; it combines a treatment of the eight vices and the complementary eight virtues, also found as the lastpart of Ælfric's Lives of Saints XVI, with the twelve abuses. The main source for the virtues and vices is Alcuin's ninth-century De uirtutibus et uitiis. Both texts were composed in Ælfric's hallmark rhythmical, alliterative prose.
This new edition provides, for the first time, critical editions of both texts, with a facing translation, presented with full apparatus; it also includes an extensive discussion of the sources and how theyare treated.

MARY CLAYTON is Professor of Old and Middle English, University College Dublin.

Two Ælfric Texts: "The Twelve Abuses" and "The Vices and Virtues"

Tyrone's Rebellion

$36.95

`A study of both Tudor Anglo-Irish relations and the 16th century, Morgan's work is first rate, thoughtful, well-researched and subtle.' ARCHIVES

As a study of both Tudor Anglo-Irish relations and the sixteenth-century, Morgan's work is first rate, thoughtful, well-researched and subtle. ARCHIVES
Fascinating piece of detective work... No serious student of late Tudor Ireland can afford to ignore this rigorous and painstaking analysis. HISTORY
Between 1594-1603 Elizabeth I faced her most dangerous challenge - the insurrection in Ireland known to British historians as the rebellion of the earl of Tyrone, and to their Irish counterparts in the Nine Years War. This study examines the causes of the conflict in the developing policy of the Crown, which climaxed in the Monaghan settlement of 1591, and the continuing resilience of the Gaelic system which brought to power Hugh Roe O'Donnell and Hugh O'Neill. The role of Hugh O'Neill, the earl of Tyrone, was pivotal in the conspiracies leading up to the war and in the leadership ofthe Irish cause thereafter. O'Neill's acceptance of an alliance with Spain rather than a fragile compromise with England is the terminal point of the study. By exploiting all the available source material, Dr Morgan has not only provided a critical reassessment of the early career of Hugh O'Neill but also made an original and lasting contribution to both Irish and Tudor historiography.
HIRAM MORGAN is lecturer in history, University College, Cork.

Tzvetan Todorov

$130.00

The first-ever comprehensive examination of Tzvetan Todorov's cultural theory and his place in European thought.

Originally known for his groundbreaking work in literary studies, the Bulgarian-born French scholar Tzvetan Todorov (1939-2017) was one of the world's foremost cultural theorists. His interventions cover an astounding range of topics, from narratology to ethics, from painting to politics, and from the Enlightenment to current affairs. This collection of essays is the first-ever comprehensive examination of Todorov as a cultural critic. It offers in-depth discussions of the crucial elements of his thought since his historical and cultural turn in the early 1980s: his "marginal centricity" within the French intellectual field, and his relations with other French thinkers; his philosophical precursors and influences, notably Jean-Jacques Rousseau and Mikhail Bakhtin; his conception of the Enlightenment; his views on historiography, and on the possibility and limitations of passing historical judgments; his defense of a European identity; and his political philosophy, including his critique of totalitarianism, neoconservativism, and neoliberalism. Written by international experts in the fields of Enlightenment studies, literary and cultural studies, critical theory, and intellectual history, this volume offers both an introduction to one of the most important postwar European thinkers and discussions of some of the most hotly debated topics in cultural studies today.

Ulrich von Zatzikhoven's Lanzelet

$130.00

Wide-ranging survey of a neglected but significant early German version of the Lancelot legend.

Ulrich von Zatzikhoven's Lanzelet, written around the turn of the thirteenth century, has long intrigued scholars both within and outside German studies: the only remaining trace of a Lancelot legend free of the adulterousaffair with Guinevere, it has been seen both as a precursor of classical Arthurian romance in Germany, and as a post-classical imitation, and attempts to interpret it have often run foul of its contradictions. This new study takesa fresh look at its place in the history of German romance, arguing that Ulrich placed his work firmly in the Arthurian romance tradition, adopting its familiar motifs, courtly vocabulary, and idealised knightly hero, but ratherthan presenting a hero who falls from grace (as did Chrétien), his Lanzelet is truly flawless from the outset. While the repeated episodes and adventures emphasise this aspect of Lancelot, they are also related in strikingly different narrative styles, which Dr McLelland suggests are not the result of authorial incompetence, but rather a source of entertainment, and a challenge to the genre as a whole.

NICOLA McLELLAND is a Lecturer at Trinity College, Dublin.

Ulrich von Zatzikhoven's <I>Lanzelet</I>

Ulrike Meinhof and West German Terrorism

$130.00

First specialized study of Meinhof and the RAF in English, focusing on their use of language to justify extreme violence.

In 1970 Ulrike Meinhof abandoned a career as a political journalist to join the Red Army Faction; captured as a terrorist along with other members of the group in 1972, she died an unexplained death in a high-security prison in 1976. A charismatic spokesperson for the RAF, she has often come near to being idealized as a freedom fighter, despite her use of extreme violence. In an effort to understand how terrorism takes root, Sarah Colvin seeks a dispassionate view of Meinhof and a period when West Germany was declaring its own "war on terror." Ulrike Meinhof always remained a writer, and this book focuses on the role of language in her development and that of the RAF: how Meinhof came to justify violence to the point of murder, creating an identity for the RAF as resistance fighters in an imagined state of war that was reinforced by the state's adoption of what Andreas Musolff has called "war terminology."But its all-powerful identity as a fighting group eroded the RAF's empathy with other human beings -- even those it once claimed to be "fighting for." It became a closed unit, self-justifying and immobilized by its own convictionthat everything it did must be right. This is the first specialized study of Meinhof and the RAF in English -- which is remarkable given the current interest in the topic in both Europe and the U.S.

Sarah Colvin is Professor and Eudo C. Mason Chair of the German Department at the University of Edinburgh, UK.

Ulrike Meinhof and West German Terrorism

Umoya wembongi

$170.00

All 65 of John Solilo's poems from Izala, now out of print, with an additional 28 first published in newspapers, in isiXhosa and English translation, with a comprehensive introduction

John Solilo (1864-1940) was a prolific contributor to Xhosa-language newspapers. He submitted letters and articles on a variety of issues, local news reports from Cradock and Uitenhage, and a considerable body of poetry. His major literary contribution was his collection of poems entitled Izala (A Rubbish Dump), published in 1925, the earliest volume of poetry by a single author in the history of Xhosa literature.

Solilo's literary reputation today, however, is at variance with his prominence as a major author in the first four decades of the twentieth century: he is hardly mentioned, if at all, by literary historians, Izala has long been out of print, and copies can no longer be located. In restoring to the public domain the 65 poems that made up Izala and adding an additional 28 that were published in newspapers both before and after the appearance of Izala, the editors hope to revive John Solilo's reputation as a poet, and to establish his status as a pre-eminent Xhosa author.

In his poetry, Solilo urged passivity and opposed political revolt, but he could also be scathing in his denunciation of black indignities suffered under white control, inspired as he was by umoya wembongi, the spirit of the imbongi, the praise poet whose stirring declamations roused his audiences to action or contemplation.

University of KwaZulu-Natal Press: Southern African Development Community

Cover image for Umoya wembongi, isbn: 9781847014467

Una Poética de la Oscuridad

$120.00

An account of the critical reception of Góngora's Soledad primerain the 17c.

Luis de Góngora completed the first version of his Soledad primera in the spring of 1613. Immediately his poem became the centre of a vigorous literary polemic. The writings of his detractors and of his supporters marked the beginning of a period of intense literary criticism in Spanish letters. The corpus of these writings has yet to be properly listed, edited and analysed in its totality.
Approaching the problem of the obscurity of Góngora's writings by way of the reception of the Soledades in the seventeenth century, the author has been able to determine why his contemporaries found difficulty with the poems, and to study the significance of literaryobscurity, its sources, causes and consequences and the new emphasis lent to it by Góngora. On the basis of this new interpretation the critic reconsiders and reviews various long-held assumptions in Gongorine criticism.
The work includes a preface by Robert Jammes, of the Université de Toulouse-Le Mirail.
JOAQUIN ROSES LOZANO lectures in Spanish at the University of Córdoba.

Uncle Sam's Orchestra

$120.00

A humorous look at the accomplishments of America's Seventh Army Symphony during its 10-year, European tour-of-duty from 1952-1962.

The United States once maintained a symphony orchestra, the Seventh Army Symphony, based in Stuttgart, Germany. Formed in 1952 as a public relations measure, it was intended to demonstrate to the Europeans, and the Germans in particular, that American soldiers were young men of culture capable of appreciating and performing the music of Beethoven, Brahms, and other great composers with feeling and understanding. In this the orchestra was extremely successful, touring repeatedly throughout (West) Germany, Denmark, France, Greece, Italy, and the United Kingdom.

In spite of the great acclaim and enthusiasm with which it was received throughout Europe, the orchestra encountered difficulty and some outright hostility from the U.S. Army itself, which did not quite know what to do with a symphony orchestra in its midst. Therefore, in addition to paying tribute to the important work the orchestra did inthe field of cultural relations, this book chronicles the many humorous incidents that arose out of the perennial friction between the rather unmilitary orchestra and the "regular Army" personnel with whom it came in direct contact.

Understanding Purpose

$29.99

A collection of essays investigating key historical and scientific questions relating to the concept of natural purpose in Kant's philosophy of biology.

Understanding Purpose is an exploration of the central concept of natural purpose [Naturzweck] in Kant's philosophy of biology. Kant's work in this area is marked by a strong teleological concern: living organisms, in his view, are qualitatively different from mechanistic devices, and as a result they cannot be understood by means of the same principles. At the same time, Kant's own use of the concept of purpose does not presuppose any theological commitments, and is merely "regulative"; that is, it is employed as a heuristic device. The contributors to this volume also investigate the following key historical questions relating to Kant's philosophy of biology: How does it relate to European work in the life sciences that was done before Kant arrived on the scene? How did Kant's unique approach to the philosophy of biology in turn influence later work in this area?
The issues explored in this volume are as pertinent to the history of philosophy as they are to the history of science -- it is precisely the blurred boundaries between these two disciplines that allows for new perspectives on Kantianism and early nineteenth-century German biology to emerge.

Contributors: Jean-Claude Dupont, Mark Fisher, Philippe Huneman, Robert J. Richards, Phillip R. Sloan, Stéphane Schmitt, and John Zammito.

Philippe Huneman is researcher at the Centre National de la Recherche Scientifique Unit of the Université Paris.

Understanding the Middle Ages

$45.95

This radical study traces the transformation of ideas in western Europe during more than one thousand years between the fifth and sixteenth centuries.

Kleinschmidt approaches the western European middle ages as a modern anthropologist would approach analysis of a remote culture. His objectives have something in common with Le Goff, as he seeks to identify with medieval society and culture without the encumbrance of later historical attitudes.
This radical study traces the transformation of ideas in western Europe during more than one thousand years between the fifth and sixteenth centuries. Its central concern is to interpret and understand changing attitudes towards time, space, the human body, human and social relationships, productivity and distribution, travel, modes of thought, attitudes to the past, ageversus youth, war, faith, and social and political order.
Illustrations and narrative work together in this book to present medieval culture as one shaped by the spoken word and the visual image. Drawing extensively from awide range of primary source material, the breadth and originality of Kleinschmidt's study will have an important influence on scholarly perception of the middle ages, as a period of continual change and continually changing attitudes.

HARALD KLEINSCHMIDT teaches in the College of International Studies at the University of Tsukuba, Japan.

Understanding the Universe in Seventh-Century Ireland

$130.00

Works of early Irish authors include a strong biblical component, but indicate that independent thought is accepted.

Scarcity of scientific data, a real interest in the physical world, and the need to validate the scriptures encouraged seventh-century Irish scholars toward critical reflection on scientific matters. Their world-view was based onmaterials drawn from the Bible, on earlier Christian works and on personal reflection and contemplation. This volume looks at the Irish contribution to the development of western thought in the early middle ages.
MARINA SMYTHis librarian of the Medieval Institute at the University of Notre Dame, and teaches early medieval cultural history.

Understanding the Universe in Seventh-Century Ireland

Universal Chronicles in the High Middle Ages

$130.00

New perspectives on and interpretations of the popular medieval genre of the universal chronicle.

Found in pre-modern cultures of every era and across the world, from the ancient Near East to medieval Latin Christendom, the universal chronicle is simultaneously one of the most ubiquitous pre-modern cultural forms and one of the most overlooked. Universal chronicles narrate the history of the whole world from the time of its creation up to the then present day, treating the world's affairs as though they were part of a single organic reality, and uniting various strands of history into a unifed, coherent story. They reveal a great deal about how the societies that produced them understood their world and how historical narrative itself can work to produce that understanding.
The essays here offer new perspectives on the genre, from a number of different disciplines, demonstrating their vitality, flexibility and cultural importance, They reveal them to be deeply political texts, which allowed history-writers and their audiences to locate themselves in space, time and in the created universe. Several chapters address the manuscript context, looking at the innovative techniques of compilation, structure and layout that placed them at the cutting edge of medieval book technology. Others analyse the background of universal chronicles, and identify their circulation amongst different social groups; there are also investigations into their literary discourse, patronage, authorship and diffusion.

Michele Campopiano is Senior Lecturer in Medieval Latin Literature at the University of York; Henry Bainton is Lecturer in High Medieval Literature at the University of York.

Contributors:Tobias Andersson, Michele Campopiano, Cornelia Dreer, Catherine Gaullier-Bougassas, Elena Koroleva, Keith Lilley, Andrew Marsham, Rosa M. Rodriguez Porto, Christophe Thierry, Elizabeth M. Tyler, Steven Vanderputten, Bjorn Weiler, Claudia Wittig.

Universal Chronicles in the High Middle Ages

Unmasking Ravel

$130.00

Collection of critical and analytical scholarly essays on the music of Ravel by prominent scholars.

Unmasking Ravel: New Perspectives on the Music fills a unique place in Ravel studies by combining critical interpretation and analytical focus. From the premiere of his works up to the present, Ravel has been associated with masks and the related notions of artifice and imposture. This has led scholars to perceive a lack of depth in his music and, consequently, to discourage investigation of his musical language. This volume balances and interweavesthese modes of inquiry. Part 1, "Orientations and Influences," illuminates the sometimes contradictory aesthetic, biographical, and literary strands comprising Ravel's artistry and our understanding of it. Part 2, "Analytical Case Studies," engages representative works from Ravel's major genres using a variety of methodologies, focusing on structural process and his complex relation to stylistic convention. Part 3, "Interdisciplinary Studies," integratesmusical analysis and art criticism, semiotics, and psychoanalysis in creating novel methodologies.

Contributors include prominent scholars of Ravel's and fin-de-siècle music: Elliott Antokoletz, Gurminder Bhogal, Sigrun B. Heinzelmann, Volker Helbing, Steven Huebner, Peter Kaminsky, Barbara Kelly, David Korevaar, Daphne Leong, Michael Puri, and Lauri Suurpää.

Peter Kaminsky is Professor of Music at the University of Connecticut, Storrs.

Unpopular Virtues

$90.00

An up-to-date assessment of the most important scholarly criticism on one of the enfants terribles of the German Sturm und Drang.

In this study of the criticism of the most idiosyncratic voice of the German Sturm und Drang, the authors investigate why critics have so often failed to come to terms with Lenz's refusal to encourage the middle class and cater to its tastes. While many of Lenz's first reviewers found his work to be liberating, the mid-1770s soon brought a more conservative aesthetic, and he was virtually forgotten until after his death in 1792. With the rise of German classicism and romanticism, Lenz was viewed as a curiosity; his critique of contemporary society, his concern for the public welfare, and his open-textured and naturalistic style went unappreciated. And looming over every assessment of his work from the early nineteenth century on are Goethe's negative comments in Dichtung und Wahrheit: to speak of Lenz, even in our century, has always meant to deal with Goethe's opinion of him.
Leidner and Wurst's study traces Lenz reception from the earliest reviews through the nineteenth century, modernism, National Socialism, New Criticism, the rediscovery of Lenz in both Germanies after 1968, and the changes in focus after the 1992 Lenz bicentennial.

Unposted Letters

$39.95

Letters, diaries, drawings and official documents tell the wartime story of Franciszka and Stefan Themerson, artists, writers and film-makers.

In 1938 Franciszka and Stefan Themerson moved from Warsaw to Paris. Who were they? They made avant-garde films in Poland in the 1930s. She was a painter, he was a writer. Why did they go to Paris? Because Paris was the centre of the art world, and as Stefan said: "if one wrote, painted or made films, one had to be in Paris".

When the war broke out, they volunteered for the Polish Army. Stefan stayed in France, Franciszka escaped to London withthe Polish Government in Exile. They were separated until the summer of 1942. 150 of their letters survive, as do 150 telegrams, Stefan's diaries, official documents, and Franciszka's drawings, which she called 'Unposted Letters', and which provide the title of this book.

The documents in this beautifully produced and illustrated book articulate the inner life of two remarkable individuals borne on an erratic current of events over which they hadno control. In London, they made two more films. And after the war, they founded the Gaberbocchus Press and published books by Alfred Jarry, Kurt Schwitters, Bertrand Russell among others, as well as their own, startlingly original works.

Benelux: De Harmonie, Amsterdam

Unpublishable Works

$90.00

Investigation of the work of Wolfgang Borchert, the Second World War German poet and dramatist.

This book is a study of Germany's first post-war author, Wolfgang Borchert, including his pre-1945 literary works, and offering the first complete and comprehensive analysis of his unpublished oeuvre. It covers the dramatic and poetic works written during the period that Germany was preparing for, and then engaged in, the struggle that led to its devastation. Professor Warkentin identifies themes and ideas common to both published and unpublished works, arguing that the literature produced by Borchert in post-war Hamburg is not solely the product of a disillusioned soldier, but the result of a lengthy developmental process begun as early as 1938, when Borchert's first poem was published in Nazi Germany.

Unpublished London Diaries

$85.00

Published by Boydell & Brewer Inc.

Unrepentant Tory

$85.00

Nineteenth-century diaries cast new light on politics of the time.

The diaries of the fourth duke of Newcastle-under-Lyne [1785-1851] provide an unrivalled insight into the politics of the 'age of reform', during the late-1820s and 1830s, from the perspective of a prominent political critic. Newcastle was a well known defender of the constitutional status quo and used his position in the house of lords, his family's historic electoral influence and personal contacts with the leading royal and political figures of the dayto argue the case against change. He was also a leading participant in ultra-tory parliamentary groups such as the 'king's friends' and the 'country party'. His diaries offer not just invaluable detail on these activities, but also a vivid personal testimony of Newcastle's political creed, and cast important light on the hopes, fears and strategies of those who resisted 'the triumph of reform' during these years.
This edition reproduces the politicalcontent of the diaries and Newcastle's published letters to the press for the period 1827-38; it is accompanied with an extensive introduction placing the diaries in their historical context, and other apparatus.

Unsettling Montaigne

$130.00

Striking new readings of Montaigne's works, focussing on such concepts as scepticism and tolerance.

Montaigne's Essais (1580-1592) are one of the most remarkable works of the European Renaissance. The Essais' innovative open-mindedness is at odds with the dogmatism and intolerance of their times, the decades of civil and religious wars in France, and their tolerant and searching human questions and ethics of difference remain compelling for twenty-first century readers. But the sceptical open-endedness that vitalizes this writing is also often troubled and troubling: personal losses and the collapse of cultural ideals moved Montaigne to write, and their attendant anxieties are not resolved into tranquil reflection.
Unsettling Montaigne reassesses Montaigne's scepticism. Informed by psychoanalytic and related theory, its close attention to Montaigne's complex uses of metaphor illuminates the psychic economy of his scepticism and tolerance and their poetics, while new readings ofhis Essais and other texts reveal the significance of disquieting questions, thought and affect for the ethos his writing fosters. The analysis deals with figures such as cannibals and cannibalism, hunger, shaking, tickling, place, the brother, and haunting in Montaigne's exploration of concepts which tested his understanding and self-understanding. The volume also demonstrates how figuration supports openness to difference for both writer and readers, and is fundamental to this writing's aesthetic, psychic and ethical creativity.

Elizabeth Guild lectures in French at the University of Cambridge, and is a Fellow of Robinson College.

Unwrapping Goethe's Weimar

$99.00

A comprehensive reconsideration of the myth of Goethe's Weimar, occasioned by the 1999 celebrations of Goethe's 250th birthday.

The 1999 celebrations of Goethe's two hundred and fiftieth birthday and the city's designation as Culture City of Europe give rise to this comprehensive look at the myth of Goethe's Weimar and the ways it has been packaged. Some of the most prominent North American Germanists have delved into archives and forgotten texts to reveal a troubled locus of culture, commodification, and ideological projection. Goethe's presence in Weimar receives new currency inexplorations of consumer culture and the fashioning of bourgois taste; women artists and the market; portrait busts and their display practices; Anna Amalia and musical collaboration; masquerades and cross-dressing; Göchhausen and the Weimar Grotesque; Goethe's views on soldiering and acting; propaganda and human rights.

Urban Bodies: Communal Health in Late Medieval English Towns and Cities

$49.95

The idea of English medieval towns and cities as filthy, muddy and insanitary is here overturned in a pioneering new study.

Carole Rawcliffe continues with her mission to clean up the Middle Ages. In earlier work she has already given us scholarly yet sympathetic portrayals of English medicine, hospitals, and welfare for lepers. Now she widens her scope to public health. Her argument is clear, simple and convincing. Through the efforts of crown and civic authorities, mercantile élites and popular" interests, English towns and cities aspired to a far healthier, less polluted environment than previously supposed. All major sources of possible infection were regulated, from sounds and smells to corrupt matter - and to immorality. Once again Professor Rawcliffe has overturned a well-established orthodoxyin the history of pre-modern health and healing. Her book is a magnificent achievement." Peregrine Horden, Royal Holloway University of London.

This first full-length study of public health in pre-Reformation England challenges a number of entrenched assumptions about the insanitary nature of urban life during "the golden age of bacteria". Adopting an interdisciplinary approach that draws on material remains as well as archives, it examines themedical, cultural and religious contexts in which ideas about the welfare of the communal body developed. Far from demonstrating indifference, ignorance or mute acceptance in the face of repeated onslaughts of epidemic disease, the rulers and residents of English towns devised sophisticated and coherent strategies for the creation of a more salubrious environment; among the plethora of initiatives whose origins often predated the Black Death can also be found measures for the improvement of the water supply, for better food standards and for the care of the sick, both rich and poor.

CAROLE RAWCLIFFE is Professor of Medieval History, University of East Anglia.

Urban Bodies: Communal Health in Late Medieval English Towns and Cities

$190.00

The idea of English medieval towns and cities as filthy, muddy and insanitary is here overturned in a pioneering new study.

Carole Rawcliffe continues with her mission to clean up the Middle Ages. In earlier work she has already given us scholarly yet sympathetic portrayals of English medicine, hospitals, and welfare for lepers. Now she widens her scope to public health. Her argument is clear, simple and convincing. Through the efforts of crown and civic authorities, mercantile élites and popular" interests, English towns and cities aspired to a far healthier, less polluted environment than previously supposed. All major sources of possible infection were regulated, from sounds and smells to corrupt matter - and to immorality. Once again Professor Rawcliffe has overturned a well-established orthodoxyin the history of pre-modern health and healing. Her book is a magnificent achievement." Peregrine Horden, Royal Holloway University of London.

This first full-length study of public health in pre-Reformation England challenges a number of entrenched assumptions about the insanitary nature of urban life during "the golden age of bacteria". Adopting an interdisciplinary approach that draws on material remains as well as archives, it examines themedical, cultural and religious contexts in which ideas about the welfare of the communal body developed. Far from demonstrating indifference, ignorance or mute acceptance in the face of repeated onslaughts of epidemic disease, the rulers and residents of English towns devised sophisticated and coherent strategies for the creation of a more salubrious environment; among the plethora of initiatives whose origins often predated the Black Death can also be found measures for the improvement of the water supply, for better food standards and for the care of the sick, both rich and poor.

CAROLE RAWCLIFFE is Professor of Medieval History, University of East Anglia.

Urban Government and the Early Stuart State

$130.00

Examines relations between centre and localities in seventeenth century England by looking at early Stuart government through the lens of provincial towns.

This book investigates relations between centre and localities in seventeenth century England by looking at early Stuart government through the lens of provincial towns. Focusing particularly on incorporated boroughs, it emphasises the distinctive circumstances that shaped governance in provincial towns and the ways towns contributed to the state. Royal charters of incorporation legally defined patterns of self-government and local liberties in corporate boroughs, but they also created a powerful bond to the crown. The book argues that a dynamic tension between local autonomy and connection to the centre drove relations between towns and the crown in this period, as borough governments actively sought strong ties with central authority while also attempting to preserve their chartered liberties. It also argues that the 1620s and 1630s ushered in new patterns in the crown's relations with incorporated boroughs, as Charles I's regime hardened policies towards urban localities. Based on extensive original research in both central government records and the archives of a wide range of provincial towns, the book covers critical aspects of interaction between towns and the crown, including incorporation and charters, governance and political order, social regulation, trade, financial and military exactions, and religion.

Urban Government and the Early Stuart State

Urban Society and Monastic Lordship in Reading, 1350-1600

$120.00

Interrogates the standard view of turbulent and violent town-abbey relations through a combination of traditional and new research techniques.

The power of the medieval Church stretched far beyond the religious sphere. Bishops and monasteries held lordship over vast areas of the realm, often wielding political and judicial powers beyond those of secular lords. Early twentieth-century scholarship tended to view towns with monastic lords as highly distinctive, characterised by robust lordship and violent town-abbey relations, and though subsequent studies have done much to modify this view of relationships between towns and their monastic lords, the shadow of this dramatic interpretation still colours our understanding of these situations.

Conversely, through a detailed examination of the governmental, guild, parish, and testamentary records of Reading, one of the more populous monastic towns of the period, this book presents a view of town-abbey relations as largely non-violent, thus problematising the more traditional characterisation and interrogating its universality. Uncovering a remarkably swift transition from monastic lordship to self-government, it illuminates how urban society functioned under two very different regimes, both before and after the dissolution of the monasteries. By combining traditional research methods with Social Network Analysis, the author moves beyond a focus on the political elites and institutionalised bodies, such as the corporation, to look at lower-status members of society and how they interacted with the successive governing authorities. In particular, it investigates what continuities and changes to local governance they experienced during this turbulent period.

Urban Society and Monastic Lordship in Reading, 1350-1600

Uruguayan Cinema, 1960-2010

$120.00

An original and groundbreaking historiography on fifty years of Uruguayan cinema.

Runner-up for the 2014 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland

This book presents an original historiography on fifty years of Uruguayan cinema. It is the first English language academic book in which Uruguay becomes a case study to reflect upon broader interests of both Film and Latin American Studies, such as the conditions of film archives, the many materialities of film, the relationshipbetween film and politics, and the ways in which films are produced in countries without a mainstream film industry. Uruguayan cinema has recently begun to capture the attention of academics and critics. However, most of Uruguayan productions remain ignored and forgotten, and have not been explored in depth. This ground-breaking investigation unearths films and videos from private and public archives, made in both amateur and professional settings, to reflect upon the ever-changing nature of the concept of cinema.
How is the concept of cinema defined in non-industrial contexts? Can we even talk about cinema, when most of the production was captured in small-gauge film and video? In seeking to answer these questions, this book uncovers the tensions behind the text and the - filmic, magnetic or digital - materiality of films. Detailed case studies are based on the analysis of the political, cultural and economic contexts of film production and current issues of accessibility.

Beatriz Tadeo Fuica is an Associate Researcher in the Grupo de Estudios Audiovisuales (GESTA), Universidad de la República (Uruguay); and atthe Centre d'histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines.

Utopia, Innovation, Tradition

$36.95

This book, first collection of essays in English on Bruno Maderna, brings the reader closer to one of the greatest European composer and conductor of the last century.

Utopia, Innovation, Tradition: Bruno Maderna's cosmos is the first collection of essays in English dedicated to one of the most multifaceted and interesting musical personalities of the 20th century, a protagonist in the development of new music after World War II. The various essays cover the most important aspects of Bruno Maderna's peculiar compositional approach and, thanks to innovative methodological perspectives based mainly on the study of archival materials, arrive at new and often completely unexpected interpretations.

Uvedale Price (1747-1829)

$49.95

The first biography of the 18th-century landscape gardener, Uvedale Price, showing the key interconnections between his roles as landowner, art collector, forester, landscaper, connoisseur and scholar.

Uvedale Price achieved most fame as the author of the influential Essay on the Picturesque of 1794 in which he argued that the work of the greatest landscape artists, such as Salvator Rosa, Rubens and Claude, should be usedas models for the "improvement of real landscape". His attack on the smooth certainties of Capability Brown sparked off a public controversy, drawing in Richard Payne Knight and Humphry Repton, which became a cause célèbre.
This is the first biography of Uvedale Price, bringing out his contradictory and elusive character and revealing an astonishing cast of friends and acquaintances, including Gainsborough, Voltaire, William Wordsworth and ElizabethBarrett Browning. The book shows how he developed his ideas through practical experimentation on his own land and buildings and provides an understanding of the context of Price's practices and theories and the key interconnections between his roles as landowner, art collector, forester, landscaper, connoisseur and scholar.

CHARLES WATKINS is Professor of Rural Geography, University of Nottingham; BEN COWELL is Assistant Director, External Affairs, National Trust.

Vanguardia y humorismo gráfico en crisis

$130.00

El libro analiza la relación entre vanguardia y humorismo gráfico en dos periodos históricos críticos: la Guerra Civil Española (1936-1939) y los primeros años de la Revolución Cubana (1959-1961).

The book studielation between the avant-garde and graphic humour in two critical historical periods: the Spanish Civil War (1936-1939) and the early years of the Cuban Revolution (1959-1961).

El libro analiza la relación entre vanguardia y humorismo gráfico en dos periodos históricos críticos: la Guerra Civil Española (1936-1939) y los primeros años de la Revolución Cubana (1959-1961). Se centra en los periódicos y la llamada prensa de trincheras en España orientada a un público adulto, tanto en el bando republicano (No Veas, Trincheras, L'Esquella de la Torratxa, entre otras) como en el nacional (Vértice y La Ametralladora). En la parte dedicada a Cuba, el análisis se centra en el diario Revolución y en la revista de humor vanguardista El Pitirre, que discurrió paralela al suplemento cultural Lunes de Revolución y corrió similar suerte cuando tanto Lunes como El Pitirre fueron clausurados en 1961. El enfoque del libro traza la trayectoria de la vanguardia en el humorismo gráfico en ambos periodos, cuando el compromiso político y la militancia desplazaron paulatinamente el desarrollo de la vanguardia estética. La especial coyuntura socio-política planteó retos a los artistas gráficos de índole ideológico y estético-conceptual, estableciendo áreas de contacto e influencia entre España y Cuba.

The book studies the relation between the avant-garde and graphic humour in two critical historical periods: the Spanish Civil War (1936-1939) and the early years of the Cuban Revolution (1959-1961). It focuses on the so-called war magazines in Spain on the Republican side (No Veas, Trincheras, and L´Esquella de la Torratxa,among others) and the Francoist side (Vértice and La Ametralladora). In the part devoted to Cuba, the analysis covers the newspaper Revolución and the avant-garde humour magazine El Pitirre, which ran simultaneously to the cultural supplement Lunes de Revolución and shared the same fate when Lunes and El Pitirre were closed down in 1961. The book unveils the trajectory of the avant-garde graphic humour in both periods, when the political commitment progressively overshadowed the development of the aesthetic avant-garde. The special socio-political conjuncture posed ideological and aesthetic-conceptual challenges to graphic artists, establishing contact areas and influences between Spain and Cuba.

Jorge L. Catalá Carrasco es Lecturer in Hispanic Studies en Newcastle University.

Vanguardia y humorismo gráfico en crisis

Variations on the Canon

$170.00

Masterful essays honoring the great pianist and critic Charles Rosen, on masterpieces from Bach and Beethoven to Chopin, Verdi, and Stockhausen.

Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half-century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on theliving "canonical" repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and reception history; develop insights afforded by close examination of compositional sketches; and consider what language and metaphors might most meaningfully convey insights into music. However diverse the modes of inquiry, each essay sheds new light on the works of those composers posterity has deemed central to the modern Western musical tradition.

Contributors: Pierre Boulez, Scott Burnham, Elliott Carter, Robert Curry, Walter Frisch, David Gable, Philip Gossett, Jeffrey Kallberg, Joseph Kerman, Richard Kramer, William Kinderman, Lewis Lockwood, Sir Charles Mackerras, Robert L. Marshall, Robert P. Morgan, Charles Rosen, Julian Rushton, David Schulenberg, László Somfai, Leo Treitler, James Webster, and Robert Winter.

Robert Curry is principalof the Conservatorium High School and honorary senior lecturer in the Centre for Medieval Studies, University of Sydney; David Gable is Assistant Professor of Music at Clark-Atlanta University; Robert L. Marshall is Louis, Frances, and Jeffrey Sachar Professor Emeritus of Music at Brandeis University.

VCH Middlesex XI

$140.00

Published by Boydell & Brewer Inc.

Venanzio Rauzzini in Britain

$170.00

Examines the remarkable career of leading soprano castrato Venanzio Rauzzini (1746-1810), the first castrato to make Britain his home.

Venanzio Rauzzini (1746-1810), the celebrated Italian castrato, is best known for his performance in Mozart's Lucio Silla in 1772, with which Mozart was so pleased that he composed for the singer the famous motet Exsultate Jubilate. In 1774, Rauzzini moved to London where he performed three seasons of serious operas at the King's Theatre. From 1777 until his death in 1810, he was the director of the concert series in Bath, a series that matched the prestige of any that were given in London. In addition, he composed prolifically, writing music for eleven operas.

This book is a study of Rauzzini's remarkable yet often overlooked career in Britain. Paul Rice chronicles Rauzzini's performances at the King's Theatre and examines his leadership of the Bath subscription concerts from 1780-1810, recovering much of the repertory. Rice shows in detail how Rauzzini responded musically to the social and political conditions of his adopted country, and analyzes the castrato's reception, as well as compositional choices, shedding new light on changing musical tastes in late eighteenth-century Britain.

Paul F. Rice is Professor of Musicology at the School of Music, Memorial University of Newfoundland.

Venereal Disease, Hospitals and the Urban Poor

$39.95

A re-examination of the role of charity and treating venereal disease in public hospitals in early-modern London.

This book explores how London society responded to the dilemma of the rampant spread of the pox among the poor. Some have asserted that public authorities turned their backs on the "foul" and only began to offer care for venerealpatients in the Enlightenment. An exploration of hospitals and workhouses shows a much more impressive public health response. London hospitals established "foul wards" at least as early as the mid-sixteenth century. Reconstruction of these wards shows that, far from banning paupers with the pox, hospitals made treating them one of their primary services. Not merely present in hospitals, venereal patients were omnipresent. Yet the "foul" comprised a unique category of patient. The sexual nature of their ailment guaranteed that they would be treated quite differently than all other patients.

Class and gender informed patients' experiences in crucial ways. The shameful nature of the disease, and the gendered notion of shame itself, meant that men and women faced quite different circumstances. There emerged a gendered geography of London hospitals as men predominated in fee-charging hospitals, while sick women crowded into workhouses. Patients frequently desired to conceal their infection. This generated innovative services for elite patients who could buy medical privacy by hiring their own doctor. However, the public scrutiny that hospitalization demanded forced poor patients to be creative as they sought access to medical care that they could not afford. Thus, Venereal Disease, Hospitals and the Urban Poor offers new insights onpatients' experiences of illness and on London's health care system itself.

Kevin Siena is assistant professor of history at Trent University.

Venereal Disease, Hospitals and the Urban Poor

Verdi and the Art of Italian Opera

$130.00

A long-needed and up-to-date overview of the syntax and principles that make Verdi's operas so effective and so beloved today.

Verdi's art emerged from a rich array of dramatic and musical practices operative in the Italy of his day. Drawing the reader into his creative world, this study (translated from the French original by the author himself) begins where Verdi began when it came time to set notes to paper: the libretto. Designed for the non-Italophone reader, Steven Huebner's Verdi and the Art of Italian Opera explains key principles of Italian poetry that shaped his music. From there, Huebner outlines the various musical textures available to the composer, including an exploration of the characteristics of recitative and aria. Working outward, subsequent chapters explore the syntax of Verdi's melodic writing and the larger-level forms that he used. A concluding chapter considers ways of conceiving musical unity in his operas.

Verdi in America

$190.00

A renowned Verdi authority offers here the often-astounding first history of how Verdi's early operas -- including one of his great masterpieces, Rigoletto -- made their way into America's musical life.

The operas of Giuseppe Verdi stand at the center of today's operatic repertoire, and have done so for more than a century. The story of how the reputation and wide appeal of these operas spread from Western Europe throughout the world has long needed to be told. This latest book by noted Verdi authority George W. Martin, Verdi in America: Oberto through Rigoletto, specifically details the changing fortunes of Verdi's early operas in the theaters andconcert halls of the United States.
Among the important works whose fates Martin traces are Nabucco, Attila, Ernani, Macbeth (in its original version), Luisa Miller, and one of Verdi's immortal masterpieces: Rigoletto, denounced in 1860 as the epitome of immorality.
Martin also explores the astonishing revival of many of these operas in the 1940s and onward (including Macbeth in its revised version of 1865), and the first American productions-sometimes in small opera houses outside the main circuit of some Verdi operas that had never previously managed to cross the Atlantic. Extensive quotations from newspaper reviews testify tothe eventual triumph of these remarkable works. They also reveal the crucial shifts in tastes and expectations that have occurred from Verdi's day to our own.

Independent scholar George W. Martin is the author of several books on Italian opera, including Verdi, His Music, Life and Times, Verdi at the Golden Gate: Opera and San Francisco in the Gold Rush Years, and Aspects of Verdi.

Verdi's "Il trovatore"

$120.00

The first comprehensive study of Verdi's perennially popular opera Il trovatore, written by one of the world's great Verdi authorities.

No full-length study has ever been written on Il trovatore, in his day Verdi's most successful stage work. This book by one of the world's great Verdi authorities fills that gap, providing a comprehensive look at the opera,from its genesis and structure to its early performance history and critical reception.

Starting with the background of the opera, the volume traces the origins of the original play by Antonio García Gutiérrez, El trovador, and offers a new, more credible source for the drama. In addition, it examines the evolution of the libretto, the music, and the arrangement of the narrative, revealing innovative musical and dramatic features not seenby other critics. The book also includes a discussion of contemporary reviews and a section on some of the important performers in the twentieth century (for example, Toscanini and Caruso), as well as a consideration of several ofthe more unusual stagings of the work mounted during the final decades of the century.

With these and other explorations, Martin Chusid offers a thorough survey of Verdi's Il trovatore and in the process deepens and enhances our encounter with one of the mainstays of the operatic reparatory.

Martin Chusid is Professor Emeritus of Music, New York University, and founding director of the American Institute for Verdi Studies.

Verginia, Lucretia, and the Medieval Livy

$95.00

The tragic stories of Lucretia and Verginia, taken from the fourteenth-century French version of Livy's History of Rome, presented with facing page English translation.

Livy was famous in the Middle Ages for what Dante called his "unerring" history of Rome. Within that history, two episodes were especially well-known, both promoting female virtue while also suggesting how sexual violence could trigger political change. Lucretia commits suicide after her rape, precipitating the fall of the monarchy. Verginia is murdered by her father, who prefers to see her die than be seized by the corrupt judge Appius; her death then inspires an uprising that overthrows the decemvirs, republican officials who abused the very laws they had codified. While these stories circulated widely in the medieval period, access to the Latin Livy was impeded by a scarcity of manuscripts. There is nonetheless evidence that some poets, notably Chaucer and Gower, knew Livy through the Tite-Live, a French translation by Pierre Bersuire that was completed around 1358, and borrowed from it for their own works.

There are many manuscripts of the Tite-Live, though little of it is available to modern readers. This book helps fill that gap by supplying critical editions and English translations of Bersuire's Verginia and Lucretia episodes, along with those in the Roman de la Rose by Jean de Meun, one of the earliest vernacular writers to show interest in Livy. Each text features a substantial critical apparatus, which glosses difficult terms and concepts and elucidates historical events and social contexts, while an introduction provides other contextual information.

Verginia, Lucretia, and the Medieval Livy

Vernacular Literary Theory from the French of Medieval England

$69.95

Excerpts from texts (with translation) from the French of medieval England offer a guide to medieval literary theory.

From the twelfth to the fifteenth centuries, French was one of England's main languages of literature, record, diplomacy and commerce and also its only supra-national vernacular. As is now recognised, the large corpus of England'sFrench texts and records is indispensable to understanding England's literary and cultural history, the multilingualism of early England, and European medieval French-language culture in general.
This volume presents a full, representative collection of texts and facing translations from England's medieval French. Through its selection of prologues and other excerpts from works composed or circulating in England, the volume presents a body of vernacular literary theory, in which some fifty-five highly various texts, from a range of genres, discuss their own origins, circumstances, strategies, source materials, purposes and audiences. Each entry, newly edited from a single manuscript, is accompanied by a headnote, annotation, and narrative bibliography, while a general introduction and section introductions provide further context and information. Also included are essays on French in England and onthe prosody and prose of insular French; Middle English versions of some of the edited French texts; and a glossary of literary terms.
By giving access to a literate culture hitherto available primarily only to Anglo-Norman specialists, this book opens up new possibilities for taking English francophony into account in research and teaching.

JOCELYN WOGAN-BROWNE is Thomas F.X. and Theresa Mullarkey Chair in Literature, English Department, Fordham University, New York, and formerly Professor of Medieval Literature, University of York; THELMA FENSTER is Professor Emerita of French and Medieval Studies, Fordham University; DELBERT RUSSELL is Distinguished Professor Emeritus of French, University of Waterloo.

Vernacular Literary Theory from the French of Medieval England

$145.00

Excerpts from texts (with translation) from the French of medieval England offer a guide to medieval literary theory.

From the twelfth to the fifteenth centuries, French was one of England's main languages of literature, record, diplomacy and commerce and also its only supra-national vernacular. As is now recognised, the large corpus of England'sFrench texts and records is indispensable to understanding England's literary and cultural history, the multilingualism of early England, and European medieval French-language culture in general.
This volume presents a full, representative collection of texts and facing translations from England's medieval French. Through its selection of prologues and other excerpts from works composed or circulating in England, the volume presents a body of vernacular literary theory, in which some fifty-five highly various texts, from a range of genres, discuss their own origins, circumstances, strategies, source materials, purposes and audiences. Each entry, newly edited from a single manuscript, is accompanied by a headnote, annotation, and narrative bibliography, while a general introduction and section introductions provide further context and information. Also included are essays on French in England and onthe prosody and prose of insular French; Middle English versions of some of the edited French texts; and a glossary of literary terms.
By giving access to a literate culture hitherto available primarily only to Anglo-Norman specialists, this book opens up new possibilities for taking English francophony into account in research and teaching.

Jocelyn Wogan-Browne is Thomas F.X. and Theresa Mullarkey Chair in Literature, Fordham University, New York, and formerly Professor of Medieval Literature, University of York; Thelma Fenster is Professor Emerita of French and Medieval Studies, Fordham University; Delbert Russell is Distinguished Professor Emeritus of French, University of Waterloo.

Verse and Voice in Byrd's Song Collections of 1588

$36.95

First full monograph to focus entirely on the English-language songs set to music by Byrd.

As he grappled with the challenges of composing for various instrumental and vocal ensembles, William Byrd (c. 1540-1623), England's premier Renaissance composer, devoted considerable attention to the poetry and prose of his native language, producing such treasured masterpieces as the hauntingly beautiful "Lulla lullaby"; the infectiously comedic "Though Amarillis dance in green"; and two extraordinarily dramatic Easter anthems. This book, the first full-length study specifically devoted to Byrd's English-texted music, provides a close reading of all of the works he published in the late 1580s, constituting nearly half of his total song output. It delves into the musical, political, literary, and, specifically, the sequential qualities of Byrd's 1588 and 1589 published collections as a whole, revealing, explaining, and interpreting an overall grand narrative, while remaining fully attentive to the particularities of each individual piece. Often deemed "unliterary" and generally considered political only in his approach to Latin texts, which were often of special interest to his fellow Catholics, Byrd was not only an inspiredcomposer who had mastered the challenges of his nation's burgeoning verse, but also one who used his voice in song to foster a more inclusive polity in a time of religious strife.

Verse and Voice in Byrd's Song Collections of 1588 and 1589

$130.00

First full monograph to focus entirely on the English-language songs set to music by Byrd.

As he grappled with the challenges of composing for various instrumental and vocal ensembles, William Byrd (c. 1540-1623), England's premier Renaissance composer, devoted considerable attention to the poetry and prose of his native language, producing such treasured masterpieces as the hauntingly beautiful "Lulla lullaby"; the infectiously comedic "Though Amarillis dance in green"; and two extraordinarily dramatic Easter anthems. This book, the first full-length study specifically devoted to Byrd's English-texted music, provides a close reading of all of the works he published in the late 1580s, constituting nearly half of his total song output. It delves into the musical, political, literary, and, specifically, the sequential qualities of Byrd's 1588 and 1589 published collections as a whole, revealing, explaining, and interpreting an overall grand narrative, while remaining fully attentive to the particularities of each individual piece. Often deemed "unliterary" and generally considered political only in his approach to Latin texts, which were often of special interest to his fellow Catholics, Byrd was not only an inspiredcomposer who had mastered the challenges of his nation's burgeoning verse, but also one who used his voice in song to foster a more inclusive polity in a time of religious strife.

Jeremy L. Smith is Associate Professorof Musicology at the University of Colorado Boulder.

Verse and Voice in Byrd's Song Collections of 1588 and 1589

Versions of Virginity in Late Medieval England

$130.00

Medieval virginity theory explored through study of martyrs, nuns and Margery Kempe.

This study looks at the question of what it meant to be a virgin in the Middle Ages, and the forms which female virginity took. It begins with the assumptions that there is more to virginity than sexual inexperience, and that virginity may be considered as a gendered identity, a role which is performed rather than biologically determined. The author explores versions of virginity as they appear in medieval saints' lives, in the institutional chastity of nuns, and as shown in the book of Margery Kempe, showing how it can be active, contested, vulnerable but also recoverable.

SARAH SALIH teaches in the Department of English at King's College London.

Versions of Virginity in Late Medieval England

Victoria County History of Oxfordshire XXI

$140.00

This volume focuses on the Cotswold market town of Chipping Norton and on half a dozen surrounding rural parishes, including Hook Norton and the Rollrights. Drawing on intensive archival research, the authors look in detail at the town's origins, growth, and buildings, and at its economic, social, political, and religious history up to the present day, including its association with the medieval wool trade and the later development of the famous Bliss tweed mill. The surrounding parishes were predominantly agricultural and were reliant on traditional Cotswold sheep-corn farming, although Hook Norton developed significant ironstone quarrying in the 1880s-1940s, and is well known for its still-functioning Victorian brewery. The parishes' wider histories are fully explored, notable features including parks and country houses, the remains (at Swerford) of a motte-and-bailey castle, and the prehistoric Rollright Stones.

Victoria County History of Oxfordshire XXI

Victoria County History of Westmorland I

$140.00

This long-awaited volume, the first installment in the Victoria County History of Westmorland, covers the 13 townships of scenic and historic Lonsdale Ward from prehistory to the near present.

This landmark book is the first Victoria County History publication for the historic county of Westmorland and the 250th volume in Red Book series. It provides an account of the 13 townships comprising Lonsdale Ward, one of the four ancient divisions of the county of Westmorland, parts of which now lie in the Yorkshire Dales National Park. Most of these townships belonged to the parishes of Burton-in-Kendal and Kirkby Lonsdale, both centres of pre-Conquest worship. Kirkby Lonsdale developed as a market town at a major crossing of the River Lune. The medieval Devil's Bridge has long attracted visitors and tourists to the town, as has the view from St Mary's churchyard, which was immortalised by J.M.W. Turner and John Ruskin. Lying on a major north-south route, Burton was a significant corn market from the late 17th century. With a largely rural upland landscape, agriculture was the chief occupation in the area for centuries. An exception was Holme, where a flax mill and industrial settlement developed in the 1800s. A lack of industry helped to preserve the historic character of Kirkby Lonsdale and Burton-in-Kendal, where many Georgian buildings survive.

Cover image for Victoria County History of Westmorland I, isbn: 9781904356585

Victorian Artists and their World 1844-1861

$170.00

The diaries and letters of siblings Joanna and George Boyce, and Joanna's husband Henry Wells (published as The Boyce Papers in 2019) give us a rare insight into the working practices and milieu
of Victorian artists active in the mid-nineteenth century.

Reflecting on that rich source, this multifaceted volume provides a valuable set of case studies on topics that are not often treated on their own, but which are vital contexts of Victorian art. By addressing the
artistic work, practices and social circles of all three artists it reminds us that there is much more to this period than the Pre-Raphaelites, and that other styles and movements (such Aesthetic painting, to which Joanna and George Boyce contributed) flourished in their shade.

The experiences of Victorian artists and the realities of their world are brought to life as we follow the three painters' travels to continental European cities and their artistic training in Britain and France. We see them explore differing paint mediums and processes, become a part of the art market (its studios, clubs and societies), form relationships with patrons and take on other roles within the British artworld. We learn about the progress of women artists, as reflected in Joanna Boyce's career. George Boyce's unique vision is readdressed and the book also includes the first, full study of the career of Henry Wells, including his active involvement with the Royal Academy, taking us into the later decades of the nineteenth century.

By virtue of their differing artistic journeys the Boyce family artists provide a broad and multi-angled view of the mid-nineteenth century British art world. The essays by writers with a rich range of expertise - in art history, curation, materiality and life writing - explore Victorian artists' significant contributions to and interactions within their world.

Victorian Artists and their World 1844-1861

Victorian Churches and Churchmen

$65.00

Articles on religion and the religious during the Victorian period, showing its unity and disunity.

The major themes of Catholic historiography and the history of education during the Victorian era unite the essays collected here, as is fitting for a volume honouring the work in these fields of Professor Vincent Alan McClelland.There is a particular emphasis upon the life and work of Cardinal Manning; other figures and topics considered include Father Randal Lythgoe, Cardinal Newman, the English Benedictine contribution to the British Empire, modern Scottish Catholic history, and Victorian Christianity in its various forms, as in the essays on Methodism and the Church of Ireland.

Victorian Radicals and Italian Democrats

$130.00

An examination of the links between radicalism in Victorian England, and the Risorgimento movement in Italy.

This book provides powerful new insights into the history of Italy's long Risorgimento, by tracing the entanglements of the Mazzinian "international". This informal group of men and women crossed the boundary of the Channel and the boundary of class to speak a common language and share a radical ideal: Giuseppe Mazzini's vision of a unified, republican Italy. Published in the radical press, the exile's writings on democracy, education, association and citizenship inspired both Oxford social reformers and self-improving artisans gathering in provincial reading rooms, co-operative societies, republican clubs and educational institutes: for them republican Italy became a transnationaldream. Indeed, when Italy was unified under a constitutional monarch in 1861, British Mazzinians were bitterly disappointed. Setting off for Italy on their first "co-operative tour" in 1888, East London workers embarked on an educational pilgrimage, dotted with Mazzinian landmarks. Despite the fin de siècle crisis, Victorian radicals' enduring faith in Italy's democratic future remained steadfast. Indeed, when Fascists subsequently appropriated Mazzini's national dream, post-Victorian Mazzinians would unequivocally voice their support for Italian anti-Fascists, who championed the principles of global democracy. Drawing on a wide range of material, the author adds a crucialnew dimension to the history of Victorian radicalism in Britain, and to the "new history of the Risorgimento".

Marcella Pellegrino Sutcliffe is a Research Fellow of Clare Hall, University of Cambridge.

Victorian Radicals and Italian Democrats

Victorian Women Poets

$95.00

Specially commissioned essays offer revisionary readings of canonical poets and bring into focus rediscovered writers.

The specially commissioned essays in Victorian Women Poets, written by scholars from Britain and North America, offer revisionary readings of canonical poets and bring into focus re-discovered writers. The volume both engages critically with the political and aesthetic agenda behind the project of recovery, and also presents a pioneering approach to reading poets who have slipped out of the canon. The work of Elizabeth Barrett Browning and ChristinaRossetti is re-assessed and given surprising and innovative literary, political and intellectual contexts that will change the way we interpret their poetry. Writers of emerging significance, such as Theodosia Garrow Trollope, Augusta Webster, Mathilde Blind, Michael Field and Margaret Veley, are given prominence in groundbreaking analysis that situates their writing within the wider debates of the period. The themes interwoven throughout the essays - literary history and canonicity, political poetics, nationhood, print culture, and genre - provide a radically new understanding of Victorian women's poetry that maps an agenda for future research.
JOSEPH BRISTOW, SUSAN BROWN, GLENNIS BYRON, ALISON CHAPMAN, NATALIE M. HOUSTON, MICHELE MARTINEZ, PATRICIA PULHAM, MARJORIE STONE. ALISON CHAPMAN lectures in English literature at the University of Glasgow.

Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg

$29.99

Published by Boydell & Brewer Inc.

Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg

Viking America: The First Millennium

$120.00

Viking America examined through the writing and rewriting of the Vinland story from the middle ages to the twentieth century.

The accounts in the Vinland sagas of the great voyages to the northeast coast of America in the early years of the eleventh century have often been obscured by detailed argument over the physical identity of the West Atlantic landwhich its Scandinavian discoverers named Vinland. Geraldine Barnes leaves archaeological evidence aside and returns to the Old Norse narratives, Groenlendinga saga (Saga of Greenlanders) and Eiriks saga rauda(Saga of Eric the Red), in her study of the writing and rewriting of the Vinland story from the middle ages to the late twentieth century. She sets the sagas in the context of Iceland's transition from paganism to Christianity; later chapters explore the Vinland story in relation to issues of regional pride and national myths of foundation in nineteenth- and early twentieth-century America, to the ethos of popular imperialism during the same periodin English literature, and, in the late twentieth century, to postcolonial concerns.
GERALDINE BARNES is associate professor of English, University of Sydney.

Vikings in Early Medieval Ireland

$190.00

Illuminates the dynamics of church raiding by Vikings in Ireland, relating this phenomenon to their wider objectives and political ambitions.

This book offers the first comprehensive investigation of Viking raids on Irish churches from the late eighth to the early eleventh century, drawing on a wide range of sources, including Irish legal and literary material, archaeological and historical evidence and English and Frankish chronicles. Through a rigorous quantitative analysis of annalistic evidence, it sheds light on all aspects of this phenomenon: its chronological development, geographical distribution, immediate purpose and the broader context of Viking engagement with Gaelic Irish royal polities. Challenging the view that such raiding was merely a precursor to settlement and trade, it demonstrates that these attacks remained intrinsic to Viking activities throughout this period; it argues in particular that human captives-rather than metalwork or bullion-constituted the primary objective of church raids, with many held for ransom or sold into slavery. By tracing the evolution of random raids to strategically motivated attacks, it establishes church raiding as a deliberate instrument of political strategy, until the Battle of Clontarf (1014) marked a turning point in Viking-Irish relations.

Cover image for Vikings in Early Medieval Ireland, isbn: 9781837652358

Village Matters

$95.00

Traces Kabylia's history through French occupation, the Algerian war of independence, and the political turmoil that followed.

Kabylia is a Berber-speaking, densely populated mountainous region east of Algiers, that has played an important part in Algerian pre- and post-independence politics, and continues to be troublesome to central government. But 'Kabylia' is also an ideal, shaped and shared by a variety of intellectual trends both in Algeria and in France.
Kabylia was seen by sociologically minded nineteenth-century French authors as a model of primitive democracy and became central to their debates about good government, the nature of 'race', nationhood, and the social bond. These qualities have by now largely been appropriated by Kabyles themselves, and have become central to Kabyle self-images discussed on numerous websites run by Kabyle emigrants in France as much as by local parties and associations in Kabylia itself.
Central to this image is the Kabyles' attachment to their home villages. But what exactly makes a village a village? And how can this emphasis on communal autonomy be articulated within a modern nation-state? These are the questions this book tries to answer through an in-depth case study of one particular village, analysing the contemporary debates that animate it, and tracing its history through the French conquest and occupation, the Algerian war of independence, and the political turmoil, including the challenge of Islamist politics, that followed independence.
The 'village', as much as Kabylia as a whole, emerges as a place made by its internal contradictions, and that can only be understood with reference to the position it occupies within the various intellectual, political, economic and cultural 'world-systems' of which it is part.

Judith Scheele is a Research Fellow at Magdalen College, Oxford

Violence and Honor in Prerevolutionary Périgord

$130.00

Drawing on rich archival sources, explores the relationship between honor and violence in the Périgord region in prerevolutionary France.

Historians and scholars across other disciplines have long sought an explanation for why late medieval and early modern Europeans experienced elevated rates of violent crime, and for why society apparently tolerated such high levels of interpersonal violence. Most of our existing explanations focus on the macro level, looking at causes like the rise of the state or the concomitant cultural shift toward civility. In this study, author Steven G. Reinhardt utilizes a more micro-level, descriptive approach to examine the intersection of honor and violence in prerevolutionary France, in particular in the Périgord region between 1770 and 1790. Drawing on archival sources (such as interrogations, petitions, and inquests), Reinhardt vividly conveys the texture of ordinary people's everyday experiences.

Based on a sampling of criminal court cases from a region marginally integrated into the emerging capitalist economy, Violence and Honor in Prerevolutionary Périgord presents a series of extraordinarily rich narratives illustrating their subjects' understanding of the imperatives of the honor code. Combining careful scholarship with popular history, the book will interest historians of early modern Europe, legal scholars, and anthropologists of law, as well as students and general readers interested in the history of violence.

Steven G.Reinhardt is associate professor of history at the University of Texas at Arlington.