Name: Women Saints' Lives in Old English Prose
Brand: Leslie A. Donovan
Price: 29.99 USD
Availability: InStock

Leslie A. Donovan

Women Saints' Lives in Old English Prose

$29.99

Translations of eight saints' lives, giving an insight into women's religious culture in Anglo-Saxon England.

Devout, virtuous and independent, the heroines of Old English saints' lives (one of the most popular literary genres of the middle ages) provided exemplars of personal and public inspiration for medieval Christians. The eight lives translated here are the earliest known vernacular accounts of the biographies of Æthelthryth, Agatha, Agnes, Cecilia, Eugenia, Euphrosyne, Lucy, and Mary of Egypt. They depict women escaping unwanted marriages, communicating with male relatives, acquiring an education, living autonomously as hermits, and achieving positions of leadership; such lives document not only the importance of spiritual faith to early Christian women, but also testify to how these women (and their audience) employed faith as a tool for empowerment.
Each life is preceded by a brief description of the saint's cult from its early Christian origins to its presence in Anglo-Saxon culture. The translationis accompanied by an introduction establishing the general background for the genre, the conventions of women saints' lives, and women's religious culture in Anglo-Saxon England; and an interpretive essay exploring the relationships between explicit presentations of the female body and the strength of spiritual authority as exhibited in these texts completes the volume.

LESLIE A. DONOVAN is Associate Professor at the University of New Mexico.

Women Saints' Lives in Old English Prose

Christine Saidi

Women's Authority and Society in Early East-Central Africa

$120.00

A radical reassessment of the importance of women in East-Central African society during the precolonial period.

This study of more than two thousand years of African social history weaves together evidence from historical linguistics, archaeology, comparative ethnography, oral tradition, and art history to challenge the assumptions that allAfrican societies were patriarchal and that the status of women in precolonial Africa is beyond the scope of historical research. In East-Central Africa, women played key roles in technological and economic developments during the long precolonial period. Female political leaders were as common as male rulers, and women, especially mothers, were central to religious ceremonies and beliefs. These conclusions contribute a new and critical element to our understanding of Africa's precolonial history.

Christine Saidi is Assistant Professor of History at Kutztown University.

Women's Authority and Society in Early East-Central Africa

Charity Scott-Stokes

Women's Books of Hours in Medieval England

$29.99

English translation of a variety of texts from women's books of hours, with introduction, notes, and an interpretive essay.

The book of hours is said to have been the most popular book owned by the laity in the later Middle Ages. This volume brings together a selection of texts taken from books of hours known to have been owned by women. While some will be familiar from bibles or prayer-books, others have to be sought in specialist publications, often embedded in other material, and a few have not until now been available at all in modern editions or translations. The texts arecomplemented by an introduction setting the book of hours in its context, an interpretive essay, glossary and annotated bibliography.

Charity Scott-Stokes

Women's Books of Hours in Medieval England

$120.00

English translation of a variety of texts from women's books of hours, with introduction, notes, and an interpretive essay.

The book of hours is said to have been the most popular book owned by the laity in the later middle ages. Women were often patrons or owners of such books, which were usually illustrated: indeed, the earliest surviving exemplar made in England was designed and illustrated by William de Brailes in Oxford in the mid-thirteenth century, for an unknown young lady whom he portrayed in the book several times.
This volume brings together a selection of texts taken from books of hours known to have been owned by women. While some will be familiar from bibles or prayer-books, others have to be sought in specialist publications, often embedded in other material, and a few have not until now been available at all in modern editions or translations. The texts are complemented by an introduction setting the book of hours in its context, an interpretive essay, glossary and annotated bibliography.

Mark J. Crowley

Women's Experiences of the Second World War

$120.00

Using a very wide range of detailed sources, the book surveys the many different experiences of women during the Second World War.

Many existing studies on the role of women in the Second World War concentrate on women's increasing participation in the workplace and on their struggles to cope with rationing and shortages. This book goes further, exploring women's wartime experiences much more fully. Drawing on a wide range of sources including oral interviews, scrapbooks, personal letters, diaries, newspaper articles, Mass Observation files and memoirs, the book illustrates some of the similarities and differences of women's wartime experiences in different situations in different countries. Specific subjects covered include experiences of exile and living under occupation, of coping with proximity to fighting and to the frontline, and of dealing with everyday life in trying circumstances. The book draws out how factors such as political beliefs, nationalism, economics, religion, ability, geography and culture all had an impact. Overall, the book reveals a great deal about the complexities and nuances of women's experiences in this period of enormous upheaval.

Contributors: Patricia Chappine, Nupur Chaudhuri, Sylvie Crinquand, Beth Hessel, Sarah Hogenbirk, Regina Lark, Bernice Lindner, Alexis Peri, Kelly Spring, Michael Timonin, Angela Wanhalla, Wai-Yin Christina Wong.

Women's Experiences of the Second World War

Birgit Englert

Women's Land Rights and Privatization in Eastern Africa

$120.00

In the context of increasing privatization and land reform these case studies reveal how reforms impact on women's rights to land and how these rights are contested or upheld.

This volume focuses on the impact on women's land rights from the contemporary drive towards the formulation and implementation of land tenure reforms which aim primarily at the private registration of land. It is solidly groundedin the findings from seven case studies, all based on in-depth qualitative research, from various regions of Tanzania, Kenya, Uganda and Rwanda. The detailed, local level research in this volume not only challenges the status quo, but demonstrates that another world is possible and documents the many ways women in Eastern Africa are finding to ensure their rights to land.
BIRGIT ENGLERT is Assistant Professor in the Department of African Studies at the University of Vienna, Austria; ELIZABETH DALEY is an independent land consultant.
Uganda: Fountain Publishers(PB); Kenya: EAEP(PB); Tanzania: E&D Vision Publishing(PB)

Women's Land Rights and Privatization in Eastern Africa

Edited by Kathryn Loveridge, Liz Herbert McAvoy, Sue Niebrzydowski and Vicki Kay Price

Women's Literary Cultures in the Global Middle Ages

$170.00

Initiates a wider development of inquiries into women's literary cultures to move the reader beyond single geographical, linguistic, cultural and period boundaries.

Since the closing decades of the twentieth century, medieval women's writing has been the subject of energetic conversation and debate. This interest, however, has focused predominantly on western European writers working within the Christian tradition: the Saxon visionaries, Mechthild of Hackeborn, Mechthild of Magdeburg, Gertrude the Great, for example, and, in England, Julian of Norwich and Margery Kempe are cases in point. While this present book acknowledges the huge importance of such writers to women's literary history, it also argues that they should no longer be read solely within a local context. Instead, by putting them into conversation with other literary women and their cultures from wider geographical regions and global cultures - women from eastern Europe and their books, dramas and music; the Welsh gwraig llwyn a pherth (woman of bush and brake); the Indian mystic, Mirabai; Japanese women writers from the Heian period; women saints from across Christian Europe and those of eleventh-century Islam or late medieval Ethiopia; for instance - much more is to be gained in terms of our understanding of the drivers behind and expressions of medieval women's literary activities in far broader contexts.

This volume considers the dialogue, synergies, contracts and resonances emerging from such new alignments, and to help a wider, multidirectional development of this enquiry into women's literary cultures.

Women's Literary Cultures in the Global Middle Ages

Amy N. Vines

Women's Power in Late Medieval Romance

$120.00

A reading of how women's power is asserted and demonstrated in the popular medieval genre of romance.

The cultural and social power of women in the Middle Ages is perhaps hard to trace, with evidence for it scarce. This book argues that medieval romances provide a central, but under-explored, source for and examples of such authority. By reassessing the influence exerted by female characters, in a spectrum that includes both intellectual and chivalric aid and, in some cases, patronage, it considers how they functioned as models of cultural, intellectual, and social authority in medieval literary texts. In addition to examples set by the family connections, socio-political networks, and textual communities in which they lived, this study argues that women also learned methods of influence from the books they read. In texts like Troilus and Criseyde and Partonope of Blois, the female reader encounters an explicit demonstration of how a woman`s intellectual and financial resources can be used. The literary representations of women's cultural power expose a continuum of influence from non-material effects to material sway in the medieval patronage system, an influence often unacknowledged in strictly historical and extra-literary sources.

Amy N. Vines is Assistant Professor in the Department of English, University of North Carolina-Greensboro.

Natasha R. Hodgson

Women, Crusading and the Holy Land in Historical Narrative

$36.95

Women's role in crusades and crusading examined through a close investigation of the narratives in which they appear.

Narratives of crusading have often been overlooked as a source for the history of women because of their focus on martial events, and perceptions about women inhibiting the recruitment and progress of crusading armies. Yet women consistently appeared in the histories of crusade and settlement, performing a variety of roles. While some were vilified as "useless mouths" or prostitutes, others undertook menial tasks for the army, went on crusade with retinuesof their own knights, and rose to political prominence in the Levant and and the West.
This book compares perceptions of women from a wide range of historical narratives including those eyewitness accounts, lay histories andmonastic chronicles that pertained to major crusade expeditions and the settler society in the Holy Land. It addresses how authors used events involving women and stereotypes based on gender, family role, and social status in writing their histories: how they blended historia and fabula, speculated on women's motivations, and occasionally granted them a literary voice in order to connect with their audience, impart moral advice, and justify the crusade ideal.

NATASHA HODGSON is Lecturer in Medieval History at Nottingham Trent University..

Natasha R. Hodgson

Women, Crusading and the Holy Land in Historical Narrative

$130.00

Women's role in crusades and crusading examined through a close investigation of the narratives in which they appear.

Narratives of crusading have often been overlooked as a source for the history of women because of their focus on martial events, and perceptions about women inhibiting the recruitment and progress of crusading armies. Yet women consistently appeared in the histories of crusade and settlement, performing a variety of roles. While some were vilified as "useless mouths" or prostitutes, others undertook menial tasks for the army, went on crusade with retinuesof their own knights, and rose to political prominence in the Levant and and the West.
This book compares perceptions of women from a wide range of historical narratives including those eyewitness accounts, lay histories andmonastic chronicles that pertained to major crusade expeditions and the settler society in the Holy Land. It addresses how authors used events involving women and stereotypes based on gender, family role, and social status in writing their histories: how they blended historia and fabula, speculated on women's motivations, and occasionally granted them a literary voice in order to connect with their audience, impart moral advice, and justify the crusade ideal.

Dr NATASHA R. HODGSON teaches at Nottingham Trent University.

Lynneth Miller Renberg

Women, Dance and Parish Religion in England, 1300-1640

$130.00

A lively exploration of the medieval and early modern attitudes towards dance, as the perception of dancers changed from saints dancing after Christ into cows dancing after the devil.

The devil's cows, impudent camels, or damsels animated by the devil: late medieval and early modern authors used these descriptors and more to talk about dancers, particularly women. Yet, dance was not always considered entirely sinful or connected primarily to women: in some early medieval texts, dancers were exhorted to dance to God, arm-in-arm with their neighbors, and parishes were filled with danced expressions of faith. What led to the transformation of dancers from saints dancing after Christ into cows dancing after the devil?

Drawing on the evidence from medieval and early modern sermons, and in particular the narratives of the cursed carolers and the dance of Salome, this book explores these changing understandings of dance as they relate to religion, gender, sin, and community within the English parish. In parishes both before and during the English Reformations, dance played an integral role in creating, maintaining, uniting, or fracturing community. But as theological understandings of sacrilege, sin, and proper worship changed, the meanings of dance and gender shifted as well. Redefining dance had tangible ramifications for the men and women of the parish, as new definitions of what it meant to perform one's gender collided with discourses about holiness and transgression, leading to closer scrutiny and monitoring of the bodies of the faithful.

Lynneth Miller Renberg

Women, Dance and Parish Religion in England, 1300-1640

$37.95

A lively exploration of the medieval and early modern attitudes towards dance, as the perception of dancers changed from saints dancing after Christ into cows dancing after the devil.

The devil's cows, impudent camels, or damsels animated by the devil: late medieval and early modern authors used these descriptors and more to talk about dancers, particularly women. Yet, dance was not always considered entirely sinful or connected primarily to women: in some early medieval texts, dancers were exhorted to dance to God, arm-in-arm with their neighbors, and parishes were filled with danced expressions of faith. What led to the transformation of dancers from saints dancing after Christ into cows dancing after the devil?

Drawing on the evidence from medieval and early modern sermons, and in particular the narratives of the cursed carolers and the dance of Salome, this book explores these changing understandings of dance as they relate to religion, gender, sin, and community within the English parish. In parishes both before and during the English Reformations, dance played an integral role in creating, maintaining, uniting, or fracturing community. But as theological understandings of sacrilege, sin, and proper worship changed, the meanings of dance and gender shifted as well. Redefining dance had tangible ramifications for the men and women of the parish, as new definitions of what it meant to perform one's gender collided with discourses about holiness and transgression, leading to closer scrutiny and monitoring of the bodies of the faithful.

Cover image for Women, Dance and Parish Religion in England, 1300-1640, isbn: 9781837652839

Helen Dancer

Women, Land and Justice in Tanzania

$120.00

Reveals the impact of Tanzania's land law reforms and the ways in which women's rights to land ownership have been overridden in spite of law.

Recent decades have seen a wave of land law reforms across Africa, in the context of a "land rush" and land-grabbing. But how has this been enacted on the ground and, in particular, how have women experienced this? This book seeksto re-orientate current debates on women's land rights towards a focus on the law in action. Drawing on the author's ethnographic research in the Arusha region of Tanzania, it explores how the country's land law reforms have impacted on women's legal claims to land. Centring on cases involving women litigants, the book considers the extent to which women are realising their interests in land through land courts and follows the progression of women's claims to land - from their social origins through processes of dispute resolution to judgment.
Dancer's work explores three central issues. First, it considers the nature of women's claims to land in Tanzanian family contexts,the value of land in an era of land reform and the 'land rush' across Africa, and the extent to which the social issues raised are addressed by Tanzania's current laws and legal system. Secondly, it examines how agency and power relations between social and legal actors engaged in legal processes affect women's access to justice and the progression of claims. Thirdly, it explores Tanzanian concepts of justice and rights and how women's claims have been judged by land courts in practice.

Helen Dancer is a lecturer in Law at the University of Brighton. She practised as a barrister in England specialising in family legal aid cases prior to training as a legal anthropologist. She is also a consultant for Future Agricultures at IDS, University of Sussex. Her areas of research interest include law and development, gender and land, and human rights and legal pluralism.

Jeanne Marie Penvenne

Women, Migration & the Cashew Economy in Southern Mozambique

$95.00

Analyses the lives and livelihoods of the female cashew shellers in Mozambique's capital in the colonial era, during which the industry grew to be a major export, and relates how the women played a fundamental, but previously underappreciated, role in the colony's economy.

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Between the late 1940s and independence in 1975, rural Mozambican women migrated to the capital, Lourenço Marques, to find employment in the cashew shelling industry.This book tells the labour and social history of what became Mozambique's most important late colonial era industry through the oral history and songs of three generations of the workforce. In the 1950s Jiva Jamal Tharani recruited a largely female labour force and inaugurated industrial cashew shelling in the Chamanculo neighbourhood. Seasonal cashew brews had long been an essential component of the region's household, gift and informal economies, but bythe 1970s cashew exports comprised the largest share of the colony's foreign exchange earnings.
This book demonstrates that Mozambique's cashew economy depended fundamentally on women's work and should be understood as "whole cloth". Drawing on over 100 interviews, the rich narratives convey layered histories: the rural crises that triggered the flight of women, their lives as factory workers, widespread payment and wage fraud, the formation of innovative urban families, and the health costs that all African families paid for municipal neglect of their neighbourhoods.

Jeanne Marie Penvenne is Professor of History, and core faculty in International Relations, Africana and Women, and Gender and Sexuality Studies at Tufts University.. She is the author of the Herskovits shortlisted African Workers and Colonial Racism (James Currey/Heinemann, 1995)

Women, Migration & the Cashew Economy in Southern Mozambique

Edited by Lisa Fetheringill Zwicker and Martina Cucchiara

Women, Religion, and Emotions in Modern Germany and Beyond

$120.00

Analyzes the role of emotions in the religious lives of women from across Germany and Europe from the nineteenth century to the 1970s.

Scholarship on women and religion has focused primarily on the intersection between women's religious engagement and their emancipation. This volume goes beyond that to examine the vital role religion has played in the private and public lives of German and European women. Because emotions are central to the expression of religiosity, it draws on approaches from the history of emotions to examine how women understood, felt and practiced religion in their search for meaning.

Spanning from the nineteenth century to the 1970s, the volume's essays show how religion helped women make sense of their lives. It also illuminates the degree to which women used religion and its attendant emotional scripts to shape modern society and how religious discourses in turn shaped women's emotions and comportment in the public sphere. The volume builds on recent research that shows that religion-especially the religiosity of women-remained a pressing public concern in modern Europe. From anxieties over the religiosity of Bavarian servants to restrictive norms imposed on Jewish widows, from the interfaith commitments of kindergarten teachers to the autobiographical narratives of aspiring Protestant deaconesses, from the suffering of stigmatics in Germany and Belgium to Irish women's public narratives of their religiosity, this book reveals how women's faith and attendant religious emotions have been central to their public and private lives.

Women, Religion, and Emotions in Modern Germany and Beyond

Lesley Smith

Women, the Book, and the Godly: Selected Proceedings of the St Hilda's Conference, 1993

$120.00

Papers on women and religion in the middle ages, drawn from archive, manuscipt and early printed sources.

Taking a variety of critical approaches, the papers in Women, the Book and the Godlyanalyse the subject of women and religion, illustrating clearly the wealth of previously untapped material on this topic, whether in archive, manuscript or early printed source. The volume examines writing by women, writing which excludes women, and writing which ignores them, as well as women readers, women patrons, and women who were read to. Archaeology, canon and civil law, and trial depositions are all represented. The common determinants of marital and social status are, of course, explored, but so also are the problems of women and language, women's various roles as creators, recipients, and objects, and women's positions on the sliding scale between the orthodox, the reforming, and the heterodox churches. The essays thus represent something of the variety and range of work being done on medieval women today.
Contributors: ALCUIN BLAMIRES, JACQUELINE MURRAY, WYBREN SCHEEPSMA, ANNEM. DUTTON, ROSALYNN VOADEN, GRACE JANTZEN, ELIZABETH A. ANDERSEN, THOMAS LUONGO, BENEDICTA WARD, GOPA ROY, GEORGES WHALEN, CATHERINE INNES-PARKER, HELENPHILLIPS, SHANNON McSHEFFREY, PETER BILLER

Women, the Book, and the Godly: Selected Proceedings of the St Hilda's Conference, 1993

Lesley Smith

Women, the Book, and the Worldly

$120.00

Studies of women's roles in the secular literary world, as patrons, authors, readers, and characters in secular literature.

This second volume of proceedings from the `Women and the Book' conference, held at St Hilda's College, Oxford in 1993, brings together fifteen papers dealing with women's experience in the secular literary world. It covers the whole variety of roles women might take, as patrons, authors, readers, and characters in secular literature; encompassed in its range are well-known characters, real and fictional, such as Christine de Pisan and the Wife of Bath, and the more obscure but no less fascinating topic of women in Chinese medieval court poetry. Like its predecessor Women, the Book, and the Godly(Brewer, 1995), this volume illuminates the world of medieval women with carefulscholarship and attention to sources, producing new readings and new materials which shed fresh light on an increasingly important field of study.

Contributors: PATRICIA SKINNER, PHILIP E. BENNETT, JENNIFER GOODMAN, CHARITY CANNON-WILLARD, BENJAMIN SEMPLE, ANNE BIRRELL, JEANETTE BEER, MARK BALFOUR, CAROL HARVEY, HEATHER ARDEN, KAREN JAMBECK, JULIA BOFFEY, JENNIFER SUMMIT, MARGARITA STOCKER

Nicole Pohl

Women, Transnational Networks and Patriotism in Northern and Central Europe, 1763-1814

$130.00

A gateway to the complex world of eighteenth-century sociability of elite women and of their lasting impact on modern concepts of national identity and community.

In the dynamic intellectual and social landscape of eighteenth-century Northern Europe, the interplay between patriotism, nationalism, and cosmopolitanism was pivotal in shaping the era's cultural and political discourse. This study delves into the intricate networks of elite women who navigated and influenced these concepts through their participation in salons and literary circles. By examining figures such as Anna Amalia of Weimar, Dorothea von Kurland, members of the Bluestockings, Friederike Brun and the grande Dame of eighteenth-century salon world, Mme de Staël, the narrative uncovers how these women fostered transnational dialogues and cultural exchanges that were crucial in redefining public spirit and national identity.

Grounded in extensive archival research and touching on the lives of over twenty-five individuals, the work highlights the nuanced roles these women played as cultural mediators and agents of change across national borders, challenging the traditional male-dominated historiography. The exploration of their contributions offers fresh insights into the interconnectedness of European intellectual life and the critical role of gender in shaping historical discourses. This book not only broadens our understanding of the Enlightenment but also provides a rich, interdisciplinary perspective on the socio-political transformations of the era.

Cover image for Women, Transnational Networks and Patriotism in Northern and Central Europe, 1763-1814, isbn: 9781783277902

Nicholas Bennett

Wonderful to Behold

$39.95

The growth and development of the Lincoln Record Society in its first hundred years highlights the contribution of such organisations to historical life.

In 2010 the Lincoln Record Society celebrates its centenary with the publication of the hundredth volume in its distinguished series. Local record societies, financed almost entirely from the subscriptions of their members, have made an important contribution to the study of English history by making accessible in printed form some of the key archival materials relating to their areas. The story of the Lincoln society illustrates the struggles and triumphsof such an enterprise. Founded by Charles Wilmer Foster, a local clergyman of remarkable enthusiasm, the LRS set new standards of meticulous scholarship in the editing of its volumes. Its growing reputation is traced here througha rich archive of correspondence with eminent historians, among them Alexander Hamilton Thompson and Frank Stenton. The difficulties with which Kathleen Major, Canon Foster's successor, contended to keep the Society alive duringthe dark days of the Second World War are vividly described.

The range of volumes published has continued to expand, from the staple cartularies and episcopal registers to more unusual sources, Quaker minutes, records ofCourts of Sewers and seventeenth-century port books. While many of the best-known publications have dealt with the medieval period, notably the magnificent Registrum Antiquissimum of Lincoln Cathedral, there have also beeneditions of eighteenth-century correspondence, twentieth-century diaries, and pioneering railway photographs of the late Victorian era. This story shows the Lincoln Record Society to be in good heart and ready to begin its secondcentury with confidence.

Nicholas Bennett is currently Vice-Chancellor and Librarian of Lincoln Cathedral.

W.N. Hargreaves-Mawdsley

Woodforde at Oxford

$49.95

Published by Boydell & Brewer Inc.

Rebecca Cypess, Beth L. Glixon, Nathan Link

Word, Image, and Song [2 volume set]

$180.00

New essays by noted authorities explore music and related arts in early modern Italy, the concept of musical voice, the role of singing in musical life, and the many ways of experiencing music.

This two-volume set explores the relationship between words and music -- and the roles they play in culture and society -- from the Renaissance through the nineteenth century. The first volume, Word, Image, and Song: Essays onEarly Modern Italy, presents a broad range of approaches to the study of music and related arts during that era. Chapters are devoted to such topics as musical source studies, issues of performance, poetry, and linguistics, influences on music from the Classical tradition, and the interconnectedness of music and visual art. Volume 2, Word, Image, and Song: Essays on Musical Voices, takes the notion of musical voice as a starting point and applies it in varying ways to diverse repertoires and music-historical circumstances, ranging from the operas and cantatas of Handel to the autograph albums of nineteenth-century collector Charlotte de Rothschild. Essays in this volume present a range of interpretive strategies with respect to the "voices" that one might hear and understand as emerging from a musical work, from the historical contexts of music, and from the reception of music and musical ideaswithin societies.

Rebecca Cypess is assistant professor of music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is instructor in musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.

Rebecca Cypess

Word, Image, and Song, Vol. 1

$170.00

New essays by noted authorities on music and related arts in early modern Italy, giving special attention to musical sources, poetry, performance, and visual arts.

The rich cultural environment of early modern Italy inspired a vast array of musical innovations: this was the first age of the virtuoso performer, the era that witnessed the beginnings of opera, and a moment that saw the intersection and cross-fertilization of madrigals and songs of all sorts. Word, Image, and Song: Essays on Early Modern Italy presents a broad range of approaches to the study of music and related arts in that era. Topics include musical source studies, issues of performance, poetry and linguistics, influences on music from the classical tradition, and the interconnectedness of music and visual art. Their points of departure include well-known musical workssuch as Monteverdi's madrigals, librettos of seventeenth-century operas, the poetry of Giambattista Marino, and the paintings of Titian and his contemporaries.

Contributors: Jennifer Williams Brown, Mauro Calcagno, Alan Curtis, Suzanne G. Cusick, Ruth I. DeFord, Dinko Fabris, Beth L. Glixon, Jonathan E. Glixon, Barbara Russano Hanning, Wendy Heller, Robert R. Holzer, Deborah Howard, Giuseppe Mazzotta, Margaret Murata, David Rosand, Susan ParkerShimp, Gary Tomlinson, Alvaro Torrente, Andrew H. Weaver.

Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is Instructor in Musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.

Rebecca Cypess

Word, Image, and Song, Vol. 2

$130.00

Applies the notion of musical "voice" to diverse repertoires, ranging from the operas and cantatas of Handel to the autograph albums of nineteenth-century collector Charlotte de Rothschild.

The concept of musical voice has been a subject of controversy in recent decades, as the primacy of the composer's place in the creation of the work has been called into question. The essays in Word, Image, and Song: Essays onMusical Voices take the notion of musical voice as a starting point, and apply it in varying ways to diverse repertoires and music-historical circumstances, ranging from the operas and cantatas of Handel to the autograph albums of nineteenth-century collector Charlotte de Rothschild. Rather than attributing interpretive control to the composer, performer, or audience alone, these essays present a range of interpretive strategies with respect to the various voices that one might hear and understand as emerging from a musical work: the composer's voice, the performer's voice, the patron's voice, the collector's voice, and the social or receptive voice.

Contributors: Bathia Churgin, Rebecca Cypess, Roger Freitas, Philip Gossett, Ellen T. Harris, Joseph Kerman, Nathan Link, Daniel R. Melamed, Giovanni Morelli, Kristina Muxfeldt, Ruth Smith, Ruth A. Solie.

Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is instructor in musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.

Dorothea Link

Words About Mozart

$130.00

Published as a tribute to the late Stanley Sadie, these eleven essays look at compositional and performance matters, consider new archival research and provide an overview of work since the bicentenary in 1991.

Words About Mozart is published as a tribute to the late Stanley Sadie, musicologist, critic and editor of The New Grove Dictionary of Music and Musicians. Of the eleven essays presented here, three focus on compositional matters: Julian Rushton examines the dramatic meaning of a recurring motif in Idomeneo; Elaine Sisman sifts through the facts surrounding the genesis of Mozart's 'Haydn' quartets; and Simon Keefe matches up pairs of piano sonatas and concertos on the basis of their common compositional features. Cliff Eisen considers some problems of performing practice posed by the solo keyboard parts in Mozart's concertos, and Robert Philip surveys tempo fluctuations in a selection of historical recordings. Felicity Baker's detailed analysis of aspects of the Don Giovanni libretto is a welcome contribution from the field of literary criticism. Three studies offer new archivalresearch: Neal Zaslaw uncovers the background to one of Mozart's nonsense compositions; Dorothea Link examines the Viennese Hofkapelle and creates a new context for understanding Mozart's court appointment; and Theodore Albrecht proposes a candidate for Mozart's Zauberflötist. Christina Bashford considers an aspect of Mozart reception in 19th-century England connected with John Ella, and Peter Branscombe presents a comprehensive overview of research published since the bicentenary in 1991. The volume includes a full bibliography of Stanley Sadie's publications and broadcasts.

Contributors: THEODORE ALBRECHT, FELICITY BAKER, CHRISTINA BASHFORD, PETER BRANSCOMBE, CLIFF EISEN, SIMON P. KEEFE, LEANNE LANGLEY, DOROTHEA LINK, ANDREW PORTER, ROBERT PHILIP, JULIAN RUSHTON, ELAINE SISMAN, NEAL ZASLAW

Phyllis Weliver

Words and Notes in the Long Nineteenth Century

$130.00

A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.

Words and Notes encourages a new wave of scholarship inspired by the ways writers and musicians of the long nineteenth century themselves approached the relationship between music and words. Contributors to the volume engage in two dialogues: with nineteenth-century conceptions of word-music relations, and with each other. Criss-crossing disciplinary boundaries, the authors of the book's eleven essays address new questions relating to listening, imagining and performing music, the act of critique, and music's links with philosophy and aesthetics. The many points of intersection are elucidated in an editorial introduction and via a reflective afterword. Fiction and poetry, musicography, philosophy, music theory, science and music analysis all feature, as do traditions within English, French and German studies.
Wide-ranging material foregrounds musical memory, soundscape and evocation; performer dilemmas over the words in Satie's piano music; the musicality of fictional and non-fictional prose; text-setting and the rights of poet vs. composer; the rich novelistic and critical testimony of audience inattention at the opera;German philosophy's potential contribution to musical listening; and Hoffmann's send-ups of the serious music-lover. Throughout, music - its composition, performance and consumption - emerges as a profoundly physical and social force, even when it is presented as the opposite.

PHYLLIS WELIVER is Associate Professor of English, Saint Louis University.

KATHARINE ELLIS is Stanley Hugh Badock Professor of Music at the University of Bristol.

Contributors: Helen Abbott, Noelle Chao, Delia da Sousa Correa, Peter Dayan, Katharine Ellis, David Evans, Annegret Fauser, Jon-Tomas Godin, Cormac Newark, Matthew Riley, Emma Sutton, Shafquat Towheed, Susan Youens, Phyllis Weliver

Words and Notes in the Long Nineteenth Century

Christina M. Heckman

Work and its Representations in Early Medieval Saints' Lives

$125.00

Explores the dynamics of saints' work as represented by their hagiographers.

The lives of many early medieval saints show them working with their hands. Radegund cooks in the kitchen, carries firewood, and cleans privies; Fiacre cultivates a garden; Brigid milks cows and makes cheese; Dunstan shapes metal and constructs buildings. Other saints raise crops, herd cattle, write books, or weave cloth. Equally at home in garden, workshop, and scriptorium, these saints work alongside other people, interacting regularly with livestock, materials, and the land: miracles and other supernatural events are embedded in the habitual, everyday routines of the saints' own communities. Saints exemplify the balance between productive, creative work and the toil or effort required to accompany it, sometimes aligned with penitential labour. But more often, the saints celebrate work as a rewarding result of divine gift, human ingenuity and communal cooperation.

This book examines the representation of work - from arable and pastoral agriculture to textile arts and caretaking - in the vitae of saints who lived in Ireland, Britain, and France between the fifth and twelfth centuries. Bringing together close readings of these texts, evidence from archaeology, and anthropological approaches to material culture, it argues that through such work, saints showed others how to survive, thrive, and build a world that promised both physical security and spiritual rewards.

Cover image for Work and its Representations in Early Medieval Saints' Lives, isbn: 9781843847502

Olive Senior

Working Miracles

$29.99

Intended as an introductory sourcebook, Olive Senior provides a background to Caribbean literature, politics and society.

This text takes a multidisciplinary approach to the study of women and gender issues in the Caribbean. Olive Senior, using her imaginative skills as a poet, has written a readable books based on a substantial academic examinationof women's lives and work in fourteen countries of the Caribbean. In addition she uses examples from literature and popular culture, adn the voices of the women themselves.

Caribbean: ISER, University of the West Indies

Larry E. Hudson Jr.

Working Toward Freedom

$29.95

Slaves had, sometimes, the opportunity to produce their own goods. These studies demonstrate the importance of that economy in reinforcing family ties and preparation for freedom.

The opportunity for slaves to produce goods, for their own use or for sale, facilitated the development of a domestic economy largely independent of their masters and the wider white community. Drawing from a range of primary sources, these essays show how slaves organised their domestic economy and created an economic and social space for themselves under slavery which profoundly affected family and gender relations. In their efforts to protect the integrity of their families they became primary actors in their preparation for freedom. Selected and revised for publication, this collection of essays stems from the University of Rochester conference, "African-American Work and Culture in the 18th and 19th Centuries."

Contributors include: Josephine A. Beoku Betts, Kenneth L. Brown, John Campbell, Cheryll Ann Cody, Mary Beth Corrigan, Stanley, L. Engerman, Sharon Ann Holt, Larry E. Hudson Jr, Robert Olwell, Lorena S. Walsh

Stuart Parkes

Writers and Politics in Germany, 1945-2008

$29.99

A comprehensive survey of German literary writers' political writing and involvement since 1945.

George Orwell said that all writing is political; but the writers of some nations and some periods are more political than others. German writers after 1945 have exemplified such heightened politicization, and this book considerstheir contribution to the democratic development of Germany by looking principally at their directly political, non-fictional writings. It pays particular attention to writers and the student movement of the 1960s and '70s, when some proclaimed the death of literature and called for a turn to direct political action. Yet writers in both parts of Germany gradually came to identify with their respective states, even if the idea of one Germany never entirelydisappeared. The unification of 1989-1990, in which this idea astonishingly became reality, posed a major (and some would say unmet) challenge to writers in both East and West. After looking at this period of intense political activities, the book considers the continuing East/West division and changing attitudes to the Nazi past, asking whether the intellectual climate has swung to the right. It also asks to what extent political involvement has been a generational project for the immediate postwar generation and is less important for younger writers who see the Federal Republic as a "normal" democratic state.

Stuart Parkes is Emeritus Professor of German from the University of Sunderland (UK).

Writers and Politics in Germany, 1945-2008

Ngugi wa Thiong'o

Writers in Politics

$29.99

This book reflects many of the concerns found in Decolonising the Mind and Moving the Centre.

Ngugi has put together a new collection under an old title, rewriting most of the pieces that appeared in the original 1981 edition, and adding completely new essays, such as 'Freedom of Expression', written for the campaign to try to save Ken Saro-Wiwa and other Niger Delta activists and writers from execution in Nigeria.

Kenya: EAEP

John Edward Philips

Writing African History

$64.95

A comprehensive evaluation of how to read African history.

Writing African History is an essential work for anyone who wants to write, or even seriously read, African history. It will replace Daniel McCall's classic Africa in Time Perspective as the introduction to African history for the next generation and as a reference for professional historians, interested readers, and anyone who wants to understand how African history is written.
Africa in Time Perspective was written in the 1960s, when African history was a new field of research. This new book reflects the development of African history since then. It opens with a comprehensive introduction by Daniel McCall, followed by a chapter by the editor explainingwhat African history is [and is not] in the context of historical theory and the development of historical narrative, the humanities, and social sciences. The first half of the book focuses on sources of historical data while thesecond half examines different perspectives on history. The editor's final chapter explains how to combine various sorts of evidence into a coherent account of African history. Writing African History will become the most important guide to African history for the 21st century.

Contributors: Bala Achi, Isaac Olawale Albert, Diedre L. Badéjo, Dorothea Bedigian, Barbara M. Cooper, Henry John Drewal, Christopher Ehret, Toyin Falola, David Henige, Joseph E. Holloway, John Hunwick, S. O. Y. Keita, William G. Martin, Daniel McCall, Susan Keech McIntosh, Donatien Dibwe Dia Mwembu, Kathleen Sheldon, John Thornton, and Masao Yoshida.

John Edwards Philips is professor of international society, Hirosaki University, and author of Spurious Arabic: Hausa and Colonial Nigeria [Madison, University of Wisconsin African Studies Center, 2000].

Peter J. Kitson, Robert Markley

Writing China

$75.00

New essays on the cultural representations of the relationship between Britain and China in the nineteenth century, focussing on the Amherst diplomatic problem.

On 29 August 1816, Lord Amherst, exhausted after travelling overnight during an embassy to China, was roughly handled in an attempt to compel him to attend an immediate audience with the Jiaqing Emperor at the Summer Palace of Yuanming Yuan. Fatigued and separated from his diplomatic credentials and ambassadorial robes, Amherst resisted, and left the palace in anger. The emperor, believing he had been insulted, dismissed the embassy without granting it animperial audience and rejected its "tribute" of gifts. This diplomatic incident caused considerable disquiet at the time.
Some 200 years later, it is timely in 2016 to consider once again the complex and vexed historical andcultural relations between two of the nineteenth-century world's largest empires. The interdisciplinary essays in this volume engage with the most recent work on British cultural representations of, and exchanges with, Qing China,extending our existing but still provisional understandings of this area of study in new and exciting directions. They cover such subjects as female foot binding; English and Chinese pastoral poetry; translations; representationsof the trade in tea and opium; Tibet; and the political, cultural and environmental contexts of the Amherst embassy itself. Featuring British and Chinese writers such as Edmund Spenser, Wu Cheng'en, Thomas De Quincey, Oscar Wilde, James Hilton, and Zhuangzi, these essays take forward the compelling and highly relevant subject for today of Britain and China's relationship.

Peter J. Kitson is Professor of English at the University of East Anglia;Robert Markley is W.D. and Sara E. Trowbridge Professor of English at the University of Illinois.

Contributors: Elizabeth Chang, Peter J. Kitson, Eugenia Zuroski-Jenkins, Zhang Longxi, Mingjun Lu, Robert Markley, EunKyung Min, Q.S. Tong

Aidan Conti, Orietta Da Rold, Philip Shaw

Writing Europe, 500-1450

$75.00

Essays on the writing and textual culture of Europe in the middle ages.

Medieval Europe was characterized by a sophisticated market for the production, exchange and sale of written texts. This volume brings together papers on a range of topics, centred on manuscript studies and textual criticism, which explore these issues from a pan-European perspective. They examine the prolonged and varied processes through which Europe's different parts entered into modern reading, writing and communicative practices, drawing on a range ofapproaches and perspectives; they consider material culture, multilingualism in texts and books, book history, readers, audience and scribes across the Middle Ages.

Dr Aidan Conti teaches in the Department of Linguistic, Literary and Aesthetic Studies, University of Bergen; Dr Orietta Da Rold teaches in the Faculty of English, University of Cambridge; Dr Philip Shaw teaches at the School of English, University of Leicester.

Contributors: Rolf H. Bremmer Jr, Stewart Brookes, Aidan Conti, Orietta Da Rold, Helen Fulton, Marilena Maniaci, Debora Matos, Annina Seiler, Peter A. Stokes, Nadia Togni, Svetlana Tsonkova, Matilda Watson, George Younge.

Kwaku Larbi Korang

Writing Ghana, Imagining Africa

$39.95

This book makes Africa the centerpiece of an intercultural investigation of modern colonial power and its resistance, focusing on the writings of Ghanaian intellectuals.

Writing Ghana, Imagining Africa changes dominant ideas about Africa's relations with modernity and the global history of nationalism by recovering, and bringing fresh interpretations to, a modern genealogy of African nationalist theory. Author Kwaku Larbi Korang examines the writing of intellectuals from preindependence Ghana from the latter half of the nineteenth century to the mid-twentieth, writers who operated self-consciously in a Pan-African ideological framework. By confronting the concept of "the African Nation" under the colonial order, Korang contends that these writer-intellectuals were also confronting modernity in ways that would be important to the late twentieth and early twenty-first centuries.
Through its affiliation with recent revisionary works that have demonstrated the conceptual and existential validity of "alternative modernities," the volume shifts our understanding of the modern from a securely and exclusively Western mode of being to the modern as relational and inclusively intercultural. It mobilizes this relational and intercultural conception to locate and outline "African modernity."
Additionally,Writing Ghana, Imagining Africa demonstrates why and how projections of, and debates about, "African modernity" have been more than a continental affair. Korang comprehensively relates the thought of African Americans (Martin Delany, Alexander Crummell, W. E. B. Du Bois, Richard Wright), and West Indians (George Padmore, C.L.R. James), to that of seminal anglophone West African thinkers like E. W. Blyden, Africanus Horton, J. E. Casely Hayford, and Kwame Nkrumah.

Kwaku Larbi Korang is associate professor in the Department of African and African American Studies at Ohio State University.

Laura Cleaver

Writing History in the Anglo-Norman World

$36.95

The contexts for the works of eleventh and twelfth-century historians are here brought to the fore.

History was a subject popular with authors and readers in the Anglo-Norman world. The volume and richness of historical writing in the lands controlled by the kings of England, particularly from the twelfth century, has long attracted the attention of historians and literary scholars, whilst editions of works by such writers as Orderic Vitalis, John of Worcester, Symeon of Durham, William of Malmesbury, Gerald of Wales, Roger of Howden, and Matthew Paris has made them well known. Yet the easy availability of modern editions obscures both the creation and circulation of histories in the Middle Ages.
This collection of essays returns to the processes involved in writing history, and in particular to the medieval manuscript sources in which the works of such historians survive. It explores the motivations of those writing about the past in the Middle Ages, and the evidence provided by manuscripts for the circumstances in which copies were made. It also addresses the selection of material for copying, combinations of text and imagery, and the demand for copies of particular works, shedding new light on how and why history was being read, reproduced, discussed, adapted, and written.

LAURA CLEAVER is Senior Lecturer in Manuscript Studies, Institute of English Studies, University of London; ANDREA WORM is Professor of Art History. Kunsthistorischen Institut, Eberhard Karls University, Tubingen.

Contributors: Stephen Church, Kathryn Gerry, Anne Lawrence-Mathers, Laura Pani, Charles C. Rozier, Gleb Schmidt, Laura Slater, Michael Staunton, Caoimhe Whelan, Andrea Worm

Laura Cleaver

Writing History in the Anglo-Norman World

$130.00

The contexts for the works of eleventh and twelfth-century historians are here brought to the fore.

History was a subject popular with authors and readers in the Anglo-Norman world. The volume and richness of historical writing in the lands controlled by the kings of England, particularly from the twelfth century, has long attracted the attention of historians and literary scholars, whilst editions of works by such writers as Orderic Vitalis, John of Worcester, Symeon of Durham, William of Malmesbury, Gerald of Wales, Roger of Howden, and Matthew Paris has made them well known. Yet the easy availability of modern editions obscures both the creation and circulation of histories in the Middle Ages.
This collection of essays returns to the processes involved in writing history, and in particular to the medieval manuscript sources in which the works of such historians survive. It explores the motivations of those writing about the past in the Middle Ages, and the evidence provided by manuscripts for the circumstances in which copies were made. It also addresses the selection of material for copying, combinations of text and imagery, and the demand for copies of particular works, shedding new light on how and why history was being read, reproduced, discussed, adapted, and written.

LAURA CLEAVER is Senior Lecturer in Manuscript Studies, Institute of English Studies, University of London; ANDREA WORM is Professor of Art History. Kunsthistorischen Institut, Eberhard Karls University, Tubingen.

Contributors: Stephen Church, Kathryn Gerry, Anne Lawrence-Mathers, Laura Pani, Charles C. Rozier, Gleb Schmidt, Laura Slater, Michael Staunton, Caoimhe Whelan, Andrea Worm

Charles C. Rozier

Writing History in the Community of St Cuthbert, c.700-1130

$120.00

An examination of the extraordinary texts produced by the community of St Cuthbert, showing how they were used to construct and define an identity.

Historical texts of all kinds were written in the community of St Cuthbert c.700-1130, from short annals to extended narrative history, political tracts and works on the lives and miracles of saints.At the same time, scribes in the community worked to copy and procure notable classics of historiography, from Classical Antiquity down to the Norman Conquest of England. But what did these various forms of writing about past events mean to their original authors and readers? What were these texts for?
This book offers a narrative of historiographical production within St Cuthbert's community from the time of its foundation on the island of Lindisfarne, through subsequent translations to Chester-le-Street and Durham, down to the vibrant intellectual revival of the Anglo-Norman period. Focusing on several watershed moments in the story of this community, it identifies political, religious, intellectual andcultural triggers for historical writing, and argues that knowledge of past events gave successive guardians of Cuthbert's cult their single most valuable tool in the continuous effort to define who they were, where they had comefrom, and what they hoped to continue to be.

Writing History in the Community of St Cuthbert, c.700-1130

Elmer Kennedy-Andrews

Writing Home

$130.00

The idea of place, and of being displaced, is a powerful leit-motif in Northern Irish poetry. It is here explored in depth, from the 1960s to the present day.

Ideas of home, place and identity have been continually questioned, re-imagined and re-constructed in Northern Irish poetry. Concentrating on the period since the outbreak of the Troubles in the late 1960s, this study provides a detailed consideration of the work of several generations of poets, from Hewitt and MacNeice, to Fiacc and Montague, to Simmons, Heaney, Mahon and Longley, to Muldoon, Carson, Paulin and McGuckian, to McDonald, Morrissey, Gillisand Flynn. It traces the extent to which their writing represents a move away from concepts of rootedness and towards a deterritorialized poetics of displacement, mobility, openness and pluralism in an era of accelerating migration and globalisation. In the new readings of place, inherited maps are no longer reliable, and home is no longer the stable ground of identity but seems instead to be always where it is not. The crossing of boundaries and the experience of diaspora open up new understandings of the relations between places, a new sense of the permeability and contingency of cultures, and new concepts of identity and home.

Professor ELMER KENNEDY-ANDREWS teaches in the Department of English at the University of Ulster.

Thomas W. Goldstein

Writing in Red

$170.00

This book explores how the East German Writers Union became a site for the contestation of writers' roles in GDR society with consequences well beyond the literary community.

In the German Democratic Republic words and ideas mattered, both for legitimizing and criticizing the regime. No wonder, then, that the ruling SED party created a Writers Union to mold what writers publicly wrote and said. Its chief task was ideological: creating a socialist and antifascist culture. But it was also supposed to advance its members' professional interests and enable them to act as public intellectuals with a say in the direction of socialism. Many writers demanded that it pursue this second function as well, which brought it into conflict with the SED. This book explores how the union became a site for the contestation of writers' roles in GDR society with consequences well beyond the literary community. Union leaders, pressured by the SED or the secret police, usually acquiesced in enforcing regime demands, but by the 1980s many authors had adapted to the rules of the game, exploiting theirunion membership to insulate themselves from reprisal for their carefully worded critiques and in so doing beginning to break down limitations on public speech. The book explores how and why in the 1970s the Writers Union helped normalize relations between writers and state, yet over the course of the 1980s inadvertently aided the expansion of permissible speech, ultimately helping destabilize the East German system.

Thomas W. Goldstein is Assistant Professor of History at the University of Central Missouri.

David Bates

Writing Medieval Biography, 750-1250

$130.00

A survey both of medieval biographical writings, and the problems of recovering medieval lives.

Biography is one of the oldest, most popular and most tenacious of literary forms. Perhaps the best attested narrative form of the Middle Ages, it continues to draw modern historians of the medieval period to its peculiar challenge to explicate the general through the particular: the biographer's decisions to impose or to resist the imposition of order on biographical remnants raise issues which go to the heart of historical method.
This collection, compiled in honour of a distinguished modern exponent of the art of biography, contains sixteen essays by leading scholars which examine the limits and possibilities of the genre for the period between 750AD and 1250AD. Ranging from pivotal figures such as Charlemagne, William the Conqueror and St Bernard, to the anonymous female skeleton in an Anglo-Saxon grave, from kings and queens to clerks and saints, and from individual to the collective biographies,this collection investigates both medieval biographical writings, and the issues surrounding the writing of medieval lives.

Professor DAVID BATES is Director of the Institute of Historical Research; Dr JULIA CRICK and DrSARAH HAMILTON teach in the Department of History at the University of Exeter.

Contributors: JANET L. NELSON, ROBIN FLEMING, BARBARA YORKE, RICHARD ABELS, SIMON KEYNES, PAULINE STAFFORD, ELISABETH VAN HOUTS, DAVID BATES,JANE MARTINDALE, CHRISTOPHER HOLDSWORTH, LINDY GRANT, MARJORIE CHIBNALL, EDMUND KING, JOHN GILLINGHAM, DAVID CROUCH, NICHOLAS VINCENT

Catherine A.M. Clarke

Writing Power in Anglo-Saxon England

$120.00

New study of the complexities of how power operates in a number of Anglo-Saxon texts.

A work of fine and nuanced intelligence... Skilled and learned readings of a number of important texts. Fluent, polished, and beautifully written. Dr Katy Cubitt, University of York.

The formation and operation of systems of power and patronage in Anglo-Saxon England are currently the focus of concerted scholarly attention. This book explores how power is shaped and negotiated in later Anglo-Saxon texts, focusing in particular on how hierarchical, vertical structures are presented alongside patterns of reciprocity and economies of mutual obligation, especially within the context of patronage relationships (whether secular, spiritual, literal or symbolic). Through closeanalysis of a wide selection of sources in the vernacular and Latin (including the Guthlac poems of the Exeter Book, Old English verse epitaphs, the acrostic poetry of Abbo of Fleury, the Encomium Emmae Reginae and Libellus Æthelwoldi Episcopi), the study examines how texts sustain dual ways of seeing and understanding power, generating a range of imaginative possibilities along with tensions, ambiguities and instances of disguise or euphemism. It also advances new arguments about the ideology and rhetoric of power in the early medieval period.

Catherine A.M. Clarke is Professor in English, University of Southampton.

Emily Dolmans

Writing Regional Identities in Medieval England

$120.00

An examination of how regional identities are reflected in texts from medieval England.

The period after the Norman Conquest saw a dramatic reassessment of what it meant to be English, owing to both the advent of Anglo-Norman rule and increased interaction with other cultures through trade, travel, migration, and war. While cultural contact is often thought to consolidate national identity, this book proposes that these encounters prompted the formation of intercultural regional identities. Because of these different cultural influences, the meaning of English identity varied from region to region, and became rooted in the land, its history, and its stories.
Using romances and histories from England's multilingual literary milieu, including the Gesta Herewardi, Fouke le Fitz Waryn, and Richard Coer de Lyon, this study examines some of England's contact zones and how they influence understandings of English identities during the twelfth to fourteenth centuries. Moving from local identity in Ely, to the transcultural regions of Lincolnshire and the Welsh Marches, and finally investigating England as a border region from a global perspective, this book examines the diversity of Englishness, the effects of cultural contact on identity, and how English writers imagined their place in the world.

Writing Regional Identities in Medieval England

Terence Ranger

Writing Revolt

$29.99

A deeply felt and engaging personal account of Zimbabwe's political awakening by one of its best-known historians.

I did not set out for Rhodesia as a radical' writes Terence Ranger. This memoir of the years between 1957, when he first went to Southern Rhodesia, and 1967 when he published his first book, is both an intimate record of the African awakening which Ranger witnessed during those ten years, and of the process which led him to write Revolt in Southern Rhodesia. Intended as both history and as historiography, Writing Revolt is also about the ways in which politics and history interacted. The men with whom Ranger discussed Zimbabwean history were the leaders of African nationalism; his seminar papers were sent to prisons and into restricted areas. Both they and he were making political as well as intellectual discoveries. The book also includes a brief account of Ranger's life before he went to Africa.

TERENCE RANGER was Emeritus Rhodes Professor of Race Relations, University of Oxfordand author of many books including Are we not also Men? (1995), Voices from the Rocks (1999) and Bulawayo Burning (2010), and co-editor of Violence and Memory (2000).

Zimbabwe & Southern Africa (South Africa, Botswana, Lesotho, Swaziland, and Namibia): Weaver Press

Madhu Krishnan

Writing Spatiality in West Africa

$120.00

Winner of the 2020 ALA Book of the Year Award - Scholarship

Examines the ways in which space and spatial structures have been constituted, contested and re-imagined in Francophone and Anglophone West African literature since the early 1950s.

From the "imaginative geographies" of conquest identified by Edward Said to the very real and material institution of territorial borders, regions and geographical amalgamations, the control, administration and integration of space are known to have played a central and essential role in the creation of contemporary "Africa". Space continues to be a site of conflict, from separatist struggles to the distribution of resources to the continued absorption ofAfrican territories into the uneven geographies of global capitalism.
In this book, Madhu Krishnan examines the ways in which the anxieties and conflicts engendered by these phenomena are registered in a broad set of literarytexts from British and French West Africa. By placing these novels in dialogue with a range of archival material such as territorial planning documents, legislative papers, records of liberation movements and development projects, this book reveals the submerged articulations between spatial planning and literary expression, generating new readings of canonical West African texts as well as analyses of otherwise under-researched material.

MadhuKrishnan is a Senior Lecturer in 20th/21st Century Postcolonial Writing in the Department of English at the University of Bristol. She is author of Contemporary African Literature in English: Global Locations, Postcolonial Identifications(2014) and Contingent Canons: African Literature and the Politics of Location (2018)

Madhu Krishnan

Writing Spatiality in West Africa

$29.99

Winner of the 2020 ALA Book of the Year Award - Scholarship

Examines the ways in which space and spatial structures have been constituted, contested and re-imagined in Francophone and Anglophone West African literature since the early 1950s.

From the "imaginative geographies" of conquest identified by Edward Said to the very real and material institution of territorial borders, regions and geographical amalgamations, the control, administration and integration of space are known to have played a central and essential role in the creation of contemporary "Africa". Space continues to be a site of conflict, from separatist struggles to the distribution of resources to the continued absorption ofAfrican territories into the uneven geographies of global capitalism.
In this book, Madhu Krishnan examines the ways in which the anxieties and conflicts engendered by these phenomena are registered in a broad set of literarytexts from British and French West Africa. By placing these novels in dialogue with a range of archival material such as territorial planning documents, legislative papers, records of liberation movements and development projects, this book reveals the submerged articulations between spatial planning and literary expression, generating new readings of canonical West African texts as well as analyses of otherwise under-researched material.

Marcus Bull

Writing the Early Crusades

$29.99

A pioneering approach to contemporary historical writing on the First Crusade, looking at the texts as cultural artefacts rather than simply for the evidence they contain.

The First Crusade (1095-1101) was the stimulus for a substantial boom in Western historical writing in the first decades of the twelfth century, beginning with the so-called "eyewitness" accounts of the crusade and extending to numerous second-hand treatments in prose and verse. From the time when many of these accounts were first assembled in printed form by Jacques Bongars in the early seventeenth century, and even more so since their collective appearance in the great nineteenth-century compendium of crusade texts, the Recueil des historiens des croisades, narrative histories have come to be regarded as the single most important resource for the academic study of the early crusade movement. But our understanding of these texts is still far from satisfactory.
This ground-breaking volume draws together the work of an international team of scholars. It tackles the disjuncture between the study of the crusades and the study of medieval history-writing, setting the agenda for future research into historical narratives about or inspired by crusading. The basic premise that informs all the papers is that narrative accounts of crusades and analogous texts should not be primarily understood as repositories of data that contribute to a reconstruction of events, but as cultural artefacts that can be interrogated from a wide range of theoretical, methodological and thematic perspectives.

MARCUS BULL is Andrew W Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina at Chapel Hill; DAMIEN KEMPF is Senior Lecturer in Medieval History at the University of Liverpool.

Contributors: Laura Ashe, Steven Biddlecombe, Marcus Bull, Peter Frankopan, Damian Kempf, James Naus, Léan Ní Chléirigh, Nicholas Paul, William J. Purkis, Luigi Russo, Jay Rubenstein, Carol Sweetenham,

Marcus Bull

Writing the Early Crusades

$95.00

A pioneering approach to contemporary historical writing on the First Crusade, looking at the texts as cultural artefacts rather than simply for the evidence they contain.

The First Crusade (1095-1101) was the stimulus for a substantial boom in Western historical writing in the first decades of the twelfth century, beginning with the so-called "eyewitness" accounts of the crusade and extending to numerous second-hand treatments in prose and verse. From the time when many of these accounts were first assembled in printed form by Jacques Bongars in the early seventeenth century, and even more so since their collective appearance in the great nineteenth-century compendium of crusade texts, the Recueil des historiens des croisades, narrative histories have come to be regarded as the single most important resource for the academic study of the early crusade movement. But our understanding of these texts is still far from satisfactory.
This ground-breaking volume draws together the work of an international team of scholars. It tackles the disjuncture between the study of the crusades and the study of medieval history-writing, setting the agenda for future research into historical narratives about or inspired by crusading. The basic premise that informs all the papers is that narrative accounts of crusades and analogous texts should not be primarily understood as repositories of data that contribute to a reconstruction of events, but as cultural artefacts that can be interrogated from a wide range of theoretical, methodological and thematic perspectives.

MARCUS BULL is Andrew W. Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina at Chapel Hill; DAMIEN KEMPF is Senior Lecturer in Medieval History at the University of Liverpool.

Contributors: Laura Ashe, Steven Biddlecombe, Marcus Bull, Peter Frankopan, Damian Kempf, James Naus, Léan Ní Chléirigh, Nicholas Paul, William J. Purkis, Luigi Russo, Jay Rubenstein, Carol Sweetenham,

Mary Boyle

Writing the Jerusalem Pilgrimage in the Late Middle Ages

$120.00

An examination of four written accounts of medieval pilgrimages to Jerusalem.

What do the bursar of Eton College, a canon of Mainz Cathedral, a young knight from near Cologne, and a Kentish nobleman's chaplain have in common? Two Germans, residents of the Holy Roman Empire, and two Englishmen, just as the western horizons of the known world were beginning to expand. These four men - William Wey, Bernhard von Breydenbach, Arnold von Harff, and Thomas Larke - are amongst the thousands of western Christians who undertook the arduous journey to the Holy Land in the decades immediately before the Reformation. More importantly, they are members of a much more select group: those who left written accounts of their travels, for the journey to Jerusalem in the late Middle Ages took place not only in the physical world, but also in the mind and on the page. Pilgrim authors contended in different ways with the collision between fifteenth-century reality and the static textual Jerusalem, as they encountered the genuinely multi-religious Middle East.
This book examines the international literary phenomenon of the Jerusalem pilgrimage through the prism of these four writers. It explores the process of collective and individual identity construction, as pilgrims came into contact with members of other religious traditions in the course of the expression of their own; engages with the uneasy relationship between curiosity and pilgrimage; and investigates both the relevance of genre and the advent of print to the development of pilgrimage writing. Ultimately pilgrimage is revealed as a conceptual space with a near-liturgical status, unrestricted by geographical boundaries and accessible both literally and virtually.

Writing the Jerusalem Pilgrimage in the Late Middle Ages

Katharina Gerstenberger

Writing the New Berlin

$29.99

A study of the "patchwork imaginary" that is postwall Berlin fiction and its significance for the new Germany.

The wall was still coming down when critics began to call for the great Berlin novel that could explain what was happening to Germany and the Germans. Such a novel never appeared. Instead, writers have created a patchwork imaginary -- in the form of about 300 works of fiction set in Berlin -- of a city and a nation whose identity collapsed virtually overnight. Contributors to this literary collage include established writers like Peter Schneider and Christa Wolf, young authors like Tanja Dückers and Ingo Schramm, German-Turkish authors Zafer Senocak and Yadé Kara, and the Austrians Kathrin Röggla and Marlene Streeruwitz. The non-arrival of the great Berlin novel marks the reorientation in German culture and literature that is the focus of this study: the experience of unification was too diverse, too postmodern, too influenced by global developments to be captured by one novel. Berlin literature of the postunification decade is marked by ambiguity: change is linked to questions of historical continuity; postmodern simulation finds its counterpart in a quest for authenticity; and the assimilation of Germanness into European and global contexts is both liberation and loss. This book pursues a nuanced understanding of the search for new ways to tell the story of Germany's past and of its importance for the formation of a new German identity.

Katharina Gerstenberger is Professor of German at the University of Cincinnati.

Professor Toyin Falola

Writing the Nigeria-Biafra War

$190.00

Examines key contemporary accounts of the civil war and a range of subsequent texts to reveal the ideas behind the conflict and how these frame the understandings of what took place and what it means for contemporary Nigeria.

The Nigeria-Biafra War lasted from 6 July 1966 to 15 January 1970, during which time the post-colonial Nigerian state fought to bring the South-Eastern region, which had seceded as the State or Republic of Biafra, back into the newly independent but ideologically divided nation. This volume discusses the trends and methodologies in the civil war writings, both fictional and non-fictional, and is the first to analyse in detail the intellectual and historical circumstances that helped to shape these often contentious texts.
The recent high-profile fictional account by Chimamanda Ngozi Adichie in Half of a Yellow Sun was preceded by works by Ken Saro-Wiwa, Elechi Amadi, Kole Omotoso, Wole Soyinka, Flora Nwapa, Buchi Emecheta, Chukwuemeka Ike and Chris Abani, all of which strongly convey the horrific human cost of the war on individuals and their communities. The non-fictional accounts, including Chinua Achebe's last work There Was a Country, are biographies, personal accounts and essays on the causes and course of the war, its humanitarian crises and the collaboration of foreign nations. The contributors examine writers' and protagonists' use of contemporary published texts as a means of continued resistance and justification of the war, the problems of objectivity encountered in memoirs, and how authors' backgrounds and sources determine thekinds of biases that influenced their interpretations, including the gendered divisions in Nigeria-Biafra War scholarship and sources. By initiating a dialogue on the civil war literature, this volume engages a much-needed discourse on the problems confronting a culturally diverse post-war Nigeria.

Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University ofTexas at Austin; Ogechukwu Ezekwem is a PhD student in the Department of History, University of Texas at Austin.

Ingo Cornils

Writing the Revolution

$36.95

An extensive look at historical, literary, and media representations of '68 in Germany, challenging the way it has been instrumentalized.

In Germany, the concept of "1968" is enduring and synonymous with the German Student Movement, and is viewed, variously, as a fundamental liberalization, a myth, a second foundation, or an irritation. The movement's aims - radicalre-imagination of the political and economic order and social hierarchy - have been understood as requiring a "long march." While the movement has been judged at best a "successful failure," cultural elites continue to engage inthe construction of 1968. Ingo Cornils's book argues that writing about 1968 in Germany is no longer about the historical events or the specific objectives of a bygone counterculture, but is instead a moral touchstone, a marker ofsocial group identity meant to keep alive (or at bay) a utopian agenda that continues to fire the imagination. The book demonstrates that the representation of 1968 as a "foundational myth" suits the needs of a number of surprisingly heterogeneous groups, and that even attempts to deconstruct the myth strengthen it. Cornils brings together for the first time the historical, literary, and media representations of the movement, showing the motivation behindand effect of almost five decades of writing about 1968. In so doing, Cornils challenges the way 1968 has been instrumentalized: as a powerful imaginary that has colonized every aspect of life in Germany, and as symbolic capitalin cultural and political debates.

Ingo Cornils is Professor of German Studies at the University of Leeds.

Ingo Cornils

Writing the Revolution

$130.00

An extensive look at historical, literary, and media representations of '68 in Germany, challenging the way it has been instrumentalized.

In Germany, the concept of "1968" is enduring and synonymous with the German Student Movement, and is viewed, variously, as a fundamental liberalization, a myth, a second foundation, or an irritation. The movement's aims - radicalre-imagination of the political and economic order and social hierarchy - have been understood as requiring a "long march." While the movement has been judged at best a "successful failure," cultural elites continue to engage inthe construction of 1968. Ingo Cornils's book argues that writing about 1968 in Germany is no longer about the historical events or the specific objectives of a bygone counterculture, but is instead a moral touchstone, a marker ofsocial group identity meant to keep alive (or at bay) a utopian agenda that continues to fire the imagination. The book demonstrates that the representation of 1968 as a "foundational myth" suits the needs of a number of surprisingly heterogeneous groups, and that even attempts to deconstruct the myth strengthen it. Cornils brings together for the first time the historical, literary, and media representations of the movement, showing the motivation behindand effect of almost five decades of writing about 1968. In so doing, Cornils challenges the way 1968 has been instrumentalized: as a powerful imaginary that has colonized every aspect of life in Germany, and as symbolic capitalin cultural and political debates.

Ingo Cornils is Professor of German Studies at the University of Leeds.

Elisabeth Krimmer

Writing the Self, Creating Community

$130.00

This volume examines the world of German women writers who emerged in the burgeoning literary marketplace of eighteenth-century Europe.

Beginning in the 1770s, the German literary market experienced unprecedented growth. The enormous demand for reading materials that stimulated this burgeoning market created new opportunities for women writers. At the same time, they still faced numerous obstacles. The new opportunities and limitations imposed on women writers are the subject of this book. The eleven essays contained within look beyond the negative strategies women writers employed, such as hiding their intellectual accomplishments or legitimizing their works by subordinating them to non-artistic purposes. Instead, they ask how women wrote about their own creative processes both directly, for example, by sketchinga female poetology, and indirectly, through literary representations of female authorship. This volume examines concepts of female authorship as they are presented in women's correspondence, theoretical statements, and literary works. The contributors bring to life the collaborative literary world of female writers through explorations of familial and professional mentorships, salons, writing circles, and their correspondences. They consider how female authors positioned themselves within contemporary intellectual discourses and analyze the tropes that shaped ideas about their authorship throughout the emerging literary marketplace of eighteenth century Europe.

Contributors: Karin Baumgartner, Margaretmary Daley, Ruth P. Dawson, Denise M. Della Rossa, Renata Fuchs, Amy Jones, Julie L. J. Koehler, Elisabeth Krimmer, Sara Luly, Monika Nenon, Lauren Nossett, Angela Sanmann.

Elisabeth Krimmer is Professor of German at the University of California, Davis, and Lauren Nossett is Visiting Assistant Professor of German at Randolph-Macon College.

Marike Janzen

Writing to Change the World

$120.00

This book begins to recover the global history of solidarity as a principle of authorship, taking Anna Seghers (1900-1983) as an exemplar and reading her alongside prominent contemporaries: Brecht, Carpentier, and Spivak.

In the twentieth century, leftist authors around the world understood their writing as an act of solidarity, but their common project was obscured by the end of the Cold War and the dismantling of socialist states. This book begins to recover the global history of solidarity as a principle of authorship, taking Anna Seghers (1900-1983), one of the most important German writers of her time, as an exemplar. Like other leftist authors in other languages and contexts, Seghers emphasized how people are implicated in global economic inequality and efforts to change it. Writing to Change the World introduces Seghers's concept of solidarian authorship by telling the story of an award, still in existence today, that she bequeathed to support East German and Latin American authors. The book then follows the history of the idea by reading Seghers alongside prominent contemporaries: the German playwright and poet Bertolt Brecht in the 1930s, the Cuban novelist Alejo Carpentier in the 1960s, and the Indian scholar and theorist Gayatri Chakravorty Spivak in the 1980s. These writers thematized and critiqued solidarity, often by depicting characters who forge connections across borders. In doing so, they also commented on the literary institutions that fostered their own work. Providing new evidence for Seghers's global relevance beyond German literature, Writingto Change the World argues for the continued significance of solidarity both as a model of global authorship and as a framework for analysis of world literature. In doing so, it refocuses attention on global structures of inequality and collective imaginings of a better world.

Marike Janzen is Assistant Professor of Humanities and Courtesy Assistant Professor of Germanic Languages and Literatures at the University of Kansas.

Alison Sinclair

Writing Wrongdoing in Spain, 1800-1936

$130.00

Tracks the emergence and vicissitudes of attitudes to wrongdoing in Spain from the 19th century through the decades before the Civil War.

The international contributors to this volume explore the rich diversity of cultures and representations of wrongdoing in Spain through the 19th century and the decades up to the Civil War. Their line of enquiry is predicated on the belief that cultural constructions of wrongdoing are far from simple reflections of historical or social realities, and that they reveal not a line of historical development, but rather variation and movement. Voices and discourses arise in response to the social phenomena associated with wrongdoing. They set out to persuade, to shock, to entice, and in so doing provide complex windows on to social aspiration and desire. The book's three sections (Realities, Representations, and Reactions) offer distinct points of focus, and move between areas where control is paramount and on the agenda from above and those where the subtleties of emotional response take pride of place.

Alison Sinclair was Professor of Modern Spanish Literature and Intellectual History at the University of Cambridge until retirement in 2014.

Samuel Llano is a Lecturer in Spanish Cultural Studies at the Universityof Manchester.

Carli Coetzee

Written under the Skin

$95.00

Winner of the 2021 ALA Book of the Year Award - Scholarship

The author uses the image of blood under the skin as a way of understanding cultural and literary forms in contemporary South Africa. Chapters deal with the bloodied histories of apartheid and blood as trope for talking about change.

In this book the author argues that a younger generation of South Africans is developing important and innovative ways of understanding South African pasts, and that challenge the narratives that have over the last decades been informed by notions of forgiveness and reconciliation. The author uses the image of history-rich blood to explore these approaches to intergenerational memory. Blood under the skin is a carrier of embodied and gendered histories andusing this image, the chapters revisit older archives, as well as analyse contemporary South African cultural and literary forms.
The emphasis on blood challenges the privileged status skin has had as explanatory category inthinking about identity, and instead emphasises intergenerational transfer and continuity. The argument is that a younger generation is disputing and debating the terms through which to understand contemporary South Africa, as well as for interpreting the legacies of the past that remain under the visible layer of skin. The chapters each concern blood: Mandela's prison cell as laboratory for producing bloodless freedom; the kinship relations created and resisted in accounts of Eugene de Kock in prison; Ruth First's concern with information leaks in her accounts of her time in prison; the first human-to-human heart transplant and its relation to racialised attempts to salvage whiteidentity; the #Fallist moment; Abantu book festival; and activist scholarship and creative art works that use blood as trope for thinking about change and continuity.

Southern Africa (South Africa, Namibia, Lesotho, Zimbabwe and Swaziland): Wits University Press

Carli Coetzee

Written under the Skin

$29.99

Winner of the 2021 ALA Book of the Year Award - Scholarship

The author uses the image of blood under the skin as a way of understanding cultural and literary forms in contemporary South Africa. Chapters deal with the bloodied histories of apartheid and blood as trope for talking about change.

In this book the author argues that a younger generation of South Africans is developing important and innovative ways of understanding South African pasts, and that challenge the narratives that have over the last decades been informed by notions of forgiveness and reconciliation. The author uses the image of history-rich blood to explore these approaches to intergenerational memory. Blood under the skin is a carrier of embodied and gendered histories andusing this image, the chapters revisit older archives, as well as analyse contemporary South African cultural and literary forms.
The emphasis on blood challenges the privileged status skin has had as explanatory category inthinking about identity, and instead emphasises intergenerational transfer and continuity. The argument is that a younger generation is disputing and debating the terms through which to understand contemporary South Africa, as well as for interpreting the legacies of the past that remain under the visible layer of skin. The chapters each concern blood: Mandela's prison cell as laboratory for producing bloodless freedom; the kinship relations created and resisted in accounts of Eugene de Kock in prison; Ruth First's concern with information leaks in her accounts of her time in prison; the first human-to-human heart transplant and its relation to racialised attempts to salvage whiteidentity; the #Fallist moment; Abantu book festival; and activist scholarship and creative art works that use blood as trope for thinking about change and continuity.

Southern Africa (South Africa, Namibia, Lesotho, Zimbabwe and Swaziland): Wits University Press

Dr J.E. Cross

Wulfstan's Canon Law Collection

$120.00

First edition of important but problematic Anglo-Saxon text, with much to say about how later Anglo-Saxon writers used earlier materials.

This volume presents the first edited version of the canon collection associated with two of the key literary figures of the late Anglo-Saxon period: Ælfric, abbot of Eynsham [d. after 1006], and Wulfstan, bishop ofWorcester and archbishop of York [d. 1023]. Although of considerable importance, its textual problems (how many items comprise the collection? When, and by whom, was it composed?) have made proper critical study difficult. This edition aims to answer the need; the texts of the two recensions are edited with full critical apparatus of the five known manuscripts, a detailed study of sources, facing English translation, and an introductory essay on the text and its background.

Dr ANDREW HAMER teaches at the University of Liverpool.

Judith Giblin James

Wunderkind

$90.00

A detailed critical history of McCullers's reputation and the social crosscurrents that shaped it.

The critical reception of Carson McCullers, author of The Heart Is aLonely Hunter, The Member of the Wedding, and The Ballad of theSad Café has reflected the prevailing cultural preoccupations of thefive decades since the publication of her first novel in 1940. Jamesdistinguishes between pre and post-war criticism and furtheridentifies other critical approaches - that of New Criticism which sawher work as working in the shadow of Faulkner; the response to thepsychological and social rhythms of her fiction; and the recognition ofthe interplay of gender, race, and class in her life, and her texts.

William T. Rossiter

Wyatt Abroad

$130.00

An examination of Wyatt's translations and adaptions of European poetry yields fresh insights into his work and poetic practice.

During the 1520s and 1530s Sir Thomas Wyatt, the poet and diplomat, composed a number of translations and adaptations of European poetry (including the Penitential Psalms and works by Petrarch) when he was in embassy, or when he was engaged in other forms of international negotiations.This volume presents a comparative analysis of those poems which were directly or indirectly shaped by his ambassadorial experience. By examining the key points of divergencefrom and adaptation of his Italian, Latin and French sources and analogues, the author identifes the specific ways in which Wyatt reformed those sources in order to comment upon the lability of Tudor diplomacy and the political machinations at home and abroad which informed it - as well as the personal cost to Wyatt himself. The volume also identifies Wyatt's innovations and his debts, so redressing earlier interpretations of Wyatt's work which ignored its translative ontology. Through noting Wyatt's specific alterations and ameliorations, it allows a clearer image of his poetics to develop.

Dr William T. Rossiter is Senior Lecturer in Medieval and Early Modern EnglishLiterature at the University of East Anglia.

Jeff Opland

Xhosa literature

$170.00

Essays examining isiXhosa oral literature, novels and journalism and the interconnections between them in the nineteenth and twentieth centuries

Xhosa Literature: Spoken and Printed Words consists of fourteen essays addressing Xhosa literature in three media - the spoken word, newspapers and books. Literary critics tend to focus on Xhosa literature published in books; some attention has been paid to Xhosa oral poetry and tales, but by and large the contribution of newspapers to the development of Xhosa literature has been overlooked. This book explores aspects of Xhosa literature in all three media, and their interconnections.

Six of the essays treat historical narratives (amabali) and praise poetry (izibongo), setting out the social and ritual function of poetry and the poet (imbongi), mapping changes in the izibongo of three poets as South Africa moved towards democracy in the 1990s, and analysing recordings of two poems recited by S.E.K. Mqhayi. Three essays are devoted to the first Xhosa novel, Mqhayi's U-Samson (1907), to the publication of the greatest novel in Xhosa, A.C. Jordan's Ingqumbo yeminyanya (1940), and to the first published poem in praise of Nelson Mandela, D.L.P. Yali-Manisi's 'UNkosi Rolihlahla Nelson Mandela' (1954). There follow accounts of Xhosa literature in the nineteenth century and the appropriation of the press by Xhosa editors towards the end of that century, of Nontsizi Mgqwetho's fiery poetry published in Umteteli wa Bantu and of poems by Mgqwetho and Mqhayi published in Abantu-Batho, two Johannesburg newspapers. The volume concludes with an exposition of an imaginative response to David Yali-Manisi and his poetry.

University of KwaZulu-Natal Press: Southern African Development Community

Cover image for Xhosa literature, isbn: 9781847014528

Jeff Opland

Xhosa Poets and Poetry

$190.00

Essays examining the poetry and leading poets of the Xhosa-speaking peoples in the nineteenth and twentieth centuries

The Xhosa-speaking peoples who settled along the south-eastern seaboard of South Africa promoted traditions of praise poetry (izibongo), poetry produced orally by men and women, adults and children, about people, clans, ancestors and animals. Throughout the nineteenth century, authors who used the Xhosa language gradually developed the craft of composing poetry for publication in newspapers, and expanded this process in the twentieth century, when books containing secular literature appeared, but the practice of oral poetry persists, flourishing now as it did before the incursion of colonial settlers. The dominant poet in the community is the imbongi, who continues to produce poetry praising or criticising figures of authority on occasions of local and national significance.

Xhosa Poets and Poetry (Iimbongi nezibongo) contains fourteen essays originally published between 1974 and 1996. Based on fieldwork conducted between 1969 and 1985, and on extensive archival research, the first six essays examine the social function of poetry in the community, the element of improvisation in the production of poetry, especially in the poetry of the imbongi, and the structural principles of his poetry. Individual poets are then presented, among them D.L.P. Yali-Manisi, Melikaya Mbutuma, Peter Mtuze and Nontsizi Mgqwetho, the first woman to produce a substantial body of poetry. The concluding four essays are thematic, treating issues introduced by the medium of print: the role of newspapers in fostering literature; censorship and control of the press; the damaging effects of changes in Xhosa spelling and the demand for books for school prescription; and, finally, the suspicion in which Xhosa poets held books and writing.

This second edition updates the bibliographical references and amplifies some of the arguments. Xhosa Poets and Poetry offers a keen engagement with its subject, enlivened by extracts from conversations with poets and copious examples of their poetry in Xhosa and in English translation. It offers a cultural context for the volumes in this series.

University of KwaZulu-Natal Press: Southern African Development Community

Cover image for Xhosa Poets and Poetry, isbn: 9781847014504

R.B. Dobson

York City Chamberlain's Account Rolls 1396-1500

$36.95

Sixteen Latin accounts, including two concerning litigation with the abbot and convent of St Mary's on the vexed issue of the many fishgarths which were obstructing river traffic on the Ouse. Detailed introduction and full list of the relevant Mayors and Chamberlains.

York City Chamberlain's Account Rolls 1396-1500

Joyce W. Percy

York Memorandum Book. Volume III

$36.95

Originally known as B/Y, now classified as E20A. Contains ordinances of the city's craft guilds, descriptions of the city boundaries, amounts collected from parishes towards the Fifteenth and Tenth, deeds, leases of city propertyand many other items relating to civic administration and the trade and life of York from the fourteenth to the sixteenth centuries. Deeds are calendared and all other Latin entries are translated. Entries in English are transcribed literally. See also volumes 120, 125. Civic admin, life and trade of York.

Ann Genova

Yorùbá Identity and Power Politics

$170.00

Yorùbá Identity and Power Politics covers the major issues in Yorùbá history and politics, offering through narratives of the past and present a solid understanding of one of the most popular ethnic groups in Africa.

Yorùbá Identity and Power Politics covers the major issues on Yorùbá history and politics, thus offering a solid understanding of one of the most popular ethnic groups in Africa. With a careful blend of sources and methods,narratives on the past and present, the book manages to present a long history as the backdrop to complicated contemporary politics.

Contributors: Tunde M. Akinwumi, Olufunke A. Adeboye, R. T. Akinyele, Aribidesi Usman, Tunde Oduwobi, Olufemi Vaughan, Abolade Adeniji, Jean-Luc Martineau, Ann O'Hear, Rasheed Olaniyi, Charles Temitope Adeyanju, Julius O. Adekunle, Funso Afolayan, Olayiwola Abegunrin.

Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin.
Ann Genova is a Ph.D. candidate at the University of Texas at Austin.

Bode Omojola

Yorùbá Music in the Twentieth Century

$36.95

Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yorùbá genres of music.

From the primeval age of Ayànàgalú (the Yorùbá pioneer-drummer-turned-deity-of-drumming) to the modern era, Yorùbá musical traditions have been shaped by individual performers: drummers, dancers, singers, and chanters, wself-mediated visions of their social and cultural environment. Yorùbá Music in the Twentieth Century explores the role of the performer and the performing group in creating these traditions, contributing to the ongoing reorientation of scholarship on African music toward individual creativity within a larger social network.

Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional Yorùbá genres such as bàtá and dùndún drumming as well as more contemporary genres such as Yorùbá popular music. The book also addresses a spectrum of social issues, ranging from gender inequality to the impactianity and Islam on Yorùbá musical practice. Throughout, Omojola emphasizes the interrelatedness of the different components of the Yorùbá musical landscape, as well as the role of specific individuals and groups of musicians, whohave continued to draw from indigenous Yorùbá musical resources to create new musical forms in the process of engaging the social dynamics of a rapidly changing environment.

Awarded honorable mention in the 2014 Kwabena Nketia Book Competition of the African Music Section of the Society for Ethnomusicology.

Bode Omojola is a Five College Associate Professor of Music at Mt. Holyoke College.

Claire P. Ayelotan

Yoruba Pentecostalism and Child Witchcraft Accusations

$130.00

An exploration of Yoruba Pentecostalism's role in child witchcraft accusations, examining migration, leadership, and collective responsibility to address faith-based child abuse globally.

What drives communities to accuse children of witchcraft, and how do religious beliefs and leadership dynamics perpetuate this phenomenon across borders? Claire Ayelotan delves into the involvement of Yoruba (Nigerian) Pentecostal leaders in accusations of child witchcraft in Nigeria and the UK. Using a multidisciplinary approach, her research examines the theological, cultural, socioeconomic, and legal influences that drive such behaviours. Ethnographic studies and interviews with pastors and practitioners reveal how power dynamics, gender roles, and international migration intersect to perpetuate these harmful beliefs. The book uncovers gaps in current literature and presents original insights on the collective responsibility, shared beliefs, and complexities of Pentecostal leadership in this context. By focusing on the global aspects of child witchcraft accusations, it sheds new light on how migration impacts these practices and the negative consequences they have on vulnerable children.

An important read for academics, policymakers, and child welfare professionals, this book challenges assumptions and urges immediate action to combat faith-based child abuse in all its manifestations.

Cover image for Yoruba Pentecostalism and Child Witchcraft Accusations, isbn: 9781648251238

Susan Boynton

Young Choristers, 650-1700

$130.00

First full-length consideration of the role played by young singers, bringing out its full significance and its development over time.

Young singers played a central role in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities. The training of singers for performance in religious services was so crucial as to shape the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members; while the development of musical repertories and styles directly reflected the ubiquitous participation of children's voices in both chant and polyphony. Once choristers' voices had broken, they often pursued more advanced studies either through an apprenticeship system or at university, frequently with the help of the institutions to which they belonged.
This volume provides the first wide-ranging book-length treatment of the subject, and will be of interest to music historians - indeed, all historians - who wish to understand the role of the young in sacred musical culture before 1700.

SUSAN BOYNTON is Associate Professor of Historical Musicology at Columbia University; ERIC RICE is Assistant Professor of Music at the University of Connecticut at Storrs.

CONTRIBUTORS: SUSAN BOYNTON, SANDRINE DUMONT, JOSEPH DYER, JANE FLYNN, ANDREW KIRKMAN, NOEL O'REGAN, ALEJANDRO PLANCHART, RICHARD RASTALL, COLLEEN REARDON, ERIC RICE, JUAN RUIZ JIMENEZ, ANNE BAGNALL YARDLEY

George C. Schoolfield

Young Rilke and His Time

$190.00

A look at neglected aspects of the early career of one of the premier poets of the German language.

Although Rainer Maria Rilke and his work have been much studied and written about over the past century -- as befits the perhaps most important German-language poet of modern times -- certain aspects of his early life and career have been neglected or are in need of a fresh look. Accordingly, this book investigates Rilke's life and career from adolescence until the verge of thirty. Here the reader finds the hysterical, harried tutee clinging to Valerie vonRhonfeld; the clever, supercilious, and anxious stroller through Prague of Larenopfer; the narcissistic diarist preening for Lou Andreas-Salomé in Italy and elsewhere; the priggishly high-minded but lethal reviewer of German-language literature; the devoted but delusional presenter of Nordic letters. A final section focuses on thirteen poems or poem clusters composed between 1892 and 1900 and mostly left untouched by Rilke scholarship. While depending heavily on the evidence of the texts themselves, the present author allows himself to conjecture about, for instance, the traces left by the boy's hasty training in Latin; his knowledge -- or ignorance -- of Czech national opera and popular literature; the genesis of some willfully "decadent" poems; his odd literary likes and dislikes; and so on. From this "Wirrnis" (confusion, muddle; one of his favorite words), the young Rilke emerges as a dogged self-educator, and, for all his laments and insecurities and languorous poses, a figure of distinction, gifted with an almost preternatural verbal inventiveness and recondite energy.

George C. Schoolfield is Emeritus Professor of German and Scandinavian Literature at Yale.

Emily Bridger

Young Women against Apartheid

$120.00

Provides a new perspective on the struggle against apartheid, and contributes to key debates in South African history, gender inequality, sexual violence, and the legacies of the liberation struggle.

WINNER OF THE RHS GLADSTONE BOOK PRIZE 2022
WINNER OF THE SOCIETY FOR THE HISTORY OF CHILDREN AND YOUTH GRACE ABBOTT BOOK PRIZE 2021
SHORTLISTED FOR THE ASAUK FAGE & OLIVER PRIZE 2022

While there have been many books on South Africa's liberation struggle during the 1980s and early 1990s, the story of the involvement of African girls and young women has been all but missing. This book tells their story, analysing what life was like for African girls under apartheid, why some chose to join the struggle, and how they navigated the benefits and pitfalls of political activism. These were women who, as teenagers and secondary school students,made an unconventional choice to join student organizations, engage in public protest, and take up arms against the state. They did so against their parents' wishes and in contravention of societal norms that confined girls to the home and made township streets dangerous places for female students. They participated in both non-violent and violent forms of political action, including attending marches and rallies, throwing stones or petrol bombs at police, and punishing suspected informers and other offenders, and even joining underground guerrilla armies. Thousands of these young women were eventually detained, interrogated, and tortured by the apartheid state. At the heart of this book lie the life histories of the female comrades themselves, who in interviews construct themselves as decisive actors in South Africa's liberation struggle.
Primarily a work of oral history, this book is not only concerned with what female comrades did, but equally with how these women remember and narrate their time as activists: how they reconstruct their pasts; relate their personal experiences to collective histories of the struggle; and insert themselves into a historical narrative from which they have been excluded. Through exploring these women's memories, this book serves as an important corrective to South Africa's male-centric literature on violence, and provides a new gendered perspective on the wider histories of township politics, activism, and conflict.

Emily Bridger

Young Women against Apartheid

$29.99

Provides a new perspective on the struggle against apartheid, and contributes to key debates in South African history, gender inequality, sexual violence, and the legacies of the liberation struggle.

WINNER OF THE RHS GLADSTONE BOOK PRIZE 2022
WINNER OF THE SOCIETY FOR THE HISTORY OF CHILDREN AND YOUTH GRACE ABBOTT BOOK PRIZE 2021
SHORTLISTED FOR THE ASAUK FAGE & OLIVER PRIZE 2022

While there have been many books on South Africa's liberation struggle during the 1980s and early 1990s, the story of the involvement of African girls and young women has been all but missing. This book tells their story, analysing what life was like for African girls under apartheid, why some chose to join the struggle, and how they navigated the benefits and pitfalls of political activism. These were women who, as teenagers and secondary school students, made an unconventional choice to join student organizations, engage in public protest, and take up arms against the state. They did so against their parents' wishes and in contravention of societal norms that confined girls to the home and made township streets dangerous places for female students. They participated in both non-violent and violent forms of political action, including attending marches and rallies, throwing stones or petrol bombs at police, and punishing suspected informers and other offenders, and even joining underground guerrilla armies. Thousands of these young women were eventually detained, interrogated, and tortured by the apartheid state. At the heart of this book lie the life histories of the female comrades themselves, who in interviews construct themselves as decisive actors in South Africa's liberation struggle.
Primarily a work of oral history, this book is not only concerned with what female comrades did, but equally with how these women remember and narrate their time as activists: how they reconstruct their pasts; relate their personal experiences to collective histories of the struggle; and insert themselves into a historical narrative from which they have been excluded. Through exploring these women's memories, this book serves as an important corrective to South Africa's male-centric literature on violence, and provides a new gendered perspective on the wider histories of township politics, activism, and conflict.

Cover image for Young Women against Apartheid, isbn: 9781847013620

Professor Paul Ugor

Youth and Popular Culture in Africa

$170.00

Explores the range of vibrant cultural production and political activism of youth in Africa today, as expressed through art, music, theater, and online media.

This edited collection focuses on the links between youth and African popular culture. Contributions by a distinguished group of scholars explore popular culture produced and consumed by young people in contemporary Africa. Essays cover a variety of cultural representations--visual, oral, written, performative, fictional, social, and virtual--created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public and shared locally and globally. The volume examines the range of music, art, and media African youth produce, under what conditions or contexts they produce such work, and the aesthetic dimensions of these texts as cultural artifacts. Essays further explore why these textual practices matter as social facts, as interpretive acts, and as symbols of the cultural activism of young people in a rapidly changing world—a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems.

P J P Goldberg

Youth in the Middle Ages

$95.00

Evidence for childhood and youth from the sixth century to the sixteenth, but with particular emphasis on later medieval England.

Moving on from the legacy of Ariès, these essays address evidence for childhood and youth from the sixth century to the sixteenth, but with particular emphasis on later medieval England. The contents include the idea of childhoodin the writing of Gregory of Tours, skaldic verse narratives and their implications for the understanding of kingship, Jewish communities of Northern Europe for whom children represented the continuity of a persecuted faith, children in the records of the northern Italian Humiliati, the meaning of romance narratives centred around the departure of the hero or heroine from the natal hearth, the age at which later medieval English youngsters left home, how far they travelled and where they went, literary sources revealing the politicisation of the idea of the child, and the response of young, affluent females to homiletic literature and the iconography of the virgin martyrs in the later middle ages.

Contributors: FRANCES E. ANDREWS, HELEN COOPER, P.J.P.GOLDBERG, SIMCHA GOLDIN, EDWARD F. JAMES, JUDITH JESCH, KIM M. PHILLIPS, MIKE TYLER, ROSALYNN VOADEN.

Raymond Furness

Zarathustra's Children

$120.00

A study of the enormous influence of the writings of Friedrich Nietzsche on turn-of-the-century German literature.

The aim of this book is to explore "that post-Nietzschean archipelago of German literature which no one mind can hope to map, let alone inhabit" (Michael Hamburger) and to introduce it to the English-speaking reader for the firsttime, in accessible form. The study starts from the assumption that the daring imagery and cosmic sweep of Thus Spake Zarathustra provided the impetus for the creation of visionary epics and cosmological poetic universes. The book is original in that it presents for the first time a selection of writers hitherto regarded as impossible of access and reduces their epic scope to manageable proportions while preserving their essential meaning. Among thewriters treated are Alfred Mombert, Theodor Däubler, Rudolf Pannwitz, Ludwig Derleth, Alfred Schuler, Ludwig Klages, Christian Morgenstern, and the members of the Friedrichshagen Circle. Furness draws on the most recent scholarship and provides a fascinating account of a 'lost generation.' The book will be of interest to Nietzsche scholars, to students of Lebensphilosophie, and to those interested in German literature around the turn of the century. It will be of special interest to those drawn to the creation of myths and to radical religious thought.

Raymond Furness is professor and former chair of German at St.Andrews University, Scotland. He has published widely on late nineteenth- and early twentieth-century German literature.

Ian Scoones et al.

Zimbabwe's Land Reform

$36.95

Challenges the commonly held myths about Zimbabwe's land reform.

Ten years after the land invasions of 2000, this book provides the first full account of the consequences of these dramatic events. This land reform overturned a century-old pattern of land use, one dominated by a small group of large-scale commercial farmers, many of whom were white. But what replaced it?

This book challenges five myths through the examination of the field data from Masvingo province:

Myth 1 Zimbabwean land reform has been a total failure
Myth 2 The beneficiaries of Zimbabwean land reform have been largely political 'cronies'
Myth 3 There is no investment in the new resettlements
Myth 4 Agriculture is in complete ruins creating chronic food insecurity
Myth 5 The rural economy has collapsed
By challenging these myths, and suggesting alternative policy narratives, this book presents the story as it has been observed on the ground: warts and all. What comes through very strongly is the complexity, the differences, almost farm by farm: there is no single, simple story of the Zimbabwe land reform as sometimes assumed by press reports, political commentators, or indeedmuch academic study.

Ian Scoones, Professorial Fellow, Institute of Development Studies, University of Sussex, with co-authors Nelson Marongwe, Blasio Mavedzenge, Jacob Mahenehene, Felix Murimbarimba and Chrispen Sukume.

Zimbabwe: Weaver Press
Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): Jacana

Martyn Beardsley

`Gratefull to Providence': The Diary and Accounts of Matthew Flinders, Surgeon, Apothecary and Man-Midwife, 1775-1802

$39.95

Diaries and account books provide rich evidence for daily life at the time - and the early years of Matthew Flinders, credited with naming Australia.

Matthew Flinders, surgeon and apothecary of Donington, in south Lincolnshire, in the late eighteenth century, was the father of the Matthew Flinders, sailor, navigator and explorer, and one of the central figures in the early history of the Australian nation. His diaries, published here in full for the first time, reveal a wealth of detail about the home, the family and the village in which the future explorer grew up. The daily routine of business, socialising with neighbours, unusual events such as the beaching of a whale near Boston, or the visit to Donington of Mr Powell the famous fire-eater are recorded alongside family joys and sorrows, the births and deaths of children, thepassing of Flinders's beloved wife Susanna and his subsequent remarriage. The childhood and schooling of Matthew junior are a recurring theme, and the purchase of a two volume edition of Robinson Crusoe in 1782 gives a hint of things to come, though as the diaries reveal, his later career was a radical diversion from the original plan for him to follow in his father's path.

Martyn Beardsley, Nicholas Bennett

`Gratefull to Providence': The Diary and Accounts of Matthew Flinders, Surgeon, Apothecary, and Man-Midwife, 1775-1802

$39.95

Diaries and account books provide rich evidence for daily life at the time - and the early years of Matthew Flinders, credited with naming Australia.

This volume presents [and completes] the edition of the diary and account books of Matthew Flinders, surgeon and apothecary of Donington in south Lincolnshire. His son, also Matthew, who later won renown as the first circumnavigator of Australia, appears here as a schoolboy, choosing not to follow his father as an apothecary but pursuing instead a career at sea.

The diary records the social life of Donington - magical deceptions at the Bull and the visit of a theatre company - and the joys and sorrows of family life. Flinders's success in business led to investments in land and government securities, yet his fear of poverty was never far away and his wish to sell up and retire was never realised. The war with France is a recurring theme, both in the ever-increasing taxes imposed to pay for it, and in the local patriotism evoked by Nelson's victory at the Nile, and that of the 'Glorious First of June' in which the young Matthew took part. Other national events shown to impinge on country life and mentioned in the diary include the king's recovery from madness in 1789 [celebrated by the illumination of the whole town]. Overall, it affords a rare glimpse into everyday life at the time.

James Ross

`The Foremost Man of the Kingdom'

$36.95

First book to deal with de Vere's life and extraordinary career, during the Wars of the Roses and beyond.

Earl of Oxford for fifty years, and subject of six kings of England during the political strife of the Wars of the Roses, John de Vere's career included more changes of fortune than almost any other. He recovered his earldom afterthe execution of his father and brother for treason, but his resistance to Edward IV led to a decade in prison. He escaped in time to lead Henry Tudor's vanguard at Bosworth in 1485 and subsequently enjoyed twenty-five years as perhaps "the foremost man of the kingdom", virtually ruling East Anglia for the king.
This is the first full-length study of de Vere's life and career. Through this lens it also tackles a number of broader themes. It reconsiders the role of the nobility under Henry VII, challenging the common perception of Henry as an anti-aristocratic king. It also explores East Anglian political society in the second half of the fifteenth century, how the earl came to dominate it, how successfully he exercised his power, and the personnel, including the Paston family, he used to run the region.

JAMES ROSS is Senior Lecturer in Late Medieval History at the University of Winchester.

Stephen Bull

`The Furie of the Ordnance'

$39.95

Shows how new developments in guns and artillery played a decisive role in the English Civil War.

NEW LOW PRICE
The English Civil War has frequently been depicted as a struggle between Cavaliers and Roundheads in which technology played little part. The first-hand sources now tell us that this romantic picture is deeply flawed - revealing a reality of gunpowder, artillery, and a grinding struggle of siege and starvation.

As with naval warfare, developments in gun technology drastically changed land warfare in the years leading up to 1642. The Civil War was itself shaped largely by the availability of munitions. A failure to procure them in 1643 and 1644 - combined with abortive attempts on London - ultimately proved the downfall of the Royalists. Moreover afinal move away from fortified local garrisons reshaped both the nature of warfare in England, and the country itself.

STEPHEN BULL is Curator of Military History and Archaeology, Lancashire Museums.

Aaron J Kleist

Ælfrician Homilies and Varia

$220.00

First modern edition and translation of the homilies of one of the most important religious figures of his time.

Ælfric of Eynsham stands supreme as a distinguished homilist, translator, and moralist - one whose writings were sought by the most powerful churchmen and landed warlords of his day. In his sermons, the dead are raised to life, innocents are betrayed, civilizations come to ruin, prophecies are finally fulfilled, and sorrow is swallowed up in salvation. He offers guidance regarding sex, financial counsel, botanical excursuses, etymological asides, lions cowed by roosters, arch-heretics disemboweled, and seemingly inconsequential figures receiving everlasting crowns. He also considers the origin of Antichrist, recounts supernatural visions of damnation and deliverance, teases out the tension between predestination and free will, explores the multifarious nature of the soul, seeks to categorize creation, and presses the boundaries of conceptual capacity in describing the divine nature. Treatises take up such subjects as the Holy Spirit, cognition, penitence, and proper comportment. Private prayers appear alongside public declarations of the Christian faith found in the Paternoster and the Apostles' and Nicene Creeds.

The thirty-one texts presented here, with facing translations, span the course of his career: Old English and Latin, ordinary and alliterative prose, pithy prayers and exhaustive exegesis. Nine appear in print for the first time; others for the first time in well over 100 years. Introductions to the texts offer overviews of the content, composition, and circulation of each work, using the fruits of the latest research to envision real-world contexts for their use in specific places, among particular groups, and by certain individuals. Meanwhile, the commentary traces Ælfric's role in the history of ideas, examining his relationship to over 100 sources, 200 other Ælfrician works, and over 1,000 biblical passages; it seeks to clarify Ælfric's compositional aims and further to establish the authorship and date of these remarkable writings from early England.