Anthem Press

In 'Depoliticizing Development', John Harriss explores the origins of the idea of social capital and its diverse meanings in the work of James Coleman, Pierre Bourdieu and, more specifically, Robert Putnam, who is most responsible for the extraordinary rise of the idea of social capital through his work on Italy and the United States. Harriss asks why this notion should have taken off in the dramatic way that it has done and finds in its uses by the World Bank the attempt, systematically, to obscure class relations and power. Social capital has thus come to play a significant part in the discourses of international development, which go toward comprising 'the anti-politics machine'. This powerful and lucid critique will be of immense value to all those interested in development studies, including sociologists, economists, planners, NGOs and other activists.

For the 2019 IVR World Congress of Philosophy of Law meeting in Lucerne, Switzerland, Drs. Barry W. Bussey and Angus J. L. Menuge organized a special workshop on the inherence of human dignity, featuring participation from philosophers, legal scholars, and legal practitioners from around the world. Many of the chapters in these volumes are the result of that invigorating two-day workshop. In addition, several new papers were solicited to round out each volume so that it offers broad coverage of the issues it addresses. 

The first volume, Foundations of Human Dignity, focuses on the foundational questions concerning the meaning, nature, and scope of human dignity, and our ability to know it. It addresses the following questions: It addresses the following questions. How was dignity understood by the drafters of the Universal Declaration of Human Rights? Can human dignity be grounded in natural characteristics of human beings accessible by reason, or must it be grounded in God? How can we recognize and promote dignity? What is the connection between dignity and religious liberty? Should dignity be understood in terms of autonomy or well-being? What is the origin of the new dignity jurisprudence, and is it defensible? Can dignity be understood as social characteristic? Can it be extended to artificially intelligent systems?

The World of Wu Zhao is a carefully curated set of more than 120 translated stories—all annotated and contextualized—on a range of topics from Zhang Zhuo’s 張鷟 eighth century collection of miscellany, Collected Records of Court and Country (Chaoye qianzai 朝野僉載). The book provides English readers with a sense and feel for the empire during the reign of Wu Zhao 武曌 (624–705, also known as Empress Wu and Wu Zetian), China’s first and only female emperor. 

The World of Wu Zhao moves outward from the female sovereign’s personal and intimate domain of the inner palace. The text includes chapters on a number of different themes and topics: the female emperor’s male favorites, the culture of the court , cruel officials, as well as sections on flora and fauna, the common folk, artisans and craftsmen, Buddhist and Daoist monks, the military, spirits and the supernatural, the borderlands, and local officials. Chapters are introduced through “speaking artifacts” such as saddles, swords, bronze tallies, porcelain figurines of camels and grooms, official tallies, Buddhist cave paintings and funerary monuments—contemporary to the reign of the female emperor. This lively and fresh perspective on medieval China will amuse and shock readers, prompting them to recalibrate everything they think they know about medieval China.

Neoliberalism has transformed work, welfare and democracy. However, its impacts, and its future, are more complex than we often imagine. Alongside growing inequality, social spending has been rising. Politics, Inequality and the Australian Welfare State After Liberalisation asks how we understand this contradictory politics and what opportunities exist to create a more equal society. It argues an older welfare state politics, driven by the power of industrial labour, is giving way to political contests led by workers within the welfare state itself. Advancing more equal social policy, though, requires new forms of statecraft, or ways of doing policy, as well as new models of organising.

 Drawing on examples of social policy change since the 1980s, the book explores how seemingly similar reforms reflect distinct political dynamics and facilitate different social outcomes. The examples reflect the main aspects of liberalisation – conditionality of benefits, marketisation of services and financialisation of the life course. Across each domain, it identifies examples that fit the ‘neoliberal’ frame and alternatives that appear to subvert it. From family payments to Medicare, social protection advanced using remarkably similar policy tools to those associated with liberalisation. The book identifies two competing welfare state projects. A ‘dual welfare state’ of hidden subsidies to privatised welfare alongside increasingly residualised public systems that stigmatise recipients, and a 'hybrid’ model of marketised universalism that uses novel forms of statecraft to socialise risk while advancing competition.

 Rather than explaining how Australia fell prey to neoliberalism, the book identifies an ongoing struggle between competing visions of liberalisation. Dual welfare deepens inequality by concealing the distributional effects of state policy, building a sizeable coalition of largely older voters, insulated from the insecurities of precarious work and benefiting from rising house prices. Hybrid policies, it argues, emerged at the intersection of sympathetic bureaucracies and strong social pressure. Central to both are workers within the welfare state and the unions that represent them. The analysis recasts divides based on generation and education as reflecting the increasingly central role of social reproduction within the paid economy, and the strategies of care workers to have their skills and value recognised. The analysis opens opportunities for new models of solidarity based on an ethic of care.

Since the new leadership came to power in 2012, China's domestic governance and public diplomacy have experienced some profound changes. At home, a far-reaching anti-corruption campaign significantly restored the government's credibility and reinforced public trust in the party-state's governance model, leading to a surge of nationalist pride. Internationally, the previous diplomatic principle, "hide our capacities and bide our time", gradually faded away with the emerging ideas like "China's ideas" and "China's wisdom". Good governance and anti-corruption efforts were expected to enhance soft power overseas. The party-state successfully governed the state for decades relying on its controversial governance approaches. The country also has visibly demonstrated economic and social development. However, China's growing influence has failed to be recognised as soft power, being viewed rather as sharp power most times. The monograph investigates whether China is mindful of exporting its political ideas and whether it considers its governance model to be the pillar of its soft power portfolio. The monograph also analyses how Australia, a western country with close economic ties with China, interprets China's intended narrative regarding its governance model and development. The questions are addressed through framing analysis of media coverage and in-depth interviews with Australian public diplomacy experts. Most studies in this field focus on externally directed soft power initiatives and the monograph fills the void by drawing attention to domestic affairs. The monograph sheds a new light on the relationship between domestic governance, soft power, and sharp power by examining the congruity between China's projection and Australia's mediation and also draws implications about China's public diplomacy and the future global order by sketching out Beijing’s ambitions and attempts.

The Petersburg Noverre accounts for Marius Petipa’s ballets produced on the Russian stage between 1847 and 1910. It is organized by year starting from the early 1860s, records details of his life and the action and reception of his ballets, obscure and famous.

‘The Anthem Companion to Gabriel Tarde’ offers the best contemporary work on Gabriel Tarde, written by the best scholars currently working in this field. Original, authoritative and wide-ranging, the critical assessments of this volume will make it ideal for Tarde students and scholars alike.

‘Anthem Companions to Sociology’ offer authoritative and comprehensive assessments of major figures in the development of sociology from the last two centuries. Covering the major advancements in sociological thought, these companions offer critical evaluations of key figures in the American and European sociological tradition, and will provide students and scholars with both an in-depth assessment of the makers of sociology and chart their relevance to modern society.

The Oxford Movement, initiating what is commonly called the Catholic Revival of the Church of England and of global Anglicanism more generally, has been a perennial subject of study by historians since its beginning in the 1830s. But the leader of the movement whose name was most associated with it during the nineteenth century, Edward Bouverie Pusey, has long been neglected by historical studies of the Anglican Catholic Revival. What attention has been paid to him by scholars has produced a largely negative picture of this complex man. This collection of essays seeks to redress the negative and marginalizing historiography of Pusey, in order to better understand both Pusey and his culture. The essays take Pusey’s contributions to the Oxford Movement and its theological thinking seriously; most significantly, they endeavour to understand Pusey on his own terms, rather than by comparison with Newman or Keble.

This collection of essays is derived from a conference on ‘Edward Bouverie Pusey and the Catholic Revival’ held at Ascot Priory, England in September 2009. It was attended by scholars from Britain, Europe, the United States and Australia. Broadly, the aim was to resuscitate Pusey as a figure of importance in Oxford Movement studies, in keeping with his contemporary importance during the Movement itself. The essays rescue both Pusey’s personality and theology from scholarly marginality, and place him in the same prominent place within the Oxford Movement that he had during his lifetime.

Together these essays represent an important step towards giving a more historically accurate view of Pusey. The essays do not subscribe to the hagiography of Liddon’s biography, nor do they exhibit the hostility typical of more recent works. Instead, the essays in the volume reveal Pusey as a serious theologian who had a significant impact on the Victorian period, both within the Oxford Movement and in wider areas of church politics and theology. This reassessment is important not merely to rehabilitate Pusey’s reputation, but also help contemporary understanding of the Oxford Movement, Anglicanism and British Christianity in the nineteenth century.

During Latin America’s China-led commodity boom, governments turned a blind eye to the inherent flaws in the region’s economic policy. Now that the commodity boom is coming to an end, those flaws cannot be ignored. High on the list of shortcomings is the fact that Latin American governments—and Chinese investors—largely fell short of mitigating the social and environmental impact of commodity-led growth.

China and Sustainable Development in Latin America documents the social and environmental impact of the China-led commodity boom in the region. Primary commodity exploitation—of petroleum, copper, iron ore, tin, soybeans and the like—are endemic to environmental degradation. The recent commodity boom exacerbated pressure on the region’s waterways and forests and accentuated threats to human health, biodiversity, global climate change and local livelihoods. China and Sustainable Development in Latin America also highlights important areas of innovation, like Chile’s solar energy sector, in which governments, communities and investors have worked together to harness the commodity boom for the benefit of the people and the planet.

It is imperative that Latin American governments put in place the necessary policies to ensure that economic activity in natural resource sectors is managed in an environmentally responsible and socially inclusive manner. China and Sustainable Development in Latin America aims to highlight the efforts that have borne fruit as well as the areas that still need attention. Without proper policies in place to make sustainable development part and parcel of economic decision-making, Latin America will continue to be plagued by commodity boom and bust cycles that accentuate social and environmental conflicts and are ultimately detrimental to long-term prosperity.

The Selling and Self-Regulation of Contemporary Poetry is the first book-length study of the contemporary poetry industry. By documenting radical changes over the past decade in the way poems are published, sold, and consumed, it connects the seemingly small world of poetry with the other, wider creative industries. In reassessing an art form that has been traditionally seen as free from or even resistant to material concerns, the book confronts the real pressures – and real opportunities – faced by poets and publishers in the wake of economic and cultural shifts since 2008. The changing role of anthologies, prizes, and publishers are considered alongside new technologies, new arts policy, and re-conceptions of poetic labour.

The historical frame helps to understand the legacy of increased funding in the UK in the previous decade, which Tony Blair described as a ‘golden age’ for the arts two months before his resignation, and a year before the global financial crisis which succeeding governments used to justify major funding cuts. With this economic emphasis, the book challenges the historical perception of poetry’s market autonomy, for a period in which it has moved beyond Pierre Bourdieu’s view of it as ‘the disinterested activity par excellence’. Drawing on an emerging body of research into the newly defined creative economy, alongside materialist and sociological approaches, the book is structured around a range of case studies – from new publishing formats, new degree programmes and mentorship schemes, plagiarism scandals, to poems going ‘viral’ – emphasizing an underlying shift towards professionalisation and entrepreneurial rhetoric associated with new poetry. Ultimately, it argues that poetry’s continued growth and diversification also leaves individuals with more responsibility than ever for sustaining its communities.

Can we live with being merely a brain with a history of being souls? Can our supra-nature, learnt in the crucible of religion and expressed in theology, survive without being exiled to the quantum mysteries of consciousness? Our very survival depends on these questions being answered and in a manner by which a non-expert can understand.

The book explores these ideas and posits how we might be able to understand ourselves as merely brain without the confusion of pixie dust in the nanotubules, reorienting ourselves to the idea of Nature, and our humane ethical response. By looking at the challenge of neuroscience to identity and our souls, the book explores the tension of being scientific and theological and helps guide the reader to what can be said by either front in our axial age.

The work places the soul, neuroscience and the new physics (as refuge for emergence of souls) into a conversation that considers what can be said about the Real of reality, including G-d. The book works theology, religion and science together so that each is given its voice and place in the conversation on how humans can become nature realists as a response to our challenges as a species with respect to climate change and worldwide pandemics.

The book Radical Human Centricity sits between two worlds: business and anthropology. It is a critique and reassessment of commercial innovation research from an anthropological perspective born out of years of experience in innovation research consulting and anthropological scholarship. It demonstrates the many failures of contemporary commercial research, from market research to research approaches in design thinking and human-centered design. After identifying the key problems, it provides a set of solutions to elevate commercial research and allow practitioners to fulfill the empty promises of design thinking and human-centered design. The book ends with a clear articulation of how to fix what is broken and actually be human-centric, just now from within the radical human-centric approach. 

This book is written for two audiences. The first is a business reader involved in innovation and strategy. It helps this business reader to understand the growing problem lurking in commercial research and offers practical advice to develop a research practice better able to fuel innovation, strategy, and design processes than anything currently available. It provides a practical and theoretical engagement with research practice to change how companies study human lives. It identifies the many gaps in more typical research methods, fills them with new tools and approaches from anthropological and ethnographic practices, and finally contextualizes them within an end-to-end radically human-centric research process.

The second reader is an anthropological scholar or student interested in the applied anthropological practices in commercial research. This is an increasingly important area of theory and practice within contemporary anthropology, and few books in this area are written by practicing commercial anthropologists. While the theoretical treatments will be known to an advanced anthropological reader, it applies them in contexts and examples not commonly discussed in the ethnographic disciplines. Additionally, the methodological examples and practice anecdotes introduce the reader to a world few academic researchers ever experience. Consequently, this book adds insight into an area of anthropological practice not well understood by academic social scientists and offers a window into new avenues of applied anthropology.

The purpose of this book is to create a space for a new form of applied commercial ethnography, called radical human -centricity. It is unique in that it addresses the problems of business research in a thoughtful, scholarly way, while also providing practical examples for innovation researchers of all backgrounds to emulate.

This volume seeks to bring to light the lived experiences of those who are at the lowest intersections of injustice—Indigenous peoples, ethnic minorities, refugees, disabled people, the youth, women, children and the poor. It is the fruit of a series of presentations that were delivered for the (In)justice International Workshops 2021 by a variety of commentators, ranging from eminent academics, students at all levels of study, practitioners within the fields of social work and ‘live experience’ alongside victims, esteemed barristers and social justice activists. 
These were presented to an audience of 524 attendees representing 28 countries and they formed the basis upon which broader, more holistic discussions of the lived experiences and traumas of people from different Indigenous origins, ethnicities, disabilities and the ‘so-called’ problematic youth (of all types) could take place.  Gender, social exclusion, institutional discrimination, the intersectional nature of these crimes and effects, (social) media influence and public perception were also prominent aspects of the presentations and ensuing deliberations.
Like this volume intends to do, the workshops uniquely combined the strengths and insights of social policy, sociology, politics and criminology whilst demonstrating a historical/cultural awareness of the issues at hand.  Presentations from this workshop that appear in this book facilitate a combination of theoretical knowledge with a deep awareness of pertinent interpretations of the past or present to promote a greater understanding of why political policies and directions have been embarked upon. In so doing, they—when taken in a multidisciplinary context—help to explain and describe some of the most devastating social outcomes relating to many of the political undertakings portrayed in each chapter.

Ann Loades has been instrumental in bringing forward for the attention of readers in later generations “voices from the past,” notably highlighting the work of pioneering women such as Evelyn Underhill and Dorothy L. Sayers as well as advancing the study of better-known Anglican forebears C. S. Lewis and Austin Farrer—always with her own distinctive concerns. A key interpreter of the Anglican tradition and with a keen eye to ensure the full recognition of women, these studies by Ann Loades are essential reading in Anglican, feminist, and twentieth-century theology.

Following the Nationalist defeat on the mainland in 1949, Chiang Kai-shek and his followers retreated to Taiwan, forming the Republic of China (ROC). To many it seemed almost certain that the People’s Republic of China (PRC) would attack and take Taiwan, perhaps as early as summer 1950. Control over a number of offshore islands, especially Quemoy (Jinmen) and Matsu (Mazu) became a deciding factor in whether the PRC could invade Taiwan or, conversely, the ROC could invade the mainland. Twice in the 1950s tensions peaked, during the first (1954–55) and second (1958) Taiwan Strait crises. During both these events the U.S. government intervened diplomatically and militarily. 

This work provides a short, but highly relevant, history of the Taiwan Strait, and its significance today. This small body of water—often compared to the English Channel—separates the PRC and Taiwan and has been the location for periodic military tensions, some threatening to end in war. During the 1950s, the two outbreaks appeared like they might result in a global war. During the evacuation of the Dachen Islands, for example, the U.S.Navy sent seven aircraft carriers and was authorized to nuke three Chinese coastal cities if the PLA tried to interfere. 

In the modern era, the Taiwan Strait separates democratic Taiwan from the authoritarian PRC. This study will discuss the origins of these conflicts, the military aspects of the confrontations, and, in particular, the complicated and largely secret diplomatic negotiations—including two previously unknown Eisenhower-Chiang secret agreements—going on behind the scenes between the U.S. government and the nationalist government in Taiwan. This book ends with a short discussion of the ongoing Covid crisis, and how the PRC might take advantage of this crisis to extend its political and, eventually, military control over Taiwan.

Old troubles with remote origins persist in modern Spain. When did Spain screw up? "The Spanish Frustration" argues that, in the long term, Spain missed the opportunity to become a consolidated modern nation-state because it was entangled in imperial adventures for several centuries when it should have been building a solid domestic basis for further endeavours. The opportunity of shaping a modern, civilized Spanish society was lost.

Largely as a consequence of the waste of resources in the imperial effort, Spain missed the chance to build a civil administration, institutions of political representation and the rule of law at the right time. For long periods, militarism and clericalism substituted a weak state. As states create nations, rather than the other way around, the weakness of the Spanish state made the building of a unified cultural nation a frustrated, incomplete effort.

Lacking the institutional and cultural bases of a solid nation-state, the democratic regime established since the late 1970s in Spain has been based on a political party oligarchy which tends to produce minority governments and exclusionary decisions. Catalonia, the Basque Country and other centrifugal territorial autonomies also lend less support to the regime and threaten it with splits. People’s dissatisfaction and disengagement with the way democracy works are widespread.

In short: A ruinous empire made a weak state, which built an incomplete nation, which sustains a minority democracy. That, in a nutshell, is the political history of modern Spain.

In the “Introduction,” Ralf Rogowski provides biographical information and an overview of the development of Luhmann’s social systems theory. In “Luhmann and Constitutional Sociology: Law and Functional Differentiation Revisited,” Chris Thornhill analyses how Luhmann’s theory of functional differentiation can be used as a methodological device to examine the construction of an institutional and legal framework for governance in the world society. In “Far from Equilibrium. Niklas Luhmann on Politics and Economy in 21st Century’s World Society,” Aldo Mascareño argues that the political and economic systems have intensified their unpredictable dynamics, hence increasing their levels of instability, as shown by critical events such as the 2008 financial crisis, the 2011 political upheavals, and the 2020 COVID-19 global pandemic. In “Luhmann on Law and Legal Theory,” Richard Nobles and David Schiff explain how legal argumentation yields sufficient redundancy and variety in the legal system to achieve the recursive reproduction of legal communications which gives the system opportunities to evolve autopoietically. 

In “Epistemic Sociology: Luhmann’s Theory of Science and Knowledge,” Gert Verschraegen underscores the connection of science in society with other function systems such as the educational (coupled via curricula content in textbooks), the economy (coupled via patents), politics (coupled through research policy as well as policy advice), and the medical system (coupled through scientifically tested medicinal knowledge and operation practices). In “Luhmann’s Theory of Art,” Paul Buckermann examines how Luhmann’s functional method is key to understanding art and makes visible possibilities of order that otherwise remain invisible. In “Luhmann on Religion and Secularization,” Raf Vanderstraeten discusses, with reference to a host of examples, how the religious system contributed to the genesis of modern society, and how it was forced to adapt to the consequences of modern society’s functional differentiation. 

In “Niklas Luhmann and Critical Systems Theory,” Kolja Möller and Jasmin Siri outline features of a critical systems theory and its potential for a critique of modern society. In “Niklas Luhmann and His Sceptical Notion of Culture,” Dirk Baecker outlines Luhmann’s reserved attitude towards the concept of culture. In “Luhmann, on Algorithms, in 1966,” Elena Esposito analyses an early text of Luhmann on Law and Automation in Public Administration. In “Niklas Luhmann Observed from a Luhmannian Perspective,” Klaus Dammann analyses Luhmann’s biography using Luhmannian concepts and in “Three Encounters with Niklas Luhmann,” Gunther Teubner narrates his academic and personal experiences with Luhmann. 

This book is a comprehensive review of the political career of Benjamin Disraeli, providing a thorough critical analysis of one of the most ambitious and controversial leaders in British history. 'Disraeli and the Art of Victorian Politics' explores the political journey of a man propelled by a tremendous self-belief and capacity for self-invention through the complex world of Victorian political life. Disraeli retains a powerful presence in contemporary political discourse; whether in terms of current debates concerning the direction and leadership within the Conservative party or in more general areas of social and political debate such as the nature of imperialism, the dangers posed by the centralization of government power, the scope for state intervention in the economy, the constitutional role of the monarch and the meaning of Judaism in British life.  Dr Ian St John discusses Disraeli’s Conservative ideology and its relationship to his identity and his practice as a politician. The author brings to life the often sharp historiographical debates surrounding Disraeli's career by reproducing within each chapter views from key historians – an effective way to introduce the student and general reader to the contested nature of historical understanding. This title will be a major addition to our understanding of both Disraeli and the dynamics of nineteenth-century politics.

In recent years, the fast growing economies of the Asia-Pacific region have attracted the attention of economists, politicians, researchers and business communities. The economic dynamics of the ever-growing Asia-Pacific region made the United States to adopt a "rebalancing strategy" toward Asia and to propose the Trans-Pacific Partnership (TPP) and Free Trade Area of Asian-Pacific (FTAA). With uncertainty about Brexit and the current Trump Administration, TPP and FTAA appear to be "dead." Nevertheless, the outlook for the Asia-Pacific region is still favorable with the expectation of continuous growth (IMF, 2014). The long run data from IMF (2016) also indicate the possibility of an Asia-centered world economy.

This book is a collection of the papers published during the two decades at the turn of the century, the period economists generally consider the emergence of the Asia-Pacific century. The major players have been the Newly Industrializing Economies (NIEs): Taiwan, South Korea, Singapore and Hong Kong. However, Singapore and Hong Kong are regarded as city states, thus, development economists usually see Taiwan and South Korea as the countries that truly achieved a "miracle growth." Using historical, quantitative and econometric analyses, this book studies the present and past economies of emerging East Asia, providing future policy implications for economic development.

Chapter topics include development indicators, effects of 1997 Asian financial crisis, productivity growth, catching up and convergence of long-run real GDP per capita growth, the time required for a country to catch up, and a special chapter on colonialism and economic development (in Taiwan and India). A timely collection, the various topics in this book provide a comprehensive understanding of emerging East Asian economies, in addition to economic analyses explaining, among other subjects, the basic concept of total factor productivity and purchasing power parity (international dollars).

This broad-ranging monograph examines the potential creation, through the arts and culture, of societies that enjoy sustainable, positive peace. It begins with a critique of the pervasive nature of militarism and violence embedded deep in the cultural fabric of many societies, influencing the language and discourses we use, the films we watch, our museums and histories, our journalism, and our education systems. It also examines the roots of violence in our parenting styles, gender roles, and spiritual practices.

It contrasts this with an examination of a number of peaceful societies that already exist, drawing useful lessons from their cultures. It critiques discrepancies in history education with regard to war and peace and examines artistic and cultural processes, institutions, and artifacts designed to create peace, such as peace museums and parks, peace journalism, peace education, and resistance to violence through cultural means, such as film-making, fine arts, satirical theatre, and protest music. It examines the efficacy of these attempts and suggests positive ways forward. It also explores the role of gender in creating cultures of peace and the impacts on peacebuilding of cultivating peace within.

The book commences with an explanation of cultural violence and its underpinning of direct, structural, and ecological violence. Solutions-oriented and optimistic, each chapter begins with a critique of cultural violence in the subject area before moving to examples of positive cultural currents striving to embed sustainable peace deep within societies. It aims to inspire deep understanding, individual reflection, community empowerment, and grassroots action for peace in cultural spheres.

‘Food Insecurity and Revolution in the Middle East and North Africa’ studies the political economy of agrarian transformation in the Middle East and North Africa. Examining Egypt and Tunisia in detail as case studies, it critiques the dominant tropes of food security offered by the international financial institutions and promotes the importance of small-scale family farming in developing sustainable food sovereignty. Egypt and Tunisia are located in the context of the broader Middle East and broader processes of war, environmental transformation and economic reform.

The book contributes to uncovering the historical backdrop and contemporary pressures in the Middle East and North Africa (MENA) for the uprisings of 2010 and 2011. It also explores the continued failure of post-uprising counter-revolutionary governments to directly address issues of rural development that put the position and role of small farmers centre stage.

‘Food Insecurity and Revolution in the Middle East and North Africa’ uniquely presents a political economy of agrarian transformation in the MENA region by problematising the persistent politicisation of food and rural (under)development exemplified in the case studies of Egypt and Tunisia. These cases highlight the ways in which de-development has led to the persistent impoverishment of the countryside and its uneven consequences for the ways it reproduced power, politics and inequality. The political economy of food in the region is played out in the broader complex of global food regimes and their contestation by counter-hegemonic initiatives for food sovereignty.

A wide-ranging collection of concise essays, ‘Past Forward’ introduces core features of Korean history that illuminate current issues and pressing concerns, including recent political upheavals, social developments and cultural shifts. Adapted from Kyung Moon Hwang’s regular columns in the ‘Korea Times’ of Seoul, the essays forward interpretative points concerning historical debates and controversies in order to generate thinking about the ongoing impact of the past on the present, and vice versa: how Korea’s present circumstances reflect and shape the evolving understanding of its past. In taking the reader on a compelling journey through history, ‘Past Forward’ paints a distinctive, fascinating portrait of Korea and Koreans both yesterday and today.

Containing both extensive chronological and subject tables of contents, the essays are grouped into themes demonstrating a particular facet of the recurring connections between the past and the present. In addition, the book contains a timeline of contents that situates the essays in chronological context and a subject index. While all the self-contained essays introduce particular facets of Korean history and society, they are free of jargon and written for the general reader.

The twentieth century holds many titles that emphasize the extraordinary. It was a century of totalitarianism, but also one of betrayal, an age of extremes and the incomprehensible. Betrayed, that is, at the mercy of unrestrained violence, were not only the people themselves, but also, as it were, the idea of the human being. For up to a certain point, one could weigh oneself in an unfounded security of an inner connection between people. As is well known, such certainties were knocked out of hand in that century. Many situations, many images, motifs and sources can be named for this experience of unbounded violence, which now, at the beginning of the twenty-first century, requires new forms of transmission. In an era flooded with images, however, attention is more difficult. One has to embark on a search for traces; not because the sources are lacking, but because the form of inscription in history is problematic. This search for clues leads directly to the present monograph.

From political sleaze and scandal to West End hits and the 'feel-good' factor, Michael Diamond explores the media stories that gripped Victorian society, in an age when newspapers became cheap, nationally distributed and easily accessible to all classes. Fully illustrated, and drawing on a wealth of original material, 'Victorian Sensation' sheds light on the Victorians' fascination with celebrity culture and their obsession with gruesome and explicit reportage of murders and sex scandals. With a vivid cast of characters, ranging from the serial poisoner William Palmer, to Charles Dickens, Jumbo the Elephant, distinguished politicians and even the Queen herself, this passionate analysis of the period reveals how the reporting methods of our own popular media have their origins in the Victorian press, and shows that sensation was as integral a part of society in the nineteenth century as it is today.

‘Globalization, the Human Condition and Sustainable Development in the Twenty-first Century: Cross-national Perspectives and European Implications’ is a cross-national, 175 nation based exploration of the deep crisis in which Europe currently finds itself. Investigating the effects of dependency theory and world systems theory upon the global success of eight dimensions of development – including democracy, environmental sustainability, employment, social cohesion, high quality tertiary education and gender justice – this study argues that the current European crisis has been precipitated by the pro-globalist policies of the European Commission.

The comprehensive analysis of this study reveals the magnitude of Europe’s errors. Lowering comparative price levels and increasing dependency on large, transnational corporations, as correctly predicted by Latin American social science of the 1960s and 1970s, emerges as one of the most serious developmental blockades confronting Europe in global society, whilst increases in military expenditure, as proposed by Article 42.3 of the European Union’s Lisbon Treaty, are another large stumbling block against development. The harmful potential of these blockades is severe.

The book’s 175-nation investigation shows that Europe’s failure to develop its own MNC headquarter status in the global economy is a key factor that has hindered its developmental performance. This examination, which duly takes into account the control variables proposed by neoclassical economics and contemporary sociology/political science, also demonstrates the potential outcomes of several alternative scenarios, mainly those proposed by the political Left in Europe, and summarizes the effects of globalization on the environment and ecological vulnerability. What this analysis makes most clear is Europe’s need for change: without amending its pro-globalist policies, the continent will learn nothing from its current crisis – and is destined to compete in a destructive “race to the bottom”.

‘The British National Daily Press and Popular Music, c.1956–1975’ constitutes a reappraisal of the reactions of the national daily press to forms of music popular with young people in Britain from the mid-1950s to the 1970s (including rock ’n’ roll, skiffle, ‘beat group’ and rock music). Conventional histories of popular music in Britain frequently accuse the newspapers of generating ‘moral panic’ with regard to these genres and of helping to shape negative attitudes to the music within wider society. The book questions such charges; in doing so, it also challenges the tendency to perceive evidence from newspapers straightforwardly as a mere illustration of wider social trends and considers the manner in which the post-war newspaper industry, as a socio-cultural entity in its own right, responded to developments in youth culture as it faced distinctive challenges and pressures amid changing times.

Commencing with an analysis of the reactions of various key popular and ‘serious’ daily national papers to the so-called ‘rock ’n’ roll cinema riots’ of 1956, which represented the first occasion on which this musical form became ‘headline news’ in Britain, ‘The British National Daily Press and Popular Music, c.1956–1975’ considers the extent to which ingredients of ‘moral panic’ were present in press coverage of popular music, both in 1956 and at subsequent points throughout the period. However, by examining other factors, such as the more varied coverage which did frequently appear, the relative lack of sustained public concern in response to the more inflammatory reports and the contrasts in perspective among the various individual newspaper titles, each of which possessed its own particular ‘voice’ at this time, a more nuanced picture emerges. The work also considers press coverage of popular music beyond the headlines, focusing particularly on the ‘disc columns’ and pop record review pages which became more prevalent as this period progressed. It notes that, although the ‘serious’ newspapers would ultimately develop a more sophisticated approach to rock criticism, the popular papers –especially the Daily Mirror – played a particularly significant role in bringing the music to a wider, cross-generational reading public during the earlier portion of this period, aiming to devise a suitable vocabulary for the dynamic, ever-changing music styles and ‘scenes’ of this era.

Ultimately, ‘The British National Daily Press and Popular Music, c.1956–1975’ encourages scholars to avoid hasty or sweeping deployment of such phrases as ‘moral panic’ when considering early press reactions to popular music. It also argues that the distinctive and paradoxical mixture of uncertainty, enthusiasm, sensationalism and curiosity which characterised much national press coverage of rock ’n’ roll and other kinds of music helped, in many ways, to set the tone for adult responses to popular music within society at large. Just as the press was not unilaterally hostile towards popular music, so too were members of ‘the older generation’ more varied in their responses to the music than has previously been assumed.

‘Locating Australian Literary Memory’ explores sites which are explicitly connected with Australian authors through material forms of commemoration such as houses, graves, statues and assorted artefacts. The focus is on eleven Australian authors – Adam Lindsay Gordon, Joseph Furphy, Henry Handel Richardson, Henry Lawson, A. B. ‘Banjo’ Paterson, Nan Chauncy, Katharine Susannah Prichard, Eleanor Dark, P. L. Travers, Kylie Tennant and David Unaipon. Each of these writers offers different perspectives on the conventions of literary commemoration from the nineteenth century onwards.

Australian heritage terrain has been thoroughly mapped by nationalist heritage practices which may no longer relate to contemporary values. As elsewhere, the focus is moving towards a greater recognition of the contributions of women authors, migrants, expatriates and First Nations peoples. There is an often unacknowledged dissonance between imported modes of commemoration and the unceded lands onto which they have been introduced. The designation of ‘author countries’ is especially problematic in a postcolonial context because it ‘overwrites’ Indigenous Country, obscuring it from the view of non-Indigenous Australians.

Rather than advocating for the creation of more literary monuments, or the further preservation of memorials that currently exist, ‘Locating Australian Literary Memory’ seeks to reveal the many blind spots, contradictions, challenges and eccentricities of literary commemoration in Australia. While observing the value of literary memorials and the voluntary labour that enables their construction, this book argues for an expanded repertoire of practices to recognise authors and storytellers who have been hitherto overlooked.

This book chronicles the history of early spaceflight and asks how American gender culture shaped the public image of the American astronaut and spaceflight technology during some of the tensest years of the Cold War era. While historians have pieced together the story of American women’s fight for spaceflight, this work adds to the narrative by analyzing masculinity and the astronaut image by focusing on how that image came to terms with a perceived Cold War masculinity crisis. The astronaut image was informed by Cold War ideals of fixed gender binaries, specifically, the masculine ideal of control over technology. The American astronaut performed masculinity in space through his control of the space capsule. This emphasis on astronaut control helped mold a distinctly American (anti-communist) masculinity that appeared—on the surface anyway—to resolve not only an American masculinity crisis but helped win the Cold War on an ideological and popular level. 

The book begins by establishing a post–World War II masculinity crisis dialogue. For instance, Americans saw communism, conformity, feminism, homosexuality, automation, minority rights, and the dreaded “organization man” as threats to masculinity. Drawing upon this scholarship, this book explores how this dialogue played out within the spaceflight public discourse from 1957 through 1983—a time when cosmic conquest was integral to America’s success in maintaining domestic security and morale while securing victory in the international conflict with the Soviets. Using primary sources from the public record, such as newspapers, magazines, media, the National Aeronautics and Space Administration (NASA), Congress, speeches, the astronaut’s stories, and intellectual works, the book states that the American public discourse constructed the astronaut as an archetype of American masculinity through the spaceman’s ability to control spaceflight technology. The assumption that the astronaut could “fly” the capsule insinuated an American masculinity of individualism apart from Soviet conformity. The American accentuation of pilot control continued from Project Mercury through Project Apollo, but it often clashed with computer control, space accidents, the scientist-astronaut, and mission control. These conflicts led the astronaut image to be refashioned into that of Michael Kimmel’s “democratic manhood”—a masculinity that encompassed the self-made man and the team player. Democratic manhood still centered on masculine control, either men as individuals or men working in teams. The moon landing symbolized that through astronaut control of technology, Americans had conquered space. Women and people of color were left out of this dialogue of technological control but played important roles as passive actors with technology. Control meant a white masculine performance with spaceflight technology. Running parallel to this need to create a fixed masculinity, women fought for their chance for spaceflight, while African Americans and Hispanics were largely feminized as non-technological users. With the 1969 moon conquest, the domestication of spaceflight quickly followed with the space shuttle taxis that—for a short period anyway—demonstrated the safety of spaceflight. The book concludes that within this domesticated spaceflight framework, diverse women at NASA—both astronauts and staff—challenged fixed gender roles by proving themselves courageous, individual professionals in what by 1986 became the dangerous business of spaceflight. 

Journalism has been in a state of disruption since the development of the Internet. The Metaverse, or what some describe as the future of the Internet, is likely to fuel even further disruption in journalism. Digital platforms and journalism enterprises are already investing substantial resources into the Metaverse, or its likely components of artificial intelligence, augmented reality and virtual reality. Although research shows most of the public has little knowledge of the Metaverse, many are keenly interested in what it or its components may bring. Gartner (2022) predicts that a quarter of the public will spend at least one hour per day in the Metaverse by 2026. Journalism may be an important part of this future.

This book will critically examine the nature of the Metaverse and its implications for journalism. In particular, the book will examine how the advance of a broadband, interactive and immersive Internet called the Metaverse may change the content and format of news, the nature of journalistic work, who or what is a journalist, the nature and structure of the new industry and how it is funded, as well as the fundamental role of journalism in a digital society.

In particular, this book builds on a vision of the Metaverse as an immersive and interactive virtual world, a key development in the next generation of the broadband, publicly accessible Internet. Broadband means high-speed, high-bandwidth Internet connectivity, especially wirelessly. Immersive refers to enveloping, 3D forms of media and communication. Today, we often see immersive media in the form of augmented reality (AR) or virtual reality (VR) or other forms of what are labeled extended Reality (XR). Fueled by artificial intelligence, these forms are three dimensional (3D), they have depth and they surround the user in a 360 virtual world visually and aurally (and potentially via other senses, including the haptic). Interactive means both user-to-user engagement (e.g., social media) as well as an exchange between the user and the enveloping content experience of a virtual world. This book will examine the implications of the Metaverse for journalism in four broad domains, including content, how journalists work, structural and systemic considerations, and user and public engagement with news.

Artists often talk of a sense of community, of being in a place that engages their creativity in a cultural history that is deeply tied to and inseparable from their local environment. The phrase ‘community art’ emphasizes a collaboration between the artist and community; it is practised where the artist and the neighbourhood intersect. Projects most often take place as a means of revitalizing a community or providing an opportunity for community members to engage in a creative process. Increasingly, this has become a national and international movement in which sustainability of the identity of the community, the individuals within it and the environment are at the core of the project. This project engages the conception of art evolved in the ethos of community as its basic framework but considers it from a situationally historic perspective against the backdrop of the diverse landscape of Oregon. As such it considers the role of nature, individual and community identity in the development of arts projects that ultimately become associated with a community’s cultural and social milieu. 

Oregon is known for its unique landscape that moves from the high deserts of eastern Oregon through the former volcanoes of the Cascade Range, the breadth of the Willamette River Valley, Coast Range and finally the Pacific coast from Astoria to Brookings. Oregon has a long history of environmental planning. In 1899, the Oregon legislature declared 30 miles of Oregon beach as a public highway from the Columbia River to the south line of Clatsop County. In 1913, they declared the entire coast a public highway. Throughout the 20th century, the Oregon legislature and communities throughout Oregon have placed an emphasis on land use from the role of the timber, fishing and mining industries to the planning necessary for cities and towns. This manuscript considers the combination of people and social cultural ethos that were influential in the development of specific literary, visual and performing arts groups across Oregon’s diverse landscape. Artists Activating Sustainability: The Oregon Story examines the way in which the arts within specific communities, against the background of landscape and history, reveal concepts of sustainability that help us broaden our knowledge of what is needed to create a sustainable world. As such, each chapter considers the themes of participation, agency and empowerment through the lens of land, history and individual initiative.

This memorial book honours the legacy of Eric Richards’s work in an interplay of academic essays and personal accounts of Eric Richards. Following the Eric Richards methodology, it combines micro- and macro-perspectives of British migration history and covers topics such as Scottish and Irish diasporas, religious, labour and wartime migrations.

Eric Richards was an international leading historian of British migration history and a pioneer at exploring small- and large-scale migrations. Starting with a foreword from David Fitzpatrick and Ngaire Naffine’s eulogy, the book includes Richards’ last public intervention, given in Amiens, France, in September 2018. This volume brings together renowned scholars of British and migration history who pay tribute to Eric Richards – a remarkable historian, but also a gentleman who is remembered for his kindness and humbleness. He stood as a role model for early career researchers. The book combines local and global migrations as well as economic and social aspects of nineteenth and twentieth century British migration history.

The two volumes on Wittgenstein and AI aim to trace and suggest Wittgensteinian influences in some of the most cutting-edge areas of research in Artificial Intelligence (such as Computation, Machine Learning, Natural Language Processing and the use of automation in legal settings). The collection is driven by an essentially interdisciplinary approach, featuring articles from philosophers, computer scientists and legal scholars, writing on a broad range of topics in AI.

The chapters across these two volumes are grouped into two sets of themes: Mind and Language and Value and Governance. These themes correspond to two major areas of research in the philosophical study of AI: the computational mind and the ethics of artificial intelligence. These volumes make a significant and unprecedented contribution to the question of what Wittgenstein’s philosophy can offer to the ever-growing field of AI. It aims to provide insight for both philosophers and non-philosophers alike, offering reflection on the significance of Wittgenstein’s work for AI, and on the implications of advancements in AI technology for Wittgenstein’s philosophy and philosophy influenced by Wittgenstein.

VOLUME I: Wittgenstein and AI (Volume I): Mind and Language. This volume includes chapters on Wittgenstein and Turing’s views on AI, the question of whether machines can think, intentionality, AI language models, analogical reasoning and logic.

Reading as a Philosophical Practice asks why reading—everyday reading for pleasure—matters so profoundly to so many people. Its answer is that reading is an implicitly philosophical activity. To passionate readers, it is a way of working through, and taking a stand on, certain fundamental questions about who and what we are, how we should live, and how we relate to other things. The book examines the lessons that the activity of reading seems to teach about selfhood, morality, and ontology, and it tries to clarify the sometimes paradoxical claims that serious readers have made about it. To do so, it proposes an original theoretical framework based on Virginia Woolf’s notion of the common reader and Alasdair MacIntyre’s conception of practice. It also asks whether reading can continue to play this role as paper is replaced by electronic screens.

Despite the obvious overlap between the concerns of avid readers and the perennial questions of philosophy, most professional philosophers pay little attention to the kinds of reading that are most familiar to most people. They have had almost nothing to say about the activity of reading for pleasure, considered in itself and as such, or about the ways it matters to ordinary readers. For many serious readers, reading offers a way of working through philosophical matters—a way of posing, and sometimes taking a stand on, certain fundamental questions about what we are, how we should live, and how we relate to other things. This questioning is usually not as explicit or as self-aware as the debates that go on in philosophy journals and seminar rooms. But it has much the same goal and addresses many of the same concerns. Moreover, Reading as a Philosophical Practice argues that it is the “experience” of reading that performs these functions. Reading is not just philosophical on those occasions when we happen to read the works of philosophers or philosophically minded novelists. There is something philosophical about the activity of reading, in itself and as such, and about the experiences people have while engaged in it. The book’s goal is to clarify what this is. 

In the context of China’s ascendancy, the world watches and listens. China wants to project a soft power image. One channel for its soft power communication – about its success and international cooperation – is international broadcasting. ‘Chinese Television and Soft Power Communication in Australia’ discusses China’s soft power communication approach and investigates information handling between China and its targeted audiences in the eyes of key influencers – intermediate elites (public diplomacy policy elites in particular) in China and Australia. Drawing on the case of the state-owned broadcaster CGTN – viewed by China as an essential soft power tool for framing its voice – the book examines empirically the reception to China’s soft power messaging by Australian audiences and the factors underpinning its reception.

The book provides a holistic, systemic evaluation of China’s soft power messaging seen as part of its power portfolio and what this means to the world order. Through media frame analysis of CGTN’s framing of China’s most ambitious and comprehensive initiative – the Belt and Road Initiative – and interviews with intermediate elites in China and the typical case of a Western target audience in Australia, it presents an in-depth theoretical discussion of the mechanisms of China’s communication approach through a soft power lens. It also reflects on an exploration of journalistic operations within CGTN (with staff from several professional cultures) and a systemic test of how successful/unsuccessful China’s soft power message projection is in terms of congruence between projected and received frames, as a pivotal factor of its power status.

‘The Visionary Realism of German Economics’ forms a collection of Erik S. Reinert’s essays bringing the more realistic German economic tradition into focus as an alternative to Anglo-Saxon neoclassical mainstream economics. Together the essays form a holistic theory explaining why economic development––by its very nature––is a very uneven process. Herein lie the important policy implications of the volume.

Today we face an incredibly complex array of interconnected water issues that cross multiple boundaries: Is water a property or a human right? How do we prioritize between economic utility and environmental sustainability? Do fish have more rights to water than irrigated grain? Can we reconcile competing cultural and religious values associated with water? How much water do people actually need? These questions share two key defining characteristics: (a) competing values, interests and information to frame the problem; and (b) differing views - of how to resolve a problem - are related more to uncertainty and ambiguity of perception than accuracy of scientific information.

These problems - known as complex problems - are ill-defined, ambiguous, and often associated with strong moral, political and professional values and issues. For complex water problems, certainty of solutions and degree of consensus varies widely. In fact, there is often little consensus about what the problem is, let alone how to resolve it. Furthermore, complex problems are constantly changing because of interactions among the natural, societal and political forces involved. The nature of complexity is contingent on a variety of contextual characteristics of the interactions among variables, processes, actors, and institutions. Understanding interactions and feedback loops between and within human and natural systems is critical for managing complex water problems. [NP] This edited volume synthesizes insights from theory and practice to address complex water problems through contingent and adaptive management using water diplomacy framework (WDF). This emerging framework diagnoses water problems, identifies intervention points, and proposes sustainable solutions that are sensitive to diverse viewpoints and uncertainty as well as changing and competing needs. The WDF actively seeks value-creation opportunities by blending science, policy, and politics through a contingent negotiated approach.

The contemporary importance of A. N. Whitehead (1861–1947) lies in his direct yet productive challenge to the culture of thought inherent in modernity, a challenge that suffuses science, social theory and philosophy alike. Unlike some of the more destructive aspects of postmodernism and poststructuralism, Whitehead’s diagnosis of the conceptual fault lines of the modern era does not entail a passive relativism. Instead, he calls for a renewal of our concepts, offering a positive, philosophical approach based on becoming, relativity, and a reconception of subjectivity and the social. This book outlines Whitehead’s philosophy, using it to reorient a range of specific questions and topics within contemporary social theory, namely: the relation of language and the body; the relationship between the individual and society; sexual difference; conceptions of nature; the question of realism; the concept of the social; and capitalism as a process. It also provides detailed analyses and comparisons of Whitehead’s concepts with those of Judith Butler on materiality and the body, and of Luce Irigaray on nature, essentialism and sexual difference.

Francis Rodd’s life is interesting for the way it connected the worlds of geography, international finance, politics, espionage, and wartime military administration. Rodd was a generalist in an age of growing specialisation; he had an instinct for problem-solving, which he applied in a range of areas. He was both a pragmatist and a man of strong convictions, and in relation to African society a traditionalist as well as a moderniser. His life, interesting in itself for what it tells us about British geography, banking and military government, is also a window onto British society at a time of great change. 

More specifically, Rodd’s claim to fame lies in two fields in particular: geography and military government. Geography was in the family; he was a direct descendant of the cartographer and oceanographer James Rennell (1742-1830), who was for a time Survey-General of the East India Company. His first trip to the Mountains of Aïr in what is now Niger, took place in 1922. His gravestone in the Welsh border town of Presteigne contains a saying in the Tuareg language of Tamasheq ‘Naught by good’, reflecting the fact that he always felt connected to this remote desert region. A product of Eton and Balliol College Oxford, he spent a year with the Royal Field Artillery in Northern France 1914-15, before moving to work in Italy and North Africa—including intelligence duties. He then worked for a time in the Foreign Office (1919-24); and it was from there that he took time out to do this first Saharan expedition. His acclaimed book—still admired to this day—on the Tuareg, People of the Veil (1926), was the result. A second expedition to the Sahara in 1927 earned him the Royal Geographical Society’s Founders’ Medal in 1929. Later he was President of the Royal Geographical Society as it re-established its post-war agenda (1945-48). In old age, he was increasingly preoccupied with Welsh border geography and the agriculture of Western Australia. 

If geography was a life-long passion for Rodd, it was only one of his interests; indeed it was for the range of his activities that he was once called the ‘last of the Elizabethans’. He left the Foreign Office for the Stock Exchange, and then joined the Bank of England in 1929, soon becoming the bank’s representative at the Bank for International Settlements in Basle (1930-31). Between 1933 and 1961 he was a Partner in Morgan Grenfell, the British branch of the Morgan banks that has close links with Whitehall. He was one of the bank’s main conduits with Italy, and this led in 1939 to him being seconded to the Ministry of Economic Warfare, where he became the ministry’s chief negotiator with Rome before Italy entered the war. During the war itself, he had meteoric career in the War Office; he rose to being Chief Political Officer in East Africa in 1942 (when he was also made an acting Major-General)—a role that involved him briefly being the Chief Military Administrator of Madagascar, after the Vichy regime fell. He was then made Chief Civil Affairs Officer of AMGOT in 1943, a high profile role that effectively made him the civilian governor of Sicily and Southern Italy in the wake of the Allied military advance. He returned to Britain in December 1943. Rodd inherited a peerage from his father in 1941. After the war, he was much involved in the House of Lords, first as a Liberal and then as a Conservative, with a particular interest in economic and colonial affairs.

This book looks at the Brazilian international cooperation in health with Mozambique under the South-South Cooperation (SSC) context. It explores the particularities, processes, and interests embedded in the cooperation between these two countries under the lenses of the field of Global Health Diplomacy (GHD). It seeks to understand the profile of each country as a global health actor. While also looking at the main security, economic and trade, and human rights interests of these countries.  It particularly focuses on their cooperation in the HIV/AIDS front. In that sense, this research counts with an in-depth analysis of the implementation of an ARV factory in Mozambique, Sociedade Mocambicana de Medicamentos (SMM).
This research is insightful for those interested in understanding the main aspects that influence decision-making in global health from a Global South perspective, looking at  HIV/AIDS and the establishment of the SSM in Mozambique, as a result of the SSC in health with Brazil. Furthermore, it provides a useful framework for researchers interested in understanding how health and foreign policy are related to each other in different contexts and power relations. 

The Cultural Construction of Monstrous Children raises important questions at the heart of society and culture, and through an interdisciplinary, trans-cultural analysis, presents important findings on socio-cultural representations and embodiments of the child and childhood. At the start of the 21st century, new anxieties constellate around the child and childhood, while older concerns have re-emerged, mutated, and grown stronger. But as historical analysis shows, they have been ever-present concerns. This innovative and interdisciplinary collection of essays considers examples of monstrous children since the 16th century to the present, spanning real-life and popular culture. to exhibit the manifestation of the Western cultural anxiety around the problematic, anomalous child as naughty, dangerous, or just plain evil.

The linkage between children and horror, or horror-full children, would seem an almost natural connection to make given its popularity in contemporary horror films and novels. However, the intersection between the two categories has a long history going back beyond the more obvious Gothic reimaginings of the 19th century with its under-age ghostly terrors revealing that the idea of the ‘little horror’ is seemingly an inherent demarcation within society between adults and those that are viewed as ‘not adults’. 

However, as seen in this timely and innovative collection, the anomalous child can also be seen in a positive light, and that resistance to easy categorization can be embraced by wider society as a force for change as can be seen in the recent example of a problematic child/adolescence, Greta Thunberg, a singularly focused individual, who is 16 years-old at the time of writing, has consistently refused to act as desired by the adult society around her in pursuit of gaining recognition of the urgent need for action in regard to environmental change. The book takes an inter- and multidisciplinary approach, drawing upon fields as diverse as sociology, psychology, film, and literature, to study the role of the child and childhood within contemporary Western culture and to see the ways in which each discipline intersects and influences the other, as well as viewing all this through a historical lens.

Seattle is one of the most politically progressive and economically dynamic cities in the contemporary United States, popularly known as the ‘Emerald City’ for its natural setting and environmental politics. This book explores a range of political, policy, and project efforts in Seattle and the wider region to mitigate and adapt to the formidable reality of global climate change. Developing a framework suggested originally by the Urban Climate Change Research Network, the book’s core analysis considers both tantalizing progress and tangible problems in Seattle’s climate action initiatives so far. The narrative explores how Seattle is integrating carbon mitigation with adaptation; advancing climate action networks; co-generating risk information; coordinating disaster risk reduction with climate change adaptation; and, most importantly, focusing on historically and geographically disadvantaged populations. 

Linking together past, present, and future, Climate Change and the Future of Seattle argues that Seattle in the 2020s is less an ‘Emerald City’ than an ‘Elite Emerald’. Income inequalities have grown while gentrification pressures have increased. Class structures have steadily shifted upwards, leaving the working poor and homeless especially vulnerable to climate change. Profoundly uncomfortable with this contradiction, local climate change efforts are shaped by mounting political concerns not only with mitigation-adaptation commitments and risk aversion policies to manage rising sea levels, warmer temperatures and more variable rainfall patterns, but also with reshaping a metropolitan space-economy that too often favors and consistently rewards the high-tech “cognitariat” over middle- and low-income households and communities of color. 

Ultimately, Seattle cannot become post-carbon if it is not also post-polarized, resilient if not also just. The lessons that Seattle learns in pursuit of more inclusive climate action will thus be of abiding interest to cities and metropolitan regions across the United States and all around the world.

The books collects Daniel T. O’Hara’s half century of essays and review-essays on Yeats and his major poetry an drama and how leading critics and theorists have sought to revise their reception for their periods of time and indeed for the future. Its aim is to trace a critical history of the last fifty years, even as it opens the prospects for the future of critical reading of Yeats and modern poetry.

Corporate social responsibility, or CSR, is a deeply embedded concept in Western society. It embodies the idea that corporations have an ethical responsibility to society beyond financial return and beyond their immediate shareholders. CSR organizations, contractors and reporters have proliferated in recent decades as activist pressure around labor rights, equity and environmental destruction including climate change has ramped up.

This book examines international regimes working to monitor CSR, such as The Global Compact and the EITI. We find the organizations rife with conflicts of interest, lacking the means of verifying information reported by corporations, and unable to enforce transgressions of the largest corporations in any meaningful way. We then turn to the burgeoning reporting industry that informs socially responsible investment, using a test case of severe human rights violations leading to death. In these cases, we find that while the incidents are reported, they are obscured in the reporting system and have very tangential and fleeting effects on CSR ratings. This underscores the overall lack of accountability for corporations that violate their ethical commitments, and the lack of credit for those who step up to them.

We close the book with a series of suggestions about how to reform the CSR regime so that ethical investors and consumers can begin to have confidence that the corporations they select to support will begin to live up to their promises. Until there is transparency and objectivity, CSR will remain a smoke-and-mirrors game of marketing over ethical responsibility.

This dedicated volume proposes to honor the rich, varied, trenchant, and tremendously influential scholarship of Professor Margot Norris in a series of essays amplifying her illumination of Joyce’s literary oeuvre along with several prominent lines she introduced and investigated. Our title is intended to mark the common denominator running, like Ariadne’s thread, throughout Professor Norris’ many-sided explorations of Joyce’s labyrinth. For Professor Norris, the quiddity of Joyce’s work, its elusive whatness, resides in its secretion of multiple what elses, its opening up of alternative ways of regarding the novels themselves, the readers they address, the narrative or generic forms they destabilize, the world to which they refer, and the heritages they tap. These five categories, in fact—textual plurivalence, formal innovations, possible worlds, emergent histories, and variegated readerships—serve as anchoring points of the collection, each corresponding with one of the significant projects delineating Professor Norris’ esteemed career. Prominent Joycean, Modernist, and Irish study scholars of different nations and generations supply the essays under each heading. 

The first critical section, the textual dimension, will engage with Professor Norris’ exemplary vindication of the hermeneutics of suspicion in her monograph, Suspicious Readings of Joyce’s Dubliners. Joseph Valente, Kezia Whiting and Beryl Schlossman will be toiling in this particular vineyard. The second section, the readerly dimension, will take up Professor Norris’ most recent book, Virgin and Veteran Readings of Ulysses, where she elaborates how the stylistic iridescence that Hugh Kenner identified as essential to Joyce’s writing likewise operates with shifts in the experience (in every sense of the term) of the reader, and how Joyce inscribes that shimmer of interpretive possibility directly into the text itself. Michael Groden, Ellen Carol Jones, and Austin Briggs each contribute an essay on this topic. The third section, the narratological dimension, grows out of Professor Norris’ attention to Joyce’s experiments in narrative and, more broadly, symbolic structure, beginning with her first book on Joyce, The Decentered Universe of Finnegans Wake. Derek Attridge and Valerie Benejan are featured in this subdivision. The fourth section, on alternative realities, enters forthrightly into dialogue with Professor Norris’ recent essays that usher the postmodern “possible worlds theory '' into the orbit of Joyce studies. Gregory Castle, Marilyn Reizbaum and Paul Saint-Amour extend the application of this paradigm to Ulysses and Finnegans Wake respectively. Whereas the first section of the volume deals with the importance of subtext in Professor Norris’ exegetical achievements, the final grouping deals with sub-context, with moments of buried history of the sort Professor Norris addresses in her book, Joyce’s Web. The essayists developing this approach include Maud Ellmann, Ann Fogarty, Michael Gillespie, and Margot Backus.

The volume culminates with an essay by Vicki Mahaffey focusing on the envisioning of and commitment to gender equality that pervades all of Professor Norris’ scholarship and rivets the excavation of a buried past to the imagination of a better future, possibilities missed and possibilities still to be seized.

Hopefully, this roster denotes how the concept of possibility will give the collection, as it has Professor Norris’ research, and as it did Joyce’s literary monuments, a kind of floating foundation (what seismic architects call base isolation), that ensures consistency in and through flexibility. The essays, to shift metaphorical register, speak to one another but in different idioms, each of which Professor Norris herself has helped to make legible and compelling in the several fields where Joyce looms centrally important. Due to the reverence in which Professor Norris is held in the Joyce community, the distinguished reputation of the contributors in Joyce studies and related fields, and the currency of the approaches they take in following her lead, this volume is certain to attract a substantial academic readership. 

The recent interest in quinqui film and the uprooted people of the Transition who were relegated to the background or were forgotten has recovered throughout the twenty-first century. The dissemination of the subgenre, paraphernalia and fetishism that surrounds these films, as well as the social groups they represented, have had their maximum exponent in exhibitions around the time that they were displayed in Madrid and Barcelona. During the summer of 2010, specifically from May 25 to September 6, the exhibition “Quinquis de los 80. Cine, prensa y calle” took place at the CCCB (Center for Contemporary Culture of Barcelona). Echoing this interest and practically simultaneously (from July 9 to August 29), the cultural center La Casa Encendida of Madrid held an exhibition and numerous screenings of Quinqui movies from the 70s and 80s. Both exhibitions enjoyed a great reception and affluent visits, as well as publicity and repercussion in different media, highlighting the large number of press releases published and the multiple reports that were broadcast during the television news shows of the main networks in primetime. Recently, films made with retro aesthetics in remembrance of that era have been released on the big screen, as is the case of revisions such as 7 vírgenes by Alberto Rodríguez (2005), Volando voy by Miguel Albadalejo (2006) or El idioma imposible by Rodrigo Rodero (2010). This last film is based on the homonymous novel by Francisco Casavella that is part of his particular vision of the years of the Transition through the trilogy “El día del Watussi”. In turn, renowned authors integrated into the literary star system of large circulation have published texts that portray this era and these young delinquents, slum dwellers and outcasts that are somewhere between the extreme hedonism of the heroine, the constant escape on board a Seat miriafiori or a Bultaco and survival in the peripheral neighborhoods of post-Franco Spanish cities. Authors such as Javier Cercas, with his novel Las leyes de la frontera (2012), and tributes to this type of cinema now bring this genre to a large audience that always turned its back on Quinqui film and its actors, with a nostalgic look and definitely romanticized of this time to legitimize it and finally integrate it, even within marginality, into what the Transition meant for Spanish society as a critical historical moment, however idealized, from which one cannot separate reality from the most disadvantaged that these films capture.

These films already anticipated much of the failure of the Transition, which failed to accomplish all of the achievements that it promised and that eventually ended up becoming, to a certain extent, just noise. What later is referred to as “the desencanto”, term established by the homonymous documentary of Chávarri in 1976 on the figure of the poet Leopoldo Panero; already anticipated by these films, which, although they do not articulate it theoretically or analyze it explicitly, if they implicitly expose their navajero, chorizo, macarra and yonqui characters, who live with the immediacy and the harshness of an era that did not offer them solutions, in fact one ignores them and sinks them, even more so if possible, in their particular hell in the democratic city. This ethical-social positioning towards the environment of the films analyzed here moves away completely from the illusions and reveries of high culture, as well as from the false illusion of modernity that took place in Spain at the time. Consciously or not, the films showed that disenchantment for the lack of solutions in society, not in formation, but already emerged and that had direct negative repercussions on the most disadvantaged classes. This representation of the outcasts reveals the vulnerability of the system that was being organized and that reproduced the exclusion of the lower classes. At the same time, it allowed the public to romanticize and place these characters within a halo of exoticism that attracted the big screen, since viewers could approach the wild side of life; knowing in advance the degree of verisimilitude that these works exuded since their protagonists, in numerous occasions, acted on their own existence, since many of them were drug dealers, criminals, thugs and people with multiple drug addictions who saw how their lives were spoiled as well as of most of the characters they represented on the big screen.

These films are representative of quinqui film, as a type of production that collects the lives of young delinquents in the late seventies and eighties and reflect the insecurity of the time and the degree of fame reached by the protagonists of the films. These films attempt to analyze the fractures of the new social order and offer a portrait of a collective belonging to a generation relegated to the background. The delinquency, marginality and exile of the mainstream suffered by the protagonists are the main elements that form the plot and thematic axis of these films. The Transition seems to ignore the rejection suffered by young people of the lower class and the approach of these to heroin and criminality, as spaces to develop their individualities. In this time of uncertainty, the most important creators of the Spanish film scene seem to opt for a realistic cinema, dealing with the most pressing problems of Spanish society. The works combine violence, delinquency and concern for youth, showing an attractive commercial appearance at the box office. The association between cinema, drugs and delinquency, which had never been excessively frequent, utilizes the concept of the spectacle, paradoxically, as evasion and abstraction of reality. Although these works suffer from a strong stigmatization in their beginnings, as far as criticism is concerned, they have gradually acquired the status of document and attention by social disciplines. Developing a retrospective look, this type of cinema has been constituted as another source of information when it comes to deploying social studies to analyze the conditions of youth during these years and, recently, this genre has enjoyed outbreaks of interest in criticism and the general public, both from the filmic and the social perspective.

If Marguerite Blessington (1788–1849) – the “most gorgeous lady” in Dr. Samuel Parr’s words – is ever remembered today, it is mostly for her famous literary salon and for her ‘Conversations of Lord Byron’ (1833 l–34), one of the poet’s early biographies. She is also infamous for the relationship with her step-daughter’s husband, the French dandy Count D’Orsay. Hardly anything, however, has been written on Blessington as a traveller and a travel writer. In 1820 she set off on a series of tours, in the course of which she kept journals which were then published as ‘A Tour in The Isle of Wight, in the Autumn of 1820’ (1822), ‘Journal of a Tour through the Netherlands to Paris in 1821’ (1822), ‘The Idler in Italy’ (1839) and ‘The Idler in France’ (1841).

Convinced that Marguerite Blessington merits scholarly attention as a travel writer, Aneta Lipska’s ‘The Travel Writings of Marguerite Blessington’ offers the first detailed analysis of Blessington’s four travel books. This book reveals that travelling and travel writing offered Blessington endless opportunities to reshape her public personae, demonstrating that her predilection for self-fashioning was related to the various tendencies in tourism and literature as well as the changing aesthetic and social trends in the first half of the nineteenth century. The book argues that the author constructed diverse images of herself, depending on the circumstances in which she found herself. The early travel accounts foreground the personae of a chaperoned woman traveller and a novice writer, allowing her admission to the genre of travel writing. The mature travel writings present her to the public as indeed the “most gorgeous lady” on the tour and a seasoned travel writer solidifying her position as a celebrity.

This book arose from several years of research on Akhmatova. Anna Akhmatova is one of the most acclaimed poets of the twentieth century. Her career falls into two distinct periods, an 'earlier' and a 'later', the dividing line being her period of relative silence between 1925 and 1940.  As is often observed, her return to poetry brings with it a sudden and dramatic shift away from a relatively homogenous body of early lyric miniatures to a more diverse and complex style. One of the major unresolved problems in Akhmatova scholarship is that of how the poetics of the two phases are related. Previous attempts to plot her creative trajectory contain internal inconsistencies and are in conflict with one another, often serving to confuse rather than clarify the debate. This book seeks to explore these themes, bringing reconciliation to seemingly disparate views. This book outlines a fresh and coherent framework for the apprehension of Akhmatova's oeuvre in its totality, seeing her as a poet who moves beyond modernism in her later period. The appeal to postmodernism, which is in itself innovatory with regard to Akhmatova studies, also allows exploration of a second problematic issue: how to account for the shift in self-presentation in the later verse, and the different concept of poetic self which it advances. This new account of Akhmatova's path to maturity challenges the conventional view of the early Akhmatova as poet in the classical Russian tradition, and of the later Akhmatova as paradigmatically modernist.

This book examines China’s digital economy and its reach into the Asia-Pacific region, focusing on Hong Kong, Taiwan, Singapore, Malaysia, Australia and New Zealand. It shows how the Asia-Pacific region with an existing large Chinese diaspora is seen as a ‘cultural landing pad’ for Chinese content and ideas. In addition to these regional investigations, the authors trace China’s growing technological status as an innovative nation through four policy approaches: culture+, industry+, Internet+ and platform+. Other + characterizations include intelligent+ and social+. These + characterizations show how China is rejuvenating, drawing technological knowhow from the region, and adding to its cultural power.

Drawing on the political economy of the media, industry analysis, platform studies and cultural policy studies, the book shows that China's commercial digital platforms are increasingly recognized outside China and can disseminate Chinese culture more effectively than government-supported media. The authors provide a comprehensive analysis of how Chinese cultural and creative industries became digital, as well as investigating the key players and the leading platforms including Alibaba, Tencent, ByteDance, TikTok, Baidu, iQiyi and Meituan. The book argues that China’s commercial digital platforms are increasingly recognized outside China and in many cases can disseminate Chinese culture more effectively than government-supported media, although this does not necessarily translate into influence. 

The sites chosen suggest that there is widespread ambivalence to China’s political messaging combined with an uneven reception of its popular culture. The book provides a critique of Western bias in soft power metrics and draws on empirical data to provide alternative readings.

The authors also analyse in detail Beijing’s changing policies towards the governance of culture, Internet technologies and digital platforms. The book illustrates how Chinese cultural power is extending overseas and the challenges of Chinese platforms, products and services in overcoming stereotyping and ‘threat’ perceptions.

This book is about contemporary Brazilian fiction from the past two decades and concerned with the possibilities of literary intervention in the reality of the historical moment. Thus, an understanding of the actual role of literature is strategic in the definition of the contemporary, and the book shows an optimism among current writers and artists with respect to the aesthetic, ethical, and political role of literature and art in the twentieth century. 

In contemporary Brazilian prose, two simultaneous ambitions are often reconciled. The commitment to individual or social reality is a challenge that is assumed without thereby necessarily accepting and following the molds of the traditional search for national or cultural identities. This foundation is one of the constants of contemporary prose, without thereby eliminating the continuous existence of a formal experimentalism that is the clearest heir of the modernist project.

Recent literary studies of Brazil generally accept that there was a transformation in the 1960s and 1970s, from a narrative mainly situated in regional areas or the backlands, to the appearance of the big city as a contradictory scenario for national literature. Novelists and short story writers who are consolidated at that time encounter in the big cities of São Paulo and Rio de Janeiro a reality that not only brought a promise of modernity, but also produced a civic marginality that came with extreme poverty, violence, and organized crime. In the 1990s and 2000s, a generation of writers appeared who revived programmatic principles of this urban prose and who began the new century with a new demand for the real. Such a demand included references from historical realism and at the same time preserved a desire to experiment aesthetically in search of effects and affects, through a performative writing that was articulated in the translation of the historical temporality, mainly in the exploration of a lived presence. The narratives discussed are situated in a spatial referentiality that abandons the imaginary construction of the nation, an important task of modern literature, in favor of stories that are globalized by exploring ways to include Brazilian culture and language in new international networks.

This engaging collection of Bruce F. Kawin’s most important film essays (1977–2011) is accompanied by his interviews with Lillian Gish (1978) and Howard Hawks (1976). The Hawks interview is particularly concerned with his work with William Faulkner and their friendship. The Gish interview emphasizes her role as a producer in the 1920s. The essays take up such topics as violence and sexual politics in film, the relations between horror and science fiction, the growth of video and digital cinema and their effects on both film and film scholarship, the politics of film theory, narration in film, and the relations between film and literature.

Kawin’s film essays and reviews have appeared in “Take One,” “Film Quarterly,” “American Book Review” and elsewhere. Until the publication of this volume, most of them were out of print and unavailable online. Among the most significant articles reprinted here are “Me Tarzan, You Junk,” “The Montage Element in Faulkner’s Fiction,” “The Mummy’s Pool,” “The Whole World Is Watching,” and “Late Show on the Telescreen:  Film Studies and the Bottom Line.” The book includes close readings of films from “La Jetée” to “The Wizard of Oz” and reviews of films from “Full Metal Jacket” to “The Fury.”

The essays take up some of the most interesting aspects of film, from the effect of film violence on viewers to the changes brought by digital cinema, while remaining readable and free of jargon. As critic Howie Movshovitz says in the Foreword, “his writing is utterly, utterly clear.” Original and independent, the book is free of attachment to any school of criticism or theory, and is dedicated to the fresh and open-minded appreciation of movies.

The overarching aim of “Structure, Agency, Biotechnology: The Case of the Rothamsted GM Wheat Trials” is to propose a way of filling the analytical gap found in the current literature by offering an original theoretical framework. This framework is able to assess both the content and context of the scientific field without resorting either to deterministic or to what theorists refer to as “conflationist strategies.” In order to demonstrate the heuristic value of the framework, the 2012 GM wheat field trials carried out by Rothamsted Research, often associated with the “second push” of agribiotech firms to bring Genetically Modified Organisms (GMOs) to the UK, areassessed, and key aspects of the experiment areunderscored. At the same time, the broader institutional arrangements, key ideological constructs and the social order are examined, and a reframing of the controversy which moves beyond the simplistic conceptualization of it being a case of science versus politics is suggested. The volume also proposes a clear set of guidelines, which stem from the methodological and theoretical deep structure of the suggested framework but do not demand prior theoretical knowledge, which can be used by a wider audience engaged with biotechnology. This audience can draw on the guidelines either for reasons of developing a critical understanding of particular situations or for initiating the process of sustained dialogue between involved parties. These two dimensions are of great significance for practical policy orientations.

Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in various gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside their cultural and historical context.

Although theatre scholars have now gained familiarity with ‘Akropolis’ and ‘Dead Class’, there remains little understanding of the complex web of cultural meanings and significations that went into their making – they remain broadly but not deeply known. Grotowski and Kantor both sought to respond to the trauma of the Holocaust, albeit through drastically different aesthetics, and this study develops a comparative critical language through which one can simultaneously engage Grotowski and Kantor in a way that makes their differences evocative of a broader conversation about theatre and meaning. Ultimately, this volume invites and engages with many questions: how is theatrical meaning codified outside its cultural context? How is it codified within its cultural context? What affects the reception of a theatrical work? And, above all, how does theatre ‘make meaning’?

“Economists and the Powerful: Convenient Theories, Distorted Facts, Ample Rewards” explores the workings of the modern global economy – an economy in which competition has been corrupted and power has a ubiquitous influence upon economic behavior. Based on an array of empirical and theoretical studies by a series of distinguished economists, this book reveals a stark and unpleasant truth: that the true workings of capitalism are very different from the popular myths that mainstream economics would have us believe.

By connecting the dots and coloring the resulting picture with real life examples, this work provides a groundbreaking account of the mechanics of capitalism, and demonstrates how different groups and elites consistently further their own economic interests at the expense of others. Journeys into economic history allow the reader to travel to the source of the political power enjoyed by our current-day financiers, and unveil a whole host of systematic problems – such as that our banks are the main beneficiaries of today’s unstable, debt-oriented monetary system, or that leading economists often play a role in helping CEOs massively inflate their salaries without improving their performance – that are today more pertinent, and prevalent, than ever.

To investigate these issues, “Economists and the Powerful” looks closely at the incentives pursued by economists, and explores the history of the economic doctrines supported in our current financial climate. Via this scrutinizing approach, the text approaches the most overlooked issue of all: the matter of how, when and why the questioning of power was erased from the radar screen of mainstream economics – and the influence this subversive removal has had upon the modern financial world.

For more information please see the book website: http://economistsandthepowerful.anthempressblog.com/

In 1805, naval officer Captain Philip Beaver (1766–1813) published his African Memoranda: Relative to an Attempt to Establish a British Settlement on the Island of Bulama, on the Western Coast of Africa, in the Year 1792. Beaver’s text in this modern scholarly edition presents a compelling account of his settlement of the island of Bulama, with a group of British colonists (275 men, women and children). Arriving in May-June 1792, the settlers were beset by illness and the hardships of their tropical environment, and many began to die, or chose to return to Britain. Despite his super-human efforts to maintain the colony, by 1793 Beaver was also forced to leave the island with only one other original settler.

Beaver’s intriguing, yet modest account of his endeavours, led to public acclaim for his efforts on behalf of the colony. He was also admired for his anti-slavery principles and his desire to bring ‘cultivation and commerce’ to the region. At a time when Romantic studies recognises the wider social and historical contexts of the literature that was created, and the impact of colonialism, abolition and African exploration on our understanding of the period, this book provides an important nexus that brings all these aspects together. In fulfilling the myth of the self-sacrificing national hero (such as that embodied by Admiral Horatio Nelson), Beaver’s account also lends itself to significant debates about masculinity, heroism and nationalism in the Romantic period.

This volume is a brief anthology of the most influential writing by American scientists between 1800 and 1900. Arranged thematically and chronologically to highlight the movement of American science throughout the nineteenth century, from its beginnings in self-taught classification and exploration to the movement towards university education and specialization, this anthology is the first of its kind. Biographies front each section, putting human faces to each time period, and the anthology includes such notable names as Thomas Jefferson and Louis Agassiz. 

Hinge epistemology is a rising trend in epistemology. Drawing on some of Wittgenstein’s ideas in On Certainty, it claims that knowledge always takes place within a system of assumptions, or “hinges”, that are taken for granted and are not subject to verification and control.

This volume brings together thirteen papers on hinge epistemology written by Annalisa Coliva, the coiner of the term and one of the leading figures in this trend, and published after her influential monographs Moore and Wittgenstein. Scepticism, Certainty and Common Sense (2010), Extended Rationality. A Hinge Epistemology (2015). By mixing together Wittgenstein scholarship and systematic philosophy, they illuminate the significance of hinge epistemology for current debates on scepticism, relativism, realism and anti-realism, as well as alethic pluralism, and envision its possible extension to the epistemology of logic. 

Along the way, other varieties of hinge epistemology, such as Moyal-Sharrock’s, Pritchard’s, Williams’ and Wright’s are considered, both with respect to Wittgenstein scholarship and in their own right.

The 2020 COVID-19 pandemic imposed immobility on large sectors of the world’s population, with confinement becoming for several years an everyday reality. The lives of those who previously enjoyed the privileges of being ‘fast castes’ ground to a halt, while at the same time the displacement of more vulnerable populations along well-established migration corridors has been radically reduced. The result has been a recalibration of the scale of journeying, with travellers slowing down and readjusting their relationship to the proximate and nearby. This situation has provided an opportunity for those who study travel and travel writing to rethink their object of study. This volume explores and historicizes the phenomenon of ‘microtravel’, designating slower journeys within a limited radius which allow, and sometimes necessitate, new forms of experiencing the world.
The contributors reveal how these practices are far from new and are indeed evident across numerous examples of journey narratives from earlier periods. The volume considers a diverse range of forms, including fictional texts. It also includes ficto-critical writing, allowing a fuller exploration of new approaches to microtravel in the twenty-first century. Sometimes deceleration is reduced to immobility, with the traditional horizontal axis of travel replaced by a burrowing down into time, place and space. Contributions engage with the following four intersecting themes:
Confinement and immobility: travel writing is traditionally associated with tropes of expansiveness and openness. The volume disrupts this understanding by claiming that the travelogue is often more accurately understood as a form dependent on tensions between mobility and immobility, between confinement and liberty. Confined travellers may experience a breakdown of the journey as their progress stalls and they are reduced to a state of sessility. This physical restriction can lead, however, to different modes of travelling, an understanding of microtravel associated with slowing down and perceiving the place differently. For some, this sessility is a choice, a restricted frame of reference or scope imposed on their travels. Deceleration and pedestrianism: confinement leads to an inevitable slowing down of the journey, but microtravel encompasses other forms of spatial limitation. Eschewing mechanized transport, for instance, the pedestrian becomes reliant on self-propulsion, reducing the dimensions of the world to those of the travelling self. Walking exemplifies the impact of deceleration on the journey, activating multisensory forms of engagement and ensuring direct, close contact with the field of travel. The return of walking in contemporary travelogues may demonstrate, however, a nostalgia for earlier modes of journeying, and there is a need to recognize the pitfalls of such romanticization. Palimpsestic travel: Kris Lackey coined the term ‘vertical travel’ to describe journeys that disrupt the traditional horizontal axes of travel. Robert Macfarlane has written, in Underground, about itineraries that burrow beneath our feet and explore the hidden and the unseen. This volume focuses also on the notion of palimpsestic journeying as a form of microtravel, an engagement with place that reveals historical layers and allows the travellers to create connections between the past and present. Microspection and microsound: just as deceleration can trigger heightened sensory awareness of the multiple textures of place, on occasion moving beyond the human emphases of the Anthropocene, so our understanding of microtravel is associated with an attention to detail otherwise missed from mechanized journeys or those reliant on acceleration of the body through space.

How are breasts and breastfeeding shown in literature? Why does the depiction of breastfeeding in literature matter? What messages do we get from literature about the feeding of infants and children and about women’s bodies? Is this different in different cultures? What causes cultural and historical differences and what can we learn from them?

This cross-cultural study analyses images and descriptions of breasts and breastfeeding in children’s books and literature for adults, in both English and Swedish. It explores how breastfeeding is depicted in literature in the two languages and discusses why there are differences in the cultures. Literary, feminist, anthropological, sociological, historical, and cultural research is used to support this analysis and to suggest explanations for the differing depictions. For example, the book discusses the concepts of women being nude versus women being naked; nakedness, the book argues, is more acceptable in Swedish literature and society, whereas a naked female is immediately perceived as nude in English-speaking cultures, and nudity is always sexualised. It discusses the male gaze and challenges ways of seeing women’s bodies in literature; a question here is whether women can see their bodies without being influenced by the pervasiveness of the male gaze. Another example of a difference between the two cultures is the rise of formula-feeding and supposedly scientific ways of understanding and managing bodies in many Western countries, including English-speaking ones, and this in turn influences decreasing familiarity and comfort with seeing breasts and breastfeeding in literature, whereas rates of breastfeeding are still high in Scandinavia, which suggests more understanding, acceptance and support of natural bodily functions. In addition, issues such as whether a more feminist political approach might affect how breastfeeding is depicted and how it is treated in society are considered.

While this intercultural exploration of breasts and breastfeeding in literature is academic and relies on extensive research, the book also suggests that this reflects popular culture today. Given the rise of the #MeToo movement and our new awareness of people’s rights to their own bodies and to consent, it is important that we explore depictions in the media of women’s bodies and encourage positive representations. Avoiding naked females in literature or primarily showing them in sexualised contexts suggests a sense of shame and fear about female bodies, or emphasises the idea that women are to be objectified.

In short, this book will focus on a topic not yet seen in any depth in academic research and will raise fresh awareness of the power of literature to influence how readers see their own and other people’s bodies, and will also illuminate cultural and historical differences that affect what writers describe and illustrators depict in literature when it comes to breasts and breastfeeding. The book challenges the currently prevailing ways of depicting female bodies in literature and discusses the way societal norms influence the writing and illustrating of literature.

In the course of one’s life in academia, one tends to formulate insights on various matters one encounters in a succinct form to share with one’s students and colleagues. This book is a collection of such thoughts.

In recent decades, international legal constraints have shifted far beyond the national border. International lenders’ structural adjustment programs require states to slash budgets, privatize public enterprises and cut pensions. Trade agreements have shifted from locking in low tariffs to forbidding policies that today’s rich countries used to climb up the developmental ladder. This suite of neoliberal policies has been labeled the “golden straitjacket” for their supposed promise of unlocking economic growth. [NP] ‘Judge Knot’ explores a corollary to the straitjacket: investor-state dispute settlement (ISDS), where foreign investors can sue host states out of national courts before transnational tribunals over government regulation. Since 1990, corporations have launched hundreds of cases against states over environmental conservation, financial stabilization and public service provision. In an era of Donald Trump, Brexit, Bernie Sanders, and Jeremy Corbyn, criticism of this system has grown enormously. Yet meaningful reform has been difficult. Even though neoliberal economics is on the wane, its legal underpinnings remain attractive to the corporations that demand investment law and the arbitrators who supply it.

Building off of an unprecedented set of interviews with the arbitrators who actually decide the cases, the interdisciplinary ‘Judge Knot’ brings together the best of political science, law and development economics scholarship to offer a historical institutionalist account of investment arbitration in an era of unprecedented judicialization of international affairs. The book offers concrete alternatives to ISDS that leverage what works about the system and discard what doesn’t, so that international law can be more supportive of democracy and development goals.

‘Pashtun Identity and Geopolitics in Southwest Asia’ brings together Pakistan and Afghanistan as two inseparable entities by investigating areas such as the evolution and persistence of the Taliban, quest for Pashtun identity, the ambivalent status of the tribal region and the state of civic clusters on both sides. In addition to their relations with the United States and the EU, a due attention has been devoted to regional realties while looking at relations with India and China. The study explores vital disciplines of ethnography, history, Islamic studies, and international relations and benefits from a wide variety of source material. The volume takes into account the salient subjects including political Islam, nature and extent of violence since 9/11, failure of Western policies in the region, the Drone warfare, and the emergence of new regimes in Kabul, Islamabad and Delhi offering fresh opportunities as well as new threat perceptions.

Stalking. Sexual harassment. Mass shootings. Employers are increasingly expected to have a plan to identify and manage threats posed by employees in the workplace. But what questions and issues should you contemplate? Does involving police early make the situation better or potentially worse? What specific words and issues should be addressed and avoided as a case unfolds?

In this authoritative new guide, Dr Laurence Barton draws on over thirty years’ experience as the world’s leading threat assessor to outline how to prevent, manage, and mitigate threats made by employees, contractors, customers, former employees and others. He unlocks key issues to help the reader navigate new privacy laws, psychological evaluation, and employee communications when a potentially dangerous person is angry with your most vital resource: your people.

This is an invaluable new handbook for businesses and HR, legal, and security professionals worldwide.

The book explores themes of power, ideology, and identity formation, particularly through a post-structuralist lens. It examines how the state influences the well-being of its citizens, focusing on children living in marginalized circumstances. By following the lives of several children exposed to pervasive violence, the author illustrates how these experiences shape their identities and the broader societal context.

The study identifies key themes such as the effects of forced removals, displacement, marginalization, and the prevalence of violence in Blue Waters Refugee Camp Site C and Symphony Way Temporary Relocation Area. By examining pathways and patterns related to identity, embodiment, health and illness, as well as the expressive nature of theatre, the research yielded rich ethnographic data on children’s experiences in these settings. Central to this study, and to the broader field of children and childhood studies, is the understanding that children are perceptive, active agents in shaping their own unfolding narratives.Taking into account the violence that permeates through everyday life in South Africa, this book makes an essential contribution to future housing policy design and implementation by deepening our understanding of the socioeconomic structures that exacerbate divisions based on geography, race and class. Evidently, for children living in frequent and forced mobility, their experiences are suffused with violent tensions that follow them across the changing landscapes generated by frequent mobility.

Peter Guy Winch (1926 – 1997) was one of the most important philosophers of the second half of the 20th Century. He is best known for his early work on the philosophy of the social sciences, in particular his monograph On the Idea of a Social Science and its Relation to Philosophy (ISS), which generated controversy within both philosophical and social scientific circles. In that work and subsequent publications, Winch argued against the presupposition that social relations could be understood using only the conceptual tools of the natural sciences. Winch would later come to regret the reputation ISS garnered him, which was a mixture of roughly equal degrees fame and infamy. In part this regret stemmed from the (as it seemed to him) uncharitable light in which ISS was read by its many critics. In part it was because that book overshadowed all of his subsequent work. And alongside his writings on the philosophy of the social sciences, his interests ranged widely. He published a groundbreaking study of the philosophy of Simone Weil, entitled Simone Weil: The Just Balance (Winch 1989). In his critical review of that work, Rowan Williams praised Winch for “writing a book whose main purpose is to make us think with Weil, and in so doing recognise her as a philosopher.” Alongside these interests, Winch also published numerous essays in many areas including ethics, political philosophy, the philosophy of religion and philosophical logic, most of which are collected together in two volumes of essays published during his lifetime, Ethics and Action (1972) and Trying to Make Sense (1987). Shortly before his death, he was turning his attention to a book manuscript on the problem of political authority. 

This volume unites Peter Winch’s previously unpublished work on Baruch de Spinoza. The primary source for the text is a series of seminars on Spinoza that Winch gave, first at the University of Swansea in 1982 and then at King’s College London in 1989. Audio recordings of the majority of the Swansea seminars have survived. The editors have transcribed these, edited them for coherence, style and clarity, and supplemented them with material drawn from Winch’s typescripts and preparatory notebooks. What emerges is an original interpretation of Spinoza’s work that demonstrates his continued relevance to contemporary issues in metaphysics, epistemology and ethics, and establishes connections to other philosophers - not only Spinoza’s predecessors such as Descartes, but also to the philosophical views of Ludwig Wittgenstein and Simone Weil.

There is currently a resurgence of interest in Spinoza’s philosophy, and this volume will contribute to burgeoning debates within that field. Winch’s account of Spinoza is uncommon insofar as it takes as central to Spinoza’s project his conceptions of meaning, understanding and language, and directly connecting these to his ethical concerns. At the same time, Winch makes useful links to modern debates in ways that throw helpful light on Spinoza. As well as issues which are central to the philosophy of language, these include debates on the nature of the mind, naturalism and the place of the human being within the natural world.

When one organizes events over periods of years and gives them an appellation such as “Modernism,” the organization of facts is guided by concepts and values discerned throughout these periods, comparable facts sufficient to call it an “era,” or an “epoch,” or other terms that insist on the shared aspects of those years, regardless of differences seen as well over the span considered. One can call such an effort a “metahistory,” in that what is tracked is not merely human events that are political, economic, ideological, sociological, or other disciplinary descriptors, but an overview that critically links all the years under consideration. Even more, to have a “metahistory” is to discern how the people of eras, epochs, or the other organizational labels, thought. Human history is generated by choices, choices informed by intuitions and more intentional understandings. One of the aspects the book dwells upon in this “metahistory” of Modernism is the presence of “perspective,” how one sees in a time what is there to be addressed and dealt with. Perspectives can be poorly informed or in their very nature not adequate for a sufficient knowledge of what is addressed, even as one must as a human judge what faces one. To discern from evidence how one’s perspective configures an event is the “meta” of “metahistory”. Modernism, the epoch from 1648 to the Present, can be described among its tenets as a period where the notion of “objectivity” has been developed. This has occurred in every field of the emergent arts and sciences in these years. Post-modernism, as will be addressed, is a more critical modernism that has brought to light the idea of multiple perspectives of objectivity as a univocal perspective of ‘objectivity’. Other modernist ideas have expanded in all fields and the ideas of what is human consciousness, epistemologies of both a reflective and a pre-reflective consciousness (called by some the ‘unconscious’) have emerged in art, aesthetics, psychology, philosophy, the social sciences, as well as the neurosciences To have “meta” knowledge is this comprehension of the scope and benefits, yet limitations, of one’s “perspective” and that of others of a time. Only a historian interested in such perspectives can be called a “metahistorian.”

The book uses the concept of the “metaparadigm,” taken from Thomas Kuhn, to track the evolution of how in a period of time the problems of the existing disciplines of knowledge are articulated, and how inquiry methods are used to flesh out a solvable problem and effectively resolve it. The book details four phases that constitute the period of time in which a metaparadigm develops. The first phase is a new set of concepts that challenge the existing approach to knowledge in each discipline. The second phase is a systematic theory that will guide inquiry. The third phase is the actual practice of the discipline in solving problems, a phase that can conflict with the older approach or be congruent with it. The fourth phase integrates the older approaches in the new one, and thus expands in an augmented manner the discipline.

The four phases of each metaparadigm have certain durations. The initial three phases usually endure for about 30–40 years, and the fourth phase for over 50 years. These phases each recur in the next period of time; that is the next metaparadigmatic period. Four evolving metaparadigms are shown in Western thought in this book, tracking one or more disciplines in the social sciences, the humanities, and the natural sciences through each of the four phases of a metaparadigm, and the four metaparadigms that occur between 1648 and the present. 

Down the ages warriors have told the stories about their powers and their deeds. And some of their stories have made it into print––those of Black Elk, a Sioux shaman; Two Leggings and Plenty Coups, Crow Indians; Wolf Chief, the eagle hunter; Tukup and Tariri, shrinkers of heads; and others from North America, New Guinea, the island of Alor, the highlands of Luzon and even a Bedouin.

H. David Brumble’s ‘Street-Gang and Tribal-Warrior Autobiographies’ introduces readers to all these warrior autobiographies—and to the memoirs of warriors who live just down the block: Carl Joyeaux’s ‘Out of the Burning’, Colton Simpson’s ‘Inside the Crips’, Nathan McCall’s ‘Makes Me Wanna Holler’ and Sanyika Shakur’s ‘Monster’. Gangbangers, Brumble argues, have told life stories that are eerily like the life stories that come to us from warrior tribes. He suggests that gangbangers were so alienated from the larger society that they reinvented something very similar to the tribal-warrior cultures right in the asphalt heart of American cities.

Grisly, probing and resonant with the voices of generations of fighters, ‘Street-Gang and Tribal-Warrior Autobiographies’ is an unsettling work of cross-disciplinary scholarship.

Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. “Horror and the Horror Film” conveys a mature appreciation of horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy, and their cinematic power. The volume covers the entire genre, considering every kind of monster in it – including the human.

After defining horror and thoroughly introducing the genre, the text offers a rich survey of all of the horror film’s subgenres, before concluding with a look at the related genres of horror comedy and horror documentary. International in scope, its survey extends from the first horror films (1896) to the present, discussing more than 350 movies. Through its comprehensive and detailed investigation of the genre, “Horror and the Horror Film” offers a compelling, insightful look at how the horror film frightens and revolts the viewer, its reasons for doing so, and the art of portraying and evoking fear, and will be a great asset to film scholars, horror enthusiasts and readers yet to be convinced of the importance of the genre.

The diverse essays in this book reflect Jonathan Steinberg’s methodological pluralism and insatiable curiosity for historical questions which cross disciplinary and geographical boundaries. Animating students, colleagues, friends and wider audiences with his enthusiasm for ‘thinking about the past’ was his vocation, one that he pursued with unmatched enthusiasm. Through this collection of essays, the book hopes to convey something of the intellectual range, analytical purchase and moral purpose of his historical writing and teaching.

One feature of Steinberg’s inspiring and charismatic lectures was his unique ability to combine an analysis – always fresh, never pre-cooked – of big historical structures and trends with an acute awareness of the importance of individual personalities. Jonathan Steinberg also believed in contingency, the importance of chance, and was keen to reject any form of historical determinism. The third salient feature of his work was his sense of moral purpose. He understood history as a hermeneutic science and was appropriately cautious about the epistemological status of historical claims, but he nevertheless saw the correctness of historical arguments and the probity of historical claims to be moral as well as empirical questions. His ethical sensibilities, his openness to interdisciplinary work and the humane and nuanced understanding of human motivation equipped him to tackle some of the most difficult subjects of nineteenth- and twentieth-century European history.

“Approaches to the Study of Intercultural Transfer” presents a collection of compelling case studies in the area of social reform, museums, philanthropy, football, nonviolent resistance and holiday rituals such as Christmas that demonstrate key mechanisms of intercultural transfers. Each chapter provides the application of the intercultural transfer studies paradigm to a specific and distinct historical phenomenon. These chapters not only illustrate the presence or even the depth and frequency of intercultural transfer, but they also reveal specific aspects of the intercultural transfer of phenomena, the role of agents of intercultural transfer and the transformations of ideas transferred between cultures thereby, contributing to our understanding of the mechanisms of intercultural transfers.

The transfers explored in this volume provide for a narrative of an interconnected world in which societies and cultures exchanged ideas and objects over long distances connecting places and spaces across the globe and contributing to the creation of distinct local cultures and societies. Ideas about social reform and customs such as the Christmas tree were transferred across political and geographic borders. In the process, they were modified to fit into the receiving society. They lost some of their meaning and received new meaning. The Pagan symbol of the Christmas tree was Christianized through its transfer from cities such as Dresden to cities such as Boston.

Concepts such as Gandhi’s nonviolent resistance appealed to many Western observers who considered peaceful and rational conflict solution in the aftermath of World War I as essential to the survival of humankind. The appeal of nonviolent resistance did not result in a full grasp of such phenomena. Western observers misunderstood and mistranslated Satyagraha with passive resistance. Such modifications reveal the nature of intercultural transfer. In this process, the power of adopting a new idea rests with the receiving society. The giving society has little influence over the transfer process and loses control over the transfer fairly early. This contributed to the conundrum of the modern world which, in spite of the multitude of such transfers, became not only more similar but also more dissimilar.

This book re-appraises the concept and utility of state-funded, multi-platform international broadcasting as an instrument of statecraft, which offers cultural representation with the political purpose of contesting relations of power. This at a time when issues of transnational media, the credibility of news and the perils of disinformation and information warfare, figure worryingly in public discourse. The book reflects the perspective of middle power Australia, the circumstances and options of which differ from a great power. It dissects and evaluates the political purpose and efficacy of international broadcasting, its means as an instrument of inter-cultural communication and the variables that enable or impede its effectiveness. The author draws both on extensive scholarly research and his extensive professional experience in journalism, international broadcasting and media management in Australia and internationally.

Heriot proposes a model for the strategic analysis, application, organisational design and operation of multi-platform international broadcasting. Necessarily, the model is informed by an analysis that situates international broadcasting in relation to contemporary theories of soft/hard/smart power projection and inter-cultural communication. He applies the model to the contentious political history and performance of Australia’s international broadcaster, Radio Australia, during the late Cold War decades of the twentieth century and asserts the relevance of this approach to an increasingly media-dense – though asymmetric – international environment. The model eschews general or coded descriptions of purpose and identifies six specific functions appropriate to the circumstances and imperatives of Australia as a resident power in the Indo-Pacific region.

The flawed success of Radio Australia during the later years of the Cold War arose from the interaction of a broad range of external and internal variables to which it was exposed. These included geostrategic and national political factors; the formal prerogatives and constraints of the broadcaster’s mandate in pursuing defined objectives; institutional relationships across government; Radio Australia’s programming or editorial outlook, which determined information agendas and framed the coverage of issues; the production norms and socio-linguistic processes involved with inter-cultural communication; resource constraints and the effect of work design on the character and performance of the broadcaster; and the management of professional and cultural biases (including boundary work demarcations and in-group/out-group rivalry). 

Glimpsing an elderly man leading his blind daughter on a pilgrimage, Junoshin Kakiri, a ‘ronin’ or freelance samurai, swiftly kills him with his sword. Asked why he murdered such an innocent, Junoshin shares his concerns about the growing ‘Harahuhi Tou’ (Belly-shaking Party) cult to which the man was devoted, a fear which rapidly spreads through the Kuroae clan.

Alarmed by the cult, Shuzen Oura, the warlike leader of half this kingdom, soon hires Junoshin to rescue the Kuroae from the Harahuhi Tou but his studious power rival, Tatewaki Naito, cunningly pays the mercenary samurai to usurp Oura on his behalf.

Set in Edo-period Japan, ‘Punk Samurai Slash Down’ follows the power struggles which entangle Junoshin within the Kuroae clan, polarizing the kingdom between an academic leader unable to fight and an unlearned martial arts expert. Machida’s novel adopts a unique and arresting style, combining an often unconcerned approach to violent action with slapstick humour.

Muhammad Ali in Africana Cultural Memory is a contemporary evaluation primarily of Ali in African-American and African diasporic memory, based on the field of Africana studies’ updated critical tools for considering inheritance, mythological structure, memorialization, epic intuitive conduct, hero dynamics, immortalization philosophy, and resistance-based cognitive survival. In terms of how Muhammad Ali, as an historical actor, has left an heroic legacy that bequeaths to us a sort of inheritance, the critical task at hand is to systematically explore this historical actor’s life, feats, philosophy, grit, worldview, and even his folkloric antiheroic, to decipher his Africana cultural memory value. At the core of this edited collection is a commitment to enhance the cultural storytelling about Muhammad Ali and to critically itemize the lessons we garner from his life as allegory. The ancestral life is one that is remembered and recalled. The contributors’ research uncovers Ali’s local, national, and global encounters that are legacy worldviews. These perspectives give us direction for mining the critical depth of Ali’s encounters which map his memory in terms of culturally sustaining confidence, self-esteem, reinvention, immortalization, and empathy. These are the fertile seeds of Africana cultural memory which bloom into powerful markers and monuments of an epic life of hyperheroic activity relevant to cultural memory, sports, history, politics, health, and aesthetics.

This exciting addition to Dostoevsky studies deals with the religious dimension of the novelist's life and fiction. Malcolm Jones takes a fresh reading of Dostoevsky's representation of religion in his fictional world, that allows for both mystery and fear. The author argues that the spiritual map of human experience that Dostoevsky offers includes only the occasional small island of serenity in vast, turbulent oceans of doubt, rebellion, rejection, indifference and disbelief. Dostoevsky is also viewed as an artist, revealing glimpses of salvation through subversive narrative techniques and destabilized, vulnerable characters. Dostoevsky's fictional characters experience the dread of a meaningless void as well as a desperate longing for the restorative binding idea that religion offers. 'Dostoevsky and the Dynamics of Religious Experience' offers a balanced and authoritative argument. The book is structured through six clearly defined and self-reliant essays that take into account past and current criticism and offer a close textual analysis of Dostoevsky’s works, including  'The Double', 'Notes from Underground', 'Crime and Punishment', 'The Idiot', 'The Devils' and an in-depth study of 'The Brothers Karamazov'. This work is a major contribution to the study of Dostoevsky and Russian Literature in Europe, the USA, Russia and throughout the world.

CSR and Sustainability promotes the need for social responsibility and sustainability and highlights their link with the big issues of society. It shows how science and positive thinking by humankind can prevent oft-vouched disasters due to human rights violation, global warming, growing income inequality (relative poverty), racism, gender discrimination and continuing absolute poverty. It looks at CSR in the US context and compares it with what has been going on in Europe, as well as elsewhere.

The main focus of 'The Sexual Imperative in the Novels of Sir Henry Rider Haggard' is Haggard's preoccupation in his fiction with the theme of the sexual imperative and the relationship between his fictional representations and his personal emotional geography and experiences. It illuminates and explores aspects of this theme primarily by detailed examination of ten of his novels but it also demonstrates that identically evolving considerations of the theme are apparent in his contemporary romances. The book fills an important gap in Haggard scholarship which has traditionally tended to focus on his early romances and to centre on their political and psychological resonances. It also contributes to wider current debates on Victorian and turn of the century literature.

The book adopts a chronological framework which spans the entirety of Haggard’s writing career and considers the novels and corresponding romances which he wrote at each stage in his literary development. It considers Haggard’s literary representations in the context of contemporary sexual behaviours and attitudes, and of other contemporary literary representations of sexuality. It notes Haggard’s deployment in his novels of contemporary literary genres, notably those of the Sensation Novel, the New Woman, and later Modernism, and it examines what he contributed to these genres and how his interpretation of them compared to that of his literary contemporaries.

This book traces Haggard's emotional investment in his evolving depictions of the destructive potential for the male of female sexuality and demonstrates that his focus develops, as his writing career progresses, from deeply personal renditions of sexual betrayal towards a proposal that the seeds of moral destruction are an integral part of the sexual imperative. It examines his sustained consideration in his novels of the issues of the position of women and of the marriage question and documents his exploration of whether an unsatisfactory marriage legitimises extra-marital sexual relations. It notes, as a measure of Haggard’s moral progressiveness, that despite his formal need to criticise this behaviour, he is in fact clear that it is both natural and morally irreproachable. The book also examines Haggard’s exploration of the merits of a love which is predominantly spiritual rather than sexual and his consideration of the virtues of sexual renunciation. It relates his treatment of these themes to that of contemporary novelists and spiritualist writers. It documents his final fiction which depicts the inescapable imperatives of the human situation and celebrates the overwhelming validity of sexual passion in a committed relationship. It considers the extent of Haggard’s modernity and proposes that although he remains careful and caveated in his moral statements, and conservative by contemporary literary standards, he does unquestionably endorse self-fulfilment over social duty. The book’s conclusion argues that Haggard’s novels and many of his romances represent a consideration of issues which he saw as at the root of being and that the consistency, balance and open-mindedness with which he pursued them suggest a generally uncredited integrity and weight to his fiction.

The French Second Empire (1852-70) was a time of exceptionally rapid social, industrial and technological change. Guidebooks and manuals were produced in large numbers to help readers negotiate new cultural phenomena, and their concerns – including image-making, diet, stress, lack of time, and the frustrations of public transport – betray contemporary political tensions and social anxieties alongside the practical advice offered. French literature also underwent fundamental changes during this period, as writers such as Baudelaire, Flaubert, Gautier, Hugo and Zola embraced ‘modernity’ and incorporated new technologies, fashions and inventions into their work. Focusing on cultural areas such as exhibitions, transport, food, dress and photography, ‘Changing France’ shows how apparently trivial aspects of modern life provided Second Empire writers with a versatile means of thinking about deeper issues. This volume brings literature and material culture together to reveal how writing itself changed as writers recognised the extraordinarily rich possibilities of expression opened up to them by the changing material world.

This volume addresses, from a Wittgensteinian perspective, the philosophical question of how to understand other cultures. In so doing, it brings into discussion Wittgensteinian and other cultural philosophical traditions, stemming notably from the West African Yoruba community, Japan, China, and India. The book is therefore not just about intercultural understanding, but also brings together, under the umbrella of Wittgensteinian philosophy, a plurality of cultural voices and philosophical cultures, and sets out to develop an approach to the question of intercultural understanding that emphasises the connection between its epistemological, ethical and political aspects. 

We propose that the Wittgensteinian tradition – spanning not only Wittgenstein’s own corpus but also the work of other prominent and up-and-coming philosophers directly influenced by Wittgenstein – is ideally suited to this task, insofar as it is already fully versant with the two central notions at play: the notion of culture and that of understanding. 

The book is divided into two parts, each of which includes six papers. Part I presents a series of new proposals on how best to model intercultural understanding. Part II examines a new set of challenges to intercultural understanding, stemming from relativism, the philosophy of disagreement and the problem of cultural othering, amongst others. The contributions to this volume build on a wealth of Wittgensteinian strategies and methodologies to develop an imaginative, fresh portfolio of philosophical responses to the intercultural question, as well as strategies for addressing the special challenges it poses.

This book provides the reader with tips and insights on how they can become better leaders themselves. These insights and tips will be explained by utilizing the context of dogs, with examples featuring various dog breeds used throughout the book. This will emphasize what we can learn from these various dogs’ traits and characteristics. Some of the topics that the book will cover include concepts like ‘resilience’, ‘courage’, ‘patience’, ‘(in)dependence’, ‘respect’, ‘kindness’, ‘authenticity’ and ‘trust’. The various chapters in this book will provide the reader with insight on why it is important for human leaders to embody these various concepts and qualities.

For instance, a concept like ‘resilience’ is of paramount importance for leaders, because not every single plan or decision will be successful, but it is important to stay the course, as a Bloodhound would on the trail of an escaped convict. The book adroitly mixes findings and insights from numerous scholarly sources on leadership and juxtaposes them with examples featuring various dog breed traits and characteristics. The book will be useful for improving one’s knowledge on how to be a better leader, and will also improve one’s knowledge about the numerous varieties and kinds of dog breeds. The book is easy to comprehend and the scholarly concepts in it are explained without any complicated jargon.

‘Becoming – An Anthropological Approach to Understandings of the Person in Java’ falls within the long-standing tradition of anthropological theorising regarding the person, and takes inspiration from the philosophical writings of G. Deleuze. It comprises a critical intervention in the said literatures, develops new conceptual tools and reconfigures ‘old’ methodological strategies. As a thought experiment, it foregrounds and advances the concept of the ‘diaphoron’ person – a person who constantly differs from him/herself and who is always already involved in an unlimited process of becoming – as a new figure for considering the problem of the subject in anthropology. In addition, the book breathes new life into one of the most distinctive methodological strategies to be found in anthropology since its inception, re-invigorating the approach of ‘total ethnography’ in such a way that it is able to meet the challenges posed by living in a postmodern world.

The volume is also an ethnographic monograph based upon qualitative research undertaken in the town of Probolinggo in East Java, Indonesia. It is the first book-length ethnographic study of this part of Java and its peoples, who identify themselves as ‘mixed persons’. The volume not only serves as a source of new ethnographic data about a place and a situation we know very little about, but it also re-thinks key categories of Javanese ethnography from a new and unanticipated perspective.

‘Bakhtin and his Others’ aims to develop an understanding of Mikhail Bakhtin’s ideas through a contextual approach, particularly with a focus on Bakhtin studies from the 1990s onward. The volume offers fresh theoretical insights into Bakhtin’s ideas on (inter)subjectivity and temporality – including his concepts of chronotope and literary polyphony – by reconsidering his ideas in relation to the sources he employs, and taking into account later research on similar topics. The case studies show how Bakhtin's ideas, when seen in light of this approach, can be constructively employed in contemporary literary research.

  The figurative “body” of public opinion presents challenges to readers of the nineteenth-century British fiction insofar as it lacks the markers of an autonomous subject. It replaces direct address with intimations of surveillance and interpellation, reading characters and their actions as we read it for our situationally within it. In the novels of Anthony Trollope who continually refers to a vox populi, public opinion has an economy, as a kind of “currency” in which reputation is priced and marketed while itself seeming inconclusive and undeveloped, even among its self-appointed spokesmen.

It takes its place among a number of institutions that knit the country together as a network of conveyances with different points of entry: roads, railroads, ports and canals and the post office in which Trollope served as a civil servant for over 30 years. One such institution is the expanding bureaucracy which mediates between the people and those who regulate human activity and its exposure to government regulation. The ex-posure (literally to be placed outside oneself) is one of the ways in which public opinion, lacking a responsible subjectivity that can be held to account, removes individual subjectivity, threatening (or enabling) a rebirth in accountability. Yet, for all of its potentially subversive qualities, public opinion is a collective narrative—disguising itself as a unitary voice—that often misreads character and, in the Parliamentary Novels, ideology. As it is vulnerable to being misread by politicians, public opinion also misreads, especially the arrivistes attempting to enter the social and economic life of the country. Because of its resistance to inscriptive genres, the vox populi may well represent the lost orality of the epic to which critics like Georg Lukaks have called our attention. 

This collection of exercises compiled for talented high-school and undergraduate-level students encourages creativity and a deeper understanding of ideas when solving physics problems. This book features almost three hundred problems and solutions worked out in detail, dealing with classical physics topics such as mechanics, thermodynamics, electrodynamics, magnetism and optics. Posed in accessible language and requiring only elementary calculus, these problems are intended to strengthen students' knowledge of the laws of physics by applying them to practical situations in a fun and instructive way. These problems and solutions challenge students of physics, stretching their abilities through practice and a thorough comprehension of ideas.

British Battles 493–937 is about war. Specifically, it offers solutions to the locations and other problems of battles in Britain between the invasions of the Anglo-Saxons and the age of the Vikings. It locates the victory of Mount Badon in 493 of the Britons over the West Saxons at Braydon, Wiltshire; the battles of the British hero Arthur (of the ‘King Arthur’ legend) in southern Scotland and the borders, with his death in 537 at ‘Camlan’ or Castlesteads, near Carlisle; ‘Degsastan’, the Northumbrian massacre of an allied Scots-Irish army in 603, at Dawyck on the Upper Tweed, Scotland, where a standing stone at Drumelzier is the Stan of the conflict’s ancient name; Maserfelth in 642, where King Oswald of Northumbria was killed and his head and arms nailed up as trophies, will be at Forden (near Welshpool), on the old Roman road into Wales; and Brunanburh of 937, where Athelstan crushed the forces of united Viking-Scots-Strathclyde invaders, at Lanchester in County Durham, above the Brune or River Browney.

The implications of the book are threefold. First, it will mean the rewriting of much early British and Anglo-Saxon history; knowing where battles took place means that we shall understand better the war-aims of those who won or lost them. The second is a benefit for battle archaeologists. They need not waste time seeking swords and spears at traditional locations for these battles, like Badbury in Wiltshire for 493 or Oswestry in Shropshire for 642 or Bromborough in Cheshire for 937 because they would be digging in the wrong place. The third is the indication of a method, as follows.

An analysis of early place-names in Old English or Middle Welsh or other languages lets us pin-point ancient battlefields. It allows us to show that the ‘Legionum Urbs’ of the Roman martyrs Julius and Aaron was surely not Caerleon in South Wales (as often said), but Legorum Urbs or Leicester, which is hence the scene of Britain's earliest Christian martyrdoms. Similarly, the birthplace of St. Patrick can be proved (following suggestions by others) as Bannaventa Tabernae or Banwell, Avon. St. Patrick will have been a Somerset man, brought up on a Roman villa near a low-lying coast open to the Irish pirates who enslaved him. British Battles 493–937 thus indicates techniques whereby future researchers may solve historical problems in Britain and beyond.

Based on thorough and extensive research, this book examines in detail traditional status signals in the translation profession. It provides case studies of eight European and non-European countries, with further chapters on sociological and economic modelling, and goes on to identify a number of policy options and make recommendations on rectifying problem areas.

There are strong indications that traditional mechanisms of signalling the status of translators are no longer functioning as they should, and that new online mechanisms are  turning status into a readily available commodity. Despite demonstrating that some of the traditional status signals do still function relatively well, the book nevertheless finds that others appear to be failing for various reasons, and that this has resulted in a degree of market disorder. Such circumstances may cause good translators to leave the market, which is clearly an undesirable situation for all concerned.

The work was written by a team of eminent scholars in the field, with contributions from a host of other academics and professional translators, and includes five appendices providing very useful information on areas of specific interest.

Raymond Aron is an exceptional figure among twentieth-century sociological and political thinkers. The book focuses on the sociological work of this author of the century, who analyzed his age both in its grand-scale political and socio-economic traits and in the complex social ramifications of its day-to-day life.

Aron experts from a total of seven countries examine Aron’s sociology in detail starting with his road from philosophy to sociology not least under the impression of the Great Depression and its aftermath, especially the rise of National Socialism in Germany. His epistemological studies on the limits of objective knowledge in history and the social sciences in which he moves away from Durkheim's approach and instead adopts Max Weber's sociology of understanding are analysed. This acknowledgment of the limits of knowledge laid the foundations for Aron’s liberalism and humanism. His sociology of industrial society as an economy of economic growth in its market economy and planned economy versions, its social stratification, his criticism of the Marxist concept of social class, the structure of the ruling elites and the pluralistic and one-party, totalitarian political regimes are presented, as is Aron's analysis of the dialectic of modern society between the idea of equality and the authority structures in the state and the economic process. This is accompanied by Aron's lifelong criticism of those intellectuals above all in the pluralist and liberal democracies who hope that a messianic ideology will abolish all social contradictions. Aron’s sociology of international relations in the age of industrial society and globalization, which for Aron brought about the dawn of universal history, complete the overview of Raymond Aron's sociological work.

William Blake as Natural Philosopher, 1788-1795 takes seriously William Blake’s wish to be read as a natural philosopher, particularly in his early works, and illuminates the way that poetry and visual art were for Blake an imaginative way of philosophizing. Blake’s poetry and designs reveal a consistent preoccupation with eighteenth-century natural philosophical debates concerning the properties of the physical world, the nature of the soul, and God’s relationship to the material universe. This book traces the history of these debates, and examines images and ideas in Blake’s illuminated books that mark the development of the monist pantheism in his early works, which contend that every material thing is in its essence God, to the idealism of his later period, which casts the natural world as degenerate and illusory. The book argues that Blake’s philosophical thought was not as monolithic as has been previously characterized, and that his deepening engagement with late eighteenth-century vitalist life sciences, including studies of the asexual propagation of the marine polyp, marks his metaphysical turn. 

In contrast to the vast body of scholarship that emphasizes Blake’s early religious and political positions, William Blake as Natural Philosopher draws out the metaphysics underlying his commitments. In so doing, the book demonstrates that pantheism is important because it entails an ethics that respects the interconnected divinity of all material objects – not just humans – which in turn spurns hierarchical power structures. If everything is alive and essentially divine, Blake’s early work implies, then everything is worthy of respect and capable of giving and receiving infinite delight. Therefore, one should imaginatively and joyfully immerse oneself in the community of other beings in which one is already enmeshed. Often in the works discussed in this book, Blake offers negative examples to suggest his moral philosophy; he dramatizes the disastrous individual and social consequences of humans behaving as if God were a transcendent, immaterial, nonhuman demiurge, and as if they were separate from and ontologically superior to the degraded material universe that they see as composed of inert, lifeless atoms. 

William Blake as Natural Philosopher traces the evolution of eighteenth-century debates over the vitalist qualities of life and the nature of the soul both in the United Kingdom and on the continent, devoting significant attention to the natural philosophy of Newton, Locke, Berkeley, Leibniz, Buffon, La Mettrie, Hume, Joseph Priestley, Erasmus Darwin, and many others. 

This collection of poetry brings to life many of the important patterns of development in the verse of the late-Victorian period, and offers a fuller reflection of ‘decadence’ than those anthologies confined to the 1890s. ‘Major’ writers such as Tennyson, Browning, Hardy and Hopkins are presented alongside less well-known poets, fifty of whom are female, and other traditional figures such as Stevenson, William Morris and Christina Rossetti are given a fresh look. The book also contains a comparative chronology of prose 1872-1900 and of movements in the visual arts. Accompanied by an acclaimed critical commentary, the volume enables readers to discover poetry in the wider context of the literary, aesthetic and intellectual forces of the late-Victorian world as a whole.

‘Turkey’s Water Diplomacy’ first delineates the institutional and legal foundations of transboundary water policy-making in Turkey. In doing so, major actors of water diplomacy at national, regional and international levels are identified and scrutinized. Specific attention is paid to the evolution of transboundary water politics in the Euphrates–Tigris river basin since Turkish water diplomacy and its basic principles have been largely shaped through practices in this strategically important river basin. Situated at the crossroads of the Middle East, the Caucasus and Europe as the country is, Turkey’s transboundary water policy has also been shaped by geographical determinants. Interestingly, Turkey has reflected her experience in one region (i.e., Europe) on practices in other regions. ‘Turkey’s Water Diplomacy’ analyses how Turkey’s harmonization with the European Union has impacted the transboundary water policy discourses and practices, and how these changes have been reflected in its relations with its Middle Eastern neighbours. A historical account of transboundary water relations in the ET basin is enriched with the analysis of the current state of affairs in the region, such as the Syrian civil war and its repercussions on water issues.

It is striking that Turkey was one of the three countries that rejected the UN Watercourses Convention in 1997. The book elaborates on the reasons why Turkey voted against the UN Watercourses Convention. Yet, since the voting of the convention in 1997, there have been changes in Turkey’s stance vis-à-vis international water law, which the book examines and focuses on.

Turkey’s water diplomacy embodies complex water management problems, which can be best understood as a product of competition, feedback and interconnection among natural and societal variables in a political context. Hence, the book adopts the Water Diplomacy Framework with its key elements in making policy-relevant recommendations specifically for Turkey’s water diplomacy.

In the field of literary and cultural studies, interest in nineteenth-century biology has been substantial for the last 20 years, yet the focus has been almost exclusively on evolutionary theory, neglecting other branches of nineteenth-century biology. This collection corrects that imbalance, shedding light on other discoveries in cell biology, physiology, neurology and virology. It examines the issue of authority in science, demonstrating the social 'embeddedness' of the natural sciences, and gender issues. It also shows how scientists and creative writers drew on a common imagination as well as narrative techniques and stylistic devices; indeed, often inspired by the same subjects. This important new book, including contributions from some of the most distinguished experts in the field, demonstrates that the relation between literature, culture and biology in the nineteenth century is far more complex than habitual references to Darwin would have us believe.

Australia is the planet’s sole island continent. This book argues that the uniqueness of this geography has shaped Australian history and culture, including its literature. Further, it shows how the fluctuating definition of the island continent throws new light on the relationship between islands and continents in the mapping of modernity. The book links the historical and geographical conditions of islands with their potent role in the imaginaries of European colonisation. It prises apart the tangled web of geography, fantasy, desire and writing that has framed the Western understanding of islands, both their real and material conditions and their symbolic power, from antiquity into globalised modernity. The book also traces how this spatial imaginary has shaped the modern 'man' who is imagined as being the island's mirror. The inter-relationship of the island fantasy, colonial expansion, and the literary construction of place and history, created a new 'man': the dislocated and alienated subject of post-colonial modernity.

This book looks at the contradictory images of islands, from the allure of the desert island as a paradise where the world can be made anew to their roles as prisons, as these ideas are made concrete at moments of British colonialism. It also considers alternatives to viewing islands as objects of possession in the archipelagic visions of island theorists and writers.

It compares the European understandings of the first and last of the new worlds, the Caribbean archipelago and the Australian island continent, to calibrate the different ways these disparate geographies unifed and fractured the concept of the planetary globe. In particular it examines the role of the island in this process, specifically its capacity to figure a 'graspable globe' in the mind.

The book draws on the colonial archive and ranges across Australian literature from the first novel written and published in Australia (by a convict on the island of Tasmania) to both the ancient dreaming and the burgeoning literature of Aboriginal and Torres Strait Islanders in the twenty-first century. It discusses Australian literature in an international context, drawing on the long traditions of literary islands across a range of cultures. The book's approach is theoretical and engages with contemporary philosophy, which uses the island and the archipleago as a key metaphor. It is also historicist and includes considerable original historical research. 

This book explores the importance of sympathy as a central idea behind Victorian fiction, and an animating principle of novel reading generally. Sympathy, Brigid Lowe argues, deserves a much more important role as both a subject and a guiding principle for literary criticism.

Over the past thirty years, much literary theory has approached literature in general, and Victorian fiction in particular, in a spirit of suspicion. It has tried to purge criticism of the human subject, and of that distinctively human faculty, sympathy. Reading in a contrary, sympathetic mode, Lowe turns the tables on theoretical orthodoxy by submitting some of its central premises to the sympathetic suggestions of novels by Dickens, Gaskell, Eliot, Charlotte Bronte, Charlotte Yonge and Dinah Craik. Their explorations of such diverse issues as history, imagination, individual rights, family, and social responsibility, highlight sympathy as a cornerstone of human nature and humane conduct. Lowe argues that not only literary theory, but our culture more generally, would greatly profit by opening itself up to a sympathetic exchange of ideas with another age, and giving Victorian intimations of sympathy a sympathetic hearing.

Lowe’s exploration of sympathy as part of the dynamics of reading will be of interest to academics and students working on fiction in all periods, and especially to those concerned with aesthetic and critical theory. Her investigation of the role of sympathy in a range of nineteenth-century cultural debates, in particular in relation to gender and the family, should also interest cultural historians. The engaging argumentative momentum of ‘Victorian Fiction and the Insights of Sympathy’ will appeal to anyone interested in why we do, and should, go on reading Victorian fiction.

Since ancient times the exercise of individual freedoms has been inseparable from the expansion of the market, driven by the search for profit. This force, namely capitalism, has stimulated human creativity and aggression in ways that have produced immense benefits. As capitalism has broadened its scope in the epoch of globalization, these benefits have become even greater. Human beings have been liberated to an even greater degree than hitherto from the tyranny of nature, from the control of others, from poverty and from war. The advances achieved by the globalization of capitalism have appeared all the more striking, when set against the failure of non-capitalist systems of economic organization.

However, capitalist freedom is a two-edged sword. In an epoch of capitalist globalisation, its contradictions have intensified. They comprehensively threaten the natural environment. They have intensified global inequality within both rich and poor countries, and between the internationalised global power elite and the mass of citizens rooted within their respective nation. In this remarkable, expansive text, Peter Nolan explores the impact of the domineering economic phenomenon on our personal and social liberties.

’Transnational Crimes in the Americas’ emphasizes the importance of working within public, international organizations to combat transnational crimes. It documents the role of international institutions within the Americas to form a united effort against the proliferation of illicit drugs, human trafficking, weapons trafficking, money laundering and terrorism. Selected nation-states and regions in the Western Hemisphere are highlighted to illustrate how individual countries have tried a domestic policy of interdiction and failed to curtail transnational organized crime. Whether a nation is struggling to maintain public confidence in its institutions, or has substantial resources to combat crime beyond its jurisdiction, transnational crimes present a formidable challenge in the region.

Marshall Lloyd argues in ‘Transnational Crimes in the Americas’ that a regional response is the most viable means to combat transnational crimes. First, he demonstrates that the current Organization of American States (OAS) has led the way to orchestrate a united front against transnational crimes, adapting, modifying and expanding the mission of its existing organs. Moreover, the OAS has achieved some success by incorporating a sustainability model to combat illicit drugs among rural farmers. The analysis indicates that despite financial and institutional obstacles, the organization’s stainability programmes show promise in the global effort to combat drug trafficking in the Americas. 

Finally, Lloyd suggests the formation of a regional criminal court to prosecute the more egregious criminal organizations. Establishing an Inter-American Court of Criminal Justice requires some intrusion upon the sovereign powers of OAS members. Unlike the International Court of Criminal Justice, the jurisdiction of a regional tribunal is well established by existing agreements (both international and regional) that have defined transnational crimes discussed in the book. His ideas are timely, thought-provoking ideas that will have a compelling impact on legal and policy decisions about the role of the OAS and other regional organizations to combat what legal scholars have acknowledged is a crisis among all nation-states.

Epic Ambitions in Modern Times joins an ongoing critical conversation about the persistence of the epic imagination. It has been written for an audience curious about the legacy of the ancient epics and the evolution of modern epic from its older prototypes. There are three interwoven premises in its twelve chapters ranging from Paradise Lost in the seventeenth century to the work of four feminist novelists in the twenty-first. One is that the epic impulse, the ambition to attempt the previously unattempted, never disappeared even after the vehicle of the long heroic poem came to seem old-fashioned or unrepeatable. Milton, far from annihilating future epics, left his fingerprints on the work of his successors. One subtheme of the book, inevitably, is the productive afterlife of Paradise Lost and Milton’s continuing relevance to an ongoing epic tradition. The second premise follows from the first: post-Miltonic epic is a mode of imagining that can take many forms other than the multi-book poem. The impulse to produce epic did not go extinct; it simply went underground after Milton and re-emerged in unexpected places. The epic imagination, so often waterlogged in bloated long poems, has flourished in a great variety of other forms and media: in novels, history-writing, drama and opera, film and music, painting, and fantasy and science fiction.

The third premise may perplex those who remember epic only as plodding translations of The Odyssey or unpronounceable excerpts from Paradise Lost imposed on unwilling high school students. Nevertheless, the third premise is that epic is a popular and populist kind of creation; not only do artists continue to aspire to epic, audiences still relish and even clamor for it. The most obvious cases for epic as popular art appear in the chapters on film, on Tolkien, and on twenty-first century feminist rewritings of the ancient epics. But nearly all the works discussed in this book were popular in their own day. Clarissa and The Decline and Fall of the Roman Empire were eighteenth-century best-sellers; Wagner’s Ring had an immediate vogue in his lifetime and tickets to performances remain prized in our own day. Jacob Lawrence’s 60 Migration paintings caused a sensation when they were exhibited in New York in the 1940s and the whole lot was snapped up by the Phillips Collection and the Museum of Modern Art. The popularity of Tolkien—author of the century, as Tom Shippey declared him—needs no elaboration. Kushner’s Angels in America and Madeline Miller’s recent novels derived from the Iliad and the Odyssey have been phenomena of popular culture.

This book explores the pleasures and challenges of the epic imagination, the persistent appeal of epic creation for artists and of epic experience for audiences, and the scope of epic achievements in the past three centuries. Artists working in many genres and media have challenged convention and embraced newness while remaining rooted in the oldest of literary forms. These are artists who, thinking and imagining big, have produced unexpected creations. They appeal to readers fascinated by the creative process, by originality and how it is achieved, and by what lies behind and looms above the often casual and commercial epithet of “epic.”

Peter Hacker’s Insight and Illusion is a thoroughly comprehensive examination of the evolution of Wittgenstein’s thought from the Tractatus to his later ‘mature’ phase. This is a reprint of the revised and corrected 1989 edition, with a new foreword by Constantine Sandis. Hacker’s book is now widely regarded as the best single volume study covering both the ‘early’ and the ‘later’ Wittgenstein. Until this third edition, the book had been out of print for 25 years.

The portable guide takes the reader through the major themes and concepts in Wittgenstein’s works. In the name of exhaustiveness, these include: the so-called picture theory of meaning; the say/show distinction; the principle of verification; anti-metaphysics; anti-scientism; tautologies; the nature of mathematical propositions; ordinary language and nonsense; the law of the excluded middle; the Augustinian picture of language; knowledge and certainty; explanation and understanding; volition and the will; the relation of meaning to use; ostensive definition; ownership of experience; the first-person pronoun; the inner/outer; philosophical psychology; anti-solipsism; forms of life; the so-called private language argument; the autonomy of grammar; language games; and rule-following.

In so doing, Hacker gives us a picture of Wittgenstein's intellectual development: from his early conception of philosophy (influenced by thinkers as varied as the likes of Schopenhauer, Hertz, Boltzmann, Frege, and Russell), through the ‘middle period’, which began with his return to philosophy in 1929, to his later work—of which Hacker takes the Philosophical Investigations to be his masterpiece.

In recent years growing numbers of investors have been joining the community interested in not only generating financial returns but also creating positive social and environmental value in the world. “The ImpactAssets Handbook for Investors” offers an introductory overview for those interested in investing their capital in a sustainable, responsible and impactful manner.

The handbook offers insights and approaches to developing strategy as well as an understanding of the issues and considerations of impact investors in practice. In addition to discussions of portfolio structure and strategy, the handbook offers an overview of due diligence necessary to assess potential investments, a discussion of communications and performance measurement issues and other factors key to managing capital for multiple returns.

With contributions from some of the field’s leading experts in impact investing, “The ImpactAssets Handbook for Investors” will provide the reader with both broad advice and specific guidance on how to become best positioned to engage in impact investing as an asset owner, both large and small. While not an “answer book,” the handbook offers practical insights and presents critical questions every investor should consider in creating an investment strategy and executing the deployment of investment capital.

The historical schools of economics have been neglected within the arena of economic theory since the Second World War in favour of the now-dominant classical and neoclassical schools of economic thought. ‘Torkel Aschehoug and Norwegian Economic Thought’ offers a revaluation of the historical-empirical approach to economics that the Norwegian legal theorist and politician Aschehoug became renowned for during the last decades of the nineteenth century up to his death in 1909.

Fasting approaches Aschehoug’s economic thought in relation to his Norwegian colleagues, as well as the dominant international economists of the time. This comparison shows a theoretical affiliation with Gustav von Schmoller, in particular, through Aschehoug’s major work ‘Socialøkonomik’, as well as British economist Alfred Marshall’s marginal theory.

Fasting blends a historical account of the dominant economic models of the late 1800s with a review of contemporary theory through recent economic crises. This work argues that Aschehoug’s ‘Socialøkonomik’ is strikingly relevant to a present-day readership, revealing itself as a work which offers real insight into the reasons for economic collapse.  

Bestsellers in Nineteenth Century America seeks to produce for students novels, poems and other printed material that sold extremely well when they first appeared in the United States. Many of the most famous American works of the nineteenth century that we know today — such as Herman Melville’s Moby-Dick — were not widely read when they first appeared. This collection seeks to offer its readers a glimpse at the literature that lit up the literary horizon when the works were first published, leading to insights on key cultural aspects of the nineteenth-century United States and its literary culture.

Nikolai Gretsch's Travel Letters is a fully translated English edition of a three-volume account published by Nikolai Gretsch (1787–1867) in Russian in 1839.  In the original Russian, Gretsch describes his travels in post-Napoleonic England, France, and Germany in 1837 at the behest of the Russian Empire.  

Gretsch had been asked to travel into Western Europe to examine the educational systems and report his findings to the Russian government.  However, he was more than just a functionary.  He was a journalist, novelist, and philologist.  For nearly three decades, he published a journal called Son of the Fatherland, and he was able to convince many influential Russian thinkers of the time to contribute to the periodical.  Later, he would publish The Reader’s Library and then The Northern Bee.  The former was a short-lived magazine, but the latter was a newspaper that remained in circulation for almost three decades.  As these accomplishments suggest, Gretsch was an intellectual—a person who looked beyond the surface-level of his existence to seek deeper meaning.  

In consequence, as he travelled through England, France, and Germany, his sharp mind absorbed far more than just the details of the educational systems he had been sent to investigate.  He noticed the cultural norms in his surroundings, the history of each country, and the personal experiences of the people he met.  When he returned to Russia, Gretsch assembled his entertaining and often humorous personal observations into the three-volume edition that was published in St. Petersburg in 1839 — not long after Napoleon’s final defeat.  His astute observations provide a rich contemporary resource for information about the countries he visited.  The observations are all the more relevant since they come from the viewpoint of an outsider.  Additionally, as a result of his government position, Gretsch was able to move in social circles that would have been closed to many other people.  In England, he once found himself in the same room with the future Queen Victoria, for example, and in France, he had lunch with Victor Hugo.  Given the new historicist slant of modern literary and cultural studies, Gretsch’s observations offer a treasure-trove of contextual information that will be valuable to history and literature scholars as well as to general readers interested in cultural interactions during the nineteenth century.  This narrative has never before been translated into English in its entirety. 

This book seeks to identify the main threads of a resolutely complex course of thought which has contributed greatly to sociology. Although he founded no “school,” Raymond Boudon certainly made original contributions to the discipline in his own time, including his theory of rationality, his interpretation of the work of the founders of sociology, and his explanation of educational inequalities. He also presented convincing arguments about how the overly narrow utilitarianism of mainstream economists was incomplete and betrayed major theoretical gaps. It is true in any case that his thought laid the groundwork for many theoretical and empirical social studies. Through an analysis of the most important parts of this thought, each of the chapters will not merely demonstrate the scientific rigor which can be associated to his work, but also show how it remains relevant to our understanding of contemporary society and how it can hence be used for future research projects.

There can be no doubt, Boudon’s thought has for various reasons undergone new assessments. Chapters included in this book hence reflect a variety of points of view on how his work can be understood, criticized, and used for future research endeavors.

The authors of this book are from different horizons. The present collection of essays, as will be seen, includes contributors from no fewer than two or three generations of social scientists whose thinking is rooted in many different intellectual traditions. Yet, these scholars all share in common a special concern for how Boudon’s work can be seen as being of great importance for the proper understanding of social phenomena.