Democratization is a field where unexpected and sudden events have repeatedly challenged conventional wisdom. For example, who in the mid-1970s would have foreseen the democratization of Cambodia, Albania, South Africa or East Timor? Our current ‘wave’ of democratization is complex and diverse and understanding it requires a variety of theoretical approaches.

Most of the literature on democracy assumes that it is the best form of government. Theoretical works on democratic transition and democratization have also emphasized the internal conflict resolution capacity of democracy. It has been reasoned that democracy reduces the likelihood of discrimination, especially of ethno-political minorities, and thus the possibility of political repression. However, the democratic peace theory has not been explicitly tested with reference to third world post-colonial states, where most internal violent conflicts take place. Certainly, there is a dearth of practical advice for policy makers on how to design and implement democratic levers that can make internal peace and stability endure in the South.

This volume, drawing on the work of a variety of scholars, will contribute to identifying and understanding the challenges and opportunities of this ‘democratization project’ to the peace and development of the world both at the domestic level in selected countries, trends in regions of the world, and in the global system of the post-Cold War Era.

More and more, just a few canonical classics, such as Michael Curtiz’s “Casablanca” (1942) or Victor Fleming’s “Gone With The Wind” (1939), are representing the entire output of an era to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s?

For the most part, these films will be forgotten, and their makers with them. Wheeler Winston Dixon argues that even obvious historical markers such as Alfred Hitchcock’s “Psycho” (1960) represent shockingly unknown territory for the majority of today’s younger viewers; and yet once exposed to these films, they are enthralled by them. In the 1980s and 1990s, the more adventurous video stores served a vital function as annals of classic cinema. Today, those stores are gone and the days of this kind of browsing are over.

This collection of essays aims to highlight some of the lesser-known films of the past – the titles that are being pushed aside and forgotten in today’s oversaturation of the present. The work is divided into four sections, rehabilitating the films and filmmakers who have created some of the most memorable phantom visions of the past century, but who, for whatever reason, have not successfully made the jump into the contemporary consciousness.

This book is an overview and analysis of the global tradition of the outlaw hero. The mythology and history of the outlaw hero is traced from the Roman Empire to the present, showing how both real and mythic figures have influenced social, political, economic and cultural outcomes in many times and places. The book also looks at the contemporary continuations of the outlaw hero mythology, not only in popular culture and everyday life, but also in the current outbreak of global terrorism.

The book also presents a more general argument related to the importance of understanding folk and popular mythologies in historical contexts. Outlaw heroes have a strong purchase in high and popular culture, appearing in film, books, plays, music, drama, art, even ballet. To simply ignore and discard such powerful expressions without understanding their origins, persistence and especially their ongoing cultural consequences, is to refuse the opportunity to comprehend some profoundly important aspects of human behaviour. These issues are pursued through discussion of the processes through which real and mythical outlaw heroes are romanticised, sentimentalised, sanitised, commodified and mythologised. The result is a new position in the continuing controversy over the existence the ‘social bandit’ that highlights the central role of mythology in the creation and perpetuation of outlaw heroes.

Kunqu, recognised by UNESCO in 2001 as part of the Intangible Cultural Heritage of Humanity, is among the oldest and most refined traditions of the family of genres known as xiqu or “Chinese opera.” Having survived the turmoil of the Chinese twentieth century, the art form’s musical and performance traditions are being passed on by senior artists in several major cities of the Yang-tze River basin as well as Beijing. Xiqu studies have so far focused on the textual basis of performance, while the transmission of performance technique and the shifts and refinements of tradition have been left largely unexplored. This book consists of explanatory narrations, selected and translated from among an extensive Chinese-language collective endeavour in Chinese. 

Each translated account by a master performer sheds light on the human processes—technical, pedagogical, ideological, social— that create a particular piece of theatre and transmit it over time. These translations allow actors’ voices to be heard for the first time in international theatre and performance studies, while the annotations allow the reader to place these narratives in historical, literary, discursive, and aesthetic contexts. 

Close critical attention to the nature of transmission shows how concepts such as “tradition” are in fact the sites of constant elaboration and negotiation. Far from being a museum genre, kunqu reveals itself through these explanatory narrations as a living and changing art form, subject to the internal logic of its technique but also open to innovation. Methodologically, this work breaks new ground by centering the performers’ perspective rather than text, providing a different gaze, complement, and challenge to performance-analysis, ideological, sociological, and plot-based perspectives on xiqu.

This book explores the history of hypertext, an influential concept that forms the underlying structure of the World Wide Web and innumerable software applications. Barnet combines an analysis of contemporary literature with her exclusive interviews with those at the forefront of the hypertext innovation. She tells both the human and the technological story, tracing its path back to an analogue device imagined by Vannevar Bush in 1945, before modern computing had happened.

‘Memory Machines’ offers an expansive record of hypertext over the last 60 years, pinpointing the major breakthroughs and fundamental flaws in its evolution. Barnet argues that some of the earliest hypertext systems were more richly connected and in some respects more flexible than the Web; this is also a fascinating account of the paths not taken.

Barnet ends the journey through computing history at the birth of mass domesticated hypertext, at the point that it grew out of the university labs and into the Web. And yet she suggests that hypertext may not have completed its evolutionary story, and may still have the capacity to become something different, something much better than it is today.

In this highly readable book, Doyle McCarthy covers some of the main ways that emotions have become important in our global societies. She explains that emotional culture is important for understanding today’s world, its markets, its politics and its mass media. To live today is to be emotionally intelligent in our relations and in our workplaces. In the modern age, global capitalism and mass media have shaped our emotions and made us more emotional. Public life has become a place where we search out emotional happenings: at shopping malls, concerts, sports events, memorials to death and disaster and in the pursuit of sports.

With the Asian economic upsurge in the recent decades, diasporas have emerged as significant agencies of the cultural diplomacy of respective nation states. Two of the most significant diasporic communities, the Indians and the Chinese, have long histories of migration to different corners of the world with considerable visibilities in different geo-political demographies. They have created many different local sites of interaction between themselves and with the host communities, particularly in Southeast Asia. The emerging concepts of ‘knowledge economy’, ‘global capitalism’, new trends of entrepreneurship, and a gradual shift of the economic power to the East has brought about a revision of relationships between homeland, diasporas and the different host nation-states.

This interdisciplinary collection of essays offers a window onto the overseas Indian and Chinese communities in Asia. Contributors discuss the interactive role of the cultural and religious ‘other’, the diasporic absorption of local beliefs and customs, and the practical business networks and operational mechanisms unique to these communities.

Growing out of an international workshop organized by the Institute of Southeast Asian Studies in Singapore and the Centre of Asian Studies at the University of Hong Kong, this volume explores material, cultural and imaginative features of the immigrant communities and brings together these two important communities within a comparative framework, and offers an example for further cross-disciplinary comparative study of this type.

Wittgenstein and Modernist Fiction: The Language of Acknowledgment shows how early twentieth-century economic and social upheaval prompted new ways of conceptualizing the purposes and powers of language. Scholars have long held that formally experimental novels written in the early twentieth century reflect how the period’s material crises—from world wars to the spread of industrial capitalism—call into question the capacity of language to picture the world accurately. This book argues that this standard scholarly narrative tells only a partial story. Even as signal modernist works by Virginia Woolf, Nella Larsen, William Faulkner, and others move away from a view of language as a means of gaining knowledge, they also underscore its capacity to grant acknowledgment. They show how language might matter less as a medium for representing reality than as a tool for recognizing others. 

The book develops this claim by engaging with the philosophy of Ludwig Wittgenstein. Writing in 1945, in the preface to Philosophical Investigations, Wittgenstein laments, “It is not impossible that it should fall to the lot of this work, in its poverty and in the darkness of this time, to bring light into one brain or another—but, of course, it is not likely.” Worrying that “the darkness” of this historical moment renders his words unintelligible, Wittgenstein echoes the linguistic skepticism that scholars have found in literary modernism. But the Investigations ultimately pushes back against such skeptical doubts by offering a vision of language as a set of shared human practices. Even when it comes to a word like “pain,” which seemingly gestures toward something absolutely private and individual, Wittgenstein indicates that we learn what “pain” means by familiarizing ourselves with the contexts in which people use the term. In his pioneering reading of the Investigations as a “modernist” work, Stanley Cavell argues that Wittgenstein’s distinctive response to the problem of skepticism consists in the view that “other minds [are] not to be known, but acknowledged.”

The book argues that this concept of acknowledgment, as articulated implicitly by Wittgenstein and explicitly by Cavell, enables a broader reconceptualization of modernist fiction’s stance toward the referential capacities of language, and it bears out this claim by reading a series of modernist novels through the lens of Wittgenstein’s philosophy. From the residence halls of Cambridge to the farmsteads of rural Mississippians, the early decades of the twentieth century sowed serious doubts about the ability of individuals to find shared criteria for the meanings of words: the greater convenience of travel led to increased cross-cultural misunderstandings; technological developments facilitated new modes of race-, class-, and gender-based oppression, and two world wars irrevocably shattered an earlier generation’s optimism about the inevitability of political and moral progress. In this light, Wittgenstein and Modernist Fiction contends that modernist representations of consciousness strive to capture the inner lives of socially marginalized figures, seeking to facilitate new forms of intimacy and community amongst those who have survived crushing losses and been subject to deeply isolating social forces. 

Multiculturalism has been a topic of scholarly exploration for almost fifty years. Most recently, these explorations have sought to respond to growing public sentiment that the multicultural ideal, borne out of Western liberalism, has failed. Indeed, ‘multiculturalism is dead’ has been a popular catch cry in Anglo- and Western-European countries for the past decade. Significantly, the continued discussion about the success or otherwise of multiculturalism registers the topic as alive as ever (albeit in a mode of crisis) and one that shows no signs of disappearing.

There are currently two main scholarly approaches to the so-called crisis of multiculturalism. The first approach retains the importance of multiculturalism by inflating and promoting its positive attributes. The second approach problematizes multiculturalism by retexturing its meaning and attempting to reconnect its political/theoretical domain with its ordinary manifestations. In some instances, the second approach renounces the concept of multiculturalism altogether, positioning it as a past phenomenon. Both approaches frequently mirror broader trends in cultural studies and artistic domains by turning to ‘the everyday’, using on-the-ground experiences as a tool to redefine the meaning of multiculturalism. But what work is done in the name of the everyday? Is ‘the everyday’ really a sanctioned, authentic space where cultural difference exists beyond the State? These are questions that neither approach takes seriously nor appropriately addresses. 

This modern book addresses this oversight by taking the everyday of everyday multiculturalism to task and doing so via the increasingly popular and everyday medium: digital storytelling. The ‘digital’ is an important node of analysis, not only because it has so far been overlooked in studies of everyday multiculturalism, but because its immateriality often affords it a distance from critical analyses pertaining to material effects. This book forefronts the materiality of digital storytelling by closely considering how the genre enables racialization to manifest at the level of the body. How does the genre compel the creators of digital stories to embody and/or reject racialized structures associated with concepts of multiculturalism? What do these stories tell us about the way multiculturalism is mediated and, importantly, how it might be re-mediated?

As we enter an era of unprecedented global mobility, discussions pertaining to cultural difference and the systems used to negotiate it become more frequent and more complex. This book makes a timely intervention into these discussions to both consolidate and reimagine the rocky terrain of multiculturalism, providing a valuable resource for scholars in cultural studies, media and internet studies, and ethnic and race studies. Additionally, the book provides a foundation for rethinking digital narrative production pertaining to cultural difference, giving it a practical purpose for educators and digital practitioners alike.

Vladimir Voinovich’s Tribunal: A Courtly Comedy in Three Acts is a wildly satiric send-up of the 1960s/1970s Soviet show-trials by one of the most famous Soviet dissidents, who was also sometimes called 20th Century Russia’s ‘greatest living satirist.’ Based upon his reaction to the Sinyavski/Daniel trial in 1966, which caused him to begin to write scathingly critical letters to Premier Leonid Brezhnev and the Soviet Writer’s Union and finally resulted in his expulsion from the Soviet Union in 1981, Voinovich’s Tribunal is a monument to the Soviet dissidents of the Cold War period and a sardonic critique of the censorship and persecution of dissident writers everywhere. Following in the classical tradition of the theatre of the absurd that stretches from Aristophanes to Sartre, Frisch, and Havel, Voinovich’s comedy describes the black humoresque high jinks and wildly outrageous shenanigans that dizzily unfold when an unsuspecting couple of Soviet citizens, Senya and Larissa Suspectnikoff, clutching their free tickets in their innocent hands, walk into a crowded theatre, expecting to watch a Chekhovian comedy, only to become caught up in the sinister machinations of this Soviet criminal tribunal and its madcap version of the Moscow show trials. 

When The Suspectnikoffs arrive at the theater, they are surprised to find that the stage-sets for this curious theatrical production strangely resemble the precincts of a Soviet criminal justice tribunal, complete with tables and benches for The Prosecutor and The Public Defender and a wild beast-cage for The Defendant. There is also a Greek statue of The Goddess of Justice, Themis, who holds in her outstretched hand the wavering scales of Soviet justice, with on one pan, a hammer-&-sickle, and on the other, a Kalashnikoff. After a few uneasy moments while the stagehands put the props in place, The Bard strolls on stage and strums a few tunes on his guitar, in the futile attempt to set the audience at ease. But from outside the theater come the frightening sounds of screaming police-sirens and the flashing red-and-blue lights of an automobile cortege rushing past at great speeds; and when the hysterical rush of the speeding automobiles has passed, The Tribunal Members (The Chairman, The Secretary, and The Prosecutor, et al.) appear from the wings, strutting onstage in a burlesque chorus-line to the accompaniment of thunderous canned applause. And after this chorus-line of Communist Party bureaucrats has taken their places in the theater, the spectators are chilled to watch as black-clad security-police with submachine-guns appear at the theater-doors, blocking all the exits; and they discover, to their dismay, that they have become the captive audience in a mock-up version of a Stalinist show-trial. And so the third wall falls on this courtly theater, blurring the distinction between fiction and fact, falsehood and truth, nightmare and reality, as Voinovich describes the plight of Soviet citizens held hostage in the strange atmosphere of delirium and unreality that was characteristic of the declining and falling Soviet Union during stagnant chill of the 1970s Brezhnev years.

After a few more uneasy moments, Larissa stands up and whispers: “Senya, I don’t understand what’s going on here! Why are there so many people with guns?” To which Senya replies: “Oh, calm down, Lara! Why are you so nervous? It’s just a show!” The Suspectnikoffs do not realize that by questioning this sinister tribunal, they are destined to become the defendants in a Soviet show-trial. But the show-trial must go on! And as The Chairman says, “Where there’s a show-trial, you know, we need somebody to try!” Senya protests his innocence and attempts to get away. But protestations of innocence have no bearing on these proceedings. And by the end of Act I Scene 1, Senya has been arrested and placed in the defendant’s cage, while his faithful wife, Larissa, still stands behind her man, pleading for his release without quite believing in either his guilt or his innocence. And so Vladimir Voinovich’s Tribunal: A Courtly Comedy in Three Acts also goes on, wavering dizzily between the extremes of sardonic comic bathos and seriocomic tragedy, until Suspectnikoff finally becomes a world-famous dissident, calling upon the world’s leaders of to rise to his defense and inspiring protest movements in the Western democracies. But is Suspectnikoff to be admired for his heroic posturing? Or has he simply submitted to the pressures of the Western media to play the stereotyped role of The Soviet Dissident, who then becomes a pawn in the sinister spy-games of the Cold War superpower standoff between the U.S. and the U.S.S.R? The staggering climax of this absurdist melodrama leaves these difficult questions suspended in doubt as Suspectnikoff is dragged offstage and the stage-curtain falls on the whole cast of characters and the no-longer-innocent spectators of Tribunal: A Courtly Comedy in Three Acts.

Written in reverse, the chapters go backwards. The book starts from present (approximately Chapter 50, 2020, back 30 years, to Chapter 20, 1990). The story coincides with an imbedded “road itinerary.” Years are rarely mentioned in the text; and, in most cases, only initials are used for all characters. People, places and things are all real in relation to the timeline. The work involves the interpolation of common conversations—from sources such as texting and emails—to shed light on the fallibility of human relations. To a large degree, and within reason, the length of conversations are meant to be overbearing, countered by other aspects of the writing. Ron Westray’s father and grandfather’s stories are imbedded in the work. His mother’s free-verse-poetry is the muse/soul that binds the work together like a second, invisible narrator.

‘Holland House and Portugal’, a study in political and diplomatic history, focuses on the relations between Lord Holland and Portugal from 1793 to 1840. The book traces the evolution of Holland’s views on Portugal from the time of his first visit to Spain to his later contribution to the establishment of a constitutional regime in Portugal. It pays particular attention to the Hollands’ visits to Portugal in 1804–5 and 1808–9. On their travels, they met a number of prominent Portuguese, notably Palmela, who were to remain in contact with Holland House for many years. The Portuguese journeys and the continuing contact with people like Palmela were to play an important part in the development of Lord Holland’s views, not only on Portugal but also on broader political and constitutional issues.

Thus ‘Holland House and Portugal’ investigates Lord Holland’s influence on the establishment of a constitutional regime in Spain in 1809–10 and – indirectly and unintentionally – in Portugal in 1820–23. It includes a study of Holland’s contribution to the creation of a government in Brazil in 1808 – when the Braganças moved from Portugal to Rio de Janeiro – and his indirect influence on the establishment of the United Kingdom of Portugal, Brazil and the Algarves in 1815.

Lord Holland’s contribution to the establishment of a Liberal regime in Portugal in 1834 is examined at some length in ‘Holland House and Portugal’. The book includes a study of the extent of Holland’s support for the Portuguese Liberal Cause after Dom Miguel’s usurpation of the throne in 1828 and of his subsequent role in the ‘Liberal invasion’ of Portugal. To this end it investigates relations between Portuguese émigrés and the Holland House Circle, and Holland’s role in the triangular diplomacy between Lisbon, St James and South Audley Street in 1828 and later. Finally, it considers Holland’s contribution to the end of the Portuguese Civil War in 1834 and to the subsequent establishment of a constitutional regime in that country.

Subscription-video-on-demand (SVOD) services are available on many online video streaming platforms (VSPs) in China, such as iQiyi, Youku, and Tencent Video, backed by Baidu, Alibaba, and Tencent groups (BAT), respectively. The video content on these platforms matches those broadcasted on national or provincial television, or originally produced and exclusively streamed on the VSP. Meanwhile, VSPs purchase the distribution rights of foreign films and television series to enrich the content pool—for instance, the first season of the U.S. sitcom Friends (1994) is now available on Tencent Video. The content on VSPs can be viewed on a computer screen, iPad, or cell phone or be streamed on the television screen, facilitated by 4G or 5G networks. Audiences now have the option of watching video alone on their preferred screen while interacting with other viewers through bullet screen comments. So television has grown to be an increasingly flexible and dynamic mode of communication.

In this context, this book aims to provide an account of Chinese television, particularly online drama series, or webisodes, with an awareness of the existence and competition of Netflix. Currently, Chinese VSPs of webisodes cannot defeat Netflix in terms of production value, nor can they be like Netflix, as is the case for its Belgian alternative. The chapter analyzes the strategies that these VSPs deployed for survival and development. However, the media convergence of broadcasting, telecommunications, and the internet is far more complicated than technology convergence. It involves negotiations of power relations, commercial interests, and national cultural security concerns. 

Traditional models of TV drama distribution are being transgressed. China Central Television (CCTV) and provincial stations no longer dominate the market. TV drama release schedules have changed from “TV station first, internet later” strategies to synchronous schedules, or even “internet first, TV station later” strategies. Audiences 18 to 30 years old represent 67.2% of the audience of TV dramas online. The relationship between state administration and VSP marketization is by no means straightforward or easy to grasp. It is a consensus among Chinese television scholars that there is a paradox between implementing a neoliberal strategy of marketization and maintaining control over ideology and national cultural security. TV drama production and consumption are at the center of this paradoxical relationship. This book, therefore, covers topics on business strategies of VSPs, original content production trends, trans-media stories telling cases, practitioner insights, and audience behavior. 

Communication and Colonialism in Eastern India: Bihar, 1760s–1880s' departs from the dominant scholarship in South Asian history that focuses narrowly on railways, and instead argues that any discussion of railway-generated changes needs to see such changes, at least up to the 1880s, as situated amidst existing patterns and networks of circulation within which roads and ferries were crucial. The volume also offers a detailed exploration of early colonial policies on road building and ferry improvement – an area that has hitherto remained unexplored.

Just as the new development of steam technology required and necessitated ‘lateral growth’ alongside the older technologies, so too were trade linkages marked by the interconnectedness of local and supra-local ties in which the world of peddlers intersected with that of native merchants and capitalist sahibs. This volume contends that the history of colonial communication is not a story of ‘displacement’ alone – either of one means by another or of one group by another – but also of realignment. Combining the understanding of production of knowledge about routes with the ways the practice of surveying and mapping led to territorial construction of the national space of India, this book reinterprets the ‘colonial state–space’ as constituting a series of layered components, both of ‘inherited spaces and networks’ from pre-colonial times and of the processes of objectification that colonial rule initiated.

The aim of this volume is to contribute to the ‘history of social spaces’, a new field of study in which neither cultural nor economic discourse is overridden by the other. This is achieved via a micro-historical study of local circulatory regimes, together with an exploration of colonial and imperial cultural discourses on communications.

Ruskin Bond's life - and, for that matter, his semi-autobiographical works - are allegories of the colonial aftermath. His is an odd but exemplary attempt at absorption as a member of the Anglo-Indian ethnic minority, a community whose role in the shaping of the postcolonial Indian psyche has yet to be systematically analysed. This study explores the dialogue between the biographical and authorial selves of Ruskin Bond, whose subjectivity is informed by the fantasies of space and time.

Bond's experiences of socio-political discrimination underwrite his repressed concerns. He seeks to allay his anxieties through an attempt to signify defiance of the functional agencies of those parameters, which ironically become more active as he attempts a symptomatic mastery of their inductive agencies. Nevertheless, for a nostalgic writer the unconscious - which is shaped by the impressions of the experiences of negotiation between double inheritances - exerts a problematic yet discerning influence on Bond's literary self. This study offers a chronological reading of Bond's texts, seeking to bring out the constant presence of this repressed anxiety and the psychological compulsion to dramatize the Self-Other dynamics as a symptomatic method to acquire a conviction of the self.

The book, anchored in stimulating debates on enlightenment ideas of the public that culminated and ended in the early 20th century, focuses on historical changes in the core phenomena of publicness: possibilities, conditions and obstacles to developing a public sphere in which publics create, articulate and express public opinion by means of reflexive publicity within an established democratic public culture. Specifically, it is focused on three central topics:

• a general historical transformation from “opining” – essentially some people’s view of what “the public” thought – through the identification of “public opinion” in opinion polls, up to the contemporary establishment of “what people think/want” using computer-based analysis of the big data available from digital records, in which the enlightenment idea of public expression of opinion has been replaced by the technology of extracting opinions; 
• the origins and consequences, and the similarities and differences of the rise and fall of two related concepts – public opinion and the public sphere – in historically particular periods, which have in common that they both lie in the boundary area between normative-theoretical and empirical orientation and suffer from unreliable definition and operationalization, which can only be resolved by a closer connection between the two concepts and areas.
• a specific historical intervention created by the domestication of the German concept Öffenntlichkeit in English as “the public sphere,” heralding a new critical impetus in theory and research of publicness at a time when critical social thought sharply criticised and even abandoned the notion of public opinion due to its predominantly administrative use.

The book seeks to transcend the division into normative-critical theoretical conceptualisation and “constructive” empirical application in the social sciences to show how critical theory can be empirically applicable and empirical research normatively constructive, and to demonstrate the need for greater connectivity between them. 

Focusing specifically on the poetic construction of India, ‘Mapping the Nation’ offers a broad selection of poetry written by Indians in English during the period 1870–1920. Centering upon the “mapping” of India – both as a regional location and as a poetic ideal – this unique anthology presents poetry from various geographical nodal points of the subcontinent, as well as that written in the imperial metropole of England.

The anthology’s selection defines India in various ways: as being against Britain in loyalty and/or critique; in “exile” in or through memories of England; through a reconstructed past; through satirical or earnest depictions of her contemporary politics; through depictions of the subcontinent’s landscape and scenery; through her various regions and their inhabitants, customs, cultures and religions; or through odes to British and Indian literary figures and politicians. This rich bounty of content is complemented by an equally detailed array of auxiliary notes, including annotations and appendices of poets’ prefaces, assessments of other contemporaries, and a collection of formerly lost archive material.

As becomes evident, the diversity of India’s imagining by her poets during this period corresponds to the diversity of her inhabitants and geography. In grouping its poetry according to region of publication, this anthology makes a structural innovation that negotiates the politics of locality, nation and empire by acknowledging the importance of all three terms in constructing an Indian national and cultural identity during the late nineteenth and early twentieth centuries.

The changes triggered by the global financial crisis in 2008, the immigration flows and the covid-19 pandemic in contemporary societies have transformed the way individuals communicate, create content, and ‘consume’ publicly available information. Consequently, political, societal, and financial pressures have led to alternative forms of media practice and representations and disrupted the core relationships and dynamics between politics, journalism, and society.

In this context, several challenges emerge which are related to deeper social and cultural changes. Such challenges influence political communication and its relationship with the media and further impact the boundaries between private and public domains. Some of these challenges also constitute a direct challenge to democratic values and in some cases work against the preservation and strengthening of democracy. Moreover, all these developments are taking place at a time when democracy itself and its ‘chronic diseases’ are under criticism by new forms of authoritarianism and totalitarianism.

This edited book examines the key challenges in political discourse and journalistic practice in times of crisis. It focuses on European paradigms and links political rhetoric and media challenges with the societal, political, and financial crises from 2008 until the present.

'Sciences' were named and formed with great speed in the nineteenth century. Yet what constitutes a 'true' science? The Victorian era facilitated the rise of practices such as phrenology and physiognomy, so-called sciences that lost their status and fell out of use rather swiftly. This collection of essays seeks to examine the marginalised sciences of the nineteenth century in an attempt to define the shifting centres of scientific thinking, specifically asking: how do some sciences emerge to occupy central ground and how do others become consigned to the margins? The essays in this collection explore the influence of nineteenth-century culture on the rise of these sciences, investigating the emergence of marginal sciences such as scriptural geology and spiritualism. 'Repositioning Victorian Sciences' is a valuable addition to our understanding of nineteenth-century science in its original context, and will also be of great interest to those studying the era as a whole.

The Critical Edition of the Mahābhārata, completed between 1933 and 1966, represents a landmark in the textual history of an epic with a nearly 1500-year history. Not only is the epic massive (70,000 verses in the constituted text, with approximately another 24,000 in the Vulgate) verses, but in its various recensions, versions, retellings, and translations it also presents a unique view of the history of texts, narratives, ideas, and their relation to a culture. Yet in spite of the fact that this text has been widely adopted as the standard Mahābhārata text by scholars, there is as yet no work that clarifies the details of the process by which this text was established. Scholars seeking clarification on the manuscripts used or the principles followed in arriving at the Critical Text must either rely on informal scattered hints found throughout academic literature or read the volumes themselves and attempt to follow what the editor did and why he did so at each stage.

This book is the first work that presents a comprehensive review of the Critical Edition, with overviews of the stemmata (textual trees) drawn up, how the logic of the stemmata determined editorial choices, and an in-depth analysis of strengths and drawbacks of the Critical Edition. Not only is this work an invaluable asset to any scholar working on the Mahābhārata today using the Critical Edition, but the publication of an English translation of the Critical Edition by Chicago University Press also makes this book an urgent desideratum.

Furthermore, this volume provides an overview of both historical and contemporary views on the Critical Edition and clarifies strengths and weaknesses in the arguments for and against the text. This book simultaneously surveys the history of Western interpretive approaches to the Indian epic and evaluates them in terms of their cogency and tenability using the tools of textual criticism. It thus subjects many prejudices of nineteenth-century scholarship (e.g., the thesis of a heroic Indo-European epic culture) to a penetrating critique. Intended as a companion volume to our book The Nay Science: A History of German Indology (Oxford University Press), this book is set to become the definitive guide to Mahābhārata textual criticism. As both a guide into the arcane details of textual criticism and a standard reference work on the Mahābhārata manuscript tradition, this book addresses a vital need in scholarship today.

This fascinating book, based on extensive archival research in Britain and India, examines why mutineer-rebels chose to attack prisons and release prisoners, discusses the impact of the destruction of the jails on British penal policy in mainland India, considers the relationship between India and its penal settlements in Southeast Asia, re-examines Britain’s decision to settle the Andaman Islands as a penal colony in 1858, and re-evaluates the experiences of mutineer-rebel convicts there. As such this book makes an important contribution to histories of the mutiny-rebellion, British colonial South Asia, British expansion in the Indian Ocean and incarceration and transportation. Coinciding with the 150th anniversary of the mutiny-rebellion, this book will be of interest to academics and students researching the history of colonial India, the history of empire and expansion and the history of imprisonment and incarceration.

What happens when the dramatic art of Molière is unleashed onto the stage and explodes into new life? ‘Molière on Stage’ takes the reader onstage, backstage and into the audience of Molière’s plays, analyzing the performance of his works in both his own time and ours. Written by a professional stage director with over fifty years of experience directing and translating Molière, this original, in-depth study allows the reader to see how the playwright’s lines have been brought to new life on stage throughout the centuries.

The text explores how Molière strove to create a communal experience of shared laughter that fulfilled the universal need for union, and focuses on four key topics: the elements of Molière’s early life that are evidenced in his later theater works; his great central plays that focus on love and lust; his comedic genius and his passion for the theater; and the final words and performances of his vivid and exceptional life. Inspired by the actions of the great French masters, the text pays homage to the interpretations of Molière offered by the playwright himself, Louis Jouvet, Jacques Copeau and Jean-Louis Barrault, as well as those staged by American actors and directors such as Ron Leibman, Stephen Epp, Steven Wadsworth, Robert Falls and the author.

Womanizer – Delinquent – Glutton – Deserter; Visionary – Linguist – Explorer – Hermit. The lexical fields do not match, yet both sets of descriptors apply to one man: Blessed Charles de Foucauld (1858–1916), one of nineteenth-century France’s most complex and challenging figures. Upon graduation from the prestigious École de Saumur, Foucauld went to North Africa with his cavalry regiment. In a sense, he never went home: the desert had called to him, converted him even, and the once-renegade scion devoted the rest of his life to studying the land and culture of North Africa and preserving its language and traditions. The two halves of his life part almost mathematically: a dissolute, disconsolate orphan whose wealthy family, peers, and superiors did not know what to do with him; and then an intuitive, dedicated scholar and priest who revolutionized European knowledge of Morocco’s geography and culture, and defied the mission civilisatrice by refusing to evangelize the Berber population among whom he lived. Foucauld’s biography typically divides into these two sections, with his youth glossed almost as a fleeting adventure and clear priority assigned to his later years as a hermit and spiritual director.

This book seeks to turn that model on its head. Rosemary Peters-Hill provides an in-depth examination of the year Foucauld spent exploring Morocco in 1883–1884, after he had resigned his army commission and taught himself Arabic and Hebrew. This book is more than merely a translation: it is a meticulously researched and documented critical edition that addresses the history of nineteenth-century French colonial endeavors and Moroccan resistance to them; cultural traditions and spaces within the closed country where Foucauld sojourned; the intersections of language, politics, and economics with religion; the praxis of Arabic and Berber interactions and the ways in which official cartographies neglect local knowledge of tribal and seasonal rituals; and the failures of Empire when it comes to defining or delimiting national identity. Peters-Hill, as a literary scholar, also brings to bear a careful examination of Foucauld as author: the ways he pitched his account toward government bodies likely to pay attention to them, his use of literary tropes within his memoir, his narrative agency. And the way these things change: through Foucauld’s encounter, and increasing identification, with Morocco as not just a backdrop for imperial expansion but a subject and a plurality of voices in its own right. As Foucauld’s narrative advances, so too do its Arabic inflections, its lyricism about landscape and cultural practices, its investment in documenting and preserving Morocco’s own specific history. Another, much later, Foucault (Michel) would write that space itself has a history: he might well have been inspired by Charles de Foucauld’s conversion and dedication to the specific selves and possibilities discovered during his immersion in Moroccan space.

Peters-Hill has written a study of Charles de Foucauld’s youthful undertaking in unknown territory that seeks to represent as honestly as possible both the evolution of Foucauld’s mindset regarding French engagement in Morocco and the consequences of his work in that country. While delving into how the author is changed by Morocco, she nonetheless holds Foucauld accountable for his nationalist and religious biases, the details he discounts or ignores, the unavoidable oversights in such a brief cultural encounter, the things he got wrong. She situates Foucauld’s year in Morocco as the exegesis of his ultimate desert calling, the transformation of a black sheep into a sacrificial lamb, a man the Catholic Church venerates as a martyr. This critical edition draws from several discrete fields, which nonetheless intersect in Foucauld – travel writing, botany, hydrology, and topography; cartography, ethnography and sociology; linguistics and amazighité, alongside formal literary criticism and French (post-) colonial studies – to present a fuller view of a writer whose legacy remains an inspiration, a frustration, and an enigma.

Evgeny Boratynsky and the Russian Golden Age is the first metrical and rhymed translation of nearly all the lyrics by Evgeny Boratynsky (1800–1844), one of the greatest poets of the Golden Age of Russian poetry. Also included is the translation of two narrative poems (Banqueting and Eda) and the most characteristic passages from The Gypsy and The Ball. Each work is followed by a full annotation, in which, in addition to the background necessary for the understanding of the work, one finds an analysis of its form. In many cases, the poems on similar themes by Pushkin, Lermontov, Tyutchev, Yazykov and some later poets are included. In its entirety, the commentary provides a glimpse into Boratynsky’s literary epoch, his ties with his environment (Russian, French and German) and the influence he exercised on later poets. A special feature of Evgeny Boratynsky and the Russian Golden Age is the translator’s strict adherence to the form of the original. In all cases, Anatoly Liberman attempts to reproduce not only the rhyming and the metrical scheme of the poems but also the sound effects and some of the special features of Boratynsky’s vocabulary, while remaining as close to the poet’s wording as possible. A long introduction provides the expected biographical information and acquaints the reader with the poetic climate of the Golden Age and with the history of translating Boratynsky into English.

Eight American military veterans of the Vietnam/Cold War era describe their service and its influence on their lives since leaving active service in this book. Their stories are preceded by a concise history of America's methods of raising its military forces from colonial days to today. Particular focus is given to the 34 years in which the nation relied on the possibility of mandatory service (the draft, Selective Service) from young men. Drafted service was essential to America's role in World War I, World War II, the Cold War with the Soviet Union, and the Korean and Vietnam Wars. Special emphasis is given to Congressional acceptance of drafted service in World War I which shaped the remaining uses of the draft until 1973.

The largest part of the book provides the author's recollections of their service in the Army, Navy, Air Force, Marine Corps, and Coast Guard in the United States and overseas. Their service was compelled or stimulated by the presence of the draft. Their military service then shaped the next half-century of their working lives.

The final section of the book provides the author’s collective recollections of their military service as seen from the third decade of the 21st century and half a century after the end of the military draft. They reflect on the challenges faced by the current American military and the possibilities of a return to some form of drafted military service.

Franz Neumann was a member of a generation that saw the end of the Kaiserreich and the beginnings of a democratic republic carried by the labor movement. In Neumann’s case, this involved a practical and professional commitment, first, to the trade union movement and, second, to the Social Democratic Party that gave it political articulation. For Neumann, to be a labor lawyer in the sense developed by his mentor, Hugo Sinzheimer, was to engage in a project to displace the law of property as the basic frame of human relations. The defeat of Weimar and the years of exile called many things into question for Neumann, but not the conjunction between a practical democratic project to establish social rights and an effort to find a rational strategy to explain the failures, and to orient a new course of conduct.

"Learning from Franz Neumann" pays special attention to Neumann’s efforts to break down the conventional divide between political theory and the empirical discipline of political science. Neumann was a remarkably effective teacher in the last years of his life, but he was also a gifted learner, whose negotiations with a series of forceful thinkers enabled him to work toward a promising intellectual strategy in political thinking.

Beckett’s dialogue with the arts (music, painting, digital media) has found a growing critical attention, from seminal comprehensive studies (Oppenheim 2000; Harvey, 1967, to name just two) to more recent contributions (Gontarski, ed., 2014; Lloyd, 2018). Research has progressively moved from a general inquiry on Beckett beyond the strictly literary to issues related to intermediality and embodiment (Maude, 2009; Tajiri, 2007), post humanism and technology (Boulter, 2019; Kirushina, Adar, Nixon eds, 2021), intersections with popular culture (Pattie and Stewart, eds., 2019). However, a specific analysis on Beckett’s relationship with Italian arts and poetry on one side–and on Italian artists’ response to Beckett’s oeuvre on the other–is still missing. The volume offers an original examination of Beckett’s presence on the contemporary Italian cultural scene, a stage where he became (and still is) the fulcrum of some of the most significant experimentations across different genres and media. The reader will look at him as an “Italian” artist, in constant dialogue with the most significant modern European cultural turns.

Specific objectives of the book include the discussion of the historical evolution of CBUM/Hip-Hop, and the development (and retention) of an informed perspective regarding legendary figures, bands, and genres in CBUM. The examination of the historical, social, and economic implications of CBUM that lead to the globalization of Hip-Hop, an understanding of how CBUM is perceived and measured in society, and the student’s ability to describe a range of effects fostered by the evolution of CBUM, all factor highly in this book.

Edited and with an introduction by Professor Habib, 'Confronting Colonialism' is a series of essays commemorating the second centenary of Tipu's final battle against the British at Sriranagapatnam in 1799. The essays, devoted to the history of Mysore under Haider Ali and Tipu Sultan, underscore the need to defend the memory of two rulers, who were indomitable opponents of the colonial regime; they also emphasize the centrality of Haider Ali and Tipu Sultan in Indian nationalist historiography. This collection is of particular importance, especially in light of the recent tendency to devalue the significance of the two rulers.

This book brings together, for the first time, a collection of articles from leading scholars on the writing, and literary and social contexts, of the ‘tramp-poet’ and memoirist W. H. Davies (1871–1940). Though Davies is a well-known and unique literary figure of the early twentieth century, most famous now for The Autobiography of a Super-Tramp and poems such as ‘Leisure’, which came 14th in the BBC’s search to find ‘The Nation’s Favourite Poems’, no other volume of essays, or other critical monograph, concentrates on his work. This book not only provides a reassessment of Davies, putting him in his literary and cultural context (as a Welsh writer, the ‘tramp-poet’, a prominent Georgian poet, and a disabled writer), but also sheds light on the many more central literary figures he encountered and befriended, among them Edward Thomas, George Bernard Shaw, Edith Sitwell, Alice Meynell, D. H. Lawrence, and Joseph Conrad. The aim of the book is to reconsider the major works of the ‘tramp-poet’ and memoirist W.H. Davies, and his place in the literary and cultural milieu of his period. Davies spent several years in North America as a young man, traversing the continent and living mainly as a tramp, and losing a leg in the process, as he attempted to jump aboard a freight train in Ontario. These experiences are at the heart of his famous memoir, The Autobiography of a Super-Tramp (1908), which was edited by Edward Thomas and introduced by George Bernard Shaw. Davies also established a reputation as a poet and was included in all five of the immensely popular Georgian Poetry anthologies between 1912 and 1922. He continued to write, in particular about his life, and later books include many volumes of poetry and memoirs such as: A Poet’s Pilgrimage (1918), which details a walking tour across southern Britain and the people he encountered; Later Days (1924), about the literary and artistic communities he had recently belonged to; and Young Emma (written in the late 1920s but not published until 1980), a thinly anonymised memoir about how he met his wife, almost thirty years his junior. They are unique products of a unique life.

This is the first book of essays to be published on this fascinating author, who has largely been neglected by literary critics, despite his centrality to British memoir, travel writing, and poetry in the early twentieth century. It puts Davies in his literary and cultural context, provides reassessments of the work, and considers his influence as a writer and personality. It will be useful to readers coming new to the author and wanting a critical overview, while at the same time putting forward many new research findings and much new thinking.

Unlike almost any other kind of land use – from dumps to houses to factories – state and sometimes even the federal government actively preempt local decision-making regarding the siting of energy extraction and production. The Consensus Building Institute looked at conflicts over land and found in the last ten years that rapid advances in technology in both renewables (primarily wind and solar) and gas and oil extraction have created a host of new and intensive land-use conflicts across the United States. Wind turbines, for instance, seemingly clean, lean and ‘sustainable’, have stirred intense conflicts among abutters, developers, and communities. A resurgence in US gas and oil production via hydraulic fracturing technology, resulting in lower costs, more domestic production and less dependence on unstable supplies of foreign oil, has created statewide bans, protest films and national debate about ‘fracking’.

‘Resolving Land and Energy Conflicts’ seeks to develop a view of energy in the landscape across gas and oil, wind, transmission and nuclear waste disposal. The first three create conflict because of rapid or the need for rapid development or expansion. Each of these energy types or facilities are generally considered a public good and expansion promises future benefit, but they have concentrated impacts that can cause localized adverse effects and controversy. The last, nuclear waste, creates conflict because it is a public ‘bad’ and a legacy of choices made decades ago for benefit that, in some ways, has already been delivered (affordable electricity through nuclear power coupled with a reliable base load generating source).

The authors are particularly interested in the conflicts that emerge from specific sites and proposals, as well as how this unique land use plays out in terms of conflict and resolution across scales and jurisdictions while touching on broader issues of policy and values. Though each energy type and its production (or disposal) is governed between various jurisdictions, with different impacts and benefits, each shares commonalities that can be explored further. ‘Resolving Land and Energy Conflicts’ briefly explains the general context around the energy type; the impacts and conflicts that have arisen given this context; the role laws, rules and jurisdictions play in mitigating, resolving or creating more conflict; and the ways in which communication, collaboration and conflict resolution have been or could be used to ameliorate the conflicts that inevitably arise.

May Alcott Nierike, Author and Advocate examines in-depth the writings on art and travel by the youngest sister of famed novelist Louisa May Alcott. Like other American women in the later nineteenth century, May was unable to receive the advanced training and exhibition opportunities in the USA that she needed to become a notable professional painter due to her gender. An additional obstacle for Alcott Nieriker was her family’s insecure financial status, making it difficult to travel or study abroad for training. Fortunately, following Louisa’s early publishing success, May was able to make three trips to London and Paris to immerse herself more fully in the art world, and eventually attained the prestigious honor of having two paintings accepted into the Paris Salon. However, the book argues that Alcott Nieriker’s main contributions to cultural history were not necessarily her artistic creations, but rather her publications on travel and art—specifically, four articles for the Boston Evening Transcript and an 1879 guidebook, Studying Art Abroad and How To Do It Cheaply. 

The book examines the art and travel writings of May Alcott Nieriker from three distinct but interrelated perspectives: (1) how Alcott Nieriker’s writings both relate to and yet stand apart from standard travel writing of the later nineteenth century; (2) how Alcott Nieriker’s travel writings smartly interweave art criticism and social as well as cultural advocacy, including her concerns about the lack of access to free museums in the USA; and (3) how Alcott Nieriker’s writings critique the social and cultural norms of the day in respect to equal opportunity for women artists, and in turn seek to empower women of modest means to navigate these obstacles and pursue careers as professional artists. In addition, the book provides more insight in general to the fields of nineteenth-century American art and art criticism, travel writing, gender studies, and American cultural studies. In sum, May Alcott Nieriker’s writings, a number of which are republished here for the first time since the 1870s, deserve further attention and interpretation because her texts give voice to critical social and cultural concerns of the nineteenth century, such as gender and class discrimination, that still resonate today.

A primary focus of this book is on the impact of time and memory as they intersect and constitute the spaces of theatre. These spaces include more traditional sites of theatre, such as those involving stages and curtains, actors and audiences, as well as those other theatres or spaces of performance that range from performance and installation art, to the performance of a string quartet, and from the writing of performance, to the performance of writing. What unites them is the presence of time as the constant and corrosive agent of theatrical absence, a vanishing site that finally affirms these theatres as theatres of thought, as spaces of thoughtful and mirroring reflection.

With such time in mind, attention is directed toward theatre’s own blurred and porous boundaries and, implicitly, that most conventional theatrical form, the proscenium itself, evoking questions such as: where does the performance begin and where does it end? Who is watching and who is being watched? And what, as time takes its toll, is there to be seen at all? For it is from this demarcating line of representation that – like a ‘line in the sand’ – such spaces of thought, theatrical or not, largely determine where the various forms of representation begin and end, where time is told of others, and where time is finally told of each of us.

'Politics and the Theory of Language in the USSR 1917-1938' provides ground-breaking research into the complex interrelations of linguistic theory and politics during the first two decades of the USSR. The work examines how the new Revolutionary regime promoted linguistic research that scrutinised the relationship between language, social structure, national identity and ideological factors as part of an attempt to democratize the public sphere. It also looks at the demise of the sociological paradigm, as the isolation and bureaucratization of the state gradually shifted the focus of research.

Through this account, the collection formally acknowledges the achievements of the Soviet linguists of the time, whose innovative approaches to the relationship between language and society predates the emergence of western sociolinguistics by several decades. These articles are the first articles written in English about these linguists, and will introduce an Anglophone audience to a range of materials hitherto unavailable.

In addition to providing new articles, the volume also presents the first annotated translation of Ivan Meshchaninov's 1929 'Theses on Japhetidology', thereby providing insight into one of the most controversial strands within Soviet linguistic thought.

This edited volume provides a comprehensive survey of the life and work of David Ricardo (1772–1823), a major contributor to the British classical school of political economy. John E. King’s editorial introduction sets Ricardo’s work in the economic, political and social context of his time, emphasising his strong defence of economic and political liberalism and his opposition to the beneficiaries of contemporary ‘Old Corruption’. King’s later chapter deals in more depth with Ricardo’s political views and his position on important questions of economic policy, as well as the controversial conclusions that were drawn from his theoretical works by the so-called ‘Ricardian Socialists’. 

A very different approach is taken by Wilfried Parys, whose discussion of Ricardo’s – highly successful – business activities raises the question of how they may have influenced the development of his theoretical ideas. A detailed examination of particular aspects of this theoretical work is provided by Ghislain Deleplace, who examines his theory of money; by Gilbert Faccarello whose subject is the Ricardian theory of international trade; by Christian Gehrke, who analyses Ricardo’s distinctive approach to explaining the distribution of income; by Alex Thomas, who is concerned with Ricardo’s role in British classical political economy, with particular reference to the theory of value; and by Bryan Turner, who sets out Ricardo’s complex and important relationship with Robert Malthus and the latter’s population theory.

Michael Howard explains how Ricardo was interpreted, and criticised, first by Karl Marx and then, over the next century and a half, by various strands of the Marxist movement around the globe. William Coleman’s chapter investigates similar issues from a very different perspective, exploring the critical reception and interpretation of Ricardo’s economic thought in the ‘New World’ society of Australia. And Heinz Kurz examines the causes and considers the consequences of some of the widespread misinterpretations of Ricardo in the two centuries since his death.

‘Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955–1975’ challenges the often unquestioned assumption that ‘the older generation’ largely reacted in a negative or hostile fashion to forms of music popular with young people in Britain from the 1950s to the mid-1970s (including rock ’n’ roll, skiffle, ‘beat’ and rock music), and that the music invariably exacerbated inter-generational tensions. Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book demonstrates the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. There has been a growing recognition among scholars of the need to reassess the alleged ‘generation gap’ of this era, but this theme has yet to be examined in depth via the prism of popular music. [NP] The book is also distinctive in the thematic approach it adopts. Rather than attempting a chronological survey, it identifies three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant, and explores them in considerable depth. The first chapter examines the place of popular music within family life, the second focuses on the Christian churches and their engagement with popular music, particularly within youth clubs, and the third explores ‘encounters’ between the worlds of traditional Variety entertainment and popular music. The work offers detailed appraisals of each of these areas, while also providing fresh perspectives on this most dynamic and turbulent of periods.

While each chapter possesses a certain cohesion in its own right, illuminating and adding fresh perspectives on key topics within post-war British history, certain key ideas reappear throughout the work. The nature and significance of ‘everyday’ multi-generational consumption of popular music constitutes one such theme, as does the manner in which the highly varied, and ever-evolving, character of ‘pop’ in this era frequently, and in various ways, rendered it more accessible to older people and more capable of traversing generational boundaries. The final unifying theme concerns the distinctive way in which ‘old’ and ‘new’ cultural forces continued to interact in the lives of young and old during this transitional era.

This book assesses the validity of ‘anti-politics’ critiques of development, first popularised by James Ferguson, in the peculiar context of India. Ferguson’s memorable metaphor of development as an Anti-Politics Machine – that serves to entrench state power and depoliticize development – continues to appeal to those cynical of the widespread tendency of development discourses to treat various issues apolitically. The book examines this problem in India, a country where development planners after independence adopted a scientific stance and claimed to distance themselves from mass politics, but also one where the groundswell of democratic political mobilization has been considerable in recent decades. In a country with an extremely differentiated landscape of authority and diverse politics, what does it mean for the state to undertake a project (or indeed, projects) of depoliticization; for as scholars inspired by Foucault and Gramsci have variously agreed, depoliticization is a tentative project where outcomes are far from certain. The book examines these questions within the new context provided by decentralization, the potential of which to reorganize relationships amongst different levels of the state greatly complicates the very pursuit of depoliticization as a coherent state practice. It looks at these issues through a highly technocratic state watershed development programme in India that has witnessed key transformations towards participation in recent years.

Building on many years of inquiry into the sociology of intellectuals, notably through a series of books on the sociologist, Karl Mannheim, this book brings together the results of ten years of work on the special problems of intellectuals in exile. The historical materials all relate to the emigration from Nazi Germany, not only because this event has generated the richest literature in exile studies, but also because of the author’s personal connections to the situation and to a number of outstanding representatives of that exile. Case studies are devoted to the following figures: Johannes Becher, Ernst Fraenkel, Hans Gerth, Oskar Maria Graf, Kurt Hiller, Erich Kahler, Alfred Kantoriowics, Hermann Kesten, Siegfried Kracauer, Karl Mannheim, Hans Mayer, Franz Neumann, Nina Rubinstein, Oskar Seidlin and Carl Zuckmayer.

The book opens with a systematic proposal for the study of intellectual exile, entailing a critique of approaches that neglect concrete political dimensions in favor of a metaphorical cultural approach. In the distinctive approach elaborated through a series of problem-centered case studies, the focus is on the multiple, complex and changing negotiating processes and bargaining structures constitutive of exile, especially as the question of return interplays with the politics of memory.

The first three chapters deal with émigré intellectuals whose writings contain theoretically important reflections on exile and related conditions. The interplay and conflicts between the priorities of ambitious American university scholarship and the self-understanding of the exile cohort identified with the Humanities is the theme of the next detailed study. In the following long chapter, the focus is on the outcome of exile, documented by the first letters written by intellectual and literary exiles to individuals who had remained in Germany and with whom they had unfinished business. These diverse reopenings of negotiations are uniquely revealing about different ways of settling with the experiences of exclusion and the prospects of return.

The final section of the book reverts to its very beginnings in two senses: it offers a self-reflection by the author about his own relations to the exile under study as a member of the “second wave” generation that arrived from Germany as children, with special attention to the elective affinities between himself and members of the actual primary cohort.

The book fills a gap since there is no quick reference in comparative law and economics at the moment. The book can be seen as a short introduction to comparative law and economics, a helpful guide to additional reading and a textbook for a short course or seminar. Comparative law and economics is a growing field in the interaction between law, economics and comparative political science. It includes both strands of the traditional literature, namely the role of legal families and microeconomic analysis of legal rules in a comparative perspective.

The book opens with a short introduction about the method and the standard discussion between common law and civil law. It brings in the debate over the legal origins’ theory and its consequences in terms of economic growth. It presents the study of courts at the global level and the importance of comparative judicial politics to stimulate a better understanding of comparative law and economics. The book also covers microeconomic analysis of legal rules with a few applications (titling of property, cost-shifting rules, plea-bargaining) and additional reading recommendations to the reader (for additional examples). The book then focuses on lawyering, with an emphasis on varying regulation of the legal profession around the world. The book concludes with a short summary of possible research developments in the next few years, namely behavioral and empirical advancements.

Amidst cascading global financial and political crises of the late twentieth- and early twenty-first centuries, scholars have turned for insight to the work of the radical American thinker, Thorstein Veblen. Inspired by an abundance of new research, social scientists from multiple disciplines have displayed a heightened appreciation for Veblen’s importance and value for contemporary social, economic and political studies. “The Anthem Companion to Thorstein Veblen,” edited with an introduction by Sidney Plotkin, is a stimulating addition to this new body of Veblen scholarship.

The essays in the first part consider Veblen’s method, philosophy and values. Sociologist Erkki Kilpinen peers deeply into Veblen’s highly original theory of action and its implications for a sociological understanding of “the instinct of workmanship.” In contrast, economist William Waller, building on contemporary work in evolutionary economics and psychology, urges a considerably more bio-psychological interpretation of Veblen’s instinct theory. Intellectual historians Rick Tilman and Kohl Glau, exploring the secular foundations of Veblen’s moral theory, furnish a sharp critique of recent efforts to wed Veblen with Catholic social thought. Challenging older understandings, Russell H. and Sylvia E. Bartley, careful students of Veblen’s biography, offer novel insights into the impact of Veblen’s education at Carlton College, while sociologist Stephan G. Mestrovic thoughtfully insists that Veblen unduly limited his affirmation of “idle curiosity” as a chief resource for learning to elite post graduate schools.

Contemporary applications of Veblen’s theory to studies of capitalism, social structure and politics are the focus of the contributions in the next part. Anthropologist John Kelly forcefully urges a reconsideration of Veblen’s critical theory as an inspiration for both students and activists in an age of capitalism “after post-modernism and post-coloniality.” Returning to Veblen’s most important early work, sociologist Ahmet Oncu skillfully weaves the theory of the leisure class into a rich and exciting re-interpretation of Turkey’s Ottoman ruling groups. Building on Veblen’s critical theory of absentee ownership and power, political scientist Sidney Plotkin analyzes Veblen’s embrace of local forms of political economic self-rule, but notes Veblen’s sense of the ideological ambiguity of popular resistance to centralized power. Finally, geographer Ross Mitchell applies the radical democratic potential of Veblen’s concept of “the masterless man” to an understanding of both the possibilities and limits of contemporary left movements. Throughout, the essays offer fresh material for ongoing reconsiderations of Thorstein Veblen as a major theoretical resource for the contemporary social sciences.

In the medieval and early modern periods, dreams were seen as having the potential to grant a glimpse of what was unknown or outside the dreamer’s body. Prophetic dreams were believed to possess spiritual, philosophical, and political meaning. But in the long eighteenth century, realism and Enlightenment thinking introduced both a sense of skepticism about the putatively divine significance of dreams and an interest in the natural causes for them. Under the influence of Enlightenment rationalism and medical science, dreams were considered to be aberrations – evidence of temporary internal disorder – and were removed from social and political importance. Concurrent with this diminished significance and increased interest is the rise of the Gothic, and fundamental to that rise is the narrative/poetic dream scene. This monograph examines how dreaming is reimagined in the Gothic, how Gothic dreams transform, and what these transformations reveal about Britain’s social, cultural and political anxieties – namely, those concerning historiography, revolution, slavery and empire – and how the Gothic dream is adapted and reimagined further in Caribbean novels.

To explore the changes and to historicize the Gothic dream, this monograph views dreams as temporally charged phenomena and employs eighteenth century ideas about solitude and Burkean notions of the sublime and the monstrous. These concepts provide a useful framework through which to understand the relationships between the dreamer and the dream as well as the dreamer and society. The aesthetic sublime requires spatio-temporal distance while the political monstrous constitutes the erosion of distance and the collapse of boundaries. In the final chapter, theories of islandness are used to examine how the Gothic dream becomes a political tool for postcolonial writers.

This monograph argues that the Gothic exposes and establishes dreams as social and political, not merely individual, phenomena.The Gothic counters the Enlightenment and reimagines dreaming by making either or both prophecy and liminality central to the dream scene. While the first British Gothic novels, The Castle of Otranto (1765) and The Old English Baron (1778), feature unambiguously prophetic and providential dreams, in later novels, prophetic dreams continue to be central to the Gothic, but these later moments are complicated by a cloud of uncertainty. What we continually see is a vacillation between the sublime and the monstrous that reveals anxieties about British claims of progress and liberty. In the process, the Gothic dream comes to be a liminal space for the dramatisation of imperial fantasies and prophetic nightmares. In the twentieth century, postcolonial writers adapt the Gothic dream to subvert the teleology of imperialism.

‘Travellers to the Middle East from Burkhardt to Thesiger’ is a compendious anthology of travellers' writings produced during the high tide of Britain’s involvement in the Middle East. The anthology contains extracts from many of the canonical travel texts of the period, including passages by T. E. Lawrence, Gertrude Bell and Robert Byron, as well as many more extracts from both female and male writers. The anthology is also enlivened by the broad geographical span covered, including descriptions of territories in the Ottoman Empire, Egypt, Arabia and Persia.

Geoffrey Nash’s introduction, notes and background material provide specialist historical analysis and biographical information informed by critical and theoretical perspectives relevant to the genre of travel writing. This anthology will satisfy the growing interest in the study of travel writing, in addition to offering the general reader valuable insights into British perceptions of the Middle East.

To date, masculinity has tended to be presented in cinema studies as a monolithic category that serves the interests of a hegemonic, normative patriarchy. This book demonstrates how the art-house film, in the form of personal cinema and its exploitation of the melodramatic mode, tells a different story, presenting a vision of masculinity that is sexually fluid, fragmented, unstable, and often incapacitated to the point of paralysis, being undermined not only from within, but also by external circumstance. Hollywood, in the form of “male weepies,” offered preliminary insights into this failing masculinity, but it is with the flowering of Post-World War II art film and its subsequent movement into the “indie” waves of the late 20th century and the early 21st century that cinema more profoundly realizes its potential to serve as a vehicle for the exploration of men’s interior lives, developing what might be termed the “male melodrama,” the correlative of the woman’s film. 

The present volume offers a series of essays that reassess the role of melodrama in a number of touchstone films in the art-cinema tradition that explore the subjective experience of a male protagonist, announcing the emergence of a genre that has progressively proliferated in contemporary cinema. While these films, made by such notable auteurs as Vittorio De Sica, Satyajit Ray, Vincente Minnelli, Pier Paolo Pasolini, Ingmar Bergman, François Truffaut, Jacques Demy, Rainer Werner Fassbinder, and Luca Guadagnino have been frequently discussed as outstanding examples of art films, to date, with a few exceptions, they have not been examined in terms of their representation of gender and subjectivity, which has left a lacuna in accounts of screened masculinities.

How America was Tricked on Tax Policy explains how regular citizens were “tricked” by the outdated view of economists that much heavier taxation of labor rather than capital is economically justifiable. The truth is that workers pay their taxes while the rich pay very little.  Based on reputable sources of information, including the publications of the Organization for Economic Cooperation and Development (OECD), official statistics data, and the publications in high-ranked journals, the book paves the way for a new policy making process aimed to achieve more sustainable taxation and to increase the wellbeing of citizens as the main goal of any modern state policy. 

Dealing with critically important and underexplored topics in tax policy, the book challenges an enshrined dogma that is rarely challenged at the level of policy. In doing so, this book envisions policy changes that could be highly impactful in a new political administration. This book proposes that governments should look for not just corporate income tax rate reduction when announcing their tax reforms but should equally focus on the reduction of the overall tax burden on labor. The negative impact and high social cost of wage taxation is exemplified by the key areas of tax policy that are relevant for every wealthy state, such as taking due care of public health, investing in education and wellbeing of children, and supporting small business for the overall benefit to society. 

The book provides sound arguments that “labor” should essentially be treated as “human capital” and be given the same tax treatment as that of classically understood “capital”. This understanding is extremely relevant nowadays as we are facing the issues of digitalization, in general, and “robotization,” where a new type of labor, i.e., nonhuman labor, is entering the workforce. The book’s fresh novelty comes from its new approach to tax policy while addressing the issues relevant to the “digital” era such as taxation of artificial intelligence or “robots” that are currently partially substituting the human workforce. The book compellingly argues how tax policy could be improved by incorporating science and scientific methods.

This book addresses several important questions in the fields of modern, comparative, and world literatures. At a time in which “weak theory” and transnationalism are becoming increasingly pressing topics, the volume considers the utility of philosophical logic, literary worlds, and analytic Asian Philosophy to understand world literature. In doing so, it investigates the ways in which Chinese, English, French, and Japanese writers eager to tackle the challenges of modernity gazed both across the Eurasian landmass and back in time to their own traditions.

Transnationalism and Translation in Modern Chinese, English French, and Japanese Literatures contends that world literature consists of many smaller literary worlds that are founded upon and made to conform with the deep-level ontological assumptions of their native tradition. The translation of texts across times and cultures introduces new logical possibilities to literary traditions and the writers who sustain them. Yet each translation also amounts to the creation of a new literary world, in which the ontological assumptions of the original are made to cohere according to the possibilities afforded by the culture into which the text is translated. This clash of ontologies, often overlooked in world literary studies, forms the basis of modern translational literature.

This book presents four comparative case studies. It begins with Ted Hughes’ and Chou-wen Chung’s attempt to make the Bardo Thödol express the desires of an expatriate American-Chinese composer and a rising English poet in the 1950s; passes by Paul Claudel’s and Mishima Yukio’s mid-century adaptations of medieval Nō theatre; looks at Claudel’s and Kuki Shūzō’s efforts to make the poetry of the Kokin Wakashū and premodern Japan accord with the experience of being an expatriate in 1920s Tokyo and Paris; and finishes with Hughes’ and Bei Dao’s endeavours to place themselves as heirs to the traditions of both China and Europe. It is these fortuitous but often ignored points of contact between East and West, ancient and modern, that exemplify the challenges and possibilities of transnationalism, allowing for an innovative new way of comprehending the multidirectional flow of world literature.

Cities and towns continue to evolve and are utilizing a range of planning and design strategies in urban landscapes that focus on climate change, social accommodation and livability. All of the strategies are potential influences on future urban experience and identity. In order to produce positive results, communities are applying urban planning and design concepts based on current and future environmental prospects. The result is a range of concepts aligned with numerous planning and design standards for urban viability, now and in the future.

Urban Landscape Priorities, Opportunities and Prospect is unique in addressing current priorities and opportunities as standards for the future quality of urban landscape initiatives. A key standard is inductive, bottom-up context applications that produce livable and sustainable urban landscape contexts. Current participants in this vision are planners, designers and fine artists. The result is a text that emphasizes priorities, opportunities and potential prospects as interrelated planning and design influences on current and future urban landscapes.

Thomas Keneally is known as a best-selling novelist and public figure in his Australian homeland and has also managed a transnational career. He is, however, something of a conundrum in being regularly disparaged by critics and often failing to meet expectations of sales. ‘Thomas Keneally’s Career and the Literary Machine’ explains some of the reasons behind such disparities, focusing in part on his deliberate transition from high-style modernist to ‘journeyman’ entertainer while continuing to write across both modes. 

Reactions to this shift have been framed by critical and cultural investments, and by an idea of the literary career common to both high literary and popular taste. This study examines the complex network that is a career, considering personality traits, authorial agency, agents, editors and shifts in publishing from colonial control to multinational corporations. As such, the study moves across and beyond conventional literary biography and literary history, incorporating aspects of book history and celebrity studies.

In doing so, this book relies on Keneally’s extensive archive, much of it previously unexamined. It shows his ambition to earn his living from writing playing out across three markets, his work in other modes (writing for the stage and screen, travel writing, historical narratives) and the breadth and depth of expressions of his social conscience, including political protest, leading professional associations and work for constitutional reform, the Sydney Olympics, and so on. Keneally is seen as playing a long game across several events rather than honing one specialist skill, a strategy that has sustained for more than 50 years his keenness to live off writing.

Fair Value Accounting: From Theory to Practice is a comprehensive guide to fair value measurement – one of the foundations of modern-day accounting. Fair value measurement is extremely important since it touches upon both accounting and finance. Many items in the financial statements are measured at fair value, e.g. financial instruments, items acquired in business combinations and, under IFRS, investment property. In addition, fair value is used extensively as a valuation base by corporate finance and valuation specialists. The book gradually unfolds the full theoretical framework for measuring fair value for accounting purposes, while providing clear, hands-on implementation guidelines. It includes concise and informative explanations, focusing on the theoretical and practical issues arising from the relevant accounting standards and using illustrative examples and further analysis.

The book covers fair value in accordance with the two most prevalent accounting systems used worldwide: International Financial Reporting Standards (IFRS) and US Generally Accepted Accounting Principles (US GAAP). Although they take very similar approaches to the topic, there are some slight, albeit significant, differences between them that are thoroughly discussed in the book.

The book combines professional accounting literature, standards and practice into a single well-rounded and user-friendly resource. The book is intended as an essential tool not only for professionals involved in preparing or auditing financial statements – such as accountants and financial managers – but also for practitioners in related domains, such as appraisers and preparers of valuations for legal proceedings based on fair value. The book includes many practical examples for students (specifically, accounting students as well as individuals preparing to take the CPA exams) and accounting and finance researchers as well as for other academic purposes. 

The book has two, related parts: the first historical and the second theoretical. The first part traces the beginning of “religious studies,” as it now increasingly is called, to the early nineteenth century. It places those beginnings in the broader cultural context of what is generally referred to as Romanticism. A case is made that the principal relations between the origins of religious studies and Romanticism is that both arise as reactions to major characteristics of modern culture, primarily the turn of attention away from the past and toward the future and from textuality toward rationality and materiality, including the separation of the two from one another.

The first or historical half of the book is structured by three recurring and enduring interests in religion by scholars, mainly working in the social or human sciences, including history, that are shared during the period and continue, albeit in more complex and varied forms, today. The first of these three interests is the importance for religious people of the past and its continuing relevance to their present and future. This interest and evaluation of the past and origins is, either directly or implicitly, contrasted to Western modernity’s orientation to the future and neglect and devaluing of the past. The second interest or focus is on the emphasis among religious people on the intangible or spiritual in human lives and cultures. This interest is, either directly or by implication, a reaction to the importance in modernity that is ascribed to the tangible and material. The third interest taken by scholars in the cultures of religious societies is the adequacy and coherence of worldviews that they provide, which stand in contrast to the lack in modern culture of worldviews that have a comparable degree of coherence and adequacy. These three interests are treated by including for each of them brief sketches of the work of five scholars arranged in chronological order. The conclusion drawn from these surveys of fifteen scholars from the beginning of the nineteenth century and into the twentieth century, most of whom were working in the social or human sciences, is that they shared an interest in human needs, potentials, and well being and a recognition that in various ways and to varying degrees modern culture is questionable due to its inability to provide what can be seen as an active aspect of religiously constituted cultures, particularly those of peoples not affected by the principal characteristics of Western modernity. The conclusion drawn is that religion has provided and continues for many to provide benefits that modernity otherwise fails to provide and that if religion can no longer play this role, something else must or will be found to fill the need or provide the benefits that religion once provided.

The second or theoretical part of the book addresses questions and problems that appear in and for the study of religion. One of these is the question of what must be included if a person or a people is identified as religious. It is argued that an adequate answer to this question is a more complex and dynamic understanding of religion than is generally the case, that definitions of religion tend to be too simple and static. The case is made that there are three necessary and sufficient aspects or components of being religious. Another question addressed in this second part is why religion is so often marked by sharp differences, tensions, and even conflicts within a single religion, between differing religions, and between religious and nonreligious groups or people. Another question treated in this part concerns the differences that arise between studying religion while being religious and studying religion while being nonreligious.

The two parts of the book are held together by the recurring attention that is given to the last of these questions, that is, the difference between studying religion while being religious and studying religion in nonreligious or secular ways. The case is made that this problem, the relations of religious and nonreligious study of religion to one another, has troubled the field from its beginnings. The development of the field as presented in the first part of the book was carried on largely by scholars who, even when not themselves religious, saw religion as having had beneficial relations to human well being. But by the middle of the twentieth century, it became clear that religion as part of human life and culture in the West needed more directly to be religiously supported, and faculties of religious studies in higher education were formed or enlarged by scholars who had, for reasons given, more explicitly religious bases for their studies of religion. This difference within the field between religious and secular study of religion threatens the field’s coherence; one overarching purposes of the book is to identify how and why a greater rapprochement between the two sides is both badly needed and, if guided by the book, approachable.

The Animal Crossing virtual world is one of Japan’s most successful but unrecognised cultural exports, gaining a global audience during the COVID-19 pandemic among people who traditionally have not been attracted to networked computer games but are enchanted by the world’s emphasis of sociability and curation rather than violence. The book is the first major study of Animal Crossing, written in an incisive and engaging style for students, academics, non-specialist members of the public and businesspeople interested in the potential of an unconventional online global space that has diverse demographics.

The book has three strengths. It contextualises Animal Crossing within the history of computer games and global acceptance of Japanese aesthetics within popular culture alongside the Walkman, Hello Kitty, Anime, Manga and Godzilla. It brings together scholarly and popular literature without jargon, providing an accessible authoritative resource for people interested in different aspects of Animal Crossing in particular or consumer engagement with virtual worlds in general. It offers incisive comments about Animal Crossing as a legal, technological, social, cultural and commercial phenomenon. 

Those comments consider laws such as copyright, contract and marketing. They answer questions about who uses the virtual world, why and why not – drawing on research regarding online sociability and the pleasures of world-making. They discuss innovative aspects of Animal Crossing such as scope for users to incorporate art from a range of museums in personalised spaces curated by those users, visited by their friends and gamified by marketers, politicians and civil society advocates. Readers thus receive a rich interdisciplinary exploration covering things with which they are familiar and making links or providing an introduction to aspects that were previously unrecognised.

‘Émile Durkheim and the Collective Consciousness of Society: A Study in Criminology’ challenges conventional thinking on the use of Durkheim’s key concept of the ‘collective consciousness of society’, and represents the first ever book-length treatment of this underexplored topic. Operating from both a criminological and sociological perspective, Kenneth Smith argues that Durkheim’s original concept must be sensitively revised and updated for its real relevance to come to the fore.

This study puts forward three major adjustments to Durkheim’s concept of the collective consciousness. It complicates the idea that the common and collective consciousness are interchangeable terms for the same phenomenon; it refutes the ‘disciplinary’ function of society as part of the concept of the common or collective consciousness; and it reveals the illusiveness of the supposed universal set of equally held ideas in a society, underlining the importance of geographical and generational variation.

This book is not another warning about the end of the world. It is neither a penitential sermon on environmentalism, nor an appeal to frugality and self-restraint. Far from having exhausted the era of technological, social and democratic progress, we are on the brink of a new stage of industrial modernity: a shift from a fossil-based to a postfossil economy, from the ruthless exploitation of nature toward growth in tandem with it. Decoupling economic growth from environmental consumption is an ambitious goal, but also an achievable one.

Drawing on the German policy experience of tackling climate change, ‘Green Growth, Smart Growth’ outlines a positive way forward in this great transformation and it does so in the conviction that the danger industrial civilization poses to our future can be overcome using the means of modernity: science, technology and democracy. It is by no means certain that we will win the race against climate change and dwindling resources. That will require nothing less than a great leap forward—a green industrial revolution.

In Culture and Conflicts in Sierra Leone Mining: Strangers, Aliens, Spirits, the author uses Sierra Leone as a case study to contribute to the debates on the causes and nature of mineral resource conflicts in Africa. Many works focus on the political economy of more sensitive large-scale mining conflicts. This book integrates cultural conflict dimensions, primarily the clash between the centuries-old customary landlord-stranger land governance institution and state mining policies and laws governing extraction.

Extractive industries as outsiders or strangers with no land rights threaten centuries-old cultural norms of indigenous landlords in mining regions. The Sierra Leone colonial government facilitated a stranger hierarchy through crafting legislation that redefined autochthony, citizenship, and micro-cultural identities concerning the stranger. Such actions further exacerbated power imbalances in race, ethnicity, gender, age, and social class. This legacy persists in postcolonial Sierra Leone threatening sustainable development mainly based on mineral extraction. The book shows that these cultural conflicts challenge the effective development of the mining sector, including establishing artisanal mining as a viable complementary livelihood to agriculture for rural populations.

Rather than focus on the well-documented large-scale “blood diamond” war from 1991 to 2001 as other studies have done, the book examines the less-investigated, persistent culture-related conflicts that are historically integral to mineral extraction. Such conflicts impact the efficient flow of mineral commodity chains. The book uses a world-system notion of commodity chains characterized by unequal economic exchange and unequal ecological exchange. And it highlights, specifically, an unequal cultural exchange that impacts cultural heritage, including customary livelihoods, indigenous land rights, and sacred places, and favors a Western cultural universalism. Itexamines mining policies and laws of the government of Sierra Leone in a historical context to assess their efficacy by highlighting colonial relics that continue to thwart development efforts. Her work underscores the need for effective participation by vulnerable and marginalized communities in decision-making processes on matters important to their economic, environmental, and sociocultural sustainability.

The interdisciplinary work highlights how culture, history, environment, and society intertwine in the Sierra Leone mining industry and the effects of global, transnational, and local dynamics and interactions.

‘The Anthem Companion to Robert Bellah’ is the first major collection of writings on the life and work of one of the foremost twentieth-century sociologists of religion. Bellah’s work was central in many fields: the sociology of Japanese religion, the relationships between sociology and the humanities, the relationship between American religion and politics, the cultures of modern individualism, and evolution and society. During an intellectual career which spanned six decades, Bellah occupied a central position within at least three major intellectual movements: structural-functionalism and modernization theory in the 1950s and the 1960s; interpretive social science, which he helped create in the early 1970s along with Clifford Geertz and Peter Berger; and the so-called Axial age revival of the late 1990s and early 2000s. More often than not, Bellah’s work was on the edge of social scientific research; his seminal work on civil religion in the early 1970s created a huge debate across disciplines which continues to this day; his co-authored book ‘Habits of the Heart’ (1985) was a bestseller and the object of sustained debate in the general public sphere; his last magnum opus ‘Religion in Human Evolution’, published at 84, was a monument to an extraordinary scholarly and intellectual career. [NP] The richness of Bellah’s work is the object of this collection of essays by top American and European scholars from the social sciences and humanities. Each essay has a double character: it introduces a single topic in an accessible and complete manner, and then presents a reflection on the viability and import of Bellah’s ideas for interpreting contemporary phenomena. Among the authors are some of Bellah’s students who became top scholars in their fields, as well as younger scholars. From a disciplinary point of view, the list includes sociologists (Gorski, Torpey, Boy, Guhin, Libeck), historians (Borovoy, Barshay) and philosophers (Tipton, Lequire) to reflect the diversity of Bellah’s work.

This book deals with a new set of triangular orthogonal functions, which evolved from the set of well-known block pulse functions (BPF), a major member of the piecewise constant orthogonal function (PCOF) family. Unlike PCOF, providing staircase solutions, this new set of triangular functions provides piecewise linear solution with less mean integral squared error (MISE).

After introducing the rich background of PCOF family, which includes Walsh, block pulse and other related functions, fundamentals of the newly proposed set – such as basic properties, function approximation, integral operational metrics, etc. – are presented. This set has been used for integration of functions, analysis and synthesis of dynamic systems and solution of integral equations. The study ends with microprocessor based simulation of SISO control systems using sample-and-hold functions and Dirac delta functions.

The best and most instructive way to learn about philosophy is by examining the history of the field. For it is here that we come to see how its particulars are identified and addressed by some of humankind’s sharpest intellects. Philosophy began hundreds of years BCE, and by now has grown to a scope and scale beyond acceptability by any single mind. But a sampling of episodes and issues can convey some idea of the nature of the field. And it is with this goal in view—clarifying the detail of some key philosophical issues—that these studies are being put into print. It is the aim of these forays into philosophical history to illustrate how contemporary perspectives, methods, and instruments of analysis can clarify some of the key philosophical teachings both by highlighting the difficulties they encounter and by providing instructive means for addressing them.

Ambitious measures to reduce carbon emissions are all too rare in reality, impeded by economic and political concerns rather than technological advances. In this collection of essays, Frank Ackerman and Elizabeth A. Stanton show that the impact of inaction on climate change will be far worse than the cost of ambitious climate policies.

After setting out the basic principles which must shape contemporary climate economics, Ackerman and Stanton consider common flaws in climate change policy – from mistaken assumptions that dismiss the welfare of future generations and anticipate little or no growth in low-income countries, to unrealistic projections of climate damages that dismiss catastrophic risks – and offer their own insightful remedies. They question the usefulness of conventional integrated assessment models (IAMs) that model the long-term interaction between economic growth and climate change, and propose an alternative in their Climate and Regional Economics and Development (CRED) model.

In this incisive work, Stanton and Ackerman offer a timely and original contribution to the fields of climate economics and global equity.

"Poetic Innovation in Wordsworth 1825–1833" uses extensive manuscript study of Wordsworth’s poems to present, for the first time, an account of his poetics during the supposedly "fallow" years, 1825-1833. Wordsworth wrote no manifestos during the later years and as a result the book turns to a manuscript page, unique among his dozens of notebooks, that when read spatially and in conjunction with other manuscripts and poems from the same period reveals a poetics in the making. ‘Poetic Innovation in Wordsworth 1825–1833’ develops a radical process of reading and interpreting, relying less on discursive prose and more on the conscious acknowledgement of the play of signifiers on the manuscript page that has led Robinson to capture a "world" of Wordsworth (1825–1833) beginning with the manuscript and spreading outwards to include the geography and topography relevant to his writing, the dwellings in which he worked, the well-known cottage industry of amanuenses who helped him produce his poems, the contemporary journals and poems of his sister Dorothy Wordsworth, and the social issues (Catholic Emancipation and Parliamentary Reform) that often occasioned them. Finally, the book presents a cluster of more-or-less unread poems but most worthy of inclusion in the Wordsworth canon.

In order to emulate for readers Wordsworth’s spatial vision of poetry and the poetic process, and the often-playful experience of reading these manuscripts, Robinson has, with the collaboration of book designer and award-winning scholar of the image in modern fiction Karen Jacobs, developed a book design that stresses a paratext (including footnotes) so that the reader is asked to read across as much as to read vertically. The poems presented and discussed in the text appear with an image background to enhance the idea that poems themselves are events in space. Images, both of geographical and architectural space and of highlightings of manuscript detail, saturate the text as a whole. Finally, the intensity and simultaneous playfulness of Wordsworth’s nearly obsessive revisionary process has dictated the production of twenty-two original ‘found’ poems based on materials from Wordsworth’s manuscripts; these also appear throughout the book against an image background.

The book’s design, by Karen Jacobs, echoes Robinson’s argument that Wordsmith’s late poetry both involves and evokes multi-layered responses.

This annotated bibliography of nineteenth-century British periodicals, complete with a detailed subject index, reveals how Victorian commentaries on journalism shaped the discourse on the origins and contemporary character of the domestic, imperial and foreign press. Drawn from a wide range of publications that represent diverse political, economic, religious, social and literary views, this book contains over 4,500 entries, and features extracts from over 40 nineteenth-century periodicals.

The featured articles discuss both the prior and the contemporary press, from annuals to dailies, and examine topics such as circulation, content, audience and personnel. These nineteenth-century commentaries offer both a thorough and influential analysis of their journalistic milieu, presenting statistics on sales and descriptions of advertising, passing judgment on space allocations, pinpointing different readerships, and identifying individuals who engaged with the press either exclusively or occasionally.

The essays also examine the impact of outside forces – including technology, taxation, capitalism and compulsory education – whilst assessments of the press abroad add the further considerations of geography, ethnicity, resources and restraints to the collective analysis. Most importantly, the bibliography demonstrates that columnists routinely articulated ideas about the purpose of the press, yet rarely recognized the illogic of prioritizing public good and private profit simultaneously. The volume thus highlights implicitly a universal characteristic of journalism: its fractious, ambiguous, conflicting behavior – an endemic trait that appears to have survived well into the twenty-first century.

Universality and Utopia explores the intersection between philosophical universalism and revolutionary politics in twentieth-century Peruvian indigenista literature. It traces a tradition of thought whose basic tenets originate in the philosophical works of José Carlos Mariátegui and are subsequently elaborated in the literary works of César Vallejo and José MaríaArguedas. My central thesis is that, more than a “regionalist” or “provincialist” literature that describes the social reality and historic oppression of the rural Indian since colonial times, the socialist indigenismo is continuous with the invention of a utopian imaginary for a project of alternative modernity, through which urban intellectuals, artists and activists conceived of a national future beyond that of capitalist modernization. Above all, such a future would traverse the prescient division between the urban mestizo and the Indian, and finally the lingering disparity between the nation’s Western and native heritage. In doing so, indigenista writers did not only adapt the tenets of socialist philosophy and avant-garde aesthetics to describe their unique social realities and thinking of the possibility of an emancipatory political practice; they also interrogated the foundations of European Marxism, expressing various figurations of the emancipatory process to come, and different models for the new revolutionary subjectivity that would aid this transition. 

Rejecting assimilation into Western modernization within the urban milieu (“acculturation”) under liberal capitalism imagined by liberal writers—such as Manuel González Prada and ClorindaMatto de Turner, in the late nineteenth century—I argue that the twentieth-century socialist indigenista tradition anticipated a bilateral process of appropriation and mediation between the rural Indian and mestizo, integrating indigenous as well as Western cultural and economic forms. In the first chapter, I assess Mariátegui’s heterodox “Peruvian socialism,” tracing the articulation of a nascentindigenista aesthetics to an emancipatory politics as part of an “active philosophy” driven by what the author names “creative antagonism.” In the second chapter, I explore how César Vallejo’s “materialist poetics” progressively extend the nationalist destiny and social realist aesthetic avowed by Mariátegui onto an internationalist and geopolitical horizon, as part of an “aesthetics of transmutation” that coincides with a plea for humanity as a whole. In the third chapter, I trace how José MaríaArguedas’ novels attempt to reconcile what he named “the magical and rational conceptions of the world,” extending the ideal of a transcultural mediation between the rural Indian and urban mestizo to conceive of a new collectivist and cooperativist ethics of “labor for-itself,” informed by his anthropological and ethnographic research. In the fourth chapter, I propose a general retrospective of the aims and limitations of the ideals guiding this tradition, considering the development of Peruvian indigenista literature after Arguedas, interrogating the legacy and prospects of emancipatory politics in response to the limits of neoliberal capitalism and the crisis of democracy in Latin America today.

World trade and investment law is in crisis: new and progressive ideas are needed.

Rules that facilitated globalization and supported global economic growth are being challenged. A system of global governance that once seemed secure is now at risk as the US ignores the rules while developing countries struggle to escape restrictions. Some want to tear global institutions and agreements down while others try desperately to maintain the status quo. Rejecting both options, a group of trade and investment law experts from 10 countries, South and North, have joined hands to propose ideas for a new world trade and investment law that would maintain global growth while distributing costs and benefits more fairly. Paying special attention to those who have suffered from trade dislocation and to restrictions that have hampered innovative growth strategies in developing countries, they outline a progressive trade and investment law agenda in ‘World Trade and Investment Law Reimagined’ that includes new ways to link trade with protection for labour; measures to ensure that gains from trade are used to offset losses; new rules that can protect foreign investments without hamstringing developing governments or harming local communities; innovative procedures to allow developing countries the freedom to try innovative growth strategies; and methods to cope with new products.

When the body of Saga Atsushi, Japan’s preeminent connoisseur of ukiyo-e (woodblock prints), is pulled from the ocean off the coast of Tohoku, having apparently committed suicide, the shocked Japanese art world turns out to mourn his death. Among them is Ryohei, an up-and-coming young ukiyo-e scholar and research assistant to Saga’s colleague-turned-rival, Professor Nishijima. But a chance encounter with an old friend makes Ryohei wonder if there might be more to Saga’s death than meets the eye…

A revised edition of the classic monograph, 'The Ascendancy of the Congress in Uttar Pradesh' investigates the social contradictions, class forces, and efforts at political organization and mobilization that lay behind the emergence of a powerful nationalist movement in Uttar Pradesh in the late 1920s and early 1930s. It also considers the concurrent emergence of Hindu–Muslim differences as a major factor affecting nationalist politics and the anti-colonial struggle in India.

With a revised introduction and conclusion incorporating material from new research, and corresponding revisions throughout the text, the new edition extends the scope of the original work to cover the entire inter-war period, 1920–40.

The title of this book may seem to confuse two separate disciplines – finance and macroeconomics. However, it is based on the fact that finance and macroeconomics were integrated, at least in their formative years. It is a natural extension of a line of research that dominated monetary theory in the early part of the 20th century. Economists such as Keynes, Robertson, Hawtrey, Fisher, Hayek and Schumpeter sought to blend the analysis of business cycles with their (often first-hand) experience of money and financial markets. The result was a monetary theory that provided the fertile background to what came to be called macroeconomics. However, in the post-war period, the monetary aspects of this theory dropped out of sight in the neo-classical synthesis and hydraulic Keynesianism. Post-Keynesians such as Davidson and Minsky have done much to try to restore the monetary aspects of the theory, but the other – more technical– aspects of financial analysis have been ignored. Paradoxically, these aspects now form an integral part of the curriculum of finance and business departments and are the tools of the trade in financial analysis. This book aims to show how these tools of financial analysis were initially part of the early investigations of macroeconomics and how they maybe used to provide a realistic analysis of the behavior of modern financial economies.

The book discusses the representation of Amazonian indigenous cultures in temporary exhibitions taking place between the 1980s and 2010 through the analysis of selected case studies of these exhibitions held in major institutions in Europe, South America and the United States, including the British Museum, Musée du Quai Branly, Centre George Pompidou, Museum of Modern Art of New York, São Paulo Biennial and São Paulo Art Museum. Drawing on extensive archival research, the book is richly illustrated and presents a range of exhibition documentation never published before. 

The book takes as a starting point the theoretical discussions that emerged in the 1980s stimulating the development of notions of ‘decolonising’ or ‘indigenising’ the museum as well as of practices of collaboration between museums and indigenous communities. Forty years on from the outset of these debates, the book proposes a critical inquiry on how these discussions inflected on exhibition practices in the following decades, focusing in particular on how ‘major’ institutions (ethnographic museums, art museums and art biennials) have responded to these debates. 

The results of the research suggest that practice has fallen behind theory and that most ‘major’ institutions or museums within Europe and the United States are still only marginally engaging with Amazonian indigenous peoples in the organisation of exhibitions. The book advances the concept of ‘minor curating’ as a strategy to potentiate access of indigenous peoples to historical collections held by major institutions and to facilitate the development of cultural projects with these collections and in ways that are culturally, historically and politically effective. The book has an interdisciplinary reach contributing to the fields of visual anthropology, curatorial studies, museum studies and exhibition history and covering a geographical area that has been overlooked within these fields. 

This renewed edition of the Tractatus Logico-Philosophicus, exactly a century after Wittgenstein’s release, presents the text in a hierarchical manner, “which is the way in which the book was composed and in which Wittgenstein arranged (selected and supplemented) the best of the philosophical remarks that he had been writing since 1913” (Peter Hacker). That tree-like reading is recommended by Wittgenstein himself in the sole footnote of his book, in which he suggests that the inner logical structure of the text is set by the decimal numbers of its propositions. “They alone – the Author will add – give the book perspicuity and clearness, and without this numbering it would be an incomprehensible jumble”. Indeed, the compact and intricate sequence of the traditional presentation is only a rigorous logical bet, but only a logical machine or a robot can unravel the tangle: for an ordinary human understanding that does not exploit its numbering, the book remains “an incomprehensible jumble”.

In the present disposition, instead, all horizontal and vertical references become directly manifest and any reader can enjoy the fine architecture and the elegant reasoning of Wittgenstein's work. Every page is an actual reading unit, perfectly coherent and complete. The Tractatus becomes comprehensible also to unskilled readers, of course at more or less deep levels, while a scholar or a more practised reader can detect suggestions and meanings that had remained, until now, completely hidden. A historical note shows in which manner the new structural perspective sheds new light also in the compositional manuscript we have, which “writing units” are very similar, actually, to the pages of the present edition. Besides, this allows to rebuild the list of “Supplements” (here in the Appendix) that Wittgenstein gathered after he roughly finished his manuscript, but that he used very little in the final book.

Printing the Tractatus following Wittgenstein's decimal prescriptions required meticulous philological care and some discretional conventions: for instance, at the top of each page the commented-upon proposition is printed again, to make the sight complete and self-sufficient. On the other hand, some forcing of the text by the translators in their sequential reading could be eliminated, restoring a more literal translation. Also the famous and intriguing picture of the eye and its visual field (5.6331) has been restored as Wittgenstein drafted it, making the entire page perfectly understandable and coherent. This documented and editorial work on one of the most referenced books of the last century was conceived to obtain, and in fact gained, a perspicuous and crystal clear text, philologically faithful and relaxingly readable at the same time.

Over the past two decades, many welfare states have experienced a combination of low economic growth and rising unemployment, concurrent with increasing pension and health care obligations, which has exacerbated government budget deficits. Some analysts forecast that for a number of welfare states these problems will worsen in the future. Their fiscal problems, in particular, present welfare state policy makers with the dilemma of attempting to fund redistribution schemes consistent with the ideal of a secure egalitarian society while at the same time remaining competitive in a ‘new economy’ that places a premium on competition, innovation, and flexible labour and product markets.

Thus, an important issue has emerged: what types of reforms are required to enable welfare states to preserve sustainability? For the purpose of this study, a sustainable welfare state is one that can remain the guarantor against social risks and adverse economic trends for all segments of their respective societies and satisfy sound fiscal criteria (such as the Maastricht requirement for all members of the EMU that their fiscal budget deficit does not exceed 3% of the GDP), without imposing considerable financial burdens on future generations.

How can we best understand Russia's relationship with Europe today? Is Russia a European country? What binds us together and divides us? And is there a viable basis for cooperation? Is Russia a friend, a partner, a neighbour or a foe to Europe? This book brings together an impressive group of academic specialists and practitioners to provide a timely and important study of these complex questions. The recognition of mutual dependency, it is argued, needs to be qualified by a range of political, economic and normative tensions which make this a problematic and frequently turbulent relationship. There has never been a more important time to understand Russia's relationship with Europe and it is the subsequent sense of unease both in Russia and Europe which provides the focus for this investigation and which will make it of use to specialist and general readers alike.

Techno-economic paradigm shifts are at the core of general, innovation-based theory of economic and societal development as conceived by Carlota Perez. Her book on the subject, ‘Technological Revolutions and Financial Capital’, is a seminal enunciation of the theory, and has had immense influence on business strategy, state development programs and policy, and academic thinking on the subject.

‘Techno-Economic Paradigms’ presents a series of essays by the leading academics in the field discussing the theory of techno-economic paradigm shifts, and its role in explaining processes of innovation and development. This festschrift honours Carlota Perez, the founder of the theory 'techno-economic paradigm shifts'.

Based on an extensive ethnographic study of television and audiences in class-divided Philippines, this is the first book to take a bottom-up approach in considering how people respond to images and narratives of suffering and poverty on television. Arguing for an anthropological ethics of media, this book challenges existing work in media studies and sociology that focuses solely on textual analysis and philosophical approaches to the question of representing vulnerable others. Current questions in media ethics, such as whether to portray sufferers as humane and empowered individuals or show them ‘at their worst’ have so far used textual and visual analyses to convey the researcher’s own moral position on the matter. In contrast, this book, inspired by the anthropology of moralities, accounts for the different interpretations and moral positions of audiences, who are positioned in various degrees of social and moral proximity to those they see and hear on television. Winner of the 2016 Philippine Social Science Council Excellence in Research Award.

‘The Learning Economy and the Economics of Hope’ brings together contributions by an expert on policies, management and economics of innovation and knowledge. It offers original insights in processes of innovation and learning and it draws implications for economic theory and public policy. It introduces the reader to important concepts such as innovation systems and the learning economy. It throws a new light on economic development and opens up for a new kind of economics – the economics of hope. It offers a fresh perspective on many of the most important global challenges of today showing how full attention to the characteristics of the learning economy needs to be combined with innovation in global governance if we want to be able to handle these challenges.

‘The Learning Economy and the Economics of Hope’ presents work published between 1985 and 1992 and introduces the core concepts innovation as an interactive process. The analysis demonstrates that new technology is developed in an interaction between individuals and organisations and that innovation would not thrive in an economy similar to textbook models of pure markets and perfect competition. It also presents articles that were published between 2004 and 2010. These may be seen as further developments and evidence-based consolidation of ideas that were presented more than ten years earlier. It presents the learning economy through the perspective of the economics of knowledge. The concluding part of the book includes three papers that make use of the conceptual frameworks developed in an analysis of China’s innovation system and policy, Europe’s crisis and Africa’s underdevelopment.

Central to any interpretation of Wittgenstein’s later philosophy is an understanding of his philosophical method and the nature of the turn which characterises the evolution from his early to his later work. In the essays in Wittgenstein, Scepticism and Naturalism, Marie McGinn argues that the methodological shift has at its heart a highly distinctive form of naturalism. 

This form of naturalism has nothing to do with the kind of scientific naturalism that is associated with accounting for all phenomena in terms of the conceptual resources of the natural sciences. It is closer to the Aristotelian naturalism defended by John McDowell, although, in Wittgenstein’s case, the principal influence is Goethe, whose conception of how to understand the phenomena of nature is self-consciously opposed to the reductive approach of scientific naturalism. Goethe places the emphasis on achieving a clarified view of complex, natural phenomena in their natural setting, with a view to describing patterns and connections that are in plain view. The novelty of Wittgenstein’s later work is that it applies these methods to the task of conceptual clarification, which aims at dissolving philosophical problems and paradoxes.

The essays in Wittgenstein, Scepticism and Naturalism cover the following topics: scepticism about the external world; scepticism about other minds; knowledge and belief; meaning and rule-following; psychological states and the distinctive first-person use of psychological concepts; the relation between the early and the later philosophy; and the nature of Wittgenstein’s naturalism.

This volume introduces two unique and hitherto largely unknown contributions published in the 1500s to the making of modern economic knowledge, making them available internationally for the first time in full English translation.
- Written in 1597, Barthélemy de Laffemas’ General regulation for the establishment of manufactures (written originally in French: Reiglement général pour dresser les manufactures) represents one of the earliest voices in the history of political economy – together with Italian economists Giovanni Botero (1589) and Antonio Serra (1613) – arguing that manufacturing and industry are the true sources of the wealth of nations and that states
should pursue an active industrial policy. Located at the crossroads between medieval Scholasticism and early mercantilism, it presents a political program that would lead to French economic development, providing the foundations for the French industrialization program during the 1660s-1680s. Laffemas presents a simplified version of an infant industry argument and European standard model of economic development known from thoughts of Enlightenment thinkers such as Colbert, Sir James Steuart, Friedrich List’s National System of Political Economy (1841), nineteenth and twentieth-century theories for catching up with England and later the US, and the ‘industrial policy’ or recently ‘mission-driven’ policies (Mariana Mazzucato).
- Leonhard Fronsperger’s On the praise of self-interest (German original: Von dem Lob deß Eigen Nutzen, 1564) is the first documented instance of the ‘Mandeville paradox’, one of the key axioms of neoliberalism. Commonly associated with much later writings, including Bernard de Mandeville’s Fable of the Bees (1705/14), and Adam Smith’s Wealth of Nations (1776), German military surgeon and polymath Fronsperger argued in 1564 that self-interest is an important driver in economic development. In his text, however, Fronsperger is much more pragmatic and less ideological than Mandeville or post-Mandevillean modern neoliberals. Vested in Renaissance Humanism and directly associated with the master of his time – Erasmus of Rotterdam – Fronsperger develops Renaissance theory about homo faber (creative, driven humans) as the center of the world to perfection, deriving from it the logical conclusion that possessive individualism and self-interest are important forces moving the human economy forward. Without letting go of the state, this work argues for self-interest facilitating virtuous cycles of enrichment and positive economic development.

This edited collection deals with dream as a literary trope and the origin of or a source of creativity in women’s writings. It gathers essays spanning a time period from the end of the seventeenth century to the mid-nineteenth century, with a strong focus on the Romantic period and particularly on Mary Shelley’s Frankenstein, in which dreams are at the heart of the writing process but also constitute the diegetic substance of the narrative. The contributions re-examine the oneiric facets of the novel and develop fresh perspectives on dreams and dreaming in Mary Shelley’s fiction and on other female authors (Anne Finch, Ann Radcliffe, Emily and Charlotte Brontë and a few others), re-appraising the textuality of dreams and their link to women’s creativity and creation as a whole.

This book, therefore, focuses on an aspect frequently mentioned but rarely subjected to in-depth analyses, especially within the context of an edited collection bringing together several authors. Replacing Shelley’s fiction in a female line thanks to its chronological span, it allows readers to recognize common points between the various authors tackled in the book, interrogating the paradox of the invasion of Self by a radically Other force from a feminine perspective and raising the central issue of authorial intention. One of the strengths of this collection is its coherence: almost all the essays included deal with Romantic and early Victorian prose written by women. They shed light on one another by looking at the same or similar texts from different points of view, using a variety of critical approaches (feminist, psychoanalytic, intertextual, scientific, aesthetic, among others). The other articles (on late-eighteenth–early-nineteenth century scientists and on Anne Finch) provide readers either with necessary contextual information or with welcome chronological perspective.

Weighing up the costs and benefits of economic interdependence in a finance-driven world from a development perspective, this book argues that globalization, understood and promoted as absolute freedom for all forms of capital, has been oversold to the Global South, and that the South should be as selective about globalization as the North, rebalance domestic and external sources of growth, and better manage integration into unstable international finance.

‘Liberalization, Financial Instability and Economic Development’ brings together a range of essays from Yılmaz Akyüz’s recent work, refuting the myth that emerging economies have now successfully decoupled from the North and have become new engines of growth. The book challenges the orthodoxy on the link between financial deepening and economic growth, as well as the relationship between the efficiency of financial markets and the benefits of liberalization. Rather, Akyüz’s work urges developing countries to use all possible tools to control capital flows and asset bubbles in order to prevent financial fragility and crises, and recommends regional policy options while recognizing the challenges posed by the institutional structures already in place.

This book challenges the notion of a ‘new’ India, not by dismissing it as an imagined India, but by engaging in the debate as to what constitutes the new. It acknowledges that India is changing remarkably, while also acknowledging that in the overzealous enthusiasm about the new India there is collective amnesia about the other, older India. The essays argue that the increasing consolidation of capitalist markets of commodity production and consumption has unleashed not only economic growth and social change, but also introduced new contradictions associated with market dynamics in the economic and social spheres such as agrarian crisis, slow growth of employment, and the persistence of low-caste exploitation.

The volume also investigates the emergent tensions in art, architecture, and citizenship. In transforming India into an IT valley with corporate campuses, appealing to a westernized audience of technology entrepreneurs, including non-resident Indians abroad, architecture arguably is not addressing India’s economic and social plight. Art too has taken a commercial turn by catering to the new middle classes spawned by the global and Indian technology revolution. The extraordinary economic values they command seem to jar with the grim economic and social polarization underway. The book unravels contemporary India in its complexities and uncovers some of the hidden tensions plaguing the country, and points to the significance of a widely shared development outcome as an alternative for social transformation.

Offering an alternative exploration of the subject, ‘Marxism in Dark Times’ anchors its investigation of Marxism in the conceptual spheres of humanism, democracy and pluralism. Its essays question the stereotyped, positivist notion of the theory as practised by the exponents of official Marxism, highlight the legacy of the suppressed voices in the Marxist tradition, and provide new insights into reading Marxism in the twenty-first century—affording new perspectives on Antonio Gramsci, Rosa Luxemburg, Nikolai Bukharin, David Ryazanov and the Frankfurt School. They seek to review the phenomenon of ‘Perestroika,’ explore the new historiography on Comintern, and examine the relation between Marxism and postmodernism. With its wide-ranging provision of materials—some translated here into English from German and Russian for the first time—this collection offers a pioneering English assessment of some of the most debatable issues in contemporary Marxism.

The volume is a comprehensive collection of essays on various aspects of Ferdinand Tönnies’s thought. Each of the essays has been written by a distinguished expert on Tönnies. The contributors include Niall Bond, Kenneth C. Bessant, David Inglis, Stefan Bertschi, Efraim Podoksik, William Stafford, Slavko Splichal and Mathieu Deflem. [NP] This companion is a major contribution to our understanding of one of Germany’s greatest social theorists and who was a major founder of sociology, a significant cultural critic, and an important political thinker. The essays contained in this volume are written in a clear style in order to be easily understood by non-specialists yet they are comprehensive enough to appeal to the specialist. The international collection of authors represents a range of disciplines, thus providing a fuller appreciation for the writings of Ferdinand Tönnies.

Digital technologies are an indispensable facet of every aspect of our society. Even in the developing world, mobile phones have transformed the lives and livelihoods of average citizens. Yet, two decades ago, when there were more phone lines in Manhattan than in most of Sub-Saharan Africa, only a few visionary institutions could have imagined that computers, the Internet and mobile phones would be so prominent in poverty-stricken environments. One of these visionary institutions was the International Development Research Centre (IDRC), which recognized the important but complex role that information and communication technologies (ICTs) would have in fostering human development and reducing poverty. IDRC-supported projects critically examined the ways in which ICTs could be used to improve learning, empower the disenfranchised, generate income opportunities for the poor, and facilitate access to healthcare in Africa, Asia, Latin America and the Caribbean. Their research focused on development priorities that were defined in collaboration with researchers from the Global South, civil society organizations, government officials and policymakers. By supporting research in this field since 1996, IDRC has become one of the leading institutions and key contributors to the growth of the “ICTs for development” (ICT4D) field, specifically because of its strategic decision to focus on building the capacity of Southern researchers and policymakers to explore how ICTs can continue to change people’s lives in the developing world.

Considering that most development institutions and governments are currently attempting to integrate ICTs into their practices, this is an opportune time to reflect on the research findings that have emerged from working alongside researchers in this area. In particular, this book examines how research has helped IDRC contribute to building the ICT4D field based on a nuanced understanding of the relationship between ICTs and development goals. It also discusses programmatic investments made by IDRC since the late 1990s in a wide variety of areas related to ICTs, including infrastructure, access, regulations, health, governance, education, livelihoods, social inclusion, technical innovation, intellectual property rights and evaluation.

Each chapter in this book analyzes how the research findings from IDRC-supported projects have contributed to an evolution of thinking, and the successes and challenges in using ICTs as a tool to address development issues. Each chapter also presents key lessons learned from ICT4D programming and makes recommendations for future work. The book illustrates how IDRC’s focus shifted over time from looking specifically at issues of access to understanding the implications of ICTs in the lives of citizens in the developing world. 

‘Finding Queensland in Australian Cinema’ explores aspects of gender, race and region in films and television produced in the northern Australian state of Queensland. Drawing on a range of scholarly sources and an extensive filmography, the essays in the book investigate poetics and production histories from the 'period' films of the Australian cinema revival of the 1970s to contemporary 'Queensland-genre' films, highlighting the resonances of regional locations amid the energetic growth of the film industry, and promotion of Queensland as a production destination.

‘Finding Queensland in Australian Cinema’ comprises eight essays, an introduction and conclusion, and the analysis of poetics and cultural geographies is focused on landmark films and television. The first section of the book, ‘Backtracks: Landscape and Identity’, refers to films from and before the revival, beginning with the 1978 film 'The Irishman' as an example of heritage cinema in which performances of gender and race, like the setting, suggest a romanticised and uncritical image of colonial Australia. It is compared to Baz Luhrmann’s 'Australia' (2008) and several other films. In the second chapter, ‘Heritage Enigmatic’, 'The Irishman' is also drawn into comparison with Charles Chauvel’s ‘Jedda’ (1955), as films that incorporate Indigenous performances in this heritage discourse through the role of voice and sound. In Part 2, ‘Silences in Paradise’, the first essay, ‘Tropical Gothic’, focuses on Rachel Perkins’s 'Radiance' (1998) as a landmark post-colonial film that questions the connotations of icons of paradise in Queensland. The discussion leads to films, in the next chapter, ‘Island Girls Friday’, that figure women on Queensland islands, spanning the pre-revival and contemporary era: ‘Age of Consent’ (1969), ‘Nim’s Island’ (2008) and ‘Uninhabited’ (2010). Part 3, ‘Masculine Dramas of the Coast’ moves to the Gold Coast, in films dating from before and since the current spike in transnational production at the Warner Roadshow film studios there, namely, 'The Coolangatta Gold' (1984), 'Peter Pan' (2003), and 'Sanctum' (2011). The final section, ‘Regional Backtracks’, turns, first, to two television series, ‘Remote Area Nurse’ (2006), and ‘The Straits’ (2012), that share unique provenance of production in the Torres Strait and far north regions of Queensland, while, in the final chapter, the iconic outback districts of western Queensland figure the convergence of land, landscape and location in films with potent perspectives on Indigenous histories in ‘The Proposition’ (2005) and ‘Mystery Road’ (2013). ‘Finding Queensland in Australian Cinema’ presents the various regions as syncretic spaces subject to transitions of social and industry practices over time.

While the dynamic relationship between common sense and science has gone largely unrecognized in the history of ideas, Common Sense and Science from Aristotle to Reid reveals that thinkers have pondered the nature of common sense and its relationship to science and scientific thinking for a very long time. It demonstrates how a diverse array of neglected early modern thinkers turn out to have been on the right track for understanding how the mind makes sense of the world and how basic features of the human mind and cognition are related to scientific theory and practice. Drawing on a wealth of primary sources and scholarship from the history of ideas, cognitive science, and the history and philosophy of science, this book helps readers understand the fundamental historical and philosophical relationship between common sense and science.

The story begins in the ancient world, where “scientific” knowledge (epistêmê in Greek, scientia in Latin) arose in counterpoint to everyday understanding and common opinion, until Aristotle produced a reconciliation of the two that set the course for scientific thought for the next two millennia. It then moves into the early modern period, when the New Science of Copernicus, Galileo, and Newton emerged triumphant, and common sense and its relationship to science once again became problematic, remaining so to this day. The book goes on to examine this fraught relationship, and the early modern thinkers who sought to repair it, culminating in the thought of the philosopher Thomas Reid (1711–1796), the preeminent figure in the Scottish school of common sense philosophy. A comprehensive epilogue brings the story into the present. It is a story full of fascinating twists and turns, but ultimately a tale about the perennial quest to understand how the human mind is able to gain credible and reliable knowledge about the self, nature, other human beings, and God.

The collected essays in this book are the result of a series of workshops held at the University of Cagliari in Italy. In this work, the authors aim at reconstructing the evolution of a key concept of traditional Indian grammar: Pāṇini’s zero. The book investigates how certain patterns of description account for exceptions in the currently presupposed one-to-one symmetry between the semantic and the phono-morphological level of language. This work also deals with some powerful mechanisms of rule extension, which are valuable for different contexts of rule arrangement, such as the ritual model. The interpretative model laid down in the introduction proves strong and suggestive enough to allow subsequent articles in the book to make incursions into other traditions and cultures. The potentialities of aniconic expression in the artistic field are explored, together with the outcomes of this theory.