Biography & Autobiography

Little Grey Rabbit and Sam Pig are just two of the inspired characters created by Alison Uttley, loved by millions and still very popular today. But who was the real woman spinning enchanting tales of country life and lore, magic and friendship?

Alison Uttley gathered much of the inspiration for her stories from the fond memories of her Derbyshire childhood and her love of the countryside. A talented and prolific writer, she was still producing stories in her late eighties. Yet she was often plagued by self-doubt, and extremely possessive over her close friends, family and work. Tragically, Alison's husband committed suicide before her writing successes. She soon developed a smothering relationship with her only child John, even convincing him to jilt his first fiancée and escape to Scotland - the honeymoon destination.

With exclusive and unrestricted access to her personal diaries and private letters, Denis Judd paints an intriguing portrait of one of the most successful, creative and troubled children's authors of modern times.

Edgar Allan Poe, the original master of the macabre and dark Romantic writer of Gothic novels, detective stories, poetry, short stories and satires is synonymous with themes of premature burial, death, madness and mysticism. His life was intriguing and his early death at 40 was appropriately mysterious – dying in delirium (possibly opium, alcohol, rabies or syphilis induced) in someone else's clothes on the streets of Baltimore.

One of the most recognizable and widely referenced literary figures, outside of the enormous popularity of his literature, Poe also became a compelling popular culture figure, especially for literary, horror and sci-fi fans. The Little Book of Edgar Allan Poe is made up of fascinating, poignant, witty and occasionally disturbing quotes from across the breadth of Poe's work, as well as comments from his contemporaries, extracts from letters and interesting facts about the man's life and works. It adds up to a fascinating overview of this unique literary character and the incredible fiction he produced.

SAMPLE QUOTE:
'Tis the wind and nothing more!
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore'
- The Raven, 1845.

SAMPLE FACT:
American football team the Baltimore Ravens are name after Poe's classic poem, The Raven.

Inspiring and honest, this unique memoir of gender transition and coming-of-age proves it’s never too late to find your true identity.

Since he was a small child, Lorimer Shenher knew something for certain: he was a boy. The problem was, he was growing up in a girl’s body.

In this candid and thoughtful memoir, Shenher shares the story of his gender journey, from childhood gender dysphoria to teenage sexual experimentation to early-adult denial of his identity—and finally the acceptance that he is trans, culminating in gender reassignment surgery in his fifties. Along the way, he details his childhood in booming Calgary, his struggles with alcohol, and his eventual move to Vancouver, where he became the first detective assigned to the case of serial killer Robert Pickton (the subject of his critically acclaimed book That Lonely Section of Hell). With warmth and openness, This One Looks Like A Boy takes us through one of the most important decisions Shenher will ever make, as he comes into his own and finally discovers acceptance and relief.

Inspiring and honest, this unique memoir of gender transition and coming-of-age proves it’s never too late to find your true identity.

Since he was a small child, Lorimer Shenher knew something for certain: he was a boy. The problem was, he was growing up in a girl’s body.

In this candid and thoughtful memoir, Shenher shares the story of his gender journey, from childhood gender dysphoria to teenage sexual experimentation to early-adult denial of his identity—and finally the acceptance that he is trans, culminating in gender reassignment surgery in his fifties. Along the way, he details his childhood in booming Calgary, his struggles with alcohol, and his eventual move to Vancouver, where he became the first detective assigned to the case of serial killer Robert Pickton (the subject of his critically acclaimed book That Lonely Section of Hell). With warmth and openness, This One Looks Like A Boy takes us through one of the most important decisions Shenher will ever make, as he comes into his own and finally discovers acceptance and relief.

A trans pastor’s fascination with the Scripture inherited from his closeted, fundamentalist father.

When his dad died, Malcolm Himschoot inherited his father’s Bibles. He chose to re-read them, examining his dad’s notes in the margins, teasing out the details of his upbringing and gender identity amid the structures and forms of biblical narratives. For Malcolm, coming out meant exile and verbal excommunication; he embodied all his gay father tried to hide. In Reading Secrets, Malcolm travels alongside the ghost of his father, exploring their inherited homophobia and the American culture that shaped their triumphs and tragedies. With these poetic and evocative meditations, Malcolm transforms the Scripture he inherited, and finds a place in it for himself.

Earl Lind’s 1918 autobiography has been recognized as a pioneering work in the history of transgender literature. Throughout his life, Lind was forced to justify and defend his existence from puritanical authorities. In the first of his trilogy of autobiographical works, he not only demands recognition, but exposes the denial of his existence as nothing but hatred and fear.

“Androgynes have of course existed in all ages of history and among all races. In Greek and Latin authors there are many references to them, but these references are not always understood except by the few scholars who are themselves androgynes or at least passive sexual inverts. […] [T]hese men-women, because misunderstood, have been held in great abomination both in the middle ages and in modern times, but the prejudice against them was not so extreme in antiquity, and a cultured citizen having this nature did not then lose caste on this account.”

Situating his own identity within this history of oppression, Lind makes the case for recognizing the presence of androgynes in all human societies. Ever since he was a child, Lind identified as feminine and was keenly aware of his homosexual desires, gaining a reputation among the local boys and soon turning to girls for friendship and understanding. In a world that saw androgynes as both corrupt and willfully different, Lind sought to increase understanding and to explain through scientific, historical, and personal evidence why his identity was congenital, and therefore natural.

This edition of Earl Lind’s Autobiography of an Androgyne is a classic work of transgender literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Female-Impersonators (1922) is an autobiography by Earl Lind. Accompanied by an introduction by Dr. Alfred W. Herzog, Lind’s autobiography―intended for a clinical audience―has been recognized as a pioneering work in the history of transgender literature.

Throughout his life, Lind was forced to justify and defend his existence from puritanical authorities who refused to even recognize the reality of his identity as an androgyne. In this third installment of his autobiographical trilogy, he focuses on the community of androgynes or “female-impersonators” he joined when he moved from Connecticut to New York City.

“I was predestined to an unusual role in the great drama we call ‘life.’ I was brought into the world as one of the rare humans who possess a strong claim, on anatomic grounds as well as psychic, to membership in both the recognized sexes. I was foreordained to live part of my life as man and part as woman.”

Situating his own identity within the history of transgender oppression, Lind makes the case for recognizing the presence of androgynes in all human societies. Ever since he was a child, Lind identified as feminine and was keenly aware of his homosexual desires, gaining a reputation among the local boys and soon turning to girls for friendship and understanding. In a world that saw androgynes as both corrupt and willfully different, Lind sought to increase understanding and to explain through scientific, historical, and personal evidence why his identity was congenital, and therefore natural. In this final installment of his trilogy of autobiographical works, Lind focuses on the community of androgynes he joined at New York’s Columbia Hall, a well-known brothel and gay bar on the Bowery.

This edition of Earl Lind’s The Female-Impersonators is a classic work of transgender literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

From music to movies, literature to dance – the arts have always been influenced by the work of LGBTQ people. LGBTQ+ Icons spotlights the history and contributions of 50 pioneering artists who lived and worked around the world.

Bold, whimsical illustrations by David Lee Csicsko (The Skin You Live In) and concise bios from historian Owen Keehnen celebrate a diverse group of artists, from LGBTQ icons James Baldwin, Frida Kahlo, and Freddie Mercury to lesser-known colorful characters like vaudeville performer Ada “Bricktop” Smith, the toast of 1920s Paris café society who opened a queer-friendly club where all were welcomed, and Australian dandy Leigh Bowery, whose unapologetic flamboyance influenced an entire generation of fashion designers.

LGBTQ+ Icons is an entertaining exploration of a part of history most people don’t know is even missing. It will inspire readers young and old to be confident in who they are, and to take pride in their own creativity. Produced with premium materials, this book is a must-read for Pride month and a perfect collectible year-round!

Winner, "Gold" Independent Publishing Award (IPPY) for LGBTQ+ Nonfiction
Winner, The Randy Shilts Award for Gay Nonfiction, 34th Annual Triangle Awards
2023 Lammy Finalist, Gay Memoir/Biography

A coming-of-age memoir of life on the front lines of the AIDS crisis with ACT UP New York.

From the moment Ron Goldberg stumbled into his first ACT UP meeting in June 1987, the AIDS activist organization became his life. For the next eight years, he chaired committees, planned protests, led teach-ins, and facilitated their Monday night meetings. He cruised and celebrated at ACT UP parties, attended far too many AIDS memorials, and participated in more than a hundred zaps and demonstrations, becoming the group’s unofficial “Chant Queen,” writing and leading chants for many of their major actions. Boy with the Bullhorn is both a memoir and an immersive history of the original New York chapter of ACT UP, the AIDS Coalition to Unleash Power, from 1987 to 1995, told with great humor, heart, and insight.

Using the author’s own story, “the activist education of a well-intentioned, if somewhat naïve nice gay Jewish theater queen,” Boy with the Bullhorn intertwines Goldberg’s experiences with the larger chronological history of ACT UP, the grassroots AIDS activist organization that confronted politicians, scientists, drug companies, religious leaders, the media, and an often uncaring public to successfully change the course of the AIDS epidemic.

Diligently sourced and researched, Boy with the Bullhorn provides both an intimate look into how activist strategies are developed and deployed and a snapshot of life in New York City during the darkest days of the AIDS epidemic. On the occasions where Goldberg writes outside his personal experience, he relies on his extensive archive of original ACT UP documents, news articles, and other published material, as well as activist videos and oral histories, to help flesh out actions, events, and the background stories of key activists. Writing with great candor, Goldberg examines the group’s triumphs and failures, as well as the pressures and bad behaviors that eventually tore ACT UP apart.

A story of ordinary people doing extraordinary things, from engaging in outrageous, media-savvy demonstrations, to navigating the intricacies of drug research and the byzantine bureaucracies of the FDA, NIH, and CDC, Boy with the Bullhorn captures the passion, smarts, and evanescent spirit of ACT UP—the anger, grief, and desperation, but also the joy, camaraderie, and sexy, campy playfulness—and the exhilarating adrenaline rush of activism.

In Detachable Penis: A Queer Legal Saga, Elkin relates his bumpy journey from lesbian to transgender lawyer in the aftermath of the 2017 Australian marriage equality postal survey, which resulted in an amendment to the Marriage Act to enable same-sex marriage.

As the inaugural lawyer of Victoria’s queer law service, Elkin is quickly immersed in thorny debates around trans inclusion in sport, children’s access to puberty blockers, birth certificate law reform, and the Christian right’s demand for enhanced religious freedoms. Set against the backdrop of a growing moral panic about the "trans agenda," Elkin reflects on the double-edged sword of visibility post the "transgender tipping point."

Elkin offers an honest, unflinching account of chest surgery, phalloplasty, the emotional impact of cross-sex hormones and the perils of airport body scanners. Refreshingly open-minded, Elkin explores his ambivalence about aspects of his own transition, masculinity, and fears of lesbian erasure as he encounters a new world of gender-affirming psychologists, surgeons, and speech pathologists.

Through an examination of Elkin’s legal casework and law reform efforts, Detachable Penis offers a kaleidoscopic view of LGBTIQA+ communities living on the margins and a nuanced account of the lateral violence, poor mental health, and activist burnout that besets the contemporary LGBTIQA+ rights movement. Part love letter and part cautionary tale, Detachable Penis offers a darkly humorous glimpse into Elkin’s unique life in the law.

A revealing, hopeful account of a young woman's ascent out of the bleak despair of addiction and how recovery helped her confront the traumas and secrets that kept her living in the dark for so long.

In her first memoir, Blackout Girl, Jennifer Storm enthralled readers with the haunting account of her descent into addiction, which began when she was raped at twelve years old. But against all odds, she survived, and ultimately thrived.

In this courageous and insightful sequel, Jennifer continues her story through recovery and the self-discovery that followed. With fearless honesty, she chronicles her journey as she embarked upon a new life without alcohol or other drugs, finally facing her traumatic past, confronting her buried emotions, and revealing the long-hidden truth about her sexuality. This book conveys a beaming message of hope for those facing similar adversities.

"Some girls fancy sailors, others fancy soldiers. But you, my dear, are a fag hag!"

Lola Miesseroff's childhood certainly predisposed her to be a rebel. She was born in Marseilles in 1947 to immigrant parents, her mother a Russian-Jewish social worker, her father an Armenian-Russian with a sandpaper-making workshop in sheds left behind by the Americans. The family ran and lived in a nudist colony, a place where the men were allowed to be feminine, the women masculine. Hers was what she calls a "degendered" childhood: "I never suffered from identity problems. There were two genocides in my background, one Jewish, the other Armenian, and my education was Russophone, naturist and libertarian, not least with respect to love and sex. In other words, we were marginal in every possible way."

Lola’s picaresque memoir Fag Hag tracks her peregrinations through what she calls the "Outer Left"—always deeply committed and involved in women's liberation, sexual liberation, gay, and LBGTQ liberation—yet always on the fringe of formal organizations (or driven there) because of her belief that anarcho-communist revolution (not her term) trumps all (inter)sectional struggles without reducing them. From Marseilles to Avignon and Paris, Lola's trajectory epitomizes a far left that opposed a spirit of provocation and raillery to the austerity of many militant groupuscules and experimented enthusiastically with communal and polysexual living.

"I have dredged my memory," Lola writes, "in the hope that revisiting the past might help illuminate our present; if it doesn't, I shall have failed. I want to contribute in some small measure to the struggles of today by exposing the strengths and weaknesses of the struggles of the past, and to contest fragmented identity politics in favor of all-for-one-and-one-for-all. Which is my way of continuing to challenge the power structure."

Finalist for the 2023 Minnesota Book Award

A sublimely elegant, fractured reckoning with the legacy and inheritance of suicide in one American family.

In 2009, Juliet Patterson was recovering from a serious car accident when she learned her father had died by suicide. His death was part of a disturbing pattern in her family. Her father’s father had taken his own life; so had her mother’s. Over the weeks and months that followed, grieving and in physical pain, Patterson kept returning to one question: Why? Why had her family lost so many men, so many fathers, and what lay beneath the silence that had taken hold?

In three graceful movements, Patterson explores these questions. In the winter of her father’s death, she struggles to make sense of the loss—sifting through the few belongings he left behind, looking to signs and symbols for meaning. As the spring thaw comes, she and her mother depart Minnesota for her father’s burial in her parents’ hometown of Pittsburg, Kansas. A once-prosperous town of promise and of violence, against people and the land, Pittsburg is now literally undermined by abandoned claims and sinkholes. There, Patterson carefully gathers evidence and radically imagines the final days of the grandfathers—one a fiery pro-labor politician, the other a melancholy businessman—she never knew. And finally, she returns to her father: to the haunting subjects of goodbyes, of loss, and of how to break the cycle.

A stunning elegy that vividly enacts Emily Dickinson’s dictum to “tell it slant,” Sinkhole richly layers personal, familial, political, and environmental histories to provide not answers but essential, heartbreaking truth.

Flamboyant and witty, Oscar Wilde was famous for being famous.

The toast of late-nineteenth London society, he once boasted he could speak spontaneously on any subject, and his writings were as varied as his captivating conversation. One of the leading playwrights of his age, he also found fame as a poet, novelist and essayist. Of course, Wilde's literary success is bound up with the tragedy of his private life, and his very name evokes fascination. Including Wilde's funniest remarks and ripostes as well as deeper reflections, this collection of wit and wisdom will amuse, provoke and delight.

'There is only one thing in the world worse than being talked about, and that is not being talked about.' Lord Henry in The Picture of Dorian Gray, 1890.

A fascinating collection of quotes from the work of Britain's greatest playwright, his words reveal insights into his enduring popularity and his masterful command of language. He introduced over 3,000 new words to the English language and he wrote close to 10% of the most quoted lines ever written or spoken in English.

Born Samuel Langhorne Clemens, Twain is best known for his stories of American boyhood, The Adventures of Tom Sawyer and Huckleberry Finn.

Lauded as the greatest humourist America has ever produced, even Faulkner called him the “father of American literature” and Hemingway said “All modern literature comes from one book by Mark Twain called Huckleberry Finn”. Known for his wit and humour, he exposed social injustices and class barriers in his work, and was commonly described ass a moralist and idealist.

'The greatest writer of his time.' (George Orwell)

The author of 20 much-loved novels and novellas, Charles Dickens combined humour and pathos to explore Victorian society in all its shades. Widely praised for his rich narratives and larger-than-life characters, he was not only a celebrity author but also an admired social reformer. Moving from the refined drawing rooms of the upper classes to the horrors of the workhouse or the filthy back streets of London, Dickens' writings shone a light on the harsh inequalities of the times.

The Little Book of Charles Dickens showcases wonderful quotes from the author's writings, alongside fascinating facts about his life and achievements. By turns witty, comic, insightful and wise, this delightful volume is a fitting tribute to a literary giant.

SAMPLE QUOTE:
'It is said that the children of the very poor are not brought up, but dragged up.' Bleak House

SAMPLE FACT:
When Dickens was 12 years old, his father was sent to a debtor's prison. Forced to become the family's main breadwinner, the young Dickens worked at Warren's Blacking Factory, where he was paid a pittance for pasting labels onto bottles of shoe polish.

“We read Wodehouse because he was a master of words. We can read Kent for the same reason”. Wooster Sauce, journal of The P.G. Wodehouse Society (UK)

A TOUR OF THE COMIC IMAGINATION OF P.G. WODEHOUSE

P. G. Wodehouse (1881-1975) is widely acknowledged as the greatest English comic writer of the 20th century. The creator of Jeeves & Wooster, Lord Emsworth and Blandings, Ukridge, Mr. Mulliner, the Oldest Member and the Eggs, Beans and Crumpets of the Drones Club, the consistently upbeat tone of his 100 or so books represents one of the largest-ever literary bequests to human happiness by one man. Indeed, Wodehouse was not just a writer for his time, but for all time, and in 2019, a memorial commemorating his life and work was dedicated in Westminster Abbey, London, the only one to honour an out-and-out humourist. 

In this concluding volume of his groundbreaking trilogy, lifelong enthusiast Paul Kent sets out to explain the enduring, global appeal of PGW’s comic world from the U.K. to Japan via India and Russia. Granted unprecedented access to Wodehouse’s papers and library, it contains a wealth of fresh insight and scholarship that gets right to the heart of Wodehouse’s comic vision and is a must for both casual fan and devotee alike.

“Paul Kent has added his joy and light while giving us new insights into Wodehouse . . . Your time with his books will breeze by, and you will clamor for more. Hear that distant sound? That’s me already clamoring”.

GARY HALL, PLUM LINES, THE QUARTERLY JOURNAL OF THE WODEHOUSE SOCIETY (US)

“Kent is forging the new path in the way I hope writing about Wodehouse will go”.

This is an authentic history of a Chinese female poet, He Shuangqing. She lived at a time when people regarded men as superior to women. However, she was fortunate to have some scholar acquaintances who were open-minded. They spurned the traditional attitude towards her sex and showed their appreciation of her poems and her attitude towards life. One of the scholars, Shi Zhenlin, wrote down and recorded her life and poetry in his book Xiqing sanji (West Green Random Notes) so that her poems could be read by more people. Leaves of Prayer is a translation of Xiqing sanji.

Part 1 gives an introduction to Shi Zhenlin's Xiqing sanji and He Shuangqing, the poet. Part 2 is a translation of Xiqing sanji which narrates the vicissitudes of He Shuangqing's life. Part 3 lists the poems of He Shuangqing with their originals written in Chinese calligraphy.

Rather than resist the vast social and cultural changes sweeping Japan in the nineteenth century, the poet Masaoka Shiki (1867–1902) instead incorporated new Western influences into his country's native haiku and tanka verse. By reinvigorating these traditional forms, Shiki released them from outdated conventions and made them more responsive to newer trends in artistic expression. Altogether, his reforms made the haiku Japan's most influential modern cultural export.

Using extensive readings of Shiki's own writings and accounts of the poet by his contemporaries and family, Donald Keene charts Shiki's revolutionary (and often contradictory) experiments with haiku and tanka, a dynamic process that made the survival of these traditional genres possible in a globalizing world. Keene particularly highlights random incidents and encounters in his impressionistic portrait of this tragically young life, moments that elicited significant shifts and discoveries in Shiki's work. The push and pull of a profoundly changing society is vividly felt in Keene's narrative, which also includes sharp observations of other recognizable characters, such as the famous novelist and critic Natsume Soseki. In addition, Keene reflects on his own personal relationship with Shiki's work, further developing the nuanced, deeply felt dimensions of its power.

Rather than resist the vast social and cultural changes sweeping Japan in the nineteenth century, the poet Masaoka Shiki (1867–1902) instead incorporated new Western influences into his country's native haiku and tanka verse. By reinvigorating these traditional forms, Shiki released them from outdated conventions and made them more responsive to newer trends in artistic expression. Altogether, his reforms made the haiku Japan's most influential modern cultural export.

Using extensive readings of Shiki's own writings and accounts of the poet by his contemporaries and family, Donald Keene charts Shiki's revolutionary (and often contradictory) experiments with haiku and tanka, a dynamic process that made the survival of these traditional genres possible in a globalizing world. Keene particularly highlights random incidents and encounters in his impressionistic portrait of this tragically young life, moments that elicited significant shifts and discoveries in Shiki's work. The push and pull of a profoundly changing society is vividly felt in Keene's narrative, which also includes sharp observations of other recognizable characters, such as the famous novelist and critic Natsume Soseki. In addition, Keene reflects on his own personal relationship with Shiki's work, further developing the nuanced, deeply felt dimensions of its power.

Many books in Japanese have been devoted to the poet and critic Ishikawa Takuboku (1886–1912). Although he died at the age of twenty-six and wrote many of his best-known poems in the space of a few years, his name is familiar to every literate Japanese. Takuboku's early death added to the sad romance of the unhappy poet, but there has been no satisfactory biography of his life or career, even in Japanese, and only a small part of his writings have been translated. His mature poetry was based on the work of no predecessor, and he left no disciples. Takuboku stands unique.

Takuboku's most popular poems, especially those with a humorous overlay, are often read and memorized, but his diaries and letters, though less familiar, contain rich and vivid glimpses of the poet's thoughts and experiences. They reflect the outlook of an unconstrained man who at times behaved in a startling or even shocking manner. Despite his misdemeanors, Takuboku is regarded as a national poet, all but a saint to his admirers, especially in the regions of Japan where he lived. His refusal to conform to the Japan of the time drove him in striking directions and ranked him as the first poet of the new Japan.

Natsume Sōseki (1867–1916) was the father of the modern novel in Japan, chronicling the plight of bourgeois characters caught between familiar modes of living and the onslaught of Western values and conventions. Yet even though generations of Japanese high school students have been expected to memorize passages from his novels and he is routinely voted the most important Japanese writer in national polls, he remains less familiar to Western readers than authors such as Kawabata, Tanizaki, and Mishima.

In this biography, John Nathan provides a lucid and vivid account of a great writer laboring to create a remarkably original oeuvre in spite of the physical and mental illness that plagued him all his life. He traces Sōseki’s complex and contradictory character, offering rigorous close readings of Sōseki’s groundbreaking experiments with narrative strategies, irony, and multiple points of view as well as recounting excruciating hospital stays and recurrent attacks of paranoid delusion. Drawing on previously untranslated letters and diaries, published reminiscences, and passages from Sōseki’s fiction, Nathan renders intimate scenes of the writer’s life and distills a portrait of a tormented yet unflaggingly original author. The first full-length study of Sōseki in fifty years, Nathan’s biography elevates Sōseki to his rightful place as a great synthesizer of literary traditions and a brilliant chronicler of universal experience who, no less than his Western contemporaries, anticipated the modernism of the twentieth century.

Natsume Sōseki (1867–1916) was the father of the modern novel in Japan, chronicling the plight of bourgeois characters caught between familiar modes of living and the onslaught of Western values and conventions. Yet even though generations of Japanese high school students have been expected to memorize passages from his novels and he is routinely voted the most important Japanese writer in national polls, he remains less familiar to Western readers than authors such as Kawabata, Tanizaki, and Mishima.

In this biography, John Nathan provides a lucid and vivid account of a great writer laboring to create a remarkably original oeuvre in spite of the physical and mental illness that plagued him all his life. He traces Sōseki’s complex and contradictory character, offering rigorous close readings of Sōseki’s groundbreaking experiments with narrative strategies, irony, and multiple points of view as well as recounting excruciating hospital stays and recurrent attacks of paranoid delusion. Drawing on previously untranslated letters and diaries, published reminiscences, and passages from Sōseki’s fiction, Nathan renders intimate scenes of the writer’s life and distills a portrait of a tormented yet unflaggingly original author. The first full-length study of Sōseki in fifty years, Nathan’s biography elevates Sōseki to his rightful place as a great synthesizer of literary traditions and a brilliant chronicler of universal experience who, no less than his Western contemporaries, anticipated the modernism of the twentieth century.

Jacques Schiffrin changed the face of publishing in the twentieth century. As the founder of Les Éditions de la Pléiade in Paris and cofounder of Pantheon Books in New York, he helped define a lasting canon of Western literature while also promoting new authors who shaped transatlantic intellectual life. In this first biography of Schiffrin, Amos Reichman tells the poignant story of a remarkable publisher and his dramatic travails across two continents.

Just as he influenced the literary trajectory of the twentieth century, Schiffrin’s life was affected by its tumultuous events. Born in Baku in 1892, he fled after the Bolsheviks came to power, eventually settling in Paris, where he founded the Pléiade, which published elegant and affordable editions of literary classics as well as leading contemporary writers. After Vichy France passed anti-Jewish laws, Schiffrin fled to New York, later establishing Pantheon Books with Kurt Wolff, a German exile. Following Schiffrin’s death in 1950, his son André continued in his father’s footsteps, preserving and continuing a remarkable intellectual and cultural legacy at Pantheon. In addition to recounting Schiffrin’s life and times, Reichman describes his complex friendships with prominent figures including André Gide, Jean-Paul Sartre, Peggy Guggenheim, and Bernard Berenson. From the vantage point of Schiffrin’s extraordinary career, Reichman sheds new light on French and American literary culture, European exiles in the United States, and the transatlantic ties that transformed the world of publishing.

Maurice Blanchot (1907–2003) was one of the most important writers of the twentieth century. His novels, shorter narratives, literary criticism, and fragmentary texts exercised enormous influence over several generations of writers, artists, and philosophers. In works such as Thomas the Obscure, The Instant of my Death, The Writing of the Disaster, The Unavowable Community, Blanchot produced some of the most incisive statements of what it meant to experience the traumas and turmoils of the twentieth century.

As a journalist and political activist, Blanchot had a public side that coexisted uneasily with an inclination to secrecy, a refusal of interviews and photographs, and a reputation for mysteriousness and seclusion. These public and private Blanchots came together in complicated ways at some of the twentieth century's most momentous occasions. He was among the public intellectuals participating in the May ’68 revolution in Paris and helped organize opposition to the Algerian war. During World War II, he found himself moments away from being executed by the Nazis. More controversially, he had been active in far-right circles in the ’30s.

Now translated into English, Christophe Bident’s magisterial, scrupulous, much-praised critical biography provides the first full-length account of Blanchot’s itinerary, drawing on unpublished letters and on interviews with the writer’s close friends. But the book is both a biography and far more. Beyond filling out a life famous for its obscurity, Bident’s book will transform the way readers of Blanchot respond to this major intellectual figure by offering a genealogy of his thought, a distinctive trajectory that is at once imaginative and speculative, at once aligned with literary modernity and a close companion and friend to philosophy.

The book is also a historical work, unpacking the ‘transformation of convictions’ of an author who moved from the far-right in the 1930s to the far-left in the 1950s and after. Bident’s extensive archival research explores the complex ways that Blanchot’s work enters into engagement with his contemporaries, making the book also a portrait of the circles in which he moved, which included friends such as Georges Bataille, Marguerite Duras, Emmanuel Levinas, Michel Foucault, and Jacques Derrida.

Finally, the book traces the strong links between Blanchot’s life and an oeuvre that nonetheless aspires to anonymity. Ultimately, Bident shows how Blanchot’s life itself becomes an oeuvre—becomes a literature that bears the traces of that life secretly. In its even-handed appraisal, Bident’s sophisticated reading of Blanchot’s life together with his work offers a much-needed corrective to the range of cruder accounts, whether from Blanchot’s detractors or from his champions, of a life too easily sensationalized.

This definitive biography of a seminal figure of our time will be essential reading for anyone concerned with twentieth-century literature, thought, culture, and politics.

Maurice Blanchot (1907–2003) was one of the most important writers of the twentieth century. His novels, shorter narratives, literary criticism, and fragmentary texts exercised enormous influence over several generations of writers, artists, and philosophers. In works such as Thomas the Obscure, The Instant of my Death, The Writing of the Disaster, The Unavowable Community, Blanchot produced some of the most incisive statements of what it meant to experience the traumas and turmoils of the twentieth century.

As a journalist and political activist, Blanchot had a public side that coexisted uneasily with an inclination to secrecy, a refusal of interviews and photographs, and a reputation for mysteriousness and seclusion. These public and private Blanchots came together in complicated ways at some of the twentieth century's most momentous occasions. He was among the public intellectuals participating in the May ’68 revolution in Paris and helped organize opposition to the Algerian war. During World War II, he found himself moments away from being executed by the Nazis. More controversially, he had been active in far-right circles in the ’30s.

Now translated into English, Christophe Bident’s magisterial, scrupulous, much-praised critical biography provides the first full-length account of Blanchot’s itinerary, drawing on unpublished letters and on interviews with the writer’s close friends. But the book is both a biography and far more. Beyond filling out a life famous for its obscurity, Bident’s book will transform the way readers of Blanchot respond to this major intellectual figure by offering a genealogy of his thought, a distinctive trajectory that is at once imaginative and speculative, at once aligned with literary modernity and a close companion and friend to philosophy.

The book is also a historical work, unpacking the ‘transformation of convictions’ of an author who moved from the far-right in the 1930s to the far-left in the 1950s and after. Bident’s extensive archival research explores the complex ways that Blanchot’s work enters into engagement with his contemporaries, making the book also a portrait of the circles in which he moved, which included friends such as Georges Bataille, Marguerite Duras, Emmanuel Levinas, Michel Foucault, and Jacques Derrida.

Finally, the book traces the strong links between Blanchot’s life and an oeuvre that nonetheless aspires to anonymity. Ultimately, Bident shows how Blanchot’s life itself becomes an oeuvre—becomes a literature that bears the traces of that life secretly. In its even-handed appraisal, Bident’s sophisticated reading of Blanchot’s life together with his work offers a much-needed corrective to the range of cruder accounts, whether from Blanchot’s detractors or from his champions, of a life too easily sensationalized.

This definitive biography of a seminal figure of our time will be essential reading for anyone concerned with twentieth-century literature, thought, culture, and politics.

Available in a new digital edition with reflowable text suitable for e-readers

William Wordsworth: A Poetic Life is a new biography of the great father of British Romanticism. It is new in several ways, most notably in the way it approaches the life of the poet. Paying its proper respect to the classic lives of Wordsworth by Mary Moorman and Stephen Gill, it attempts to tell the story of the life through a more rigorous reading of key and representative works of the poet, through careful blending of life and poetry. Wordsworth offers the story of the literariness of the poet's life - childhood and adolescence in the Lake District, education at Cambridge, love and political radicalism in France, the long period of residence in Grasmere and Rydal, celebrity, and national and international recognition. Its reading of the poems, in tune with current theoretical practice, offers a sense of the continuities in Wordsworth's career as it moves away from familiar theories of a Golden Decade of creativity and a period of long decline. The book also works closely and rigorously with Wordsworth's poetry as a method of dramatizing the essentially poetic character of the poet's life.

“Our lives are Swiss,” Emily Dickinson wrote in 1859, “So still—so cool.” But over the Alps, “Italy stands the other side.” For Dickinson, as for many other writers and artists, Italy has been the land of light, a seductive source of invention, enchantment, and freedom.

So it was for Helen Barolini, who, as a student in Rome after World War II, wrote her first poetry and gave birth to her own creative life, reinvigorating her mother tongue. In this book, Barolini celebrates the lives of other women whose imaginations succumbed to the lure of Italy.

Here Barolini profiles six gifted women transformed by Italy’s mythic appeal. Unlike Barolini herself, they were not daughters of the great Italian diaspora. Rather, they were drawn to an idea of “Italy” and its gifts—in whose welcome a new self could be created. Or discovered.

Emily Dickinson traveled to Italy only in the imaginative genius of her verse. Margaret Fuller struggled alongside her Italian lover in the political revolutions that gave birth to the Italian Republic, while the novelist and short-story writer Constance Fennimore Woolson found her home in Venice and Florence. Here, too, is the flamboyant artist Mabel Dodge Luhan, entertaining at her villa near Florence; and Marguerite Chapin of Connecticut, who married an Italian prince and in Rome founded the premier literary review of the mid-century, Botteghe Oscure. Finally, here is Iris Cutting Origo, the Anglo-American heiress who, with her Italian nobleman husband, built a Tuscan estate, where she wrote acclaimed biographies—and created a refuge from Mussolini’s fascism.

Linking these lives, Barolini shows, is the transforming catalyst of change in a new land. Their Other Side is a wise, warm, and deeply felt literary journey that brilliantly captures the enduring effects of Italy as a place, a culture, and an experience.

A Circular Journey collects for the first time in one book the essays that most powerfully define the unique gifts of one of America’s most distinctive voices.

These fifteen pieces, tracking some thirty years of a writer’s life, come together to illuminate the stages and themes and places that mark Helen Barolini’s art. Divided into three closely linked sections—“Home,” “Abroad,” “Return,”—the essays move through Barolini’s worlds. Her love of literature began when, as a child growing up as an avid reader in Syracuse, New York, she was presented with a diary and told to write in it. Returning to the heritage of her Italian immigrant grandparents, she moved to Italy as a young writer. There she lived for many years, becoming acquainted with the brightest of Italy’s literary lights. The accomplished poet, novelist, and critic she became now lives at home in two nurturing cultures, America and Italy both.

The essays are memoirs of her house on a street named for Henry James’s grandfather, tales of literary journeys from Taos to Taormina, and Paris to Rome, as the young bride of a poet from the Veneto and, later on, as a distinguished writer whose explorations of identity and dislocation took her back to Italian inspirations.
From a delightful account of a writing fellowship in an exquisite villa overlooking the Italian lakes to her first trip back to discover distant family roots in the hills of Calabria, Barolini moves lyrically through the generations of her life, giving form to the influences that shaped her art and her sense of self—as an American, a woman, and a gifted daughter of the two cultures she has so powerfully imagined.

Praise for Helen Barolini

“An impassioned and magnificent contribution to our knowledge of what it has meant and means still to be an ethnic American and woman . . . . a book of heroic recovery and affirmation.”—Alice Walker (on The Dream Book)

“Large in scope, in depth, and in the gift of narrative.”—Cynthia Ozick (on Umbertina)

“Our lives are Swiss,” Emily Dickinson wrote in 1859, “So still—so cool.” But over the Alps, “Italy stands the other side.” For Dickinson, as for many other writers and artists, Italy has been the land of light, a seductive source of invention, enchantment, and freedom.

So it was for Helen Barolini, who, as a student in Rome after World War II, wrote her first poetry and gave birth to her own creative life, reinvigorating her mother tongue. In this book, Barolini celebrates the lives of other women whose imaginations succumbed to the lure of Italy.

Here Barolini profiles six gifted women transformed by Italy’s mythic appeal. Unlike Barolini herself, they were not daughters of the great Italian diaspora. Rather, they were drawn to an idea of “Italy” and its gifts—in whose welcome a new self could be created. Or discovered.

Emily Dickinson traveled to Italy only in the imaginative genius of her verse. Margaret Fuller struggled alongside her Italian lover in the political revolutions that gave birth to the Italian Republic, while the novelist and short-story writer Constance Fennimore Woolson found her home in Venice and Florence. Here, too, is the flamboyant artist Mabel Dodge Luhan, entertaining at her villa near Florence; and Marguerite Chapin of Connecticut, who married an Italian prince and in Rome founded the premier literary review of the mid-century, Botteghe Oscure. Finally, here is Iris Cutting Origo, the Anglo-American heiress who, with her Italian nobleman husband, built a Tuscan estate, where she wrote acclaimed biographies—and created a refuge from Mussolini’s fascism.

Linking these lives, Barolini shows, is the transforming catalyst of change in a new land. Their Other Side is a wise, warm, and deeply felt literary journey that brilliantly captures the enduring effects of Italy as a place, a culture, and an experience.

A Circular Journey collects for the first time in one book the essays that most powerfully define the unique gifts of one of America’s most distinctive voices.

These fifteen pieces, tracking some thirty years of a writer’s life, come together to illuminate the stages and themes and places that mark Helen Barolini’s art. Divided into three closely linked sections—“Home,” “Abroad,” “Return,”—the essays move through Barolini’s worlds. Her love of literature began when, as a child growing up as an avid reader in Syracuse, New York, she was presented with a diary and told to write in it. Returning to the heritage of her Italian immigrant grandparents, she moved to Italy as a young writer. There she lived for many years, becoming acquainted with the brightest of Italy’s literary lights. The accomplished poet, novelist, and critic she became now lives at home in two nurturing cultures, America and Italy both.

The essays are memoirs of her house on a street named for Henry James’s grandfather, tales of literary journeys from Taos to Taormina, and Paris to Rome, as the young bride of a poet from the Veneto and, later on, as a distinguished writer whose explorations of identity and dislocation took her back to Italian inspirations.
From a delightful account of a writing fellowship in an exquisite villa overlooking the Italian lakes to her first trip back to discover distant family roots in the hills of Calabria, Barolini moves lyrically through the generations of her life, giving form to the influences that shaped her art and her sense of self—as an American, a woman, and a gifted daughter of the two cultures she has so powerfully imagined.

Praise for Helen Barolini

“An impassioned and magnificent contribution to our knowledge of what it has meant and means still to be an ethnic American and woman . . . . a book of heroic recovery and affirmation.”—Alice Walker (on The Dream Book)

“Large in scope, in depth, and in the gift of narrative.”—Cynthia Ozick (on Umbertina)

By the time of his death, Herve Guibert had become a singular literary voice on the impact of AIDS in France. He was prolific. His oeuvre contained some twenty novels, including To the Friend Who Did Not Save My Life and The Compassion Protocol. He was thirty-six years old. In Cytomegalovirus, Guibert offers an autobiographical narrative of the everyday moments of his hospitalization because of complications of AIDS. Cytomegalovirus is spare, biting, and anguished. Guibert writes through the minutiae of living and of death—as a quality of invention, of melancholy, of small victories in the face of greater threats—at the moment when his sight (and life) is eclipsed.

This new edition includes an Introduction and Afterword contextualizing Guibert’s work within the history of the AIDS pandemic, its relevance in the contemporary moment, and the importance of understanding the quotidian aspects of terminal illness.

By the time of his death, Herve Guibert had become a singular literary voice on the impact of AIDS in France. He was prolific. His oeuvre contained some twenty novels, including To the Friend Who Did Not Save My Life and The Compassion Protocol. He was thirty-six years old. In Cytomegalovirus, Guibert offers an autobiographical narrative of the everyday moments of his hospitalization because of complications of AIDS. Cytomegalovirus is spare, biting, and anguished. Guibert writes through the minutiae of living and of death—as a quality of invention, of melancholy, of small victories in the face of greater threats—at the moment when his sight (and life) is eclipsed.

This new edition includes an Introduction and Afterword contextualizing Guibert’s work within the history of the AIDS pandemic, its relevance in the contemporary moment, and the importance of understanding the quotidian aspects of terminal illness.

A comprehensive reading of Mark Twain's major work

At the end of his long life, Samuel Clemens felt driven to write a truthful account of what he regarded as the flaws in his character and the errors of his ways. His attempt to tell the unvarnished truth about himself is preserved in nearly 250 autobiographical dictations. In order to encourage complete veracity, he decided from the outset that these would be published only posthumously.

Nevertheless, Clemens’s autobiography is singularly unrevealing. Forrest G. Robinson argues that, by contrast, it is in his fiction that Clemens most fully—if often inadvertently—reveals himself. He was, he confessed, like a cat who labors in vain to bury the waste that he has left behind. Robinson argues that he wrote out of an enduring need to come to terms with his remembered experiences—not to memorialize the past, but to transform it.

By all accounts—including his own—Clemens’s special curse was guilt. He was unable to forgive himself for the deaths of those closest to him—from his siblings’ death in childhood to the deaths of his own children. Nor could he reconcile himself to his role in the Civil War, his part in the duel that prompted his departure from Virginia City in 1864, and—worst of all—his sense of moral complicity in the crimes of slavery.

Tracing the theme of bad faith in all of Clemens’s major writing, but with special attention to the late work, Robinson sheds new light on a tormented moral life. His book challenges conventional assumptions about the humorist’s personality and creativity, directing attention to what William Dean Howells describes as “the depths of a nature whose tragical seriousness broke in the laughter which the unwise took for the whole of him.”

Plum would steadily re-visit these characters and locations for another half-century, interspersing his tales with one off novels, stories and further, less voluminous sub series until his death in 1975. These were truly golden years, with Plum at the height of what he called his “mid-season form”. 

Paul Kent continues his groundbreaking study of Wodehouse’s imagination by casting a fresh eye over his created world, whose characters and stories have made our world feel better about itself for well over a century.

“We read Wodehouse because he was a master of words. We can read Kent for the same reason”. Wooster Sauce, journal of The P.G. Wodehouse Society (UK)

A TOUR OF THE COMIC IMAGINATION OF P.G. WODEHOUSE

P. G. Wodehouse (1881-1975) is widely acknowledged as the greatest English comic writer of the 20th century. The creator of Jeeves & Wooster, Lord Emsworth and Blandings, Ukridge, Mr. Mulliner, the Oldest Member and the Eggs, Beans and Crumpets of the Drones Club, the consistently upbeat tone of his 100 or so books represents one of the largest-ever literary bequests to human happiness by one man. Indeed, Wodehouse was not just a writer for his time, but for all time, and in 2019, a memorial commemorating his life and work was dedicated in Westminster Abbey, London, the only one to honour an out-and-out humourist. 

In this concluding volume of his groundbreaking trilogy, lifelong enthusiast Paul Kent sets out to explain the enduring, global appeal of PGW’s comic world from the U.K. to Japan via India and Russia. Granted unprecedented access to Wodehouse’s papers and library, it contains a wealth of fresh insight and scholarship that gets right to the heart of Wodehouse’s comic vision and is a must for both casual fan and devotee alike.

“Paul Kent has added his joy and light while giving us new insights into Wodehouse . . . Your time with his books will breeze by, and you will clamor for more. Hear that distant sound? That’s me already clamoring”.--GARY HALL, PLUM LINES, THE QUARTERLY JOURNAL OF THE WODEHOUSE SOCIETY (US)

“Kent is forging the new path in the way I hope writing about Wodehouse will go”.--TIM ANDREW, CHAIRMAN, THE P.G. WODEHOUSE SOCIETY (UK)

Pioneers in life writing, Mary Wollstonecraft, author of A Vindication of the Rights of Woman (1792), and Mary Shelley, author of Frankenstein (1818 ), are now widely regarded as two of the leading writers of the Romantic period. They are both responsible for opening up new possibilities for women in genres traditionally dominated by men.
This volume brings together essays on Wollstonecraft’s and Shelley’s life writing by some of the most prominent scholars in Canada, Australia, and the United States. It also includes a full-length play by award-winning Canadian playwright Rose Scollard. Together, the essays and the play explore the connections between mother and daughter, between writing and life, and between criticism and creation. They offer a new understanding of two important writers, of a literary period, and of emergent modes of life writing.
Essayists include Judith Barbour, Betty T. Bennett, Anne K. Mellor, Charles E. Robinson, Eleanor Ty, and Lisa Vargo. Among the works discussed are Wollstonecraft’s Vindication, Letters from Norway, and Maria; or, The Wrongs of Woman; William Godwin’s Memoirs of Wollstonecraft; and Shelley’s Frankenstein, The Last Man, Ladore, and Rambles in Germany and Italy.

The Life and Romances of Mrs. Eliza Haywood (1915) is a monograph by George Whicher. Highly regarded by feminist scholars today, Haywood was a prolific writer who revolutionized the English novel while raising a family, running a pamphlet shop in Covent Gardens, and pursuing a career as an actress and writer for some of London’s most prominent theaters. In The Life and Romances of Mrs. Eliza Haywood, Whicher blends biography and literary criticism in order to present an authoritative vision of the life and career of one of England’s most influential and misunderstood writers. Notoriously private, Haywood is a major figure in English literature about whom little is known for certain. Scholars believe she was born Eliza Fowler in Shropshire or London, but are unclear on the socioeconomic status of her family. She first appears in the public record in 1715, when she performed in an adaptation of Shakespeare’s Timon of Athens in Dublin. Famously portrayed as a woman of ill-repute in Alexander Pope’s Dunciad (1743), it is believed that Haywood had been deserted by her husband to raise their children alone. Pope’s account is likely to have come from poet Richard Savage, with whom Haywood was friends for several years beginning in 1719 before their falling out. This period coincided with the publication of Love in Excess (1719-1720), Haywood’s first and best-known novel. Alongside Delarivier Manley and Aphra Behn, Haywood was considered one of the leading romance writers of her time. Haywood’s novels, such as Idalia; or The Unfortunate Mistress (1723), The Distress’d Orphan; or Love in a Madhouse (1726), and The History of Miss Betsy Thoughtless (1751) often explore the domination and oppression of women by men. In The Life and Romances of Mrs. Eliza Haywood, George Whicher does the best he can with an incomplete record to renew academic interest in the work of an iconic storyteller. This edition of George Whicher’s The Life and Romances of Mrs. Eliza Haywood is a classic of English literary criticism reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

My Reminiscences (1917) is a memoir by Rabindranath Tagore. Published after Tagore received the 1913 Nobel Prize in Literature, My Reminiscences contains personal reflections on the author’s youth, education, and introduction to the art of poetry. Originally published in Bengali, My Reminiscences was written by Tagore in his fiftieth year, as he prepared to embark on a journey around the world. “I know not who paints the pictures on memory's canvas; but whoever he may be, what he is painting are pictures; by which I mean that he is not there with his brush simply to make a faithful copy of all that is happening. He takes in and leaves out according to his taste. […] In short he is painting pictures, and not writing history.” In this collection of memories, Tagore is at his philosophical, poetic best, reflecting earnestly and with ease on matters public and private. Looking back on a life at the center of Indian culture, Tagore moves fluidly and fluently from youth to young adulthood, recalling family, friends, servants, and strangers with clarity and curiosity. Afloat in his houseboat, lying on a rooftop at night, or exploring the outer limits of his mind, Tagore shares his insight with us all. This edition of Rabindranath Tagore’s My Reminiscences is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Caste and Outcast (1923) is an autobiography by Dhan Gopal Mukerji. Published the year after Mukerji moved from San Francisco to New York City, Caste and Outcast is a moving autobiographical narrative from the first Indian writer to gain a popular audience in the United States. Although he is more widely recognized for such children’s novels as Gay Neck: The Story of a Pigeon (1927), which won the 1928 Newbery Medal, and Kari the Elephant (1922), Mukerji was also a gifted poet and memoirist whose experiences in India, Japan, and the United States are essential to his unique perspective on twentieth century life. “As I look into the past and try to recover my earliest impression, I remember that the most vivid experience of my childhood was the terrific power of faces. From the day consciousness dawned upon me, I saw faces, faces everywhere, and I always noticed the eyes. It was as if the whole Hindu race lived in its eyes.” Raised in a prominent Brahmin family, Dhan Gopal Mukerji enjoyed immense privileges in his native India and came to trust in the effectiveness and fairness of the country’s caste system. As a young man, however, no longer enthralled with the ascetic lifestyle explored in his youth, Mukerji devoted himself to nationalist politics and eventually left India for Japan. Unsatisfied with life as an engineering student, he emigrated once more to the United States, where he moved in anarchist and bohemian circles while embarking on a career as a popular poet and children’s author. Although he never returned to his native country, Mukerji left an inspiring legacy through his literary achievement and unwavering commitment to Indian independence. This edition of Dhan Gopal Mukerji’s Caste and Outcast is a classic of Indian American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Memoirs of Victor Hugo (1899) is an autobiographical work by Victor Hugo. Assembled from diaries and manuscripts left behind by the author following his death in 1895, the Memoirs are as much a record of a life as they are a portrait of nineteenth century France. Told from the perspective of a supremely gifted artist whose command of language is matched only by his commitment to morality, The Memoirs of Victor Hugo is an invaluable text for scholars and fans alike—there is no shortage of interesting details and brilliant reflections within. For a writer of Hugo’s stature, whose poems, plays, novels, and essays earned him a reputation on an international scale as one of the nineteenth century’s premier artists, there is always the chance that the myth will outlast the man, and that the work will fall victim to idolization. For Hugo, despite his immense success both during his life and in the twentieth century as his stories formed the basis for beloved films and musicals, this would very much have been the case if not for his understated Memoirs, which carefully place his life in context of the time in which he lived. Beginning with his youth, which coincided with the coronation of Charles X, Hugo moves through the passages of his memory while stopping to remember the literary heroes, such as Shakespeare, who influenced his vision of the world. As France descends into war and hunger, Hugo is there to guide us through the chaos, to show us the light that waits on the other side, distant but never too far out of reach. His story is the story of France, a personal history interwoven with meditations on faith, politics, and philosophy that remain essential to his legacy as one of France’s greatest literary figures. This edition of Victor Hugo’s The Memoirs of Victor Hugo is a classic work of French literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Timothy Findley (1930-2002) was one of Canada’s foremost writers—an award-winning novelist, playwright, and short-story writer who began his career as an actor in London, England. Findley was instrumental in the development of Canadian literature and publishing in the 1970s and 80s.

During those years, he became a vocal advocate for human rights and the anti-war movement. His writing and interviews reveal a man concerned with the state of the world, a man who believed in the importance of not giving in to despair, despite his constant struggle with depression. Findley believed in the power of imagination and creativity to save us.

Tiff: A Life of Timothy Findley is the first full biography of this eminent Canadian writer. Sherrill Grace provides insight into Findley’s life and struggles through an exploration of his private journals and his relationships with family, his beloved partner, Bill Whitehead, and his close friends, including Alec Guinness, William Hutt, and Margaret Laurence. Based on many interviews and exhaustive archival research, this biography explores Findley’s life and work, the issues that consumed him, and his often profound depression over the evils of the twentieth-century. Shining through his darkness are Findley’s generous humour, his unforgettable characters, and his hope for the future. These qualities inform canonic works like The Wars (1977), Famous Last Words (1981), Not Wanted on the Voyage (1984), and The Piano Man’s Daughter (1995).

Washington Irving and his nephew Pierre first met as adults in 1826. In compliance with teh wises of his uncle, Pierre assumed the roles of real estate agent, comptroller, editor, confidant and nurse. After the author's death in 1859, Pierre compiled The Life and Letters of Washington Irving, which for three generations remained the standard biographic portrait.

The present work traces the relationships between Pierre and Washington Irving. In addition it includes a biography of Pierre M. Irving.

Allan Sullivan wrote over forty works of popular fiction between 1890 and 1940; today it is difficult to find even one copy of many of these works. A well-known and widely read author in the first half of this century, Sullivan wrote thrillers, historical romance, children's stories, and novels set in the north (The Great Divide, The Fur Masters, Cariboo Road). Now there is no complete collection of his published works anywhere in the world.


In this literary biography of Alan Sullivan, the author interweaves Sullivan's life story and his literary career. Drawing on published and unpublished material as well as on information supplied by Sullivan's four children, McLeod traces the influence on Sullivan's writings of his early years in Sault Ste. Marie and in mining and construction camps, of society life in Toronto, of visits to the Arctic and Europe, and residence on an English country estate. Sullivan is seen as a man whose essential characteristics are those of Canada, and whose literary work is parallelled by the paintings of the Group of Seven artists. His literary works are discussed and evaluated in the light of Sullivan's own and other Canadian critical theories.


The bibliography provides a convenient listing of Sullivan's book-length publications. The volume will be of value to students of literature, but will also appeal to anyone interested in Canadian life and culture.

Bruno Jasieński was a bilingual Polish-Russian writer who died in exile in Siberia in 1939. This volume traces his literary evolution. The introductory biographical sketch is followed by a discussion of Jasieński's contribution to Polish poetry, specifically the Futurist movement which, like its parallels in Russia and Italy, revolutionized poetic language. An analysis and evaluation of Jasieński's prose work sheds light on the relationship between politics and literature in early twentieth-century Poland and Russia. Most of Jasieński's novels and short stories were written in the approved Soviet tradition of Socialist Realism. His Man Changes His Skin is considered one of the best Soviet industrial novels of the 1930s.


The author's comprehensive and skillful treatment of Jasieński's literary production, the first to appear in English, also makes a valuable contribution to the knowledge of Futurism in Eastern Europe and Socialist Realism in the Soviet Union. The volume contains numerous quotations from Polish and Russian literature, both in English translation (prepared by the author) and in the original. It will be of interest to students of Slavic literature, comparative literature, and the literature of ideology.

An accurate and comprehensive study of the political aspects of Fielding's art has been sorely needed. As a result of decades of work by literary scholars and a series of great historians, such a study is finally possible. This volume addresses that need, and, in the light of a recent revival of interest in Fielding's work, it arrives most opportunely. The author offers here a wide-ranging focus and a firm grip on the shifting complexities of Fielding's political situations—the loyalties and enmities, factional alignments and fractious rhetoric—that allow the satisfactory understanding of Fielding's political writing. Political writing in Fielding's day, as in ours, was topical, concerned with evanescent problems and day-to-day needs that were familiar to contemporaries, but that are now recaptured only with greatest difficulty. This study constitutes a thorough reconstruction of Fielding's political context and extricates from the context Fielding's own political endeavours. Cleary's work will make many of Fielding's previously unstudied works accessible to students and scholars of eighteenth-century English literature.

A necessary point of reference to both literary specialists and historians concerned with eighteenth-century England.

The Arms of the Infinite takes the reader inside the minds of author Christopher Barker’s parents, writer Elizabeth Smart (By Grand Central Station I Sat Down and Wept) and poet George Barker. From their first fateful meeting and subsequent elopement, Barker candidly reveals their obsessive, passionate, and volatile love affair.
He writes evocatively of his unconventional upbringing with his siblings in a shack in Ireland and, later, a rambling, falling-down house in Essex. Interesting and charismatic figures from the literary and art worlds are regular visitors, and the book is full of fascinating cameos and anecdotes.
North American rights only.

Long before she became the renowned author of the best-selling Schmecks cookbooks, an award-winning journalist for magazines such as Macleans, and a creative non-fiction mentor, Edna Staebler was a writer of a different sort. Staebler began serious diary writing at the age of sixteen and continued to write for over eighty years. Must Write: Edna Staebler’s Diaries draws from these diaries selections that map Staebler’s construction of herself as a writer and documents her frustrations and struggles, along with her desire to express herself, in writing. She felt she must write—that not to write was a “denial of life”—while at the same time she doubted the value of her scribblings.
Spanning much of the twentieth century—each decade is introduced by an overview of key events in the author’s life during that period—the diaries vividly illuminate both her intensely personal experiences and her broader social world. The volume also presents four key examples of Staebler’s public writing: her first published magazine article; her first award-winning publication; the opening chapter of her book Cape Breton Harbour; and her lively account of the Great Cookie War. Must Write: Edna Staebler’s Diaries portrays an ordinary woman’s struggle to write in the context of her lived experience. “All my life I have talked about writing and kept scribbling in my notebook, as if that makes me a writer,” wrote Staebler in 1986. This volume argues that the very act of writing the diaries, with all their contradictory accounts of writerly ambition, success, and conflict, made Staebler the writer she yearned to be.

A fascinating collection of first-hand accounts of life in the time of Jane Austen (1775-1817), showing how social standing and etiquette were prime considerations of the period, and revealing the stark contrast between 'upstairs' and 'downstairs' and the lives of men and women. With extracts from Jane Austen's novels, letters, biographies, memoirs and newspapers, including previously unpublished material held by The Jane Austen Society, British Library, Hampshire Record Office and Kent County Archives.

Paul Laurence Dunbar: Poet Laureate of the Negro Race (1914) is a pamphlet on American poet Paul Laurence Dunbar. Published nearly a decade after Dunbar’s untimely death, Paul Laurence Dunbar: Poet Laureate of the Negro Race contains three essays on his life, his legacy, and his importance to American literature. Born in Dayton, Ohio, Dunbar was the son of parents who were emancipated from slavery in Kentucky during the American Civil War. In 1893, he published Oak and Ivy, a debut collection of poetry blending traditional verse and poems written in dialect. Over the next decade, Dunbar wrote ten more books of poetry, four collections of short stories, four novels, a musical, and a play. In his brief career, Dunbar became a respected advocate for civil rights, participating in meetings and helping to found the American Negro Academy. His lyrics for In Dahomey (1903) formed the centerpiece to the first musical written and performed by African Americans on Broadway, and many of his essays and poems appeared in the nation’s leading publications, including Harper’s Weekly and the Saturday Evening Post. Diagnosed with tuberculosis in 1900, however, Dunbar’s health steadily declined in his final years, leading to his death at the age of thirty-three while at the height of his career. Alice Dunbar-Nelson, in her essay, reflects on the man her husband was, a “true poet” who “reached out and groped for the bigness of the out-of-doors, divining all that he was afterwards to see.” In his piece, classical scholar William S. Scarborough argues for Dunbar’s importance to African American history as “the first among ten million,” as a man who “did not inherit, [but] originated.” To close the collection, Reverdy C. Ransom briefly eulogizes a poet whose loss was a blow to a people and a nation, whose name must be spoken in the same breath as Wheatley, Browning, Shelley, Burns, Keats, and Poe. More than anything, Paul Laurence Dunbar: Poet Laureate of the Negro Race cements his reputation as an artist with a powerful vision of faith and perseverance who sought to capture and examine the diversity of the African American experience. This edition of Paul Laurence Dunbar: Poet Laureate of the Negro Race is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Margaret Ogilvy (1897) is a biography by J. M. Barrie. Although he is more widely known as a popular storyteller whose Peter Pan books are filled with the wit and wonder of history’s greatest fairytales, Barrie was also a gifted memoirist and biographer. Margaret Ogilvy is the story of his mother and their life as a family in Scotland. Written in tribute to her influence on his life as a professional writer, Margaret Ogilvy was a bestselling book in the United States. “On the day I was born we bought six hair-bottomed chairs, and in our little house it was an event, the first great victory in a woman’s long campaign; how they had been laboured for, the pound-note and the thirty threepenny-bits they cost, what anxiety there was about the purchase, the show they made in possession of the west room, my father’s unnatural coolness when he brought them in…” From the remnants of memory, J. M. Barrie attempts to reconstruct his mother’s life. He begins with tragedy, the death of his older brother, an event which changed his mother forever. From then on, he writes, “she got her soft face and her pathetic ways and her large charity,” but before she could turn her loss into positive energy she struggled immensely with what would now be called depression. As he tries to express his gratitude for her sacrifice and support, Barrie crafts a loving portrait of the woman who gave him life. This edition of J. M. Barrie’s Margaret Ogilvy is a classic work of Scottish literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Life and Romances of Mrs. Eliza Haywood (1915) is a monograph by George Whicher. Highly regarded by feminist scholars today, Haywood was a prolific writer who revolutionized the English novel while raising a family, running a pamphlet shop in Covent Gardens, and pursuing a career as an actress and writer for some of London’s most prominent theaters. In The Life and Romances of Mrs. Eliza Haywood, Whicher blends biography and literary criticism in order to present an authoritative vision of the life and career of one of England’s most influential and misunderstood writers. Notoriously private, Haywood is a major figure in English literature about whom little is known for certain. Scholars believe she was born Eliza Fowler in Shropshire or London, but are unclear on the socioeconomic status of her family. She first appears in the public record in 1715, when she performed in an adaptation of Shakespeare’s Timon of Athens in Dublin. Famously portrayed as a woman of ill-repute in Alexander Pope’s Dunciad (1743), it is believed that Haywood had been deserted by her husband to raise their children alone. Pope’s account is likely to have come from poet Richard Savage, with whom Haywood was friends for several years beginning in 1719 before their falling out. This period coincided with the publication of Love in Excess (1719-1720), Haywood’s first and best-known novel. Alongside Delarivier Manley and Aphra Behn, Haywood was considered one of the leading romance writers of her time. Haywood’s novels, such as Idalia; or The Unfortunate Mistress (1723), The Distress’d Orphan; or Love in a Madhouse (1726), and The History of Miss Betsy Thoughtless (1751) often explore the domination and oppression of women by men. In The Life and Romances of Mrs. Eliza Haywood, George Whicher does the best he can with an incomplete record to renew academic interest in the work of an iconic storyteller.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

My Reminiscences (1917) is a memoir by Rabindranath Tagore. Published after Tagore received the 1913 Nobel Prize in Literature, My Reminiscences contains personal reflections on the author’s youth, education, and introduction to the art of poetry. Originally published in Bengali, My Reminiscences was written by Tagore in his fiftieth year, as he prepared to embark on a journey around the world. “I know not who paints the pictures on memory's canvas; but whoever he may be, what he is painting are pictures; by which I mean that he is not there with his brush simply to make a faithful copy of all that is happening. He takes in and leaves out according to his taste. […] In short he is painting pictures, and not writing history.” In this collection of memories, Tagore is at his philosophical, poetic best, reflecting earnestly and with ease on matters public and private. Looking back on a life at the center of Indian culture, Tagore moves fluidly and fluently from youth to young adulthood, recalling family, friends, servants, and strangers with clarity and curiosity. Afloat in his houseboat, lying on a rooftop at night, or exploring the outer limits of his mind, Tagore shares his insight with us all. This edition of Rabindranath Tagore’s My Reminiscences is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Life and Letters of Toru Dutt (1921) is a biography of Toru Dutt. Comprising biographical sections by scholar Harihar Das, selections from her many letters, and commentary on her novels and translations, Life and Letters of Toru Dutt is an invaluable resource for information on a pioneering figure in Indian history and Bengali literature. Born in Calcutta to a family of Bengali Christians, Toru Dutt was raised at the crossroads of English and Indian cultures. In addition to her native Bengali, she became fluent in English, French, and Sanskrit as a young girl, eventually writing novels and poems in each language. Harihar Das’ biography is an exhaustive record of her life from youth to young adulthood, granting particular attention to her travels in England and Europe, which Dutt herself describes in beautiful prose in letters to friends and family. Despite her limited body of work, Dutt’s legacy as a groundbreaking writer remains firm in India and around the world.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Caste and Outcast (1923) is an autobiography by Dhan Gopal Mukerji. Published the year after Mukerji moved from San Francisco to New York City, Caste and Outcast is a moving autobiographical narrative from the first Indian writer to gain a popular audience in the United States. Although he is more widely recognized for such children’s novels as Gay Neck: The Story of a Pigeon (1927), which won the 1928 Newbery Medal, and Kari the Elephant (1922), Mukerji was also a gifted poet and memoirist whose experiences in India, Japan, and the United States are essential to his unique perspective on twentieth century life. “As I look into the past and try to recover my earliest impression, I remember that the most vivid experience of my childhood was the terrific power of faces. From the day consciousness dawned upon me, I saw faces, faces everywhere, and I always noticed the eyes. It was as if the whole Hindu race lived in its eyes.” Raised in a prominent Brahmin family, Dhan Gopal Mukerji enjoyed immense privileges in his native India and came to trust in the effectiveness and fairness of the country’s caste system. As a young man, however, no longer enthralled with the ascetic lifestyle explored in his youth, Mukerji devoted himself to nationalist politics and eventually left India for Japan. Unsatisfied with life as an engineering student, he emigrated once more to the United States, where he moved in anarchist and bohemian circles while embarking on a career as a popular poet and children’s author. Although he never returned to his native country, Mukerji left an inspiring legacy through his literary achievement and unwavering commitment to Indian independence.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Published in 1924, The Life and Letters of Emily Dickinson is a biography by her niece Martha Dickinson Bianchi. Featuring detailed biographical essays and her letters, for the first time arranged chronically, the book stands as a retelling of her aunt’s life from the perspective of family in an attempt to challenge the image of Emily Dickinson as a cold, isolated woman of mystery.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Memoirs of Victor Hugo (1899) is an autobiographical work by Victor Hugo. Assembled from diaries and manuscripts left behind by the author following his death in 1895, the Memoirs are as much a record of a life as they are a portrait of nineteenth century France. Told from the perspective of a supremely gifted artist whose command of language is matched only by his commitment to morality, The Memoirs of Victor Hugo is an invaluable text for scholars and fans alike—there is no shortage of interesting details and brilliant reflections within. For a writer of Hugo’s stature, whose poems, plays, novels, and essays earned him a reputation on an international scale as one of the nineteenth century’s premier artists, there is always the chance that the myth will outlast the man, and that the work will fall victim to idolization. For Hugo, despite his immense success both during his life and in the twentieth century as his stories formed the basis for beloved films and musicals, this would very much have been the case if not for his understated Memoirs, which carefully place his life in context of the time in which he lived. Beginning with his youth, which coincided with the coronation of Charles X, Hugo moves through the passages of his memory while stopping to remember the literary heroes, such as Shakespeare, who influenced his vision of the world. As France descends into war and hunger, Hugo is there to guide us through the chaos, to show us the light that waits on the other side, distant but never too far out of reach. His story is the story of France, a personal history interwoven with meditations on faith, politics, and philosophy that remain essential to his legacy as one of France’s greatest literary figures. This edition of Victor Hugo’s The Memoirs of Victor Hugo is a classic work of French literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

William Shakespeare (1864) is an experimental biography by Victor Hugo. Written while the poet was living in exile on the island of Guernsey, William Shakespeare was doomed to fail at its conception. Condemned by critics who expected Hugo to focus on the works of the Elizabethan playwright, William Shakespeare is in reality a sweeping biography of literature itself, a touching tribute to the spirit of creativity which defines humanity’s life on earth and beyond. “There are men, oceans in reality. These waves; this ebb and flow; this terrible go-and-come; this noise of every gust; these lights and shadows; these vegetations belonging to the gulf […] –all this can exist in one spirit; and then this spirit is called genius, and you have Aeschylus, you have Isaiah, you have Juvenal, you have Dante, you have Michael Angelo, you have Shakespeare; and looking at these minds is the same thing as to look at the ocean.” For a writer of Hugo’s stature, whose poems, plays, novels, and essays earned him a reputation on an international scale as one of the nineteenth century’s premier artists, there is always the chance that the myth will outlast the man, and that the work will fall victim to idolization. In William Shakespeare, he leans into this tendency to immortalize the artist while forgetting the art. Begun as a simple introduction to his son’s translation of Shakespeare’s works into French, the project ballooned into something much greater, allowing Hugo to meditate on the nature of creativity and to situate the contribution of one writer within the history of humanity itself.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Autobiography of Mark Twain (1907) is a collection of autobiographical writings by American humorist Mark Twain. Dictated toward the end of his life, the Autobiography of Mark Twain is a series of brief reflections on 74 years of fame, hard work, and adventure by an icon of American literature. Originally serialized in the North American Review, the United States’ oldest literary magazine, the Autobiography of Mark Twain has gone through countless editions in the century after Twain’s death, and is considered a masterpiece of literary nonfiction. “I intend that this autobiography shall become a model for all future autobiographies when it is published […] because of its form and method—a form and method whereby the past and the present are constantly brought face to face, resulting in contrasts which newly fire up the interest all along, like contact of flint with steel.” Focusing on the small events, unremarkable encounters, and marginalia which make a life both common and particular, Mark Twain envisions a model of autobiography capable of dispelling the myth of the writer as a man of fortune and mysterious talent. Capturing episodes from his youth and the early stages of his writing career, reflecting on the importance of his wife Olivia and daughter Susy, and describing the influence of labor on his philosophy of life, Twain invites his reader to recognize him not just as Samuel Clemens, his birth name, but as a man who lived and worked and triumphed and suffered alongside others, as a man whose success was a testament to the power of community. This edition of Mark Twain’s Autobiography of Mark Twain is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

During the catastrophic economic depression of the 1890s, young Jack London found himself in the same situation as many others—homeless and unemployed. After a failed American investment and crop failure, the nation found itself in a panic. As London recounts these times, he tells stories of hopping on freight trains, consequently being forcefully removed. While living as a hobo, London often had to beg for food and money, and frequently found himself in trouble with the law. Since the economic depression had affected so many, there were often people just wandering around with no home or job to go to. Those that were fortunate enough not to be brought to such measures found this undesirable, which led to a strict uphold of vagrancy laws, punishing and harassing the homeless. Though he often would escape imprisonment by making up elaborate stories and excuses to tell the police, he wasn’t always so lucky. After being arrested for vagrancy, London describes his horrible, thirty-day stay at Erie County Penitentiary. Following this incident, London recalls his time in Coxey’s Army, a protest group composed of unemployed workers. Surviving these times and going on to become a successful author, Jack London looks back on the trying time of his youth with a new, and often humorous perspective. With entertaining and enlightening prose, Jack London discloses the personal details of a difficult time in his life, as well as a strained time in American history. Acting as a stimulus for political upheaval, the economic depression of 1893 was a pivotal time in America. Jack London’s The Road provides an intimate glimpse into these times, as well as entertaining audiences with a light-hearted tone. The Road has inspired film adaptations and remains to be a relatable and intriguing perspective into a humbling human experience. This edition of Jack London’s The Road is now presented with a stunning new cover design and is reprinted in a modern, stylish font. With this accommodations, contemporary readers are welcomed to the captivating tales of Jack London’s life on the road, following his humble and humiliating experiences begging for food and evading arrest.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

During the catastrophic economic depression of the 1890s, young Jack London found himself in the same situation as many others—homeless and unemployed. After a failed American investment and crop failure, the nation found itself in a panic. As London recounts these times, he tells stories of hopping on freight trains, consequently being forcefully removed. While living as a hobo, London often had to beg for food and money, and frequently found himself in trouble with the law. Since the economic depression had affected so many, there were often people just wandering around with no home or job to go to. Those that were fortunate enough not to be brought to such measures found this undesirable, which led to a strict uphold of vagrancy laws, punishing and harassing the homeless. Though he often would escape imprisonment by making up elaborate stories and excuses to tell the police, he wasn’t always so lucky. After being arrested for vagrancy, London describes his horrible, thirty-day stay at Erie County Penitentiary. Following this incident, London recalls his time in Coxey’s Army, a protest group composed of unemployed workers. Surviving these times and going on to become a successful author, Jack London looks back on the trying time of his youth with a new, and often humorous perspective. With entertaining and enlightening prose, Jack London discloses the personal details of a difficult time in his life, as well as a strained time in American history. Acting as a stimulus for political upheaval, the economic depression of 1893 was a pivotal time in America. Jack London’s The Road provides an intimate glimpse into these times, as well as entertaining audiences with a light-hearted tone. The Road has inspired film adaptations and remains to be a relatable and intriguing perspective into a humbling human experience. This edition of Jack London’s The Road is now presented with a stunning new cover design and is reprinted in a modern, stylish font. With this accommodations, contemporary readers are welcomed to the captivating tales of Jack London’s life on the road, following his humble and humiliating experiences begging for food and evading arrest.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Story of Yone Noguchi (1914) is a memoir by Yone Noguchi. Both a leading modernist poet in English and Japanese and a dedicated literary critic who advocated for the cross-pollination of national poetries, Yone Noguchi lived an extraordinary life. In clear prose and with a confidence earned through decades of dedication to literature, he tells his own story and reflects on his unique experiences while illuminating the influential people and places that shaped him.

Noguchi began studying English as a child, and soon fell in love with the language and its literature. For years, he dreams of leaving Japan to experience life in the West, and as a teenager takes the opportunity to move to California. In San Francisco and Oakland, he encounters a vibrant community of artists who welcome him into their midst. Under the tutelage of Joaquin Miller, an older poet and adventurer, he begins to believe in his own poetic voice, and soon publishes two collections of verse in English. Over the next several years, he moves to Chicago, New York, and London, each time increasing his professional connections and growing surer as a poet. Eventually, he returns to Japan, where he looks to his roots and becomes a well-regarded critic of poetry and the dramatic arts.

This edition of Yone Noguchi’s The Story of Yone Noguchi is a classic of Japanese American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Story of Yone Noguchi (1914) is a memoir by Yone Noguchi. Both a leading modernist poet in English and Japanese and a dedicated literary critic who advocated for the cross-pollination of national poetries, Yone Noguchi lived an extraordinary life. In clear prose and with a confidence earned through decades of dedication to literature, he tells his own story and reflects on his unique experiences while illuminating the influential people and places that shaped him.

Noguchi began studying English as a child, and soon fell in love with the language and its literature. For years, he dreams of leaving Japan to experience life in the West, and as a teenager takes the opportunity to move to California. In San Francisco and Oakland, he encounters a vibrant community of artists who welcome him into their midst. Under the tutelage of Joaquin Miller, an older poet and adventurer, he begins to believe in his own poetic voice, and soon publishes two collections of verse in English. Over the next several years, he moves to Chicago, New York, and London, each time increasing his professional connections and growing surer as a poet. Eventually, he returns to Japan, where he looks to his roots and becomes a well-regarded critic of poetry and the dramatic arts.

This edition of Yone Noguchi’s The Story of Yone Noguchi is a classic of Japanese American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Considered one of the best written biographies of all-time, The Life of Samuel Johnson gives insight into the glowing mystique of the prominent English writer. By incorporating key elements from his past and personal relationships, James Boswell creates an extensive narrative of the revered figure.

Drawn from Boswell’s own journals, the author recounts the life and experiences of Samuel Johnson. He uses his personal connection to investigate Johnson’s origin and rise to power. His career is filtered through brief episodes highlighting obstacles and successes alongside his notable peers. It’s an intimate record of the celebrated writer and fixture within literary circles.

Through his compelling writing, James Boswell successfully illustrates the character and reality of Samuel Johnson. The biography explores his strengths and weaknesses as well as his motivations and fears. Boswell’s input is crucial to the story structure, delivering an informative and impactful narrative.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Life of Samuel Johnson is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Considered one of the best written biographies of all-time, The Life of Samuel Johnson gives insight into the glowing mystique of the prominent English writer. By incorporating key elements from his past and personal relationships, James Boswell creates an extensive narrative of the revered figure.

Drawn from Boswell’s own journals, the author recounts the life and experiences of Samuel Johnson. He uses his personal connection to investigate Johnson’s origin and rise to power. His career is filtered through brief episodes highlighting obstacles and successes alongside his notable peers. It’s an intimate record of the celebrated writer and fixture within literary circles.

Through his compelling writing, James Boswell successfully illustrates the character and reality of Samuel Johnson. The biography explores his strengths and weaknesses as well as his motivations and fears. Boswell’s input is crucial to the story structure, delivering an informative and impactful narrative.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Life of Samuel Johnson is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A riveting story of how one brave and adventurous woman turned her life upside down for God. Firestone teaches us, through the joys and sorrows of her life, how our ancient traditions are calling out to us for renewal, and how, through faith, honesty, and struggle, we are learning to respond.

At age seventeen, Tirzah Firestone left the oppressive home of her Orthodox Jewish parents and set off on a spiritual odyssey. With Roots in Heaven is the story of that journey, a fascinating and moving account of her evolution from rebellious young seeker to renegade rabbi. This is an inspiring, true account of a courageous woman with strong convictions and a passion to know and feel God. It is also a book that goes beyond one person’s story of wandering and redemption to explore the dangers of modern religion and the joys and conflicts of intermarriage and raising interfaith children. An unforgettable story of love, sacrifice, and transformation–of grace sought and found–With Roots in Heaven offers hope, wisdom, and encouragement to anyone seeking deeper spiritual meaning in today’s world.

BEYOND THE BADGE

ONE MAN, TWO LIVES

Step into the gripping world of law enforcement with Tony Mozingo, a former FBI agent whose journey is interwoven with homespun wisdom learned from his beloved pet companions. This compelling memoir invites you to explore an unexpectedly charming journey from humble beginnings in rural Virginia to the thrilling challenges of FBI life. Mozingo’s story unfolds through riveting narratives and profound reflections. Discover how his profound bond with animals informed his dedicated pursuit of justice against criminals, shaping his understanding of life’s deepest meanings in Beyond the Badge.

From the Foreword by Richard K. Lack, FBI Special Agent, Retired

Whether Tony was leading a team or working independently, his meticulous attention to detail and innovative problem-solving skills ensured that his contributions were always of the highest quality. His ability to balance a multitude of tasks with grace and efficiency is truly commendable, making him an invaluable asset to the FBI during his years as an active Special Agent.In addition to his professional prowess, Tony possesses unwavering integrity and ethical standards. He navigated the complexities of his field with a strong moral compass, earning the respect and trust of colleagues. I told him I consider this book to be an exposé—so get ready to be exposed to insider information that will have you intrigued and captivated. The animal stories are a delightful bonus. Enjoy!

«La primera vez que sentí que algo andaba mal, que estaba siendo señalado y perseguido, fue en mi primer día de clases. Tenía 6 años».

Henry Oster fue un niño al que muy pronto le arrebataron todo. De los 2011 judíos deportados de Colonia, Alemania, él estuvo entre los 23 que lograron salir con vida de AuschwitzBirkenau. Sobrevivió no solo por múltiples coincidencias, sino también gracias a su empeño en el cuidado de los caballos en el campo de concentración y a Ivar, un adolescente que se volvió su amigo y dormía junto a él en las barracas. Para Henry, estos bastiones emocionales se convirtieron en un faro de esperanza en medio de la tragedia.

Tras ser liberado, logró reconstruir su vida en Estados Unidos. Pese a no saber inglés y carecer de recursos, se convirtió en un respetado optometrista. Con el tiempo, esa profesión lo condujo a un inesperado reencuentro con su pasado; a sus 85 años, mientras ajustaba un par de lentes para su paciente y amigo Dexter Ford, este último descubrió en el antebrazo de Henry un descolorido tatuaje azul, que despertó su curiosidad: «B7648».

De aquella revelación surgió este libro, que rememora la dolorosa experiencia de Oster en los campos de concentración.

Una historia real que muestra cómo la amistad y el amor a los animales le brindaron a un niño fuerza y esperanza en el momento más oscuro.

ENGLISH DESCRIPTION

The first time I felt something was wrong, that I was being singled out and persecuted, was on my first day of school. I was 6 years old."

Henry Oster was a child who had everything taken from him at a very young age. Of the 2,011 Jews deported from Cologne, Germany, he was one of the 23 who survived Auschwitz-Birkenau. He survived not only due to multiple coincidences but also thanks to his dedication to caring for the horses in the concentration camp and to Ivar, a teenager who became his friend and slept next to him in the barracks. For Henry, these emotional anchors became a beacon of hope amidst the tragedy.

After being liberated, he managed to rebuild his life in the United States. Despite not knowing English and lacking resources, he became a respected optometrist. Over time, this profession led to an unexpected reunion with his past; at 85 years old, while adjusting a pair of glasses for his patient and friend Dexter Ford, the latter noticed a faded blue tattoo on Henry's forearm that sparked his curiosity: "B7648."

From that revelation, this book emerged, recounting Oster's painful experience in the concentration camps.

A true story that shows how friendship and a love for animals gave a child strength and hope in the darkest of times.

John G. Johnson, who died in 1917, became a legend soon after his death. His prodigious intellect and energy, his consummate skill in court, his independence of thought and action are still spoken of with the same awe his name provoked when it was considered the magic answer to almost any knotty problem of law.

This is the first attempt to put this remarkable, nationally famous figure between the covers of a book. His career is traced, step by step, from his humble birth, through his rapid rise in legal circles, to the crowning rewards of his later years when he was considered the most brilliant corporation lawyer in America. He is shown as a man of single-minded, tireless devotion to the study and application of the law in all its aspects, who gave equally efficient service to big clients and little. He was one of the last general practitioners of law, handling every kind of case to the total of over 10,000 in his lifetime, but his greatest reputation was made in the early years of the century when he tried the Northern Securities Case before the United States Supreme Court, The Government case against the U. S. Steel Corporation and other legal battles of the antitrust era.

The story of Johnson's life is the story of his legal activities, for he had only one other genuine interest—art collecting. This aspect of his character is also described, but the book deals primarily with Johnson the living symbol of the law who well deserves this lasting record.

Born in a rough-and-tumble neighborhood of Dublin, John F. Timoney moved to New York with his family in 1961. Not long after graduating from high school in the Bronx, he entered the New York City Police Department, quickly rising through the ranks to become the youngest four-star chief in the history of that department. Timoney and the rest of the command assembled under Police Commissioner Bill Bratton implemented a number of radical strategies, protocols, and management systems, including CompStat, that led to historic declines in nearly every category of crime. In 1998, Mayor Ed Rendell of Philadelphia hired Timoney as police commissioner to tackle the city's seemingly intractable violent crime rate. Philadelphia became the great laboratory experiment: Could the systems and policies employed in New York work elsewhere? Under Timoney's leadership, crime declined in every major category, especially homicide. A similar decrease not only in crime but also in corruption marked Timoney's tenure in his next position as police chief of Miami, a post he held from 2003 to January 2010.

Beat Cop to Top Cop: A Tale of Three Cities documents Timoney's rise, from his days as a tough street cop in the South Bronx to his role as police chief of Miami. This fast-moving narrative by the man Esquire magazine named "America's Top Cop" offers a blueprint for crime prevention through first-person accounts from the street, detailing how big-city chiefs and their teams can tame even the most unruly cities.

Policy makers and academicians have long embraced the view that the police could do little to affect crime in the long term. John Timoney has devoted his career to dispelling this notion. Beat Cop to Top Cop tells us how.

This compelling family history spans from the 1890s to the 21st century, weaving personal stories into the broader fabric of German history to reveal a deeply moving account of survival, courage, and resilience. At the heart of this narrative is Paul Bernstein, a Jewish WWI veteran who was awarded for his bravery but ultimately perished in Auschwitz in 1944, and his wife, Johanna Moosdorf, a non-Jewish woman who fought tirelessly to protect their family. Their two half-Jewish children, Barbara and Thomas, born in the late 1930s, faced constant danger during WWII. Yet, thanks to Johanna’s courageous efforts and Nazi policies that treated half-Jews differently, the children survived the war.

With a powerful epilogue that reflects on Germany’s response to its Nazi past and its relevance to contemporary far-right movements, including those in the U.S., this book offers a timely perspective on history’s echoes in today’s world. This unforgettable story captures a family’s fight for survival amidst one of history’s darkest chapters, making it an essential read for anyone interested in personal stories of resistance and the enduring lessons of the past.

“A fitting conclusion to a well-researched and meticulously edited memoir translation.” — Kirkus Reviews

“You have to read this book… It’s not like anything you read before.” — Tablet Magazine

Set in Ukraine, Crimea, and Israel, this unique two-volume autobiography offers a fascinating, detailed picture of life in Tsarist Russia and Israel during the late 19th and early 20th centuries. Goldenshteyn (1848-1930), a traditional Jew who was orphaned as a young boy and became a shochet (kosher slaughterer) as a young man, is a master storyteller. Folksy, funny, streetwise, and self-confident, he is a keen observer of his surroundings. His accounts are vivid and readable, sometimes stunning in their intensity. 

The memoir is brimming with information. Goldenshteyn’s adventures shed light on communal life, persecution, family relationships, religious practices and beliefs, social classes, local politics, interactions between Jews and other religious communities, epidemics, poverty, competition for resources, migration, war, technology, modernity and secularization. In chronicling his own life, Goldenshteyn inadvertently tells a bigger story—the story of how a small, oppressed people, among other minority groups, struggled for survival in the massive Russian Empire and in the Land of Israel.

Volume two begins in 1873, when Goldenshteyn obtains his first position as a shochet in Slobodze, and it follows him to the Crimea, where he endures 34 years  of vicissitudes. In 1913, he fulfills a dream of immigrating to the Land of Israel, hoping to find tranquility in his old age. Instead, he is met with the turbulence of the First World War, as battles rage between the retreating Ottoman Turks and the advancing British forces.

Informed by research in Ukrainian, Israeli and American archives and personal interviews with the few surviving individuals who knew Goldenshteyn personally, The Shochet is a magnificent new contribution to Jewish and Eastern European history.

Este 2025, conmemora el 80 aniversario de la muerte de Ana Frank y de la liberación de los campos de concentración con El diario de Ana Frank, un testimonio atemporal de valentía y esperanza. Descubre la voz de una joven cuyo espíritu sigue inspirando al mundo entero.

«No quiero haber vivido para nada, como la mayoría de las personas. Quiero ser de utilidad y alegría para los que viven a mi alrededor, aún sin conocerme. ¡Quiero seguir viviendo, aun después de muerta!». Ana Frank

Este es el relato de una niña judía de trece años que escribió su diario entre el 12 de junio de 1942 y el 1 de agosto de 1944.

En estas páginas, Ana cuenta su vida y la de otras siete personas judías, que, como ella, se vieron obligadas a esconderse en la Casa de atrás: una buhardilla ubicada en la parte trasera de las oficinas de su padre. Desde ese lugar, la niña describe las atrocidades y los horrores de la Segunda Guerra Mundial, así como los más estremecedores sentimientos, las más desgarradoras emociones y la absoluta precariedad en la que tenían que vivir, hasta que fueron descubiertos y llevados a diversos campos de concentración.

ENGLISH DESCRIPTION

This 2025, commemorate the 80th anniversary of Anne Frank's death and the liberation of the concentration camps with The Diary of Anne Frank, a timeless testament of courage and hope. Discover the voice of a young girl whose spirit continues to inspire the world.

"I don't want to have lived at all, like most people. I want to be of use and joy to those who live around me, even if they don't know me. I want to go on living, even after I die!" Anne Frank

This is the account of a thirteen-year-old Jewish girl who wrote her diary between June 12, 1942, and August 1, 1944.

In these pages, Anne tells of her life and that of seven other Jewish people, who, like her, were forced to hide in the Secret Annex: an attic located at the back of her father's offices. From that place, the girl describes the atrocities and horrors of the Second World War, as well as the most shocking feelings, the most heartbreaking emotions and the absolute precariousness in which they had to live, until they were discovered and taken to various concentration camps.

The Promised Land is a compelling account of one woman’s journey from Polotsk to Boston and her attempts to embrace a new culture and identity. Author Mary Antin highlights the old values and contemporary views that shaped her immigrant experience.

Although it centers a specific experience, The Promised Land is an aspirational story that speaks to a universal audience. Upon its release, the book was a resounding success for Antin, eventually selling more than 80,000 copies. It propelled her into a career of public speaking, which she used to address anti-immigration sentiment and invoke policy change.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Promised Land is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.