Winner of the Best First Monograph from the International Society for the Study of Early Medieval England (ISSEME) 2021.
An examination of the Old English medical collections, arguing that these texts are products of a learned intellectual culture.
Four complete medical collections survive from Anglo-Saxon England. These were first edited by Oswald Cockayne in the nineteenth century and came to be known by the names Bald's Leechbook, Leechbook III, the Lacnunga, and the Old English Pharmacopeia. Together these works represent the earliest complete collections of medical material in a western vernacular language. This book examines these texts as products of a learned literary culture. While earlier scholarship tended to emphasise the relationship of these works to folk belief or popular culture, this study suggests that all four extant collections were probably produced in major ecclesiastical centres. It examines the collections individually, emphasising their differences of content and purpose, while arguing that each consistently displays connections with an elite intellectual culture. The final chapter considers the fundamentally positive depiction of doctors and medicine found within literary and ecclesiastical works from the period and suggests that the high esteem for medicine in literate circles may have favoured the study and translation of medical texts.
Lancelot-Grail: 9. The Post-Vulgate Cycle. The Quest for the Holy Grail and The Death of Arthur
Regular price
$36.95
Save $-36.95
The revised version of The Quest of the Holy Grail gives a greater role to Perceval, and introduces a number of knights not found in the Vulgate; but the largest change is that much of the story of Tristan (and of his rivalPalamedes) is incorporated into the story. The achievement of the Grail quest centres on Galahad's healing of Pellehan, which has to be accomplished before the knights can reach the Grail itself. The Death of Arthur is little more than a relatively brief postscript, bringing the story of the adventures of the kingdom of Logres to an end; Lancelot and Guenevere are revealed as lovers, and Arthur fights both Lancelot and then the Romans. Despite thisvictory, he is betrayed and killed by Mordred, as has been foreshadowed from the outset of the new material. The romance ends with king Mark of Cornwall's death when he attempts to kill Lancelot and Bors at the hermitage to whichthey have retreated. For a full description of the Post-Vulgate Cycle see the blurb for the complete set.
The Collected Works of Thomas Kyd [2 Volume Set]
Regular price
$410.00
Save $-410.00
Thomas Kyd (1558-94) is best known as author of The Spanish Tragedy, the first revenge play, hugely influential on Shakespeare and other dramatists. He also wrote another love tragedy, Soliman and Perseda, and Cornelia, a classical tragedy translated from the French. This is a small canon for a dramatist described as "industrious". Kyd worked between 1585 and 1594, when the instability in the London theatre caused by the plague led to companies breaking up and plays being published anonymously. For over a century scholars have been searching for Kyd plays, the most frequently attributed being Arden of Faversham.
Uniting accepted methods with modern electronic data processing, Brian Vickers has endorsed Kyd's authorship of Arden and added two other plays: King Leir, Shakespeare's main source, and Fair Em, a comedy - justifying Jonson's reference to "sporting Kyd". His research has also identified Kyd as co-author with Nashe of 'harey the vi', which became 1 Henry VI after Shakespeare adapted it to his "Wars of the Roses" sequence. The evidence suggests that Kyd and Shakespeare co-authored Edward III.
The Collected Works of Thomas Kyd brings together for the first time his dramas, poetry, translations, and letters in accurate modernized editions, each text edited by one of a team of internationally renowned scholars, accompanied by commentaries, collation notes, and introductions. Kyd emerges as a pioneering playwright of much greater generic range than has been hitherto recognized. His newly defined canon will stimulate a fresh evaluation of English drama in this crucial period.
This two volume set presents all the extant writings attributed to Kyd by Sir Brian Vickers, supported by Darren Freebury-Jones and the contributors to this ambitious, landmark project.
A Critical Companion to John Skelton
Regular price
$29.99
Save $-29.99
Introduces Skelton and his work to readers unfamiliar with the poet, gathers together the vibrant strands of existing research, and opens up new avenues for future studies.
John Skelton is a central literary figure and the leading poet during the first thirty years of Tudor rule. Nevertheless, he remains challenging and even contradictory for modern audiences.
This book aims to provide an authoritative guide to this complex poet and his works, setting him in his historical, religious, and social contexts. Beginning with an exploration of his life and career, it goes on to cover all the major aspects of his poetry, from the literary traditions in which he wrote and the form of his compositions to the manuscript contexts and later reception.
Trees as Symbol and Metaphor in the Middle Ages
Regular price
$41.95
Save $-41.95
WINNER: AFCEMS Prize 2024
Highlights human encounters with the forest and its trees at the time of the European Middle Ages, when their lofty boughs were weighted with meaning.
Forests, with their interlacing networks of trees and secret patterns of communication, are powerful entities for thinking-with. A majestic terrestrial community of arboreal others, their presence echoes, entangles, and resonates deeply with the human world. The essays collected here aim to highlight human encounters with the forest and its trees at the time of the European Middle Ages, when, whether symbol and metaphor, or actual and real, their lofty boughs were weighted with meaning.
The chapters interrogate the pre-Anthropocene environment, reflecting on trees as metaphors for kinship and knowledge as they appear in literary, historical, art-historical, and philosophical sources. They examine images of trees and trees in-themselves across a range of environmental, material, and intellectual contexts, and consider how humans used arboreal and rhizomatic forms to negotiate bodies of knowledge and processes of transition. Looking beyond medieval Europe, they include discussion of parallel developments in the Islamic world and that of the Māori, the indigenous people of New Zealand.
Medieval English Theatre 47
Regular price
$49.95
Save $-49.95
Newest research into drama and performance from the Middle Ages and the Tudor period.
Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays, and also includes contributions on European, Latin and other cognate drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.
This volume explores issues of performance and audience-engagement across a wide range of theatrical texts and genres. It opens with a question of sensibilities. An analysis of the French blindman farces examines their now deeply unsettling scenarios of slapstick violence against the vulnerable. Rather than simple callousness, did their staging rely on diverting the audience's attention from the action performed to the skills of the performer? Two essays arise from performances as research. One production, of the Dutch Rhetoricians' play Man's Desire and Fleeting Beauty, drew on its audiencesto evaluate how far prologues, epilogues, and theatrical frames might affect responses to the "message" of a play. Another explored how the implicit performativity of a fifteenth-century narrative poem, TheLife of Job, might be realised through the astonishing skills of acrobats. A review of a third production, of the Tudor interlude of Godly Queen Hester, further attests to the current vitality of research through performance. Three new play translations, from Europe and beyond, introduce English speakers to richly varied, and highly actable, performance practices. Two are of 1530s Rhetoricians' plays from Bruges which directly address the economic woes of their home city. The first, censored by the authorities, was replaced by the superficially less critical second; but both address the plight of workers in a recession, in disarmingly comic detail with disconcertingly present-day resonances. The third introduces readers to how the Iranian Taʿziyeh drama movingly stages the struggle between Satan and the prophet Ayoub (Job), presenting an unfamiliarly sympathetic view of the sufferings of Job's Wife.
Transformation and Identity in Old Norse Literature
Regular price
$120.00
Save $-120.00
Investigates how Old Norse myth, saga, and poetic traditions imagine human identity through encounters with animals, materials, and environments.
What happens to the category of the "human" in a world where bodies shift shape, objects fuse with living beings, and identities slip between species? This book explores how thirteenth- and fourteenth-century Icelandic texts confront this question, treating transformation not just as a narrative device, but as a way of thinking about what people are and how they inhabit the world.
From the fragmented and reassembled bodies in Snorra Edda to the intricate play between humans and things in skaldic verse and eddic riddles; from mind-altering acts of consumption in the Sigurðr-cycle to the sequence of limb-loss, prosthetic substitution, and reattachment in Egils saga einhenda ok Ásmundar berserkjabana-these works reveal a culture keenly attuned to bodily contingency and material entanglement. Tracing episodes and images of change across the corpus, including the wider lexicon of shapeshifting, the author presents a vision of medieval Icelandic thought creatively alive to the instability of human identity in its running negotiation with the nonhuman world.
This book is available as Open Access under the Creative Commons licence CC BY-NC-ND.
Transformation and Identity in Old Norse Literature
Regular price
$29.99
Save $-29.99
Investigates how Old Norse myth, saga, and poetic traditions imagine human identity through encounters with animals, materials, and environments.
What happens to the category of the "human" in a world where bodies shift shape, objects fuse with living beings, and identities slip between species? This book explores how thirteenth- and fourteenth-century Icelandic texts confront this question, treating transformation not just as a narrative device, but as a way of thinking about what people are and how they inhabit the world.
From the fragmented and reassembled bodies in Snorra Edda to the intricate play between humans and things in skaldic verse and eddic riddles; from mind-altering acts of consumption in the Sigurðr-cycle to the sequence of limb-loss, prosthetic substitution, and reattachment in Egils saga einhenda ok Ásmundar berserkjabana-these works reveal a culture keenly attuned to bodily contingency and material entanglement. Tracing episodes and images of change across the corpus, including the wider lexicon of shapeshifting, the author presents a vision of medieval Icelandic thought creatively alive to the instability of human identity in its running negotiation with the nonhuman world.
This book is available as Open Access under the Creative Commons licence CC BY-NC-ND.
Writing St Guthlac
Regular price
$120.00
Save $-120.00
The first radically longitudinal study of a saint who had a significant cultural presence in early medieval England.
What happens when the Life of a medieval Fenland hermit is read (and rewritten) over a broad span of time? Which elements do writers keep returning to, what additions are made, and which aspects are translated into new and curious forms? This book answers these questions by tracing the reception trajectory of St Guthlac of Crowland, from the eighth century through to the twenty-first. Guthlac is predominantly associated with the landscape of the Fens - the low, flat region on the east coast of England whose waterways wind out to the Wash estuary. By looking at how Guthlac's narratives are rewritten by those based in the Fens, as well as by those hailing from beyond it, this book argues for the spiritual potential of flat landscapes; it explores the relationship between reading and pilgrimage practice in all its forms; and it gives fresh insights into the role of women in Guthlac's cultural construction. Methodologically, it provides a model of how to bridge the divide between medieval studies and medievalism studies. By reading texts as varied as Old English Lives, Anglo-Latin accounts and Middle English romances, as well as the poetry and prose of later writers such as John Clare, Charles Kingsley and Graham Swift, this book offers the first radically longitudinal study of a saint whose story started in early medieval England - one whose legacy continues in the present day.
EMMA NUDING is a Teaching Fellow in Medieval Literature at the University of Birmingham.
The Medieval Welsh Englynion y Beddau
Regular price
$45.95
Save $-45.95
There is no question that this book is one of the most important studies of early Welsh literature published in this generation.
The "Stanzas of the Graves" or "Graves of the Warriors of the Island of Britain", attributed to the legendary poet Taliesin, describe ancient heroes' burial places. Like the "Triads of the Island of Britain", they are an indispensable key to the narrative literature of medieval Wales. The heroes come from the whole of Britain, including Mercia and present-day Scotland, as well as many from Wales and a few from Ireland. Many characters known from the Mabinogion appear, often with additional information, as do some from romance and early Welsh saga, such as Arthur, Bedwyr, Gawain, Owain son of Urien, Merlin, and Vortigern. The seventh-century grave of Penda of Mercia, beneath the river Winwæd in Yorkshire, is the latest grave to be included. The poems testify to the interest aroused by megaliths, tumuli, and other apparently man-made monuments, some of which can be identified with known prehistoric remains.
This volume offers a full edition and translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects.
Arthurian Literature XLI
Regular price
$120.00
Save $-120.00
Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues.
This volume covers a wide range of materials, whether judged by national or linguistic literary traditions, time period, or critical methodology. It begins with the winning Brewer Prize essay (for an early career scholar): in this case, an investigation of transgender possibilities in the Grisandole episode from the Old French Suite du Merlin. Subsequent essays examine what can be gleaned of the legend of Melwas from surviving medieval and early modern Welsh tradition; the vexed question of Chrétien de Troyes' attitude to marriage; and the ways in which the authors of the Middle English Sir Percyvell and Middle Dutch Moriaen adapt and complete Chrétien's Conte du Graal. The volume closes with two different studies of Sir Thomas Malory's Le Morte Darthur. The first presents an argument for a continuation of Lollard concerns into the fifteenth century, concerns that run throughout Malory's Arthuriad. The second re-opens the question of the provenance of William Caxton's copy-text for Malory's Morte, proposing that it was Anthony Wydeville, the brother-in-law of King Edward IV, who provided Caxton with his copy-text manuscript - as he designed the striking red-letter names visible today in the layout of the Winchester manuscript.
A Descriptive Catalogue of the Pre-1500 Manuscripts and Editions of the Canterbury Tales
Regular price
$170.00
Save $-170.00
Provides a description of every extant manuscript and pre-1500 edition of Chaucer's best-known, yet unfinished work.
Nearly a century has passed since the first detailed descriptions of all the known manuscripts of the Canterbury Tales were published. Our better understanding of the processes of fifteenth-century book production, along with the development of new tools and methodologies, today allows for much more precise and accurate descriptions.
This Catalogue provides accounts of the manuscripts and pre-1500 editions of Geoffrey Chaucer's Canterbury Tales based on examinations of all the manuscripts (often multiple examinations) and almost all the known copies of the incunable editions. This includes 54 complete or once complete manuscripts; 29 manuscripts containing extracts or that are incomplete for other reasons; and four pre-1500 printed editions surviving in multiple copies. Each description is self-contained, and includes sections on contents, tale-order, progress of copying, materials, collation, format, hands (or printer's type for the incunables), decoration, date, dialect/spellings, and provenance. The front-matter provides details of tale-order types, textual relationships, sigla, abbreviations, and notational conventions referred to and employed in the individual descriptions.
These manuscripts were produced for a wide variety of consumers, which is reflected in the varying qualities of parchment, or paper, or combinations of paper and parchment on which they are copied. Some are sumptuously illuminated, while many are remarkably plain for a text whose stature we today regard so highly. Some contain only the Canterbury Tales; in others, it can be difficult to find any Chaucer at all. In a few, the portions of the Canterbury Tales they contain were copied from an early printed edition. While these incunable editions came off the press as more-or-less identical copies, some were elaborately decorated for purchasers, others received minimal "finishing," and many none at all. This Catalogue presents the stories - to the extent we have been able to reconstruct them - of these surviving witnesses to the fifteenth-century dissemination of Chaucer's best-known yet unfinished work.
The Collected Works of Thomas Kyd
Regular price
$240.00
Save $-240.00
First, complete, integrated corpus of this major Elizabethan writer and first critical edition of his collected works in over one hundred years, with major new discoveries of authorship and attribution.
Thomas Kyd (1558-94) is best known as author of The Spanish Tragedy, the first revenge play, hugely influential on Shakespeare and other dramatists. He also wrote another love tragedy, Soliman and Perseda, and Cornelia, a classical tragedy translated from the French. This is a small canon for a dramatist described as "industrious". Kyd worked between 1585 and 1594, when the instability in the London theatre caused by the plague led to companies breaking up and plays being published anonymously. For over a century scholars have been searching for Kyd plays, the most frequently attributed being Arden of Faversham.
Uniting accepted methods with modern electronic data processing, Brian Vickers has endorsed Kyd's authorship of Arden and added two other plays: King Leir, Shakespeare's main source, and Fair Em, a comedy - justifying Jonson's reference to "sporting Kyd". His research has also identified Kyd as co-author with Nashe of 'harey the vi', which became 1 Henry VI after Shakespeare adapted it to his "Wars of the Roses" sequence. The evidence suggests that Kyd and Shakespeare co-authored Edward III.
The Collected Works of Thomas Kyd brings together for the first time his dramas, poetry, translations, and letters in accurate modernized editions, each text edited by one of a team of internationally renowned scholars, accompanied by commentaries, collation notes, and introductions. Kyd emerges as a pioneering playwright of much greater generic range than has been hitherto recognized. His newly defined canon will stimulate a fresh evaluation of English drama in this crucial period.
Studies in Medievalism XXXV
Regular price
$120.00
Save $-120.00
Essays exploring the intersections of politics and theory through medievalism in film, literature, gaming, and political movements.
Two vital, increasingly intertwined areas of interest are addressed by this collection: politics and theory. The volume begins with a general discussion of how the Middle Ages have been particularly mediated by subsequent artifacts. The essays then address: the motivations and machinations behind Joan of Arc AI in Michael Anderson's 1989 film Time Gate; medievalist historiography in Salman Rushdie's 1983 novel Shame; medievalist identity in Rome's contemporary far-right movement; Viking imagery in and around the Make America Great Again campaign; Robin Hood avatars in mid-twentieth-century B-westerns; medievalism by the Young German Order during the 1920s and 30s; the visibility of race in David Lowery's 2021 film The Green Knight; Orientalism and race in the 1974 game Dungeons & Dragons; manifestations of Chaucer's Pardoner in Kim Zarins' 2016 novel Sometimes We Tell the Truth; gender performance and sexuality in Maria Dahvana Headley's 2020 translation of Beowulf; and the term "Anglo-Saxon," particularly relative to the Ansax-1 and ANSAXNET online communities.
'"Donald the Orange": Vikings in and around the Maga Movement' is made Open Access under the Creative Commons licence CC BY-NC-ND.
New Medieval Literatures 26
Regular price
$120.00
Save $-120.00
This volume continues the series' engagement with intellectual and cultural pluralism in the Middle Ages, showing the best new work in the field.
Essays in this volume cover a rich and diverse range - in chronological terms, from the ninth to the fifteenth century, and across linguistic traditions from Old and Middle English to medieval Latin and Middle French. Using varied conceptual tools and detailed explorations of social, cultural, and intellectual contexts, they offer new interpretations of key works from the central and late Middle Ages. Contributors explore the educational background of the Middle English "Ricardians" - Geoffrey Chaucer, William Langland, John Gower, and the Gawain-poet - through the novel perspective of versification; the intellectual context for the poem St Erkenwald, where a poem about the miraculous salvation of a pagan reflects a detailed engagement with contemporary theology that tests the limits of theological orthodoxy; and the social background of the Gawain-poet, via examples of household hierarchy. A form of textual analysis known as "ergodics" is deployed to offer a way of making sense of the unique challenge of the Old English Maxims, and their position in monastic reading cultures. The Middle English Titus and Vespasian, which tells the story of the siege of Jerusalem, is shown to contain a complex and conflicted form of anti-Judaism, traversed in complex ways by anxieties about gender as well religion and race. Finally, in a linked suite of essays, late medieval heraldry is illuminated from a range of unexpected perspectives drawn from the study of literary form, examining heraldic miscellanies, the creativity of the heraldic imaginary, and the community-building work of the late medieval poetic society known as the Cour Amoureuse.
Neomedievalism, Popular Culture, and the Academy
Regular price
$29.99
Save $-29.99
The medieval in the modern world is here explored in a variety of media, from film and book to gaming.
Medievalism - the ways in which post-medieval societies perceive, interpret, reimagine, or appropriate the Middle Ages - permeates popular culture. From Disney princesses to Game of Thrones, medieval fairs to World of Warcraft, contemporary culture keeps finding new ways to reinvent and repackage the period. Medievalism itself, then, continues to evolve while it is also subject to technological advances, prominent invocations in political discourse,and the changing priorities of the academy. This has led some scholars to adopt the term "neomedievalism", a concept originating in part from the work of the late Umberto Eco, which calls for new avenues of inquiry into the wayswe think about the medieval. This book examines recent evolutions of (neo)medievalism across multiple media, from Tolkien's Lord of the Rings to the film Beowulf and medieval gaming. These evolutions can take the form of what one might consider to be pop culture objects of critique (art, commodity, amusement park, video game) or academic tools of critique (monographs, articles, lectures, university seminars). It is by reconciling theseseemingly disparate forms that we can better understand the continual, interconnected, and often politicized reinvention of the Middle Ages in both popular and academic culture.
Skaldic Poetry as Christian Propaganda
Regular price
$120.00
Save $-120.00
A detailed literary study of fourteenth-century poetry composed in honour of a controversial thirteenth-century bishop.
Vernacular poetry was a powerful influence in fourteenth-century Icelandic elite literary culture, even to the extent of providing the means of elevating a local bishop, Guðmundr Arason, to sainthood. Three Icelandic poets, Abbots Arngrímr Brandsson and Árni Jónsson, and Lawman Einarr Gilsson, composed impressive encomia of Guðmundr, with the intention of recording the holy bishop's sanctity in the language of contemporary religious devotion and to persuade Church authorities in both Scandinavia and the wider Christian world to canonize him. While the local campaign ultimately failed to sway the Catholic Church, it did succeed in producing a significant corpus of vernacular religious poetry, unmatched in combining the traditional diction and metres of Old Norse skaldic verse with the vernacular poetics of affective piety and Christian hermeneutics.
This important group of poems is examined here for the first time as literary works. The manuscript context of the Guðmundr poetry is investigated in the first chapter. The next three chapters offer a detailed analysis of the poems themselves while the final chapters situate the Guðmundr poetry within the milieu of the vernacular learning that flourished particularly in mid-fourteenth-century Icelandic bishoprics and monasteries. They also explore the relationship between contemporary prose sagas of Guðmundr Arason and the poetry composed in his honour, which, it is argued, offers figural interpretations of the substance of the prose texts.
A Critical Companion to Old Norse Literary Genre
Regular price
$45.95
Save $-45.95
A comprehensive guide to a crucial aspect of Old Norse literature.
We cannot read literary works without making use of the concept of genre. In Old Norse studies, genre has been central to the categorisation, evaluation and understanding of medieval prose and poetry alike; yet its definition has been elusive and its implications often left unexplored. This volume opens up fundamental questions about Old Norse genre in theory and in practice. It offers an extensive range of theoretical approaches, investigating and critiquing current terms and situating its arguments within early Scandinavian and Icelandic oral-literary and manuscript contexts. It maps the ways in which genre and form engage with key thematic areas within the literary corpus,noting the different kinds of impact upon the genre system brought about by conversion to Christianity, the gradual adoption of European literary models, and social and cultural changes occurring in Scandinavian society. A case-study section probes both prototypical and hard-to-define cases, demonstrating the challenges that actual texts pose to genre theory in terms of hybridity, evolution and innovation. With an annotated taxonomy of Old Norse genres and an extensive bibliography, it is an indispensable resource for contemporary Old Norse-Icelandic literary studies.
Medieval Commentary and Exegesis
Regular price
$130.00
Save $-130.00
Interdisciplinary study of the medieval commentary tradition, covering a range of sources from the Wycliffite Bible and French Marian Lyric to John Lydgate and Anselm of Canterbury.
Textual and material survivals from across medieval Europe testify to a pervasive commentary culture on Scripture. The biblical text becomes a central object of explication and comment, generating a variety of interpretive texts and genres. But precisely because it is so ubiquitous, medieval commentary can also prove elusive, requiring perspectives from different disciplines. How can we define commentary, and how does it develop and function in different linguistic and geographical areas? What role do commentaries play in the formation and reformulation of personal and national identities across the period? How can contemporary scholars best approach this fundamental genre of the medieval world?
Exploring these among many other questions, this volume revises and refines our current understanding of the intellectual, cultural, and literary dynamics of the medieval commentary tradition. Contributors consider matters such asauthority, patronage, readership, textual genesis, and material contexts of commentary, as well as the absences and lacunae in our knowledge, and how we might take these into account from today's perspective. Expansive in their chronological, methodological, and disciplinary scope, the chapters here illuminate the origins and forms of commentary from Late Antiquity to the late medieval period in Western Europe, extending across Hebrew, Latin and vernacular texts, and examine a wide range of literary and cultural artefacts, from single-authored works to manuscript compilations.
Spenser and the Filidh in Early Modern Ireland
Regular price
$120.00
Save $-120.00
Uncovers a vibrant literary culture often overlooked by colonial historiography and Anglocentric critical traditions. Reimagines Spenser's Munster through multilingual networks, bardic poetry, and digital methodologies.
Long dominated by Anglocentric narratives, early modern literary studies have often cast Ireland as a backdrop to English self-fashioning. This volume reorients that perspective by foregrounding the multilingual, polyvocal literary culture of Munster in the late sixteenth century, situating Edmund Spenser not as an isolated colonial voice but as one writer among many-Gaelic, Old English, and New English-engaged in a contested cultural landscape. Drawing on archival, digital, and geospatial methodologies, the essays presented here explore bardic poetry, deep mapping, and the politics of language in texts by and about Spenser and his contemporaries. Case studies of bardic poetry, manuscript culture, and poetic networks reveal a vibrant and dynamic Gaelic literary tradition that responded to colonial violence.
By integrating perspectives from Irish-language literature, English studies, and digital humanities, this collection offers a vital corrective to monolingual historiographies and opens new pathways for understanding the cultural entanglements of Spenser's Munster. It reconceptualises the idea of Spenser in Ireland by highlighting the region's cultural complexity and multilingualism, demonstrating how attention to this richness deepens our understanding of one of the most fraught and fateful periods in the shared history of Ireland and England.
Local Place and the Arthurian Tradition in England and Wales, 1400-1700
Regular price
$36.95
Save $-36.95
The first in-depth study of Arthurian places in late medieval and early modern England and Wales.
Winner of the 2024 Dhira B. Mahoney Prize for Outstanding Scholarly Book in Arthurian Studies
Places have the power to suspend disbelief, even concerning unbelievable subjects. The many locations associated with King Arthur show this to be true, from Tintagel in Cornwall to Caerleon in Wales. But how and why did Arthurian sites come to proliferate across the English and Welsh landscape? What role did the medieval custodians of Arthurian abbeys, churches, cathedrals, and castles play in "placing" Arthur? How did visitors experience Arthur in situ, and how did their experiences permeate into wider Arthurian tradition? And why, in history and even today, have particular places proven so powerful in defending the impression of Arthur's reality?
This book, the first in-depth study of Arthurian places in late medieval and early modern England and Wales, provides an answer to these questions. Beginning with an examination of on-site experiences of Arthur, at locations including Glastonbury, York, Dover, and Cirencester, it traces the impact that they had on visitors, among them John Hardyng, John Leland, William Camden, who subsequently used them as justification for the existence of Arthur in their writings. It shows how the local Arthur was manifested through textual and material culture: in chronicles, notebooks, and antiquarian works; in stained glass windows, earthworks, and display tablets. Via a careful piecing together of the evidence, the volume argues that a new history of Arthur begins to emerge: a local history.
Beowulf and Grettis saga
Regular price
$130.00
Save $-130.00
Investigates the relationship between two texts separated by hundreds of years and nearly two thousand miles.
In the saga, Grettir fights a giant who wields a hepti-sax; in the poem, Beowulf uses a hæft-mēce on Grendel's mother. These two unique words for "hafted blade" appear to be related. Can the same be said for the works that surround them? This book says yes, arguing not that the weapons have a common origin, nor that their likeness is a coincidence, but that Grettis saga has borrowed from Beowulf.
The case for a textual loan begins in the context of England's connection with Denmark in the reign of Cnut the Great (1016-35). This book argues that Cnut took an interest in Scyld and the Scyldings of Beowulf and that his skalds transformed these names into "Skjǫldr" and the "Skjǫldungar". The Beowulf manuscript is placed in Lichfield in 1017, with the suggestion that it was commissioned by Eadric Streona as a gift for Earl Thorkell of Skåne. It is proposed that in 1159 a copy of Beowulf was brought from Lincoln to Iceland to serve the interests of a family that claimed descent from Skjǫldr, that in the 1180s the poem influenced Skjǫldunga saga, and that in the 1190s Beowulf went north to Þingeyrar abbey, where Oddr the Monk, author of Grettis saga, used it to enhance Grettir's fights with Glámr and the trolls of Bárðardalr. This is a daring book that sheds new light on the circulation of Beowulf, on questions of dating and patronage, and on the authorship of Grettis saga.
Motherhood and its Spaces in Medieval Romance
Regular price
$120.00
Save $-120.00
Discusses the spaces occupied and used by mothers in French and English medieval romance of the twelfth to fourteenth centuries.
Mothers have tended to be overlooked in romance scholarship, in favour of fantastical adventures, courtly love stories, and connections with historical events. Yet they are often central to the action in these narratives, whether in a birthing chamber, a royal court, a forest or the Otherworld. This book focuses on the spaces occupied and utilised by mothers in French and English medieval romance of the twelfth to fourteenth centuries. Analysing mothers' use of social space shows how these texts intervene in contemporary social, cultural, legal, and medical debates on motherhood and its place in elite society and families. In examining the presence and contributions of maternal figures in such narratives as the Roman de Melusine, Emaré, Chrétien de Troyes' Perceval and Chaucer's Man of Law's Tale, it demonstrates how romance distorts and subverts gendered roles in order to reveal the complexities of medieval selfhood and social interaction. Recognising the importance of these figures not only sheds a new light on how we may read these romances but on the role of elite mothers in society more generally, presenting a model in which motherhood is central to the construction of not just lineage, but of alliances, communities, cities and nations.
Popularising the Middle Ages in Modern Fantasy
Regular price
$120.00
Save $-120.00
Examines the development, nature, and significance of gritty (neo)medievalism in popular culture, from Assassins Creed: Valhalla and Berserk to Robert Eggers' The Northman.
Twenty-first-century popular culture has a fascination for the medieval. Its imagery, tropes and settings have become an integral part of the epic fantasy genre across different media, demonstrated by and following the success of such globally acclaimed television shows as Game of Thrones and Vikings. This volume studies this phenomenon, aiming to establish a broader understanding of why the Middle Ages have become so popular in an era of transmedia productions; it argues that concepts of accuracy and "authenticity" are key to this popularity, alongside engagement with contemporary debates about identity, race and gender, and agile responses to fan-community and media critiques. The essays address a variety of topics, from worldbuilding and narrative structures to female agency and the reception of Vikings, across a wide range of media, including film, television, literature, video games and manga. It also explores how contemporary fantasy engages with both academic knowledge and developments in imagination more widely, responding to ever-changing ideas about how an "authentic" Middle Ages may be created.
Old English Biblical Prose
Regular price
$130.00
Save $-130.00
Provides the first in-depth study of the earliest attempts to make the sacred words of the Bible available to English readers, clerical and lay, in prose writing.
"This is a hugely valuable study - deeply informative about an important tradition of biblical translation from the early medieval period, bringing together material that has previously been considered in isolation, and drawing out a big-picture account of the ebb and flow of biblical translations into the vernacular. Will be a useful point of reference for any interested reader and includes surprises and delights for even the most specialist readers." Professor Jonathan Wilcox, University of Iowa
The story of the English Bible begins not with the King James Version or Wycliffe but in the Old English period. Between the ninth and eleventh centuries, a remarkably diverse corpus of biblical translations, paraphrases, adaptations and summaries were produced in Old English. Yet while Old English biblical verse has been extensively studied, the much larger corpus of vernacular biblical prose remains neglected by historians of the Bible and medievalists.
This book provides the first in-depth study of the genre. Dispelling the notion that access to the Bible was restricted to the Latinate clergy in the early medieval period, it demonstrates how Old English biblical prose made key elements of Scripture available and meaningful to laypeople. Through case studies of the Prose Psalms, Mosaic Prologue to the Domboc, Wessex Gospels, Heptateuch and Treatise on the Old and New Testaments, as well as many other works, it highlights the crucial contributions of well-known figures such as King Alfred and Ælfric of Eynsham while also showcasing the work of anonymous authors who translated, adapted and interpreted the Bible, sometimes in creative and surprising ways. Cumulatively, these case studies show how vernacular biblical prose played a central role in the emergence of English national identity before the Norman Conquest.
This book is available as Open Access under the Creative Commons licence CC BY-NC-ND.
Old English Biblical Prose
Regular price
$36.95
Save $-36.95
Provides the first in-depth study of the earliest attempts to make the sacred words of the Bible available to English readers, clerical and lay, in prose writing.
"This is a hugely valuable study - deeply informative about an important tradition of biblical translation from the early medieval period, bringing together material that has previously been considered in isolation, and drawing out a big-picture account of the ebb and flow of biblical translations into the vernacular. Will be a useful point of reference for any interested reader and includes surprises and delights for even the most specialist readers." Professor Jonathan Wilcox, University of Iowa
The story of the English Bible begins not with the King James Version or Wycliffe but in the Old English period. Between the ninth and eleventh centuries, a remarkably diverse corpus of biblical translations, paraphrases, adaptations and summaries were produced in Old English. Yet while Old English biblical verse has been extensively studied, the much larger corpus of vernacular biblical prose remains neglected by historians of the Bible and medievalists.
This book provides the first in-depth study of the genre. Dispelling the notion that access to the Bible was restricted to the Latinate clergy in the early medieval period, it demonstrates how Old English biblical prose made key elements of Scripture available and meaningful to laypeople. Through case studies of the Prose Psalms, Mosaic Prologue to the Domboc, Wessex Gospels, Heptateuch and Treatise on the Old and New Testaments, as well as many other works, it highlights the crucial contributions of well-known figures such as King Alfred and Ælfric of Eynsham while also showcasing the work of anonymous authors who translated, adapted and interpreted the Bible, sometimes in creative and surprising ways. Cumulatively, these case studies show how vernacular biblical prose played a central role in the emergence of English national identity before the Norman Conquest.
This book is available as Open Access under the Creative Commons licence CC BY-NC-ND.
The Lives and Deaths of the Norse Gods
Regular price
$125.00
Save $-125.00
A comprehensive study of the mortality of Norse gods, with close readings of the Prose Edda, Poetic Edda and Saxo Grammaticus' Gesta Danorum.
Divinity usually implies immortality. The very phrase "gods and mortals" highlights an ontological gap between two distinct categories of existence: immortal deities and transient humans. This divide, however, does not hold true in the Scandinavian mythological tradition, where the gods themselves are mortal. This mortality is central to myths such as those of Baldr and of Ragnarøk, and affords the Norse gods narrative potential, that is unparalleled in other traditions, such as those inherited from antiquity.
The first half of this study explores some salient consequences of this attribute, highlighting the striking anthropomorphism of the gods. The second half takes a more diachronic approach, examining the prehistory of the group of gods who became known as the Æsir and arguing that they developed from non-anthropomorphic divine forces shaped by and mobilized in ideologies of leadership and warfare in pre-Christian Northern Europe. By examining how divine mortality not only drives Norse mythic narratives but also reflects wider patterns of thought and belief, including early medieval theories of rulership and the sacralization of human excellence, this book reconsiders the boundaries between godhood and humanity in pre-Christian Scandinavia and, in doing so, questions what it means to be a god.
Charlemagne in the Francophone World and Occitania
Regular price
$170.00
Save $-170.00
Explores the transmission and reception of the medieval legends of Charlemagne in the literatures of the French-speaking areas of France, Burgundy and England, and Occitania.
The spread of Charlemagne's myth after his death was even more extensive than the empire he ruled during his life. This volume turns to the birthplace of many of these myths, and to the languages of the North (langue d'oïl) and South (langue d'oc) of that land. The first chapter traces the presence and development of his legend the diverse political and cultural areas south of the Loire generally known as Occitania. The two following chapters analyse the often contradictory representations of Charlemagne in northern French-speaking regions in the twelfth to fourteenth centuries, through a careful selection of chansons de geste and chronicles. Using ethnographic theories, they consider his roles as warrior, secular ruler and conduit to the divine. The fourth and fifth chapters examine the exploitation of those images among readers of French in England and in French-speaking provinces ruled by the Dukes of Burgundy. Finally, the epilogue traces the continued vibrancy of Charlemagne stories in popular and high culture through to the twentieth century.
Jewish-Christian Dialogue in Medieval French Literature
Regular price
$120.00
Save $-120.00
Examines a range of vernacular works within the context of Jewish and Christian exegetical traditions.
Just as Jews and Christians encounter each other in unequal power relations in the "contact zones" of medieval cities, so the Hebrew Bible meets two Christian Testaments in dynamic tension. Vernacular literature mirrors that confrontation whenever it integrates biblical material, whether quotations and images, translation and paraphrase, people, events or practices. In whatever shape or form, the use of biblical matter introduces vital questions, as competing claims to possession and authority are enmeshed with new approaches to interpretation. Christians and Jews, Judaism and Christianity, meet each other figuratively around the reinvention of their shared sacred texts to define and dispute their identities.
This study examines how biblical material enters into a variety of twelfth- and thirteenth- century French works by following the way literal and spiritual meanings are intimately entwined. In examples ranging from the romances of Chrétien de Troyes and bestiaries to theatre and moralized bibles, biblical citation serves as an expression of belief, a tool of persuasion, and a weapon of aggression. As current debates on antisemitism intensify, a brief epilogue considers what this study can contribute to Jewish-Christian dialogue when medieval and modern, past and present, challenge each other to deepen knowledge and expand possibilities.
Four Musical Romances
Regular price
$170.00
Save $-170.00
Influential medieval romances are translated, with the accompanying music and an absorbing explanatory introduction.
The thirteenth century saw the flourishing of a vibrant new literary genre in France: the romance with musical interpolations. The four works translated here are outstanding examples. Their authors incorporate songs in highly inventive ways, not simply for embellishment or atmosphere. They explore the potential of song to advance narrative, create jeopardy, to reveal their characters' inner lives and even to provide ironic comment. Jean Renart, in his Guillaume de Dole, declared himself the originator of the genre. If the innovation was his, it inspired many works that followed. The most notable include the other three in this collection: Le Roman de la Violette (The Romance of the Violet) by Gerbert de Montreuil (almost certainly the Gerbert who wrote arguably the most accomplished Continuation of Chrétien de Troyes' Perceval), Le Roman de la Poire (The Romance of the Pear) by Tibaut and LeDit de la Panthère (The Panther of Love) by Nicole de Margival. Together these works raise absorbing questions about how medieval romances were performed, to the point where Le Roman de la Poire is very nearly a play, understandable only as a piece to be delivered by multiple voices. They will be of great interest not only to literary scholars and musicologists but to all those interested in the performance of romance. All the songs and refrains for which the music has survived are translated into singable form, and all the surviving notations are included in the text, edited by Matthew P. Thomson.
Vox Clamantis by John Gower: "The Voice of One Crying"
Regular price
$95.00
Save $-95.00
The first English translation into verse of the full Vox Clamantis, with explanatory notes.
John Gower's Vox Clamantis is one of the major poetic achievements of the Middle Ages. Its subject matter ranges from his dream-vision account of the Peasants' Revolt of 1381 to sharp critiques of the clergy, merchants, and lawyers, all with the intention of teaching the lessons of the past as a guide to the present. In Gower's view, everything that is and happens must be read and interpreted for the guidance God provides: history, Scripture and nature are replete with auguries sent by God to guide rulers if they but learn to read them. Ultimately for Gower, rulers - and we ourselves - are responsible for our own choices, for good or ill.
This line-by-line translation from the original Latin into Modern English is intended for a wide audience, and to be easily readable by scholars and non-scholars alike. It replicates Gower's Latin meter as closely as possible in English, uses straightforward language, and clarifies many difficult points of medieval legal theory, Classical allusion, and theological interpretation heretofore left unexplained in any previous attempts, full or partial, to translate the poem. Extensive notes trace Gower's sources, from Ovid to Peter Riga's Aurora to Alexander Nequam's De Naturis rerum to Nigel Wireker's Speculum Stultorum and the Bible, among many others. Classical and Biblical allusions are identified and fully but succinctly explained. This book also includes the "Letter to Arundel", translated in verse for the first time.
Bad Poetry? New Perspectives on the Value of Sixteenth-Century Literature
Regular price
$130.00
Save $-130.00
An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically.
In the wake of C. S. Lewis's still-contested taxonomy of 'drab' and 'golden' poetic ages, this volume rethinks the critical and aesthetic stakes of bad poetry in early modern England-not to dismiss it, but to ask what it meant, how it functioned, and why it mattered.
Revisiting poets like Arthur Gorges, Walter Ralegh, Thomas Lodge, and Thomas Churchyard, contributors interrogate the literary marketplace, aesthetic judgment, and evolving generic conventions between 1520 and 1609. Through close readings of works by Spenser, Shakespeare, Skelton, and others-alongside notorious outliers like Richard Stanyhurst-the collection considers poetic failure as both historical artifact and interpretive opportunity. From the clumsy excess of hexameters to the ideological weight of neo-Latin verse, from scribal emendations of Mother Hubberds Tale to the uncertain metrical charge of the lengthy fourteener, these essays reveal how poets and readers alike navigated shifting ideas of taste, style, and literary value.
Grounded in close reading, textual scholarship, and formal analysis, this collection offers a model of sustained, comparative literary criticism that is both theoretically engaged and deeply historicised. It foregrounds the interpretive value of stylistic awkwardness and aesthetic resistance while charting the long afterlives of poetic judgment from Lewis to the present.
Vox Clamantis by John Gower: "The Voice of One Crying"
Regular price
$36.95
Save $-36.95
The first English translation into verse of the full Vox Clamantis, with explanatory notes.
John Gower's Vox Clamantis is one of the major poetic achievements of the Middle Ages. Its subject matter ranges from his dream-vision account of the Peasants' Revolt of 1381 to sharp critiques of the clergy, merchants, and lawyers, all with the intention of teaching the lessons of the past as a guide to the present. In Gower's view, everything that is and happens must be read and interpreted for the guidance God provides: history, Scripture and nature are replete with auguries sent by God to guide rulers if they but learn to read them. Ultimately for Gower, rulers - and we ourselves - are responsible for our own choices, for good or ill.
This line-by-line translation from the original Latin into Modern English is intended for a wide audience, and to be easily readable by scholars and non-scholars alike. It replicates Gower's Latin meter as closely as possible in English, uses straightforward language, and clarifies many difficult points of medieval legal theory, Classical allusion, and theological interpretation heretofore left unexplained in any previous attempts, full or partial, to translate the poem. Extensive notes trace Gower's sources, from Ovid to Peter Riga's Aurora to Alexander Nequam's De Naturis rerum to Nigel Wireker's Speculum Stultorum and the Bible, among many others. Classical and Biblical allusions are identified and fully but succinctly explained. This book also includes the "Letter to Arundel", translated in verse for the first time.
Localizing Christopher Marlowe
Regular price
$49.95
Save $-49.95
This study punctures the stereotyped portrayals of Marlowe, first created by his rival Robert Greene, and, yet, which still colour our view. In doing so, Ide reveals the social and cultural discourses out of which such myths emerged.
We know next to nothing about the life of the playwright Christopher Marlowe (b.1564 - d. 1593). Few documents survive other than his birth record in the parish register, a handful of legal cases in court records, Privy Council mandates and reports to the Council, the coroner's examination of his death, and a few hearsay accounts of his atheism. With such a limited collection of biographical documents available, it is impossible to retrieve from history a complete sense of Marlowe. However, this does not mean that biography cannot play a significant role in Marlowe studies.
By observing the details of the specific places and communities to which Marlowe belonged, this book highlights the collective experiences and concerns of the social groups and communities with which we know he was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.
Constructing the Anglo-Saxon Chronicles
Regular price
$130.00
Save $-130.00
Offers insights into sources and inspirations, authorship and authorial style, and patterns of separation and convergence across versions of the Anglo-Saxon Chronicles.
The Anglo-Saxon Chronicle is one of the most important documents to survive from early medieval England. Written in Old English, it was first created during the reign of King Alfred the Great (871-899). Up to Alfred's reign, and then in multiple continuations extending into the twelfth century, the Chronicle versions often provide a unique record of events, at times reported in the barest style, at others with passionate commentary.
This book is the first to tell the story of how the Chronicles came to be, providing a clear but detailed account of the development of its various versions. It starts with an examination of the textual and manuscript evidence, then explores the work of the two chroniclers first responsible for the Anglo-Saxon Chronicle's creation in the late ninth century, arguing that the first made a set of annals from disparate sources. The author then contends that a later reviser aligned with the Alfredian political programme wrote the annals for Alfred's reign, and at the same time also revised earlier entries, including the famous story of Cynewulf and Cyneheard. This book also sheds new light on the annals of Æthelred the Unready, arguing that Archbishop Wulfstan of York is likely to have authored some of these, together with some tenth-century annals. Its final chapter provides the first comprehensive study of all the Chronicles' poetry.
Classical Myth in Medieval Ireland
Regular price
$120.00
Save $-120.00
Explores medieval Irish interest in Classical mythology and historiography and how it could be situated within the framework of Christian salvation history.
From allusions to the Olympians in seventh-century glosses to twelfth- and thirteenth-century vernacular adaptations of the epics of Vergil, Lucan, and Statius, Irish authors creatively re-imagined Greco-Roman mythology throughout the Middle Ages. They developed many strategies for situating the Classical deities within medieval Christian historiography, but rarely did they downplay or eliminate them. Some of these strategies, as this study reveals, reflected wider medieval European trends in Classical reception and mythography, whilst others were strikingly original and paralleled the ways in which Irish authors imagined the supernatural beings of their own pre-Christian past.
This book examines why Irish authors were interested in the history and mythology of the ancient Mediterranean, and how Classical polytheism influenced their ideas about their own pagan past. It explores the ways in which depictions of Irish Otherworldly characters both shaped and were shaped by the gods and supernatural figures of the Classical adaptations. Based on close readings of texts such as the Irish version of Lucan, In Cath Catharda, this book argues that Classical scholarship in medieval Ireland was closely tied to medieval ideas about salvation history. Ultimately, it concludes that medieval Irish authors and audiences applied the same interpretive tools used for biblical exegesis to characters and events from Greco-Roman mythology, history, and literature, and to the supernatural inhabitants of pre-Christian Ireland alike.
The Making and Meaning of a Medieval Manuscript
Regular price
$120.00
Save $-120.00
Develops a method for placing book-historical evidence in dialogue with literary meaning through a detailed investigation of a MS Bodley 851.
How do you read a medieval book? And what is the relationship between the study of manuscripts as material artifacts and the study of their textual contents? This book develops a method for placing book-historical evidence in dialogue with literary meaning. Medieval manuscripts do not simply witness the texts they contain: through the process of their making, they preserve and generate knowledge about literature itself.
Central to the expression of method in this study is a detailed investigation of an immensely complex composite manuscript, Oxford, Bodleian Library MS Bodley 851. This manuscript survives as an important representative of textual cultures popular in late-medieval England: it attests the work of at least eight scribal agents and contains an infamous scribal version of Piers Plowman (Z-text), the sole surviving copy of Walter Map's De nugis curialium, and an array of satirical Anglo-Latin poetry, including the Apocalypsis goliae episcopi, the Speculum stultorum, and the Bridlington Prophecy. Close attention to the production of Bodley 851 underpins critical examinations of fragmentary misogamy, the construction of literary sequences, and the extent of pseudonymous authorship in the manuscript record.
Cultural Connections between the Continent and Early Medieval England
Regular price
$130.00
Save $-130.00
Essays exploring the literary, material, scholarly and linguistic ties between the Continent and early medieval England.
"Anglo-Saxons were tied to the Continent in many ways", Rolf H. Bremmer Jr once observed. Throughout the early Middle Ages, a crucial phase for Anglo-Continental contact, cultural connections between the English and their neighbours across the North Sea developed in a number of forms, from missionary activities to political contacts, intellectual exchanges and military confrontations, with people, books, texts, artefacts and ideas travelling back and forth. The language and culture of the Anglo-Saxons became once again part of the scholarly exchange between England and the Continent during the early modern period, when philologists from either side of the North Sea laboured on the recovery of Old English and made new connections between Old English, the other Old Germanic languages, and more distant tongues.
This volume investigates these dynamic interactions between Anglo-Saxons and the Continent. Contributors break new ground in shared traditions in runic writing, legal ideas in England and Frisia, moments of transcultural and translingual contact, the influence of continental texts in early medieval England, the manuscripts which provide unique glimpses of the dissemination of texts and ideas, and early modern attempts to apply Old English to novel purposes. They thus form an appropriate tribute to the inspirational scholarship of Rolf H. Bremmer Jr in the field of Old English philology.
Studies in Arthurian and Chronicle Traditions in Memory of Fiona Tolhurst
Regular price
$85.00
Save $-85.00
Essays examining Arthurian and Chronicle texts, contexts, and reception, in honour of Fiona Tolhurst's contributions to Arthurian Studies.
In her all-too-short but ground-breaking academic career, Fiona Tolhurst made significant contributions to the discipline of Arthurian Studies, advancing, amongst much else, understanding of Geoffrey of Monmouth, Arthurian Women, the English Mortes, and modern Arthuriana, including cinematic versions of the legend. The essays assembled here reflect her commitment to explication of Arthurian and Chronicle texts and contexts. Several engage with Geoffrey of Monmouth, examining, among other topics, the depiction of women in his narrative of British origins; the function of giants and significance of landscape and geography in his writings; the contrast between Geoffrey's Trojan-British empire and the Graeco-Egyptian foundation narratives of Scottish and Irish chronicles; and the reception and use of his writing from the sixteenth through nineteenth centuries. Other contributors consider characterization and politics in the Brut tradition and Malory; the puzzling dualities of the alliterative Morte; the reception of Malory's "Trystram"; continuities between medieval and modern readings of the MorteDarthur; and the uses, adaptation, and appropriation of Arthurian themes and ideals in the twenty-first century.
Medieval English Theatre 46
Regular price
$49.95
Save $-49.95
Newest research into drama and performance from the Middle Ages and the Tudor period.
Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.
This volume is testament to the lively range of current research across the field of medieval theatre. It investigates different traditions of performance, through a variety of theatrical, theological, and material approaches. It opens with an analysis of a fascinating Dutch rhetoricians play-text, revealing how its engagingly disruptive female character, "Everyday Chitchat", proves central to a serious discussion of censorship - in a play which was itself censored. Although no play-text survives from medieval Beverley, the next contribution shows how local records of its Corpus Christi plays offer rich details of a range of pageants and organisation not dissimilar from its more famous neighbour, York. The two following articles investigate theological issues. A nuanced re-reading of The Treatise of Miracles Playing considers how priestly involvement in performance raised anxieties about the role and authority of priests, including at the Mass. Attitudes to "dread", revealed through the taxonomies of fear developed by medieval theologians, then illuminate the didactic role of fear, engendered in the protagonists and audiences of the Macro morality plays. The volume closes with the second part of an investigation into "John Blanke's Hat". Following the first part's demonstration, in the previous volume of METh, that the Black trumpeter's headgear was not a marker of his faith, this uncovers the true identity of the hat, asking how far it can offer evidence for his history. The present volume thus throws new light on familiar texts and questions, offering important contributions to newly developing fields of study.
Studies in Medievalism XXXIV
Regular price
$130.00
Save $-130.00
The themes of tribalism and medievalism unite this wide-ranging collection of essays.
Essays address queer medievalisms in and around Gwen Lally's historical pageants and Radclyffe Hall's The Well of Loneliness; Robert Glück's 1994 novel Margery Kempe; and forms of gender tribalism in and around Josephine Butler's Catharine of Siena: A Biography. Gender is further explored alongside the central theme, with surveys of tribal gendering of masculinity in C. S. Lewis's Prince Caspian and its film; tribalism in medievalist bandits beyond Robin Hood and his "merry" band; and tribal gendering of femininity in the films Brave and Sleeping Beauty. There are also contributions on colonialist tribalism in the staging of Camelot in Richard E. Grant's film Wah-Wah; nationalistic tribalism in German pride, refracted through American frontier attitudes towards Native Americans; tribal perspectives of Native Americans in Guy Gavriel Kay's Fionavar Tapestry; the death of Optimus Prime in Transformers: The Movie as an act that stirs fans' tribal passions; and Carolingian legends as both reflecting and superseding tribal affiliations in twentieth-century America.
Ipomedon
Regular price
$120.00
Save $-120.00
The first modern English translation of Hugh of Rhuddlan's Ipomedon.
The Anglo-Norman Ipomedon, composed in the late twelfth century by Hugh of Rhuddlan, is a witty, notoriously scabrous romance, set in the Mediterranean. In a version of the Fair Unknown motif, the work's eponymous hero, the son of the king of Apulia, falls in love with the queen of Calabria, conceals his identity and serves in her retinue. He undertakes a number of adventures, including participating in a three-day tournament, each day under different colours, before revealing his true identity and marrying her. Alert to the conventions of Arthurian romance from which it pointedly takes ironic distance, Ipomedon invokes the Continental romans d'antiquité in its protagonists' names and in its surprising claim to be the source material for the chronologically earlier Roman de Thèbes. It was popular amongst its contemporary readers, being translated later into three different Middle English versions.
This book offers the first modern English translation; it also provides explanatory notes, and a full introduction, discussing the author, its audience, dating, sources and analogues, themes, humour and narrative style. It will make this important text, of great interest to medieval romance studies, available to a wider audience.
Work and its Representations in Early Medieval Saints' Lives
Regular price
$85.00
Save $-85.00
Explores the dynamics of saints' work as represented by their hagiographers.
The lives of many early medieval saints show them working with their hands. Radegund cooks in the kitchen, carries firewood, and cleans privies; Fiacre cultivates a garden; Brigid milks cows and makes cheese; Dunstan shapes metal and constructs buildings. Other saints raise crops, herd cattle, write books, or weave cloth. Equally at home in garden, workshop, and scriptorium, these saints work alongside other people, interacting regularly with livestock, materials, and the land: miracles and other supernatural events are embedded in the habitual, everyday routines of the saints' own communities. Saints exemplify the balance between productive, creative work and the toil or effort required to accompany it, sometimes aligned with penitential labour. But more often, the saints celebrate work as a rewarding result of divine gift, human ingenuity and communal cooperation.
This book examines the representation of work - from arable and pastoral agriculture to textile arts and caretaking - in the vitae of saints who lived in Ireland, Britain, and Francia between the fifth and twelfth centuries. Bringing together close readings of these texts, evidence from archaeology, and anthropological approaches to material culture, it argues that through such work, saints showed others how to survive, thrive, and build a world that promised both physical security and spiritual rewards.
The Medieval Mystical Tradition in England
Regular price
$120.00
Save $-120.00
The series has from the beginning been instrumental in sustaining this field of study. JOURNAL OF ECCLESIASTICAL HISTORY
The rich tradition of pre-modern mystical writing from England is explored in this collection of essays from the ninth Exeter Symposium. The twelve chapters include studies of Richard Rolle, Walter Hilton, Julian of Norwich, Margery Kempe and the author of The Cloud of Unknowing. There is work, too, on less familiar authors and texts, from the thirteenth-century Wooing Group to the sixteenth-century Carthusian Richard Methley; the English reception of continental mystics such as Bridget of Sweden and Mechthild of Hackeborn; and writers treading (and sometimes crossing) the line between mysticism and heresy. The authors employ a range of approaches, from detailed manuscript study to mystical theology, and from material culture to comparative mysticism.
Chapters 10 and 11 are available as Open Access under the Creative Commons license CC-BY-NC-ND.
Medieval Manuscripts in Bristol Collections
Regular price
$120.00
Save $-120.00
The first complete descriptive catalogue of the medieval manuscripts in Bristol area collections.
Bristol has a rich but unsung body of manuscripts dating from the Middle Ages: an especially precious heritage in a city that lost much of its medieval architecture to the Second World War. Held by several area libraries, including Bristol Central Library, founded in the 1620s and one of the oldest public libraries in the country, and in archives, these volumes stretch from the twelfth to the early sixteenth centuries, and include a copy of John Lydgate's Troy Book, an illustrated guide to surgery, Ricart's Kalendar with its unique illustration of Bristol, c.1480, books of hours owned by Bristol merchants, and more. Together and separately, they offer exceptional insights into local religious practices, book production networks and English book decoration styles and practices.
This book presents the first complete descriptive catalogue of these manuscripts. Entries are grouped within thematic sections, ranging from late medieval devotional culture to sermon preparation materials, each preceded by an introductory essay by an expert in the field. The descriptions provide size, age, script, decoration and a detailed listing of contents.
Language, Linguistics and Middle English Literature
Regular price
$95.00
Save $-95.00
Explores the intersections between two fundamental approaches to medieval literature, shedding new light on texts ranging from The Canterbury Tales to LeMorte Darthur.
This volume identifies new methods and questions for language-based approaches to medieval English literature and literature-based approaches to Middle English by identifying philology as a cross-disciplinary practice shared by literary scholarship and linguistics. How can late medieval cultural perception and social participation be illuminated by literary language? What can language forms tell us about the experience of England's multilingual landscape? Contributors trace the relay between imaginative literature and an expanding Middle English lexicon, the literary affordances of phonological and morphological features of Middle English, and the way that medieval literature engaged with its multilingual sources. Essays also consider how social authority is negotiated in language, with a particular focus on highly charged words such as "corruption", "instability", and "treason" and highly charged phenomena such as language contact, allusion, and genre experiments. Together, they show that literary and linguistic approaches may inform each other to open new avenues of research on a wide variety of texts - including Chaucer's The Canterbury Tales and Troilus and Criseyde, Malory's Le Morte Darthur, Gower's Confessio Amantis, Lydgate's Reson and sensuallyte and Hoccleve's Regement of Princes. The volume thus pays tribute to the influence on both fields of distinguished medievalist Karla Taylor.
Rewriting the Past in Scottish Literature, 1350-1550
Regular price
$120.00
Save $-120.00
Considers how Anglo-Scottish conflict was memorialised, reimagined and embedded by later writers.
The Anglo-Scottish Wars of Independence are often treated in historical and poetical works produced in Scotland between the fourteenth and sixteenth century, from chronicles and hagiographical romances to advisory and commemorative poems. Through an examination of such texts, this book explores how late-medieval writers drew on the memory of the wars to articulate a collective identity; and how literary and historical frameworks were deeply influenced by shifting Anglo-Scottish relations. It covers a range of topics: how borders - textual, geographic, and cultural - became a focus for articulations of national memory; the utilisation of origin myths and royal genealogy; anxieties around failures of memory or deliberate acts of forgetting; and the impact of the Battle of Flodden (1513) on writing about Scottish nationhood. Dealing in particular with Bower's Scotichronicon, Hary's Wallace, The Complaynt of Scotland and Lyndsay's Dreme, this study argues that these writers drew on understandings of the arts of memory to shape selective, and collective, recollections of the past as a response to contemporary concerns, providing an emotive memorialisation of Scotland's history.
Convention and the Individual in Medieval English Romance
Regular price
$120.00
Save $-120.00
Offers a nuanced reading of character and subjectivity in medieval romance via an exploration of its conventions.
Medieval romances can be characterised by their formulaic motifs, predictable plots, and "stock" figures and character types. This book offers a fresh perspective on these conventions, arguing that authors used them, and the expectations they generate, as a form of shorthand to interiority. Understanding romance conventions in this way reveals that romance characters' complex and often contradictory inner lives are made available precisely through the genre's narrative structures, shapes, and norms. Drawing upon recent work in the History of Emotions and Affect Theory, the author explores character and subjectivity in a variety of English romance texts from 1100 to 1500 - such as Amis and Amiloun, Le Bone Florence of Rome, The Squire of Low Degree, Sir Orfeo, Sir Gawain and the Green Knight and Malory's Le Morte Darthur. Through new readings of these texts, the book demonstrates the contribution made by romance to the growing significance of the individual in fiction after the twelfth century by paying particular attention to the ways in which convention, expectation, and genre intersect with character-formation and the representation of identity.
Three Preludes to the Song of Roland
Regular price
$38.95
Save $-38.95
The first complete English translation of three chansons de geste inspired by the Romance epic, the Song of Roland.
The success of the eleventh-century SongofRoland gave rise to a series of around twenty related chansons de geste, known collectively as the Cycle of the King. In addition to reworkings of the Song of Roland in Old French and other medieval languages, these poems are devoted to the numerous military campaigns of Charlemagne against the Muslims before and after the tragic Battle of Roncevaux. These texts provide valuable insights into the medieval reception of the Roland material, exemplifying the process of cycle formation and attesting to the diversity of the Romance epic. Far from presenting a simplistic view of the clash of civilizations, these chansons de geste display a web of contradictions, offering both a glorification and a critique of hatred and violence.
This volume offers English translations of the three epic poems whose action directly precedes the events of the Song of Roland. Gui of Burgundy extends the period of time spent in Spain by Charles and his army from seven to twenty-six years, which gives the sons of the Twelve Peers the opportunity to reach adulthood and come to the rescue of their fathers. Roland at Saragossa, composed in Occitan, takes place in the days immediately preceding the decisive defeat and relates in an heroi-comic manner how Roland sneaks into Saragossa at the request of the pagan Queen Braslimonda, who has been enraptured by his strength and beauty. Finally, Otinel tells of a Saracen envoy who comes to Paris to challenge Charlemagne on behalf of the Emir Garsile, who has his capital in Lombardy. The action takes place in France and northern Italy in a lull between the capture of Pamplona and the defeat at Roncevaux.
The translations are presented with notes, and the volume includes an introduction placing the poems in their wider historical and cultural contexts.
Charles Gildon’s The Life of Mr Thomas Betterton, the Late Eminent Tragedian
Regular price
$120.00
Save $-120.00
Roberts reveals how Gildon's fusion of biographical study with neoclassical aesthetics and theatrical theory makes The Life an essential text for understanding early eighteenth-century performance.
Charles Gildon's The Life of Mr Thomas Betterton is a landmark text in English theatrical biography. First published in 1710, it not only commemorated the death of Thomas Betterton, the most renowned English actor of his era, but is the first major study in English to focus on an actor's craft rather than his personal life. However, despite its pioneering nature, Gildon's work has long been overshadowed by controversy. With one quarter of the text copied from a French oratorical treatise, many readers and scholars dismissed it as a plagiarized work.
This first modern edition reassesses the value of a text that is part biography, part textbook, and part borrowed from French sources. Here, David Roberts, reframes The Life as an essential resource not only for theatre history and life writing, but also for the study of publishing practices and early theories of plagiarism. Furthermore, as in Gildon's original publication, Roberts presents the Life with Betterton's comedy, The Amorous Widow.
In a comprehensive introduction, Roberts explores Gildon's relationships with both his publishers and with Betterton himself, presenting the Life as a classical dialogue based on a personal knowledge of the actor. It also sheds light on how Gildon exploited early definitions of plagiarism, balancing his unacknowledged borrowings with original insights into acting theory.
With old spelling and detailed annotations, this edition provides a rich foundation for understanding Gildon's impact on theatre, publication, and the evolving standards of intellectual property.
Textiles and Textile Imagery in Early Medieval English Literature
Regular price
$120.00
Save $-120.00
Identifies and analyses a wide range of textile metaphors and imagery from peace-weaving in Beowulf to word-crafting in Elene.
Textile metaphors, or metaphors involving the process and product of cloth-making, occur widely in literary traditions around the world. The same phenomenon holds true among the peoples of early medieval England. As close observers of a long and culturally significant textile tradition, pre-Conquest English writers drew upon their close familiarity with spinning and weaving to create a wide range of metaphorical textile images in both Old English and Anglo-Latin literature.
This book examines early medieval English textile imagery in close detail, situating it within its cultural and material contexts and addressing the ways in which lived experience informed these metaphors, whether inherited, invented, or both. It explores imagery linked to themes of creation, peace, death, magic, and fate in a comprehensive variety of texts, including Beowulf and Elene, Anglo-Latin letters and riddles, the Exeter Book riddles, prognostics, penitentials, hagiographic and homiletic texts, medical collections, and glosses. Overall, it demonstrates how an understanding of this important body of textile metaphors alters and shapes the ways in which we read the literature of this period.
New Medieval Literatures 25
Regular price
$120.00
Save $-120.00
This volume continues the series' engagement with intellectual and cultural pluralism in the Middle Ages, showing the best new work in the field.
Essays in this volume deal with texts from the ninth to the fifteenth century and include some unexpected comparisons with British Romanticism. Great attention is paid to manuscripts in their contexts and situations of production: thirteenth-century mortuary rolls are examined as sites of fluidly variegated scribal training and practice, revealing a "scriptscape" of social networks spread across the country. Elsewhere, close analysis of manuscripts known to have belonged to Henry Despenser, bishop of Norwich (1370-1406) makes the case for an effective scribal atelier in the city, presided over by the "Despenser Master". Three essays are linked by a consideration of didactic writing: the Old English translation of Gregory the Great's Pastoral Care is analysed both textually and paleographically for what it reveals about grammatical study in England's early Middle Ages, and the moral freighting of that learning; a comparative analysis of multilingual retellings of sheep fables making an important contribution to animal studies; and recent, violent historical events are shown to have been reshaped into a parable for the instruction of wives in the Mesnagier de Paris. Finally, Gower's expansive geographical and genealogical imaginary in the Confessio Amantis reveals the impossibility of controlling the affordances of his multivalent "East"; while the Alliterative Morte Arthur is newly examined for its representation of mountains and mountaineering as sites of active moral allegory and spiritual importance, as well as real-world experiences of beauty and danger.
Arthurian Literature XL
Regular price
$120.00
Save $-120.00
Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENT
Appropriately for the journal's fortieth milestone, this volume of Arthurian Literature offers an especially wide range of topics, from printers' modifications in early Arthurian books to a study of archetypal characters in several linguistic traditions. It begins with the winner of the Derek Brewer Essay Prize, which has this year been awarded to an original and intriguing investigation of how and why Wynkyn de Worde (or various of his staff working under his direction) modified his 1529 printing of Sir Thomas Malory's Le Morte Darthur. Thereafter, literary-critical explorations range across French, Welsh, and Middle English Arthurian literatures, including examinations of marriage in Chrétien's Chevalier au Lion, Peredur in the Welsh Grail texts, fairies and cosmic providence in Sir Gawain and the Green Knight, and the shifting degrees of agency possessed by Malory's Gwenyvere. The volume also features a lively reconsideration of the Arthurian tomb at Glastonbury from the point of view of material culture, and an examination of Arthur's hagiographical characterisation in Latin-Breton Saints Lives'. It closes with a survey of twentieth-century English-language retellings of Arthurian fiction that highlights female authors' many contributions to the genre.
Huon d’Auvergne
Regular price
$220.00
Save $-220.00
The first complete edition of a fourteenth-century Franco-Italian chanson de geste, presented with facing page English translation.
The late medieval poem Huon d'Auvergne ("Hugh of Alvernia") belongs linguistically and thematically to both Italian and French literary history. Structurally a chanson de geste, an Old French epic form, Huon was created in the northern Italian peninsula for an audience of its courts and princes.
It is the first poem to quote Dante's Divine Comedy. However, far from merely imitating the Inferno, Huon reworks a long and varied tradition of Otherworld journeys ranging in origin from antiquity to the fourteenth century, its protagonist's voyages echoing those of St Brendan, Virgil and Dante. Sent by King Charles Martel of France to demand tribute from Lucifer, Huon, en route to Hell, travels through multiple fantastic places, fighting serpents, rescuing a lion and being transported by griffons. He meets Prester John, converts multiple eastern cities to his Christian faith, and sees Alexander, Trojan warriors and Old Testament figures. Its lively narrative contains trial by combat, romance and attempted seduction, fights with monsters and human enemies, penance and redemption, sin and punishment.
This volume presents a complete edition of the earliest known version from 1341, with a full facing-page English translation - making this exciting text available to a wider audience. It also includes a substantial introduction, covering authorship claims, textual tradition, poetic form and reception. Detailed notes offer an explication of particular points of the text.
Women and Magic in Medieval Romance
Regular price
$120.00
Save $-120.00
Explores the conventions and contradictions inherent in archetypes of magical femininity - from loathly ladies to monstrous mothers - in a range of popular late medieval English romances.
The female characters in Middle English romances with particular power and agency are often portrayed as supernatural, possessing either magical abilities or identities. This book argues that a genre-focused reading of these supernatural women reveals romance's strategies for working through and articulating anxieties about the changing world of the late medieval period, as well as exposing their contemporary audiences' unexpectedly flexible attitudes toward feminine authority and moral ambiguity.
It explores five distinct types of magical femininity: the Tristan tradition's marvelously gifted healers; the Muslim princess in Bevis of Hampton; the endlessly wealthy fairy imagined by Sir Launfal and Partonope of Blois; the monster-mother Melusine; and Morgan le Fay, the prototypical witch. By tracking the way each type first establishes then complicates generic patterns, this study highlights the tension between romance's persistent fascination with feminine power, and its simultaneous reiteration of the social and generic bounds on women's agency and authority. Interrogating generic expectations from an intersectional feminist perspective, it makes a case for a recuperative re-reading of romance, one that asks us to revise our assumptions about the potentialities of women's power in the medieval imaginary.
Remains of the Past in Old English Literature
Regular price
$130.00
Save $-130.00
Argues for a new understanding of Old English responses to materiality and historical change.
Human communities have interacted with the material remains of earlier periods for millennia. Such "archaeological objects" - including bones, coins, weapons, building materials and architectural landmarks - were physically handled, reused, transformed and reinterpreted; they were also depicted in literature. This book examines how Old English texts imagine such human encounters with the remnants of the past. It explores Elene's perspective on the discovery of the True Cross as a narrative of political, spiritual and epistemic translatio and the multiple ways in which The Wanderer and The Ruin use images of ruins and the poetic formula "work of giants'" to construct an unknown and unrecoverable past; it also considers the engagements with 'untimely objects' in Beowulf and the Anonymous Old English Legend of the Seven Sleepers and how the Ruthwell Cross Poem and The Dream of the Rood play off "figural'" against 'literal' history.
As this study demonstrates, Old English texts combined and creatively adapted a broad variety of ways of conceptualizing not merely history, but indeed the very processes by which historical thought operates. Its careful readings show that these texts not only display a deep and conflicted understanding of the philosophical implications of viewing history and temporality through the prism of material objects, but also exhibit a powerful capacity for expressing such an understanding through aesthetic strategies.
New World Medievalisms
Regular price
$120.00
Save $-120.00
Examines how the European Middle Ages has been used and received in a variety of American cultural contexts.
There is a deep-seated preoccupation in North America with the cultures of the European Middle Ages, but despite the insightful conversations that have developed between medieval and postcolonial studies, this phenomenon remains underexplored. This book considers these New World medievalisms, from the links between New World colonization and Christian crusades to the medievalisms endemic to contemporary cultural productions, such as Game of Thrones, demonstrating how European figures and narratives have functioned to rationalize Euro-American colonial efforts.
Each of the chapters takes up a period of British colonial or U.S. cultural history, with an eye to how authors of that period depict, refer to and imagine the medieval. Topics range from the remarkable popularity throughout American literary history of Miguel Cervantes's Don Quixote to the role the Norman Conquest of Britain played in the British-American colonial cultural imaginary. It also showcases subversive counter-narratives from Edgar Allan Poe, Mark Twain, William Faulkner, and Ursula K. Le Guin; these authors challenge the use of anachronistic and geographically displaced medieval figures and narratives to define a modern nation-state such as the United States. Drawing on postcolonial theory, medievalism studies, medieval studies and American studies, this book shows how the "medieval/modern divide" continues to inform U.S. national identity and American historiography more generally.
The Middle Ages in Computer Games
Regular price
$170.00
Save $-170.00
Offers the most comprehensive analysis and discussion of medievalist computer games to date.
Games with a medieval setting are commercially lucrative and reach a truly massive audience. Moreover, they can engage their players in a manner that is not only different, but in certain aspects, more profound than traditional literary or cinematic forms of medievalism. However, although it is important to understand the versions of the Middle Ages presented by these games, how players engage with these medievalist worlds, and why particular representational trends emerge in this most modern medium, there has hitherto been little scholarship devoted to them.
This book explores the distinct nature of medievalism in digital games across a range of themes, from the portrayal of grotesque yet romantic conflict to conflicting depictions of the Church and religion. It likewise considers the distinctions between medievalist games and those of other periods, underlining their emphasis on fantasy, roleplay and hardcore elements, and their consequences for depictions of morality, race, gender and sexuality. Ultimately the book argues that while medievalist games are thoroughly influenced by medievalist and ludic tropes, they are nonetheless representative of a distinct new form of medievalism. It engages with the vast literature surrounding historical game studies, game design, and medievalism, and considers hundreds of games from across genres, from Assassin's Creed and Baldur's Gate to Crusader Kings and The Witcher series. In doing so, it provides a vital illustration of the state of the field and a cornerstone for future research and teaching.
The Paganesque and The Tale of Vǫlsi
Regular price
$65.00
Save $-65.00
Challenges the concept that the notorious horse penis is key to understanding the Tale of Vǫlsi, via the concept of the "paganesque".
A family of Norwegian pagans, stubbornly resisting the new Christian religion, worship a diabolically animated preserved horse penis, intoning verses as they pass it from hand to hand until King Olaf the Saint intervenes. This is the matter of the medieval Tale of Vǫlsi. Traditionally, it has been read as evidence of a pre-Christian fertility cult - or simply dismissed as an obscene trifle. This book takes a new approach by developing the concept of the "paganesque" - the air of a religious culture older than and inimical to Christianity. It shows how the Tale of Vǫlsi deploys a range of vernacular genres, from verbal dueling and mythological poetry to folk belief about milk-stealing witches and the reanimated dead, to create the flavor of paganism for a fourteenth-century Icelandic audience: an imagined paganism that has theological stakes as well as satirical bite. Throughout, the study challenges the notion that the horse penis is the key to understanding the narrative. Once the object is removed from the center of interpretation, the artistry and wit of the tale's "Paganesque" come fully into view.
Tennyson's Philological Medievalism
Regular price
$130.00
Save $-130.00
Considers Tennyson's poems, from the elegiac In Memoriam to the Arthurian Idylls of the King, in the context of Victorian interest in philology.
How do words come to mean what they mean, and how can we hope to use them precisely when they are constantly changing? The urge to find a word's meaning through its etymology is an old and enduring one, gaining new momentum in the nineteenth century as advocates of the so-called "new philology" argued that major revelations were to be found within the biographies of everyday expressions. Developing hand in hand with a growing national interest in all things "Anglo-Saxon", language study simultaneously seemed to offer a pathway to the roots of English culture and to illuminate human history on a grand scale.
Alfred Tennyson (1809-1892) came of age in the midst of this exploding popularity of both Anglo-Saxonism and philology, and he did so among men who were to be responsible for advancing both fields. This study places this preeminent Victorian poet in the context of the period's preoccupation with the history of language. It shows that the intellectual milieu that surrounded him encouraged him to revive archaic words and to reveal the literal metaphors lurking within his words. Moreover, his familiarity with past forms of English enabled him to arrange the connotations of his vocabulary for precise effect. Surveying his techniques at every scale, from individual vowels to narratives, this book argues that Tennyson held a more optimistic view of language than scholars have generally supposed, and shows the sophistication of his philological techniques.
Historians on Robin Hood
Regular price
$190.00
Save $-190.00
Offers a comprehensive thematic introduction to a wide range of medieval writings about the outlaw-hero from a series of different historical perspectives.
By the fifteenth century, churchmen were complaining that laypeople preferred to hear stories about Robin Hood rather than to listen to the word of God. But what was the attraction of this outlaw for contemporary audiences?
The essays collected here seek to examine the outlaw's legend in relation to late medieval society, politics and piety. They set out the different types of evidence which give us access to representations of Robin and his men in the pre-Reformation period, ask whether stories about the outlaw had any basis in reality and explore the many different purposes for which his legend was adapted.
The volume is divided into six parts: the sources for the medieval legend of Robin Hood and its origins; social structure; social conflict; kingship, law and warfare; piety and the church; and the outlaw's legend in Wales and Scotland. Key issues addressed by its essays include the dating of the surviving tales, attitudes to social hierarchy, representations of gender and masculinity, the extent to which the tales drew upon or shaped contemporary attitudes towards law and justice, the development of Robin Hood plays and games, and whether the legend emerged from or appealed to particular social groups. It not only sheds new light on a character who, whether "real" or not, is one of the most important and memorable figures in the history of medieval England but also explores the extent to which the outlaw became popular in Scotland and Wales.
Literature and Institutions of Welfare
Regular price
$39.95
Save $-39.95
Perspectives on the ways in which welfarist ideology has underpinned the teaching, reading and production of literature from the 1930s to the present.
The welfare state in Britain established a new level of access to literature as a public good alongside other national resources that were grounded in a principle of democratic egalitarianism: the National Health Service, secondary education, promises of full employment and new housing structures. This volume charts the impact of the founding of the welfare state on the teaching, reading and production of literature, and the legacy of this social democratic vision of literature, from the 1930s to the present day; it is especially concerned with the representational possibilities, the social arrangements and political claims that welfare makes possible. Individual contributions consider the ways in which the history of literature is related to the history of welfare; and how it shaped the literary culture that emerged during these years; and how literature has communicated the value and character of the welfare state, moving, like the literature they examine, between a disenchantment with the institutions of welfare and an urgent need to articulate welfare's vision of social repair. Amongst the particular authors discussed are Raymond Williams, T.S. Eliot and Caryl Phillips, as well as an evaluation of the publisher Virago's contribution to the women's movement.
Textual Traditions and Medieval Literary Culture
Regular price
$95.00
Save $-95.00
Essays illuminating how medieval cultures and identities have influenced later authors, texts, and communities.
How did medieval literary cultures shape, and how were they shaped by, their received textual traditions? And how have cultures continued to respond to the inherited medieval tradition in later eras? This volume explores these important questions, considering how language and literature mediate the narration of history or culture - especially the culture and identity of Britain.
In addressing the overarching concern of the conception of the past in the literatures of medieval Britain, and the later reception of medieval texts, the contributors' essays respond to the diverse areas of medieval studies upon which Professor Echard's work has had significant influence. They address, amongst other subjects, Arthuriana and "Matter of Britain" texts, the literary interrelationships between medieval Wales and England, medieval adaptations and interpretations of texts from classical antiquity, the poet John Gower, and medievalism in later centuries. As Professor Echard has consistently demonstrated in these fields, and as these essays overwhelmingly confirm, the past is rarely, if ever, represented at face value in the cultural products that lay claim to it.
Verginia, Lucretia, and the Medieval Livy
Regular price
$95.00
Save $-95.00
The tragic stories of Lucretia and Verginia, taken from the fourteenth-century French version of Livy's History of Rome, presented with facing page English translation.
Livy was famous in the Middle Ages for what Dante called his "unerring" history of Rome. Within that history, two episodes were especially well-known, both promoting female virtue while also suggesting how sexual violence could trigger political change. Lucretia commits suicide after her rape, precipitating the fall of the monarchy. Verginia is murdered by her father, who prefers to see her die than be seized by the corrupt judge Appius; her death then inspires an uprising that overthrows the decemvirs, republican officials who abused the very laws they had codified. While these stories circulated widely in the medieval period, access to the Latin Livy was impeded by a scarcity of manuscripts. There is nonetheless evidence that some poets, notably Chaucer and Gower, knew Livy through the Tite-Live, a French translation by Pierre Bersuire that was completed around 1358, and borrowed from it for their own works.
There are many manuscripts of the Tite-Live, though little of it is available to modern readers. This book helps fill that gap by supplying critical editions and English translations of Bersuire's Verginia and Lucretia episodes, along with those in the Roman de la Rose by Jean de Meun, one of the earliest vernacular writers to show interest in Livy. Each text features a substantial critical apparatus, which glosses difficult terms and concepts and elucidates historical events and social contexts, while an introduction provides other contextual information.
The Armenian Imaginary in the West, 1100-1900
Regular price
$95.00
Save $-95.00
Examines how Armenia has been represented and "imagined" in texts from two periods in its history: the Middle Ages and the nineteenth century.
Today most people who think of Armenia associate it with the genocide of 1915, the struggle Armenians waged after the First World War to reclaim their ancient lands in Anatolia, a struggle complicated by centuries of subordination to the Ottomans, by persistent Russian efforts to exert influence and claim territory, and by Western indecision manifested in plentiful words but few deeds. This book, however, tells a different story: one of geo-political importance, strength, struggle, and diminishment, narrated in texts largely created by and for Europeans and Americans. It asks how the West imagined, described, and presented Armenia over time in historical and fictional accounts during two periods of close Armenian-Western contact. The first period spans the twelfth to fourteenth centuries; it examines a variety of texts, including the travel narratives of Marco Polo and John Mandeville, William of Tyre's Deeds Done Beyond the Sea, and romances such as King of Tars, Bevis of Hampton and Le Roman de Mélusine. The second period is rooted in events during the nineteenth-century American missionary movement. It engages with a variety of popular and widely disseminated texts - books, pamphlets, newspapers - written and published in the United States from 1830 to the mid-1890s, detailing the encounters between the missionaries and the Armenians, frequently in the voices of women.
Medievalism and Reception
Regular price
$120.00
Save $-120.00
The relationship between medievalism and reception explored via a rich variety of case studies.
At the intersection of the twin fields of medievalism and reception studies is the timely and fascinating question of how a contested past is deployed in the context of a conflicted and contradictory present. Despite their shared roots and a fundamental orientation towards the entanglement of past and present, the term "reception" is rarely taken up in medievalist scholarship, and they have developed along parallel but divergent lines, evolving their own emphases, problematics, sensibilities, vocabularies, and critical tools.
This book is the first to reunite these two fields. Its introduction and first chapter clearly set out their tangled intellectual and disciplinary histories. The ten essays that follow reflect upon the relationship between medievalism and reception in theory and in practice, through thematically, temporally, and geographically expansive case studies, engaging with theories of translation, postcolonialism, fan studies, persona studies, and Indigenous studies. Individual topics examined include the cultural impact of Robin Hood; the Tulsa race massacre; the crusades in the nineteenth century; later representations of Chaucer's works; Victorian representations of Anne Boleyn; and media such as Star Wars and Game of Thrones. As a whole, this collection models and demonstrates the value of a new and self-aware approach to medievalism, enriched by a conscious and critical redeployment of reception theories and methodologies.
Troubadour Texts and Contexts
Regular price
$130.00
Save $-130.00
New interpretations of different aspects of troubadour texts and lyrics, from their main themes and motifs to their reception and influence.
Nearly a millennium after their songs of love, politics, war, satire, and redemption began to fill the courts of Europe, the troubadours continue to fascinate modern audiences. However, many aspects of their work, such as the supposedly adulterous nature of fin'amor, the "Frenchness" of the troubadours, the biographical veracity of the vidas, and the inherent misogyny of the troubadour lyric, have long been taken for granted. This volume takes a fresh look at these ideas, questioning many of the formative assumptions of troubadour scholarship, and proposing alternative readings of many canonical texts.
Essays offer a reconsideration of the reception of works by such important figures as Guilhem IX, Jaufre Rudel, Peire Vidal, Pistoleta, Guilhem Adhemar, Giraut de Borneil, Perdigon, Fulk of Marseilles, and Arnaut Daniel. There are also examinations of the lexicon and cultural uses of chess, azure and tin, and the changing landscape of the Rhone delta, providing a deeper understanding of the imagery they furnished. Other essays consider the later life of the manuscripts, including the surprising story of how Napoleon demanded certain Occitan manuscripts after his conquest of Italy. The collection as a whole is thus a fitting tribute to the pioneering work of Wendy Pfeffer, who has made such a contribution to the field of troubadour studies.
Old English Studies and its Scandinavian Practitioners
Regular price
$29.99
Save $-29.99
An account of the Scandinavian contributions to the field of Old English studies from the eighteenth century onwards.
The discipline of Old English Studies began in Scandinavia, not England, pioneered by the work of the great Danish scholar, N.F.S. Grundtvig (1783-1872) and continues to flourish in the languages of the region (including Finland). This book offers a history of Scandinavian scholarship, in Neo-Latin, Danish, Swedish, Norwegian, Icelandic, as well as Finnish and Sámi, from 1733 to the present day. It surveys the major events and texts in the discipline, and evaluates translations of Beowulf and other Old English prose and verse texts. It argues that nationalism, aesthetics, and spirituality are the chief motivators for Old English studies in the Nordic countries; although Romantic nationalism was a first mover for Old English studies, the qualities Scandinavians now seek in Old English literature-that we all seek-are transnational, existential, spiritual, and human. The study concludes with complete bibliographies of contributions in the Scandinavian languages to Old English studies and of translations of Old English literature into the Scandinavian languages.
This book is available as Open Access under the Creative Commons license CC BY-NC-ND.
Literature and Medievalism in Early Modern England
Regular price
$95.00
Save $-95.00
Directs scholarly focus towards a deeper appreciation of medievalist trends in the Elizabethan literary landscape and challenges traditional narratives of 'modernity'.
Themes and motifs from the Middle Ages are found across the drama, poetry, prose fiction, polemic, and satire of the later Elizabethan and early Jacobean period, but their impact and influence on this literary landscape have rarely been considered. This study offers a nuanced examination of this intricate interplay between pre-Reformation culture and its post-Reformation reception in England.
Each chapter explores a particular genre or aspect of medievalism at play in this writing: civic medievalism; literary adaptation and satire in ecclesiastical polemic; multiple uses of temporality in post-Marprelatian prose fiction; the poetics of memorialisation and voice in medievalist complaint poetry; and the construction of Reformation history and confessional difference on the stage in the early Jacobean period. Moving beyond canonical writers such as Shakespeare and Spenser, the book deals in detail with the drama of Thomas Heywood and Thomas Dekker (alongside unattributed plays); the prose fiction of Robert Greene, Thomas Deloney, Henry Chettle and anonymous others; the historical verse of Samuel Daniel and Michael Drayton, and the polemical writing of Samuel Harsnett, Job Throckmorton and Matthew Sutcliffe. Through a meticulous analysis of these writers and their works, it shows how medieval texts were creatively deployed and adapted in new literary forms, fashioning the emergence of early forms of medievalism, and challenging conventional notions of temporal and cultural divides.
Old English Studies and its Scandinavian Practitioners
Regular price
$170.00
Save $-170.00
An account of the Scandinavian contributions to the field of Old English studies from the eighteenth century onwards.
The discipline of Old English Studies began in Scandinavia, not England, pioneered by the work of the great Danish scholar, N.F.S. Grundtvig (1783-1872) and continues to flourish in the languages of the region (including Finland). This book offers a history of Scandinavian scholarship, in Neo-Latin, Danish, Swedish, Norwegian, Icelandic, as well as Finnish and Sámi, from 1733 to the present day. It surveys the major events and texts in the discipline, and evaluates translations of Beowulf and other Old English prose and verse texts. It argues that nationalism, aesthetics, and spirituality are the chief motivators for Old English studies in the Nordic countries; although Romantic nationalism was a first mover for Old English studies, the qualities Scandinavians now seek in Old English literature-that we all seek-are transnational, existential, spiritual, and human. The study concludes with complete bibliographies of contributions in the Scandinavian languages to Old English studies and of translations of Old English literature into the Scandinavian languages.
This book is available as Open Access under the Creative Commons license CC BY-NC-ND.
The Life, Poems, and Letters of Peter Goldman (1587/8-1627)
Regular price
$130.00
Save $-130.00
Reconstructs the life of Peter Goldman and presents a full edition and translation of his surviving poems and letters.
The Dundonian physician Peter Goldman, one of an immigrant family of merchants, was the first Scot to take a medical degree from Leiden; he then undertook research in Oxford, London, and Paris, before resettling in Dundee. An important figure in contemporary Scottish literary culture, he maintained a wide correspondence with significant intellectual figures and influenced two landmark Scottish publishing projects: the Delitiae poetarum Scotorum (1637) and the Blaeu Atlas of Scotland (1654). However, his major literary achievement was his Latin poetry, which establishes him as a unique voice of his time. His longest and most prominent work is an elegy on the deaths of four of his brothers, strikingly narrated in the voice of their lamenting mother.
This book reconstructs and provides a study of Goldman's life, career and writing. It also offers a full edition and translation of his surviving poems and letters, with accompanying commentary. Appendices provide an edited list of his remarkable library and a transcript of his testament.
The Index of Middle English Prose: Handlist XXV
Regular price
$170.00
Save $-170.00
Handlist to manuscripts in Trinity College Dublin, covering all 79 Middle English prose manuscripts and indexing more than 539 separate items
The manuscripts in Trinity College Dublin are predominantly from the library of Archbishop James Ussher (1581-1656). A well-known bibliophile of the sixteenth century, he was also primate of All Ireland and fellow and professor of Trinity College. Following some movement of the collection, it was eventually returned to Trinity College after the Restoration, at the behest of Charles II.
It is a significant collection, both in national and international terms, with over 600 manuscripts, 79 of which contain Middle English prose. Among the manuscripts in the collection are several Wycliffite Bibles, and collections of sermons and tracts, some of them unique copies. The collection also contains writings by Richard Rolle, Walter Hilton and William Flete, and copies of Thomas à Kempis's Imitation of Christ, as well as the Pore Caitif and The Cloud of Unknowing, both of which are anonymous. There are several copies of the Brut chronicle, two of which (MSS 489 and 505) are illuminated, translations of Giraldus Cambrensis's Expugnacio Hibernica, and a copy of Robert Bale's Chronicle of London, 1189-1461. Also of note are the various collections of recipes - medical, culinary and alchemical. Dictionary-style items demonstrate the trilingual nature of the Medieval period, with single words being offered in English alongside Anglo-Norman and/or Latin words, or as marginal glosses. Fifteenth-century instructions for the coronation of a King or Queen, hidden among some later material, as well as other unidentified heraldic pieces, suggest that some of the manuscripts may be associated with the office of the Ulster King of Arms.
The current handlist covers 79 manuscripts, and indexes more than 539 separate items, offering a significant contribution to the understanding of the cultural world of the Medieval period.
Medieval Manuscripts and their Provenance
Regular price
$95.00
Save $-95.00
Essays about the creation, circulation, and collection of medieval manuscripts.
The essays collected here celebrate the work of Barbara Shailor, the distinguished scholar of medieval manuscripts. They explore various aspects of their provenance. The subjects addressed range from studies of the history of individual manuscripts, to the evidence afforded by the understanding of their textual traditions, to the significance of the identification of fragments, to the roles of individual scholars and collectors. As a whole the volume contributes to a wider understanding of how the history and ownership of medieval manuscripts can be fruitfully examined, a flourishing area of interest in the field.
Medievalisms in a Global Age
Regular price
$130.00
Save $-130.00
Discusses contemporary medievalism in studies ranging from Brazil to West Africa, from Manila to New York.
Across the world, revivals of medieval practices, images, and tales flourish as never before. The essays collected here, informed by approaches from Global Studies and the critical discourse on the concept of a "Global Middle Ages", explore the many facets of contemporary medievalism: post-colonial responses to the enforced dissemination of Western medievalisms, attempts to retrieve pre-modern cultural traditions that were interrupted by colonialism, the tentative forging of a global "medieval" imaginary from the world's repository of magical tales and figures, and the deployment across borders of medieval imagery for political purposes. The volume is divided into two sections, dealing with "Local Spaces" and "Global Geographies". The contributions in the first consider a variety of medievalisms tied to particular places across a broad geography, but as part of a larger transnational medievalist dynamic. Those in the second focus on explicitly globalist medievalist phenomena whether concerning the projection of a particular medievalist trope across borders or the integration of "medieval" pasts from different parts of the globe in a contemporary incarnation of medievalism. A wide range of topics are addressed, from Japanese manga and Arthurian tales to The O-Trilogy of Maurice Gee, Camus, and Dungeons and Dragons.
Medieval English Theatre 45
Regular price
$49.95
Save $-49.95
Newest research into drama and performance from the Middle Ages and the Tudor period.
Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.
This volume offers new perspectives in three important areas. It opens with an investigation of the tantalising image of the Black Tudor trumpeter, John Blanke, in the Westminster Tournament Roll. Complementing the assessment of the documentary evidence for his employment in our last volume, it uncovers the surprising complexity of how Islamic dress was represented at the court of Henry VIII. Two essays engage with the challenging Croxton Play of the Sacrament, discussing very different issues of bodily integrity. The first revealingly brings together medieval and posthumanist theory, proposing how in performance the play can move to obliterate the distinction between Jewish and Christian bodies. The second considers the play in the light of modern disability theory, before examining the often contrasting evidence of lives lived, and performances informed, by actual disabled performers.
The final contributions focus on twentieth- and twenty-first-century performances of medieval material, and how it can be adapted for later times and sensibilities. Investigation of an almost unknown 1924 London performance of a fifteenth-century French nativity play reveals much about early twentieth-century views of medieval drama. Meanwhile, the 2023 coronation of King Charles III prompts an analysis of a spectacular ceremony balanced between asserting its medieval origins and demonstrating its modern relevance. Finally, a review of a story-telling performance assesses how the problematic material of The Seven Sages of Rome might be addressed to modern audiences and preoccupations.
Story, World and Character in the Late Íslendingasögur
Regular price
$95.00
Save $-95.00
Argues for new models of reading the complexity and subversiveness of fourteen "post-classical" sagas.
The late Sagas of Icelanders, thought to be written in the fourteenth and fifteenth centuries, have hitherto received little scholarly attention. Previous generations of critics have unfavourably compared them to "classical" Íslendingasögur and fornaldarsögur, leading modern audiences to project their expectations onto narratives that do not adhere to simple taxonomies and preconceived notions of genre. As "rogues" within the canon, they challenge the established notions of what makes an Íslendingasaga.
Based on a critical appraisal of conceptualisations of canon and genre in saga literature, this book offers a new reading of the relationship between the individual, paranormal, and social dimensions that form the foundation of these sagas. It draws on a multidisciplinary approach, informed by perspectives as diverse as "possible worlds" theory, gender studies, and social history. The "post-classical" sagas are not only read anew and integrated into both their generic and socio-historical context; they are met on their own terms, allowing their fascinating narratives to speak for themselves.
Medieval Welsh Literature and its European Contexts
Regular price
$120.00
Save $-120.00
Situates Celtic languages and literatures in relation to European movements, in the tradition of Helen Fulton's groundbreaking research.
Professor Helen Fulton's influential scholarship has pioneered our understanding of the links between Welsh and European medieval literature. The essays collected here pay tribute to and reflect that scholarship, by positioning Celtic languages and literatures in relation to broader European movements and conventions. They include studies of texts from medieval Wales, Ireland, and the Welsh March, alongside discussions of continental multicultural literary engagements, understood as a closely related and analogous field of enquiry. Contributors present new investigations of Welsh poetry, from the pre-Conquest poetry of the princes to late-medieval and early Tudor urban subject matters; Welsh Arthuriana and Irish epic; the literature of the Welsh March - including the writings of the Gawain-poet; and the multilingual contexts of medieval and post-medieval Europe, from the Dutch speakers of polyglot medieval Calais to the Romantic poet Shelley's probable ownership of a Welsh Bible.
Arthurian Literature XXXIX
Regular price
$120.00
Save $-120.00
"Delivers fascinating material across genres, periods, and theoretical issues." TIMES LITERARY SUPPLEMENT
This volume is a special issue dedicated to Professor Elizabeth Archibald, who has had such an impact on, and made so many significant contributions to, the field of Arthurian Studies. It maintains its tradition of diverse approaches to the Arthurian tradition - albeit on this occasion with a particular focus on Malory, appropriately reflecting one of Professor Archibald's main interests.
It starts with the essay awarded this year's D.S. Brewer Prize for a contribution by an early career scholar, which considers the little-known debt owed by early modern sailors to Arthurian knighthood and pageantry. The essays that follow begin with a wide-ranging account of manuscript decorations and annotations in Geoffrey of Monmouth's Historia, before turning to the Evil Custom trope in Sir Gawain and the Green Knight. Further contributions explore the formalities of requests and conditions in Malory's '"Tale of Gareth", emotional excess and magical transformation in several scenes across the Morte Darthur, tensions between public and private and self and identity in Malory's "Sankgreal", and friction between the (external and imposed) law and (internal and subjective but honourable) code of chivalry, especially apparent in Malory's final Tales. The last article examines the ways in which Mordred's origins in modern Arthurian fiction build on Malory's false, or forgotten, promise to relate Mordred's upbringing. The volume closes with a short tribute to Elizabeth Archibald, highlighting her leadership in the field and her encouragement of scholarly collaboration and community.
Der Niederrheinische Orientbericht, c.1350
Regular price
$75.00
Save $-75.00
Translation and detailed commentary of a fourteenth-century Low-German work about the Near and Middle East.
That extensive travel took place during the Middle Ages has long been established, via such accounts as, for example, Marco Polo's Devisement du Monde; but there remains a relative paucity of documents or narratives confirming and dealing with this phenomenon. Der Niederrheinische Orientbericht ("An Account of the Middle East"), composed around 1350/55 by an anonymous author in Low German, is powerful evidence of international relations between east and west during this period; it provides extensive information, dealing with such matters as the local culture, fauna and flora, and offers spectacular insights into the co-existence of many different religions and peoples. It is therefore an important source for our knowledge; but it has hitherto been neglected by scholars, not least because of the difficulty of its language.
This volume offers the first translation into English, thereby making the work available to a wider audience; it is accompanied by a detailed commentary on its historical, religious, military, architectural and political elements, elucidating the narrative fully. The volume also contains a contextual introduction, considering what can be known of the author, and the manuscript tradition.
Emotional Practice in Old English Literature
Regular price
$130.00
Save $-130.00
An examination of how emotions were practised and performed through Old English texts.
Scholarship is increasingly interested in investigating concepts of emotion found in Old English literature. This study takes the next step, arguing that both heroic and religious texts were vehicles for emotional practice - that is, for doing things with emotion.
Using case studies from heroic poetry (Beowulf, The Battle of Brunanburh and The Battle of Maldon), religious poetry (Christ I and Christ III) and homilies (selections from the Vercelli Book, Blickling Homilies and the works of Wulfstan), it shows via detailed close readings that texts could be used to act out emotional styles, manage the emotions arising from specific events, and negotiate relationships both within social groups and with God. Meanwhile, a chapter on the Old English Boethius explores how the control of unruly emotions is theorized as the transfer of attachment from the things of this world to the things of the divine.
Overall, the volume offers new angles on the social functions of genres and questions of reception and performance; and it gives insight into how early medieval people used emotions to relate to their world, temporal and eternal.
Winner and Waster and its Contexts
Regular price
$29.99
Save $-29.99
Full-length analysis of one of the most politically and socially engaged medieval poems
The late fourteenth-century English poem Winner and Waster narrates a debate between the forces of avarice (Winner) and generosity (Waster); it ranges widely over a number of major issues in the political life of England during Edward III's reign.
This book sets out to re-date the poem from the 1350s to the 1360s, and in so doing to question whether its principal message really revolves (as so much earlier scholarship has insisted) around the state of public order and the costs of warfare in the 1350s. Instead, it proposes that the poem echoes debates about Edward III's ability to maintain concord between the members of his household, to manage the extravagance in clothing that prompted the sumptuary laws of 1363, and to run his peace-time finances of the 1360s in such a way as to guarantee the solvency of the crown.
Drawing extensively on the records of parliament and on contemporary chronicles, this volume sets Winner and Waster within the wider context of other complaint literature of the fourteenth century, and characterizes it as one of the most politically - and socially - engaged works of the period.
The Correspondence of Dante Gabriel Rossetti: set [10 volume set]
Regular price
$1,575.00
Save $-1,575.00
No description available.
The Czech Legend of St Catherine of Alexandria
Regular price
$95.00
Save $-95.00
The first complete translation of a fascinating piece of Czech literature.
The virgin martyr St Catherine was one of the pre-eminent and most popular saints in the Middle Ages, her legend spreading far and wide throughout Europe. A Bohemian version of her Vita was written in the second half of the fourteenth century, probably for the court of Emperor Charles IV in Prague; it is a fascinating account of her life and passion, with many unique features. However, partly because of the language barrier, it has received relatively little attention.
This book provides the first complete translation of this important text. It is accompanied by a full, interdisciplinary introduction, which places the legend in its cultural and historical context, and emphasizes both the importance of the Dominican friars as court writers and the prominence of royal and noble women as patrons and consumers of their work. It also highlights the numerous representations of Catherine in contemporary art. Meanwhile, elucidatory notes to the translation illuminate its most important features.
Italian Literature IV: Il Tristano Riccardiano, MS 1729 (Parodi’s siglum ‘F’)
Regular price
$120.00
Save $-120.00
A critical edition with facing-page English translation of the fourteenth-century Il Tristano Riccardiano, MS 1729.
The French prose Roman de Tristan circulated widely in medieval Italy as attested by numerous translations and adaptations in different dialects. Two of these, preserved in Florence's Biblioteca Riccardiana, reveal important links amongst the extant Italian Tristans. The longer version, Tristano Riccardiano, MS 2543, has been edited, re-edited and translated into English. However, its shorter sister, found in the fourteenth-century MS Ricc. 1729, has suffered almost complete critical neglect, perhaps due to its amateur production traits, complex amalgam of regional dialects and idiosyncratic script.
While its contents (Tristan's birth, early adventures, love affair with Yseut) largely correspond to MS 2543, there are noteworthy variants. For example, the famous three-day tournament, conserved in the Tristano Panciatichiano and constituting the bulk of the Tristano Corsiniano, does not appear. MS 1729 also preserves the final episodes (Tristan's fatal wounding, the lovers' deaths, lamentation at Camelot), which are not found in MS 2543.
This volume offers the first critical edition of this Italian exemplar, permitting further linguistic analysis; it is accompanied by a facing-page English translation, which will open the text to a wider audience. The full introduction considers the manuscript itself, looking at such matters as its dating, illustrations, watermarks and contents, and comparing it with other redactions, whilst notes, a bibliography and index of proper names complete the apparatus.
Studies in Medievalism XXXIII
Regular price
$130.00
Save $-130.00
Essays on the post-modern reception and interpretation of the Middle Ages.
Though Studies in Medievalism has hosted many essays on gender, this is the first volume devoted specifically to that theme.
The first part features four short essays that directly address manifestations of sexism in postmedieval responses to the Middle Ages: gender substitutions in a Grail Quest episode of the 2023 television series Mrs. Davis, repurposed misogyny in the last two episodes of Game of Thrones (2011-19), traditional gender stereotypes in Capital One's credit card commercials from 2000 to 2013, and "shaggy" medievalism in Robert Eggers' 2022 film The Northman.
The second part contains ten longer essays, which collectively continue to demonstrate the ubiquity of gender issues and the extraordinary flexibility of approaches to them. The authors discuss the misogynistic sexualization of Grendel's mother in Parke Godwin's 1995 fantasy novel The Tower of Beowulf, in Graham Baker's 1999 film Beowulf, in three episodes from the television series Xena: Warrior Princess, and in Robert Zemeckis's 2007 film Beowulf; gender substitution in David Lowery's 2021 film The Green Knight and in Kinoku Nasu's and Takashi Takeuchi's anime series Fate (2004-); female authorship of three early-nineteenth-century plays about court ladies' medieval empowerment; extraordinary violence in medievalist video games; nationalism in fake nineteenth-century medievalist documents and in contemporary online fora; racial discrimination in video gaming and in Jim Crow literature; and the condemnation of racism in Maria Dahvana Headley's 2018 novel The Mere Wife.
Picturing Divinity in John Donne's Writings
Regular price
$39.95
Save $-39.95
A new approach to the visual arts in the work of John Donne
The five known portraits of John Donne and the many artworks bequeathed in his will bear witness to his interest in painting. His interest in art is also evident in his writings, with poems and sermons including many references to pictures and engravings, painters and sculptors. However, Donne never used his familiarity with painterly techniques to produce a simple ekphrasis or description in his writings. This book offers a new approach to Donne's rich and nuanced presentation of the visual arts in his writing, arguing that even his explicit allusions to pictures are less concrete than they may first appear.
Although Donne was familiar with contemporary treatises on art, many of his most compelling references to paintings and painterly techniques come from his reading of theology, including works by Nicholas of Cusa and Martin Luther.These previously unidentified sources for Donne's painterly imagery help us to understand how the plastic arts become his tool to reveal the limits of representation, and thus to point beyond the material realm towards the unrepresentable and unknowable divine.
This study provides new insights on some of his best-known poems, both secular and religious, and extends our appreciation of John Donne as an artist constantly exploring the limits of his own practice as a poet - and preacher - as he confronts the relationship between the human and the divine.
On publication this book is available as an Open Access eBook under the Creative Commons license: CC BY-NC.
Female Devotion and Textile Imagery in Medieval English Literature
Regular price
$130.00
Save $-130.00
Uncovers the female voices, lived experiences, and spiritual insights encoded by the imagery of textiles in the Middle Ages.
For millennia, women have spoken and read through cloth. The literature and art of the Middle Ages are replete with images of women working cloth, wielding spindles, distaffs, and needles, or sitting at their looms. Yet they have been little explored.
Drawing upon the burgeoning field of medieval textile studies, as well as contemporary theories of gender, materiality, and eco-criticism, this study illustrates how textiles provide a hermeneutical alternative to the patriarchally-dominated written word. It puts forward the argument that women's devotion during this period was a "fabricated" phenomenon, a mode of spirituality and religious exegesis expressed, devised, and practised through cloth. Centred on four icons of female devotion (Eve, Mary, St Veronica, and - of course - Christ), the book explores a broad range of narratives from across the rich tapestry of medieval English literature, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.
The Collected Works of Thomas Kyd
Regular price
$240.00
Save $-240.00
First, complete, integrated corpus of this major Elizabethan writer and first critical edition of his collected works in over one hundred years, with major new discoveries of authorship and attribution.
Thomas Kyd (1558-94) is best known as author of The Spanish Tragedy, the first revenge play, hugely influential on Shakespeare and other dramatists. He also wrote another love tragedy, Soliman and Perseda, and Cornelia, a classical tragedy translated from the French. This is a small canon for a dramatist described as "industrious". Kyd worked between 1585 and 1594, when the instability in the London theatre caused by the plague led to companies breaking up and plays being published anonymously. For over a century scholars have been searching for Kyd plays, the most frequently attributed being Arden of Faversham.
Uniting accepted methods with modern electronic data processing, Brian Vickers has endorsed Kyd's authorship of Arden and added two other plays: King Leir, Shakespeare's main source, and Fair Em, a comedy - justifying Jonson's reference to "sporting Kyd". His research has also identified Kyd as co-author with Nashe of 'harey the vi', which became 1 Henry VI after Shakespeare adapted it to his "Wars of the Roses" sequence. The evidence suggests that Kyd and Shakespeare co-authored Edward III.
The Collected Works of Thomas Kyd brings together for the first time his dramas, poetry, translations, and letters in accurate modernized editions, each text edited by one of a team of internationally renowned scholars, accompanied by commentaries, collation notes, and introductions. Kyd emerges as a pioneering playwright of much greater generic range than has been hitherto recognized. His newly defined canon will stimulate a fresh evaluation of English drama in this crucial period.
Form and Power in Medieval and Early Modern Literature
Regular price
$170.00
Save $-170.00
New and exciting scholarship on medieval and early modern English culture in all its diversity.
This book honours James Simpson, an enormously influential figure in English literary studies. Known for championing once-neglected writers such as Gower, Hoccleve, and Lydgate, Simpson has also pioneered the field of Trans-Reformation studies, dismantling the barrier between the medieval and early modern periods. He has written powerfully about the history of freedoms, the relationship between literary and intellectual history, and about the category of the literary itself in all its urgency.
Inspired by Simpson's interventions, the essays collected here deal with texts and topics from the eighth to the seventeenth centuries. Langland's Piers Plowman and Chaucer's Physician's Tale and Troilus and Criseyde rub shoulders with Old English riddles, Saint Erkenwald, The Digby Lyrics, Lydgate's Dietary, and Lodge's Robert the Devil. Revisionist studies of two much-debated genres - allegory and romance - join forces with chapters on neglected physical features of early books, line-fillers and catchwords, as well as studies of iconoclasm and the histories of enemy love. The volume begins with a piece by the honorand himself, on recognition in literary texts.
Trees as Symbol and Metaphor in the Middle Ages
Regular price
$130.00
Save $-130.00
WINNER: AFCEMS Prize 2024
Highlights human encounters with the forest and its trees at the time of the European Middle Ages, when their lofty boughs were weighted with meaning.
Forests, with their interlacing networks of trees and secret patterns of communication, are powerful entities for thinking-with. A majestic terrestrial community of arboreal others, their presence echoes, entangles, and resonates deeply with the human world. The essays collected here aim to highlight human encounters with the forest and its trees at the time of the European Middle Ages, when, whether symbol and metaphor, or actual and real, their lofty boughs were weighted with meaning.
The chapters interrogate the pre-Anthropocene environment, reflecting on trees as metaphors for kinship and knowledge as they appear in literary, historical, art-historical, and philosophical sources. They examine images of trees and trees in-themselves across a range of environmental, material, and intellectual contexts, and consider how humans used arboreal and rhizomatic forms to negotiate bodies of knowledge and processes of transition. Looking beyond medieval Europe, they include discussion of parallel developments in the Islamic world and that of the Māori, the indigenous people of New Zealand.
The Old Testament in Medieval Icelandic Texts
Regular price
$130.00
Save $-130.00
Demonstrates the essential nature of biblical translation and adaptation to Old-Norse-Icelandic literature.
The historical narratives of the Old Testament/Hebrew Bible have much in common with Icelandic saga literature: both are invested in origins and genealogy, place-names, family history, sibling rivalry, conflict and its resolution. Yet the comparison between these two literatures is rarely made, and biblical translations in Old Norse-Icelandic have been neglected as a focus of literary study. This book aims to redress this neglect. It shows how the likeness between biblical narrative and saga narrative has shaped the reception of the Old Testament in medieval Iceland, even through multiple layers of translation and exegesis.
It draws on a wide variety of texts, including homilies, saints' lives, world histories, encyclopaedic works, and the biblical translations collectively known as Stjórn, to explore how medieval Icelanders engaged with Old Testament narrative in the light of their own vernacular tradition of storytelling. And above all, it argues that the medieval Icelanders understood and recognised in these well-known biblical stories a narrative art that was strikingly akin to their own.
New Medieval Literatures 24
Regular price
$95.00
Save $-95.00
This volume continues the series' engagement with intellectual and cultural pluralism in the Middle Ages, showcasing the best new work in this field.
New Medieval Literatures is an annual of work on medieval textual cultures Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined.
Texts analysed here range in date from the late ninth or early tenth centuries to the fifteenth century, and in provenance from the eastern part of the Hungarian kingdom to the British Isles. European understandings of the world are explored in several essays, including historiographical perspectives on the Mongol Empire and "world-building" in the romances of the Round Table. In their consideration of translation - of English diplomatic texts into French, of the Latin Boethius into Old English, of Old Turkic and Mongolian into Latin - several contributors reveal complex medieval multilingual societies, while translatio is shown to be weaponised in international scholarly rivalries. Bibliophilia, book collection, and book production inform identity-formation, shaping both nationalisms and the many-layered identities of fifteenth-century merchants. Several essays engage revealingly with economic humanities. Account books provide traces of book production capacity in the unlikely location of Calais; credit finance provides metaphors for human relations with the divine in the Book of mystic Margery Kempe; and women broker credit in real-world scenarios too. Other essays engage with sensory studies: sight and optics are shown to inform ethnography, while smell and taste - often considered beyond the reach of language - emerge as surprisingly central in some religious and philosophical writings.
Ideas of Authorship in the English and Scottish Dream Vision
Regular price
$95.00
Save $-95.00
An investigation of English and Scottish dream visions written on the cusp of the "Renaissance", teasing out distinctive ideas of authorship which informed their design.
The fifteenth and sixteenth centuries have long been acknowledged as a period of profound change in ideas of authorship, in which a transition from a "medieval" to a "modern" paradigm took place. In England and Scotland, changing approaches to Chaucer have rightly been considered as a catalyst for the elevation of English as a literary language and the birth of an English literary history. There is a tendency, however, when moving from Chaucer's self-professed poetic followers of this time to the philological approach associated with William Caxton and the 1532 Works, to pass over the literary careers of the English and Scots poets belonging to the intervening half-century: John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas.
This volume redresses that neglect. Its close and comparative readings of these poets' stimulating but critically neglected dream visions and related first-person narratives reveal a spectrum of ideas of authorship: four distinct engagements with tradition and opportunity, united by their utilisation of a particular form. It regards authorship as a topic of invention, a discourse for appropriation, which is available to but not inevitable in late medieval and early modern writing. Overall, it facilitates newly focussed study of an often obscured literary-historical period, one with a heightened interest in the authors of the past - Chaucer, Lydgate, Petrarch, Virgil - but also an increasingly acute perception of the conditions of authorship in the present.
The Medieval Welsh Englynion y Beddau
Regular price
$170.00
Save $-170.00
"There is no question that this book is one of the most important studies of early Welsh literature published in this generation." SPECULUM
The "Stanzas of the Graves" or "Graves of the Warriors of the Island of Britain", attributed to the legendary poet Taliesin, describe ancient heroes' burial places. Like the "Triads of the Island of Britain", they are an indispensable key to the narrative literature of medieval Wales. The heroes come from the whole of Britain, including Mercia and present-day Scotland, as well as many from Wales and a few from Ireland. Many characters known from the Mabinogion appear, often with additional information, as do some from romance and early Welsh saga, such as Arthur, Bedwyr, Gawain, Owain son of Urien, Merlin, and Vortigern. The seventh-century grave of Penda of Mercia, beneath the river Winwæd in Yorkshire, is the latest grave to be included. The poems testify to the interest aroused by megaliths, tumuli, and other apparently man-made monuments, some of which can be identified with known prehistoric remains.
This volume offers a full edition and translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects.
Localizing Christopher Marlowe
Regular price
$190.00
Save $-190.00
This study punctures the stereotyped portrayals of Marlowe, first created by his rival Robert Greene, and, yet, which still colour our view. In doing so, Ide reveals the social and cultural discourses out of which such myths emerged.
We know next to nothing about the life of the playwright Christopher Marlowe (b.1564 - d. 1593). Few documents survive other than his birth record in the parish register, a handful of legal cases in court records, Privy Council mandates and reports to the Council, the coroner's examination of his death, and a few hearsay accounts of his atheism. With such a limited collection of biographical documents available, it is impossible to retrieve from history a complete sense of Marlowe. However, this does not mean that biography cannot play a significant role in Marlowe studies.
By observing the details of the specific places and communities to which Marlowe belonged, this book highlights the collective experiences and concerns of the social groups and communities with which we know he was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.
Resistance to Love in Medieval English Romance
Regular price
$36.95
Save $-36.95
This book explores resistance as a widespread motif in medieval romance to consider themes of consent, gender, and desire.
JOINT WINNER: 2024 Swiss Association of Medieval and Early Modern Studies Book Prize.
Medieval romance is usually considered a genre that celebrates love, desire, and sexuality within marriage. However, moments of resistance within it offer a point of tension, where normative scripts and expectations are exposed and opened up to challenge.
This book explores such resistance as a widespread motif in the genre, tracing the subversive possibilities it presents, and through them uncovering how romance constitutes particular kinds of love as desirable, shaped by intersecting factors, including gender, status, race, religion, and morality. Drawing upon contemporary work on consent, the politics of desire, and asexuality, it examines how resistance is often transformed into acceptance, through consensual negotiation or coercive force: the romances discussed here demonstrate that a certain level of force, pressure, and persuasion is accepted as a means of forming relationships within the genre, but this reliance on coercion reveals the effort to which romances must go to uphold normative structures of desire. Considering a variety of works, from Marie de France's twelfth-century Guigemar to Thomas Malory's Morte Darthur, Geoffrey Chaucer's Franklin's Tale to William Caxton's fifteenth-century prose romances, this book argues that romance teaches its readers what and whom to desire, as well as how to behave when negotiating their desires, and explores the wider implications for understanding consent, gender, and desire in medieval England.
This book is available as an Open Access ebook under the Creative-Commons License CC-BY-NC-ND
Local Place and the Arthurian Tradition in England and Wales, 1400-1700
Regular price
$130.00
Save $-130.00
The first in-depth study of Arthurian places in late medieval and early modern England and Wales.
Winner of the 2024 Dhira B. Mahoney Prize for Outstanding Scholarly Book in Arthurian Studies
Places have the power to suspend disbelief, even concerning unbelievable subjects. The many locations associated with King Arthur show this to be true, from Tintagel in Cornwall to Caerleon in Wales. But how and why did Arthurian sites come to proliferate across the English and Welsh landscape? What role did the medieval custodians of Arthurian abbeys, churches, cathedrals, and castles play in "placing" Arthur? How did visitors experience Arthur in situ, and how did their experiences permeate into wider Arthurian tradition? And why, in history and even today, have particular places proven so powerful in defending the impression of Arthur's reality?
This book, the first in-depth study of Arthurian places in late medieval and early modern England and Wales, provides an answer to these questions. Beginning with an examination of on-site experiences of Arthur, at locations including Glastonbury, York, Dover, and Cirencester, it traces the impact that they had on visitors, among them John Hardyng, John Leland, William Camden, who subsequently used them as justification for the existence of Arthur in their writings. It shows how the local Arthur was manifested through textual and material culture: in chronicles, notebooks, and antiquarian works; in stained glass windows, earthworks, and display tablets. Via a careful piecing together of the evidence, the volume argues that a new history of Arthur begins to emerge: a local history.
Women and Devotional Literature in the Middle Ages
Regular price
$130.00
Save $-130.00
Essays on women and devotional literature in the Middle Ages in commemoration and celebration of the respected feminist scholar Catherine Innes-Parker.
Silence was a much-lauded concept in the Middle Ages, particularly in the context of religious literature directed at women. Based on the Pauline prescription that women should neither preach nor teach, and should at all times keep speech to a minimum, the concept of silence lay at the forefront of many devotional texts, particularly those associated with various forms of women's religious enclosure. Following the example of the Virgin Mary, religious women were exhorted to speak seldom, and then only seriously and devoutly. However, as this volume shows, such gendered exhortations to silence were often more rhetorical than literal. The contributions range widely: they consider the English 'Wooing Group' texts and female-authored visionary writings from the Saxon nunnery of Helfta in the thirteenth century; works by Richard Rolle and the Dutch mystic Jan van Ruusbroec in the fourteenth century; Anglo-French treatises, and books housed in the library of the English noblewoman Cecily Neville in the fifteenth century; and the resonant poetics of women from non-Christian cultures. But all demonstrate the ways in which silence, rather than being a mere absence of speech, frequently comprised a form of gendered articulation and proto-feminist point of resistance. They thus provide an apt commemoration and celebration of the deeply innovative work of Catherine Innes-Parker (1956-2019), the respected feminist scholar and a pioneer of this important field of study.
Personification in Piers Plowman
Regular price
$85.00
Save $-85.00
Published by Boydell & Brewer Inc.
The Medieval French Ovide moralisé [3 Volume Set]
Regular price
$410.00
Save $-410.00
First English translation of one of the most influential French poems of the Middle Ages.
The anonymous Ovide moralisé (Moralized Ovid), composed in France in the fourteenth century, retells and explicates Ovid's Metamorphoses, with generous helpings of related texts, for a Christian audience. Working from the premise that everything in the universe, including the pagan authors of Graeco-Roman Antiquity, is part of God's plan and expresses God's truth even without knowing it, the Ovide moralisé is a massive and influential work of synthesis and creativity, a remarkable window into a certain kind of medieval thinking. It is of major importance across time and across many disciplines, including literature, philosophy, theology, and art history.
This three volume set offers an English translation of this hugely significant text - the first into any modern language. Based on the only complete edition to date, that by Cornelis de Boer and others completed in 1938, it also reflects more recent editions and numerous manuscripts. The translation is accompanied by a substantial introduction, situating the Ovide moralisé in terms of the reception of Ovid, the mythographical tradition, and its medieval French religious and intellectual milieu. Notes discuss textual problems and sources, and relate the text to key issues in the thought of theologians such as Bonaventure and Aquinas.
![Cover image for The Collected Works of Thomas Kyd [2 Volume Set], isbn: 9781843846994](http://indiepubs.com/cdn/shop/files/9781843846994_400x.jpg?v=1771018876)
![The Correspondence of Dante Gabriel Rossetti: set [10 volume set]](http://indiepubs.com/cdn/shop/files/9780859916387_14f60fed-bc5a-4827-8071-1999e47b7be1_400x.jpg?v=1721623643)
![The Medieval French <i>Ovide moralisé</i> [3 Volume Set]](http://indiepubs.com/cdn/shop/files/9781843846536_a166f7fd-7b8a-47d8-8662-4c84b0219430_400x.jpg?v=1721623170)
![Cover image for The Collected Works of Thomas Kyd [2 Volume Set], isbn: 9781843846994](http://indiepubs.com/cdn/shop/files/9781843846994_{width}x.jpg?v=1771018876)
![The Correspondence of Dante Gabriel Rossetti: set [10 volume set]](http://indiepubs.com/cdn/shop/files/9780859916387_14f60fed-bc5a-4827-8071-1999e47b7be1_{width}x.jpg?v=1721623643)
![The Medieval French <i>Ovide moralisé</i> [3 Volume Set]](http://indiepubs.com/cdn/shop/files/9781843846536_a166f7fd-7b8a-47d8-8662-4c84b0219430_{width}x.jpg?v=1721623170)