Celebrate Women's History Month

A rare first-person account of the women's movement

A comprehensive, indexed memoir about the Second Wave women’s movement by the cofounder of the National Organization for Women (NOW). Muriel Fox offers rare, firsthand stories of 29 women and one man, including Betty Freidan, but also many who have not previously been recognized for their contributions.

As NOW's public relations director, Fox orchestrated nationwide outreach. She was NOW's vice president, then chair of the board, then chaired the National Advisory Committee. As Betty Friedan's main lieutenant and director of operations, Fox drafted numerous letters sent by NOW under Friedan's signature to government officials demanding faster action to reduce sex discrimination, including a letter that helped persuade President Lyndon Johnson to add gender to Affirmative Action and open opportunities for millions of women.

Unlike books relying on secondary sources, Fox's memoir is built mainly from her own Feminism Files containing hundreds of letters, clippings, notes, and photographs that she archived.

Winner, 2021 PROSE Award in the Cultural Anthropology & Sociology Category

Finalist, 2021 Lambda Literary Award in LGBTQ Studies

A troubling account of heterosexual desire in the era of #MeToo

Heterosexuality is in crisis. Reports of sexual harassment, misconduct, and rape saturate the news in the era of #MeToo. Straight men and women spend thousands of dollars every day on relationship coaches, seduction boot camps, and couple’s therapy in a search for happiness.

In The Tragedy of Heterosexuality, Jane Ward smartly explores what, exactly, is wrong with heterosexuality in the twenty-first century, and what straight people can do to fix it for good. She shows how straight women, and to a lesser extent straight men, have tried to mend a fraught patriarchal system in which intimacy, sexual fulfillment, and mutual respect are expected to coexist alongside enduring forms of inequality, alienation, and violence in straight relationships.

Ward also takes an intriguing look at the multi-billion-dollar self-help industry, which markets goods and services to help heterosexual couples without addressing the root of their problems. Ultimately, she encourages straight men and women to take a page out of queer culture, reminding them “about the human capacity to desire, fuck, and show respect at the same time.”

A courtside view of how women athletes’ identities are policed, on and off the court

Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer.

A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity.

A riveting portrait of an elite basketball program, Denied will forever change our understanding of women athletes and the sports they play.

When Jennifer Case became pregnant unexpectedly with her second child, she was overwhelmed at the prospect of caring for another child in a society with high expectations and low support for mothers. She sought to reclaim control over, if not her changing body, then at least her rapidly declining mental health. Immersing herself in research, Case learned that the United States has one of the highest maternal death rates among developed countries. One in every five women develops a mental health issue as a result of pregnancy. It became clear to her that in order to address the sexism and isolation mothers face—including the racism that further marginalizes women of color—we must recognize these as social problems that affect us all

We Are Animals draws attention to these issues by examining key moments in Case’s life where her experience as both a woman in twenty-first-century America and a child-bearing mammal, and the conflicts between these two identities, were brought into sharp relief. From the surprising salve of parasocial interactions on baby forums to the not so surprisingly intertwined history of industrial dairy farming and wearable breast pumps, Case explores an array of realities that give historical and cultural context to the experience of motherhood.

The essays collected here offer a balm for women who have struggled in silence over childbirth trauma, conflicted responses to motherhood, or a deeply felt intuition that what their bodies needed as mothers did not match what society provided. They also offer a much needed, nuanced perspective for policymakers, activists, and medical professionals who continue to shape women’s experience of motherhood.

PROSE Award Winner for Biography and Autobiography

Named one of Library Journal's Best Books of 2023

Winner, Next Generation Indie Book Awards - Women's Nonfiction

Offers thought-provoking theories and life-transforming ways to deal with pain

What can we ask of pain? How can we be more creative and courageous in carrying pain in our lives? In this genre-bending work that is equal parts memoir and scholarly criticism, L. Ayu Saraswati provides thought-provoking theories and life-transforming ways to understand pain, specifically in relation to feminism. Arguing that pain is not merely a state we are in, Scarred reframes pain as a “transnational feminist object,” something that we can carry across international borders. Drawing on her own experience traveling across twenty countries within just over a year, Saraswati aims to bring readers along on her journey so that they might ask themselves, “How can I live with pain differently?”

By using pain as a lens of feminist analysis, Scarred allows us to chart how power produces and operates through pain, and how pain is embodied and embedded in relationships. Saraswati provides a heartfelt and engaging recount of her experiences while also pushing the boundaries of the respective fields her story engages with. She allows for renewed academic and personal insights to blossom by using a blend of transnational feminist theory, travel studies, and pain studies. Ultimately, Scarred invites us to reframe pain and ask how might we carry it in a more humane, life-sustaining, enchanting, and feminist way.

An examination of hysterectomy and the struggle for bodily and reproductive autonomy

At least one hysterectomy is performed every minute of the year, making it the most common gynecological surgery worldwide. By the age of sixty-five, one out of five people born with a uterus will have it removed. So, why do we seldom talk about this surgery? Highly performed yet overlooked, examining the paradox of hysterectomy begins to unravel the various problems with how we medically treat uteruses and the people who have them.

Get It Out weaves centuries of medical history with rich qualitative data from 100 women, trans men, and nonbinary people who had, want, or are considering hysterectomy. In compelling detail, Andréa Becker reveals how America’s healthcare system routinely deprives people of the ability to control their own bodies along race and gender lines. When people ask for a hysterectomy, they are often met with pushback: Are you sick enough? Old enough? Have you had enough babies? Will you regret this? How will your future husband feel about this? Yet this pushback is not equally experienced. While some people are barred access, others are ushered toward a hysterectomy. These contradictory recommendations reveal the persistent biases entrenched within healthcare.

Get It Out interrogates how little choice people with uteruses ultimately have over their reproductive health, and explores what these “choices” signify amid interlocking systems of inequality.

In her eighteenth-century medical recipe manuscript, the Philadelphia healer Elizabeth Coates Paschall asserted her ingenuity and authority with the bold strokes of her pen. Paschall developed an extensive healing practice, consulted medical texts, and conducted experiments based on personal observations. As British North America’s premier city of medicine and science, Philadelphia offered Paschall a nurturing environment enriched by diverse healing cultures and the Quaker values of gender equality and women’s education. She participated in transatlantic medical and scientific networks with her friend, Benjamin Franklin. Paschall was not unique, however. Women Healers recovers numerous women of European, African, and Native American descent who provided the bulk of health care in the greater Philadelphia area for centuries.

Although the history of women practitioners often begins with the 1850 founding of Philadelphia’s Female Medical College, the first women’s medical school in the United States, these students merely continued the legacies of women like Paschall. Remarkably, though, the lives and work of early American female practitioners have gone largely unexplored. While some sources depict these women as amateurs whose influence declined, Susan Brandt documents women’s authoritative medical work that continued well into the nineteenth century. Spanning a century and a half, Women Healers traces the transmission of European women’s medical remedies to the Delaware Valley where they blended with African and Indigenous women’s practices, forming hybrid healing cultures.

Drawing on extensive archival research, Brandt demonstrates that women healers were not inflexible traditional practitioners destined to fall victim to the onward march of Enlightenment science, capitalism, and medical professionalization. Instead, women of various classes and ethnicities found new sources of healing authority, engaged in the consumer medical marketplace, and resisted physicians’ attempts to marginalize them. Brandt reveals that women healers participated actively in medical and scientific knowledge production and the transition to market capitalism.

Honorable Mention for the 2023 Francis Richardson Keller-Sierra Prize

2023 Judy Grahn Award-Publishing Triangle Finalist

Restores queer suffragists to their rightful place in the history of the struggle for women’s right to vote

The women’s suffrage movement, much like many other civil rights movements, has an important and often unrecognized queer history. In Public Faces, Secret Lives Wendy L. Rouse reveals that, contrary to popular belief, the suffrage movement included a variety of individuals who represented a range of genders and sexualities. However, owing to the constant pressure to present a “respectable” public image, suffrage leaders publicly conformed to gendered views of ideal womanhood in order to make women’s suffrage more palatable to the public.

Rouse argues that queer suffragists did take meaningful action to assert their identities and legacies by challenging traditional concepts of domesticity, family, space, and death in both subtly subversive and radically transformative ways. Queer suffragists also built lasting alliances and developed innovative strategies in order to protect their most intimate relationships, ones that were ultimately crucial to the success of the suffrage movement. Public Faces, Secret Lives is the first work to truly recenter queer figures in the women’s suffrage movement, highlighting their immense contributions as well as their numerous sacrifices.

Honorable Mention for the 2023 Francis Richardson Keller-Sierra Prize

2023 Judy Grahn Award-Publishing Triangle Finalist

Restores queer suffragists to their rightful place in the history of the struggle for women’s right to vote

The women’s suffrage movement, much like many other civil rights movements, has an important and often unrecognized queer history. In Public Faces, Secret Lives Wendy L. Rouse reveals that, contrary to popular belief, the suffrage movement included a variety of individuals who represented a range of genders and sexualities. However, owing to the constant pressure to present a “respectable” public image, suffrage leaders publicly conformed to gendered views of ideal womanhood in order to make women’s suffrage more palatable to the public.

Rouse argues that queer suffragists did take meaningful action to assert their identities and legacies by challenging traditional concepts of domesticity, family, space, and death in both subtly subversive and radically transformative ways. Queer suffragists also built lasting alliances and developed innovative strategies in order to protect their most intimate relationships, ones that were ultimately crucial to the success of the suffrage movement. Public Faces, Secret Lives is the first work to truly recenter queer figures in the women’s suffrage movement, highlighting their immense contributions as well as their numerous sacrifices.

"My guilty pleasure wasn’t just reading low-brow fiction or even female-authored fiction, it was being femme itself."

What is it about ribald romance novels, luxurious interior design, and frothy wedding dresses that often make women feel their desires come with a shadow of shame? In Avidly Reads Guilty Pleasures, Arielle Zibrak considers the specifically pleasurable forms of feminine guilt and desire stimulated by supposedly “lowbrow” aesthetic tendencies. She takes up the overwhelming preoccupation with the experience of being humiliated, dominated, or even abused that has pervaded the stories that make up women’s culture—from eighteenth-century epistolary novels to popular twentieth-century teen magazine features to present-day romantic comedies.

In three chapters—“Rough Sex,” “Expensive Sheets,” and “Saying Yes to the Dress”—that mirror the plot structures of feminine fictions themselves, this book tells the story of the desires that only the guiltiest of pleasures evoke. Zibrak reexamines documents of femme culture long dismissed as “trash” to reveal the surprisingly cathartic experiences produced by tales of domination, privilege, and the material trappings of the heteropatriarchy.

Part of the Avidly Reads series, this slim book gives us a new way of looking at American culture. With the singular blend of personal reflection and cultural criticism featured in the series, Avidly Reads Guilty Pleasures reclaims women’s experiences for themselves.

2021 Outstanding Academic Title, Choice Magazine

Shows how reproductive justice organizations' collaborative work across racial lines provides a compelling model for other groups to successfully influence change

Patricia Zavella experienced firsthand the trials and judgments imposed on a working professional mother of color: her own commitment to academia was questioned during her pregnancy, as she was shamed for having children "too young." And when she finally achieved her professorship, she felt out of place as one of the few female faculty members with children.

These experiences sparked Zavella’s interest in the movement for reproductive justice. In this book, she draws on five years of ethnographic research to explore collaborations among women of color engaged in reproductive justice activism. While there are numerous organizations focused on reproductive justice, most are racially specific, such as the National Asian Pacific American Women's Forum and Black Women for Wellness. Yet Zavella reveals that many of these organizations have built coalitions among themselves, sharing resources and supporting each other through different campaigns and struggles. While the coalitions are often regional—or even national—the organizations themselves remain racially or ethnically specific, presenting unique challenges and opportunities for the women involved.

Zavella argues that these organizations provide a compelling model for negotiating across differences within constituencies. In the context of the war on women's reproductive rights and its disproportionate effect on women of color, and increased legal violence toward immigrants, and now incorporating an updated preface addressing the Dobbs decision which struck down Roe v. Wade, The Movement for Reproductive Justice demonstrates that a truly intersectional movement built on grassroots organizing, culture shift work, and policy advocating can offer visions of strength, resiliency, and dignity for all.

Examines the role of the American Revolution in the everyday lives of women

Patriarchal forces of law, finance, and social custom restricted women’s rights and agency in revolutionary America. Yet women in this period exploited these confines, transforming constraints into vehicles of female empowerment. Through a close reading of thousands of legislative, judicial, and institutional pleas across seventy years of history in three urban centers, Jacqueline Beatty illustrates the ways in which women in the revolutionary era asserted their status as dependents, demanding the protections owed to them as the assumed subordinates of men. In so doing, they claimed various forms of aid and assistance, won divorce suits, and defended themselves and their female friends in the face of patriarchal assumptions about their powerlessness. Ultimately, women in the revolutionary era were able to advocate for themselves and express a relative degree of power not in spite of their dependent status, but because of it.

Their varying degrees of success in using these methods, however, was contingent on their race, class, and socio-economic status, and the degree to which their language and behavior conformed to assumptions of Anglo-American femininity. In Dependence thus exposes the central paradoxes inherent in American women’s social, legal, and economic positions of dependence in the Revolutionary era, complicating binary understandings of power and weakness, of agency and impotence, and of independence and dependence. Significantly, the American Revolution provided some women with the language and opportunities in which to claim old rights—the rights of dependents—in new ways. Most importantly, In Dependence shows how women’s coming to consciousness as rights-bearing individuals laid the groundwork for the activism and collective petitioning efforts of later generations of American feminists.

A sweeping chronicle of women’s battles for reproductive freedom

Reproductive politics in the United States has always been about who has the power to decide—lawmakers, the courts, clergy, physicians, or the woman herself. Authorities have rarely put women’s needs and interests at the center of these debates. Instead, they have created reproductive laws and policies to solve a variety of social and political problems, with outcomes that affect the lives of different groups of women differently.

Reproductive politics were at play when slaveholders devised “breeding” schemes, when the US government took indigenous children from their families in the nineteenth century, and when doctors pressured Latina women to be sterilized in the 1970s. Tracing the main plot lines of women’s reproductive lives, the leading historian Rickie Solinger redefines the idea of reproductive freedom, putting race and class at the center of the effort to control sex and pregnancy in America over time.

Revisiting these issues after more than a decade, this revised edition of Pregnancy and Power reveals how far the reproductive justice movement has come, and the renewed struggles it faces in the present moment. Even after nearly a half-century of “reproductive rights,” a cascade of new laws and policies limits access and prescribes punishments for many people trying to make their own reproductive decisions. In this edition, Solinger traces the contemporary rise of reproductive consumerism and the politics of “free market” health care as economic inequality continues to expand in the US, revealing the profound limits of “choice” and the continued need for the reproductive justice framework.

A new edition of a groundbreaking, feminist defense of pornography as free speech

Named a Notable Book by The New York Times Book Review in 1995, Defending Pornography examines a key question that has divided feminists for decades: is censoring pornography good or bad for women? Nadine Strossen makes a powerful case that increasing government power to censor sexual expression, beyond the limits that the First Amendment sensibly permits (for example, outlawing child pornography) would do more harm than good for women and others who have traditionally been marginalized due to sex or gender, She explains how the very anti-porn laws pushed by some feminists have led to the censorship of LGBTQ+ and feminist works, and she examines the startling connections between anti-porn feminists and right-wing fundamentalists. In an illuminating new Preface, Strossen lays out the multiple current assaults on sexual expression, which continue to come from across the ideological spectrum. She shows that freedom for such expression remains an essential prerequisite for the equality, safety, and dignity of women and sexual/gender minorities.

An interdisciplinary collection of critical, feminist reflections on interpersonal gender violence

Despite the growing interest in the subject of gender violence, surprisingly little has been written in recent years about the methodology behind this emerging field of research. This interdisciplinary collection seeks to fill this gap by empowering scholars to conduct gender violence research in ways that deconstruct rather than reinforce existing power structures and hierarchies.

The book argues for new approaches to research and activism on gender-based violence grounded in the intersectional realities of individuals and communities. Each chapter discusses the role of reflective methodologies to recognize institutional and intersectional inequalities, challenging the reader to contemplate ethical considerations of an embodied feminist methodology when researching gender-based violence. By centering these issues for applied scholars, practitioners, and academic activists, the book offers insights about where sociocultural notions of criminality and innocence might align across geographies of gender-based violence.

The volume encourages further thinking about embodied methodological creativity in and for the future of interpersonal gender-based violence research. A powerful tool for conducting productive scholarship, Researching Gender-Based Violence provides recommendations for interrogating, practicing, and collaborating across fields, disciplines, and lived realities.

Explores accountability as a framework for building movements to transform systemic oppression and violence

What does it take to build communities to stand up to injustice and create social change? How do we work together to transform, without reproducing, systems of violence and oppression?In an age when feminism has become increasingly mainstream, noted feminist scholar and activist Ann Russo asks feminists to consider the ways that our own behavior might contribute to the interlocking systems of oppression that we aim to dismantle.

Feminist Accountability offers an intersectional analysis of three main areas of feminism in practice: anti-racist work, community accountability and transformative justice, and US-based work in and about violence in the global south. Russo explores accountability as a set of frameworks and practices for community- and movement-building against oppression and violence. Rather than evading the ways that we are implicated, complicit, or actively engaged in harm, Russo shows us how we might cultivate accountability so that we can contribute to the feminist work of transforming oppression and violence.

Among many others, Russo brings up the example of the most prominent and funded feminist and LGBT antiviolence organizations, which have become mainstream in social service, advocacy, and policy reform projects. This means they often approach violence through a social service and criminal legal lens that understands violence as an individual and interpersonal issue, rather than a social and political one. As a result, they ally with, rather than significantly challenge, the state institutions, policies, and systems that underlie and contribute to endemic violence.

Grounded in theories, analyses, and politics developed by feminists of color and transnational feminists of the global south, with her own thirty plus years of participation in community building, organizing, and activism, Russo provides insider expertise and critical reflection on leveraging frameworks of accountability to upend inequitable divides and the culture that supports them.

A woman's fight to reclaim her body after a paralysis-inducing cycling accident

In the early evening on October 1, 2003, Christina Crosby was three miles into a seventeen mile bicycle ride, intent on reaching her goal of 1,000 miles for the riding season. She was a respected senior professor of English who had celebrated her fiftieth birthday a month before. As she crested a hill, she caught a branch in the spokes of her bicycle, which instantly pitched her to the pavement. Her chin took the full force of the blow, and her head snapped back. In that instant, she was paralyzed.

In A Body, Undone, Crosby puts into words a broken body that seems beyond the reach of language and understanding. She writes about a body shot through with neurological pain, disoriented in time and space, incapacitated by paralysis and deadened sensation. To address this foreign body, she calls upon the readerly pleasures of narrative, critical feminist and queer thinking, and the concentrated language of lyric poetry. Working with these resources, she recalls her 1950s tomboy ways in small-town, rural Pennsylvania, and records growing into the 1970s through radical feminism and the affirmations of gay liberation.

Deeply unsentimental, Crosby communicates in unflinching prose the experience of "diving into the wreck" of her body to acknowledge grief, and loss, but also to recognize the beauty, fragility, and dependencies of all human bodies. A memoir that is a meditation on disability, metaphor, gender, sex, and love, A Body, Undone is a compelling account of living on, as Crosby rebuilds her body and fashions a life through writing, memory, and desire.

A daring investigation into how women are recruited by the far right online.

As the far right has gained popularity and acceptance around the world, its ranks have swelled with an unlikely category of members: women.

Women play significant roles in far-right movements, acting as propagandists, prizes to be won and mother-warriors of the nation. But up to now their activities have been largely overlooked. In Pink-pilled, journalist Lois Shearing interviews leading experts and infiltrates communities of tradwives and femtrolls to provide a cutting-edge account of how the far right uses the internet to recruit women. Shining a light on women’s experiences within these movements, Shearing reveals horrifying examples of misogyny and violence.

Understanding how and why women join movements that explicitly aim to restrict their autonomy is essential if we want to fight back. Pink-pilled offers key insights for countering women’s radicalisation and building communities resistant to far-right thought.

Explores the College Equal Suffrage League’s work to advance the campaign for the Nineteenth Amendment

The woman suffrage movement is often portrayed as having been led and organized by middle-aged women and mothers in stuffy, formal settings. This dominant account grossly neglects a significant demographic within the movement—college women. Between 1870 and 1910, the proportion of college women in the United States rose from 21 to 40 percent. By 1880, there were 155 private colleges in the Northeast and the South for female students and numerous coeducational institutions in the West. The widespread extension of academic training for women helped spur a well-organized campaign for female voting rights on college campuses, where suffragists found a new audience and stage to earn respect and support.

Votes for College Women examines archives from the College Equal Suffrage League (CESL), established in 1900 as an affiliate of the National American Woman Suffrage Association, to illustrate the outsize and dynamic role that young women played in the woman suffrage movement. The book vividly illustrates how the CESL’s campaigns served a dual purpose: not only did they invigorate the Nineteenth Amendment campaign at a crucial moment, but they also brought about a profound transformation in the culture of women’s organizing and higher education. Furthermore, Kelly L. Marino argues that the CESL’s campaigns set trends in youth activism and helped lay the groundwork for later and more well-known college protests against gender inequality. Fascinating and timely, Votes for College Women shows how these brave women solidified the campus and the classroom as arenas for civic and social activism.

A courtside view of how women athletes’ identities are policed, on and off the court

Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer.

A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity.

A riveting portrait of an elite basketball program, Denied will forever change our understanding of women athletes and the sports they play.

An inside look at women graffiti artists around the world

Since the dawn of Hip Hop graffiti writing on the streets of Philadelphia and New York City in the late 1960s, writers have anonymously inscribed their tag names on trains, buildings, and bridges. Passersby are left to imagine who the author might be, and, despite the artists’ anonymity, graffiti subculture is seen as a “boys club,” where the presence of the graffiti girl is almost unimaginable. In Graffiti Grrlz, Jessica Nydia Pabón-Colón interrupts this stereotype and introduces us to the world of women graffiti artists.

Drawing on the lives of over 100 women in 23 countries, Pabón-Colón argues that graffiti art is an unrecognized but crucial space for the performance of feminism. She demonstrates how it builds communities of artists, reconceptualizes the Hip Hop masculinity of these spaces, and rejects notions of “girl power.” Graffiti Grrlz also unpacks the digital side of Hip Hop graffiti subculture and considers how it widens the presence of the woman graffiti artist and broadens her networks, which leads to the formation of all-girl graffiti crews or the organization of all-girl painting sessions.

A rich and engaging look at women artists in a male-dominated subculture, Graffiti Grrlz reconsiders the intersections of feminism, hip hop, and youth performance and establishes graffiti art as a game that anyone can play.

This ethnography unravels the continuing political tensions surrounding Senegal’s 1999 national ban on “female genital mutilation”

The Senegalese parliament authorized a national ban on “Female Genital Mutilation” in 1999. Because only a third of the Senegalese population practiced female genital cutting (FGC) at the time, policy makers did not expect that the new law would cause controversy or provoke commotion. Yet, in Fouta Toro and among Fulani, who traditionally practiced FGC, the response to the new law was fury, and frustrations often turned violent. More than a decade after the ban, Fouta Toro was considered “the most difficult region” for anti-FGC activists, both from inside and outside the government. Tires were burned, international NGO delegates were threatened, and activists publicly speaking out against the practice were religiously condemned. Animosity toward the ban remains palpable in the region to this day. The ban, many (but not all) locals say, is nothing other than an overt act of Western cultural imperialism imposed on their community. For these individuals, resisting the ban is critical for maintaining the autonomy and integrity of a traditional way of life. And from the outside, opposition to the law and NGOs can seem unified.

However, anthropologist Sarah O’Neill discovers that on the ground, there are tensions between those who oppose the ban and those who support it—even as that support is nuanced and often complicated. This ethnography unravels the continuing political tensions surrounding both national and international interventions in Fouta Toro and in Senegal that place protection of the female body at the center of their concerns. By way of the many stories of ordinary women and men caught up in debates around the value of the practice and meaning of FGC, Compromised Bodies reveals the personal struggles and difficult decisions Fulani face, be they traditional cutters, religious leaders, mothers, husbands, divorced women, or anti-FGC activists.

An innovative anthology showcasing Asian American and Pacific Islander women’s histories

Our Voices, Our Histories brings together thirty-five Asian American and Pacific Islander authors in a single volume to explore the historical experiences, perspectives, and actions of Asian American and Pacific Islander women in the United States and beyond.

This volume is unique in exploring Asian American and Pacific Islander women’s lives along local, transnational, and global dimensions. The contributions present new research on diverse aspects of Asian American and Pacific Islander women’s history, from the politics of language, to the role of food, to experiences as adoptees, mixed race, and second generation, while acknowledging shared experiences as women of color in the United States.

Our Voices, Our Histories showcases how new approaches in US history, Asian American and Pacific Islander studies, and Women’s and Gender studies inform research on Asian American and Pacific Islander women. Attending to the collective voices of the women themselves, the volume seeks to transform current understandings of Asian American and Pacific Islander women’s histories.

A candid and generous color-illustrated account of women artists creating politically and personally effective art works, exhibitions, and actions over two tumultuous decades

This abundantly illustrated personal narrative takes readers through twenty-two years of activism in the women's art movements in New York City during a period of great cultural change. Author Sabra Moore vividly recounts life in this era of social upheaval in which women artists responded to war, racial tension and reconciliation, cultural and aesthetic inequality, and struggles for reproductive freedom. We learn intimately how she and fellow women artists found ways to create politically and personally effective art works, exhibitions, actions, and institutions.

The book features Moore's involvement in pivotal art organizations of this time and her own development as an artist, counterbalanced with her connections to family in rural East Texas and friends in New Mexico. Moore was a member of the Heresies Collective, an influential feminist activist group, became editor of their art and politics journal Heresies, and was president of the NYC/Women's Caucus for Art. She helped coordinate and curate many of the earliest large-scale exhibitions of women artists in NYC, including Views by Women Artists (1982), and the collaborative shows Reconstruction Project and Connections Project/Conexus. Moore was a principle organizer of the 1984 demonstration against MoMA over their lack of inclusion of women artists and was a member of various groundbreaking collaborative arts groups in the 1970s, including Atlantic Gallery and WAR (Women Artists in Revolution).

While Openings is an historical narrative of women artists' actions, organizations, and ideas, it also candidly describes their periods of challenge, including the death of sculptor Ana Mendieta and the indictment of her husband and the author's own attempted murder by her former art teacher.

The book is illustrated throughout by a treasure of 950 color and black & white images of the art from this momentous period: a valuable collection that is concurrently being archived by Barnard College along with papers, letters, show cards, posters, original artworks, and other documents.

This eye-opening book includes forewords by renowned art critic Lucy Lippard and poet/activist Margaret Randall.

Honorable Mention, 2019 Distinguished Book Award, given by the Sex & Gender Section of the American Sociological Association

Honorable Mention, 2019 Marysa Navarro Book Prize, given by the New England Council of Latin American Studies (NECLAS)


A profound reflection on state violence and women’s survival

In the 1970s and early 80s, military and security forces in Argentina hunted down, tortured, imprisoned, and in many cases, murdered political activists, student organizers, labor unionists, leftist guerrillas, and other people branded “subversives.” This period was characterized by massive human rights violations, including forced disappearances committed in the name of national security. State terror left a deep scar on contemporary Argentina, but for many survivors and even the nation itself, talking about this dark period in recent history has been difficult, and at times taboo.

For women who endured countless forms of physical, sexual, and emotional violence in clandestine detention centers, the impetus to keep quiet about certain aspects of captivity has been particularly strong. In Surviving State Terror, Barbara Sutton draws upon a wealth of oral testimonies to place women’s bodies and voices at the center of the analysis of state terror. The book showcases poignant stories of women’s survival and resistance, disinterring accounts that have yet to be fully heard, grappled with, and understood. With a focus on the body as a key theme, Sutton explores various instances of violence toward women, such as sexual abuse and torture at the hands of state officials. Yet she also uses these narratives to explore why some types of social suffering and certain women’s voices are heard more than others, and how this can be rectified in our own practices of understanding and witnessing trauma. In doing so, Sutton urges us to pay heed to women survivors’ political voices, activist experiences, and visions for social change.

Recounting not only women’s traumatic experiences, but also emphasizing their historical and political agency, Surviving State Terror is a profound reflection on state violence, social suffering, and human resilience—both personal and collective.

An anthology of primary documents and scholarly interpretations of witchcraft from the 15th to 18th century

This unique anthology is the first to provide a multicultural perspective on witchcraft from the 15th to 18th century. Featuring primary documents as well as scholarly interpretations, Witches of the Atlantic World builds upon information regarding both Christian and non-Christian beliefs about possession and the demonic. Elaine G. Breslaw draws on Native American, African, South American, and African-American sources, as well as the European and New England heritage, to illuminate the ways in which witchcraft in early America was an attempt to understand and control evil and misfortune in the New World.

Organized into sections on folklore and magic, diabolical possession, Christian perspectives, and the question of gender, the volume includes selections by Cotton Mather, Matthew Hopkins, and Samuel Willard, among others; Salem trial testimonies; and commentary by a host of distinguished scholars.

Together the materials demonstrate how the Protestant and Catholic traditions shaped American concepts, and how multicultural aspects played a key role in the Salem experience. Witches of the Atlantic World sheds new light on one of the most perplexing aspects of American history and provides important background for the continued scholarly and popular interest in witches and witchcraft today.

Animal and Shaman presents a comparative survey of the ancient customs and religions of Central Asia. The Pre-Christian and Pre-Muslim peoples of the region, such as the Huns, Scythians, Turks, Mongols, Manchus, Finns and Hungarians, shared a number of traditions and rituals. Characteristics observed by anthropologists today may be traced directly back to an ancient past.
In ancient times there were remarkable commonalities in the forms of worship and spiritual expression among the different peoples of Inner Eurasia, all largely based on the role of animals in their lives. The harsh physical climate of the region led to an emphasis on hunting and animals, in contrast to the fertility rites common in more agriculturally hospitable areas. These characteristics have survived not only in the legends of the region, but have also found their way into the mythologies of the West. Baldick proposes that the myths, rituals, and epics of Central Asia served as possible foundations for such great works at the Odyssey, the Gospels, and Beowulf, which seem to have precursors in Iranian and Inner Eurasian tales.

What Was Sex Like for a Medieval Woman?

“Wickedly entertaining, informative and thought-provoking. An insightful, modern look at the lives of women as they were.” —Dr. Markus Kerr, PhD, MDR.

#1 New Release in Etiquette Guides & Advice

An inside look at sexual practices in medieval times. Were medieval women slaves to their husband's desires, jealously secured in a chastity belt in his absence? Was sex a duty or could it be a pleasure? Did a woman have a say about her own female sexuality, body, and who did or didn’t get up close and personal with it? No. And yes. It’s complicated.

Romance, courtship, and behind closed doors. The intimate lives of medieval women were as complex as for modern women. They loved and lost, hoped and schemed, were lifted up and cast down. They were hopeful and lovelorn. Some had it forced upon them, others made aphrodisiacs and dressed for success. Some were chaste and some were lusty. Having sex was complicated. Not having sex, was even more so.

Inside The Very Secret Sex Lives of Medieval Women, a fascinating book about life during medieval times, you will discover tantalizing true stories about medieval women and a myriad of historical facts. Learn about:

• The true experiences of women from all classes, including women who made history
• The dos and don’ts in the bedroom
• Sexy foods and how to have them
• All you need to know for your wedding night, and well as insider medical advice
• How to get pregnant (and how not to), and more

Fans of The Time Traveller’s Guide to Medieval England, Medieval Women and Terry Jones’ Medieval Lives will meet real women and hear their voices in The Very Secret Sex Lives of Medieval Women.

This ambitious book explores challenges to male hegemony throughout continental Europe. It focuses especially on France, but it also offers comparative material on developments in the German-speaking countries and in the smaller European nations and aspiring nation-states. Spanning 250 years, the sweeping coverage extends from Portugal to Poland, Greece to Finland, Ireland to Ukraine, and Spain to Scandinavia—as well as international and transnational feminist organizations.

The study has several objectives. For general readers and those interested primarily in the historical record, it provides a comprehensive, comparative account of feminist developments in European societies, as well as a rereading of European history from a feminist perspective. By placing gender, or relations between women and men, at the center of European politics, where the author argues that it belongs but from which it has long been marginalized, the book aims to reconfigure our understanding of the European past and to make visible a long but neglected tradition of feminist thought and politics.

On another level, by providing a broad and accurate historical analysis, the book seeks to disentangle some misperceptions and to demystify some confusing contemporary debates about the Enlightenment, reason, nature, equality vs. difference, and public vs. private, among others. The author argues that historical feminisms offer us far more than logical paradoxes and contradictions; feminisms are about sexual politics, not philosophy. Feminist victories are not, strictly speaking, about getting the argument right, nor is gender merely “a useful category of analysis”; sexual difference lies at the heart of human thought and politics.

Winner, Next Generation Indie Book Awards - Women's Nonfiction

Best Book of 2020, National Law Journal

The inspiring and previously untold history of the women considered—but not selected—for the US Supreme Court

In 1981, Sandra Day O’Connor became the first female justice on the United States Supreme Court after centuries of male appointments, a watershed moment in the long struggle for gender equality. Yet few know about the remarkable women considered in the decades before her triumph.

Shortlisted tells the overlooked stories of nine extraordinary women—a cohort large enough to seat the entire Supreme Court—who appeared on presidential lists dating back to the 1930s. Florence Allen, the first female judge on the highest court in Ohio, was named repeatedly in those early years. Eight more followed, including Amalya Kearse, a federal appellate judge who was the first African American woman viewed as a potential Supreme Court nominee. Award-winning scholars Renee Knake Jefferson and Hannah Brenner Johnson cleverly weave together long-forgotten materials from presidential libraries and private archives to reveal the professional and personal lives of these accomplished women.

In addition to filling a notable historical gap, the book exposes the tragedy of the shortlist. Listing and bypassing qualified female candidates creates a false appearance of diversity that preserves the status quo, a fate all too familiar for women, especially minorities. Shortlisted offers a roadmap to combat enduring bias and discrimination. It is a must-read for those seeking positions of power as well as for the powerful who select them in the legal profession and beyond.

A blueprint for the next generation of feminist activists

Fight Like a Girl offers a vision of the past, present, and future of feminism. With an eye toward what it takes to create actual change and a deep understanding of women’s history and the key issues facing girls and young women today, Megan Seely offers a pragmatic introduction to feminism. Written in an upbeat and personal style, Fight Like a Girl offers an overview of feminism, including historical roots, myths and meanings, triumphs and shortcomings.

Sharing personal stories from her own experience as a young activist, as a mother, and as a teacher, Seely offers a practical guide to getting involved, taking action, and waging successful events and campaigns. The second edition addresses more themes and topics than before, including gender and sexuality, self-esteem, reproductive health, sexual violence, body image and acceptance, motherhood and family, and intersections of identities, such as race, gender, class, and sexualities.

Fight Like a Girl is an invaluable introduction to both feminism and activism, defining the core tenets of feminism, the key challenges both within and outside the feminist movement, and the steps we can take to create a more socially just world.

What
kind of woman dances naked for money? Bernadette Barton takes us inside
countless strip bars and clubs, from upscale to back road as well as those that
specialize in lap dancing, table dancing, topless only, and peep shows, to
reveal the startling lives of exotic dancers.

Originally published in 2006, the product of years of first-hand research in strip clubs around the country, Stripped is a classic portrait of what it’s like for those who choose to strip as a profession. Barton explores why women begin stripping, the initial excitement and financial rewards of the work, the dangers of the life—namely, drugs and prostitution—and, inevitably, the difficulties in staying in the business over time, especially for their relationships, sexuality and self-esteem.

In this completely revised and updated edition, Barton returns to the strip clubs she originally studied to observe the major changes in the industry that have occurred over the last decade. She examines how “raunch culture” affects exotic dancers’ treatment by their clientele, who are now accustomed to seeing nudity and sexualized performance in accessible, R and X -rated media from a variety of outlets, particularly the Internet. Barton explores how new media has transformed exotic dancing, allowing dancers to build an online brand, but also introducing possibilities for customers to take unauthorized nude photos and videos of the entertainers.. And finally, Barton speaks to new dancers as well as dancers she interviewed in the previous edition, examining how the toll of stripping still impacts the lives of exotic dancers in a changing industry. Incorporating new scholarship, new observations, and increased awareness of emerging media technology, Barton brings a fresh and important perspective on the challenges that women face working in the still-thriving world of exotic dancing.

A trailblazing look at how the law regulates women’s bodies as reproductive sites and what can be done about it.

At the center of the “war on women” lies the fact that women in the contemporary United States are facing more widespread and increased surveillance of their reproductive health and decisions. In recent years states have passed a record number of laws restricting abortion. Physicians continue to sterilize some women against their will, especially those in prison, while other women who choose to forego reproduction cannot find physicians to sterilize them. While these actions seem to undermine women’s decision-making authority, experts and state actors often defend them in terms of promoting women’s autonomy.

In Governed through Choice, Jennifer M. Denbow exposes the way that the notion of autonomy allows for this apparent contradiction and explores how it plays out in recent reproductive law, including newly enacted informed consent to abortion laws like ultrasound mandates and the regulation of sterilization. Denbow also shows how developments in reproductive technology, which would seem to increase women’s options and autonomy, provide even more opportunities for state management of women’s bodies. The book argues that notions of autonomy and choice, as well as transformations in reproductive technology, converge to enable the state’s surveillance of women and undermine their decision-making authority. Yet, Denbow asserts that there is a way forward and offers an alternative understanding of autonomy that focuses on critique and social transformation. Moreover, while reproductive technologies may heighten surveillance, they can also help disrupt oppressive norms about reproduction and gender, and create space for transformation. A critically important analysis, Governed through Choice is a trailblazing look at how the law regulates women’s bodies as reproductive sites and what can be done about it.

"Sol Dollinger's remembrance of UAW's early days are juicy and provocative. His recall of those goofy internecine political battles within the union is tragic-comic. Yet they, united, even though hollering at each other, made GM, Ford, et al,recognize the union. The sequence involving Genora Johnson Dollinger, the heroine of the 1937 sit-down strike, is deeply moving and inspiring."
--Studs Terkel
"Should be read by every labor person who takes the principles of trade union history seriously. . . . Brings the history of the UAW up for a new survey of the events to include the men and women who would otherwise be unsung heroes or written out of history totally."
--David Yettaw President, UAW Buick Local 599, 1987-1996
This story of the birth and infancy of the United Auto Workers, told by two participants, shows how the gains workers made were not easy or inevitable-not automatic-but required strategic and tactical sophistication as well as concerted action.
Sol Dollinger recounts how workers, especially activists on the political left, created an auto union and struggled with one another over what shape the union should take. In an oral history conducted by Susan Rosenthal, Genora Johnson Dollinger tells the gripping tale of her role in various struggles, both political and personal.

A selection of insights into the relationship between men and women

Have you wondered: Why women are more sympathetic than men toward O. J. Simpson? Why women were no more supportive of the Equal Rights Amendment than men? Why women are no more likely than men to support a female political candidate? Why women are no more likely than men to embrace feminism—a movement by, about, and for women? Why some women stay with men who abuse them? Loving to Survive addresses just these issues and poses a surprising answer. Likening women's situation to that of hostages, Dee L. R. Graham and her co- authors argue that women bond with men and adopt men's perspective in an effort to escape the threat of men's violence against them.

Dee Graham's announcement, in 1991, of her research on male-female bonding was immediately followed by a national firestorm of media interest. Her startling and provocative conclusion was covered in dozens of national newspapers and heatedly debated. In Loving to Survive, Graham provides us with a complete account of her remarkable insights into relationships between men and women.

In 1973, three women and one man were held hostage in one of the largest banks in Stockholm by two ex-convicts. These two men threatened their lives, but also showed them kindness. Over the course of the long ordeal, the hostages came to identify with their captors, developing an emotional bond with them. They began to perceive the police, their prospective liberators, as their enemies, and their captors as their friends, as a source of security. This seemingly bizarre reaction to captivity, in which the hostages and captors mutually bond to one another, has been documented in other cases as well, and has become widely known as Stockholm Syndrome.

The authors of this book take this syndrome as their starting point to develop a new way of looking at male-female relationships. Loving to Survive considers men's violence against women as crucial to understanding women's current psychology. Men's violence creates ever-present, and therefore often unrecognized, terror in women. This terror is often experienced as a fear for any woman of rape by any man or as a fear of making any man angry. They propose that women's current psychology is actually a psychology of women under conditions of captivitythat is, under conditions of terror caused by male violence against women. Therefore, women's responses to men, and to male violence, resemble hostages' responses to captors.

Loving to Survive explores women's bonding to men as it relates to men's violence against women. It proposes that, like hostages who work to placate their captors lest they kill them, women work to please men, and from this springs women's femininity. Femininity describes a set of behaviors that please men because they communicate a woman's acceptance of her subordinate status. Thus, feminine behaviors are, in essence, survival strategies. Like hostages who bond to their captors, women bond to men in an effort to survive.

This is a book that will forever change the way we look at male-female relationships and women's lives.

A groundbreaking anthology devoted to Asian/Pacific Islander American women and their experiences

Asian/Pacific Islander American Women is the first collection devoted to the historical study of A/PI women's diverse experiences in America. Covering a broad terrain from pre-large scale Asian emigration and Hawaii in its pre-Western contact period to the continental United States, the Philippines, and Guam at the end of the twentieth century, the text views women as historical subjects actively negotiating complex hierarchies of power.

The volume presents new findings about a range of groups, including recent immigrants to the U.S. and understudied communities. Comprised of original new work, it includes chapters on women who are Cambodian, Chamorro, Chinese, Filipino, Hmong, Japanese, Korean, Native Hawaiian, South Asian, and Vietnamese Americans. It addresses a wide range of women's experiences-as immigrants, military brides, refugees, American born, lesbians, workers, mothers, beauty contestants, and community activists. There are also pieces on historiography and methodology, and bibliographic and video documentary resources.

This groundbreaking anthology is an important addition to the scholarship in Asian/Pacific American studies, ethnic studies, American studies, women's studies, and U.S. history, and is a valuable resource for scholars and students.
Contributors include: Xiaolan Bao, Sucheng Chan, Catherine Ceniza Choy, Vivian Loyola Dames, Jennifer Gee, Madhulika S. Khandelwal, Lili M. Kim, Nancy In Kyung Kim, Erika Lee, Shirley Jennifer Lim, Valerie Matsumoto, Sucheta Mazumdar, Davianna Pomaika'i McGregor, Trinity A. Ordona, Rhacel Salazar Parreñas, Amy Ku'uleialoha Stillman, Charlene Tung, Kathleen Uno, Linda Trinh Võ, Judy Tzu-Chun Wu, Ji-Yeon Yuh, and Judy Yung.

A rare first-person account of the women's movement

A comprehensive, indexed memoir about the Second Wave women’s movement by the cofounder of the National Organization for Women (NOW). Muriel Fox offers rare, firsthand stories of 29 women and one man, including Betty Freidan, but also many who have not previously been recognized for their contributions.

As NOW's public relations director, Fox orchestrated nationwide outreach. She was NOW's vice president, then chair of the board, then chaired the National Advisory Committee. As Betty Friedan's main lieutenant and director of operations, Fox drafted numerous letters sent by NOW under Friedan's signature to government officials demanding faster action to reduce sex discrimination, including a letter that helped persuade President Lyndon Johnson to add gender to Affirmative Action and open opportunities for millions of women.

Unlike books relying on secondary sources, Fox's memoir is built mainly from her own Feminism Files containing hundreds of letters, clippings, notes, and photographs that she archived.

To be seen and not heard was never going to happen for Barbara Worton, a.k.a. Chatterbox.

Talking, which she started doing in full sentences at fourteen months, is in her DNA. Her Italian American mother was a champion talker. Her German Dutch father had to be a listener. Her mother’s parents and ten brothers and sisters all talked at once. Music, both recorded and live, played constantly. Life was noisy, and Barbara watched and cataloged what she saw and heard—then and all through her life.

As only a true chatterbox knows how, Barbara winds and weaves through stories from her Long Island childhood to life in the present. Each of her forty-three mini-memoirs paints a portrait of what makes the everyday beautiful, giving readers a wonderfully detailed glimpse into memories like being in her grandmother’s kitchen (where making pasta sauce was almost a “military maneuver”). With wit and poignancy, she wrestles with the world’s paradoxes and recalls moments that show just how much we all have in common.

Life spills onto the page in all its noisy, glorious, and messy detail. In Barbara’s both intimate and chatty voice, her stories take us from Buster Browns and Tonette Permanents to supermarket lines, John Travolta, the Tappan Zee Bridge, and the sleepless nights of adulthood. You can see and hear the characters in these stories. Anyone who has a family will see something of themselves in this book. Anyone who loves spaghetti and meatballs will need to go out for Italian food after reading Worton’s ode to both. Each story in Chatterbox: Stories from a Noisy Life is the perfect pause, a moment to refresh and presents a mirror for readers to reflect on their own pasts, presents, and futures.

"The essays create a vivid pastiche of mid-to-late 20th century Americana. Worton effectively tells her stories in a breezy style, laced with both humor and poignancy. There's a steady confidence in her prose as she meticulously observes and comments on her own actions, the world around her, and occasional esoteric thoughts that have made a home in her brain." - Kirkus Reviews

When Jennifer Case became pregnant unexpectedly with her second child, she was overwhelmed at the prospect of caring for another child in a society with high expectations and low support for mothers. She sought to reclaim control over, if not her changing body, then at least her rapidly declining mental health. Immersing herself in research, Case learned that the United States has one of the highest maternal death rates among developed countries. One in every five women develops a mental health issue as a result of pregnancy. It became clear to her that in order to address the sexism and isolation mothers face—including the racism that further marginalizes women of color—we must recognize these as social problems that affect us all.

We Are Animals draws attention to these issues by examining key moments in Case’s life where her experience as both a woman in twenty-first-century America and a child-bearing mammal, and the conflicts between these two identities, were brought into sharp relief. From the surprising salve of parasocial interactions on baby forums to the not so surprisingly intertwined history of industrial dairy farming and wearable breast pumps, Case explores an array of realities that give historical and cultural context to the experience of motherhood.

The essays collected here offer a balm for women who have struggled in silence over childbirth trauma, conflicted responses to motherhood, or a deeply felt intuition that what their bodies needed as mothers did not match what society provided. They also offer a much needed, nuanced perspective for policymakers, activists, and medical professionals who continue to shape women’s experience of motherhood.

"Wharton has done nothing that equals this."―New York Times Book Review (1923)

“Extraordinarily poignant…Heartrending, tragic, powerful, this is not to be missed.”-Publishers Weekly

Edith Wharton’s A Son at the Front (1923) is a stirring rumination of family, art, and the shortcomings of possession. The story, which is set on the eve of the First World War reflects the author’s own experience living in France when the “Great War” broke out. The delineation of Wartime Paris is one of great power and evocation, yet it is the immensely personal father-son relationship that is at the heart of this tragic novel.

The novel begins in 1914, where John Compton is an American Artist living in Paris; he is successful in his art, yet ill-fated in personal relationships. His only son, George, who was born in France, is living in the United States with John’s ex-wife, Julia. Having recently reconnected with his son, and intent on rebuilding a meaningful relationship, George returns to Paris only to be enlisted into the war. Julia and her second husband, the affluent Anderson Brant, try to pull all their strings to ensure that George is appointed to the safety of a post in a staff office; yet in an act of rebellion, the young man enlists himself for the front lines. Wharton, instead of following the events on the warfront with this novel, leaves her readers in Paris as the devastating effects of those left waiting in wartime unfold. For those only familiar with Wharton’s best-known books, this is a surprising and moving War novel like no other.

With an eye-catching new cover, and professionally typeset manuscript, this edition of A Son at the Front is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Mrs. Dalloway (1925) is a novel by Virginia Woolf. Adapted from two short stories, “Mrs. Dalloway in Bond Street” and “The Prime Minister,” Mrs. Dalloway is a moving portrait of a day in the life of one woman, her thoughts and perceptions, and the influence of war on the human psyche. Recognized as one of Woolf’s most important works, Mrs. Dalloway is often considered one of the greatest English language novels of the twentieth century. In the aftermath of the Great War, two Londoners lead vastly different lives. Each of them, in their own way, has been impacted by violence—one, Clarissa Dalloway, has had her aristocratic lifestyle interrupted and struggles to reconcile her idyllic past with a present reeling from conflict; the other, Septimus Warren Smith, is a wounded veteran left to fend for himself on the streets of England’s capital. Throughout the day, as Mrs. Dalloway readies herself and her home for a party in the evening, she muses on her youth in the countryside and fantasizes about leaving her husband Richard. Across the city, Septimus lives in a park with his estranged Italian wife, Lucrezia. Suffering from a mental breakdown, he is struck with a series of powerful hallucinations and ultimately taken to a nearby psychiatric hospital. Well educated and decorated in battle, he has been left behind by the society he fought to protect, the very society gathering that night at Mrs. Dalloway’s opulent home. This edition of Virginia Woolf’s Mrs. Dalloway is a classic work of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Fantomina: Or, Love in a Maze (1725) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood revolutionizes the novel by turning the common trope of the persecuted maiden on its head. A story of individual autonomy and sexual freedom, Fantomina: Or, Love in a Maze is considered a prime example of the popular genre of amatory fiction, which often exposes the imbalance between male and female desire in a patriarchal society. Fantomina is an independent woman, a prostitute for whom desire is a powerful tool. Celia, an innocent country girl, is a young maiden unfamiliar with the ways of love. Mrs. Bloomer, a widow, knows what it is to love and to lose. Incognita is a mysterious masked woman who meets with men in the dead of night. Each of these women is involved sexually with Beauplaisir, a vain and handsome aristocrat. But they have something else in common—all four lovers are, in fact, the same woman, an unnamed narrator whose infatuation with freedom and innate curiosity lead her on a quest to experience desire in a multitude of ways. This edition of Eliza Haywood’s Fantomina: Or, Love in a Maze is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

After the unfortunate death of the Halliburton family patriarch, Mrs. Halliburton is forced to support her children alone. Living in a man-favoring society, Mrs. Halliburton struggles to find adequate work that will not compromise her morals and still earn her a decent pay. Having been the wife of a church cleric, Mrs. Halliburton holds a natural and strong reverence for her religion. As her family struggles through poverty, scandal, shame, and grieve, Mrs. Halliburton feels that her faith is among the few things that cannot be taken from her. However, as she allows her religion to guide her, still barely able to provide for her three children, her cousins, the Dares, hold much different standards. Contrasted with her extended family, who live by a code of convivence, Mrs. Halliburton holds her head high and she attempts to redeem her family from their social ruin to achieve a comfortable lifestyle once again. Inspired by some of Mrs. Henry Wood’s own struggles, Mrs. Halliburton’s Troubles contains an authentic and touching narrative of self-help and faith. Through the portrayal of Mrs. Halliburton’s virtuous character and the classic rags-to-riches storyline, Mrs. Halliburton’s Troubles aims to be an inspirational lesson and promotes moral behavior and faith. Though based in Victorian ideals, this message still holds relevance for modern audiences, for both self-reflection and insight into this historic period. With the detailed depiction of the class system of Victorian England, and the transition between them, Mrs. Halliburton’s Troubles provides a personal and thorough perspective of the social order of the mid-to-late 19th century. This edition of Mrs. Halliburton’s Troubles by Mrs. Henry Wood now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of Mrs. Halliburton’s Troubles creates an accessible and pleasant reading experience for modern audiences while restoring the original mastery and drama of Mrs. Henry Wood’s work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Originally born in an impoverished community, Charity’s parents sought out the most educated man in the nearby New England town to raise their daughter. After being surrendered to a lawyer named Royall, Charity was raised comfortably by Mr. Royall and his wife. However, when Mrs. Royall tragically passes away, Charity’s relationship with Royall is threatened. After his wife’s death, Royall begins to feel sexually attracted to Charity, and when she refuses him, their relationship becomes tense. Royall refuses to be close to her, sending proxies to take care of her. Upset and desperate to earn enough money to be able to move away and start a new life, Charity begins to work at the local library. There, she meets a young architect named Lucius, who is visiting the town to gather research for a book he is writing on colonial homes. When Charity offers to escort him around town, the two become very close, much to Royall’s dismay. Intending to marry Charity himself, Royall does his best to keep the two apart, making sure that it is known that Lucius is not welcome in his home. Still, Charity and Lucius begin a passionate love affair, progressing to a physical relationship. With secret rendezvous and passionate promises, Charity falls head over heels, but when Lucius starts missing meetings and spending time with other women, Charity is forced to wonder if he is really the man she thought she knew. When she discovers information that turns her world upside down, Charity is inspired to revisit her roots to help her make a difficult choice. With themes of class, feminism, relationships, and sexual awakening, Summer by Edith Wharton was viewed as a controversial novel when it was first published. Now, over one-hundred years later, modern audiences can appreciate the complex class and gender struggles depicted in Summer without being scandalized by the erotic content. With the use of beautiful prose filled with rich imagery, Edith Wharton’s Summer features a heart-wrenching narrative sure to keep readers engaged. Now printed in a modern, reader-friendly font, and featuring a stunning new cover design, this edition of Summer by Edith Wharton creates an accessible reading experience for contemporary audiences.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Set in a unique and isolated community, The Master of the Greylands: A Novel follows a small, private village by the sea and its occupants. Owned by the Castlemaine family, the community is old and quirky, with haunted ruins and gothic aesthetic. Despite the seemingly dreary atmosphere, the people of the Greylands are content and comfortable, until Peter Castlemaine, a leading member of the Greylands’ social scene, makes a grave financial mistake due to his own flaws. Stuck in an undesirable position, Peter realizes that his error could potentially harm the whole town. Hoping to keep his situation a secret for as long as possible, Peter confers with his closest friends, trying to find ways to delay the inevitable. Though it never received the same amount of attention of her other novels, The Master of the Greylands: A Novel by Mrs. Henry Wood is among the prolific author’s few gothic works. Featuring a clever and compelling novel set in a unique setting with life-like characters, The Master of the Greylands: A Novel captivates its audience, engrossing them in the story of a man’s foolish mistake. Embellished with an intricate amount of detail, Wood describes the community of the Greylands with vivid prose and explores the characters of the Greylands with great care. First published in 1872, The Master of the Greylands: A Novel remains to memorize readers with the spirit of the obscure setting and characters. This edition of The Master of the Greylands: A Novel by Mrs. Henry Wood now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of The Master of the Greylands: A Novel creates an accessible and pleasant reading experience for modern audiences while restoring the original mastery and drama of Mrs. Henry Wood’s work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

When superstition plagues a small village, the workers go on a strike, leaving time for reflection. What started as a normal day in the dreary mining town of Trennach quickly spirals into disarray after the sound of the Seven Whistlers is heard, warning of impending doom. The Seven Whistlers are harbingers of death, said to be the spirits of fishermen and miners killed by accidents related to their trade. According to the legend, an unmistakable bird’s cry can be heard right before a tragedy or death, alerting those nearby. After a miner in Trennach is pierced by this sound, he warns his fellow workers, who band together and refuse to go in the mines to work. However, not everyone in the small town is so inclined to believe in legends, or the word of just one man. Set in the 19th century, Edina: A Novel by Mrs. Henry Wood is a dramatic sensation novel first published nearly one-hundred and fifty years ago in 1876. With vivid description of the setting and intimate portraits of the town’s occupants, including a sickly bookstore owner, a talented doctor, superstitious miners, and more, Edina: A Novel provides modern audiences with an intricate perspective of the Victorian working class and their motivations. With timeless themes of morality, class, and the supernatural, Edina: A Novel is both compelling and insightful. This edition of Edina: A Novel by Mrs. Henry Wood now features a striking new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of Edina: A Novel crafts an accessible and pleasant reading experience for modern audiences while restoring the original sentiment and drama of Mrs. Henry Wood’s work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A dazzling exploration of social currency, love, and hypocrisy among the Gilded Age’s upper crust, The House of Mirth is a classic novel that remains essential reading. Beautiful Lily Bart is a young New York socialite who enjoys everything that high society in the late 19th century has to offer. She receives plenty of interest from men, but has not yet felt compelled to marry. Although her strictly traditional Aunt Julia provides Lily with a fashionable address and other luxuries, her future livelihood is at risk if she does not commit to a wealthy man. At twenty-nine, Lily is nearing an age when her options may begin to run out. Fortunately, she is not without opportunity, as she has caught the attention of a rich bachelor named Percy Gryce. She has also attracted Lawrence Selden, a man she genuinely likes but discounts due to his limited means. With her penchant for gambling and a desire for true love without sacrifice, Lily soon finds herself outside of society’s rules and tangled up in scandal. Wharton presents us with a tremendous novel of social realism that is rich in dramatic irony. It is as much an indictment of vicious double standards as it is a tragedy of self-delusion. For as hard as Lily tries to navigate the social snubs, malicious rumors and freewheeling sexuality of her peers, all her efforts to secure her own future grow increasingly out of reach. Originally published in 1905, The House of Mirth is still as engaging and relevant as when it was first introduced. The Mint Editions version of this classic book features expressive cover art and contemporary typesetting, making it a fine addition to any bookshelf.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Born in a small Colorado town, Thea Kronborg’s aspirations to be a famed musician makes it difficult for her to fit in. With the reputation of being different and strange, Thea has a challenging time getting along with her siblings and peers, though her mother and Aunt are supportive of her dreams. When Thea’s piano instructor is run out of town over a scandal, Thea takes over his business at age fifteen. She is also forced by her father to play the organ at their church because he believes this new devotion to a job would make her less pious. Despite her new jobs and outlet for her musical ability, Thea feels unsatisfied in Colorado, but when tragedy strikes, she finally gets an opportunity to chase her dreams. After the death of a local conductor that had been enamored by her, Thea inherits enough money to pursue a formal music education in Chicago. During her piano training, and with the help of some of her Chicago friends and mentors, Thea realizes that she has an impressive singing voice. After feeling inspired by a visit to the orchestra, Thea decides to pursue a career as an opera singer. With a new dream and drive, Thea struggles to achieve her goals without compromising her values and independence.

Willa Cather’s The Song of the Lark breaks the conventions of its time with the depiction of an independent woman protagonist with aspirations outside of the home. Cather also challenged the typical depiction of small-town country life by presenting realities such as the common uniformity and intolerance sometimes expressed within rural communities. The Song of the Lark remains to be a fascinating look into 19th century rural life, with an unadulterated view on the journey of an artist.

This edition of The Song of the Lark by Willa Cather is accommodating to a contemporary audience with a modern font and stunning new cover design.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

On his deathbed, John Bergson, the head of a Swedish American family, decided to will the family farm to his daughter, Alexandra, instead of her two older brothers. Though it upset his sons, John was firm in his decision, knowing that the conditions in Nebraska required discipline and strength to strive. Alexandra, already a strong-willed woman, accepted the farm and devoted herself to it. Through droughts and depression, Alexandra’s neighbors give up and move away, but Alexandra is determined to make the farm succeed and prove that her father made the right decision. A time jump in the narrative affirms Alexandra’s goals, but invites troubles to rival those presented by the harsh realities of the Nebraska plains. Carl Lindstrum, an old friend and neighbor, comes back into town after his abrupt departure years before, stirring an old flame between he and Alexandra. Emil, Alexandra’s younger brother, also returns home after going to a state college. The two Bergson siblings, Alexandra and Emil, soon find themselves in forbidden relationships. With the pressure of secret love, unpredictable weather, murder, and scandal, Alexandra and Emil must persevere to protect their family and preserve their happiness.

Separated into five sections, The Wild Land, Neighboring Fields, Winter Memories, The White Mulberry Tree, and Alexandra, Willa Cather’s O Pioneers! depicts neighborly disputes, forbidden love, family drama, and murder, all to the backdrop of pioneer Nebraska. With themes of feminism and innovation, O Pioneers inspires perseverance and participation in new inventions and ideas. O Pioneers! is the first of the critically acclaimed and commercially praised Great Plains trilogy, entertaining with its drama and sentiment while enlightening audiences with visceral depictions of pioneer life in the early origins of midwestern America.

With a new eye-catching cover design and reprinted in an easy-to-read font, this edition of O Pioneers! , written by the esteemed author Willa Cather, is now accessible and appealing for a modern audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In Evelina or the History of a Young Lady’s Entrance into the World, the title character leaves her isolated country home for vibrant London society. As she stumbles through the city, she encounters many people including the handsome, Lord Orville.

Evelina is a young woman who’s spent her entire childhood in seclusion. Although the legitimate daughter of Sir John Belmont, she was raised in the country with Reverend Villars. When Evelina is offered a chance to visit London, she quickly accepts the opportunity. Upon her arrival, her questionable origins and naïveté make her a target for rumors and speculation. Despite her unconventional ways, she catches the eye of nobleman, Lord Orville and tries to navigate formal rules of society and courtship.

Evelina or the History of a Young Lady’s Entrance into the World is a compelling story bursting with humor and romanticism. The author beautifully weaves multiple characters and arcs into one satisfying narrative. Originally published in 1778, Evelina maintains its refreshing outlook on contemporary life.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Evelina is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Agnes Grey exposes the harsh working conditions of a young governess who’s hired by multiple families, including the overly critical Bloomfields and the delusional Murrays. While on assignment, Agnes endures consistent cruelty, forcing her to look inward for strength and encouragement.

Agnes is a young woman who comes from an impoverished background. Eager for financial independence, she accepts a position as a governess for an upper-class family. Agnes is initially charged with the Bloomfield children, who are unruly and slightly sadistic. The oldest boy, Tom, is particularly threatening, as he likes to capture and harm small animals. Agnes also engages with the extremely wealthy Murrays and their daughters, Matilda and Rosalie, who are in dire need of direction. Agnes attempts to navigate her growing responsibilities, while maintaining her morals and resilience.

In Agnes Grey, Anne Brontë examines a common plight among working-class people. It offers a revealing look at the corruptive nature of wealth, and the moral differences between the haves and the have nots. It goes beyond the surface to expose an unflattering but honest reality.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Agnes Grey is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“No plainer manifestation of the modernist trend in contemporary English fiction may be found than in Virginia Woolf’s Jacob’s Room”-The New York Times

“I have seldom read a cleverer book…it is exquisitely written, but the characters do not vitally survive in the mind because the author has been obsessed by details of originality and cleverness.”-Arnold Bennett

Virginia Woolf’s third novel, Jacob’s Room (1922), is a penetrating look at one man’s life from childhood until his untimely death in the first World War. On the surface, this could be considered an anti-war novel, yet it is a wildly inventive experimental work that dispels traditional forms of narration. The nebulous central character, Jacob Flanders, is strangely is absent from the novel, yet the spaces he traversed are not. In telling the story of Jacob through the perspective of the characters he encountered through his short life, Woolf has created an exceptional contemplation of memory, time, and identity. Subverting the bildungsroman genre, Jacob’s Room recounts a short and unsettled life through related incidents, fleeting impression, and delirious stream-of-conscience passages.

Through an almost cinematic lens, glimpses of Jacob’s early life are recollected through his mother; the idyllic time spent with her children and her uneasy experiences living a widower’s life. Through other voices, Jacob arrives at Cambridge, where he is able to socially integrate despite his humble upbringings. After graduating, he leaves for London, where he interacts with a wide range of individuals, both impoverished and from the wealthy class; yet he never fully connects to a meaningful human relationship. Jacob, questioning whether he is a failure, decides to leave London and travels to Greece. Fortunes abroad turn precarious, and he returns to London only to be sent off to the war, where he is killed in action. As E.M. Forester remarked at the publication of Jacob’s Room, “A new type of fiction has swum into view.” Woolf has created a transformative reading experience conveying the emptiness of one individual’s life by leaving out the traditional elements of plot and character, yet she manages to question the ways we fail to see each other as we actually are.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Jacob’s Room is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Little Women is the triumphant novel by Louisa May Alcott that has inspired nearly all who’ve read it. The inspiration for several major motion pictures, miniseries, plays, and more, discover the fantastical adventures set about by the memorable March sisters the world has come to love.

Little Women tells the story of the four March sisters as they establish themselves through the various circumstances that life throws their way. There is Margaret “Meg” March, the eldest and commonly referred to as the most beautiful sister; Josephine “Jo” March, the main character of the story as well as the most strong and willful of the four; Elizabeth “Beth” March, the quiet and musical sister; and finally Amy, the youngest and most artistic. Growing up in a modest household, the priority for the March sisters was always to behave; the sisters were told to be kind and give back and to cast aside their own desires for the betterment of others. As the girls grow up however, each of the sisters discover that life doesn't always play by the rules, and sometimes, it just might be better to break them.

It’s no wonder Little Women is as celebrated today as it was in the 19th century; it is a powerful literary reminder that gender is not what counts when it comes to making a difference in the world.

Now a major motion picture by award winning director Greta Gerwig, delight in the story that has captured the hearts of so many readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Footbinding was common in China until the early twentieth century, when most Chinese were family farmers. Why did these families bind young girls' feet? And why did footbinding stop? In this groundbreaking work, Laurel Bossen and Hill Gates upend the popular view of footbinding as a status, or even sexual, symbol by showing that it was an undeniably effective way to get even very young girls to sit still and work with their hands.

Interviews with 1,800 elderly women, many with bound feet, reveal the reality of girls' hand labor across the North China Plain, Northwest China, and Southwest China. As binding reshaped their feet, mothers disciplined girls to spin, weave, and do other handwork because many village families depended on selling such goods. When factories eliminated the economic value of handwork, footbinding died out. As the last generation of footbound women passes away, Bound Feet, Young Hands presents a data-driven examination of the social and economic aspects of this misunderstood custom.

Groundbreaking essays by female activists and scholars documenting women’s resistance before, during, and after the Arab Spring

Images of women protesting in the Arab Spring, from Tahrir Square to the streets of Tunisia and Syria, have become emblematic of the political upheaval sweeping the Middle East and North Africa. In Women Rising, Rita Stephan and Mounira M. Charrad bring together a provocative group of scholars, activists, artists, and more, highlighting the first-hand experiences of these remarkable women.

In this relevant and timely volume, Stephan and Charrad paint a picture of women’s political resistance in sixteen countries before, during, and since the Arab Spring protests first began in 2011. Contributors provide insight into a diverse range of perspectives across the entire movement, focusing on often-marginalized voices, including rural women, housewives, students, and artists.

Women Rising offers an on-the-ground understanding of an important twenty-first century movement, telling the story of Arab women’s activism.

A critique of population control narratives reproduced by international development actors in the 21st century

Since the turn of the millennium, American media, scientists, and environmental activists have insisted that the global population crisis is “back”—and that the only way to avoid catastrophic climate change is to ensure women’s universal access to contraception. Did the population problem ever disappear? What is bringing it back—and why now? In On Infertile Ground, Jade S. Sasser explores how a small network of international development actors, including private donors, NGO program managers, scientists, and youth advocates, is bringing population back to the center of public environmental debate. While these narratives never disappeared, Sasser argues, histories of human rights abuses, racism, and a conservative backlash against abortion in the 1980s drove them underground—until now.

Using interviews and case studies from a wide range of sites—from Silicon Valley foundation headquarters to youth advocacy trainings, the halls of Congress and an international climate change conference—Sasser demonstrates how population growth has been reframed as an urgent source of climate crisis and a unique opportunity to support women’s sexual and reproductive health and rights. ­Although well-intentioned—promoting positive action, women’s empowerment, and moral accountability to a global community—these groups also perpetuate the same myths about the sexuality and lack of virtue and control of women and the people of global south that have been debunked for decades. Unless the development community recognizes the pervasive repackaging of failed narratives, Sasser argues, true change and development progress will not be possible.

On Infertile Ground presents a unique critique of international development that blends the study of feminism, environmentalism, and activism in a groundbreaking way. It will make any development professional take a second look at the ideals driving their work.

An inside look at women graffiti artists around the world

Since the dawn of Hip Hop graffiti writing on the streets of Philadelphia and New York City in the late 1960s, writers have anonymously inscribed their tag names on trains, buildings, and bridges. Passersby are left to imagine who the author might be, and, despite the artists’ anonymity, graffiti subculture is seen as a “boys club,” where the presence of the graffiti girl is almost unimaginable. In Graffiti Grrlz, Jessica Nydia Pabón-Colón interrupts this stereotype and introduces us to the world of women graffiti artists.

Drawing on the lives of over 100 women in 23 countries, Pabón-Colón argues that graffiti art is an unrecognized but crucial space for the performance of feminism. She demonstrates how it builds communities of artists, reconceptualizes the Hip Hop masculinity of these spaces, and rejects notions of “girl power.” Graffiti Grrlz also unpacks the digital side of Hip Hop graffiti subculture and considers how it widens the presence of the woman graffiti artist and broadens her networks, which leads to the formation of all-girl graffiti crews or the organization of all-girl painting sessions.

A rich and engaging look at women artists in a male-dominated subculture, Graffiti Grrlz reconsiders the intersections of feminism, hip hop, and youth performance and establishes graffiti art as a game that anyone can play.

There are people dedicated to improving the way we eat, and people dedicated to improving the way we give birth. A Bun in the Oven is the first comparison of these two social movements. The food movement has seemingly exploded, but little has changed in the diet of most Americans. And while there’s talk of improving the childbirth experience, most births happen in large hospitals, about a third result in C-sections, and the US does not fare well in infant or maternal outcomes.
In A Bun in the Oven Barbara Katz Rothman traces the food and the birth movements through three major phases over the course of the 20th century in the United States: from the early 20th century era of scientific management; through to the consumerism of Post World War II with its ‘turn to the French’ in making things gracious; to the late 20th century counter-culture midwives and counter-cuisine cooks. The book explores the tension throughout all of these eras between the industrial demands of mass-management and profit-making, and the social movements—composed largely of women coming together from very different feminist sensibilities—which are working to expose the harmful consequences of industrialization, and make birth and food both meaningful and healthy.
Katz Rothman, an internationally recognized sociologist named ‘midwife to the movement’ by the Midwives Alliance of North America, turns her attention to the lessons to be learned from the food movement, and the parallel forces shaping both of these consumer-based social movements. In both movements, issues of the natural, the authentic, and the importance of ‘meaningful’ and ‘personal’ experiences get balanced against discussions of what is sensible, convenient and safe. And both movements operate in a context of commercial and corporate interests, which places profit and efficiency above individual experiences and outcomes. A Bun in the Oven brings new insight into the relationship between our most intimate, personal experiences, the industries that control them, and the social movements that resist the industrialization of life and seek to birth change.

A rare look into the lives of Hasidic youth

From the ardently religious young woman who longs for the life of a male scholar to the young rebel who visits a strip club, smokes pot, and agonizes over her loss of faith to the proud Lubavitcher with a desire for a high-powered career, Stephanie Wellen Levine provides a rare glimpse into the inner worlds and daily lives of these Hasidic girls.

Lubavitcher Hasidim are famous for their efforts to inspire secular Jews to become more observant and for their messianic fervor. Strict followers of Orthodox Judaism, they maintain sharp gender-role distinctions.

Levine spent a year living in the Lubavitch community of Crown Heights, Brooklyn, participating in the rhythms of Hasidic girlhood. Drawing on many intimate hours among Hasidim and over 30 in-depth interviews, Mystics, Mavericks, and Merrymakers offers rich portraits of individual Hasidic young women and how they deal with the conflicts between the regimented society in which they live and the pull of mainstream American life.

This superbly crafted book offers intimate stories from Hasidic teenagers' lives, providing an intriguing twist to a universal theme: the struggle to grow up and define who we are within the context of culture, family, and life-driving beliefs.

In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society.
What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they empower women, or serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address these questions directly.
Not a book about a single goddess or even about a variety of South Asian goddesses, the volume raises questions about images of deities as symbols and the ways in which they function. Contributors discuss contemporary Indian women who have embraced goddesses as spiritually and socially liberating, as well as the seeming contradictions between the power of Indian goddesses and the lives of Indian women. They also explore such topics as the element of male desire in the embodiment of female deities, the question of who speaks for the goddesses, and the politics and theology of Western feminist use of Hindu and Buddhist goddesses as models for their feminist reflections.

Offers a developmental explanation for girlfighting and pathways to build girl allies

For some time, reality TV, talk shows, soap-operas, and sitcoms have turned their spotlights on women and girls who thrive on competition and nastiness. Few fairytales lack the evil stepmother, wicked witch, or jealous sister. Even cartoons feature mean and sassy girls who only become sweet and innocent when adults appear. And recently, popular books and magazines have turned their gaze away from ways of positively influencing girls' independence and self-esteem and towards the topic of girls' meanness to other girls. What does this say about the way our culture views girlhood? How much do these portrayals affect the way girls view themselves?

In Girlfighting, psychologist and educator Lyn Mikel Brown scrutinizes the way our culture nurtures and reinforces this sort of meanness in girls. She argues that the old adage “girls will be girls”—gossipy, competitive, cliquish, backstabbing— and the idea that fighting is part of a developmental stage or a rite-of-passage, are not acceptable explanations. Instead, she asserts, girls are discouraged from expressing strong feelings and are pressured to fulfill unrealistic expectations, to be popular, and struggle to find their way in a society that still reinforces gender stereotypes and places greater value on boys. Under such pressure, in their frustration and anger, girls (often unconsciously) find it less risky to take out their fears and anxieties on other girls instead of challenging the ways boys treat them, the way the media represents them, or the way the culture at large supports sexist practices.

Girlfighting traces the changes in girls' thoughts, actions and feelings from childhood into young adulthood, providing the developmental understanding and theoretical explanation often lacking in other conversations. Through interviews with over 400 girls of diverse racial, economic, and geographic backgrounds, Brown chronicles the labyrinthine journey girls take from direct and outspoken children who like and trust other girls, to distrusting and competitive young women. She argues that this familiar pathway can and should be interrupted and provides ways to move beyond girlfighting to build girl allies and to support coalitions among girls.

By allowing the voices of girls to be heard, Brown demonstrates the complex and often contradictory realities girls face, helping us to better understand and critique the socializing forces in their lives and challenging us to rethink the messages we send them.

The story of a group of Jewish women who risked their bodies to fight racism

Many people today know that the 1964 murder in Mississippi of two Jewish men—Mickey Schwerner and Andrew Goodman—and their Black colleague, James Chaney, marked one of the most wrenching episodes of the civil rights movement. Yet very few realize that Andrew Goodman had been in Mississippi for one day when he was killed; Rita Schwerner, Mickey's wife, had been organizing in Mississippi for six difficult months.

Organized around a rich blend of oral histories, Going South followsa group of Jewish women—come of age in the shadow of the Holocaust and deeply committed to social justice—who put their bodies and lives on the line to fight racism. Actively rejecting the post-war idyll of suburban, Jewish, middle-class life, these women were deeply influenced by Jewish notions of morality and social justice. Many thus perceived the call of the movement as positively irresistible.

Representing a link between the sensibilities of the early civil rights era and contemporary efforts to move beyond the limits of identity politics, the book provides a resource for all who are interested in anti-racism, the civil rights movement, social justice, Jewish activism and radical women's traditions.

Maps the major developments and debates in feminist film theory

For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s.

Covering a wide range of topics, including oppressive images, "woman" as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field.

Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams.

Escaping Eden brings together feminist biblical scholars to explore how aspects of social location such as gender, ethnicity, class, and religious background affect biblical interpretation.
The volume combines feminist reading strategies with sustained methodological inquiry. Writing in a range of modes including historical and literary criticism, cultural studies, satirical fiction, and the personal essay, the contributors challenge the presumed objectivity of conventional biblical scholarship.
Interrogating biblical authority, que(e)rying Jeremiah, exploring translation as a feminist act, and reclaiming texts as diverse as Genesis, Luke, and Philippians, Escaping Eden expands the usual boundaries of biblical academic discourse.

This is the unusual and compelling story of Diana, a tantalizingly beautiful woman who sought love in the strange by-paths of Lesbos. Fearless and outspoken, it dares to reveal that hidden world where perfumed caresses and half-whispered endearments constitute the forbidden fruits in a Garden of Eden where men are never accepted.

This is how Diana: A Strange Autobiography was described when it was published in paperback in 1952. The original 1939 hardcover edition carried with it a Publisher's Note: This is the autobiography of a woman who tried to be normal.

In the book, Diana is presented as the unexceptional daughter of an unexceptional plutocratic family. During adolescence, she finds herself drawn with mysterious intensity to a girl friend. The narrative follows Diana's progress through college; a trial marriage that proves she is incapable of heterosexuality; intellectual and sexual education in Europe; and a series of lesbian relationships culminating in a final tormented triangular struggle with two other women for the individual salvation to be found in a happy couple.

In her introduction, Julie Abraham argues that Diana is not really an autobiography at all, but a deliberate synthesis of different archetypes of this confessional genre, echoing, as it does, more than a half-dozen novels. Hitting all the high and low points of the lesbian novel, the book, Abraham illustrates, offers a defense of lesbian relationships that was unprecedented in 1939 and radical for decades afterwards.

In the last forty years anthropologists have made major contributions to understanding the heterogeneity of reproductive trends and processes underlying them. Fertility transition, rather than the story of the triumphant spread of Western birth control rationality, reveals a diversity of reproductive means and ends continuing before, during, and after transition. This collection brings together anthropological case studies, placing them in a comparative framework of compositional demography and conjunctural action.  The volume addresses major issues of inequality and distribution which shape population and social structures, and in which fertility trends and the formation and size of families are not decided solely or primarily by reproduction.

Women, Magic, Wisdom: Explore a Japanese myth through the words and images of key scholars and artists.

Alluring, nurturing, dangerous, and vulnerable the yamamba, or Japanese mountain witch, has intrigued audiences for centuries. What is it about the fusion of mountains with the solitary old woman that produces such an enigmatic figure? And why does she still call to us in this modern, scientific era? 

Co-editors Rebecca Copeland and Linda C. Ehrlich first met the yamamba in the powerful short story “The Smile of the Mountain Witch” by acclaimed woman writer Ōba Minako. The story revealed the compelling way creative women can take charge of misogynistic tropes, invert them, and use them to tell new stories of female empowerment.

This unique collection represents the creative and surprising ways artists and scholars from North America and Japan have encountered the yamamba.

Thirty years after its first publication, Womansword remains a timely, provocative work on how words reflect female stereotypes in modern Japan.

Short, lively essays offer linguistic, sociological, and historical insight into issues central to the lives of women everywhere: identity, girlhood, marriage, motherhood, work, sexuality, and aging. Cherry uses Japanese society, from folklore to pop culture, to illuminate female identity, simultaneously teaching us about both.

A new introduction shows how things have—and haven't—changed.

Hating Girls is a collection of cutting-edge essays addressing the pervasive problem of misogyny from an intersectional framework, particularly focused on identities of gender, race, class, sexuality, and religion. Scholars, activist reformers, and social justice practitioners offer multiple perspectives on the misogyny that dominates our culture, providing both macro-views and case studies in the United States. This interdisciplinary analysis exposes the destructive, oppressive beliefs and practices inherent in our society and offers a progressive, equitable way forward.

Contributors are: Portia Allie-Turco, Mary Sue Barnett, Melissa Brennan, Angela Cowser, Diane Dougherty, Dorislee Gilbert, Kristi Gray, Tammy Hatfield, Sarah E. Johansson, Sandy Phillips Kirkham, Francoise Knox-Kazimierczuk, Debra Meyers, Donna Pollard, Meredith Shockley-Smith, Tara M. Tuttle, Johanna W.H. van Wijk-Bos, and Stephanie A. Welsh.

In the years following the Civil War, pioneers in the women’s rights movement, women’s medical education, and public-private charitable partnerships joined forces to reduce the incidence of abortion in America. As alumni of the abolitionist movement, they analyzed abortion in ways that resembled their earlier critiques of slavery. Abortion, too, was a structural problem. A self-evidently evil act, it was sustained by the quack doctors and unscrupulous press that it enriched. These advocates believed that women seeking abortions had usually been deprived of their ability to act freely, rationally, and well in the world, almost always by external forces. Thus, they had sympathy for their suffering sisters and pity for their injuries—physical and moral. Early women’s rights advocates worked to raise vulnerable women to their feet, providing them with material and moral resources for “self-extrication” from the depths into which they had sunk.

The authors of this book have approached their subject critically, examining not just the early women’s rights advocates’ publicly spoken words, but the networks and institutions that they built. This previously untold story illuminates the early history of women’s rights and abortion in America.

Victoria Woodhull, the first woman to run for president, forced her fellow Americans to come to terms with the full meaning of equality after the Civil War. A sometime collaborator with Susan B. Anthony and Elizabeth Cady Stanton, yet never fully accepted into mainstream suffragist circles, Woodhull was a flamboyant social reformer who promoted freedom, especially freedom from societal constraints over intimate relationships. This much we know from the several popular biographies of the nineteenth-century activist. But what we do not know, as Amanda Frisken reveals, is how Woodhull manipulated the emerging popular media and fluid political culture of the Reconstruction period in order to accomplish her political goals.

As an editor and public speaker, Woodhull demanded that women and men be held to the same standards in public life. Her political theatrics brought the topic of women's sexuality into the public arena, shocking critics, galvanizing supporters, and finally locking opposing camps into bitter conflict over sexuality and women's rights in marriage. A woman who surrendered her own privacy, whose life was grist for the mills of a sensation-mongering press, she made the exposure of others' secrets a powerful tool of social change. Woodhull's political ambitions became inseparable from her sexual nonconformity, yet her skill in using contemporary media kept her revolutionary ideas continually before her peers. In this way Woodhull contributed to long-term shifts in attitudes about sexuality and the slow liberation of marriage and other social institutions.

Using contemporary sources such as images from the "sporting news," Frisken takes a fresh look at the heyday of this controversial women's rights activist, discovering Woodhull's previously unrecognized importance in the turbulent climate of Radical Reconstruction and making her a useful lens through which to view the shifting sexual mores of the nineteenth century.

The history of Everywoman—the Book of Genesis's famously debated character

Eve: A Biography is the history of Everywoman. Her brief adventure in the Book of Genesis is where the Western idea of woman began, and three thousand years after Eve offered Adam the forbidden fruit, everyone still knows that losing Paradise was Eve's fault.

Pamela Norris traces the evolution of Eve's bad reputation, drawing on a rich and diverse tradition of storytelling that embraces myth, folk tale and popular romance, and puts the spotlight firmly on women and their sexuality. From Dinah and Delilah, Pandora and Psyche, to the snaky Lamias and Liliths who haunted nineteenth-century painting and literature, centuries of disobedient women have been linked with Eve, the original bad girl, providing ample ammunition for male fears and fantasies. But Eve's story has also been retold by women, who have found ingenious and often subversive ways to free her from her disreputable past.

Stimulating, intriguing and wittily erudite, Eve: A Biography is the entrancing tale of a folk maiden who metamorphoses into a vamp, a mermaid, a bluestocking, a witch, a virgin trapped inside the walls of a fertile garden and finally, perhaps, into a thoroughly modern woman who chews the apple of knowledge with gusto and wouldn't dream of offering Adam a bite.

Huge social changes occurring in real time are leading us to rethink traditional roles in our homes, workplaces and in society. So why do women who outearn their male partners still tend to do more housework and childcare? Why are unemployed men generally happier if their female partners are also unemployed? Why is unpaid labour still seen as a less important contribution than paid work within family units?

In Breadwinners, award-winning science journalist Melissa Hogenboom interviews dozens of female breadwinners, stay-at-home dads and same-sex couples, comparing their stories to the latest research to demonstrate the consequences of changing dynamics. She reveals how pursuing and maintaining power is a key part of every human interaction, affecting every area of our lives. Breadwinners shows how, the closer we look, the easier it is to see the influence of power structures all around us. Ultimately, it gives readers the tools to address imbalances and improve our relationships at home and at work.

If we can share power more equally, we can improve not only our own wellbeing but also recognise how to dismantle social structures that are seemingly set in stone.

What if the greatest crisis facing humanity isn’t political or environmental—but the loss of feminine nature itself?

For centuries, society has prioritized masculine values, pushing women to compete with men in order to be seen as successful. The feminist movement, while expanding opportunities, has also led many to disconnect from their feminine energy. This shift has created widespread emotional, mental, and physical imbalances, affecting families for generations.

The Feminine Frequency explores how this disconnection has hindered true progress. Chelsea Ann argues that humanity has not evolved as believed but has instead moved backward in understanding the feminine essence. Women have been shaped by societal pressures rather than their inherent nature, leading to a crisis in identity and relationships.

Through real-life stories from women worldwide, The Feminine Frequency examines what it truly means to embrace the feminine. The nature of a woman has never been clearly defined—until now. It is not rooted in competition, control, victimhood, or a struggle to mirror men. Instead, it thrives in motherhood, intuition, connection to divinity, and the ability to bring harmony to relationships.

Restoring balance in the world depends on recognizing the immense value of feminine energy. Women are the driving force of humanity, and by reclaiming their authentic nature, they can lead society toward greater harmony and peace—and they’ll never wish they were men again.

The globe-trotting tales of five women who fought for the right to enjoy the wild places of the earth.

For millennia the ‘wild’ was a place heroic men went on epic quests. Women were prevented from joining them, either through physical control or powerful myths about what would happen if they ventured beyond the city wall or village boundary. So how did women claim their place in the remote and lovely parts of our planet?

In Wildly different, historian Sarah Lonsdale traces the lives of five women who fought for the right to work in, enjoy and help to save the earth’s wild places. We’ll meet Mina Hubbard, who outraged the exploration community when she stepped into a canoe in northern Labrador. Evelyn Cheesman, who became the first female keeper of insects at London Zoo. Dorothy Pilley, who shocked polite society by donning men’s climbing breeches. Ethel Haythornthwaite, who helped make the Peak District Britain’s first National Park. And Wangari Maathai, who started a movement to plant millions of trees across sub-Saharan Africa.

Drawing on interviews with Sir David Attenborough, Wangari Maathai’s daughter and others, Lonsdale recounts the women’s adventures across five continents. Evocative and inspiring, this book shows how women can be ‘wildly different’.

The lyrical and globe-spanning memoir by the influential feminist economist, with introductory pieces from two American icons

“Your heart and world will be opened by reading The Brass Notebook, the intimate and political life of Devaki Jain, a young woman who dares to become independent.” —Gloria Steinem

When she was barely thirty, the Indian feminist economist Devaki Jain befriended Doris Lessing, Nobel winner and author of The Golden Notebook, who encouraged Jain to write her story. Over half a century later, Jain has crafted what Desmond Tutu has called “a riveting account of the life story of a courageous woman who has all her life challenged what convention expects of her.”

Across an extraordinary life intertwined with those of Iris Murdoch, Gloria Steinem, Julius Nyerere, Henry Kissinger, and Nelson Mandela, Jain navigated a world determined to contain her ambitions. While still a young woman, she traveled alone across the subcontinent to meet Gandhi’s disciple Vinoba Bhave, hitchhiked around Europe in a sari, and fell in love with a Yugoslav at a Quaker camp in Saarbrücken. She attended Oxford University, supporting herself by washing dishes in a local café. Later, over the course of an influential career as an economist, Jain seized on the cause of feminism, championing the poor women who labored in the informal economy long before mainstream economics attended to questions of inequality.

With a foreword by Nobel Prize–winning economist Amartya Sen and an introduction by the well-known American feminist Gloria Steinem, whose own life and career were inspired by time spent with Jain, The Brass Notebook perfectly merges the political with the personal—a book full of life, ideas, politics, and history.

Fifteen years after her death, Andrea Dworkin remains one of the most important and challenging figures in second-wave feminism. Although frequently relegated to its more radical fringes, Dworkin was without doubt a formidable and influential writer, a philosopher, and an activist—a brilliant figure who inspired and infuriated in equal measure. Her many detractors were eager to reduce her to the caricature of the angry, man-hating feminist who believed that all sex was rape, and as a result, her work has long been misunderstood. It is in recent years, especially with the rise of the #MeToo movement, that there has been a resurgence of interest in her ideas.

This biography is the perfect complement to the widely reviewed anthology of her writing, Last Days at Hot Slit, published in 2019, providing much-needed context to her work. Given exclusive access to never-before-published photographs and archives, including her letters to many of the major figures of second-wave feminism, award-winning biographer Martin Duberman traces Dworkin’s life, from her abusive first marriage through her central role in the sex and pornography wars of the following decades. This is a vital, complex, and long overdue reassessment of the life and work of one of the towering figures of second-wave feminism.

“No person in the United States shall, on the basis of sex, be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any education program or activity receiving federal financial assistance.”
—Title IX’s first thirty-seven words

By prohibiting sex discrimination in federally funded education, the 1972 legislation popularly known as Title IX profoundly changed the lives of women and girls in the United States, accelerating a movement for equal education in classrooms, on sports fields, and in all of campus life.

37 Words is the story of Title IX. Filled with rich characters—from Bernice Resnick Sandler, an early organizer for the law, to her trans grandchild—the story of Title IX is a legislative and legal drama with conflicts over regulations and challenges to the law. It’s also a human story about women denied opportunities, students struggling for an education free from sexual harassment, and activists defying sexist discrimination. These intersecting narratives of women seeking an education, playing sports, and wanting protection from sexual harassment and assault map gains and setbacks for feminism in the last fifty years and show how some women benefit more than others. Award-winning journalist Sherry Boschert beautifully explores the gripping history of Title IX through the gutsy people behind it.

In the tradition of the acclaimed documentary She’s Beautiful When She’s Angry, 37 Words offers a crucial playbook for anyone who wants to understand how we got here and who is horrified by current attacks on women’s rights.