Celebrate Women's History Month

In the watershed year of 1919, world leaders met in Paris, promising to build a new international order rooted in democracy and social justice. Female activists demanded that statesmen live up to their word. Excluded from the negotiating table, women met separately, crafted their own agendas, and captured global headlines with a message that was both straightforward and revolutionary: enduring peace depended as much on recognition of the fundamental humanity and equality of all people—regardless of sex, race, class, or creed—as on respect for the sovereignty of independent states.

Peace on Our Terms follows dozens of remarkable women from Europe, the Middle East, North America, and Asia as they crossed oceans and continents; commanded meeting halls in Paris, Zurich, and Washington; and marched in the streets of Cairo and Beijing. Mona L. Siegel’s sweeping global account of international organizing highlights how Egyptian and Chinese nationalists, Western and Japanese labor feminists, white Western suffragists, and African American civil rights advocates worked in tandem to advance women’s rights. Despite significant resistance, these pathbreaking women left their mark on emerging democratic constitutions and new institutions of global governance. Drawing on a wide range of sources, Peace on Our Terms is the first book to demonstrate the centrality of women’s activism to the Paris Peace Conference and the critical diplomatic events of 1919. Siegel tells the timely story of how female activists transformed women’s rights into a global rallying cry, laying a foundation for generations to come.

This book pays tribute to 14 women who donated millions of dollars to causes close to their hearts. Iris Nowell is the author of five books. Writing her 1996 book, Women Who Give Away Millions, has given her a solid foundation of philanthropy, the not-for-profit sector, and the wealthy. She has also written a memoir of Canadian artist Harold Town, and a biography of artist, filmmaker, and impassioned feminist, Joyce Wieland.

Co-winner of the Canada-Japan Literary Awards 1997

By either folly or design, Gabrielle Bauer finds herself on a plane bound for Tokyo, leaving her career, home, and husband behind.

Canada's foremost cookbook author began her career, not as a cook, but as a journalist writing for Canadian magazines. She was 60 when she turned her attention to food. Food That Really Schmecks immediately became a best-seller, and continues to sell 35 years later. It's more than a book of wonderful recipes - it also describes the Mennonite way of life. The success of that book led to two more Schmecks books and many other cookbooks. Edna has received the Order of Canada among many other awards.

Over the years, Edna developed longstanding friendships with many of Canada's greatest writers, including Margaret Laurence, W.O. Mitchell, Sheila Burnford, and Pierre Berton. In 1991 she established The Edna Staebler Award for Creative Non-fiction to recognize the first or second book of a Canadian writer.

To Experience Wonder is the first book to explore behind the scenes of this successful writer's life. At the age of 97, Edna leads an active life at her cottage on Sunfish Lake, where she writes, reads, and welcomes the many aspiring writers who come to visit.

Lucy Maud Montgomery, Canada's most beloved author, not only gave the world the classic novel Anne of Green Gables, but she was also a devoted minister's wife, mother, neighbour, and friend to many, who in turn were honoured to have know this great lady.

In Remembering Lucy Maud Montgomery, the writer is remembered through first-hand reminiscences of the people who knew her. Her Sunday school students, neighbours, maids, family, and friends paint a portrait of Montgomery as she has never before been seen. Not only does this book uncover fascinating sides of the author and provide fresh anecdotes, but it includes many photographs that are published for the first time.

Even Montgomery's most devoted fans will find stories to surprise, delight, and at times even shock them.

In 1933, a young Canadian woman rejected the expectations of society and her upper-class family and became a crew member aboard one of the last great four-masted sailing vessels that still plied the ocean.

It was not an easy task. Young Annette had to fight pressures from her family, rejection from schools of navigation, and doubts from ship owners. When she finally found a berth as an apprentice seaman, she faced hostility from officers and crew, who grumbled that she should be home "raising babies." In the end, however, Annette won their respect, taking in sails, standing night watches, hauling and coiling ropes all the tasks the men were doing, with no concession to a girl's lesser strength.

My Year Before the Mast tells the story of Annette Brock Davis's life on the sea as the first female crew member of a commercial sailing line. Her courage and determination to break into a closed male world are central to this book, but we cannot ignore the fact that, while this is a book about a woman's struggle, it is also a book about the sea. Davis brings to life an era long gone, and introduces an incredible cast of characters the crew, officers, and passengers, each with his own foibles, humour, generosity, and flashes of meanness. But through it all, Annette emerges as the most remarkable character of them all.

Kathleen Rice was an inspiring woman who lived ahead of her time. Born in St. Marys, Ontario, she graduated as a gold medallist in Mathematics at the University of Toronto in 1906. After a conventional beginning teaching school in Ontario and Saskatchewan, Kate broke free of the mold, searching for new frontiers as a prospector in Manitoba during the gold rush. She formed a partnership with Dick Woosey and began a life in the remote areas around Herb Lake, prospecting and trapping. After Woosey's death, Kate faced her final and most difficult challenge - living alone in the wildness of the north.

The diaries, letters, and sketches of Elizabeth Simcoe are drawn upon as sources in this portrayal of the energetic and remarkable woman who came to Upper Canada with her husband when he was appointed lieutenant governor.

This is the story of Rene M. Caisse of Bracebridge, Canada and describes her extraordinary perseverance to obtain official recognition of her herbal cancer remedy she called Essiac, her name spelled backwards. Rene Caisse was thrust into a life-long medical-legal-political controversy that still persists since her death in 1978. Rene wrestled with the Hepburn government of Ontario over the operation of her Bracebridge cancer clinic during 1935 to 1941 and her use of Essiac. She refused to reveal her secret formula and legislation demanding the recipe forced the closing of her clinic. The government was embroiled in the dilemma of ensuring their public favour and appeasing cancer patients. This documented research presents a biography of a remarkable woman and her struggle to help "suffering humanity."

100 Canadian Heroines profiles some remarkable women; from the adventurous Gudridur the Viking to murdered Mi'kmaq activist Anna Mae Aquash. You'll meet heroines in science, sport, preaching and teaching, politics, war and peace, arts and entertainment, etc.

The book is full of amazing facts and fascinating trivia about intriguing figures like mountaineer Phyllis Munday, activist Hide Shimizu, Arctic guide Tookoolito, unionist Lea Roback, sexy movie mogul Mary Pickford and singer Portia White. Great quotes and photos are featured in this inspiring collection. As we celebrate the 75th Anniversary of the Persons Case on October 18, 2004, discover some of the many heroines Canada can be proud of. Find out how we're remembering them. Or not!

Short-listed for the 2002 Edna Staebler Award for Creative Non-Fiction

So you grow up as a member of the baby boom. You're well-brought up, well-educated, and your parents have great expectations. And, yet, somehow, you just don't feel you belong.

Along the way, you find the right wrong boyfriends: the poet-husband, and bane of your mother's existence, the married Japanese doctor. When love at last arrives, and the realization that it's just not in your nature to hold down a nine-to-five, stick-with-the-program corporate job, you discover that the one thing you thought would be very easy - conception - doesn't happen. Square peg in a round hole? Absolutely. But now it's called Waltzing the Tango - the humorous memoir of Gabrielle Bauer. It's a tale most women will not only identify with, but will also laugh along with - occasionally with the painful pangs of self-recognition.

Solitary Courage is the story of a mother’s tough-love determination, her severely disabled daughter’s astonishing triumphs, and a documentary record of the political battles, organizational conflicts, and human struggles that citizens with disabilities face and fight every day of their lives.

Mona Winberg became a pioneer of independent living, and emerged a leading advocate for citizens with mental and physical disabilities. Her courageous causes erupted from her deep reservoir of compassion and concern. Her unflinching challenges to the status quo expressed both optimism and realism about life and society. Her life is testament to the power of Solitary Courage.

Between 1986 and 1999 she was the only newspaper columnist in North America regularly writing about disability issues. Through her award-winning column "Disabled Today" in Toronto’s Sunday Sun, Mona Winberg painstakingly built up a body of work of more than 600 articles chronicling front-line battles for equality. She was a realist, a wise person with a no-nonsense approach, kindly, but clear-eyed.

Solitary Courage begins with the story of Mona Winberg’s life, followed by a representative selection of 156 of her columns organized into 20 thematic chapters, the best of Mona in her own words. The last part of the book reflects upon Mona Winberg’s legacy of lessons that still connect to programs and policies touching the lives of Canadians with disabilities today.

The subjects are wide-ranging and engaging because Mona used personal examples of individuals with disabilities and news-making issues raised by their plight. She also reported on the street-level outcomes of government policies. This variety and approach to disability issues provides real education and genuine human interest, whatever a reader’s background or experience.

Neuville’s status as a woman, and an outsider, made her a particularly keen and sympathetic observer of individuals from a range of socioeconomic and ethnic backgrounds. She drew the earliest ethnographically correct images of indigenous Americans, together with vistas predating the works of other traveler-artists, and long-vanished buildings. Although she arrived in America as an outcast, by the end of her second residency, as the celebrated wife of the French Minister Plenipotentiary, she was interacting with political leaders and making her mark on society in Washington, DC and New York City. Artist in Exile tells her compelling story.

Mountain midwife Orlean Puckett endured many trials during her lifetime. A bride at the age of 16, she had given birth to and buried 24 babies by the time she was in her mid-thirties. When John Puckett, her husband, deserted the Civil War, Orlean was besieged by Home Guard Troops. Still, she secretly carried food to John and others who hid out near her home. Orlean became a midwife when she was 45 years of age. During the next 49 years, she successfully delivered over a thousand babies. Traveling on foot or by horse, Orlean never failed to make her way to a birthing. When ice covered the mountain paths, she hammered nails into the soles of her shoes to assure proper footing. A year after Orlean “caught” her last baby, construction of the Blue Ridge Parkway forced her from her home. Three weeks later, at the age of 95, she died. A marker honoring the life of this remarkable woman now stands at Milepost 189.9 along Virginia’s Blue Ridge Parkway.

Karen attended Guilford College and holds a BA in English from Salem College. During her last semester at Salem, she became a freelance writer for a local magazine. After graduation, Karen worked as a newspaper reporter, photographer, and editor. Her stories and poetry have been featured in national magazines and literary journals.

The Nazi regime opened its first concentration camps within weeks of coming to power, but with the exception of Dachau the history of these early, improvised camps and their inmates is not yet widely known. Gabriele Herz's memoir, published for the first time, is a unique record of a Jewish woman's detention in the first women's concentration camp in Moringen (housed in part of an old-established workhouse), at a time when most other inmates were communists or Jehovah's Witnesses. This original translation of her wry and perceptive memoir is accompanied by an extensive introduction that sets Herz's experience in the history both of political detention under the Nazi regime and of the German workhouse system.

Drawing on family materials, historical records, and eyewitness accounts, this book shows the impact of war on individual women caught up in diverse and often treacherous situations. It relates stories of partisans in Holland, an Italian woman carrying guns and provisions in the face of hostile soldiers, and Kikuyu women involved in the Mau Mau insurrection in Kenya. A woman displaced from Silesia recalls fleeing with children across war-torn Germany, and women caught up in conflicts in Burma and in Rwanda share their tales. War's aftermath can be traumatic, as shown by journalists in Libya and by a midwife on the Cambodian border who helps refugees to give birth and regain hope. Finally, British women on active service in Afghanistan and at NATO headquarters also speak.

Drawing on family materials, historical records, and eyewitness accounts, this book shows the impact of war on individual women caught up in diverse and often treacherous situations. It relates stories of partisans in Holland, an Italian woman carrying guns and provisions in the face of hostile soldiers, and Kikuyu women involved in the Mau Mau insurrection in Kenya. A woman displaced from Silesia recalls fleeing with children across war-torn Germany, and women caught up in conflicts in Burma and in Rwanda share their tales. War's aftermath can be traumatic, as shown by journalists in Libya and by a midwife on the Cambodian border who helps refugees to give birth and regain hope. Finally, British women on active service in Afghanistan and at NATO headquarters also speak.

Her joyous remembrance of her first decade on an enchanted island

And of those cherished friends who inspired her best-selling trilogy, Lighthouse, New Moon Rising, and Beloved Invader. After only a few golden hours on Georgia’s St. Simons Island, Eugenia Price longed to make it her home. Even though she loved her old town house in Chicago, and her busy writing and lecturing schedule, the shadow-streaked, light-filled place had cast its spell and would not let her go. The reader, too, will feel the Island’s magic as Genie describes her odyssey with her friend Joyce Blackburn from the urban North to Southern small-town community life and peace.

With deep affection and humor she shares her many friendships—with “the first six,” the elderly folk who gave her their love, their stories, and their memories so that she could write her novels of St. Simons; with her beloved editor, Tay Hohoff, who encouraged and goaded her; and with all the other people who helped with her writing and with the building of her Island home in the midst of the “dear dark woods.”

Although she had been uncertain at first of her welcome to St. Simons, she later experienced the rare privilege of having the Island name a day in her honor.

These intimate pages are also filled with Genie’s quiet faith in God and her eternal gratitude for His grace in sending her to St. Simons. She calls her book a memoir, but it is more than that. It is a thanksgiving celebration of life and of its surprising goodness even in the midst of sorrow and loss. So that she can exclaim to Joyce, “How could life be better than it is right now?”

Her joyous remembrance of her first decade on an enchanted island

And of those cherished friends who inspired her best-selling trilogy, Lighthouse, New Moon Rising, and Beloved Invader. After only a few golden hours on Georgia’s St. Simons Island, Eugenia Price longed to make it her home. Even though she loved her old town house in Chicago, and her busy writing and lecturing schedule, the shadow-streaked, light-filled place had cast its spell and would not let her go. The reader, too, will feel the Island’s magic as Genie describes her odyssey with her friend Joyce Blackburn from the urban North to Southern small-town community life and peace.

With deep affection and humor she shares her many friendships—with “the first six,” the elderly folk who gave her their love, their stories, and their memories so that she could write her novels of St. Simons; with her beloved editor, Tay Hohoff, who encouraged and goaded her; and with all the other people who helped with her writing and with the building of her Island home in the midst of the “dear dark woods.”

Although she had been uncertain at first of her welcome to St. Simons, she later experienced the rare privilege of having the Island name a day in her honor.

These intimate pages are also filled with Genie’s quiet faith in God and her eternal gratitude for His grace in sending her to St. Simons. She calls her book a memoir, but it is more than that. It is a thanksgiving celebration of life and of its surprising goodness even in the midst of sorrow and loss. So that she can exclaim to Joyce, “How could life be better than it is right now?”

Margaret Sanger, the founder of Planned Parenthood, has been the subject of adoring television dramas and enthusiastic biographies, but her life and work were anything but inspiring. Killer Angel is a close-up look at Sanger that brings to light much that has been ignored or suppressed in most of the films and books that are available today.

Sanger’s personal life was marked by tumult and immorality. The views underlying her formation of the American Birth Control League (renamed Planned Parenthood after World War II) were racist and White Supremacist. Her personal friend and advisor Ernst Rudin, Adolph Hitler’s director of genetic sterilization, was deeply involved in the American Birth Control League. And she hated all religion, Christianity in particular. These are just a few of the revelations to be found in this revised edition of a work that has opened many eyes to aspects of Sanger’s work that have been largely ignored until now.

The last and longest private owner of the Hope Diamond, Evalyn Walsh McLean led anything but an ordinary life. Evalyn grew up a poor girl in a rough Colorado mining town where her father discovered one of the largest gold mines in the United States. The newly wealthy family relocated to Washington, D.C., where she met and married Ned McLean, who inherited the renowned Washington Post and the Cincinnati Enquirer. With the combined influence of the Walsh and McLean families, Evalyn developed friendships with the politically prominent in the nation’s capital and became the city’s favorite hostess. Notorious for giving magnificent parties, she counted the Tafts, the Hardings, the Coolidges, Alice Roosevelt, J. Edgar Hoover, and Ethel Barrymore among her many personal friends.

The McLeans purchased the Hope Diamond when Evalyn was only twenty-four.Wagging tongues and the diamond’s supposed curse did not, however, prevent her from wearing it. She lost the diamond a few times, too, once by putting it around her Great Dane’s neck. When she left the Hope Diamond to her grandchildren in 1947, it was worth two million dollars.

Evalyn loved her diamonds, but she loved children, pets, and life more. The deep indigo stone is but a single facet of her story. Her autobiography, Father Struck It Rich, became a best-seller in the mid-thirties. Now illustrated with many previously unpublished photographs, Queen of Diamonds is that autobiography with a foreword by her great-grandson and an epilogue describing the last decade of her life.

Nominated in Scotland’s National Book Awards

In this searing, frank and funny memoir, Catherine Simpson describes what it’s been like to live in her woman’s body, and to reach the realisation that all that time she’d spent trying to change her body to conform - often to unattainable standards - could be seen from a completely different perspective.

By the time she reached her fifties, Catherine Simpson and her body had gone through a lot together—from period pain and early menopause to shaming and harassment. But there had been success, joy, love, and laughter too: far more freedoms than her mother had, a fulfilling family life and career, and even the promise of further gains for her daughters.

So when a cancer diagnosis upends her life, Catherine is forced to reflect on her body, then and now. From growing up on a farm where veterinarians were more common than doctors, and where illness was “a nuisance,” she finds herself faced with the nuisance of a lifetime.

One Body is the demystifying, relatable, often hilarious and sometimes hair-raising story of how Catherine navigates her treatment and takes stock of the emotions and reflections it provokes. And how she comes to appreciate the skin she is in—to be grateful for her body and all that it does and is.

Women in Japanese Studies: Memoirs from a Trailblazing Generation brings together trailblazing women scholars from diverse disciplines in Japanese Studies to reflect on their careers and offer advice to colleagues.

Most books present research and pedagogies. We do something different: We share lives—personal stories of how women scholars earned graduate degrees and began careers bridging Japan and North America between the 1950s and 1980 and balanced professional and personal responsibilities. We challenge the common narrative that Japanese Studies was established by men who worked for the US military after World War II or were from missionary families in Japan. This is only part of the story—the field was also created by women who took advantage of postwar opportunities for studying Japan. Women of this generation were among the first scholars to use Japanese source materials in research published in English and the first foreigners to study at Japanese universities. Their careers benefitted from fellowships, educational developments, activist movements to include the study of women and Asia in university curricula, and measures to prevent gender discrimination. Yet there were instances when, due to their gender, women received smaller salaries, faced hurdles to tenure, and were excluded from, or ignored, at conferences.

Our book pioneers a genre of academic memoirs, capturing emotional and intellectual experiences omitted from institutional histories. We offer lively, engaging, thoughtful, brave, empowering stories that start larger conversations about gender and inclusion in the academy and in Japan-American educational exchange.

By 1996, millions of South Sudanese have been killed, died of starvation, or fled the decades-long civil war ravaging their country. So when the Presbyterian Church in the United States begins recruiting a development team to work with war refugees in the region, Caroline and her husband Mark are eager to help. But it’s only months before ghosts from their individual pasts whistle in to disrupt their marriage and their new postings.

Caroline finds relief in teaching and peace work in South Sudan, but the heavy responsibility she now carries for dozens of vulnerable families—coupled with the prevailing ideas of Biblical womanhood that put pressure on her personal life—makes it increasingly clear that Caroline is under-prepared for the high-stakes crisis in which she is now embedded.

Through a number of consequential mistakes and increasingly debilitating self-doubt, Caroline clings to hope that her willingness to stand with the South Sudanese will count for something in the end. A deeply personal examination of South Sudan at war—and a woman at war with herself—Today is Tomorrow shines a warm light on the darkest of places.

Caroline Kurtz grew up in the remote mountains of Maji, Ethiopia in the 1950s. Inside her mud adobe home with her missionary parents and three sisters, she enjoyed American family life. Outside, her world was shaped by drums and the joy cry; Jeep and mule treks into the countryside; ostriches on the air strip; and the crackle of several Ethiopian languages she barely understood but longed to learn.

She felt she’d been exiled to a foreign country when she went to Illinois for college. She returned to Ethiopia to teach, only to discover how complex working in another culture and language really is. Life under a Communist dictatorship meant constant outages—water, electricity, sugar, even toilet paper. But she was willing to do anything, no matter how hard, to live in Ethiopia again. Yet the chaos only increased—guerillas marched down from the north, their t-shirts crisscrossed by Kalashnikov bandoliers. When peace returned, Caroline got the chance she’d longed for, to revisit that beloved childhood home in Maji. But maybe it would have been better just to treasure the memories.

Caroline Kurtz speaks Amharic fluently and spearheads development in Ethiopia’s Maji District, introducing apples, solar energy, and women’s cottage industries.

A thousand years ago, a young Japanese girl embarked on a journey from deep in the countryside of eastern Japan to the capital. Forty years later, with the long account of that journey as a foundation, the mature woman skillfully created an autobiography that incorporates many moments of heightened awareness from her long life. Married at age thirty-three, she identified herself as a reader and writer more than as a wife and mother; enthralled by fiction, she bore witness to the dangers of romantic fantasy as well as the enduring consolation of self-expression.

This reader’s edition streamlines Sonja Arntzen and Moriyuki Itō’s acclaimed translation of the Sarashina Diary for general readers and classroom use. This translation captures the lyrical richness of the original text while revealing its subtle structure and ironic meaning, highlighting the author’s deep concern for Buddhist belief and practice and the juxtaposition of poetic passages and narrative prose. The translators’ commentary offers insight into the author’s family and world, as well as the style, structure, and textual history of her work.

Unstoppable Warrior Women inspires women as they read 40 short stories of different women who have struggled with horrendous family issues, race issues, health issues, education issues, and romance issues – only to rise above these obstacles and challenges to make something meaningful of their lives. The honesty in these stories is rare and raw which makes the reader sit up and listen. There has never been a compendium of stories like this – and the powerfully positive messages encourage women of all types and in different situations. It shows honesty is the best policy, as well as facing problems head-on is a recipe for success. Women are more and more in the spotlight now and these stories act as a guide for anyone who is feeling alone, not sure where to go or think they might not have what it takes.

Well Behaved Women Seldom Make History

#1 New Release in Historical Study Essays

A thrilling journey into the badass women whose non-conventional lives left their DNA on history. Discover words of wisdom from the women who found their voices, inspiring you to do the same.

Amazing women with a story to tell. Join Mae West as she shakes up the entertainment industry with her wit and wisdom or create colorful art pieces with Yayoi Kusama that are larger than life itself. These women in history defied the expectations of conventional society to live the lives they chose, regardless of what others thought.

Words of Wisdom. Society may have labeled these fierce femmes as rebels, bad-ass, wild, or uppity. But, these amazing women still dared to be different. With an out-of-the-box perspective, you’ll find inspiration from an array of fabulous females who will give you a lesson in being one-of-a-kind.

Unabashed Women offers you:

• Lessons on how to break the glass ceiling
• Biographies of trailblazing women from all walks of life
• Empowerment through famous females who dared to go against the grain

If you enjoyed badass books like Women in Art, The Book of Gutsy Women, or In the Company of Women, then you’ll love Unabashed Women.

Women Learning from Women

Here comes advice, inspiration, and fun from bestselling author BJ Gallagher. From Katherine Hepburn to her friend Suzanne, Where Would I Be Without You? brings the experiences and life lessons of women from all walks of life.

When women choose wisdom over wiles. True wisdom is the ability to learn from other people's experiences, and although we learn from books, movies, and preachers, women also learn from other women. With inspiring stories, funny words of wisdom, and positive affirmations for women, Where Would I Be Without You? brings female empowerment to all generations of strong women.

Where would we be without women? Where Would I Be Without You? is all about being thankful for the women in your life (and their wit). Whether our mothers or sisters, writers or inventors, sometimes we have to celebrate the women and girls around us. In this colorful book, Gallagher has collected pages of advice on love, work, growing older, and staying young; making readers ask what is wisdom, what does wisdom mean to these women, and most importantly, where would I be without you?

If you’re thankful and grateful for the women around you, and enjoyed books like Badass Affirmations, In Praise of Difficult Women, or The Shared Wisdom of Mothers and Daughters, then you’ll love Where Would I Be Without You.

You Can’t Keep a Good Woman Down

“If you want to school yourself on the women who have paved the way for the rest of us, then this is the book for you…” −Becca Anderson, bestselling author of The Book of Awesome Women

Societal mores of sexism and misogyny have kept generations of women on the sidelines of history. But in every era, there are women who refuse to sit back in the shadows. Fabulous Female Firsts is a celebration of those women―the role models who proved that with enough daring and enough tenacity, the impossible can become possible.

Enough is Not Enough. That’s what she said. From rebel girls who refused to let their wings be clipped to the suffragettes who claimed new space for women, each trailblazer in this collection of biographies pushed the boundaries for what was possible for women in their time, even if it meant being seen as stubborn, improper, or just a trainwreck. This book is in praise of “difficult women” who made the world a better place.

Feminism Throughout History. Maybe you know their names, but do you know their stories? You’ll find inspiration in the company of women. This collection includes the stories of some of the most fabulous women in world history, including Aretha Franklin, Sandra Day O’Connor, Lucy Walker, Sally Ride, Kathryn Bigelow, Misty Copeland, Viola Desmond, Pauli Murray, Emma Gatewood, General Anna Hays, Junko Tabei, and Gertrude Ederle.

Young readers and people of all ages who are inspired by The Diary of Anne Frank and the life of Harriet Tubman will find new heroes in this book. If you enjoyed feminist books like The Book of Awesome Women, Bad Girls Throughout History, and Behind Every Great Man, you’ll love the inspiring stories in Fabulous Female Firsts: The Trailblazers Who Led the Way.

Empowering Stories of Strong Women

“These soaring stories will inspire you to live your dreams!” —Becca Anderson, author of The Book of Awesome Women

Finalist Pacific Book Awards 2018

Dorothy Parker observed, “It’s a man’s world;” the lady entrepreneurs and game-changers profiled in Women Who Launch would beg to differ. Unlike the matrons of the 1950s, these kick-ass females left their DNA in the annals of time.

A history of women in business and beyond. Juliette Gordon Low showed what’s good for the goose is good for the gander when she created the Girl Scouts of America. Sara Joseph Hale, authoress of Mary had a Little Lamb, convinced Lincoln to launch a national day-of-thanks while Anna Jarvis persuaded President Wilson to initiate a day in tribute of mothers. Estee Lauder revolutionized the cosmetics industry. The tradition of these Mothers of Invention continued when, compliments of knitter Krista Suh, the heads of millions were adorned with pink, pussy-cat ears in the largest women's march in history. These women who launched prove, in the words of Rosie the Riveter, “We can do it!”

Biographies of women creators, innovators, and leaders. Women Who Launch is filled with inspiring true stories of women activists, artists, and entrepreneurs who launched some of the most famous companies, brands, and organizations today and changed the world. It is at once a collection of biographies and a testament of female empowerment.

Inside find:

• The stories behind renowned companies, brands, and organizations and the diverse women who launched them
• Empowering quotes from strong women and those who refused to be kept down
• Motivation to all women who want to succeed in their careers, launch companies, and change the world

If you are a fan of books about strong women such as Fabulous Female Firsts, In the Company of Women, or Behind Every Great Man, then you will want to read Women Who Launch.

Her goal: to become a world-renowned biomedical engineer working with scientific societies to improve the role of women in scientific fields and the way scientists and engineers integrate people and society into their work. By 1979, this goal had become a reality.

In her memoirs, acclaimed biomedical engineer Monique Frize recalls the events in her life that taught her to overcome obstacles, become more resilient, recognize the importance of mentors and role models, and remain focused on the future. She also speaks of her appreciation of the critical role played by family and friends in maintaining the strength and determination required to succeed. And, above all, to succeed in a man’s world.

Frize fondly remembers her youth in Montreal and in Ottawa, and her marked interest for math and science. Her entry into the world of engineering was both romantic—she met her husband—and tragic. She faced prejudice and stereotypes, which she ultimately overcame. She reconciled family and work life, pursuing a challenging and rewarding international career in a very specialized field at a time when this was still very uncommon for a woman. And she relives the tragic Polytechnique massacre.

These memoirs are sure to inspire young women who have a dream, and more specifically those who wish to enter sciences and engineering.

Published in English.

One hundred years after his death, Leo Tolstoy continues to be regarded as one of the world’s most accomplished writers. Historically, little attention has been paid to his wife Sofia Andreevna Tolstaya.

Acting in the capacity of literary assistant, translator, transcriber, and editor, she played an important role in the development of her husband’s career. Her memoirs – which she titled My Life – lay dormant for almost a century. Now their first-time-ever appearance in Russia is complemented by an unabridged and annotated English translation. Tolstaya’s story takes us from her childhood through the early years of her marriage, the writing of War and Peace and Anna Karenina and into the first year of the twentieth century. She paints an intimate and honest portrait of her husband’s character, providing new details about his life to which she alone was privy. She offers a better understanding of Tolstoy’s character, his qualities and failings as a husband and a father, and forms a picture of the quintessential Tolstoyan character which underlies his fiction.

My Life also reveals that Tolstaya was an accomplished author in her own right—as well as a translator, amateur artist, musician, photographer, and businesswoman—a rarity in the largely male-dominated world of the time. She was actively involved in the relief efforts for the 1891–92 famine and the emigration of the Doukhobors in 1899. She was a prolific correspondent, in touch with many prominent figures in Russian and Western society. Guests in her home ranged from peasants to princes, from anarchists to artists, from composers to philosophers. Her descriptions of these personalities read as a chronicle of the times, affording a unique portrait of late-19th- and early-20th-century Russian society, ranging from peasants to the Tsar himself. My Life is the most important primary document about Tolstoy to be published in many years and a unique and intimate portrait of one of the greatest literary minds of all time.

The Modern Language Association (MLA) awarded the Lois Roth Award to John Woodsworth and Arkadi Klioutchanski of the University of Ottawa’s Slavic Research Group for their translation of Sofia Andreevna Tolstaya’s My Life memoirs. My Life was selected among the top 100 non-fiction works of 2010 by The Globe and Mail. It has also won an honourable mention in the Biography and Autobiography category of the 2010 American Publishers Awards for the Professional and Scholarly Excellence (PROSE) awards. And, finally, it made it into the Association of American University Presses' 2011 Book, Jacket and Journal Show.

Published in English.

To the older generations in her native Slovakia, Hana Ponická is well-known for her successful children’s books and courageous fight against the communist regime. Her psychological ordeal began in February 1977 when the elderly lady refused to sign the so-called anticharta, a condemnation of the human rights group Charter 77, which had published its first manifesto in the West on 1 January 1977. All Slovak and Czech artists had to sign the anticharta; they were forced by the regime to condemn the dissidents, the most prominent among them being Václav Havel (1936–2011), who were standing up against the violation of basic human rights enshrined in the Czechoslovak constitution following the conclusion of the CSCE treaty of Helsinki. Ponická, like most of her fellow artists, had neither read the Charter 77 manifesto nor the text of the anticharta; she thus refused to sign. Her courage prompted the regime to terrorize her psychologically.


This political biography is the first ever written about Ponická, despite her being a household name in Slovakia. Josette Baer’s analysis is based on Ponická’s memoirs of that cruel year of 1977, newspaper articles she published prior to 1971, when the regime effectively banned any critical voice from publication, and newspaper articles she published after the Velvet Revolution of 1989 to promote the establishing of a rule-of-law state and democracy.


The documents of the StB, the Slovak and Czech Security Services, are analyzed for the first time; they are evidence of how the StB tried to pressure the resilient and disciplined grandmother of three into obedience.


Oral history interviews with Dirk Matthias Dalberg, Vlasta Jaksicsová, and Mary Šamal inform the reader about the situation of the Slovak dissidents of Charter 77, how normal citizens lived in the regime, and how the Czech and Slovak exile communities in the USA saw the dissidents in Communist Czechoslovakia.

Virginia C. Gildersleeve was the most influential dean of Barnard College, which she led from 1911 to 1947. An organizer of the Seven College Conference, or “Seven Sisters,” she defended women's intellectual abilities and the value of the liberal arts. She also amassed a strong set of foreign policy credentials and, at the peak of her prominence in 1945, served as the sole woman member of the U.S. delegation to the drafting of the United Nations Charter. But her accomplishments are undercut by other factors: she had a reputation for bias against Jewish applicants for admission to Barnard and early in the 1930s voiced an indulgent view of the Nazi regime.

In this biography, historian Nancy Woloch explores Gildersleeve’s complicated career in academia and public life. At once a privileged insider, prone to elitism and insularity, and a perpetual outsider to the sexist establishment in whose ranks she sought to ascend, Gildersleeve stands out as richly contradictory. The book examines her initiatives in higher education, her savvy administration, her strategies for gaining influence in academic life, the ways that she acquired and deployed expertise, and her drive to take part in the world of foreign affairs. Woloch draws out her ambivalent stance in the women’s movement, concerned with women’s status but opposed to demands for equal rights. Tracing resonant themes of ambition, competition, and rivalry, The Insider masterfully weaves Gildersleeve’s life into the histories of education, international relations, and feminism.

Virginia C. Gildersleeve was the most influential dean of Barnard College, which she led from 1911 to 1947. An organizer of the Seven College Conference, or “Seven Sisters,” she defended women's intellectual abilities and the value of the liberal arts. She also amassed a strong set of foreign policy credentials and, at the peak of her prominence in 1945, served as the sole woman member of the U.S. delegation to the drafting of the United Nations Charter. But her accomplishments are undercut by other factors: she had a reputation for bias against Jewish applicants for admission to Barnard and early in the 1930s voiced an indulgent view of the Nazi regime.

In this biography, historian Nancy Woloch explores Gildersleeve’s complicated career in academia and public life. At once a privileged insider, prone to elitism and insularity, and a perpetual outsider to the sexist establishment in whose ranks she sought to ascend, Gildersleeve stands out as richly contradictory. The book examines her initiatives in higher education, her savvy administration, her strategies for gaining influence in academic life, the ways that she acquired and deployed expertise, and her drive to take part in the world of foreign affairs. Woloch draws out her ambivalent stance in the women’s movement, concerned with women’s status but opposed to demands for equal rights. Tracing resonant themes of ambition, competition, and rivalry, The Insider masterfully weaves Gildersleeve’s life into the histories of education, international relations, and feminism.

Memory Is Our Home is a powerful biographical memoir based on the diaries of Roma Talasiewicz-Eibuszyc, who was born in Warsaw before the end of World War I, grew up during the interwar period and who, after escaping the atrocities of World War II, was able to survive in the vast territories of Soviet Russia and Uzbekistan.

Translated by her own daughter, interweaving her own recollections as her family made a new life in the shadows of the Holocaust in Communist Poland after the war and into the late 1960s, this book is a rich, living document, a riveting account of a vibrant young woman's courage and endurance.

A forty-year recollection of love and loss, of hopes and dreams for a better world, it provides richly-textured accounts of the physical and emotional lives of Jews in Warsaw and of survival during World War II throughout Russia. This book, narrated in a compelling, unique voice through two generations, is the proverbial candle needed to keep memory alive.

Memory Is Our Home is a powerful biographical memoir based on the diaries of Roma Talasiewicz-Eibuszyc, who was born in Warsaw before the end of World War I, grew up during the interwar period and who, after escaping the atrocities of World War II, was able to survive in the vast territories of Soviet Russia and Uzbekistan.

Translated by her own daughter, interweaving her own recollections as her family made a new life in the shadows of the Holocaust in Communist Poland after the war and into the late 1960s, this book is a rich, living document, a riveting account of a vibrant young woman's courage and endurance.

A forty-year recollection of love and loss, of hopes and dreams for a better world, it provides richly-textured accounts of the physical and emotional lives of Jews in Warsaw and of survival during World War II throughout Russia. This book, narrated in a compelling, unique voice through two generations, is the proverbial candle needed to keep memory alive.

Throughout her life, Diana Trilling (1905-1996) wrote about profound social changes with candor and wisdom, first for The Nation and later for Partisan Review, Harpers, and such popular magazines as Vogue and McCalls. She went on to publish five books, including the best-selling Mrs. Harris: The Death of the Scarsdale Diet Doctor, written when she was in her late seventies. She was also one half of one of the most famous intellectual couples in the United States.

Diana Trilling’s life with Columbia University professor and literary critic Lionel Trilling was filled with secrets, struggles, and betrayals, and she endured what she called her “own private hell” as she fought to reconcile competing duties and impulses at home and at work. She was a feminist, yet she insisted that women’s liberation created unnecessary friction with men, asserting that her career ambitions should be on equal footing with caring for her child and supporting her husband. She fearlessly expressed sensitive, controversial, and moral views, and fought publicly with Lillian Hellman, among other celebrated writers and intellectuals, over politics. Diana Trilling was an anticommunist liberal, a position often misunderstood, especially by her literary and university friends. And finally, she was among the “New Journalists” who transformed writing and reporting in the 1960s, making her nonfiction as imaginative in style and scope as a novel. The first biographer to mine Diana Trilling’s extensive archives, Natalie Robins tells a previously undisclosed history of an essential member of New York City culture at a time of dynamic change and intellectual relevance.

A thousand years ago, a young Japanese girl embarked on a journey from deep in the countryside of eastern Japan to the capital. Forty years later, with the long account of that journey as a foundation, the mature woman skillfully created an autobiography that incorporates many moments of heightened awareness from her long life. Married at age thirty-three, she identified herself as a reader and writer more than as a wife and mother; enthralled by fiction, she bore witness to the dangers of romantic fantasy as well as the enduring consolation of self-expression.

This reader’s edition streamlines Sonja Arntzen and Moriyuki Itō’s acclaimed translation of the Sarashina Diary for general readers and classroom use. This translation captures the lyrical richness of the original text while revealing its subtle structure and ironic meaning, highlighting the author’s deep concern for Buddhist belief and practice and the juxtaposition of poetic passages and narrative prose. The translators’ commentary offers insight into the author’s family and world, as well as the style, structure, and textual history of her work.

At the heart of fame is the tricky business of image management. Over the last 115 years, the celebrity autobiography has emerged as a popular and useful tool for that project. In Limelight, Katja Lee examines the memoirs of famous Canadian women like L. M. Montgomery, Nellie McClung, the Dionne Quintuplets, Margaret Trudeau, and Shania Twain to trace the rise of celebrity autobiography in Canada and the role gender has played in the rise to fame and in writing about that experience.
Arguing that the celebrity autobiography is always negotiating historically specific conditions, Lee charts a history of celebrity in English Canada and the conditions that shape the way women access and experience fame. These contexts shed light on the stories women tell about their lives and the public images they cultivate in their autobiographies. As strategies of self-representation change and the pressure to represent the private life escalates, the celebrity autobiography undergoes distinct shifts—in form, function, and content—during the period examined in this study.
Limelight: Canadian Women and the Rise of Celebrity Autobiography is the first book to explore the history and development of the celebrity autobiography and offers compelling evidence of the critical role of gender and nation in the way fame is experienced and represented.

On a May morning in 1939, eighteen-year-old Velma Demerson and her lover were having breakfast when two police officers arrived to take her away. Her crime was loving a Chinese man, a “crime” that was compounded by her pregnancy and subsequent mixed-race child.
Sentenced to a home for wayward girls, Demerson was then transferred (along with forty-six other girls) to Torontos Mercer Reformatory for Females. The girls were locked in their cells for twelve hours a day and required to work in the on-site laundry and factory. They also endured suspect medical examinations. When Demerson was finally released after ten months’ incarceration weeks of solitary confinement, abusive medical treatments, and the state’s apprehension of her child, her marriage to her lover resulted in the loss of her citizenship status.
This is the story of how Demerson, and so many other girls, were treated as criminals or mentally defective individuals, even though their worst crime might have been only their choice of lover. Incorrigible is a survivor’s narrative. In a period that saw the rise of psychiatry, legislation against interracial marriage, and a populist movement that believed in eradicating disease and sin by improving the purity of Anglo-Saxon stock, Velma Demerson, like many young women, found herself confronted by powerful social forces. This is a history of some of those who fell through the cracks of the criminal code, told in a powerful first-person voice.

Memories are like layers of your skin or layers of paint on a canvas. In The Queen of Peace Room, Magie Dominic peels away these layers as she explores her life, that of a Newfoundlander turned New Yorker, an artist and a writer — and frees herself from the memories of her violent past.

On an eight-day retreat with Catholic nuns in a remote location safe from the outside world, she exposes, and captures, fifty years of violent memories and weaves them into a tapestry of unforgettable images. The room she inhabits while there is called The Queen of Peace Room; it becomes, for her, a room of sanctuary. She examines Newfoundland in the 1940s and 1950s and New York in the 1960s; her confrontations with violence, incest, and rape; the devastating loss of friends to AIDS; and the relationship between life and art. These memories she finds stored alongside memories of nature’s images of trees pulling themselves up from their roots and fleeing the forest; storms and ley lines, and skies bursting with star-like eyes.

In The Queen of Peace Room, from a very personal perspective, Magie Dominic explores violence against women in the second half of the twentieth century, and in doing so unearths the memory of a generation. In eight days, she captures half a century.

“Where do you come from?”
When Vijay Agnew first immigrated to Canada people would often ask her “Where do you come from?” She thought it a simple, straightforward question, and would answer in the same simple, straightforward manner, by telling them where she had been born and where she grew up.
But over the years she learned that many so-called third-world people resent being asked this question, because it implies that having a different skin colour (which is what usually prompts the question) makes a person an outsider and not really Canadian. This realization inspired her to look more closely at the question — and the answer. The result is this book.
Where I Come From is a reflective memoir of an immigrant professor’s life in a Canadian university. It covers the period from 1967, when Canada was opened up to third-world immigrants, to the present. The book illustrates the ways in which identity is socially constructed by tracing some of the labels that were applied to the author at various stages during her thirty years in Canada — “foreign student,” “Indian woman,” “immigrant,” “Indian feminist,” and “third-world woman.” She shows how each of these names has affected her relationships with other people and contributed to making her the woman she is now perceived to be: a feminist, anti-racist, activist professor. This multilayered story reveals the complex ways in which race, class, and gender intersect in an immigrant woman’s life, and engages readers in a conversation that narrows the distance between them, showing not only what is different, but what is shared.

“Ruby wrote letters home almost every week....She wrote anything that came into her head: about her children and Fred, her housekeeping, food, clothes, her friends, activities, schemes for making money, her dreams for the future....Her letters, nave, intimate and lively, were always optimistic or poignant. We’d read them to each other on the phone or pass them around. Often we saved them.”

So writes Edna Staebler in her introduction to this edited collection of her sister Ruby’s letters from the fifties. In 1957 when Edna first began to collect and edit these letters she did so simply because she was sure that others would enjoy reading them as much as her own family did. Over fifty years later, the letters remain a joy to read and reclaim the ordinary voice of a housewife. Remarkably, these letters echo themes academics want to isolate in order to analyze women’s roles in the modern world — drifting (“life just happened to me”) and contingency (“women’s lives depend on relationships”), for example, as well as the balance between family and work. As a fine example of women’s life writing they also illustrate the literary patterns of overt and covert stories and of textual and subtextual meaning.

Haven’t Any News: Ruby’s Letters from the Fifties includes an Afterword by Marlene Kadar, Associate Professor of Humanities at York University and a leading expert on women’s life writing. All those concerned with women’s studies and with the social history of twentieth-century Canada will find this book of enormous interest and it will delight Edna Staebler fans everywhere.

Women’s letters and memoirs were until recently considered to have little historical significance. Many of these materials have disappeared or remain unarchived, often dismissed as ephemera and relegated to basements, attics, closets, and, increasingly, cyberspace rather than public institutions. This collection showcases the range of critical debates that animate thinking about women’s archives in Canada.

The essays in Basements and Attics, Closets and Cyberspace consider a series of central questions: What are the challenges that affect archival work about women in Canada today? What are some of the ethical dilemmas that arise over the course of archival research? How do researchers read and make sense of the materials available to them? How does one approach the shifting, unstable forms of new technologies? What principles inform the decisions not only to research the lives of women but to create archival deposits? The contributors focus on how a supple research process might allow for greater engagement with unique archival forms and critical absences in narratives of past and present.

From questions of acquisition, deposition, and preservation to challenges related to the interpretation of material, the contributors track at various stages how fonds are created (or sidestepped) in response to national and other imperatives and to feminist commitments; how archival material is organized, restricted, accessed, and interpreted; how alternative and immediate archives might be conceived and approached; and how exchanges might be read when there are peculiar lacunae—missing or fragmented documents, or gaps in communication—that then require imaginative leaps on the part of the researcher.

Women’s letters and memoirs were until recently considered to have little historical significance. Many of these materials have disappeared or remain unarchived, often dismissed as ephemera and relegated to basements, attics, closets, and, increasingly, cyberspace rather than public institutions. This collection showcases the range of critical debates that animate thinking about women’s archives in Canada.

The essays in Basements and Attics, Closets and Cyberspace consider a series of central questions: What are the challenges that affect archival work about women in Canada today? What are some of the ethical dilemmas that arise over the course of archival research? How do researchers read and make sense of the materials available to them? How does one approach the shifting, unstable forms of new technologies? What principles inform the decisions not only to research the lives of women but to create archival deposits? The contributors focus on how a supple research process might allow for greater engagement with unique archival forms and critical absences in narratives of past and present.

From questions of acquisition, deposition, and preservation to challenges related to the interpretation of material, the contributors track at various stages how fonds are created (or sidestepped) in response to national and other imperatives and to feminist commitments; how archival material is organized, restricted, accessed, and interpreted; how alternative and immediate archives might be conceived and approached; and how exchanges might be read when there are peculiar lacunae—missing or fragmented documents, or gaps in communication—that then require imaginative leaps on the part of the researcher.

Motherlode: A Mosaic of Dutch Wartime Experience is Carolyne Van Der Meer’s creative reinterpretation through short stories, poems, and essays of the experiences of her mother and other individuals who either spent their childhoods in Nazi-occupied Holland or were deeply affected by wartime in Holland. The book documents the author’s personal journey as she uncovers her mother’s past through their correspondence and discussion and through research in the Netherlands. Motherlode also considers mother–daughter relationships and the effect of wartime on motherhood.
Motherlode is not about recording precise historical data; rather, it attempts to recover and interpret the complex emotions of the individuals growing up in wartime. The book is based on interviews with the author’s mother and other Dutch Canadians, interviews with and letters from Canadian Jewish war veterans, and information provided by individuals with direct or indirect experience of the Dutch Resistance. The creative pieces explore onderduik (going into/being in hiding), life in an occupied country, the work of the Dutch Resistance, liberation, collective and individual cultural memory, and the way in which wartime childhoods shaped adulthood for these individuals.

Not the Whole Story is a compilation of sixteen stories narrated by single mothers in their own way and about their own lives. Each story is unique, but the same issues appear again and again. Abuse, parenting as single mothers, challenges in the labour market, mental health and addictions issues, a scarcity of quality childcare, immigration and status vulnerability, struggles with custody, and poverty—these factors, combined with a lack of support, contribute to their continued struggles.
The themes that recur across stories illustrate that the issues the women face are not just about individual struggle; they demonstrate that major issues in Canada’s social system have been neglected in public policy. In order for these issues to be addressed we need to challenge the flawed public policies and the negative discourse that continue to marginalize single mothers—in terms of the opportunities in their own lives and in terms of how they are understood by other Canadians.
The first-person narratives of the struggles and issues faced by low-income single mothers provide narrative richness and are augmented by introductory and concluding chapters that draw the narrative themes together and offer overarching discussion and analysis.

A Colorado favorite, Tomboy Bride presents the first-hand account of a young pioneer woman and her life in a rough and tumble mining town of the Old West.

In 1906 at the age of twenty, Harriet Fish hopped on a train from Oakland, California, to the San Juan Mountains of Colorado in search of a new life as the bride of assayer George Backus. Together, the couple ventured forth to discover mining town life at the turn of the twentieth century, adjusting to dizzying elevation heights of 11,500 feet and all the hardships that come with it: limited water, rationed food supplies, lack of medical care, difficulty in travel, avalanches, and many more. As she and George move from Telluride’s Tomboy Mine to the rugged coast of British Columbia, to the town of Elk City, Idaho, and then back to Colorado’s Leadville, Harriet paints a poignant picture of a world centered around mining, sharing amusing and often challenging experiences as a woman of the era.

With a new foreword by award-winning author Pam Houston, this 50th anniversary edition also includes previously unpublished black and white photographs documenting Harriet's journey. Tomboy Bride endures as a classic of the region to this day as it captures in heart-felt emotion and vivid detail the personal account of Harriet Backus, a true pioneer of the West.

A Colorado favorite, Tomboy Bride presents the first-hand account of a young pioneer woman and her life in a rough and tumble mining town of the Old West.

In 1906 at the age of twenty, Harriet Fish hopped on a train from Oakland, California, to the San Juan Mountains of Colorado in search of a new life as the bride of assayer George Backus. Together, the couple ventured forth to discover mining town life at the turn of the twentieth century, adjusting to dizzying elevation heights of 11,500 feet and all the hardships that come with it: limited water, rationed food supplies, lack of medical care, difficulty in travel, avalanches, and many more. As she and George move from Telluride’s Tomboy Mine to the rugged coast of British Columbia, to the town of Elk City, Idaho, and then back to Colorado’s Leadville, Harriet paints a poignant picture of a world centered around mining, sharing amusing and often challenging experiences as a woman of the era.

With a new foreword by award-winning author Pam Houston, this 50th anniversary edition also includes previously unpublished black and white photographs documenting Harriet's journey. Tomboy Bride endures as a classic of the region to this day as it captures in heart-felt emotion and vivid detail the personal account of Harriet Backus, a true pioneer of the West.