Columbia University Press

There is a long history of discrimination against LGBTQ+ people in the American military and intelligence services, from vice squad stings during World War I to the “Lavender Scare” of the early Cold War through “Don’t Ask, Don’t Tell” and the Trump administration’s transgender ban. How have the rationales for anti-LGBTQ+ policies changed over time? When and why did these policies shift? What does anti-LGBTQ+ discrimination reveal about the US military, American political institutions, and broader themes in queer history?

The Lavender Bans is a comprehensive account of the evolution of anti-LGBTQ+ policies from World War I to the present. Dorian Rhea Debussy—a leading expert on LGBTQ+ history in the US military—examines six distinct periods of exclusion over the course of a century, tracing continuities and changes alongside the growth of the national security state. Bringing together interdisciplinary scholarship and close analysis of archival documents, she offers new insights into the policies affecting LGBTQ+ people in the armed forces.

Meticulously researched and rich in detail, The Lavender Bans sheds light on a long and troubling history—with deep contemporary relevance as exclusion of transgender people continues. It is an engaging, important, and timely book for a range of readers, including scholars, students, policy makers, military personnel, and people affected by anti-LGBTQ+ discrimination.

Shortlisted, 2024-2025 W.J.M. MacKenzie Book Prize, Political Studies Association

It is widely believed that Congress has broken down. Media accounts present the storied legislature as thoroughly gridlocked, paralyzed by partisan rancor. Political scientists find that Congress is passing fewer laws and spending less time on legislative work. Which parts of a supposedly dysfunctional legislature continue to function?

Maya L. Kornberg examines the legislative process beyond voting patterns, emphasizing the crucial role of congressional committee hearings. In committees, lawmakers hear from expert witnesses, legislators revise and discuss bills before bringing them to a vote, and the public has an opportunity to engage with Congress. Kornberg scrutinizes the inner workings of committees—the different types of witnesses who testify, the varied hearings Congress holds, and the distinct effects that committee work has on congresspeople. She deploys original mixed-methods datasets that span from insider interviews to sentiment analysis examining the language used in hearings. Kornberg evaluates how committees operate and the conditions affecting their performance, finding that committee work can be more deliberative and productive than the politics of the Congress floor.

Through a comprehensive exploration of who committees hear from and how they listen, this book demonstrates that Congress is not as dysfunctional as is often claimed. Inside Congressional Committees also suggests timely reforms based on these findings that can strengthen Congress.

What is the relationship between the ethical transformation of the self and the political transformation of the world? This book explores the ways several twentieth-century thinkers can help us relate the “care of the self” to the “care of the other,” tracing their accounts of how and why practices intended to change an individual can help spur social and political change, just as collective political action can produce a transformation of the self.

Daniel Louis Wyche examines the political implications of what he calls practices of ethical self-change. These include Pierre Hadot’s notion of “spiritual exercises”; what the French sociologist of labor Georges Friedmann calls the “interior effort”; Michel Foucault’s ethics of the “care of the self”; what Martin Luther King Jr. refers to as the work of “self-purification” integral to direct action; and Audre Lorde’s claim that caring for herself constitutes a form of “political warfare.” Wyche argues that these concepts can collectively provide an understanding that effaces distinctions between the care of the self, the other, and the community in a way that avoids reducing the political to the ethical. Ambitious and nuanced, The Care of the Self and the Care of the Other offers a framework for unifying individual moral action and collective political life.

Longlisted, 2025 Palestine Book Awards

In recent years, attitudes in the United States toward the Palestinian cause have shifted dramatically. Although Palestinians have long been demonized in U.S. media and politics, their struggle portrayed as illegitimate, emergent progressive voices increasingly challenge the status quo on Israel and Palestine and express solidarity with Palestinian resistance. What accounts for this change and its evolution?

This book provides a new lens on activism around Palestinian issues, demonstrating how the global Palestinian diaspora has driven transnational political movements. Karam Dana explores the ways that exile has shaped Palestinian identity and allowed for new forms of global activism. He examines the social, political, economic, and technological forces that have created space for Palestinian voices to be heard by wider audiences worldwide. Drawing on interviews with scholars and advocates—including members of the Palestinian diaspora and Jewish American activists—as well as public opinion data and media analysis, Dana traces how global Palestinian communities have influenced American views. He addresses the backlash against pro-Palestinian advocacy but argues that solidarity with Palestinians—both in the United States and globally—will continue to strengthen. Timely and insightful, To Stand with Palestine offers an inside look at how Palestinians have shared their story with the world and why sympathy for their plight is growing, with significant implications for the global political landscape.

Immigrants are less likely to commit crimes. They are eager to learn local languages. Immigration is not a burden on social services. Border walls do not work. There is no unmanageable refugee crisis. Yet many such misinformed assumptions and harmful misconceptions pervade conversations about immigration.

This timely book is a practical, evidence-based primer on immigrants and immigration. Each chapter debunks a frequently encountered claim and answers common questions. Presenting the latest findings and decades of interdisciplinary research in an accessible way, Ernesto Castañeda and Carina Cione emphasize the expert consensus that immigration is vital to the United States and many other countries around the world. Featuring original insights from research conducted in El Paso, Texas, Immigration Realities considers a wide range of places, ethnic groups, and historical eras. It provides the key data and context to understand how immigration affects economies, crime rates, and social welfare systems, and it sheds light on contentious issues such as the safety of the U.S.-Mexico border and the consequences of Brexit. This book is an indispensable guide for all readers who want to counter false claims about immigration and are interested in what the research shows.

Now in paperback—the definitive history of how the"Big Book" of Alcoholics Anonymous was written, edited, and finally brought to press.

It has been over forty years since Ernie Kurtz wrote Not-God, the last truly professional treatment of the history of Alcoholics Anonymous. While many books dealing with A.A. history have been written since then, Writing the Big Book is the first to bring that same kind of exhaustive research, scholarly discipline, and informed insight to the subject.

Schaberg’s book—telling a detailed story that begins in October of 1937 (when a book was first proposed) and ends in April of 1939 (when Alcoholics Anonymous was published)—is based primarily on the wealth of 1930s documents currently preserved in several A.A. archives. Woven together into an exciting narrative, these real-time documents provide an almost week-by-week account of how the book was slowly put together. It is a story that unfolds with many unexpected turns and more than a few revealing departures from the hallowed stories so widely circulated by A.A. members in the past.

Writing the Big Book presents a robust and vivid picture of how Alcoholics Anonymous operated and grew in its earliest days along with a vast amount of previously unreported details about the cast of colorful characters who made that group so successful. Most surprising is the emergence of Bill Wilson’s right-hand man, Hank Parkhurst, as the unsung hero in this story. Without Hank there would have been no book, but his unfortunate slip back into drinking just months after it was published resulted in him being almost completely written out of the supposedly factual stories told later.

Fast paced, engaging, and contrary, Writing the Big Book will decisively change whatever you think you know about early A.A. history and the ways in which this book—so central to the worldwide growth of this important twentieth century movement of spiritual recovery—actually came into being.

An essential guide to the challenges men face in creating healthy and engaged relationships in all areas of their lives. 

"For every man who has wandered through the entanglements of love, unwilling to ask for directions, and secretly hoping for a guide, Dan Griffin offers a clear and comprehensive road map."—Terrence Real, bestselling author of I Don’t Want to Talk About It: Overcoming the Secret Legacy of Male Depression.

Every idea is presented through the lens of the "Man Rules"—the often unconscious ideas men carry with them into every relationship they have—that affect their ability to find true connection. A Man's Way through Relationships offers practical advice and inspiration for men to define, with their partners, their own sense of masculinity, and thus heighten their potential to love and be loved.

Dan Griffin excerpts interviews with men who share their innermost lives and experiences with relationships. He draws from his own life with over two decades of recovery and ten years of marriage. Readers will learn to recognize how their ideas about masculinity have shaped who they are and how they approach there relationships. 

European intellectuals of the 1950s dismissed American culture as nothing more than cowboy movies and the A-bomb. In response, American cultural diplomats tried to show that the United States had something to offer beyond military might and commercial exploitation. Through literary magazines, traveling art exhibits, touring musical shows, radio programs, book translations, and conferences, they deployed the revolutionary aesthetics of modernism to prove—particularly to the leftists whose Cold War loyalties they hoped to secure—that American art and literature were aesthetically rich and culturally significant.

Yet by repurposing modernism, American diplomats and cultural authorities turned the avant-garde into the establishment. They remade the once revolutionary movement into a content-free collection of artistic techniques and styles suitable for middlebrow consumption. Cold War Modernists documents how the CIA, the State Department, and private cultural diplomats transformed modernist art and literature into pro-Western propaganda during the first decade of the Cold War. Drawing on interviews, previously unknown archival materials, and the stories of such figures and institutions as William Faulkner, Stephen Spender, Irving Kristol, James Laughlin, and Voice of America, Barnhisel reveals how the U.S. government reconfigured modernism as a trans-Atlantic movement, a joint endeavor between American and European artists, with profound implications for the art that followed and for the character of American identity.

Today, most Uyghurs are Muslims. For centuries, however, Uyghurs were Buddhists. By around 1000 CE, they, like many of their neighbors, had decisively turned toward the Dharma, and a golden age of Uyghur Buddhism flourished under the Mongol empire. Dwelling along the Silk Road in what is now northwestern China, they stood at the center of Buddhist Eurasia, linking far-flung regions and traditions. But as Muslim power grew, Uyghur Buddhists converted to Islam, rewriting their past and erasing their Buddhist history.

This book presents the first comprehensive history of Buddhism among the Uyghurs from the ninth to the seventeenth century. Johan Elverskog traces how the Uyghurs forged their distinctive tradition, considering a variety of social, political, cultural, and religious contexts. He argues that the religious history of the Uyghurs challenges conventional narratives of the meeting of Buddhism and Islam, showing that conversion took place gradually and was driven by factors such as geopolitics, climate change, and technological innovation. Elverskog also provides a nuanced understanding of lived Buddhism, focusing on ritual practices and materiality as well as the religion’s entanglements with economics, politics, and violence. A groundbreaking history of Uyghur Buddhism, this book makes a compelling case for the importance of the Uyghurs in shaping the course of both Buddhist and Asian history.

Winner, 2025 Donald W. Light Award for Applied Medical Sociology, Medical Sociology Section, American Sociological Association

Winner, 2025 Merton Book Award, Science, Knowledge, and Technology Section, American Sociological Association

Winner 2024 Sociology of Disability in Society Outstanding Publication Award, Disability in Society Section, American Sociological Association

Movements that take issue with conventional understandings of autism spectrum disorder, a developmental disability, have become increasingly visible. Drawing on more than three years of ethnographic fieldwork and interviews with participants, Catherine Tan investigates two autism-focused movements, shedding new light on how members contest expert authority. Examining their separate struggles to gain legitimacy and represent autistic people, she develops a new account of the importance of social movements as spaces for constructing knowledge that aims to challenge dominant frameworks.

Spaces on the Spectrum examines the autistic rights and alternative biomedical movements, which reimagine autism in different and conflicting ways: as a difference to be accepted or as a sickness to treat. Both, however, provide a window into how ideas that conflict with dominant beliefs develop, take hold, and persist. The autistic rights movement is composed primarily of autistic adults who contend that autism is a natural human variation, not a disorder, and advocate for social and cultural inclusion and policy changes. The alternative biomedical movement, in contrast, is dominated by parents and practitioners who believe in the disproven idea that vaccines trigger autism and seek to reverse it with scientifically unsupported treatments. Both movements position themselves in opposition to researchers, professionals, and parents outside their communities. Spaces on the Spectrum offers timely insights into the roles of shared identity and communal networks in movements that question scientific and medical authority.

During the Republican period (1912–1949) and after, many Chinese Buddhists sought inspiration from non-Chinese Buddhist traditions, showing a particular interest in esoteric teachings. What made these Buddhists dissatisfied with Chinese Buddhism, and what did they think other Buddhist traditions could offer? Which elements did they choose to follow, and which ones did they disregard? And how do their experiences recast the wider story of twentieth-century pan-Asian Buddhist reform movements?

Based on a wide range of previously unexplored Chinese sources, this book explores how esoteric Buddhist traditions have shaped the Chinese religious landscape. Wei Wu examines cross-cultural religious transmission of ideas from Japanese and Tibetan traditions, considering the various esoteric currents within Chinese Buddhist communities and how Chinese individuals and groups engaged with newly translated ideas and practices. She argues that Chinese Buddhists’ assimilation of doctrinal, ritual, and institutional elements of Tibetan and Japanese esoteric Buddhism was not a simple replication but an active process of creating new meanings. Their visions of Buddhism in the modern world, as well as early twentieth-century discourses of nation building and religious reform, shaped the reception of esoteric traditions. By analyzing the Chinese interpretation and strategic adaptations of esoteric Buddhism, this book sheds new light on the intellectual development, ritual performances, and institutional formations of Chinese Buddhism in the twentieth century.

Winner, 2025 Lionel Trilling Book Award, Columbia College

Winner, 2024 Book Award, History Division, Association for Education in Journalism and Mass Communication

From the toppling of the Qing Empire in 1911 to the political campaigns and mass protests in the Mao and post-Mao eras, revolutionary upheavals characterized China’s twentieth century. In Revolutionary Becomings¸ Ying Qian studies documentary film as an “eventful medium” deeply embedded in these upheavals and as a prism to investigate the entwined histories of media and China’s revolutionary movements.

With meticulous historical excavation and attention to intermedial practices and transnational linkages, Qian discusses how early media practitioners at the turn of the twentieth century intermingled with rival politicians and warlords as well as civic and business organizations. She reveals the foundational role documentary media played in the Chinese Communist Revolution as a bridge between Marxist theories and Chinese historical conditions. In considering the years after the Communist Party came to power, Qian traces the dialectical relationships between media practice, political relationality, and revolutionary epistemology from production campaigns during the Great Leap Forward to the “class struggles” during the Cultural Revolution and the reorganization of society in the post-Mao decade. Exploring a wide range of previously uninvestigated works and intervening in key debates in documentary studies and film and media history, Revolutionary Becomings provides a groundbreaking assessment of the significance of media to the historical unfolding and actualization of revolutionary movements.

Through the story of the brief, brave life of a promising poet, the president and CEO of New York's Metropolitan Museum of Art evokes the turmoil and tragedy of the Vietnam War era.

In That Time tells the story of the American experience in Vietnam through the life of Michael O'Donnell, a bright young musician and poet who served as a soldier and helicopter pilot. O'Donnell wrote with great sensitivity and poetic force, and his best-known poem is among the most beloved of the war. In 1970, during an attempt to rescue fellow soldiers stranded under heavy fire, O'Donnell's helicopter was shot down in the jungles of Cambodia. He remained missing in action for almost three decades.

Although he never fired a shot in Vietnam, O'Donnell served in one of the most dangerous roles of the war, all the while using poetry to express his inner feelings and to reflect on the tragedy that was unfolding around him. O'Donnell's life is both a powerful, personal story and a compelling, universal one about how America lost its way in the 1960s, but also how hope can flower in the margins of even the darkest chapters of the American story.

The Tarikh-i Ḥamidi is an epic and tragic history from the region of Xinjiang in northwest China, the homeland of the Muslim-majority Uyghur people. Written in the early twentieth century, it chronicles a mass rebellion by the Muslims of Xinjiang against the China-based Qing empire from its beginnings in 1864 to the Qing reconquest of 1877 and its aftermath. Its author, Musa Sayrami, was an eyewitness to and participant in the rebellion, and he later became a servant to the state that arose from it: an emirate led by the Central Asian military commander Yaʿqub Beg.

Sayrami documents the optimism of the rebellion’s early days, when local Muslims rose up to demand justice, as well as the tragedies that resulted from its leaders’ hubris. Yaʿqub Beg’s state offered hope for Islamic rule, but he turned out to be a flawed ruler, and the Qing reconquered the region. The narrative alternates dramatic scenes of battles and intrigue with colorful legends and reflections on the nature of politics.

Sayrami wrote not only to record events being lost from memory three decades after the uprising but also to account for why the Islamic rebellion had failed. He draws on traditional Islamic scholarship to analyze the relationship between Qing and Islamic power, developing an incisive argument about politics and empire. Presenting a distinctly Uyghur perspective on China, Eurasia, and the world, the Tarikh-i Ḥamidi is at once an invaluable lens on a period of flux and a cornerstone of Uyghur writing.

Winner, 2024 Aldo and Jeanne Scaglione Prize for East Asian Studies, Modern Language Association

Charismatic artists recruit desperate migrants for site-specific performance art pieces, often without compensation. Construction workers threaten on camera to jump from the top of a high-rise building if their back wages are not paid. Users of a video and livestreaming app hustle for views by eating excrement or setting off firecrackers on their genitals. In these and many other recent cultural moments, China’s suppressed social strife simmers—or threatens to boil over.

On the Edge probes precarity in contemporary China through the lens of the dark and angry cultural forms that chronic uncertainty has generated. Margaret Hillenbrand argues that a vast underclass of Chinese workers exist in “zombie citizenship,” a state of dehumanizing exile from the law and its safeguards. Many others also feel precarious—sensing that they live on a precipice, with the constant fear of falling into this abyss of dispossession, disenfranchisement, and dislocation. Examining the volatile aesthetic forms that embody stifled social tensions and surging anxiety over zombie citizenship, Hillenbrand traces how people use culture to vent taboo feelings of rage, resentment, distrust, and disdain in scenarios rife with cross-class antagonism.

On the Edge is highly interdisciplinary, fusing digital media, art history, literary criticism, and performance studies with citizenship, protest, and labor studies. It makes both the distinctive Chinese experience and the vital role of culture central to global understandings of how entrenched insecurity and civic jeopardy fray the bonds of the social contract.

Honorable Mention, 2024 Ángel David Nieves Book Award, American Studies Association, Digital Humanities Caucus

Today, algorithms exercise outsize influence on cultural decision-making, shaping and even reshaping the concept of culture. How were automated, computational processes empowered to perform this work? What forces prompted the emergence of algorithmic culture?

Algorithmic Culture Before the Internet is a history of how culture and computation came to be entangled. From Cambridge, England, to Cambridge, Massachusetts, by way of medieval Baghdad, this book pinpoints the critical junctures at which algorithmic culture began to coalesce in language long before it materialized in the technological wizardry of Silicon Valley. Revising and extending the methodology of “keywords,” Ted Striphas examines changing concepts and definitions of culture, including the development of the field of cultural studies, and stresses the importance of language in the history of technology.

Offering historical and interdisciplinary perspective on the relationship of culture and computation, this book provides urgently needed context for the algorithmic injustices that beset the world today.

Winner, 2024 Choice Outstanding Academic Title

Muslim people are found all over the world. Most live outside the Middle East, from Asia to the Americas. The vast majority of contemporary Muslims are not fluent in Arabic, and speakers of languages such as Persian, Urdu, and Turkish have made essential contributions to Islamic history and culture. However, typical courses on Islam tend to downplay areas beyond the Middle East, focusing on Arabic texts and elite theological and doctrinal arguments.

This book offers an inclusive view of the diversity and complexity of the many worlds of Islam, investigating ethics and aesthetics as much as scriptures and theology. By paying attention to Muslims who are socially, culturally, doctrinally, or politically marginalized, it provides a comprehensive and all-embracing vision of the religion and its many interrelated communities. Contributors from a range of personal and intellectual backgrounds explore the capaciousness of Muslim identities, helping readers achieve a broader understanding of the past, present, and future of the Muslim world. This book includes communities such as the Nation of Islam and Alevi Muslims, and it goes beyond rituals like prayer and fasting to consider a wider array of practices, such as tattooing.

Across the Worlds of Islam is at once student-friendly and cutting-edge, written with both introductory courses and general readers in mind. Examining Muslim identity and practice from the perspective of the margins, it offers nuanced portraits of Muslim life across geographic and sectarian divisions.

What does it mean to be a Muslim philosopher, or to philosophize in Islam? In Open to Reason, Souleymane Bachir Diagne traces Muslims’ intellectual and spiritual history of examining and questioning beliefs and arguments to show how Islamic philosophy has always engaged critically with texts and ideas both inside and outside its tradition. Through a rich reading of classical and modern Muslim philosophers, Diagne explains the long history of philosophy in the Islamic world and its relevance to crucial issues of our own time.

From classical figures such as Avicenna to the twentieth-century Sufi master and teacher of tolerance Tierno Bokar Salif Tall, Diagne explores how Islamic thinkers have asked and answered such questions as Does religion need philosophy? How can religion coexist with rationalism? What does it mean to interpret a religious narrative philosophically? What does it mean to be human, and what are human beings’ responsibilities to nature? Is there such a thing as an “Islamic” state, or should Muslims reinvent political institutions that suit their own times? Diagne shows that philosophizing in Islam in its many forms throughout the centuries has meant a commitment to forward and open thinking. A remarkable history of philosophy in the Islamic world as well as a work of philosophy in its own right, this book seeks to contribute to the revival of a spirit of pluralism rooted in Muslim intellectual and spiritual traditions.

Winner, 2024 Columbia University Press Distinguished Book Award

Winner, 2024 Aldo and Jeanne Scaglione Prize for South Asian Studies, Modern Language Association

Co-winner, 2023 AIPS Book Prize, American Institute of Pakistan Studies

Finalist, 2023 Richard Wall Memorial Award, Theatre Library Association

From news about World War II to the broadcasting of music from popular movies, radio played a crucial role in an increasingly divided South Asia for more than half a century. Radio for the Millions examines the history of Hindi-Urdu radio during the height of its popularity from the 1930s to the 1980s, showing how it created transnational communities of listeners.

Isabel Huacuja Alonso argues that despite British, Indian, and Pakistani politicians’ efforts to usurp the medium for state purposes, radio largely escaped their grasp. She demonstrates that the medium enabled listeners and broadcasters to resist the cultural, linguistic, and political agendas of the British colonial administration and the subsequent independent Indian and Pakistani governments. Rather than being merely a tool of nation building in South Asia, radio created affective links that defied state agendas, policies, and borders. It forged an enduring transnational soundscape, even after the 1947 Partition had made a united India a political impossibility.

Huacuja Alonso traces how people engaged with radio across news, music, and drama broadcasts, arguing for a more expansive definition of what it means to listen. She develops the concept of “radio resonance” to understand how radio relied on circuits of oral communication such as rumor and gossip and to account for the affective bonds this “talk” created. By analyzing Hindi film-song radio programs, she demonstrates how radio spurred new ways of listening to cinema. Drawing on a rich collection of sources, including newly recovered recordings, listeners’ letters to radio stations, original interviews with broadcasters, and archival documents from across three continents, Radio for the Millions rethinks assumptions about how the medium connects with audiences.

Chimpanzees fascinate people for many reasons. We are struck by the apes’ resemblance to humanity, as seen in their use of tools and their complex social lives, and we are moved by the threats that human activity poses to them. Our awareness of our closest living relatives testifies to the efforts of the remarkable people who study these creatures and work to protect them. What motivates someone to dedicate their lives to chimpanzees? How does that reflect on our own species?

This book brings together a range of chimpanzee experts who tell powerful personal stories about their lives and careers. It features some of the world’s preeminent primatologists—including Jane Goodall and Frans de Waal—as well as representatives of a new generation from varied backgrounds. In addition to field scientists, the book features anthropologists, biologists, psychologists, veterinarians, conservationists, and the director of a chimpanzee sanctuary. Some grew up in the English countryside, others in villages in Congo; some first encountered chimpanzees in a zoo, others in the forests surrounding their homes. All are united by a common purpose: to study and understand chimpanzees in order to protect them in the wild and care for them in zoos and sanctuaries. Contributors share what inspired them, what shaped their career choices, and what motivates them to strive for solutions to the many challenges that chimpanzees face today.

This book is at once a guided introduction to Chinese nonfictional prose and an innovative textbook for the study of classical Chinese. It is a companion volume to How to Read Chinese Prose: A Guided Anthology, designed for Chinese-language learners.

How to Read Chinese Prose in Chinese presents more than forty prose works, either excerpts or in full, from antiquity through the Qing dynasty. While teaching readers how to appreciate the rich tradition of Chinese prose in its original form, the book uses these texts to introduce classical Chinese to advanced learners, helping them develop reading comprehension and vocabulary. It offers a systematic guide to classical Chinese grammar and abundant notes on vocabulary, and features an extensive network of notes, exercises, and cross-references. The book includes modern translations of the forty prose works in simplified Chinese, presented alongside the original texts in traditional Chinese. It also includes expert commentaries on each text’s distinctive aesthetic qualities as well as historical and cultural contexts.

The book comprises thirty-eight lessons within eight units, organized chronologically to reflect the emergence of major prose genres. It is a major contribution to the teaching and study of classical Chinese language and literature.

Audio recordings of all forty texts are available online free of charge.

Today, the People’s Republic of China is North Korea’s only ally on the world stage, a tightly knit relationship that goes back decades. Both countries portray their partnership as one of “brotherly affection” based on shared political ideals—an alliance “as tight as lips to teeth”—even though relations have deteriorated in recent years due to China’s ascendance and North Korea’s intransigence.

In A Misunderstood Friendship, leading diplomatic historians Zhihua Shen and Yafeng Xia draw on previously untapped primary source materials revealing tensions and rivalries to offer a unique account of the China–North Korea relationship. They unravel the twists and turns in high-level diplomacy between China and North Korea from the late 1940s to the death of Mao Zedong in 1976. Based on unprecedented access to Chinese government documents, Soviet and Eastern European archives, and in-depth interviews with former Chinese diplomats and North Korean defectors, Shen and Xia reveal that the tensions that currently plague the alliance between the two countries have been present from the very beginning of the relationship. They significantly revise existing narratives of the Korean War, China’s postwar aid to North Korea, Kim Il-sung’s ideological and strategic thinking, North Korea’s relations with the Soviet Union, and the importance of the Sino-U.S. rapprochement, among other issues. A Misunderstood Friendship adds new depth to our understanding of one of the most secretive and significant relationships of the Cold War, with increasing relevance to international affairs today.

As a broad category of identity, “transgender” has given life to a vibrant field of academic research since the 1990s. Yet the Western origins of the field have tended to limit its cross-cultural scope. Howard Chiang proposes a new paradigm for doing transgender history in which geopolitics assumes central importance. Defined as the antidote to transphobia, transtopia challenges a minoritarian view of transgender experience and makes room for the variability of transness on a historical continuum.

Against the backdrop of the Sinophone Pacific, Chiang argues that the concept of transgender identity must be rethought beyond a purely Western frame. At the same time, he challenges China-centrism in the study of East Asian gender and sexual configurations. Chiang brings Sinophone studies to bear on trans theory to deconstruct the ways in which sexual normativity and Chinese imperialism have been produced through one another. Grounded in an eclectic range of sources—from the archives of sexology to press reports of intersexuality, films about castration, and records of social activism—this book reorients anti-transphobic inquiry at the crossroads of area studies, medical humanities, and queer theory. Timely and provocative, Transtopia in the Sinophone Pacific highlights the urgency of interdisciplinary knowledge in debates over the promise and future of human diversity.

With the advent of the steamship, repeated outbreaks of cholera marked oceanic pilgrimages to Mecca as a dangerous form of travel and a vehicle for the globalization of epidemic diseases. European, especially British Indian, officials also feared that lengthy sojourns in Arabia might expose their Muslim subjects to radicalizing influences from anticolonial dissidents and pan-Islamic activists. European colonial empires’ newfound ability to set the terms of hajj travel not only affected the lives of millions of pilgrims but also dramatically challenged the Ottoman Empire, the world’s only remaining Muslim imperial power.

Michael Christopher Low analyzes the late Ottoman hajj and Hijaz region as transimperial spaces, reshaped by the competing forces of Istanbul’s project of frontier modernization and the extraterritorial reach of British India’s steamship empire in the Indian Ocean and Red Sea. Imperial Mecca recasts Ottoman Arabia as a distant, unstable semiautonomous frontier that Istanbul struggled to modernize and defend against the onslaught of colonial steamship mobility. As it turned out, steamships carried not just pilgrims, passports, and microbes, but the specter of legal imperialism and colonial intervention. Over the course of roughly a half century from the 1850s through World War I, British India’s fear of the hajj as a vector of anticolonial subversion gradually gave way to an increasingly sophisticated administrative, legal, and medical protectorate over the steamship hajj, threatening to eclipse the Ottoman state and Caliphate’s prized legitimizing claim as protector of Islam’s most holy places. Drawing on a wide range of Ottoman and British archival sources, this book sheds new light on the transimperial and global histories traversed along the pilgrimage to Mecca.

As the teaching of Chinese increasingly uses simplified characters, this new version of the popular A Primer for Advanced Beginners of Chinese fills an important gap in Chinese-language instruction.

The two-volume primer is addressed to meet the needs of the rapidly growing number of Chinese language students who were raised in the United States in Chinese-speaking homes and speak the language but cannot read or write it. This text develops lessons around readings on Chinese history, culture, geography, literature, folktales and mythology, customs, and cuisine.

Completed just weeks before his death, the lectures in this volume mark a critical juncture in the career of Roland Barthes, in which he declared the intention, deeply felt, to write a novel. Unfolding over the course of two years, Barthes engaged in a unique pedagogical experiment: he combined teaching and writing to "simulate" the trial of novel-writing, exploring every step of the creative process along the way.

Barthes's lectures move from the desire to write to the actual decision making, planning, and material act of producing a novel. He meets the difficulty of transitioning from short, concise notations (exemplified by his favorite literary form, haiku) to longer, uninterrupted flows of narrative, and he encounters a number of setbacks. Barthes takes solace in a diverse group of writers, including Dante, whose La Vita Nuova was similarly inspired by the death of a loved one, and he turns to classical philosophy, Taoism, and the works of François-René Chateaubriand, Gustave Flaubert, Franz Kafka, and Marcel Proust.

This book uniquely includes eight elliptical plans for Barthes's unwritten novel, which he titled Vita Nova, and lecture notes that sketch the critic's views on photography. Following on The Neutral: Lecture Course at the Collège de France (1977-1978) and a third forthcoming collection of Barthes lectures, this volume provides an intensely personal account of the labor and love of writing.

Nothing fills us with a sense of wonder like fossils. What looks at first like a simple rock is in fact a clue that reveals the staggering diversity of ancient environments, the winding pathways of evolution, and the majesty of a vanished earth. But as much as one might daydream of digging a hole in the backyard and finding a Tyrannosaurus, only a few places contain these buried treasures, and when a scientist comes across a remnant of prehistoric life, great care must be taken. What do budding paleontologists need to know before starting their search?

In Fantastic Fossils, Donald R. Prothero offers an accessible, entertaining, and richly illustrated guide to the paleontologist’s journey. He details the best places to look for fossils, the art of how to find them, and how to classify the major types. Prothero provides expert wisdom about typical fossils that an average person can hope to collect and how to hunt fossils responsibly and ethically. He also explores the lessons that both common and rarer discoveries offer about paleontology and its history, as well as what fossils can tell us about past climates and present climate change. Captivating illustrations by the paleoartist Mary Persis Williams bring to life hundreds of important specimens. Offering valuable lessons for armchair enthusiasts and paleontology students alike, Fantastic Fossils is an essential companion for all readers who have ever dreamed of going in search of traces of a lost world.

New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalize Russian theater. It also provoked confrontations with traditionalists in society and places of power, making theater once again Russia’s most politicized art form.

This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Many of them address pressing social issues, such as ethnic tensions and political disillusionment; others engage with Russia’s rich cultural legacy by reimagining traditional genres and canons. Among them are a family drama about Anton Chekhov, a modern production play in which factory workers compose haiku, and a satirical verse play about the treatment of migrant workers, as well a documentary play about a terrorist school siege and a postdramatic “text” that is only two sentences long. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century. Acquainting English-language readers with these vital works, New Russian Drama challenges us to reflect on the status and mission of the theater.

During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles.

The Field of Cultural Production brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption.

Bourdieu develops a highly original approach to the study of literary and artistic works, addressing many of the key issues that have preoccupied literary art and cultural criticism in the last twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority.

Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power.

The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power.

The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.

In 1993, an astonishing discovery was made at a tomb in Guodian in Hubei province (east central China). Written on strips of bamboo that have miraculously survived intact since 300 B.C., the "Guodian Laozi," is by far the earliest version of the Tao Te Ching ever unearthed. Students of ancient Chinese civilization proclaimed the text a decisive breakthrough in the understanding of this famous text: it provides the most conclusive evidence to date that the text was the work of multiple authors and editors over hundreds of years, rather than the achievement of a single individual writing during the time of Confucius.

Robert Henricks now presents the first English translation of the "bamboo slip Laozi." Differing substantially from other versions we have of the text, the Guodian Laozi provides us with clues on how and when the text came into being. As Henricks's translation shows, many chapters are missing in this form of the text, and some chapters remain incomplete. All of this seems to suggest that the Tao Te Ching was not yet "complete" when these slips were copied.

In his translation, Henricks focuses attention on lines in each of the chapters that vary from readings in other editions. In addition, he shows how the sequence of chapters in this form of the text is totally unrelated to the sequence readers commonly see in the "standard" form of the text, i.e., in other translations.

Here are just a few of the noteworthy features of this new Tao Te Ching:

• A lucid introduction to the Guodian Laozi, offering background on the archaeological interpretation of the discovery

• Line-by-line comparisons of the Guodian Laozi against the Mawangdui and Wang Bi editions

• Extensive notes on each chapter describing the unique elements of the Guodian Laozi in comparison with other versions

• Transcriptions for each chapter, noting both the ancient and modern form of the characters in the chapter

• An appendix featuring the official biography of Laozi written by Sima Qian, the Grand Historian of China, as well as Henricks's commentary and notes on this biography

This groundbreaking work will lead to a reassessment of the history and significance of this well-known and critical work as well as a reevaluation of the role it played in the development of Taoism in early China.

Available for the first time in English, Azaleas is a captivating collection of poems by a master of the early Korean modernist style. Published in 1925, Azaleas is the only collection Kim Sowol (1902-1934) produced during his brief life, yet he remains one of Korea's most beloved and well-known poets. His work is a delightful and sophisticated blend of the images, tonalities, and rhythms of traditional Korean folk songs with surprisingly modern forms and themes. Sowol is also known for his unique and sometimes unsettling perspective, expressed through loneliness, longing, and a creative use of dream imagery-a reflection of Sowol's engagement with French Symbolist poetry.

Azaleas recounts the journey of a young Korean as he travels from the northern P'yongyang area near to the cosmopolitan capital of Seoul. Told through an array of voices, the poems describe the young man's actions as he leaves home, his experiences as a student and writer in Seoul, and his return north. Although considered a landmark of Korean literature, Azaleas speaks to readers from all cultures. An essay by Sowol's mentor, the poet Kim Ok, concludes the collection and provides vital insight into Sowol's work and life. This elegant translation by David R. McCann, an expert on modern Korean poetry, maintains the immediacy and richness of Sowol's work and shares with English-language readers the quiet beauty of a poet who continues to cast a powerful spell on generations of Korean readers.

What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization?

Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations—screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own—Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.

Chaoyue: Advancing in Chinese covers the five Cs—communication, cultures, comparisons, connections, and communities—and follows three communicative modes in lesson design: interpersonal, interpretive, and presentational. The authors arrange their lessons around four topics intrinsically interesting to students: the self, schooling, social customs, and the global village, fostering a full appreciation of Chinese culture. Each lesson contains warm-up activities, mini-dialogues, authentic readings, conversational relays, a cultural unit, examples of sentence patterns, and a vocabulary list. Two review lessons are geared specifically toward synthesizing and reinforcing the language and culture skills taught throughout the book, and footnote glossaries assist in reading comprehension.

Written by experienced Chinese language instructors, Chaoyue helps students reach the preadvanced proficiency level within two semesters, or approximately 150 to 180 hours of course time. The preadvanced stage is comparable to a fourth-semester college Chinese course, or 250 hours of instruction. Unlike other language texts, Chaoyue is printed in both simplified and traditional Chinese characters, as well as the phonetic systems used in China (pinyin) and Taiwan (zhuyin fuhao). It also includes a CD-ROM with additional assignments and review as well as an online teacher manual.

Lesson sections include: •Warm-up activities that articulate the lesson's theme and activate students' prior knowledge

•Short readings in the form of letters, e-mails, reports, dialogues, stories, and interviews

•Dialogue practice with key vocabulary and sentence patterns

•Interactive activities such as surveys, debates, and small group discussions

•Conversational relays that ask pairs to complete minidialogues

•Authentic readings in the form of advertisements, Web sites, maps, and signs, with multiple-choice review questions

•Common expressions that relate to the lesson theme

Loren Ghiglione recounts the fascinating life and tragic suicide of Don Hollenbeck, the controversial newscaster who became a primary target of McCarthyism's smear tactics. Drawing on unsealed FBI records, private family correspondence, and interviews with Walter Cronkite, Mike Wallace, Charles Collingwood, Douglas Edwards, and more than one hundred other journalists, Ghiglione writes a balanced biography that cuts close to the bone of this complicated newsman and chronicles the stark consequences of the anti-Communist frenzy that seized America in the late 1940s and 1950s.

Hollenbeck began his career at the Lincoln, Nebraska Journal (marrying the boss's daughter) before becoming an editor at William Randolph Hearst's rip-roaring Omaha Bee-News. He participated in the emerging field of photojournalism at the Associated Press; assisted in creating the innovative, ad-free PM newspaper in New York City; reported from the European theater for NBC radio during World War II; and anchored television newscasts at CBS during the era of Edward R. Murrow.

Hollenbeck's pioneering, prize-winning radio program, CBS Views the Press (1947-1950), was a declaration of independence from a print medium that had dominated American newsmaking for close to 250 years. The program candidly criticized the prestigious New York Times, the Daily News (then the paper with the largest circulation in America), and Hearst's flagship Journal-American and popular morning tabloid Daily Mirror. For this honest work, Hollenbeck was attacked by conservative anti-Communists, especially Hearst columnist Jack O'Brian, and in 1954, plagued by depression, alcoholism, three failed marriages, and two network firings (and worried about a third), Hollenbeck took his own life. In his investigation of this amazing American character, Ghiglione reveals the workings of an industry that continues to fall victim to censorship and political manipulation. Separating myth from fact, CBS's Don Hollenbeck is the definitive portrait of a polarizing figure who became a symbol of America's tortured conscience.

"Unlike Freud, I do not claim that religion is just an illusion and a source of neurosis. The time has come to recognize, without being afraid of 'frightening' either the faithful or the agnostics, that the history of Christianity prepared the world for humanism."

So writes Julia Kristeva in this provocative work, which skillfully upends our entrenched ideas about religion, belief, and the thought and work of a renowned psychoanalyst and critic. With dialogue and essay, Kristeva analyzes our "incredible need to believe"--the inexorable push toward faith that, for Kristeva, lies at the heart of the psyche and the history of society. Examining the lives, theories, and convictions of Saint Teresa of Avila, Sigmund Freud, Donald Winnicott, Hannah Arendt, and other individuals, she investigates the intersection between the desire for God and the shadowy zone in which belief resides.

Kristeva suggests that human beings are formed by their need to believe, beginning with our first attempts at speech and following through to our adolescent search for identity and meaning. Kristeva then applies her insight to contemporary religious clashes and the plight of immigrant populations, especially those of Islamic origin. Even if we no longer have faith in God, Kristeva argues, we must believe in human destiny and creative possibility. Reclaiming Christianity's openness to self-questioning and the search for knowledge, Kristeva urges a "new kind of politics," one that restores the integrity of the human community.

In The Preparation of the Novel, a collection of lectures delivered at a defining moment in Roland Barthes's career (and completed just weeks before his death), the critic spoke of his struggle to discover a different way of writing and a new approach to life. The Neutral preceded this work, containing Barthes's challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. How to Live Together predates both of these achievements, a series of lectures exploring solitude and the degree of contact necessary for individuals to exist and create at their own pace. A distinct project that sets the tone for his subsequent lectures, How to Live Together is a key introduction to Barthes's pedagogical methods and critical worldview.

In this work, Barthes focuses on the concept of "idiorrhythmy," a productive form of living together in which one recognizes and respects the individual rhythms of the other. He explores this phenomenon through five texts that represent different living spaces and their associated ways of life: Émile Zola's Pot-Bouille, set in a Parisian apartment building; Thomas Mann's The Magic Mountain, which takes place in a sanatorium; André Gide's La Séquestrée de Poitiers, based on the true story of a woman confined to her bedroom; Daniel Defoe's Robinson Crusoe, about a castaway on a remote island; and Pallidius's Lausiac History, detailing the ascetic lives of the desert fathers.

As with his previous lecture books, How to Live Together exemplifies Barthes's singular approach to teaching, in which he invites his audience to investigate with him—or for him—and wholly incorporates his listeners into his discoveries. Rich with playful observations and suggestive prose, How to Live Together orients English-speaking readers to the full power of Barthes's intellectual adventures.

Judith Butler follows Edward Said's late suggestion that through a consideration of Palestinian dispossession in relation to Jewish diasporic traditions a new ethos can be forged for a one-state solution. Butler engages Jewish philosophical positions to articulate a critique of political Zionism and its practices of illegitimate state violence, nationalism, and state-sponsored racism. At the same time, she moves beyond communitarian frameworks, including Jewish ones, that fail to arrive at a radical democratic notion of political cohabitation. Butler engages thinkers such as Edward Said, Emmanuel Levinas, Hannah Arendt, Primo Levi, Martin Buber, Walter Benjamin, and Mahmoud Darwish as she articulates a new political ethic. In her view, it is as important to dispute Israel's claim to represent the Jewish people as it is to show that a narrowly Jewish framework cannot suffice as a basis for an ultimate critique of Zionism. She promotes an ethical position in which the obligations of cohabitation do not derive from cultural sameness but from the unchosen character of social plurality. Recovering the arguments of Jewish thinkers who offered criticisms of Zionism or whose work could be used for such a purpose, Butler disputes the specific charge of anti-Semitic self-hatred often leveled against Jewish critiques of Israel. Her political ethic relies on a vision of cohabitation that thinks anew about binationalism and exposes the limits of a communitarian framework to overcome the colonial legacy of Zionism. Her own engagements with Edward Said and Mahmoud Darwish form an important point of departure and conclusion for her engagement with some key forms of thought derived in part from Jewish resources, but always in relation to the non-Jew.

Butler considers the rights of the dispossessed, the necessity of plural cohabitation, and the dangers of arbitrary state violence, showing how they can be extended to a critique of Zionism, even when that is not their explicit aim. She revisits and affirms Edward Said's late proposals for a one-state solution within the ethos of binationalism. Butler's startling suggestion: Jewish ethics not only demand a critique of Zionism, but must transcend its exclusive Jewishness in order to realize the ethical and political ideals of living together in radical democracy.

Interspecies Ethics explores animals' vast capacity for agency, justice, solidarity, humor, and communication across species. The social bonds diverse animals form provide a remarkable model for communitarian justice and cosmopolitan peace, challenging the human exceptionalism that drives modern moral theory. Situating biosocial ethics firmly within coevolutionary processes, this volume has profound implications for work in social and political thought, contemporary pragmatism, Africana thought, and continental philosophy.

Interspecies Ethics develops a communitarian model for multispecies ethics, rebalancing the overemphasis on competition in the original Darwinian paradigm by drawing out and stressing the cooperationist aspects of evolutionary theory through mutual aid. The book's ethical vision offers an alternative to utilitarian, deontological, and virtue ethics, building its argument through rich anecdotes and clear explanations of recent scientific discoveries regarding animals and their agency. Geared toward a general as well as a philosophical audience, the text illuminates a variety of theories and contrasting approaches, tracing the contours of a postmoral ethics.

Wael B. Hallaq boldly argues that the "Islamic state," judged by any standard definition of what the modern state represents, is both impossible and inherently self-contradictory. Comparing the legal, political, moral, and constitutional histories of premodern Islam and Euro-America, he finds the adoption and practice of the modern state to be highly problematic for modern Muslims. He also critiques more expansively modernity's moral predicament, which renders impossible any project resting solely on ethical foundations.

The modern state not only suffers from serious legal, political, and constitutional issues, Hallaq argues, but also, by its very nature, fashions a subject inconsistent with what it means to be, or to live as, a Muslim. By Islamic standards, the state's technologies of the self are severely lacking in moral substance, and today's Islamic state, as Hallaq shows, has done little to advance an acceptable form of genuine Shari'a governance. The Islamists' constitutional battles in Egypt and Pakistan, the Islamic legal and political failures of the Iranian Revolution, and similar disappointments underscore this fact. Nevertheless, the state remains the favored template of the Islamists and the ulama (Muslim clergymen).

Providing Muslims with a path toward realizing the good life, Hallaq turns to the rich moral resources of Islamic history. Along the way, he proves political and other "crises of Islam" are not unique to the Islamic world nor to the Muslim religion. These crises are integral to the modern condition of both East and West, and by acknowledging these parallels, Muslims can engage more productively with their Western counterparts.

The fall of the Berlin Wall marked the end of the Cold War but also the rise of a melancholic vision of history as a series of losses. For the political left, the cause lost was communism, and this trauma determined how leftists wrote the next chapter in their political struggle and how they have thought about their past since. Throughout the twentieth century, argues Left-Wing Melancholia, from classical Marxism to psychoanalysis to the advent of critical theory, a culture of defeat and its emotional overlay of melancholy have characterized the leftist understanding of the political in history and in theoretical critique.

Drawing on a vast and diverse archive in theory, testimony, and image and on such thinkers as Karl Marx, Walter Benjamin, Theodor W. Adorno, and others, the intellectual historian Enzo Traverso explores the varying nature of left melancholy as it has manifested in a feeling of guilt for not sufficiently challenging authority, in a fear of surrendering in disarray and resignation, in mourning the human costs of the past, and in a sense of failure for not realizing utopian aspirations. Yet hidden within this melancholic tradition are the resources for a renewed challenge to prevailing regimes of historicity, a passion that has the power to reignite the dialectic of revolutionary thought.

Yi Mun-yol's Meeting with My Brother is narrated by a middle-aged South Korean professor, also named Yi, whose father abandoned his family and defected to the North at the outbreak of the Korean War. Many years later, despite having spent most of his life under a cloud of suspicion as the son of a traitor, Yi is prepared to reunite with his father. Yet before a rendezvous on the Chinese border can be arranged, his father dies. Yi then learns for the first time that he has a half-brother, whom he chooses to meet instead. As the two confront their shared legacy, their encounter takes a surprising turn.

Meeting with My Brother represents the political and psychological complexity of Koreans on both sides of the border, offering a complex yet poignant perspective on the divisions between the two countries. Through a series of charged conversations, Yi explores the nuances of reunification, both political and personal. This semiautobiographical account draws on Yi's own experience of growing up with an absent father who defected to the North and the stigma of family disloyalty. First published in Korea in 1994, Meeting with My Brother is a moving and illuminating portrait of the relationships sundered by one of the world's starkest barriers.

Ch’ae Manshik is one of the most accomplished modern Korean writers yet is underrepresented in English translation because of the challenges posed by his distinctive voice and colloquial style. Sunset: A Ch’ae Manshik Reader is the first English-language anthology of his works and features a variety of genres—novella, short fiction, anecdotal essay, travel writing, children’s story, one-act play, three-act play, and roundtable discussion.


This anthology moves beyond the usual “representative works” to provide a well-rounded selection of writing by one of Korea’s most innovative and memorable voices, drawing on Ch'ae's ten-volume Complete Works. This edition also provides a comprehensive introduction outlining the limitations of existing approaches to Ch'ae. It contextualizes the anthology's contents both in terms of the author's career and the rich Korean tradition of intertextuality and intermediality that he reflects from the country's earliest times to the new millennium.

Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call “emotion-realm” (qingjing).

Lam traces how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China. Whereas medieval dreamscapes delivered the subject into one illusory mood after another, early modern theatricality turned the dreamer into a spectator who is no longer falling through endless oneiric layers but pausing in front of the dream. Through the lens of this genealogy of emotion-realms, Lam remaps the Chinese histories of morals, theater, and knowledge production, which converge at the emergence of sympathy, redefined as the dissonance among the dimensions of the emotion-realm pertaining to theatricality.The book challenges the conventional reading of Chinese literature as premised on interior subjectivity, examines historical changes in the spatial logic of performance through media and theater archaeologies, and ultimately uncovers the different trajectories that brought China and the West to the convergence point of theatricality marked by self-deception and mutual misreading. A major rethinking of key terms in Chinese culture from a comparative perspective, The Spatiality of Emotion in Early Modern China develops a new critical vocabulary to conceptualize history and existence.

Marching Through Suffering is a deeply personal portrait of the ravages of famine and totalitarian politics in modern North Korea since the 1990s. Featuring interviews with more than thirty North Koreans who defected to Seoul and Tokyo, the book explores the subjective experience of the nation's famine and its citizens' social and psychological strategies for coping with the regime.

These oral testimonies show how ordinary North Koreans, from farmers and soldiers to students and diplomats, framed the mounting struggles and deaths surrounding them as the famine progressed. Following the development of the disaster, North Koreans deployed complex discursive strategies to rationalize the horror and hardship in their lives, practices that maintained citizens' loyalty to the regime during the famine and continue to sustain its rule today. Casting North Koreans as a diverse people with a vast capacity for adaptation rather than as a monolithic entity passively enduring oppression, Marching Through Suffering positions personal history as key to the interpretation of political violence.

A major contribution to the burgeoning field of global migration history, this book explores the historical clash between transnational networks of migrant mobility with state attempts to control them. Showcasing the latest research in the field, Melancholy Borders brings together a wide range of scholarship that illuminates the crucial role played by migration and migration regulation in the creation of the modern world.

Taking inspiration from the scholarship of historian Adam McKeown (1965–2017), contributors push migration history beyond its long-standing focus on the North Atlantic by spotlighting transnational networks across the Americas, Africa, and Eurasia. At the same time, they demonstrate that consequent efforts to arrest the movement of people were foundational for the rise of the modern global order, international law, and the standardization of the nation-state. Nationalist efforts to restrict migration became a global phenomenon. Melancholy Borders presents case studies that offer different approaches to studying migration and its regulation, featuring conceptual richness as well as geographical and temporal diversity. This book at once marks the advances in the field of global migration history, takes stock of new directions, and opens up new trajectories for future research.

California sits at the epicenter of the US housing catastrophe. Across the state, unhoused people have banded together to build shantytowns and encampments, providing autonomy and communal care they can rarely find elsewhere. Yet the rise of encampments has been met with a new and brutal response, in which cities no longer simply arrest unhoused individuals but demolish entire neighborhoods of tents and makeshift houses.

Jessie Speer takes readers inside the encampments, interweaving an ethnographic account of the lives of unhoused people in Fresno, California, with an investigation of why cities across the United States have turned to what she calls the “bulldozer approach” to homelessness. She tells the powerful stories of people on the margins, painting a complex and detailed portrait of everyday life in the camps. Speer shows how a combination of profit, punishment, and prejudice drives the bulldozer approach in ways that mirror the demolition of informal settlements across the globe. At the same time, resistance movements have risen up to challenge displacement and dispossession, proclaiming that all people share a right to the city. Combining national data with more than a decade of on-the-ground research, Bulldozed exposes the violence of US housing politics and offers a vision of a more equal city.

Soon after independence in 1947, the Pakistani government adopted a language policy that promoted the use of Urdu. This provoked a strong reaction in provinces where languages such as Bengali, Sindhi, Punjabi, Pashto, and Balochi were spoken by the majority, giving rise to movements that sought to protect them. In Punjab, provincial authorities decreed that Urdu would be the sole language of administration and education. In response, intellectuals launched three separate movements between 1947 and 1960 for the defense and promotion of Punjabi, divided along the lines of their political and literary affiliations: Marxists, conservatives, and modernists.

Linguistic Resistance in Pakistan examines these three movements, taking an interdisciplinary perspective that combines sociological, historical, political, and literary approaches. Drawing on previously unexplored archival sources in Punjabi and Urdu as well as interviews conducted with activists and intellectuals, Julien Columeau analyzes the trajectories of the movements and key figures within them. He explores the context in which language movements emerged, considering the status of Punjabi before and after independence, the policy of Urdu imposition led by the central and provincial authorities, and the postindependence intellectual landscape. Columeau traces the history of the three Punjabi language movements, assessing their influence and the factors leading to success or failure. Shedding new light on the politics of language in Pakistan, this book is an important contribution to South Asian intellectual history.

On the Chinese internet, alternate history is booming. Millions of writers and readers fantasize about going back in time and changing their country’s fate. One envisions saving the Southern Song Dynasty from the Mongols and turning China into a capitalist democracy. Another portrays a contemporary traveling to 1905 and sparking a communist revolution before the Chinese Communist Party was even founded. These stories and others like them share a theme of national revival that echoes both the official narrative of the “Chinese dream” and populist movements around the world. Why is alt-history so popular in China, and what does it reveal about politics and culture under authoritarianism?

Rongbin Han examines the production and consumption of online alt-history fiction in China, offering new insight into how authoritarian rule gains popular consent. Combining in-depth digital ethnography with analysis of dozens of alt-history novels, he explores how state intervention, market forces, and consumer preferences interact. Han argues that alt-history literature is a project of imagining an ideal China, which simultaneously legitimizes and contests state ideology. Tracing the popular resonance of the regime’s nationalist vision, he demonstrates how citizens play a crucial role in constructing and maintaining the state’s dominance. Because many see national revival as imminent under the party’s leadership, they are willing to tolerate authoritarian rule, in contrast to Western democracies, where discontent has fueled populist politics. Introducing readers to the uncanny world of alt-history, Make China Great Again underscores how aspirations for the rebirth of the nation can bolster undemocratic politics—in China and elsewhere.

As victory in World War II drew near, the Allies decided to hold a major trial of Nazi leaders, which began in Nuremberg in November 1945. Conflict soon broke out between the United States and the Soviet Union over not only how to assess German guilt but also how to depict the trial. The Americans saw it as a judicial and media spectacle that would convey “the greatest moral tale ever told,” illustrated with Hollywood techniques. The Soviets, for their part, drew on extensive experience filming show trials to craft their own narrative of the tribunal.

Sylvie Lindeperg offers a pioneering account of the cinematic stagecraft, storytelling, and imagery of the Nuremberg trials, revealing how film was used both as legal evidence and as a propaganda tool. She follows the American campaign to influence world opinion before, during, and after the trial, on stage and behind the scenes. Lindeberg chronicles how the hope of scripting a Hollywood-style courtroom drama crumbled amid rising geopolitical tensions and the mundane reality of the tribunal. The book interweaves in-depth reconstruction of the filming of the trial with portraits of the colorful characters who played leading or supporting roles. Drawing on American, British, Soviet, French, and German archives as well as analysis of films, newsreels, and photographs, Staging Nuremberg is a revelatory study of the theater of justice.

For thousands of years, people have believed that the configuration of stars and planets in the sky influences earthly events. Today, astrology is a lucrative global market, with newspaper columns, mobile apps, and professional counselors weighing in on everything from love life to health to the stock market. Yet scientific evidence shows indisputably that it is simply superstition. Why does astrology appeal to so many people? What makes its prognostications seem persuasive? Is there any harm to believing in astrology anyway?

This book aims a scientific lens at astrology, from its colorful history to experimental tests of its predictions through the social and psychological factors that explain its enduring popularity. Carlos Orsi explores the importance of astrology to the history of science and the reasons it has been categorized as a pseudoscience. He investigates its tenets, recounting how scientists debunked common claims. With both empathy and skepticism, Orsi illuminates the psychological, rhetorical, and emotional mechanisms that cause people to find astrological predictions convincing. He also addresses the dangers of irrational beliefs and the risks of applying astrology to serious decisions. Wide-ranging and entertaining, this book offers a critical look at the modern appeal of an ancient superstition.

Traces of Herman Melville are everywhere. Works directly or loosely inspired by the nineteenth-century writer abound, from adaptations and artistic experiments to parodies and cheeky references. They are as distinct as Sena Jeter Naslund’s novel Ahab’s Wife, Laurie Anderson’s mixed-media spectacle Songs and Stories from Moby-Dick, Maurice Sendak’s queer illustrations of Pierre, and the collaborative Emoji Dick. Melville turns up in opera, concrete poetry, auteur cinema, monumental murals, and sperm whale–sized sculptures. Why are so many artists drawn to Melville? What does his continuing presence say about contemporary culture?

Charting how a vast variety of writers, filmmakers, and artists channel Melville, Joseph Allen Boone offers new insights into the author, his works, and his many legacies. He argues that contemporary artists are drawn to Melville’s patchwork aesthetics, especially his mingling of genres and media and his prolific borrowings from popular and high culture. Boone’s cases range from artists drawing on the use of whalebone in nineteenth-century fashion to critique gender roles to those obsessed, like Melville, with size and monumentality in ever-proliferating artworks. Other contemporary artists find Melville’s environmental themes strikingly prescient, turning to his work to examine waste, extinction, and planetary crisis. Tracing a once nearly forgotten author’s improbable contemporaneity, The Melville Effect sheds light on how artists turn to literary pasts to make sense of the present and create art for the future.

To socialize, your brain needs to see and hear other people, yet your brain is sealed inside a bony box: your skull. How does an internal mass of tissue comprehend the world outside? How does it form social relationships? This groundbreaking book answers those questions and reveals the perceptual underpinnings of society.

Charles and Daphne Maurer provide a clear explanation of how the brain interprets sensory inputs, showing how rudimentary sensations evolve into social interactions at every scale from nursery to nation. Their novel approach shows how sights, sounds, and smells build social and political worlds. They offer fresh insights into broad swaths of the social sciences.

The World Inside Your Head brings science to life, interweaving cutting-edge research with eye-opening examples across cultures and eras. Its style is lively and free of jargon, yet its argument is rigorous and scholarly. It is an accessible and iconoclastic rethinking of conventional psychology.

The African allies of the United States are often depicted as mere pawns or clients seeking aid. Yet African leaders have deftly capitalized on security partnerships with the United States in ways that have been widely overlooked. Through skillful negotiating, hosting US military operations, and deploying their soldiers to support Washington’s strategic aims, they have advanced their own interests—sometimes at the expense of their citizens.

Treachery and Diplomacy shines a light on US-Africa security partnerships, revealing their simmering internal tensions, hidden racial politics, and consequences for peace and democracy. Sobukwe Odinga explores the contentious relations between the US and key African allies—Liberia, Ethiopia, Zaire (now the Democratic Republic of the Congo), and Uganda—from the Cold War to the War on Terror. He brings to life the diplomatic gambits of leaders such as William Tubman, Mobutu Sese Seko, and Yoweri Museveni, documenting how they prodded Washington to back them in regional conflicts, increase aid, and temper criticisms of their domestic policies. Odinga also considers the African American political elites who denounced and championed US-Africa security partnerships—in some moments undercutting the influence of African leaders, in others abetting their authoritarianism. Connecting American racial thought, Pan-Africanism, and Black transnationalism to US security policy toward Africa, Treachery and Diplomacy offers new insight into how African governments have pursued their own agendas.

There is an enduring fascination with Joan of Arc, yet she is almost always seen alone, as a victim or martyr. A strikingly different person is heard in her letters and the testimony of her companions. To the king of England, she wrote, “I am a commander of war, and in whatever place I come upon your men in France, I will make them leave . . . And if they do not wish to obey, I will have them all killed.” She wrote to the people of the towns she defended, giving them news and seeking their support. Her companions spoke of her intelligence, bravery, and military competence. Hers was a collective mission to rescue the people from the depredations of war.

Focusing on her life rather than her death, Winnifred Fallers Sullivan offers an interpretation of Joan of Arc as a political thinker and actor who sought, during her meteoric presence in fifteenth-century France, to legitimate a king, channel God’s word, convene a coronation, and speak for the people in an alternative legal order. She assembled sacred kingship, mystical experience, and the press of political and economic chaos into a vernacular political theology that still speaks to our moment. Making a King illuminates Joan’s extraordinary life and vision—her conception of sovereignty from below, her form of female masculinity, and her power as kingmaker—and shows why she can help us find a deeper understanding of religion and politics today.

Song Jiaoren (1882–1913) was early-twentieth-century China’s greatest champion of constitutional democracy. Fleeing the police after a failed plot in 1904, the young revolutionary found refuge in Japan, where his eyes were opened to new political possibilities. Along with Sun Yatsen, he was one of the founders of the Nationalist Party, turning an underground organization into a nationwide force. After the 1911 revolution, Song campaigned for a truly democratic constitution guaranteeing a representative government. Following parliamentary elections in 1913, he was on the verge of becoming prime minister—but he was struck down by an assassin’s bullet on a Shanghai railway platform, and China began its descent into chaos and authoritarianism.

Don C. Price provides the definitive biography of Song Jiaoren, recounting his remarkable career and illuminating a period of epochal change. Drawing on a wide variety of sources—especially his revealing diary—this book chronicles Song’s life and times, interweaving his personal relationships with his revolutionary activities and intellectual development. From his early life in a rural interior province to his Japanese exile through his meteoric ascent and tragic death, it explores how Song became an unwavering advocate for democracy—and why antidemocratic forces sought to eliminate him. By detailing Song’s legacy, this book sheds light on the roots of democratic aspirations in China and on the path not taken in the country’s tumultuous history.

Religion is making itself unbelievable—scandal-ridden, antiscientific, authoritarian, and reactionary. Can religion be saved? Is it even worth saving? Can religion be saved not just from its critics but from itself?

John D. Caputo proposes a radical alternative—what he calls “religion’s last stand”—by turning to theopoetics. In the traditional account, theopoetics calls for approaching God poetically because God transcends human language. Caputo contests this view, arguing that in the radical account, God does not precede but is generated by the poetic imagination. Theopoetics is not adorning an already constituted God; it is constituting the very idea of God. A radical God, untethered from theological orthodoxy and confessional rivalries, is neither a real being nor an unreal illusion, neither the object of supernatural belief nor the reject of skeptical disbelief. By adopting a phenomenological suspension of both belief and disbelief, both theism and atheism, both the religious and the secular, Caputo demystifies the distinction between the natural and the supernatural and replaces it with the distinction between the prosaic and the poetic. A daring undertaking in radical theology, this lively and provocative book proposes a startlingly different future for religion.

Jonathan Demme was one of the most accomplished American film directors of his era, yet despite the scope and variety of his work, he remains underappreciated. After apprenticing with the B-movie impresario Roger Corman, from whom he learned to make films cheaply and quickly, Demme rapidly rose through the Hollywood ranks while retaining his restlessly curious instincts. He directed eighteen feature films and twelve documentaries and music films, as well as numerous shorter works. Among them are critical and cult favorites such as Something Wild, blockbusters including The Silence of the Lambs, and groundbreaking performance films, notably Stop Making Sense.

This book offers an in-depth look at Demme’s four decades of filmmaking, tracing the core elements that unite the disparate strands of his work. Louis Black and Steven Fore argue that Demme’s films share a compassionate, emotionally generous perspective on humanity’s flaws and foibles. No matter their scale, style, or subject matter, they show an affection for and fascination with people, as individuals and in communities. Ranging from low-budget productions to the pinnacle of Hollywood success, this book highlights the humanist sensibility, artistic ambitions, keen social criticism, and wry humor that are hallmarks of Demme’s work. Lively and comprehensive, The Cinema of Jonathan Demme offers a new lens on a major director.

If someone posts a death threat or a violent manifesto online, will they cross over from words to deeds? Explicit threats, intimidation campaigns, and incitements to violence are no rarity among white nationalists, incels, and other racist and misogynist extremists. Yet it is often difficult to determine whether they pose genuine risks, since the boundaries between trolling and true violent intent can be blurry. How can we tell the difference between online bluster and terrorist threats?

Julia Ebner—an internationally acclaimed expert on online radicalization—offers a fresh approach, showing how language patterns reveal the potential for political violence. She investigates the psychological underpinnings of texts by terrorists such as Anders Breivik, Dylann Roof, Elliot Rodger, and Brenton Tarrant, offering statistical and qualitative contrasts with nonviolent political writing. Ebner finds striking similarities among their manifestos, including the fusion of personal identity with the group, visceral othering of outgroups, narratives of existential conflict, and the glorification of violence. Following these trails, she demonstrates that perpetrators of extremist violence inadvertently give away their intentions in what they say. Featuring vivid writing and actionable conclusions, The Language of Terrorists presents a new model of violent threat detection that can address pressing challenges faced by the international security and intelligence communities.

The Wagner Group emerged from Russia’s shadowy criminal underworld in 2014 and soon became one of the world’s most infamous private military companies. Led by the provocative oligarch Yevgeny Prigozhin, Wagner developed into a key instrument of Russian power projection, with deep and direct ties to the Kremlin. Its mercenaries fought on the front lines in Ukraine, propped up regimes in the Middle East and Africa, and exploited chaos to secure lucrative resource contracts before Prigozhin’s mutiny against Moscow in 2023 brought him down.

This book traces the Wagner Group’s violent ascent and descent, exposing how a shadow army built an empire that seemed to have no end in sight until it turned on its masters. Drawing on a wide range of sources and interviews, Moscow’s Mercenaries offers a comprehensive examination of Wagner’s inner workings: its hybrid structure, battlefield tactics, propaganda campaigns, and connections to the Russian military. From Ukraine to brutal counterinsurgency campaigns in Syria, the Central African Republic, Mali, and beyond, the book shows how Wagner evolved into a global criminal syndicate and reveals why its ambitions led to a fatal collision with the Russian state.

Moscow’s Mercenaries explores what Wagner’s rise tells us about the future of modern warfare, the erosion of international norms, and how authoritarian regimes outsource violence. Anyone interested in the evolution of mercenary warfare, great power competition, and the dark underbelly of global security stands to learn important lessons from this well-timed and insightful book.

What might religious practice learn from plants? Recent years have seen the emergence of critical plant studies, and philosophers have found a radical mode of thought in vegetal life. Ecologies of Ecstasy recasts religious contemplation as a form of vegetal being, arguing that spiritual practice is rooted in the generation of life on earth.

Simone Kotva explores the role of vegetal life in the history of Christian mysticism and the practice of contemplation, demonstrating its significance to the concept of mystical union, which rests on the loss of distinction between self and world. She shows that plants, animals, and other creatures were once understood to exist by virtue of contemplation and examines how religious orthodoxies suppressed this idea. Ecologies of Ecstasy provides fresh readings of texts by figures such as Plotinus, Evagrius of Pontus, Hildegard of Bingen, Marguerite of Porete, the Helfta mystics, and Jeanne Guyon in light of contemporary philosophies of vegetal life and critical plant studies. It brings together feminist, queer, and ecocritical readings of Christian mysticism with continental philosophy and the works of Michael Marder, Emanuele Coccia, and Luce Irigaray. Entwining Christian contemplation with philosophies of vegetal life, this book offers new ways to understand mysticism and spiritual practice.

What if the most consequential alliance between the United States and Turkey was not signed—but screened? Beginning in 1930 and crystallizing during the Cold War, the two nations forged an alliance through film: American and Turkish institutions used educational films—short documentaries shown in schools, villages, theaters, and public spaces—not just to inform but to persuade. These films promoted cooperation, encouraged economic development, and modeled ideals of modern citizenship. Yet beneath their instructional surface, they also advanced a racialized vision of progress.

Film Diplomacy offers a powerful new account of how film shaped international relations and national identity. Drawing on previously unexamined and recently declassified archives in Turkey and the United States, Ayşehan Jülide Etem demonstrates how both countries used educational films to align institutional agendas and geopolitical interests. The United States built on missionaries’ earlier use of film programs while shifting from Christianization to modernization to promote free market capitalism and prevent the spread of communism. Turkish officials embraced film to promote a homogenous, secular, and Western-facing national identity that erased groups such as Armenians, Blacks, Greeks, Jews, and Kurds. In both contexts, whiteness operated as an invisible standard—shaping who belonged, who was excluded, and what counted as modern.

By tracing the transnational network of educational cinema, Etem uncovers how film functioned as infrastructure, circulating ideologies, organizing institutions, and training citizens. Moving beyond conventional accounts of propaganda and soft power, this book exposes how film was central to the making of modern Turkey and sheds new light on media’s role in global politics.

In 2015, students at the University of Cape Town ignited a movement that would reverberate across the globe by demanding the removal of a statue of the British imperialist Cecil Rhodes. What began as a protest against a single monument became Rhodes Must Fall: a confrontation with colonial legacies at South African universities that inspired a movement at Oxford and beyond.

A. Kayum Ahmed tells the powerful story of Rhodes Must Fall, tracing the emergence of a new decolonial framework, Fallism, and its trajectory from Africa to empire. Drawing on archival research and interviews with activists, he interprets Fallism as both a critique of the university—rooted in patriarchy, white supremacy, and capitalism—and a broader decolonial theory. Ahmed reveals how students combined acts of defiance with deeper forms of intellectual insurgency to challenge Eurocentric curricula, linguistic hierarchies, and the silencing of Black epistemologies. In so doing, they transformed Black pain—the source of the uprising—into a collective struggle for Black liberation.

By following Fallism’s journey, this book demonstrates how student movements create new vocabularies of resistance that transcend geographies of power. It underscores why universities remain battlegrounds in global struggles, from conflicts over statues and curricula to pro-Palestinian protests. Both a history of a movement and a theoretical intervention, Theorizing Fallism illuminates the enduring influence of students to challenge entrenched structures of knowledge and power.

Long before Google, Amazon, or Microsoft, computer technology shaped how people worked, how markets operated, and how businesses became big. After World War II, military officials and their partners in industry looked to the newly invented electronic computer as they sought to cut costs, speed up labor, manage supply chains, and—they hoped—bring stability to the postwar economy. Their efforts would shape early computer science and the first applications of computer technology in manufacturing and business, with profound consequences for workers and managers alike. By the 1960s, practices originally developed to improve industrial efficiency were being used by Wall Street, influencing how markets worked and even how traders thought. Digital technology became central to finance, tying together far-flung trading floors and automating decision making—with alarming consequences, including the 1987 Black Monday crash.

Devin Kennedy offers a new history of the digital economy, showing how the computer emerged from—and transformed—capitalism in the United States. He traces how computer science and technology were made by industry, which molded computation to manage factories, financial markets, and entire firms. Drawing on the archives of businesses, computer researchers, regulators, and financial institutions, Coding Capitalism retells the story of the postwar economy and the computer, revealing how midcentury business laid the foundations of the digital world. Bridging business and economic history with the history of science and technology, this book uncovers the prehistory of big tech and demonstrates how capitalism has shaped computing since its invention.

In 1901, Lizzie Black Kander put together a cookbook based on the classes she taught at the Milwaukee Jewish Mission. “I was trying to teach a group of young foreign girls in a crowded neighborhood how to cook simple and nutritious food, yet have it attractive and inexpensive as we prepare it in America,” she recalled. The Settlement Cook Book would go on to be the most successful charitable cookbook in American history, remaining a best-seller into the 1970s. Despite including nonkosher recipes, it became a mainstay in Jewish kitchens and an enduring touchstone of Jewish American culture.

Recipes for the Melting Pot tells the remarkable story of The Settlement Cook Book, demonstrating how it shaped Jewish American identity—and was in turn shaped by generations of Jewish women. Nora L. Rubel traces the cookbook’s evolution across forty editions over several decades, through waves of immigration, shifting gender roles, upward mobility, suburbanization, and rapid changes in Jewish life. She argues that the book celebrates pluralism, allowing it to serve at once as a tool for Americanization, a repository of tradition, and a platform for culinary innovation. Ultimately, The Settlement Cook Book is a record of American Jewish women’s history, told through the food they made and the lives they led. A cultural biography of an iconic cookbook, this lively and inviting book shares an inclusive vision of American cuisine.

What has been the fate of Christianity since Nietzsche's famous announcement of the "death of God"? What is the possibility of religion, specifically Christianity, thriving in our postmodern era? In this provocative new book, Gianni Vattimo, leading Italian philosopher, politician, and framer of the European constitution, addresses these critical questions.

When Vattimo was asked by a former teacher if he still believed in God, his reply was, "Well, I believe that I believe." This paradoxical declaration of faith serves as the foundation for a brilliant exposition on Christianity in the new millennium—an age characterized by a deep uncertainty of opinion—and a personal account of how Vattimo himself recovered his faith through Nietzsche and Heidegger. He first argues that secularization is in fact the fulfillment of the central Christian message, and prepares us for a new mode of Christianity. He then explains that Nietzsche's thesis concerns only the "moral god" and leaves room for the emergence of "new gods." Third, Vattimo claims that the postmodern condition of fragmentation, anti-Eurocentrism, and postcolonialism can be usefully understood in light of Joachim of Fiore's thesis concerning the "Spiritual Age" of history. Finally, Vattimo argues for the idea of "weak thought." Because philosophy in the postmetaphysical age can only acknowledge that "all is interpretation," that the "real" is always relative and not the hard and fast "truth" we once thought it to be, contemporary thought must recognize itself and its claims as "weak" as opposed to "strong" foundationalist claims of the metaphysical past. Vattimo concludes that these factors make it possible for religion and God to become a serious topic for philosophy again, and that philosophy should now formally engage religion.

Conventional “frequentist” methods that dominate the field of statistics are generally inconsistent and liable to catastrophic failure in some contexts. These weaknesses have become particularly concerning in relation to crises of replicability and credibility in science. Two alternatives have been proposed to address these flaws—classical Bayesian inference and the principle of maximum entropy—but the connections between them remain controversial.

Making Statistics Work presents a synthesis of information theory and Bayesian inference that addresses these fundamental problems. It provides a consistent, powerful, and flexible framework for data inference based on rigorous logic derived from first principles, allowing for new approaches to many of the unresolved questions of statistics. Duncan K. Foley and Ellis Scharfenaker illustrate the application of this framework and the reasoning behind it across a variety of important statistical problems, such as the inference underlying “gold standard” clinical trials, models of human behavior employed in behavioral finance and psychology, analysis of macroeconomic policy, the relationship of classical probability to quantum physics, and the limitations of linear regression analysis. Making Statistics Work offers new insight into contentious topics, from problems of causality and confounding variables in randomized experimental trials to the foundations of Bayesian and frequentist probability theory.

Antonio Negri, one of the world's leading scholars on Baruch Spinoza (1632–1677) and his contemporary legacy, offers a straightforward explanation of the philosopher's elaborate arguments and a persuasive case for his ongoing relevance. Responding to a resurgent interest in Spinoza's thought and its potential application to contemporary global issues, Negri demonstrates the thinker's special value to politics, philosophy, and related disciplines.

Negri's work is both a return to and an advancement of his initial affirmation of Spinozian thought in The Savage Anomaly. He further defends his understanding of the philosopher as a proto-postmodernist, or a thinker who is just now, with the advent of the postmodern, becoming contemporary. Negri also connects Spinoza's theories to recent trends in political philosophy, particularly the reengagement with Carl Schmitt's "political theology," and the history of philosophy, including the argument that Spinoza belongs to a "radical enlightenment." By positioning Spinoza as a contemporary revolutionary intellectual, Negri addresses and effectively challenges twentieth-century critiques of the thinker waged by Jacques Derrida, Alain Badiou, and Giorgio Agamben.

Syaman Rapongan is a chronicler of his people, the Tao, an Indigenous community who live on Orchid Island near the island of Taiwan. In Eyes of the Sky, he invites readers to learn the ways of this oceanic world—and to learn to see their own worlds anew through a Tao lens.

Employing oral storytelling conventions, Eyes of the Sky opens by recounting the history of the Tao, from their mythic origins to the present day. Its first chapter is narrated by a giant trevally, a fish common to the waters around Orchid Island. It then tells the stories of three generations of a single family—father, son, and grandson—exploring the transformation of Tao society through their encounters with Han-Taiwanese modernity.

Syaman Rapongan paints a vivid picture of his homeland—its mountains and seas, flora and fauna, climate and ecology—as well as local culture and customs. In describing fishing practices, canoe building, and conversations with friends from his village, he illustrates the Tao’s ecological worldview, lived experience, and struggle to preserve their culture. Written in conversational prose with evocative detail, this book is a powerful testament to how Indigenous people and stories persevere.

Around the world, journalism is undergoing a crisis of legitimacy. Public confidence in the news is declining; populist leaders attack the media; and journalists are routinely harassed and threatened. Many journalists and scholars believe that building trust with audiences would help weather these storms. But what do journalists risk in their pursuit of trust?

This book provides a fresh perspective by demonstrating how the desire to increase trust in the news can be weaponized against journalists. Based on in-depth interviews with nearly one hundred journalists, Does Trust Matter? challenges widely held assumptions about audience feedback that leave the media vulnerable to manipulation. Efrat Nechushtai shows how concerns over distrust have been used to increase favorable coverage of illiberal movements. She documents how the quest for public approval has led journalists to legitimize antiscience claims in the United States, racialize crime reporting in Germany, and produce “patriotic” stories in Hungary and Israel, among other cases.

Does Trust Matter? offers timely insights into how journalists can build resilience against increasingly sophisticated attempts to undermine their work, including AI-powered influence campaigns and online propaganda. Valuable for scholars and practitioners alike, this book presents practical strategies that reporters, editors, and publishers can use to navigate today’s challenging environment.

There is an abiding tension in American religious history—and in how that history is told—between the pervasive ideology of white supremacy and the reality of a multicultural, multireligious North American landscape. Visiting this tension from the colonial era to the present, Catherine L. Albanese explores collisions between a white Protestant majority and the diversity of faiths flourishing beside it, offering timely insights into transformations in American religion.

Beginning with how Indigenous peoples felt the heavy hand of settler violence, Kaleidoscope examines coexistence and conflict across American history in a series of essays. Albanese considers a number of moments and movements in Anglo-American Protestant religiosity even as she looks to Native, Black, and Latinx spiritual traditions. She highlights the uncertain status of Catholics and Jews, following their quest for whiteness and acceptance, and shows how Mormons too asserted their place within the United States by extolling their whiteness.

Filled with rich detail and a varied cast of characters, Kaleidoscope offers a new lens on diversity within American religious history. Elegantly written and powerfully argued, this book calls for overturning frameworks that place whiteness at the center and for finding new ways to tell the story of American religions.

Political revisionism is a world-wide and historical trend often defining the nature of international relations of a certain historical period. But today, it has become more important than ever before. The rise of China, aggressions of Russia, a growing number of states that have developed or are developing nuclear weapons, the inability of the UN Security Council to handle the global security agenda, the AI revolution, mass migration, and climate change combine into a picture that is difficult to comprehend. And yet no systematic analysis exists explaining what is to expect in the global order under such extreme conditions of war, instability, and insecurity. Annually, around four thousand books on international relations are being published world-wide. This book seeks to fill the gap between a reality that is hard to explain and the theory that is no longer sufficient.
Being a study of revisionism, it is itself a revisionist book. It revisits, discusses, and uncovers the novel meaning of many basic concepts used in theorizing about international relations as we know them. Some familiar concepts are merely getting outdated, others have proven to be wrong, while still others need to be revised to understand modern reality properly. The book draws lessons from the author’s experience of practical diplomacy during 30 years as a senior Ukrainian diplomat with assignments in Tel Aviv, Washington, D.C., Ankara, and Tokyo.

Johnny Tricorn (aka John Tricornio, aka an anxious romantic string bean living in L.A.) is in love with Betty Velasquez. He’s the movie critic at Angel City Beat. She’s the editor-in-chief. They’ve been together for three years and are headed toward marriage when he books an interview with the princess of Angora, a tiny nation mired in a years-long conflict with its neighbor, Andorra. The interview sets in motion a chance encounter with a local celebrity who also happens to be Johnny’s abusive ex, Carolina. A clinical narcissist, Carolina threatens to sabotage Johnny’s relationship with Betty — and destroy Betty’s career.
Set over the course of two high-stakes days, The Man Who Would Be Man Enough for Betty Velasquez is a poignant, hilarious portrait of a man’s struggle to come to terms with his past and embrace his future.

The Korean War was never formally declared, and no peace treaty ending the war was ever signed. The 1953 armistice did not stop the war but marked its extension and expansion into a warlike state of emergency. How did the new reality of life under armistice shape visions of the possible in North and South Korea? What meanings are attached to deaths in a so-called “limited war” that turned out to be limitless? What does the lack of an end to the Korean War reveal about the nature of war in the post-1945 era?

Theodore Hughes crosses borders to demonstrate how stories of dying and death—what he calls the thanatographic imagination—in North Korea, the US, and South Korea energize ideas about history, the present, and the future. Death Without End shows how literary texts, films, nonfiction, and other forms of cultural production from the late 1940s to the 1960s give rise to revolutionary belongings, gendered selfhoods, and anticommunist cosmopolitanisms as they address the incommensurate loss of life, violence, destruction, and suffering of the war. Hughes also traces how the Korean War entered US popular culture in unexpected but enduring ways. Bridging Korean studies, American studies, and the cultural turn in international relations, this book offers new ways to understand the unending Korean War and the global implications of its logic of limitlessness.

Current debates about gender identity are fraught with contradictions. Even as we increasingly recognize gender as an assigned category or social convention, we still see it as inherent to who we are, fundamental to our sense of self. But the quest to find one’s true self is unfulfillable. How can we find alternatives to the focus on getting our identity “right”?

This book offers a cultural critique of gender narratives, spanning traditional conformity to gender roles, the modern quest for individual authenticity beyond gender, and the recent social media–fueled concern with curating gendered profiles. Hans-Georg Moeller puts Daoist philosophy into conversation with present-day thinkers, showing why it helps us rethink common notions about identity. Discussing a wide range of cases, from Chinese foot binding to the politics around transgender issues today, he argues that we can defuse our anxieties by recognizing that gender—like all identities—is social, not individual, and changes at different times and in different places. Accessibly written and empathetic, The Enigma of Gender calls on us to be at ease with whoever we happen to be.

In recent years, increasingly sophisticated metrics have been created to measure sustainability. First devised to address environmental concerns such as greenhouse gas emissions, they now also assess organizational governance, community benefits, and hiring practices, among others. The field of sustainability management uses these metrics to track and advance progress on environmental, social, and business goals. How can an organization incorporate sustainability metrics into performance measurement and decision making? Which metrics should different organizations adopt, and why? What should sustainability management do to adapt in the face of political hostility, economic volatility, and technological change?

This book is a comprehensive guide to sustainability metrics and management, introducing readers to key concepts and techniques. It details the measurement process needed to produce reliable and verifiable sustainability metrics and discusses the relationship to financial performance. The authors show how to integrate sustainability into the core of organizational management and make it a routine part of administration. They also emphasize the importance of metrics for measuring, assessing, and managing risk. Written for practitioners, students, and managers of organizations of all sizes, this book gives readers the tools and understanding they need to lead the journey toward sustainability.

By the 1930s, filmmakers had access to a backlog of footage from around thirty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history.

Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era’s restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton’s The Film Parade (1933), Laurence Stallings and Truman Talley’s The First World War (1934), Cornelius Vanderbilt Jr.’s Hitler’s Reign of Terror (1934), Max Eastman and Herbert Axelbank’s Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past.

Around the world, many reptile and amphibian species—from the iconic Komodo dragon to the unglamorous Telfair’s skink—are facing grave threats to their survival. For many, like the Belalanda chameleon of Madagascar and Mexico’s beloved axolotls, habitat destruction due to logging, agriculture, and development poses the greatest peril. Some, such as Galápagos giant tortoises, have been slaughtered wholesale by humans. Others, like Caribbean rock iguanas, have been driven to the brink of extinction by the introduction of new species to their island homes. Commercial exploitation is another risk to animals like the ploughshare tortoise, in high demand in the global black market pet trade, and the Cuban crocodile, prized for its skin. Still more, like Yosemite toads, face new threats as climate change accelerates.

In Cold-Blooded Murder, Craig Stanford tells the captivating stories of dozens of endangered reptiles and amphibians, depicting the ecological roles and unique characteristics of each species. He takes readers on a globe-spanning journey, revealing the diversity and beauty of the creatures with whom we share our world. Stanford considers the commonalities and differences in how these species came to be threatened with extinction, underscoring human culpability as well as the complexity of each situation. He also highlights conservation projects that are protecting critically endangered animals, sharing inspiring success stories while acknowledging the difficulty of saving species. This gripping and poignant book shows why we should be fascinated by reptiles and amphibians—and strive to prevent their extinction.

Society doesn’t always make it easy to tell stories about loss. Grief can make us feel that we have crossed over to another side, where people can’t reach us and we can’t reach others. We’re encouraged to move quickly through the often-misunderstood “stages of grief”; we fear that we are burdening others with our pain. But pain can feel more manageable when we find ways to describe it—and writing about grief can help us connect with others who have felt pain of their own.

Letting Grief Speak is a creative writing craft book on the art of telling our hardest stories. Based on a class called Grief Writing Sundays that Diane Zinna has led for several years, it provides ninety writing prompts with accompanying craft techniques to help people find language for their grief. By turns gentle, unexpected, rebellious, and wonderfully strange, these prompts open portals: entryways into spaces where difficult emotions can become meaningful narratives. Warm, sensitive, and honest, Letting Grief Speak is a memoir of the craft, interwoven with stories from the author’s own life. It also includes pieces from acclaimed writers and more than forty of her Grief Writing students, inviting readers to find their own ways to tell vulnerable stories. A tool for writers and a companion for grievers, this book meets writers of all levels where they are, no matter what kind of grief they hold.

From birth, our brains are shaped by other people—in our families, schools, workplaces, neighborhoods, countries, and cultures. These social worlds make us who we are, but how this process works remains mysterious on a neural level.

In Socially Wired, Matthew W. Schelke uses the stories of patients with neurological illness to show how social and cultural environments transform the brain. In the neurology clinic, the experiences of patients with the same illness can vary tremendously depending on their backgrounds, providing a window onto the complex interactions between brain and culture. Through cases ranging from an amateur chef who suddenly stopped cooking to an art lover who was removed from a gallery for touching the art, Schelke explores what neurological injury can reveal about social and cultural behavior. He demonstrates how specific practices—shared emotion, apprenticeship learning, imagination, language, art, and collective memory—shape neural networks, the experiences of patients, and ultimately our encultured minds.

Going beyond neuroscience, Socially Wired integrates insights from anthropology to philosophy to ecological psychology. Highlighting patient stories, this book illuminates how the brain wires us to participate in culture and how, in turn, culture rewires the brain.

This book presents the trailblazing political scientist Martin L. Kilson’s essays on leading Black intellectuals of the twentieth century. Kilson examines the ideas and careers of several key thinkers, placing their intellectual odysseys in the context of the dynamics that shaped the Black intelligentsia more broadly. He argues that the trajectory of twentieth-century Black intellectuals was determined by the interplay between formal ideas and Black egalitarian struggle.

Beginning with the tension between W. E. B. Du Bois’s civil rights activism and Booker T. Washington’s accommodationism, Kilson explores the formation and evolution of Black intellectuals and activists across generations. Chapters consider Horace Mann Bond’s career in higher education, political scientist John Aubrey Davis’s transition from civil rights activist to federal policy technocrat, Ralph Bunche’s writings on European colonial rule in Africa, Harold Cruse’s classic polemic The Crisis of the Negro Intellectual, E. Franklin Frazier’s analysis of the Black bourgeoisie, Adelaide M. Cromwell’s studies of the challenges facing elite Black women, and Ishmael Reed and Cornel West’s advocacy as public intellectuals amid a conservative turn. Offering timely and engaging insights into the lives and work of pivotal Black intellectuals and activists, this book sheds new light on the abiding questions and debates in Black political thought.

In February 2022, Russia invaded Ukraine in a bloody escalation of a conflict that had begun eight years earlier. What drove Vladimir Putin to launch Europe’s largest land war since World War II?

Lucian Kim—an on-the-ground reporter in the region for decades—offers a gripping, definitive account of Russia’s path to war, from Ukraine’s 2004 Orange Revolution and the 2014 Maidan uprising right up to the full-scale invasion. He examines the Kremlin’s motives, tracing Putin’s transformation from a seemingly pragmatic leader into an embittered tyrant who saw it as his historical mission to reconquer Ukraine. Kim places the war in the broader context of the Soviet Union’s collapse, arguing that it represents a clash between those who reject the Soviet past—like Volodymyr Zelensky and Alexei Navalny—and those who still identify with it. He debunks the Kremlin narrative that the West instigated the conflict, and he instead identifies the root causes of the war in the legacy of Russian imperialism and Putin’s dictatorial rule. At the same time, Kim is critical of the West’s empty promises to Ukraine, which made the country vulnerable to a revanchist Russia.

Putin’s Revenge features insight from Kim’s first-hand reporting on key moments, such as Russia’s occupation of Crimea and the beginning of the Russian-backed insurgency in eastern Ukraine. This book tells the story of the lead-up to the invasion with revelatory detail and fresh analysis, shedding new light on a conflict that has roiled the post–Cold War order.

The couch is regarded as one of the most well-known and symbolic elements of psychoanalysis, yet its role in the therapeutic process is not without controversy. This book subjects its function within psychoanalytic treatment to critical examination and explores a possible connection to problematic therapeutic dynamics. The asymmetry inherent in psychoanalytic treatment has prompted considerable skepticism, with critical voices suggesting that patients are disadvantaged. These concerns raise questions about the potential for abuse, therapeutic malpractice, and the impact of a more rigid, theory-driven approach that may prioritize psychoanalytic tradition over the well-being of the patient. How justified are these concerns? What do the available research findings reveal about misconduct, abuse of power, and the clinical application of psychoanalytic theory?

This book brings the topics of therapeutic power in psychotherapy and the analytic couch into critical dialog.