Poetry

The heroic deeds and words of a warrior poet of northern Arabia

An epic hero and a poet, the semi-legendary Shāyiʿ al-Amsaḥ was a prominent ancestor of the Shammar tribal confederation that stretches across the Great Nafūd desert in the northern Arabian Peninsula. Shāyiʿ’s corpus of extant poems are preserved in narratives about his chivalrous exploits transmitted orally for centuries. In this volume, Marcel Kurpershoek vividly translates the deeds and verses of this compelling poet, based on recordings of late-twentieth century reciters, a testament to Shāyiʿ’s prominence as an embodiment of Bedouin virtue, courage, wiliness, and generosity.

Born with one eye, Shāyiʿ presents himself as unattractive and unassuming, only to reveal a hero’s strength, sagacity, and wiliness. In a number of stories, he is shown hiding his identity, whether in disguise as an impoverished Bedouin or on a camel deliberately made to look mangy and weak. In the oral culture of the Bedouin, the epic cycle of Shāyiʿ al-Amsaḥ delights and instructs listeners through its unmasking of false appearances and its revelation of the hero’s true character.

Translated into English for the first time, these engaging tales and poems tell of dangerous desert travel, warlike exploits, chivalrous conduct and its opposite, feats of hospitality that defy belief, and convey nuggets of wisdom from the Bedouin manual of survival, making this collection a colorful compendium of the manners and customs of the tribes of northern Arabia.

A bilingual Arabic-English edition.

A classic textbook on the study of logic

In the Muslim East, logic was an integral part of the syllabus of schools and found to be especially helpful for legal studies. It was at this time that The Rules of Logic was composed by Najm al-Dīn al-Kātibī, a scholar of the Shāfiʿī school of law.

The Rules of Logic is the most widely read introduction to logic in the Arabic-speaking world. It has probably enjoyed a longer shelf-life than any other logic textbook ever written, having been in use by madrasah students from the early eighth/fourteenth century up until the present day. Building on the theories of Avicenna, al-Rāzī, and other pioneers of logic, al-Kātibī discusses the many pitfalls of building arguments and setting out unambiguous claims in natural language. The enduring nature of the text is a testament to al-Kātibī and his impact on concepts of formal discourse and argument. This new translation of The Rules of Logic brings to both an Arabic and English readership an influential text that has shaped the work of scholars of logic for centuries.

A bilingual Arabic-English edition.

Poems of love and battle by Arabia’s legendary warrior

From the sixth-century highlands of Najd in the Arabian peninsula, on the eve of the advent of Islam, come the strident cries of a legendary warrior and poet. The black outcast son of an Arab father and an Ethiopian slave mother, 'Antarah ibn Shaddad struggled to win the recognition of his father and tribe. He defied social norms and, despite his outcast status, loyally defended his people.

'Antarah captured his tumultuous life in uncompromising poetry that combines flashes of tenderness with blood-curdling violence. His war songs are testaments to his life-long battle to win the recognition of his people and the hand of 'Ablah, the free-born woman he loved but who was denied him by her family.

War Songs presents the poetry attributed to 'Antarah and includes a selection of poems taken from the later Epic of 'Antar, a popular story-cycle that continues to captivate and charm Arab audiences to this day with tales of its hero’s titanic feats of strength and endurance. 'Antarah’s voice resonates here, for the first time in vibrant, contemporary English, intoning its eternal truths: commitment to one’s beliefs, loyalty to kith and kin, and fidelity in love.

A bilingual Arabic-English edition.

A rich anthology of pre-Islamic and early Islamic poetry on the beauties and perils of the hunt

In the poems of Fate the Hunter, many of them translated into English for the first time, trained cheetahs chase oryx, and goshawks glare from falconers’ arms, while archers stalk their prey across the desert plains and mountain ravines of the Arabian peninsula. With this collection, James E. Montgomery, acclaimed translator of War Songs by ʿAntarah ibn Shaddād, offers a new edition and translation of twenty-six early works of hunting poetry, or ṭardiyyāt. Included here are poems by pre-Islamic poets such as Imruʾ al-Qays and al-Shanfarā, as well as poets from the Umayyad era such as al-Shamardal ibn Sharīk. The volume concludes with the earliest extant epistle about hunting, written by ʿAbd al-Ḥamīd al-Kātib, a master of Arabic prose.

Through the eyes of the poet, the hunter’s pursuit of the quarry mirrors Fate’s pursuit of both humans and nonhumans and highlights the ambiguity of the encounter. With breathtaking descriptions of falcons, gazelles, and saluki gazehounds, the poems in Fate the Hunter capture the drama and tension of the hunt while offering meditations on Fate, mortality, and death.

A bilingual Arabic-English edition.

Verses on hunter and quarry from a giant of Arabic poetry

Arguably the greatest poet of the Arabic language, Abū Nuwās was renowned for his innovations in poetic genre and style and was a larger-than-life figure even among his contemporaries in Abbasid Baghdad. In A Demon Spirit, prize-winning translator and scholar James E. Montgomery renders this literary giant’s hunting poetry, or ṭardiyyāt, translated for the first time in vivid English.

Abū Nuwās’s poems radiate brilliance, ingenuity, and lyrical attentiveness to both nature and body. These hunting poems convey the crackling energy of ruthless predators and wily prey, the worryingly uncertain outcome of perilous pursuits, and the mythic perfection of warriors both human and animal—all the while overturning genre structures and power dynamics with unforgettable imagery expressed in smooth, natural language.

A bilingual Arabic-English edition.

Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry.

Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an "anti-modernist." Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today; how to reconcile scientific and artistic discourses and modes of vision; how to connect present-day experience to myths perceived as lying at the origins of human culture; how to renew the poetic language and how (or whether) to present art's claim to moral, spiritual, or epistemological seriousness within representations of modern phenomena.

For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems—the current Selected Poetry, first published in 1938, contains no work from the last three volumes published during Jeffers' lifetime or from his posthumous volume. Now, for the first time, all of Jeffers' completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition.

The first three volumes of this four-volume work, will present chronologically all of Jeffers' published work from 1920 to 1963. The present volume consists of poems written from 1939 to Jeffers' death in 1963, including the dramatic poems The Bowl of Blood, Medea, and The Double Axe byt were eventually omitted for reasons that are unclear; and those poems from his last years, which appeared posthumously in The Beginning and the End, that seem to be completed drafts.

AUTHOR OF THE PULITZER PRIZE AND NATIONAL BOOK AWARD WINNER, JAMES

AUTHOR OF ERASURE, now adapted for the screen as the OSCAR-WINNING FILM, AMERICAN FICTION

Percival Everett is diving back into poetry with his spellbinding new collection, SONNETS FOR A MISSING KEY

“Few writers pay more rapt attention to the fact that history is, fundamentally, storytelling . . . A pebble in every shoe. It’s the Everett way.”—New York Times

Inspired by the Preludes of Chopin and the piano solos of Art Tatum, these sonnets leap and turn through philosophical musings accrued across a life well lived, with inventive language, crystalline imagery, and turns of phrase that lift off the page and glimmer. Everett’s sonnets soar through the musical scale, from A Minor to A Major, exploring relationships, spirituality, compassion, despair, and how the stories we tell ourselves shape our realities.

Everett continuously defies convention with every creative expression and brings his literary audacity back to his poetic roots with this, his sixth collection with Red Hen Press.

Sonnets for a Missing Key is a mesmerizing feat of language that reinforces Percival Everett as one of the great wordsmiths of the century.

“A witty, sultry, and thoughtful new collection."—Ron Charles, Washington Post

Obsessive love has never been so much fun! What She Wants: Poems on Obsession, Desire, Despair, Euphoria is a powerful tribute to the intensity of obsessive love, told through the trademark humor and heartbreak of bestselling poet Kim Dower.

Following the commercial and literary success of her bestselling poetry collection, I Wore This Dress Today for You, Mom: Poems on Motherhood, Kim Dower delivers What She Wants: Poems on Obsession, Desire, Despair, Euphoria—turning her keen eye, vibrant imagination, trademark insight, and humor to the intensity of obsessive love. These steamy and provocative poems, combining humor and heartache, run through the four phases of Limerence, the state of being infatuated or obsessed with another person: Infatuation, Crystallization, Deterioration, and Ecstatic Release.

From the opening poem, “She’ll do anything for food,” to the sexy title poem, “What She Wants,” the painfully funny, “His Other Girlfriend,” to the longing in “Visiting Baudelaire,” and the sad, sweet final poem, “Fish’s Lament,” Kim Dower captures the essence of what it means to be stuck on someone—even on a squirrel! Her eclectic, growing readership will savor these poems that can be read in one sitting, like a story with an arc, or separately, each one recalling the moment of falling in or out of love, the moment our hearts skipped a beat.

Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry.

Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an "anti-modernist." Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today; how to reconcile scientific and artistic discourses and modes of vision; how to connect present-day experience to myths perceived as lying at the origins of human culture; how to renew the poetic language and how (or whether) to present art's claim to moral, spiritual, or epistemological seriousness within representations of modern phenomena.

For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems—the current Selected Poetry, first published in 1938, contains no work from the last three volumes published during Jeffers' lifetime or from his posthumous volume. Now, for the first time, all of Jeffers' completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition.

The first three volumes of this four-volume work, will present chronologically all of Jeffers' published work from 1920 to 1963. The present volume consists of poems written between 1928 and 1938—the narratives Dear Judes, Thurso's Landing, Give Your Heart to the Hawks, Solstice, and Such Counsels You Gave to Me, as well as shorter verse dramas and lyric poems.

AUTHOR OF THE PULITZER PRIZE AND NATIONAL BOOK AWARD WINNER, JAMES

AUTHOR OF ERASURE, now adapted for the screen as the OSCAR-WINNING FILM, AMERICAN FICTION

Featured in the New York Times!

Percival Everett’s The Book of Training by Colonel Hap Thompson of Roanoke, VA, 1843, Annotated From the Library of John C. Calhoun, is poetry within the harsh confines of a mock historical document—a guidebook for the American slave owner. The collection features lists of instructions for buying, training, and punishing, equations for calculating present and future profits, and handwritten annotations affirming the brutal contents. The Book of Training lays bare the mechanics of the peculiar institution of slavery and challenges readers to place themselves in the uncomfortable vantage point of those who have bought and enslaved human beings.

NATIONALLY-HONORED POET • POET LAUREATE OF SOUTH PASADENA, CALIFORNIA • PUSHCART PRIZE WINNER 

Ron Koertge explores human fragility throughout history in his poetry collection, PANDORA’S KITCHEN

“Moral certainties and stereotypes vanish in these sly/subversive, satiric/tender, achingly funny/humane poems.”–Amy Gerstler • “They are poetry at its best, causing his readers to laugh, think, and feel anew.”–Billy Collins, former US poet laureate. 

The subjects in Ron Koertge’s poems include Hades’ unhappy wife Persephone, Nancy Drew, and Dracula’s Wives.

The subjects in Ron Koertge’s poems include Hades’ unhappy wife Persephone, Nancy Drew, and Dracula’s Wives. He has located Jane Austen at the mall, comforted the sun itself, and celebrated a winning day at the races. In an early poem, he extols his chosen vocation by saying this: “It’s so great to be a poet. I’m basically self-employed with nobody to please but myself.” Yet pleasing his many fans is at the top of his Things-To-Do list. That is why poets from Billy Collins to B. H. Fairchild have called his poems masterful, quirky, deliciously sly, inventive and surprisingly sweet.

AUTHOR OF AWARD-WINNING I WAS A BELL

M. Soledad Caballero explores the complexities of the body, delving into themes such as cancer, memory, and love in a lyrical collection of poems you won’t want to miss.

“This stunning book is an elegy for the body before, an ode for the body after.”–Carmen Giménez, author of Be Recorder

“Masterfully uses visceral language and vivid imagery to hold space for both sorrow and hope, beauty and pain, the light and the dark, the water and the land.”–Jasminne Mendez, author of City Without Altar

In this inventive collection, cancer transforms the body, art ignites healing, and faith is a restless vexation.

Flight Plan charts the trajectories of bodies and birds, navigating the dynamic interplay of past, present, and what happens in the in-between. These lyrical poems map the aftermaths of cancer, the varied routes of migration, and the geographies of memory. They document stories of love and its legacies, personal, familial, and national. They reject reductive diagnoses and soar and hunt with birds of prey. In this inventive collection, cancer transforms the body, art ignites healing, and faith is a restless vexation. M. Soledad Caballero urges us to remember that women’s aging bodies are evocative, that disease is a hungry creature, and that the interstices of blood and flesh are universes teeming with possibility.

The Collected Poems of Larry Eigner brings together, for the first time, all of the approximately 3,072 published and unpublished poems composed by Larry Eigner (1927-1996), a prominent American poet of the second half of the twentieth century and one of the principal figures of the influential Black Mountain School. Scrupulously edited by Robert Grenier and Curtis Faville from the extensive archives of Eigner typescripts at the University of Kansas and Stanford University, this monumental, four-volume, 8 1/2 by 11 inch edition sets forth in chronological sequence the story of Eigner's achievement, from his modest beginnings as the boy-author of traditional rhymes to his highly original (and often profoundly moving) constructions made of letters in the space of his typewriter page, which have gained him widespread recognition and placed him in the forefront of the literary avant-garde.

For over 40 years, beginning in the early 1950's, Larry Eigner's writing was a wonder and a delight to readers of contemporary poetry, appearing in countless little magazines and in over 75 books and pamphlets. With the publication of The Collected Poems—faithfully reproducing the precise visual and aural relationships envisioned by the author in an equivalently spaced Courier computer font which preserves typewriter spacing—the fact of Eigner's amazing accomplishment can finally be known, appreciated and appraised by a much-better-informed, wider audience.

Palsied from hard birth, growing up in a close-knit, nurturing household in Swampscott, Massachusetts, Eigner courageously overcame a series of physical obstacles and limitations to achieve a mastery over the material text, producing his typescripts on his 1940 Royal manual typewriter using only his right index finger and thumb to create shifting constellations of words in space whose musical and visual designs are realized in a language at once immediate and highly abstract.

Perhaps the best realization to date of the idea of "composition by field" proposed by Charles Olson in his landmark essay "Projective Verse," The Collected Poems of Larry Eigner is a literary event of the first order.

Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry.

Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an “anti-modernist.” Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today. Now, for the first time, all of Jeffers’s completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition of five volumes.

The present volume is in four parts. An Introduction deals with the scope and principles of selection for the edition, including the decision to present the poems in chronological order, and gives a brief review of the textual evidence and commentary that form the bulk of this volume. The essay “Chronology” offers an overview of Jeffers’s career, the evidence for dating the poems, and the arguments drawn from that evidence.

The two parts that follow describe the rationale and evidence for establishing the texts of the poems for this edition, and present, in the form of extensive commentary and tabulations for each poem, the material (notes, preliminary workings, revisions, discarded passages, and variations in published versions) that both complicate and enrich the study of Jeffers’s poetry and prose. These commentaries also incorporate a number of additional selections from Jeffers’s previously unpublished writings.

There are three appendixes: tables of contents for original editions as well as some planned editions that were never published; poems (not included in this edition) that have appeared in posthumous compilations; and errata for the first four volumes. The book concludes with two indexes, of titles and of first lines.

Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry.

Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an "anti-modernist." Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today; how to reconcile scientific and artistic discourses and modes of vision; how to connect present-day experience to myths perceived as lying at the origins of human culture; how to renew the poetic language and how (or whether) to present art's claim to moral, spiritual, or epistemological seriousness within representations of modern phenomena.

For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems—the current Selected Poetry, first published in 1938, contains no work from the last three volumes published during Jeffers' lifetime or from his posthumous volume. Now, for the first time, all of Jeffers' completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition.

The first three volumes of this four-volume work, will present chronologically all of Jeffers' published work from 1920 to 1963. The present volume consists of poems published between 1920 and 1928, and includes some of his greatest and best-known poems—Tamar,Roan Stallion,The Women at Point Sur, and Cawdor—as well as a recently discovered long poem, "Home." There is also an Editorial Note and a General Introduction.

AWARD-WINNING AUTHOR of CONFESSIONS OF A BAREFACED WOMAN

2022 ILLINOIS AUTHOR OF THE YEAR

Allison Joseph searches for home in her poetry collection, DWELLING

Dwelling is the latest collection from Allison Joseph, whose wise words, narrative passion, and lyrical intensity have made her a fan favorite with audiences of all ages. In Dwelling, Joseph is concerned with the inevitable search for home—as a woman, as a person of color, and as a poet. Her poems take on subjects from the serious and sublime to the humorous and ironic. Whatever her subject, Joseph is humane, humble, hilarious, and high-spirited. This poet goes wherever her imagination thrives—dwelling among us and beyond us.

The years 1921 to 1927 were the most productive of Robinson Jeffers's career. During this period, he wrote not only many of his most well-known lyric poems but also Tamar, The Tower Beyond Tragedy, Roan Stallion, and The Women at Point Sur—the long poems that first established his reputation as a major American poet. Including an introduction, chronology, and critical afterword, the Point Alma Venus manuscripts presented here gather Jeffers's four unfinished but substantial preliminary attempts at what became The Women at Point Sur, which Jeffers believed was the "most inclusive, and poetically the most intense" of his narrative poems.

The Point Alma Venus fragments and versions shed important light on the composition and themes of The Women at Point Sur. Further, they likely predate other key work from this crucial period, making them a necessary context for those who wish to clarify Jeffers's poetic development and to reinterpret his practice of narrative poetry. Ultimately, they call on general and scholarly readers alike to reconsider Jeffers's place in the canon of modern American poetry.

Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry.

Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an "anti-modernist." Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today.

For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems—the current Selected Poetry, first published in 1938, contains no poems from the last three volumes published during Jeffers's lifetime or from his posthumous volume. Now, for the first time, all of Jeffers's completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition of five volumes.

The present volume is in three parts. "Poetry 1903-1920" consists of some of the poems published while Jeffers was a college student, two early collections (Flagons and Apples and Californians), and a number of poems that were never published or were recently rediscovered. "Introductions, Forewords, and Miscellaneous Prose, 1920-1948" gathers all the major prose works. "Unpublished Poems and Fragments, 1910-1962" is mostly material that Jeffers never published, and apparently never tried to publish. The fifth volume of commentary will contain various procedural explanations and textual evidence for the texts presented in the edition, as well as transcriptions of working notes for the poems and of alternate and discarded passages. The Collected Poetry is designed by Adrian Wilson.

Frank, eye-opening writing by "arts in corrections" educators

Poetry and prose by artists, writers, and activists who’ve taught workshops in U.S. criminal legal institutions, including acclaimed writers Ellen Bass, Joshua Bennett, Jill McDounough, E. Ethelbert Miller, Idra Novey, Joy Priest, Paisley Rekdal, Christopher Soto, and Michael Torres; the late arts in corrections pioneers Buzz Alexander and Judith Tannenbaum; and Guggenheim Award-winning choreographer Pat Graney. These educators demonstrate a diverse range of experiences. Among the questions they ask: Does our work support the continuation or deconstruction of a mass incarcerating society? What led me to teach in prison? How do I resist the “savior” or “helper” narrative? A book for anyone seeking to understand the prison industrial complex from a human perspective. All author royalties from this book will be donated to Dances for Solidarity, a project that brings arts opportunities to people incarcerated in solitary confinement.

A two-person memoir that explores education, prison, possibility, and which children our world nurtures and which it shuns. At the books core are two stories that speak up for human imagination, spirit, and the power of art.

"A boy with no one to listen becomes a man in prison for life and discovers his mind can be free. A woman enters prison to teach and becomes his first listener. And so begins a twenty-five year friendship between two gifted writers and poets. The result is By Heart a book that will anger you, give you hope, and break your heart."
- Gloria Steinem

Judith Tannenbaum and Spoon Jackson met at San Quentin State Prison in 1985. For over two decades they have conferred, corresponded and sometimes collaborated, producing very different bodies of work resting on the same understanding: that human beings have one foot in darkness, the other in light.
In this beautifully crafted exploration, part memoir, part essay, Tannenbaum and Jackson consider art, education, prison, possibility, and which children our world nurtures and which it shuns. At the book's core are two stories that speak for human imagination, spirit, and expression.

Judith Tannenbaum is a nationally respected educator, speaker, and author. Among her books are the memoir, Disguised as a Poem: My Years Teaching Poetry at San Quentin; two books for teachers: Teeth, Wiggly as Earthquakes: Writing Poetry in the Primary Grades and (with Valerie Chow Bush) Jump Write In! Creative Writing Exercises for Diverse Communities, Grades 6-12; and six poetry collections. She currently serves as training coordinator with WritersCorps in San Francisco.

Born into a family of fifteen boys in Barstow, California, Spoon Jackson was sentenced to Life Without Possibility of Parole when he was twenty years old. Spoon discovered himself as a writer at San Quentin; played Pozzo in the prison's 1988 production of Waiting for Godot; and has written, published, and received awards for plays, poetry, novels, fairy tales, short stories, essays, and memoir during the more than thirty years he has been behind bars. His poems are collected in Longer Ago.

Beloved by contemporary German readers, the poetry of Max Sessner is gathered for the first time in English in Whoever Drowned Here: New and Selected Poems. Painstakingly chosen from Sessner’s celebrated three collections and from new work, these poems employ a matter-of-fact magical realism to engage the profound, philosophical mysteries of the everyday. Sessner makes nimble use of the material world as he choreographs poignant reenactments of human yearning. Smocks in the window of a dry cleaner “trade stolen / caresses” at night. Death tries on your clothes while you sleep and eats your chocolate. A poem tires of being a poem, “a small mortal / thing that no one notices,” and sets off into the world to make a new life. The poems of Max Sessner are like compact, musical fairytales. They delight us and frighten us. They touch us with their ghostly, melancholy fingertips and lead us onward.

A Los Angeles Times "Most Anticipated"

A USA TODAY "Must Read Poetry"

“Startlement is a book of rare treasures. With lyrical mastery and intimate storytelling, Limón’s poetry reveals new ways of paying attention. This powerful collection is a gift.”—Amy Tan

An essential collection spanning nearly twenty years of emphatic, fearlessly original poetry from one of America’s most celebrated living writers.

Drawing from six previously published books—including widely acclaimed collections The Hurting Kind, The Carrying, and Bright Dead Things—as well as vibrant new work,  Startlement exalts the mysterious. With a tender curiosity, Ada Limón wades into potent unknowns—the strangeness of our brief human lives, the ever-changing nature of the universe—and emerges each time with new revelations about our place in the world.

Both a lush overview of her work and a powerful narrative of a poet’s life, this curation embodies Limón’s capacity for “deep attention,” her “power to open us up to the wonder and awe that the world still inspires” (The New York Times). From the chaos of youthful desire, to the waxing of love and loss, to the precarity of our environment, to the stars and beyond, Limón’s poetry bears witness to the arc of all we know with patient lyricism and humble wonder.

“A poet of ecstatic revelation” (Tracy K. Smith), Limón encourages us to meet our shared futures with open and hungry hearts, assuring “What we are becoming, we are / becoming together.”

Aiming to bring the legendary story to a new audience, Samuel Butler eschewed the traditional poetical style in favor of a prose translation more akin to that used in the 18th and 19th centuries without losing any of the beauty of the original. The narrative details the fall of Troy and the many tragedies that befall both sides of the war. Heroes clash in sweeping and brutal battle as the Gods watch on in delight, Kings rise and fall by their honor-bound mandates while their men toil in the mundanity of war, and lovers die desperately trying to turn the tides of fate. The Iliad is a meditation on fate, honor, and heroism, painting a world in which the chaos of humanity’s clashing vanities means something greater to not only ourselves, but the Gods above.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Amy Speace’s debut collection of poetry, The Cardinals, is a lyrical investigation of marriage, divorce, mothering, and mysticism told through poems that read like intimate conversations but evoke the complexities of love and loss through the natural world. An award-winning songwriter, championed early by Judy Collins (who has recorded her songs), she is an established presence in the Nashville songwriting scene and has been playing concerts throughout the world for the last twenty years. Her songs have always been celebrated for their poetic lyrics, and during Covid and a break in her touring career, Speace received her MFA in poetry from Spalding University. She was mentored by Maggie Smith and clearly comes from the lineage of Smith and Sharon Olds. Speace tackles the internal language of coming together and splitting apart, evoking rivers and birds, the South and the North, weather and racism and family history and it all comes together like birdsong.

"When the sound of water shapes sleep. / When cranes disappear from the river. / When maps unfold on hardwood floors. / When north becomes the only direction." The poems in This Far North hold reverence for the natural world and the ways we find home when we pay attention to what it is offering. Tethered to northern landscapes, Susan Campbell invites readers to look, look deeper at the world's myriad wonders, to pause and consider what we can learn when we stand still long enough to listen to the trill of kinglets, the susurration of water, snow sloughing in December rain. Seeking gratitude while navigating a world suffused with grief and loss, these poems are compass points, cairns to help us find our way.

“You are a rare bird, easy to see but invisible just the same.” That thought is close at hand in Sparrow Envy: Field Guide to Birds and Lesser Beasts, as renowned naturalist and writer J. Drew Lanham explores his obsession with birds and all things wild in a mixture of poetry and prose. He questions vital assumptions taken for granted by so many birdwatchers: can birding be an escape if the birder is not in a safe place? Who is watching him as he watches birds?

With a refreshing balance of reverence and candor, Lanham paints a unique portrait of the natural world: listening to cicadas, tracking sandpipers, towhees, wrens, and cataloging fellow birdwatchers at a conference where he is one of two black birders. The resulting insights are as honest as they are illuminating.

From J. Drew Lanham, MacArthur "Genius" Grant recipient and author of Sparrow Envy: A Field Guide to Birds and Lesser Beasts, comes a sensuous new collection in his signature mix of poetry and prose.

In gorgeous and timely pieces, Joy Is the Justice We Give Ourselves is a lush journey into wildness and Black being. Lanham notices nature through seasonal shifts, societal unrest, and deeply personal reflection and traces a path from bitter history to the present predicament. Drawing canny connections between the precarity of nature and the long arm of racism, the collection offers reconciliation and eco-reparation as hopeful destinations from our current climate of division. In Joy is the Justice We Give Ourselves, Lanham mines the deep connection to ancestors through the living world and tunes his unique voice toward embracing the radical act of joy.

• Sei Shonagon, author of The Pillow Book
• Lady Murasaki Shikibu, author of The Tale of Genji
• Emperor Go-toba, ruler of Japan from 1193-1198
• Sugiwara no Michizane, renowned Confucian scholar

Part autotheory, part activist manifesto, and part ode to the oldgrowth specklebelly lichen, this book about making poems in an age of ecological desperation is both heartbreaking and beautiful.


Bue thinks itself within me chronicles the poet Kim Trainor’s blockade to prevent logging of Vancouver Island old growth forests. The two-year blockade on logging roads and in tree-sits became the largest act of civil disobedience in Canadian history—this multi-genre work brings the reader to the front lines of the fight for human and non-human survival in a climate catastrophe.
Trainor asks what, if anything, ecopoetry can do in the face of intensifying extraction of ecological capital. Can poems incorporate non-human species, like the oldgrowth specklebelly lichen that thrives in Fairy Creek, into their very form? How can poetry resist the urge to “capture” the non-human object and instead approach nature with sympathetic care? How might a poem offer an opportunity, like sunlight penetrating a clearing in the forest, to think about nature, to approach, and to be approached by the non-human? How might poetry contribute to a co-making of the world with more-than-human-species?
KIM TRAINOR has won the Gustafson Prize, The Malahat Review’s Long Poem Prize, and The Antigonish Review’s Great Blue Heron Poetry Prize. Her work has been anthologized in Best Canadian Poetry in English, Global Poetry Anthology, and Worth More Standing: Poets and Activists Pay Homage to Trees. She lives in Vancouver.

Cree poet and kēhtē-aya Louise Bernice Halfe – Sky Dancer’s genre-bending collection chronicles her childhood in a cabin on reserve, her experiences in the Indian Residential School system, and finally her reclamation of her nēhiýaw language, culture, and spirituality.


My parents taught us the art of observation. I learned to hunt, skin, and butcher game through non-verbal methods. I also watched my grandparents work on the land and live their spirituality. I helped gather, dry, and grind their medicines. I inhaled the medicines’ power and ingested it. When I left for residential school all this fell asleep.


Poet Louise Bernice Halfe – Sky Dancer tells the story of how she woke up from the trauma of separation in these never-before-collected essays and new poems about her life and the source of her inspiration: her culture and the land. In Cree, inspiration is described as a sudden insight. It can come from visits from spirit, from the charged reciprocal experience of being taught by Elders and teaching the next generation, from speaking Cree which allows the poet to “somersault into memory,” and in the practice of observing and being in relationship with the land
as it “constantly gives birth to itself.” wītāmōwik / Tell Them! is a stunning love song to nēhiýaw ways of knowing—ways which Halfe
has reclaimed from the violence of colonization to celebrate their survival and share their enduring relevance with future generations.

Any future film director planning to make a movie of Myles’s iconic novel Chelsea Girls (it’s always just about to happen) would be wise to read Bird Watching first. Written in 1978 and unpublished until now, the central character of the book is a twenty-something that is already filled with memories. Living in New York City, resplendent, full of both grandeur and awkwardness, they are about to embark on a life fully invested in art. Bliss happens, as does uncertainty. Everything is here and now.
The Irony of the Leash, A Fresh Young Voice from the Plains, and Sappho’s Boat, the other collections contained in the volume, comprise the first three books that Myles published, when their promise as one of the most important writers of their generation was just coming into view. Immensely readable, raw, and slightly unhinged, the poetry that comprises these three texts is post young. Slight creaky but fully functional, all of these poems are beautiful and funky.

Bird Watching and Their First Three Books of Poetry contains a critical foreword by poet and scholar Rosa Campbell, along with a preface by Eileen Myles contextualizing the book within our contemporary moment.

When Wendy Cope came across George Herbert's work as an adult, she took to it immediately.

What especially appealed to her was Herbert's playful delight in poetic form, and the fact that these playful poems are, at the same time, utterly serious.

In an affectionate introduction, Wendy writes, 'there is ample evidence in Herbert's poems of a struggle with worldly ambition'. Certainly, he was well connected: his mother was a friend of John Donne, who was later to preach at a memorial service in her honour; Lancelot Andrews, one of the translators of the King James Bible, was another close friend.

In the 1930s, T. S. Eliot asserted that Herbert is 'a major poet', and since then his reputation has gone from strength to strength. This collection, which includes 'Love' ('Love bade me welcome: yet my soul drew back, Guilty of dust and sin...'), was described by Simone Weil, the French mystic and philosopher, as 'le plus beau poeme du monde'. It is one of many in Dare To Be True that will be treasured by a whole new generation.

In What We Do with God, Daniella Toosie-Watson collapses the division among humans, the natural world, and the divine.

Toosie-Watson’s debut poetry collection meditates on the politics of mental health, pleasure, and the natural world. In this book, the everyday miracles of insects are studied, celebrated, and made sacrosanct. Prayer and pleasure are two sides of the same coin. Propriety has no bearing on sensual connection and exploration. The poet calls upon Puerto Rican, Iranian, and Russian inheritance to explore where, why, and how ancestral mysticism and Western pathology intersect and/or diverge. The speaker finds those questions mirrored back as they maneuver through the stark realities of the US mental health care system.

What We Do with God dives into the grotesque, the bestial, the surreal, as a means to defamiliarize abuse. Toosie-Watson’s debut poetry collection is a practice of reclamation.

With an unapologetic impiety to holiness and waywardness, What We Do with God invites readers to enter a world where care extends beyond ourselves and those closest to us to ecosystems holding the wider world together.

‘Faith is not heard - it is felt. And the heart will always be listened to by the One who created it.’

Heartfelt is a collection of poems shaped by silence, loss, and unshakable faith. Each piece reflects the timeless wisdom of the Qur’ān and Sunnah, offering not just reflection but direction. Within every verse lies a lesson, a reminder, a moment of stillness that readers can carry with them. Because poetry doesn’t need sound or sight to be understood - it is felt. And it is the heart that listens.

'Love set you going'.

The opening words of Sylvia Plath's poem for her newborn daughter are true of each one of us. Love is fundamental to our being, our growth, our development and our happiness. Love enables us to make meaning of our lives in the world, and it gives us hope for what lies beyond. It is completely humdrum and ordinary - yet mysterious beyond words. Beginning in the body, it points us to eternity.

Life offers, and asks of us, many different kinds of love, and poets have reflected on this truth with insight and acute observation. As Janet Morley explores love 'up and down the generations', 'grown up love' and love between 'God and the human heart', she reveals what our hearts eventually discern - love has its seasons and ambiguities, its certainties and passions. Love is never simple at all.

W. H. Auden * Rupert Brooke * Charles Causley * John Clare * Gillian Clarke * Samuel Taylor Coleridge * Christine De Luca * Imtiaz Dharker * Emily Dickinson * John Donne * Carol Ann Duffy * Ruth Fainlight * U. A. Fanthorpe * Seamus Heaney * George Herbert * Gerard Manley Hopkins * Ted Hughes * John of the Cross * Jane Kenyon * D. H. Lawrence * Edwin Morgan * Sinead Morrissey * Sylvia Plath * Christina Rossetti * Siegfried Sassoon * E. J. Scovell * William Shakespeare * R. S. Thomas * Rosemary Tonks * Andrew Waterhouse * Charles Wesley * Rowan Williams * Thomas Wyatt

The whole of life can be found in the psalms. It can also be found in our cities.

Psalms for the City is a beautifully illustrated book of poetry that offers comfort, inspiration and encouragement for the heart and soul, as John-Paul Flintoff puts into vibrant, captivating and sometimes heart-wrenching words the pockets of peace he has found in the midst of the non-stop noise and colourful chaos of the city.

Inspired by the psalms - some of the oldest and most soul-stirring poetry in the world - Flintoff's fluid style and technical skills take us on a private tour of our most-loved urban landscapes and reveal the spiritual nourishment in some of its most famous sights. In countless churches and sacred spaces, he shows us locations to lament; he teaches us to discover joy in crowded marketplaces; and shares how he found hope searching the horizon atop Hampstead Heath.

With his own hand-drawn illustrations to accompany the poems, Psalms for the City is a book that poetry lovers will treasure and is perfect for fans of Charlie Mackesy. Presented in a beautiful hardback format, it will also make a wonderful gift for friends and family, and for those who love the diversity of city life.

Open and honest, these are modern day psalms that chart John-Paul's discovery that the extraordinary places welcomed the ordinary, and that when we're looking closely, the ordinary places can become extraordinary.

Psalms for the City is an invitation to take your imagination on a pilgrimage across the city, experiencing the full depths of what it means to be human today.

This specially designed and bound hardcover First Edition of Elise Partridge's poetry collection is limited to 50 copies.

Elise Partridge’s The Exiles’ Gallery extends the range of her widely acclaimed earlier books, Fielder’s Choice and Chameleon Hours, praised as “first-rate” (James Pollock) for their “authenticity” (Stephanie Bolster) and “brilliant precisions that reflect life’s plenitude” (Rosanna Warren).

Widely praised for her engagement and her attention to craft, Elise Partridge’s The Exiles’ Gallery confirms her standing as one of the most thoughtful, authentic voices in contemporary poetry. The poems in her third collection continue to explore what she has called “implicit questions about fullness of life or lives somehow thwarted, diminished, ended too early.” Through formal technique, painterly detail or her signature compressed directness, Partridge’s poems explore the past, present and future with compassion and grief, bearing witness to our not-so-still, all-too-brief lives.

Above all, The Exiles’ Gallery is a book of celebration. In these restless, nimble, and complex poems of apprehension — whether by a candid glance backward at childhood or through tributes to friends — Partridge’s arresting images and diction give shape to the complexity and abundance of experience, made more luminous and gilt-edged by the corridor of encroaching shadows. Dispossessed but defiant, these are songs of preservation and love.

This specially designed and bound hardcover First Edition of Anne-Marie Turza's poetry collection The Quiet is limited to 50 copies.

Anne-Marie Turza's formidable debut collection presents a landscape where anything might appear, out of myth, history, or science: microscopic creatures, the pitcher Satchel Paige, toothed whales, a man on the back of a snow bear.

These poems test the lyric affinity between silence, imagination, and the material world. Put another way, in The Quiet, spatial and temporal distances can be measured in degrees of silence. Turza writes, "Here one can live at any dark system's edge." The Quiet is sinister and aerial.

The follow-up to the internationally bestselling sensation The Lost Words, The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.

Since its publication in 2017, The Lost Words has enchanted readers with its poetry and illustrations of the natural world. Now, The Lost Spells, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.

The Lost Spells evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read The Lost Spells is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.

Based on the solo show by critically acclaimed playwright and actor Ins Choi, Subway Stations of the Cross is a journey of an ancient faith in today’s restless world.

Inspired by a real-life encounter with a homeless man, award-winning playwright Ins Choi (Kim’s Convenience) has originated an astounding work of artistry and imagination in these fourteen spoken-word poems and songs that make up Subway Stations of the Cross. Part public disturbance, part performance artist, and part modern-day prophet, Ins Choi embodies the form of a nameless vagabond who is both beggar and seer. He creates a rich tapestry of the profane and the sacred, the humorous and the banal, the contemptuous and the poignant in both poetry and lyric. It is a holy communion for the urban soul. This relevant and challenging show is captured here in book form with illustrations of subway drawings by Guno Park, whose work has been featured internationally.

This specially designed and bound hardcover First Edition of Erín Moure's poetry collection Kapusta is limited to 50 copies.

In Kapusta, Moure performs silence on the page and aloud, writing "gesture" and "voice" to explore the relation between responsibility and place, body, and memory, sorrow and sonority. Here, poetry flourishes as a book "beyond the book," in a space of performance that starts and stops time.

In Little Theatres, Ern Moure's avatar Elisa Sampedrn first spoke about theatre and the need for smallness in order to articulate what is huge. Sampedrn, who reappears in the translation mystery O Resplandor as the translator of a language she does not speak, vanishes later in The Unmemntioable when the split in human identity that results from war and displacement is acknowledged. Now, in Kapusta, the character E. is alone, in the smallest of spaces - the bench behind her grandmother's woodstove in Alberta. Here, E. struggles to face the largest of historical and imagined spaces - the Holocaust in Western Ukraine, and to understand her mother's silence at the sadness of her forebears, her "salt-shaker love."

“In this brilliant bilingual anthology, William Archila creates a powerful and fiery poetics of exile, war, and, ultimately and brilliantly, survival.”—Daniel Borzutzky, National Book Award winner

From war-torn El Salvador to the streets of East LA, Canícula / Dog Days is a bold, bilingual collection chronicling exile, memory, and resilience across borders.

William Archila’s Canícula / Dog Days is a bilingual selection of his first two books of poetry, The Art of Exile and The Gravedigger’s Archaeology, two collections that chart the emergence of a newcomer in the chorus of Latin Poetry. Canícula, which means “dog days” in English, takes the reader on a poignant journey from the unrest in El Salvador in the 1980s to the urban landscape of the US immigrant, revealing the turmoil and memory of the disempowered, the impoverished, and the displaced who struggle back home in Central America. In lyrical and often harrowing language, Archila unearths the vestiges of war and the exile’s return in an elegy, the fragments of a myth, or a jazz riff. They come together like the bilateral symmetry of a volcano, and the result is the introduction to Archila’s poetry for the Spanish reader.

AUTHOR OF FIVE POETRY COLLECTIONS • NATIONALLY RECOGNIZED AUTHOR, Brendan Constantine presents his newest collection, The Opposites Game.

A playful and profound meditation on language, binaries, and the radical act of seeing each other more clearly.

In his fifth collection of verse, The Opposites Game, poet Brendan Constantine inspires us to revel in the abundance of life by reckoning its many astonishments (and antonyms). Through a simple yet profound framework of odes, lists, memoirs, and classroom assignments, Constantine asks us to think critically about how we define and understand each other, urging us to look beyond simplistic binaries and engage with the deeper nuances of meaning.

The Opposites Game is a powerful reminder of the intricate relationship between words and the realities they represent, and an invitation to explore the rich, beautiful, and often perilous terrain of human thought and emotion.

FORMER COLORADO POET LAUREATE

From the volcanic landscapes of the Pacific Rim to the mythic echoes of Greece and India, Cold Fire is a radiant meditation on memory, nature, and the enduring sparks of love and creation.

David Mason’s poetry circles the globe. The urgent and beautiful poems of his new book, Cold Fire, have settings in Australia, India, Greece, Turkey and the American West. A title sequence takes up the Aboriginal practice of cool burning for fire mitigation, and moves to the Ring of Fire, the volcanoes of Mason’s childhood home in the Pacific Northwest—fires of creation and destruction. Here the dream life of art is pitched against human conflict. Here we have poems of family life, aging, and a deep conversation with history and myth. This is a book of light, love, and powerful remembrance from the edge of the world.

“Molly Fisk reminds us what poetry can do, put to the service of Story.”—Molly Gloss, author of The Hearts of Horses and The Jump-Off Creek

Walking Wheel is a tender, lyrical portrait of pioneer love and labor that revives the quiet heroism of everyday life in 1875, where intimacy, resilience, and devotion shape the story of home.

In this rich new collection, Molly Fisk braids together the ordinary tasks of love and work in 1875, a century we've almost forgotten but whose human concerns are universal and timeless.

Fisk describes the journey of newlyweds Phoebe and Miles Imlay from their birthplace in central Oregon to California's Surprise Valley. These are quiet, lyrical poems building a private world of intimacy and effort in alternating voices. From sawing timber, turning the heel of a sock, and measuring a pie's baking with verses of a song, through sex, pregnancy, and childbirth, the couple's first year of marriage working side by side is offered to us in resonant, unexpected detail.

Captivating and accessible, by turns tender, funny, erotic, and surprising, Walking Wheel chronicles a self-sufficient era that some only half-remember and many find hard to believe. With these linked poems, Fisk brings a measure of balm and solace to our often fraught, overwhelming times.

From award-winning author, editor, and translator Ilan Stavans comes a one-of-a-kind retelling of a legendary Aztec ruler's timeless verses.

A king, a warrior, and a poet, Nezahualcóyotl was a revolutionary ahead of his time. Born in 1402, the ruler—whose name means ‘hungry coyote’ in the Uto-Aztecan language of Nahuatl—led the city-state of Texcoco through its age of enlightenment. His four-decade reign was among the most transformative and prosperous eras of the Aztec Empire. Today he is a hero in Mexico, seen as a mysterious, powerful, anti-colonial figure.

Brimming with longing, this epic collection of songs and poems was composed by Nezahualcóyotl with members of his illustrious court. Six centuries later, in a powerful translation by Ilan Stavans and with new illustrations by Cuauhtémoc Wetzka, twenty-two poems bring to life a young warrior's journey from exile to historical legend. Anguished and unforgettable, Lamentations of Nezahualcóyotl will thrill readers of Latin American literature for years to come.

Paris Spleen is one of the first modern books—formally experimental, morally ambivalent, and relentlessly urban. Written in the 1850s, these fifty prose poems roam through the streets of Paris with unsparing detail and a deeply ambivalent gaze. Baudelaire captures daily life as something both intoxicating and absurd, filled with strange encounters, sudden violence, fleeting beauty, and constant noise.

This is not poetry in the usual sense, but something sharper and more elastic: compact narratives, snapshots, observations, and provocations.Baudelaire moves quickly between tones—satirical, melancholic, brutal, philosophical—without ever losing control. Paris Spleen speaks in the voice of a man both of the city and estranged from it, and it remains one of the most influential works of the 19th century: vivid, darkly comic, and permanently contemporary.

“Sincerity is the one great artistic crime. Insincerity is the second greatest.”

In addition to his literary and fictional works, Fernando Pessoa wrote a multiplicity of theoretical texts concerning literature and aesthetics. In Writings on Art and Poetical Theory we see Pessoa exploring, under the guise of various heteronyms, general theories on poetics, the poetry produced by his other heteronyms, and the uses and abuses of criticism. Also included are essays on translation, the sensationist movement, and the history of English literature.

This edition, prepared by Nuno Ribeiro and Cláudia Souza, provides a fascinating overview of Pessoa’s writings on art and poetic theory—most of which are presented here for the first time to English readers—thereby opening the way for future studies on one of the most significant authors of Portuguese modernism.

Inspired by the question of her cartwheeling five-year-old niece, “Emmy, What Color is Goodness?,” this poem was written to help readers find goodness in the most unexpected places.

First-time author EMILY MORRISON offers a vision of kindness, acceptance, and understanding in unsettled times within this beautiful poem, featuring the delightful illustrations of accomplished artist PAM MCDONNELL. The book is a discovery of the infinite colors of goodness and all the places where it can be found. In its exploration, the tale takes the reader through all the colors of the rainbow, delving inside brown boxes and ribboned packages, in dark grey spaces, and even deep inside all of us. 

Goodness is found while dancing wildly, singing joyfully and in quiet spaces with almost no color. 

Morrison hopes to transport readers to a world where poetry tells a powerful story that relates to audiences of all ages. She believes lyrical poetry has the power to inspire emotions that can create change. What Color Is Goodness? explores friendships, vulnerability, mindfulness, gratitude, acceptance, and community, lessons that connect all generations.

In Alphabetica, Juliet Mattila guides readers through a poetic journey that captures moments of clarity and introspection within the intricate landscapes of memory, art, and nature. Her deft language and keen observation bring to life the invisible spectrum of emotions and experiences that define human existence. Through carefully crafted lines and a reflective voice, Mattila examines themes both personal and universal, inviting readers to see the world anew. This collection resonates with a timeless legacy, blending tradition with insight and paying homage to poetic forms while exploring contemporary depths. Alphabetica is a work that challenges and rewards, inviting readers who seek meaning in layered expressions of language.

Esta colección debut de poesía exige la abolición de la vigilancia policial y el encarcelamiento humano. En Diarios de Terrorista Christopher Soto usa el pronombre "nosotros" para enfatizar que la violencia policial no solo afecta a individuos, sino a comunidades enteras.

Su poética abre la imaginación hacia posibilidades de existencia más allá del status quo. Soto pregunta: "¿A quién llamamos terrorista y por qué?" Estos poemas, de surrealismo político, se mueven entre la vulnerabilidad desgarradora, el humor que hace reír a carcajadas y la irreverencia punk queer sin disculpas. Diarios de un Terrorista es innovador en su capacidad para hablar, desde una escala local hasta una global, sobre uno de los problemas más importantes de nuestro tiempo.

A timely and poignant poetry collection by acclaimed author and former Poet Laureate of Kentucky Silas House, including the poem read at Governor Andy Beshear’s 2023 inauguration and an interview by Barbara Kingsolver.

Silas House is known throughout the South as a quintessential person of letters—a novelist, music journalist, environmental activist, columnist, and the former Poet Laureate of Kentucky. His first full-length collection of poetry blends his Appalachian upbringing with his ongoing relation to the natural world. Poems of praise for community and the collective appear alongside others tinged with nostalgia and grief when House keenly observes the loss of rural America as he once knew it. Returning to his touchstone subjects, Silas recalls wild places, echoes stories from a lingering and living past, and explores an abiding connection to family, friends, and fellow artists.

Like A Hammer is an anthology of poems that unearths the shared traumas produced by America’s incarceration system.

These powerful poems of witness seek to address the oppressive systems that make up the US prison-industrial complex, revealing cracks in a criminal punishment system that too often appears unchangeable. The impacts of that system reverberate through lives and across generations. The poets gathered here aim to foreground the real experiences of people touched by the system, to upend dominant narratives, shine light on injustice, and act as a fulcrum around which to organize communities in support of change.

Like A Hammer explores how art and imagination can serve as vehicles for endurance, offering us the hope to envision a better future.

Contributors include: Hanif Abdurraqib, Rhionna Anderson, Brian Batchelor, Reginald Dwayne Betts, Marina Bueno, Cody Bruce, Marcelo Hernandez Castillo, Natalie Diaz, Tongo Eisen-Martin, Nikky Finney, Kennedy A. Gisege, Gustavo Guerra, Jessica Hill, Vicki Hicks, Randall Horton, Sandra Jackson, Catherine LaFleur, Ada Limón, Sarah Lynn Maatsch, Christopher Malec, Eduardo Martinez, John Murillo, Angel Nafis, Kenneth Nadeau, Leeann Parker, James Pearl, Christina Pernini, Roque Raquel Salas Rivera, Patrick Rosal, Nicole Sealey, Evie Shockley, Patricia Smith, Sin á Tes Souhaits, Vanessa Angélica Villarreal, Erica "Ewok" Walker, Candace Williams, and SHE>i

AWARD-WINNING POET • AUTHOR OF ELEVEN POETRY COLLECTIONS

FORMER POET LAUREATE OF NEW ZEALAND

David Eggleton explores the voices of New Zealand, Australia, and Polynesia in his latest collection, LIFTING THE ISLAND

“This is vital, elastic, expertly handled language in a Pacific voice of cultural and musical sensibility, poetry to be spoken aloud or in the mind.”–Cilla McQueen, MNZM, and former New Zealand Poet Laureate

This own-voices collection is a kind of lyrical world map of the South Pacific, built up through a lush epic catalog of flora, fauna, and artifacts.

This collection is a kind of lyrical word map of the South Pacific, built up through a lush epic catalog of flora, fauna, and artifacts. The poems are frequently infused with a wry humor—and while they often eschew both narrative and personal epiphany, they make intensely detailed, vigorous observations of place and landscape that are curious, sparkling, and sometimes hilarious.

Linguistically agile, this book’s stanzas bring together the lyrical and the slangy, celebrating the local vernaculars of New Zealand, Australia, and Polynesia. Many of its poems work as cascading streams of image; of pronouncements; of dramatic tonal shifts almost line by line; and with dense, daring metaphor clusters that entertain as well as illuminate.

The Summer After is the winner of the twenty-fourth New Criterion Poetry Prize. 

Hailed as one of the most influential poems in the English language, Edmund Spenser’s The Faerie Queene is an epic masterpiece of Arthurian romance. Broken into six books, the poem follows the story of seven knights: the Redcrosse Knight, Sir Guyon, Lady-Knight Britomart, Triamond, Cambell, Sir Artegall, and Sir Califore; all on quests in search of virtue. 

Professionally typeset with a beautifully designed cover, this edition of The Faerie Queene is an epic of literary achievement reimagined for the modern reader.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.