Reference

New study of Malory's sources reveals much about how the work was created and about Malory himself.

The first book-length study of the sources of Sir Thomas Malory's Morte Darthur since 1921 and the first comprehensive study since that of Vinaver's three-volume edition, Malory's Library collects the results of overone hundred years of scholarship, providing new discussions of the major sources of the eight tales recognised in the standard edition. It also, for the first time, explores possible minor sources of the Morte Darthur, evaluating the case for them to see what conclusions may be drawn of Malory's life, work, and mental furnishings. In so doing, it clarifies the process by which Malory created his work. It shows that Malory carried an eclectic body of literature in his mind and worked at least partly from memory; and it illuminates his interest in characters of his own social class, the breadth of his enthusiasm for Arthurian literature, and the depth of his commitment to provide his countrymen with "the hoole book of kyng Arthur and of his noble knyghtes of the Round Table".

RALPH NORRIS teaches in the Department of English at Kennesaw State University.

English translation of a variety of texts from women's books of hours, with introduction, notes, and an interpretive essay.

The book of hours is said to have been the most popular book owned by the laity in the later middle ages. Women were often patrons or owners of such books, which were usually illustrated: indeed, the earliest surviving exemplar made in England was designed and illustrated by William de Brailes in Oxford in the mid-thirteenth century, for an unknown young lady whom he portrayed in the book several times.
This volume brings together a selection of texts taken from books of hours known to have been owned by women. While some will be familiar from bibles or prayer-books, others have to be sought in specialist publications, often embedded in other material, and a few have not until now been available at all in modern editions or translations. The texts are complemented by an introduction setting the book of hours in its context, an interpretive essay, glossary and annotated bibliography.

Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art.

The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material.
This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures.

ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada

The collection of medieval manuscripts at Pembroke College is an important one. Its most striking feature is that the majority of MSS 1-120 came from the abbey of Bury St Edmunds, as the gift of Thomas Smart in 1599.

The collection of medieval manuscripts at Pembroke College is an important one. Its most striking feature is that the majority of MSS 1-120 came from the abbey of Bury St Edmunds, as the gift of Thomas Smart in 1599. Included among them is the famous 'Bury Gospels' (MS 120). It is one of the largest groups of monastic manuscripts to survive as an ensemble. The rest are, for the most part, the remains of the College's own medieval library, and have been little studied. In addition there are some twenty post-medieval acquisitions, including two splendid Anglo-Saxon Gospel Books.
The main part of this catalogue contains individual, detailed descriptions of some 300 MSS and several hundred binding fragments. The descriptions are preceded by an Introduction outlining the history of the collection, and are accompanied by 130 colour plates. The collection was last catalogued by M. R. James in 1911, and over a century later, this publication both updates his account, and brings to bear modern techniques of manuscript study.


Because of the Covid pandemic, the final check on MSS 235-327 was carried out after this book had been printed, and considerable additional details were discovered. This is available as a supplement to the Catalogue, which can be downloaded from the website of Pembroke College Library: https://www.pem.cam.ac.uk/college/library/manuscript-catalogue-supplement.

Part of the Anglo-Saxon Chronicle Collaborative Series, which now includes editions of the main texts through from A to F.

This volume offers a new edition of the E-text of the Anglo-Saxon Chronicle, commonly known as the Peterborough Chronicle. The E-text is of enormous importance in Chronicle studies: in its early part it is the best representativeof the Northern Recension of the Chronicle; in continuing up to the second half of the twelfth century, its span is by far the longest of all the versions. Even more than other versions of the Chronicle, it reflects transitions ofvital interest to historians, linguists, and literary scholars.
The E-text has not been edited in its entirety, except as a facsimile, for over a century. This semi-diplomatic edition offers a readable text with modern punctuation and capitalization. The interpolated material relating to Peterborough is clearly distinguished from the rest of the text. Indices of personal names, people-names, and place-names follow the text itself. The Introduction includes an account of the manuscript and a linguistic analysis of the E-text.
The E-text cannot of course be studied in isolation. This volume is part of the Anglo-Saxon Chronicle Collaborative Series and with its publicationthe Series now includes editions of the main texts through from A to F. A substantial section of the Introduction to the volume is devoted to a detailed discussion of E's complex textual relationships with the other versions of the Chronicle, and also with other relevant documents such as Peterborough Charters and twelfth-century Latin chronicles.

Dr SUSAN IRVINE is Senior Lecturer in the Department of English, University College, London.

Continuing work on Pepys's library, and recent discoveries, necessitate expansion of the content and entries in the original volumes. This is the first in the Supplementary Series.

Pepys's library has been, as he directed, preserved intact at his old Cambridge college since 1724. Between 1978 and 1994 a complete catalogue was published for the first time. The present title, essential to all users of the first volume in that series, N.A. Smith's Printed Books, vastly enhances the range of information available. The short-title arrangement of Printed Books is replaced by a numerical listing which follows the library's shelf-order; many entries have been extended, and where possible updated with reference to new scholarship; the location of MSS and other material treated elsewhere in the catalogue is also indicated, providing for the first time a published conspectus of the whole library. Extensive indexes have been provided for authors and ancillary contributors, subjects, printers and places of publication, and references which reflect Pepys himself and his bibliophilism.Concordances identify the Pepys books covered by STC, Wing, ESTC and other bibliographies. Dr CHARLES KNIGHTON gained his Ph D from Magdalene College, Cambridge.

New essays on late medieval manuscripts highlight the complicated network of their production and dissemination.

One of the most important developments in medieval English literary studies since the 1980s has been the growth of manuscript studies. Long regarded as mere textual repositories, and treated superficially by editors, manuscripts are now acknowledged as centrally important in the study of later medieval texts. The essays collected here discuss aspects of the design and distribution of manuscripts in late medieval England, with a particular focus on vernacular manuscripts of the late fourteenth, fifteenth and early sixteenth centuries. Those in the first half consider material evidence for scribal decisions about design: these range from analysis of individual codices to broader discussions of particular types of manuscripts, both religious and secular. Later essays look at the evidence for the production and distribution of manuscripts of specific English texts or types of text. These include the major Middle English poems The Canterbury Tales and Piers Plowman, as well as key religious works such as Love's Mirror, Hilton's Scale of Perfection, the Speculum Vitae and The Pricke of Conscience, all of which survive in significant numbers of manuscripts. The comparison of secular and devotional texts illuminates shared networks of production and dissemination, and increases our knowledge of regional and metropolitan book production in the period before printing.

Contributors: DANIEL W. MOSSER, JACOB THAISEN, TAKAKO KATO, SHERRY L. REAMES, AMELIA GROUNDS, ALEXANDRA BARRATT, JULIAN M. LUXFORD, LINNE R. MOONEY, MICHAEL G. SARGENT, JOHNJ. THOMPSON, MARGARET CONNOLLY, RALPH HANNA, GEORGE R. KEISER.

An exhaustive catalogue of all the manuscripts containing music in the medieval period.

This descriptive catalogue, comprising descriptions of some 364 sources held by 75 institutions and individuals, enumerates the remains of the written musical traditions for the early medieval period of an entire country. Each record is complemented by paleographical and codicological analyses, and the whole by a bibliography, by comprehensive indices of incipits and subjects, and by eight full-page plates. It thus illuminates a facet of medieval England which has never been studied in full and about which we know very little compared to our knowledge of pictorial art and letters. It will be indispensable not only for students of music and liturgy, but for medievalists in general.

This book is published in association with the Plainsong and Medieval Music Society.

K.D. HARTZELL is Professor of Music Emeritus, University at Albany, Albany, New York.

First modern text and translation of the prose Brut chronicle, the most popular secular vernacular work of the middle ages.

First composed in Anglo-Norman French around the end of the thirteenth century, the anonymous prose Brut chronicle became the most popular secular vernacular work, and the most widespread Arthurian work, of the later middle ages in England: repeatedly expanded, revised, and translated, it remained influential for centuries. Yet it has been little studied, in part because of the lack of any full modern edition. This edition of the Oldest Version of the prose Brut, running from the fall of Troy to the death of Henry III in 1272, provides the Anglo-Norman text with facing-page translation and textual apparatus, a comprehensive introduction, and extensive explanatory notes. It makes new contributions, on, for example, the identification and classification of the manuscripts, the identification and analysis of the sources [far more varied and numerous than had been previously recognised], and the probable circumstances of the chronicle's composition. It will enable scholars to make full use of this remarkable resource for the study of Arthurian tradition, contemporary visions of British history, popular thought about society and government in late-medieval England, and the history of reading itself.

Professor JULIA MARVIN teaches at the University of Notre Dame.

First bibliography of all printed material concerned with Westminster Abbey, from parliamentary papers to guide books.

Westminster Abbey is one of the most significant ecclesiastical institutions in Britain and occupies a unique position in the life of Church and Nation. Founded as a Benedictine monastery c.960, it is the coronation church and a royal mausoleum, a place of worship and an architectural masterpiece, a national shrine whose collection of monumental sculpture is of international renown. The Abbey's history is inextricably linked with that of both Westminster School [governed directly by the Dean and Chapter of Westminster until 1868] and of St Margaret's church [built by the Westminster monks for the local community, and closely associated with the Abbey ever since].

Thisfully-indexed bibliography is the first of its kind dedicated to a major church, and is a fundamental contribution to the historiography of Westminster Abbey. It provides full bibliographical details of more than 3300 printed works, including parliamentary papers, editions of archival sources, guide books, theses, historical monographs and journal articles. Covering a huge range of subjects from art and architecture to poetry, sermons and Westminster School grammars, it is an indispensable reference work for anyone seeking to know more about this remarkable institution.

This book constitutes Volume II of a two-volume annotated catalogue [M-Z] on the Edward C. Atwater Collection of American Popular Medicine and Health Reform.

This is a catalog of rare books dealing with 'popular medicine' in early America. Though written primarily by people with professional competence, the books described within are directed to a non-medical audience. They teach humananatomy, physiology, hygiene, sanitation, temperance, and diet; how to maintain or regain health, or how to cope with illness, especially when no professional help was available. They also deal with reproduction: how to do it, how to limit it; how to deliver and care for a baby; the special health needs of women; the closeted world of venereal disease. Physical fitness is another important part of the collection, with books on exercise, recreation and travel for health. And there are works which tell what to do until a doctor comes; or what to do in times of epidemics; of home nursing and cooking for invalids; and how to treat all manner of sickness and injury. It was generally the popular writers who emphasized the importance of preventive medicine and a healthful regimen, and the need for public sex education. In these areas, largely ignored by the regular medical profession, the popular literature madeimportant contributions to the health of citizens and the history of medicine.

This book constitutes Volume II of a two-volume catalogue [M-Z], and represents the collective work of Edward Atwater, an Emeritus Professorof Medicine and the History of Medicine at the University of Rochester Medical School.
Christopher Hoolihan is History of Medicine Librarian at the University of Rochester Medical School's Edward G. Miner Library.

This is a catalogue of the Edward C. Atwater Collection of rare books dealing with "popular medicine" in early America which is housed at the University of Rochester Medical School library. The books described in the catalogue were written by physicians and other professionals to provide information for the non-medical audience. The books taught human anatomy, hygiene, temperance and diet, how to maintain health, and how to cope with illness especially when no professional help was available. The books promoted a healthy lifestyle for the readers, giving guidance on everything from physical fitness and recreation to the special health needs of women. The collection consists of works dealing with reproduction [from birth control to delivering and caring for a baby], venereal disease, home-nursing, epidemics, and the need for public sex education. These books, covering areas largely ignored by the medical profession, made important contributions to the health of the American public, and the collection is a vital piece of medical history.

The collector is Edward C. Atwater, Professor Emeritus of Medicine and the History of Medicine at the University of Rochester Medical School.

Christopher Hoolihan is History of Medicine Librarian at the University of Rochester Medical School's Edward G. Miner LIbrary.

Some 280 letters from a leading figure in the eighteenth-century Catholic community shed new light on a turbulent period.

Edited by FRANS KORSTEN, JOSS BLOM, FRANS BLOM AND GEOFFREY SCOTT James Peter Coghlan [1731-1800] was the chief English Catholic printer, publisher and bookseller of the second half of the eighteenth century. It was mainly through him that the English Catholics were provided with an extensive polemical, catechetical, pastoral and devotional literature of their own. Coghlan was also a pivotal figure in the infrastructure and logistics of the Catholic community, acting as a middleman between the various layers and segments of that community. In the turbulent days of the Catholic Committee after 1785, he found himself uneasily in the midst of the fray. He corresponded with dozens of British Catholics, at home and abroad, and his letters, pious, shrewd, dedicated, garrulous and eminently practical, yield a fascinating insight into the day-to-day working of Catholic book production as well as the behind-the-scenes life of the English Catholic community.
FRANS KORSTEN, JOSS BLOM and FRANS BLOM teach English Literature at Radboud University, Nijmegen, The Netherlands.
GEOFFREY SCOTT is Abbot of Douai.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1958.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

For over three-quarters of a century, the Governor General’s Literary Awards have been awarded annually in a variety of evolving categories. Fifteen Governors General have served as their patron. The impressive list continues to grow apace: between 1936 and 2018, the awards recognized 719 books in English and French and have been presented to 580 authors, illustrators, and translators.

This beautifully illustrated bilingual compendium presents the biographies of all 580 award laureates, many accompanied by stunning archival portraits.

This is the final instalment in Andrew Irvine’s remarkable and comprehensive research into what has become a touchstone of Canada’s literary culture. Together with Canada’s Best and The Governor General’s Literary Awards of Canada: A Bibliography, this work provides readers with a definitive overview of this literary prize.

By itself, Canada’s Storytellers is an invaluable reading companion for anyone wanting to be introduced to many of our most influential authors, illustrators, and translators working in both French and English over the past decades. It belongs on the shelf of every enthusiast of Canadian literature.

Bilingual Edition.

The second edition of The Columbia Granger's Index to Poetry in Collected and Selected Works greatly expands the range of one of the oldest continuously published reference works in the United States. Granger's performs a valuable service for librarians by helping people locate poems when they have limited information about them, and by helping them locate poems by author or by the subjects they are interested in. Each edition of Granger's includes title, first line, author, and subject indexes for over 300 poetry collected and selected works on library shelves.

In total, the second edition includes 315 works, by 266 different poets, locating more than 65,000 poems by title, first line, author, and subject. Included in this edition are the works of many of the major American and British poets of the last thirty years, such as Robert Pinsky, Seamus Heaney, and Paul Muldoon; important twentieth-century American poets, such as Langston Hughes, Dorothy Parker, and Robert Penn Warren; twentieth-century foreign poets in new translations, such as Eugenio Montale and Paul Celan; and diverse poets from all times and places, collected in new editions, such as Cold Mountain, Jones Very, and Guido Cavalcanti. An expanded Subject Index contains more than 4,400 subjects, including many new subjects relating to specific people, places, or events from the history and culture of the twentieth century. Langston Hughes's poems on the Scottsboro case and the Spanish Civil War are as easy to find as Wallace Steven's poems about perception and Yusef Komunyakaa's poems about jazz.

In his nearly 50-year career teaching philosophy and theology at Fordham and other distinguished universities, Avery Cardinal Dulles wrote and traveled extensively, writing 25 books and more than 800 articles, book reviews, forewords, introductions, and letters to the editor, translated into at least 14 languages and distributed worldwide. This work serves as a companion to the previous volume of McGinley Lectures, published as Church and Society (Fordham, 2008), and also provides an independent research guide for scholars, theologians, and anyone interested in American Catholicism in the decades immediately before and following the Second Vatican Council.

From his poems and reflections composed in prep school, where he first crossed paths with John Fitzgerald Kennedy (with whom he would graduate from Harvard in 1940), to a private meeting in his last days arranged at Pope Benedict XVI’s personal request, the book explores a theological topography that includes truly monumental figures and events of the modern era. As the product of perhaps the most influential American Catholic theologian in history, Dulles’s writings continue to inspire and shape the way theology has been studied and practiced in academic institutions throughout the United States and the world.

Having worked closely with Cardinal Dulles, the editors have compiled an exhaustive bibliography of his works and have included a series of essays that shed light on the twilight of his life, one that intersects with ecclesiastical, theological, philosophical, and political leaders of every stripe and worldview. Contributions include Dulles’s farewell lecture as McGinley Professor of Religion and Society with a stirring response by Robert Imbelli; a reflection on the cardinal’s last days by longtime research assistant Anne-Marie Kirmse, O.P.; and the moving homily given at his funeral by Edward Cardinal Egan. The book also chronicles Cardinal Dulles’s relationship with Fordham University, where he began his academic career as a Jesuit regent, teaching philosophy (1951–53), and where, for the last twenty years of his life, he held an endowed chair named in honor of a former president of Fordham, Laurence J. McGinley, S.J. This text will serve as a liminal passageway into the splendid mansion of Dulles’s thought for theologians, scholars, believers, and all thinking men and women of goodwill.