Celebrate Women's History Month

At Fault (1890) is a novel by American author Kate Chopin. Published at the author’s expense, At Fault is the undervalued debut of a pioneering feminist and gifted writer who sought to portray the experiences of Southern women struggling to survive in an era decimated by war and economic hardship.

Thérèse Lafirme is a Creole widow whose husband’s death has made the Place-du-Bois plantation on the Cane River in northwestern Louisiana her sole responsibility. Struggling to survive in a region that, following the fall of the Confederacy, has failed to recover from the devastation of defeat, Lafirme agrees to sell her land’s timber rights to a recently divorced businessman named David Hosmer. As the two begin to fall in love, Hosmer’s sawmill causes tension in an agrarian community unaccustomed to modern industry. Hosmer proposes to Thérèse, she is forced to consider the prospect of marriage against the opinion her community as well as her own moral and religious values, to set her personal desires aside in order to appease tradition. When Fanny, Hosmer’s alcoholic ex-wife, re-enters the picture, trouble ensues that threatens to ruin Lafirme’s reputation as an honest, hardworking woman. At Fault, like much of Chopin’s work, went largely unnoticed upon publication, but has since garnered critical acclaim as a work that explores the lived experiences of women and racial minorities during a period of political and economic upheaval. Both fictional and autobiographical—Chopin was a widow of French heritage who struggled to provide for her family following her husband’s death—At Fault is an underappreciated masterpiece of nineteenth-century literature.

This edition of Kate Chopin’s At Fault is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

At Fault (1890) is a novel by American author Kate Chopin. Published at the author’s expense, At Fault is the undervalued debut of a pioneering feminist and gifted writer who sought to portray the experiences of Southern women struggling to survive in an era decimated by war and economic hardship.

Thérèse Lafirme is a Creole widow whose husband’s death has made the Place-du-Bois plantation on the Cane River in northwestern Louisiana her sole responsibility. Struggling to survive in a region that, following the fall of the Confederacy, has failed to recover from the devastation of defeat, Lafirme agrees to sell her land’s timber rights to a recently divorced businessman named David Hosmer. As the two begin to fall in love, Hosmer’s sawmill causes tension in an agrarian community unaccustomed to modern industry. Hosmer proposes to Thérèse, she is forced to consider the prospect of marriage against the opinion her community as well as her own moral and religious values, to set her personal desires aside in order to appease tradition. When Fanny, Hosmer’s alcoholic ex-wife, re-enters the picture, trouble ensues that threatens to ruin Lafirme’s reputation as an honest, hardworking woman. At Fault, like much of Chopin’s work, went largely unnoticed upon publication, but has since garnered critical acclaim as a work that explores the lived experiences of women and racial minorities during a period of political and economic upheaval. Both fictional and autobiographical—Chopin was a widow of French heritage who struggled to provide for her family following her husband’s death—At Fault is an underappreciated masterpiece of nineteenth-century literature.

This edition of Kate Chopin’s At Fault is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Urbain, the Marquis de Villemer is the younger brother of Duke d’Aleria, and is eager to clear his family’s debt to ensure his mother’s happiness. The siblings have drastically different views on the purpose of money and marriage.

A marchioness is eager to marry off her two sons: Duke d’Aleria and Urbain, the Marquis de Villemer. The former is the eldest, a charming playboy whose gambling addiction has saddled the family with debt. Urbain is the younger, more responsible son, who’s willing to sacrifice his happiness for his mother’s security. The men interact with several women, including Caroline, a secretary and companion to their mother. She is pulled into a strange world that hinges on marriage arrangements and social capital.

The Marquis de Villemer is a nineteenth century novel that embodies popular elements of that time. It’s fueled by class disparity, mismatched romance and financial strain. It also highlights family legacy and the desire to keep up appearances.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Marquis de Villmer is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Urbain, the Marquis de Villemer is the younger brother of Duke d’Aleria, and is eager to clear his family’s debt to ensure his mother’s happiness. The siblings have drastically different views on the purpose of money and marriage.

A marchioness is eager to marry off her two sons: Duke d’Aleria and Urbain, the Marquis de Villemer. The former is the eldest, a charming playboy whose gambling addiction has saddled the family with debt. Urbain is the younger, more responsible son, who’s willing to sacrifice his happiness for his mother’s security. The men interact with several women, including Caroline, a secretary and companion to their mother. She is pulled into a strange world that hinges on marriage arrangements and social capital.

The Marquis de Villemer is a nineteenth century novel that embodies popular elements of that time. It’s fueled by class disparity, mismatched romance and financial strain. It also highlights family legacy and the desire to keep up appearances.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Marquis de Villmer is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Indiana, a young woman stuck in a loveless marriage, is seduced by a charming neighbor who is not as polished and pure as he appears. She embarks on a journey to find real love, leading to an unexpected discovery about the object of her affection.

Indiana is a young woman from French Louisiana who’s married to the much older Colonel Delmare. Their union is strict and often oppressive, leaving her unfulfilled. Indiana shares their home with her cousin Ralph and her loyal maid, Noun. One evening they encounter a handsome young man, Raymon de Ramière, who becomes interested in Indiana. Yet, prior to their meeting, Raymon had already seduced Noun who is pregnant with his child. This complicated dynamic forces Indiana to decide what she really wants: passion or stability?

Indiana is a bold commentary on the institution of marriage in France. It examines the implied gender roles and responsibilities pushed upon women. Sand champions the need for passion and true love, regardless of social convention.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Indiana is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Mathilda (1959) is a posthumous novella by English writer and Romantic Mary Shelley. Written as a means of self-distraction following the deaths of her young children in Italy, Mathilda is a work haunted by tragic loss. Unpublished for over a century, its posthumous appearance helped cement Shelley’s reputation as a leading Romantic, an artist unafraid of confronting such themes and taboos as incest and suicide in her work.

Mathilda, named after its narrator, traces a young woman’s troubled life from birth to her premature deathbed. Following her mother’s death during childbirth and her father’s subsequent abandonment, Mathilda is raised by her aunt in rural Loch Lomond, Scotland. A gifted reader and promising intellectual, she rises from her difficult circumstances to lead a relatively happy childhood. When, at the age of 16, her father reenters her life, the two reconnect and eventually move together to London. As she begins to receive suitors however, her father’s strange jealousy and irrational behavior conceal a terrible secret. When he reveals his incestuous desires to Mathilda, she rejects him, resulting in his suicide and leaving her unmarried, orphaned, and financially unstable. Living in self-imposed exile, she befriends the similarly melancholy Woodville, a young widower and poet who does his best to care for her despite her crushing bouts of depression and frequent suicidal thoughts. Mathilda is an emotionally complex and ultimately difficult novella recognized for its controversial themes and for its parallels to Shelley’s own tragic life.

This edition of Mary Shelley’s Mathilda is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Indiana, a young woman stuck in a loveless marriage, is seduced by a charming neighbor who is not as polished and pure as he appears. She embarks on a journey to find real love, leading to an unexpected discovery about the object of her affection.

Indiana is a young woman from French Louisiana who’s married to the much older Colonel Delmare. Their union is strict and often oppressive, leaving her unfulfilled. Indiana shares their home with her cousin Ralph and her loyal maid, Noun. One evening they encounter a handsome young man, Raymon de Ramière, who becomes interested in Indiana. Yet, prior to their meeting, Raymon had already seduced Noun who is pregnant with his child. This complicated dynamic forces Indiana to decide what she really wants: passion or stability?

Indiana is a bold commentary on the institution of marriage in France. It examines the implied gender roles and responsibilities pushed upon women. Sand champions the need for passion and true love, regardless of social convention.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Indiana is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Originally published as a serial story, Wives and Daughters is told with an episodic narrative, following a young woman named Molly Gibson as she comes of age. Molly is the only child of a widowed doctor. Raised in an English provincial town, Molly’s childhood is filled with trips to aristocratic mansions and bonding experiences with her father. As she grows older however, men become more interested in her because of her attractive appearance. When Dr. Gibson discovers a creepy crush one of his apprentices has on his daughter, he sends her away to live with another family. Though she misses her father, Molly enjoys her life with the Hamley family. Treated as if she were their daughter, Molly grows very close with Mrs. Hamley and the youngest son, Roger. Meanwhile, as domestic drama unfolds at the Hamley’s, Dr. Gibson entertains the idea of remarrying. Thinking that another woman would have a good influence on Molly, Dr. Gibson decides to marry Miss Claire, who Molly had met once as a child. Though he had good intentions, Dr. Gibson was mistaken in his assumption that Molly and his new wife would get along. Already shy and a little awkward, Molly does her best to keep the peace, but feels that her stepmother is selfish and too social ambitious. Even though Molly misses living with the Hamley’s, she soon finds joy in her new homelife as she grows close to her stepsister, Cynthia, who has a nearly opposite personality compared to Molly. Despite their differences, Molly and Cynthia form a unique bond that they must nurture as they grow together, enduring the unfair social expectations of 19th century England.

With secret proposals, family drama, abusive men, and hurtful gossip, Wives and Daughters is a thrilling account of life as a woman in 19th century England. While Gaskell provides fascinating insight on home life and societal expectations during this period, Wives and Daughters also features strong and intriguing characters that have captured the hearts of readers for centuries.

Regarded as one of Elizabeth Cleghorn Gaskell’s most popular novels, this edition of Wives and Daughters features an eye-catching cover design and is printed in an easy-to-read font. With these accommodations, modern readers are able to experience this gripping classic with ease.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

When Paul Manning begins working as an engineer clerk for the railroad, he decides to move in with his mother’s family on their farm. There, he is able to be closer to his job as the railroad paves the way for further industrialization of rural areas. While Paul is advancing in his career and settling in his new home, his attention is held by his cousin, Phillis. Paul and Phillis become quick friends and confidants. Worried for her, Paul keeps a close eye on Phillis as she comes of age. Because of Phillis’ beauty and high intelligence, she does not seem to fit into any social circles. Many other women feel that she is not lady-like enough, and men are threatened by her superior intellect. However, as Paul and Phillis grow closer, Phillis meets his boss, and quickly falls in love with him. Edward Holdsworth, Paul’s boss, is a very intelligent man, and is not intimidated by Phillis’ equal intellect. Though, as their relationship continues, Paul becomes uneasy about the match, feeling uncomfortable about the age gap between his cousin and Holdsworth. Despite his objections and guidance, Phillis ultimately must decide her place in the world by herself. As she grows older, this only becomes more confusing as the Industrial Revolution rises alongside her, changing a world that she never yet had the chance to gain footing in.

Separated into four parts, Cousin Phillis contains a narrative the spans throughout both Paul and Phillis’ coming of age as they grow, find occupations, love, and navigate the rigid social expectations of the Victorian era. Considered by literary critics and professionals to be one of Elizabeth Cleghorn Gaskell’s crowning achievements, Cousin Phillis is a moving narrative filled with drama, sentiment, and humor. While Cousin Phillis reveals thoughtful perspectives on Victorian life, especially regarding gender dynamics and social changes amid the Industrial Revolution, it also portrays the universally relatable experience of coming-of-age, creating a narrative with both historical significance and timeless relatability.

This edition of Cousin Phillis by Elizabeth Cleghorn Gaskell features a striking new cover design and is printed in an easy-to-read font, making it both readable and modern.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Set in a small English town during the 19th century, Cranford depicts the lives of women, centering on the elderly, the widowed, and the unmarried. The social expectations and customs of Cranford are mostly enforced by three older women. Rowena Fowler is a wealthy woman who takes pride in her luxury items and has outlived all of her kin. Betsy Barker is a sweet, but a bit odd lady who has a pet cow that she loves so dearly that she sews pajamas for the animal. Deborah Jenkyns possesses the most social power. While the other two ladies help her police other townspeople, Deborah is the one who establishes the norms and customs that the town is expected to abide by. The town have more or less agreed to the standards these leading ladies set, which has set a balanced dynamic in Cranford. With vigorous gossip and a close-knit community, Cranford is a picturesque rural town. However, Cranford is shaken when a new family moves into town. Captain Brown and his two daughters unknowingly challenge Cranford’s rules soon after they arrive. First, Captain Brown openly admits that he is poor. Traditionally, he is expected to keep up appearances to appear well-off, but Captain Brown, who is unfamiliar with such a custom freely admits his financial troubles. Next, he disagrees with Deborah over who is the best author of the time, which Deborah sees as a personal attack. As the town of Cranford witnesses every quirk and flaw of the Brown family, tearing them apart with gossip, they notice something else too. Captain Brown is an incredibly kind man, who makes homemade gifts and emphatically listens to others. This glowing virtue paired with all of Brown’s social inadequacies challenge the town of Cranford like never before, forcing the townspeople to decide what merits really matter.

Told through a series of satirical sketches, Cranford provides an intimate narrative that allows readers to experience the life and people of the 19th century, especially the women. Often excluded from narratives, Gaskell has created strong and memorable female characters, giving the women a well-deserved spotlight. Filled with humor and sentiment, Cranford is a tranquil and fun read.

This edition of Elizabeth Cleghorn Gaskell’s Cranford is printed in a modern font and features an eye-catching cover design, creating an assessible reading experience for a contemporary audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

When John Barton’s wife dies, he is forced to raise his daughter, Mary, alone, while he grieves the love of his life. Though he is a hard-working man, John struggles to provide for his family. Realizing how unfair his financial situation is, John becomes very resentful towards the unethical distribution of wealth between the social classes. Against John’s wishes, when Mary comes of age, she decides to help support their family by working in a dressmaking factory. Neither John nor Mary are happy with the unsafe working conditions in the factory, but soon, Mary is presented with a way out when Henry Carson, the handsome son of a wealthy mill owner, takes an interest in her. Mary knows that marrying Henry would secure a comfortable life for her and her father, but she is conflicted when Jem Wilson, a respectful and hardworking man also declares his love for her. Though Mary reciprocates his feelings, she is conflicted. Mary rejects Jem and avoids Henry while she tries to decide whether to embrace her love for Jem or accept the financial comfort Henry would provide as a husband. While Jem respectfully accepts Mary’s rejection, he decides to give her space. However, when someone warns him of the possible ill intent Henry has for Mary, he tries to defend her honor. After a fight between Jem and Henry is broken up by the police, Jem decides to spend time with his cousin, a sailor. But when a dead body is found soon after, and Jem becomes the prime suspect, Mary must solve the murder and leave home to help clear Jem’s name before it’s too late.

Set in Manchester, England, Mary Barton follows the Barton family as they witness and experience the hardships faced by Victorian working-class families, providing thoughtful insight on the social conditions of the 19th century. With murder, love, and discussions of serious social issues, Mary Barton depicts a powerful narrative that resonates even with modern audiences.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Mathilda (1959) is a posthumous novella by English writer and Romantic Mary Shelley. Written as a means of self-distraction following the deaths of her young children in Italy, Mathilda is a work haunted by tragic loss. Unpublished for over a century, its posthumous appearance helped cement Shelley’s reputation as a leading Romantic, an artist unafraid of confronting such themes and taboos as incest and suicide in her work.

Mathilda, named after its narrator, traces a young woman’s troubled life from birth to her premature deathbed. Following her mother’s death during childbirth and her father’s subsequent abandonment, Mathilda is raised by her aunt in rural Loch Lomond, Scotland. A gifted reader and promising intellectual, she rises from her difficult circumstances to lead a relatively happy childhood. When, at the age of 16, her father reenters her life, the two reconnect and eventually move together to London. As she begins to receive suitors however, her father’s strange jealousy and irrational behavior conceal a terrible secret. When he reveals his incestuous desires to Mathilda, she rejects him, resulting in his suicide and leaving her unmarried, orphaned, and financially unstable. Living in self-imposed exile, she befriends the similarly melancholy Woodville, a young widower and poet who does his best to care for her despite her crushing bouts of depression and frequent suicidal thoughts. Mathilda is an emotionally complex and ultimately difficult novella recognized for its controversial themes and for its parallels to Shelley’s own tragic life.

This edition of Mary Shelley’s Mathilda is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

When John Barton’s wife dies, he is forced to raise his daughter, Mary, alone, while he grieves the love of his life. Though he is a hard-working man, John struggles to provide for his family. Realizing how unfair his financial situation is, John becomes very resentful towards the unethical distribution of wealth between the social classes. Against John’s wishes, when Mary comes of age, she decides to help support their family by working in a dressmaking factory. Neither John nor Mary are happy with the unsafe working conditions in the factory, but soon, Mary is presented with a way out when Henry Carson, the handsome son of a wealthy mill owner, takes an interest in her. Mary knows that marrying Henry would secure a comfortable life for her and her father, but she is conflicted when Jem Wilson, a respectful and hardworking man also declares his love for her. Though Mary reciprocates his feelings, she is conflicted. Mary rejects Jem and avoids Henry while she tries to decide whether to embrace her love for Jem or accept the financial comfort Henry would provide as a husband. While Jem respectfully accepts Mary’s rejection, he decides to give her space. However, when someone warns him of the possible ill intent Henry has for Mary, he tries to defend her honor. After a fight between Jem and Henry is broken up by the police, Jem decides to spend time with his cousin, a sailor. But when a dead body is found soon after, and Jem becomes the prime suspect, Mary must solve the murder and leave home to help clear Jem’s name before it’s too late.

Set in Manchester, England, Mary Barton follows the Barton family as they witness and experience the hardships faced by Victorian working-class families, providing thoughtful insight on the social conditions of the 19th century. With murder, love, and discussions of serious social issues, Mary Barton depicts a powerful narrative that resonates even with modern audiences.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Set in a small English town during the 19th century, Cranford depicts the lives of women, centering on the elderly, the widowed, and the unmarried. The social expectations and customs of Cranford are mostly enforced by three older women. Rowena Fowler is a wealthy woman who takes pride in her luxury items and has outlived all of her kin. Betsy Barker is a sweet, but a bit odd lady who has a pet cow that she loves so dearly that she sews pajamas for the animal. Deborah Jenkyns possesses the most social power. While the other two ladies help her police other townspeople, Deborah is the one who establishes the norms and customs that the town is expected to abide by. The town have more or less agreed to the standards these leading ladies set, which has set a balanced dynamic in Cranford. With vigorous gossip and a close-knit community, Cranford is a picturesque rural town. However, Cranford is shaken when a new family moves into town. Captain Brown and his two daughters unknowingly challenge Cranford’s rules soon after they arrive. First, Captain Brown openly admits that he is poor. Traditionally, he is expected to keep up appearances to appear well-off, but Captain Brown, who is unfamiliar with such a custom freely admits his financial troubles. Next, he disagrees with Deborah over who is the best author of the time, which Deborah sees as a personal attack. As the town of Cranford witnesses every quirk and flaw of the Brown family, tearing them apart with gossip, they notice something else too. Captain Brown is an incredibly kind man, who makes homemade gifts and emphatically listens to others. This glowing virtue paired with all of Brown’s social inadequacies challenge the town of Cranford like never before, forcing the townspeople to decide what merits really matter.

Told through a series of satirical sketches, Cranford provides an intimate narrative that allows readers to experience the life and people of the 19th century, especially the women. Often excluded from narratives, Gaskell has created strong and memorable female characters, giving the women a well-deserved spotlight. Filled with humor and sentiment, Cranford is a tranquil and fun read.

This edition of Elizabeth Cleghorn Gaskell’s Cranford is printed in a modern font and features an eye-catching cover design, creating an assessible reading experience for a contemporary audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Story of an African Farm (1883) is a novel by South African political activist and writer Olive Schreiner. Her first published novel, The Story of an African Farm was a bestseller upon its release despite being criticized for its portrayal of controversial social, religious, and political themes. Part Bildungsroman, part philosophical fiction, the novel is recognized as a groundbreaking work for its exploration of feminism, atheism, and the influence of British imperialism on the peoples of South Africa.

Split into three sections, the novel begins with the childhood of its three main characters. Waldo, the son of the German farm-keeper Otto, is an intelligent and introspective boy who struggles with his religious faith and attempts to understand himself in relation to the order of the universe. Lyndall is a deeply philosophical thinker who strives toward independence and resists the gender norms imposed upon her by adults and others who would try to control her. Em, Lyndall’s cousin, is a friendly girl who tends to believe others without questioning authority or intention. When an English businessman named Bonaparte Blenkins arrives at the farm looking for work, the children begin to suffer under his cruelly selective verbal and psychological abuse. As Blenkins attempts to position himself for control of Tant Sannie’s farm, the children gain an informal education in treachery and the dynamics of power, disrupting their seemingly idyllic life in rural South Africa. The novel follows Waldo, Lyndall, and Em into adulthood, tracing their lives through their changing opinions towards romance, faith, and gender while illuminating the love that binds them despite their differences.

This edition of Olive Schreiner’s The Story of an African Farm is a classic of South African literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Two years after his wife’s death, Germain is encouraged to move on and find a new woman and home to accommodate his three growing children. He travels to visit a single woman who is eager to start a new family.

Following his daughter’s death, Père Maurice has provided constant support for his son-in-law Germain. But after two years, he pushes him to find a new wife. Germain is a young man with three children in need of a mother. Maurice sends him to visit the daughter of a friend, who is also widowed and interested in remarrying. Germain reluctantly agrees, taking his son and the teenager Mary, who is seeking employment. The trip proves to be an eye-opening experience for the duo who form an unexpected bond.

Similar to Sand’s previous work, Indiana, The Devil’s Pool examines the obligations of marriage. The story illustrates how duty and perception take priority over love and kindness. It’s a dichotomy that continues to present itself, regardless of one’s social or political status.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Devil’s Pool is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

As it is common and necessary in the academic world, students study art and its history, perceiving many, many works over their academic career. However, it is rare that a piece art can be traced back to a student through personal history. Yet, Professor Fletcher’s pupils get this chance as they study a portrait of a woman named Lady Hammerton. First starting with the story of his grandfather’s scandalous marriage to a woman twenty-four years younger than him, Professor Fletcher leads the discussion on the intriguing story behind the portrait, and the colorful personality and accomplishments of the lady immortalized on the canvas. While the students hear of stories both heart-breaking, inspirational, and shocking, they become even more invested when they realize the uncanny resemblance a fellow student, Milly, shares with the woman in the painting. As they learn of their blood connection, the students keep these stories in mind as they continue their studies with a greater perspective.

Though not often found in print, The Invader: A Novel by Margaret Louisa Woods is a compelling and thought-provoking read. Through the exploration of topics such as art, history, and ancestry, this dramatic novel allows modern readers a privileged perspective into the culture of the early 20th century, especially concerning the academic world. With captivating characters, and vivid description, The Invader: A Novel is alluring and fascinating. Decorated with Woods’ gorgeous and poem-like prose, The Invader: A Novel intimately depicts characters and scenery that stay imprinted on readers’ minds long after the narrative is finished.

This edition of The Invader: A Novel by Margaret Louisa Woods features an eye-catching new cover design and is presented in a font that is both modern and readable. With these accommodations, this edition is accessible and appealing to contemporary audiences, restoring The Invader: A Novel to modern standards while preserving the poetic prose and mastery of Margaret Lousia Woods’ work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

As it is common and necessary in the academic world, students study art and its history, perceiving many, many works over their academic career. However, it is rare that a piece art can be traced back to a student through personal history. Yet, Professor Fletcher’s pupils get this chance as they study a portrait of a woman named Lady Hammerton. First starting with the story of his grandfather’s scandalous marriage to a woman twenty-four years younger than him, Professor Fletcher leads the discussion on the intriguing story behind the portrait, and the colorful personality and accomplishments of the lady immortalized on the canvas. While the students hear of stories both heart-breaking, inspirational, and shocking, they become even more invested when they realize the uncanny resemblance a fellow student, Milly, shares with the woman in the painting. As they learn of their blood connection, the students keep these stories in mind as they continue their studies with a greater perspective.

Though not often found in print, The Invader: A Novel by Margaret Louisa Woods is a compelling and thought-provoking read. Through the exploration of topics such as art, history, and ancestry, this dramatic novel allows modern readers a privileged perspective into the culture of the early 20th century, especially concerning the academic world. With captivating characters, and vivid description, The Invader: A Novel is alluring and fascinating. Decorated with Woods’ gorgeous and poem-like prose, The Invader: A Novel intimately depicts characters and scenery that stay imprinted on readers’ minds long after the narrative is finished.

This edition of The Invader: A Novel by Margaret Louisa Woods features an eye-catching new cover design and is presented in a font that is both modern and readable. With these accommodations, this edition is accessible and appealing to contemporary audiences, restoring The Invader: A Novel to modern standards while preserving the poetic prose and mastery of Margaret Lousia Woods’ work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Elizabeth Cleghorn Gaskell’s Half-Brothersfollows two brothers, Gregory, and his younger brother, who is left unnamed. After the death of her first husband, Helen, Gregory’s mother, remarries a man named William Preston. Together, they conceive a child, but Helen tragically dies during childbirth. Mourning the loss of his wife, but happy about the arrival of his son, William is left to raise both children alone. However, since Gregory is quiet, slightly awkward, and not his biological son, William treats Gregory much different than he does his younger son. While Gregory is treated like garbage, the younger son secures a position as the darling of the family. Still, Gregory remains to be kind, despite the fact that his stepfather’s attitude towards him has infected his younger brother as well. As jealousy and resentment builds, a catharsis emerges arises one winter day. After being sent on an errand by his father, the younger brother decides to take a shortcut home. However, his sense of direction is mistaken, and the short cut leaves him lost and alone. As the snow falls, the temperature drops and the night begins to set, the younger brother is scared and cold, terrified that he will never make it home. However, when Gregory realizes his brother is missing, he debates going out to find him. Wandering outside as the night begins to reign would be dangerous and unpleasant. Gregory recalls the instances in which his brother has treated him horribly, and feels conflicted whether he should give out compassion and help when it hasn’t been earned.

With themes of jealousy, love, sacrifice, and family, Half-Brothers features a moving narrative with intricate characters. As tragedy and sorrows echoes throughout Gregory’s life, this classic Gaskell narrative invokes strong emotional responses from readers even a century after it was first published.

Now presented in an easy-to-read font and featuring a stunning new cover design, this edition of Elizabeth Cleghorn Gaskell’s Half-Brothers is catered to modern readers, updating the classic to be accessible and conformed to contemporary standards while preserving the original genius of the work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Originally published as a serial story, Wives and Daughters is told with an episodic narrative, following a young woman named Molly Gibson as she comes of age. Molly is the only child of a widowed doctor. Raised in an English provincial town, Molly’s childhood is filled with trips to aristocratic mansions and bonding experiences with her father. As she grows older however, men become more interested in her because of her attractive appearance. When Dr. Gibson discovers a creepy crush one of his apprentices has on his daughter, he sends her away to live with another family. Though she misses her father, Molly enjoys her life with the Hamley family. Treated as if she were their daughter, Molly grows very close with Mrs. Hamley and the youngest son, Roger. Meanwhile, as domestic drama unfolds at the Hamley’s, Dr. Gibson entertains the idea of remarrying. Thinking that another woman would have a good influence on Molly, Dr. Gibson decides to marry Miss Claire, who Molly had met once as a child. Though he had good intentions, Dr. Gibson was mistaken in his assumption that Molly and his new wife would get along. Already shy and a little awkward, Molly does her best to keep the peace, but feels that her stepmother is selfish and too social ambitious. Even though Molly misses living with the Hamley’s, she soon finds joy in her new homelife as she grows close to her stepsister, Cynthia, who has a nearly opposite personality compared to Molly. Despite their differences, Molly and Cynthia form a unique bond that they must nurture as they grow together, enduring the unfair social expectations of 19th century England.

With secret proposals, family drama, abusive men, and hurtful gossip, Wives and Daughters is a thrilling account of life as a woman in 19th century England. While Gaskell provides fascinating insight on home life and societal expectations during this period, Wives and Daughters also features strong and intriguing characters that have captured the hearts of readers for centuries.

Regarded as one of Elizabeth Cleghorn Gaskell’s most popular novels, this edition of Wives and Daughters features an eye-catching cover design and is printed in an easy-to-read font. With these accommodations, modern readers are able to experience this gripping classic with ease.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Story of an African Farm (1883) is a novel by South African political activist and writer Olive Schreiner. Her first published novel, The Story of an African Farm was a bestseller upon its release despite being criticized for its portrayal of controversial social, religious, and political themes. Part Bildungsroman, part philosophical fiction, the novel is recognized as a groundbreaking work for its exploration of feminism, atheism, and the influence of British imperialism on the peoples of South Africa.

Split into three sections, the novel begins with the childhood of its three main characters. Waldo, the son of the German farm-keeper Otto, is an intelligent and introspective boy who struggles with his religious faith and attempts to understand himself in relation to the order of the universe. Lyndall is a deeply philosophical thinker who strives toward independence and resists the gender norms imposed upon her by adults and others who would try to control her. Em, Lyndall’s cousin, is a friendly girl who tends to believe others without questioning authority or intention. When an English businessman named Bonaparte Blenkins arrives at the farm looking for work, the children begin to suffer under his cruelly selective verbal and psychological abuse. As Blenkins attempts to position himself for control of Tant Sannie’s farm, the children gain an informal education in treachery and the dynamics of power, disrupting their seemingly idyllic life in rural South Africa. The novel follows Waldo, Lyndall, and Em into adulthood, tracing their lives through their changing opinions towards romance, faith, and gender while illuminating the love that binds them despite their differences.

This edition of Olive Schreiner’s The Story of an African Farm is a classic of South African literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

On his deathbed, John Bergson, the head of a Swedish American family, decided to will the family farm to his daughter, Alexandra, instead of her two older brothers. Though it upset his sons, John was firm in his decision, knowing that the conditions in Nebraska required discipline and strength to strive. Alexandra, already a strong-willed woman, accepted the farm and devoted herself to it. Through droughts and depression, Alexandra’s neighbors give up and move away, but Alexandra is determined to make the farm succeed and prove that her father made the right decision. A time jump in the narrative affirms Alexandra’s goals, but invites troubles to rival those presented by the harsh realities of the Nebraska plains. Carl Lindstrum, an old friend and neighbor, comes back into town after his abrupt departure years before, stirring an old flame between he and Alexandra. Emil, Alexandra’s younger brother, also returns home after going to a state college. The two Bergson siblings, Alexandra and Emil, soon find themselves in forbidden relationships. With the pressure of secret love, unpredictable weather, murder, and scandal, Alexandra and Emil must persevere to protect their family and preserve their happiness.

Separated into five sections, The Wild Land, Neighboring Fields, Winter Memories, The White Mulberry Tree, and Alexandra, Willa Cather’s O Pioneers! depicts neighborly disputes, forbidden love, family drama, and murder, all to the backdrop of pioneer Nebraska. With themes of feminism and innovation, O Pioneers inspires perseverance and participation in new inventions and ideas. O Pioneers! is the first of the critically acclaimed and commercially praised Great Plains trilogy, entertaining with its drama and sentiment while enlightening audiences with visceral depictions of pioneer life in the early origins of midwestern America.

With a new eye-catching cover design and reprinted in an easy-to-read font, this edition of O Pioneers! , written by the esteemed author Willa Cather, is now accessible and appealing for a modern audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In Evelina or the History of a Young Lady’s Entrance into the World, the title character leaves her isolated country home for vibrant London society. As she stumbles through the city, she encounters many people including the handsome, Lord Orville.

Evelina is a young woman who’s spent her entire childhood in seclusion. Although the legitimate daughter of Sir John Belmont, she was raised in the country with Reverend Villars. When Evelina is offered a chance to visit London, she quickly accepts the opportunity. Upon her arrival, her questionable origins and naïveté make her a target for rumors and speculation. Despite her unconventional ways, she catches the eye of nobleman, Lord Orville and tries to navigate formal rules of society and courtship.

Evelina or the History of a Young Lady’s Entrance into the World is a compelling story bursting with humor and romanticism. The author beautifully weaves multiple characters and arcs into one satisfying narrative. Originally published in 1778, Evelina maintains its refreshing outlook on contemporary life.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Evelina is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Villette (1853) is a novel by English writer Charlotte Brontë. It was the third and final novel she published in her lifetime, followed only by The Professor, her posthumously released first novel which was largely reconceived and rewritten as Villette. Inspired by Brontë’s experience traveling and teaching English in Brussels, where she went at the age of 26 with her sister Emily before returning alone the following year, Villette is the story of an Englishwoman abroad and contains the themes of loneliness, secrecy, romance, and tragedy which circulate throughout much of her work.

Following a family tragedy, Lucy Snowe becomes employed as a caregiver by an elderly woman named Miss Marchmont, who treats her kindly and shares stories of life and lost love. When Miss Marchmont dies, Lucy—now without family, home, or employment—decides to leave England for Labassecour, a fictional country based on Brontë’s experience of Belgium. She is hired to teach English at a boarding school in the city of Villette, where she meets a strangely familiar English doctor and falls in love with M. Paul Emanuel, a local professor. Although he is a widower, M. Paul faces pressure from family members and religious authorities alike, and is forced to choose between a life of social acceptance and a life with the woman he loves. Amidst these circumstances, and haunted by repeated encounters with a nun rumored to be a ghost, Lucy Snowe must rely on her wits and courage as she suffers through not only intense loneliness, but a lack of control over the events which shape her life.

Charlotte Brontë’s Villette is a compelling gothic novel which explores the psychological effects of a lack of agency on its protagonist while illuminating the horrors which loom over everyday life.

This edition of Charlotte Brontë’s Villette is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Coquette (1797) is a novel by American author Hannah Webster Foster. Published anonymously, The Coquette was one of eighteenth-century America’s bestselling books. Based on the story of Elizabeth Whitman, a New England socialite whose death during the birth of her illegitimate child was a sensational topic in newspapers at the time, Foster’s novel attempts to turn tragedy and gossip into a topic of serious moral and social discussion. The Coquette both empathizes with its main character and promotes the need for educating women, making it a groundbreaking work of early feminism and an important example of the epistolary form, a popular style of eighteenth century fiction which uses letters between characters as narration.

Having been released from an unhappy marriage by the death of her husband, Eliza Wharton—the daughter of a prominent clergyman—finds herself hoping for more from life. As she begins to envision the independent life she desires, two competing suitors threaten to disrupt her plans before she can even realize them. Rev. J. Boyer is a kind but unappealing man who fails to inspire a sense of romance in Eliza, while Major Peter Sanford, a known womanizer, is an exciting and unpredictable man who manages to pique Eliza’s interest before marrying another woman. As she loses sight of her newfound sense of independence, Eliza becomes a mere object of male affection, a woman to be seduced, but not respected. When an affair with Sanford goes terribly wrong, and finding herself with nowhere to turn, Eliza’s life slowly falls to pieces before our eyes. The Coquette is a tragic novel with a complex message. While it critiques Eliza’s moral failures, it also deconstructs society’s attempts to blame women for the ways in which men manipulate and abandon them. The solution, according to Hannah Webster Foster, must be to educate women so that they will not only be given the tools for independence, but the ability to succeed either without men or as their rational equals.

This edition of Hannah Webster Foster’s The Coquette is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Agnes Grey exposes the harsh working conditions of a young governess who’s hired by multiple families, including the overly critical Bloomfields and the delusional Murrays. While on assignment, Agnes endures consistent cruelty, forcing her to look inward for strength and encouragement.

Agnes is a young woman who comes from an impoverished background. Eager for financial independence, she accepts a position as a governess for an upper-class family. Agnes is initially charged with the Bloomfield children, who are unruly and slightly sadistic. The oldest boy, Tom, is particularly threatening, as he likes to capture and harm small animals. Agnes also engages with the extremely wealthy Murrays and their daughters, Matilda and Rosalie, who are in dire need of direction. Agnes attempts to navigate her growing responsibilities, while maintaining her morals and resilience.

In Agnes Grey, Anne Brontë examines a common plight among working-class people. It offers a revealing look at the corruptive nature of wealth, and the moral differences between the haves and the have nots. It goes beyond the surface to expose an unflattering but honest reality.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Agnes Grey is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Originally published in Robin Goodfellow magazine, Lady Audley's Secret is the essential work of Mary Elizabeth Braddon and is considered a staple of sensation fiction. The story centers on a mysterious woman, whose dark past slowly comes to light.

Lady Audley is a former governess who marries the wealthy widower, Sir Michael Audley. She thoroughly enjoys the life of privilege and status associated with her new husband. Although she appears beautiful and polished, Lady Audley is more than meets the eye. She has a dark secret that could jeopardize everything she’s worked for. To maintain her façade, she plots and schemes to silence those who threaten her happiness. Lady Audley will stop at nothing to maintain her comfortable lifestyle, including murder.

Lady Audley is driven by desperation and fear. Her outlandish behavior leads to an unpredictable narrative taking the reader on a journey full of twists and turns. A combination of melodrama, crime and romance, Lady Audley's Secret is an extreme commentary on Victorian gender and class.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Lady Audley's Secret is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Anne Brontë’s second novel The Tenant of Wildfell Hall centers the arrival of the mysterious Helen Graham and her young son at the old mansion. She captures the attention of many locals, including Gilbert Markham, who becomes gradually infatuated with her.

Helen Graham is a young widow and mother of a five-year-old son. She moves into the Wildfell Hall mansion and attempts to lead a quiet life. Helen is very private and refuses to divulge any details about her personal affairs. Despite reservations, she starts a friendship with Gilbert Markham, who eventually falls in love with her. Helen’s secretive nature is a point of contention with neighbors, leading to constant speculation. When targeted by a vulgar rumor, she’s forced to reveal the truth about her peculiar behavior and dark past.

In The Tenant of Wildfell Hall, Helen’s focus and resilience is undeterred by tradition or social conventions. Brontë gives unprecedented agency to a female protagonist living in the Victorian era. Her story is a testament to the human spirit and the art of self-preservation.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Tenant of Wildfell Hall is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Born in a small Colorado town, Thea Kronborg’s aspirations to be a famed musician makes it difficult for her to fit in. With the reputation of being different and strange, Thea has a challenging time getting along with her siblings and peers, though her mother and Aunt are supportive of her dreams. When Thea’s piano instructor is run out of town over a scandal, Thea takes over his business at age fifteen. She is also forced by her father to play the organ at their church because he believes this new devotion to a job would make her less pious. Despite her new jobs and outlet for her musical ability, Thea feels unsatisfied in Colorado, but when tragedy strikes, she finally gets an opportunity to chase her dreams. After the death of a local conductor that had been enamored by her, Thea inherits enough money to pursue a formal music education in Chicago. During her piano training, and with the help of some of her Chicago friends and mentors, Thea realizes that she has an impressive singing voice. After feeling inspired by a visit to the orchestra, Thea decides to pursue a career as an opera singer. With a new dream and drive, Thea struggles to achieve her goals without compromising her values and independence.

Willa Cather’s The Song of the Lark breaks the conventions of its time with the depiction of an independent woman protagonist with aspirations outside of the home. Cather also challenged the typical depiction of small-town country life by presenting realities such as the common uniformity and intolerance sometimes expressed within rural communities. The Song of the Lark remains to be a fascinating look into 19th century rural life, with an unadulterated view on the journey of an artist.

This edition of The Song of the Lark by Willa Cather is accommodating to a contemporary audience with a modern font and stunning new cover design.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

After the death of his parents, Jim Burden is sent to live with his grandparents in Nebraska, where he meets his first and most prominent love, Antonia Shimera. As pioneers in Nebraska, the Shimera family expected hardships, but none as devastating as a death in the family. Narrated by Jim Burden, an orphan living with his grandparents next door to the Shimera’s, My Antonia follows the coming of age and life of Jim and Antonia, the eldest daughter in the Shimera family. Starting when Jim and Antonia were young kids, the Burdens and the Shimera’s live as neighbors in the plains of 19th century Nebraska. While the weather was often harsh and the untamed land made it difficult to yield crops, the Shimera family worked hard to maintain a content life. However, when a tragic death strikes the Shimera family, they fall into poverty despite the aid Jim’s grandparents try to offer. As her family’s farm fails, Antonia has to quit school to help out with manual labor. Antonia gets a job as a town girl, helping care for children and households in order to support her family. Meanwhile, Jim moves into town as well for higher education, and is able to reconnect with Antonia, though she does not have as much leisure time as he does. As they both grow into adulthood, Jim witnesses the Shimera’s and Antonia to make difficult choices and somber sacrifices, contrasting their hardships to his own comfortable life.

My Antonia earned commercial and critical acclaim soon after its publication, and has inspired film and stage adaptations since. With themes of feminism, insight on lower class Americans, and the use of deep metaphors, Willa Cather’s My Antonia is a classic gem worthy of even more recognition.

Now redesigned with an eye-catching cover and printed in an easy-to-read font, this edition of Willa Cather’s My Antonia restores the classic novel to create an engaging experience for modern audiences.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Set in both England and colonial India, The Woman in the Bazaar follows Captain George Coventry as he wrestles with guilt and the consequences of his actions. Rigid even by old fashioned standards, George Coventry holds misogynistic beliefs regarding the role women fill in a marriage, and in society. When he meets a beautiful woman named Rafella, they marry quickly after dating for a short period of time. Despite this rush and George’s misogyny, they are a happy couple for a while, until Rafella starts making friends. After she befriends the handsome Mr. Kennister, George assumes that Rafella is cheating on him. Absolutely irate and sick with jealousy, George terrorizes Rafella with a possessive rage until she runs away, never to be seen again. Years later, George falls in love again, but is unable to enjoy his second chance as he is haunted by rumors of a woman in the bazaar, an Englishwoman who had been sold into slavery. As George becomes engrossed in this rumor, he is forced to wonder if Rafella could have suffered the same fate. Finally taking accountability of and reflecting on his actions, George realizes that he first must resolve his past with Rafella before entering a new marriage.

With its feminist themes, complex characters and unique setting, The Woman in the Bazaar keeps audiences engaged and constrained. Originally published in 1917, Alice Perrin’s The Woman in the Bazaar colorfully depicts a setting uncommon in literature while featuring a marriage riddled with jealousy. With the vivid portrayal of colonial India as well as the many sides to relationships, The Woman in the Bazaar is a compelling narrative of an aspect of marriage not often explored. Following George’s pre-existing polarizing beliefs, Perrin explores their fruition and the effect it has on Rafella and George’s relationship. This rare portrayal of marital problems caters to an unfortunately common consequence of matrimony and still resonates with contemporary audiences.

Now featuring a brand new, eye-catching cover design and a readable font, this edition of The Woman in the Bazaar, written by the celebrated author, Alice Perrin, is perfect for a modern audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Coquette (1797) is a novel by American author Hannah Webster Foster. Published anonymously, The Coquette was one of eighteenth-century America’s bestselling books. Based on the story of Elizabeth Whitman, a New England socialite whose death during the birth of her illegitimate child was a sensational topic in newspapers at the time, Foster’s novel attempts to turn tragedy and gossip into a topic of serious moral and social discussion. The Coquette both empathizes with its main character and promotes the need for educating women, making it a groundbreaking work of early feminism and an important example of the epistolary form, a popular style of eighteenth century fiction which uses letters between characters as narration.

Having been released from an unhappy marriage by the death of her husband, Eliza Wharton—the daughter of a prominent clergyman—finds herself hoping for more from life. As she begins to envision the independent life she desires, two competing suitors threaten to disrupt her plans before she can even realize them. Rev. J. Boyer is a kind but unappealing man who fails to inspire a sense of romance in Eliza, while Major Peter Sanford, a known womanizer, is an exciting and unpredictable man who manages to pique Eliza’s interest before marrying another woman. As she loses sight of her newfound sense of independence, Eliza becomes a mere object of male affection, a woman to be seduced, but not respected. When an affair with Sanford goes terribly wrong, and finding herself with nowhere to turn, Eliza’s life slowly falls to pieces before our eyes. The Coquette is a tragic novel with a complex message. While it critiques Eliza’s moral failures, it also deconstructs society’s attempts to blame women for the ways in which men manipulate and abandon them. The solution, according to Hannah Webster Foster, must be to educate women so that they will not only be given the tools for independence, but the ability to succeed either without men or as their rational equals.

This edition of Hannah Webster Foster’s The Coquette is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Villette (1853) is a novel by English writer Charlotte Brontë. It was the third and final novel she published in her lifetime, followed only by The Professor, her posthumously released first novel which was largely reconceived and rewritten as Villette. Inspired by Brontë’s experience traveling and teaching English in Brussels, where she went at the age of 26 with her sister Emily before returning alone the following year, Villette is the story of an Englishwoman abroad and contains the themes of loneliness, secrecy, romance, and tragedy which circulate throughout much of her work.

Following a family tragedy, Lucy Snowe becomes employed as a caregiver by an elderly woman named Miss Marchmont, who treats her kindly and shares stories of life and lost love. When Miss Marchmont dies, Lucy—now without family, home, or employment—decides to leave England for Labassecour, a fictional country based on Brontë’s experience of Belgium. She is hired to teach English at a boarding school in the city of Villette, where she meets a strangely familiar English doctor and falls in love with M. Paul Emanuel, a local professor. Although he is a widower, M. Paul faces pressure from family members and religious authorities alike, and is forced to choose between a life of social acceptance and a life with the woman he loves. Amidst these circumstances, and haunted by repeated encounters with a nun rumored to be a ghost, Lucy Snowe must rely on her wits and courage as she suffers through not only intense loneliness, but a lack of control over the events which shape her life.

Charlotte Brontë’s Villette is a compelling gothic novel which explores the psychological effects of a lack of agency on its protagonist while illuminating the horrors which loom over everyday life.

This edition of Charlotte Brontë’s Villette is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Anne Brontë’s second novel The Tenant of Wildfell Hall centers the arrival of the mysterious Helen Graham and her young son at the old mansion. She captures the attention of many locals, including Gilbert Markham, who becomes gradually infatuated with her.

Helen Graham is a young widow and mother of a five-year-old son. She moves into the Wildfell Hall mansion and attempts to lead a quiet life. Helen is very private and refuses to divulge any details about her personal affairs. Despite reservations, she starts a friendship with Gilbert Markham, who eventually falls in love with her. Helen’s secretive nature is a point of contention with neighbors, leading to constant speculation. When targeted by a vulgar rumor, she’s forced to reveal the truth about her peculiar behavior and dark past.

In The Tenant of Wildfell Hall, Helen’s focus and resilience is undeterred by tradition or social conventions. Brontë gives unprecedented agency to a female protagonist living in the Victorian era. Her story is a testament to the human spirit and the art of self-preservation.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Tenant of Wildfell Hall is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Originally published in Robin Goodfellow magazine, Lady Audley's Secret is the essential work of Mary Elizabeth Braddon and is considered a staple of sensation fiction. The story centers on a mysterious woman, whose dark past slowly comes to light.

Lady Audley is a former governess who marries the wealthy widower, Sir Michael Audley. She thoroughly enjoys the life of privilege and status associated with her new husband. Although she appears beautiful and polished, Lady Audley is more than meets the eye. She has a dark secret that could jeopardize everything she’s worked for. To maintain her façade, she plots and schemes to silence those who threaten her happiness. Lady Audley will stop at nothing to maintain her comfortable lifestyle, including murder.

Lady Audley is driven by desperation and fear. Her outlandish behavior leads to an unpredictable narrative taking the reader on a journey full of twists and turns. A combination of melodrama, crime and romance, Lady Audley's Secret is an extreme commentary on Victorian gender and class.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Lady Audley's Secret is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Professor (1857) is English writer Charlotte Brontë’s first novel. Rejected by several publishing houses, Brontë shelved the novel in order to write her masterpiece Jane Eyre (1847). After her death, The Professor was edited by Brontë’s widower, Arthur Bell Nichols, who saw that the novel was published posthumously. Based on Brontë’s experience as a student and teacher in Brussels—which similarly inspired her novel Villette—The Professor is an underappreciated early work from one of English literature’s most important writers.

After rejecting a life as a clergyman, William Crimsworth goes to work as a clerk for his brother Edward, a successful businessman. Although he excels, his brother grows jealous of his ability and intelligence, abusing and belittling him until he is forced to quit. Disappointed, he accepts a job at a boarding school in Belgium where, mentored by the kind Monsieur Pelet, William flourishes as a professor. When news of his work reaches Mademoiselle Reuter, a local headmistress at a school for girls, she offers him a position, and William joins her staff. He begins to grow suspicious, however, when he overhears Reuter speaking about him with Pelet and discovers that the pair are engaged to be married. As he begins to second-guess their kindness, he falls in love with Frances, a young teacher-in-training. Harboring her own secret affection for William, Mademoiselle Reuter decides she must dismiss Frances if she is to maintain her control of the young Englishman. Charlotte Brontë’s The Professor is a novel of romance, jealousy, and gothic mystery, an early and promising work by one of Victorian England’s most prominent writers.

This edition of Charlotte Brontë’s The Professor is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

After the death of his parents, Jim Burden is sent to live with his grandparents in Nebraska, where he meets his first and most prominent love, Antonia Shimera. As pioneers in Nebraska, the Shimera family expected hardships, but none as devastating as a death in the family. Narrated by Jim Burden, an orphan living with his grandparents next door to the Shimera’s, My Antonia follows the coming of age and life of Jim and Antonia, the eldest daughter in the Shimera family. Starting when Jim and Antonia were young kids, the Burdens and the Shimera’s live as neighbors in the plains of 19th century Nebraska. While the weather was often harsh and the untamed land made it difficult to yield crops, the Shimera family worked hard to maintain a content life. However, when a tragic death strikes the Shimera family, they fall into poverty despite the aid Jim’s grandparents try to offer. As her family’s farm fails, Antonia has to quit school to help out with manual labor. Antonia gets a job as a town girl, helping care for children and households in order to support her family. Meanwhile, Jim moves into town as well for higher education, and is able to reconnect with Antonia, though she does not have as much leisure time as he does. As they both grow into adulthood, Jim witnesses the Shimera’s and Antonia to make difficult choices and somber sacrifices, contrasting their hardships to his own comfortable life.

My Antonia earned commercial and critical acclaim soon after its publication, and has inspired film and stage adaptations since. With themes of feminism, insight on lower class Americans, and the use of deep metaphors, Willa Cather’s My Antonia is a classic gem worthy of even more recognition.

Now redesigned with an eye-catching cover and printed in an easy-to-read font, this edition of Willa Cather’s My Antonia restores the classic novel to create an engaging experience for modern audiences.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

First appearing in 1899 The Awakening is regarded as work presaging both feminist fiction and literary modernism. The author’s clear vision of a woman’s internal and external conflicts continue to demand engagement and response from readers.

The Awakening follows Edna Pontellier as she recognizes and attempts to deal with her confining lot as a woman and mother in the 19th century American South. Torn between traditional roles and an inchoate desire for independence and a more passionate life, she faces more than one difficult choice, leading to a grim reckoning. Initially receiving a mixed critical reception, including much condemnation for its frank depiction of adultery, the novel has gone on to be recognized as both a classic piece of fiction and a groundbreaking work of women’s realism. The poignant portrayal of the protagonist attempting to determine her true feminine identity makes this one of the first novels willing to openly confront women’s issues, to make clear that traditional roles could be limiting and to legitimatize an emotional life that transcended society’s boundaries.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Awakening is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Lady Susan (1871) is a novel by English author Jane Austen. Originally written in 1794—making it one of Austen’s earliest complete works—Lady Susan was published posthumously and has since been of interest to readers and scholars alike. It is notable for its epistolary form, a popular style of prose fiction writing in the late-eighteenth century in which the narrative is told in the form of letters between characters embedded in the story itself. The epistolary novel mimics letter writing in order to distance the author from their work, as well as to simulate the secrecy and intimacy of private communication for its reader.

Austen’s novel, narrated by letters between its cast of characters, follows Lady Johnson’s visit to Churchill, the country estate of her brother- and sister-in-law Charles and Catherine Vernon. At Churchill, Lady Susan seduces and denies Catherine’s brother Reginald De Courcy, a handsome but gullible man. When Frederica, Lady Susan’s teenage daughter, arrives, she begins to fall in love with Reginald. This disrupts not just her mother’s control of the young man, but her plan for Frederica to marry Sir James Martin, a wealthy suitor who soon arrives at Churchill himself. As the plot unfolds, and as the bonds of familial and romantic affection are tested, a drama of chaos and comedy ensues which bears the hallmark clarity of Austen’s moral vision.

Lady Susan is an early masterpiece from renowned novelist Jane Austen, a text which not only clears the path for her more famous novels to come, but carves a space for itself in a truly legendary body of work.

This edition of Jane Austen’s Lady Susan is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Professor (1857) is English writer Charlotte Brontë’s first novel. Rejected by several publishing houses, Brontë shelved the novel in order to write her masterpiece Jane Eyre (1847). After her death, The Professor was edited by Brontë’s widower, Arthur Bell Nichols, who saw that the novel was published posthumously. Based on Brontë’s experience as a student and teacher in Brussels—which similarly inspired her novel Villette—The Professor is an underappreciated early work from one of English literature’s most important writers.

After rejecting a life as a clergyman, William Crimsworth goes to work as a clerk for his brother Edward, a successful businessman. Although he excels, his brother grows jealous of his ability and intelligence, abusing and belittling him until he is forced to quit. Disappointed, he accepts a job at a boarding school in Belgium where, mentored by the kind Monsieur Pelet, William flourishes as a professor. When news of his work reaches Mademoiselle Reuter, a local headmistress at a school for girls, she offers him a position, and William joins her staff. He begins to grow suspicious, however, when he overhears Reuter speaking about him with Pelet and discovers that the pair are engaged to be married. As he begins to second-guess their kindness, he falls in love with Frances, a young teacher-in-training. Harboring her own secret affection for William, Mademoiselle Reuter decides she must dismiss Frances if she is to maintain her control of the young Englishman. Charlotte Brontë’s The Professor is a novel of romance, jealousy, and gothic mystery, an early and promising work by one of Victorian England’s most prominent writers.

This edition of Charlotte Brontë’s The Professor is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Groundbreaking essays by female activists and scholars documenting women’s resistance before, during, and after the Arab Spring

Images of women protesting in the Arab Spring, from Tahrir Square to the streets of Tunisia and Syria, have become emblematic of the political upheaval sweeping the Middle East and North Africa. In Women Rising, Rita Stephan and Mounira M. Charrad bring together a provocative group of scholars, activists, artists, and more, highlighting the first-hand experiences of these remarkable women.

In this relevant and timely volume, Stephan and Charrad paint a picture of women’s political resistance in sixteen countries before, during, and since the Arab Spring protests first began in 2011. Contributors provide insight into a diverse range of perspectives across the entire movement, focusing on often-marginalized voices, including rural women, housewives, students, and artists.

Women Rising offers an on-the-ground understanding of an important twenty-first century movement, telling the story of Arab women’s activism.

Explores the College Equal Suffrage League’s work to advance the campaign for the Nineteenth Amendment

The woman suffrage movement is often portrayed as having been led and organized by middle-aged women and mothers in stuffy, formal settings. This dominant account grossly neglects a significant demographic within the movement—college women. Between 1870 and 1910, the proportion of college women in the United States rose from 21 to 40 percent. By 1880, there were 155 private colleges in the Northeast and the South for female students and numerous coeducational institutions in the West. The widespread extension of academic training for women helped spur a well-organized campaign for female voting rights on college campuses, where suffragists found a new audience and stage to earn respect and support.

Votes for College Women examines archives from the College Equal Suffrage League (CESL), established in 1900 as an affiliate of the National American Woman Suffrage Association, to illustrate the outsize and dynamic role that young women played in the woman suffrage movement. The book vividly illustrates how the CESL’s campaigns served a dual purpose: not only did they invigorate the Nineteenth Amendment campaign at a crucial moment, but they also brought about a profound transformation in the culture of women’s organizing and higher education. Furthermore, Kelly L. Marino argues that the CESL’s campaigns set trends in youth activism and helped lay the groundwork for later and more well-known college protests against gender inequality. Fascinating and timely, Votes for College Women shows how these brave women solidified the campus and the classroom as arenas for civic and social activism.

A courtside view of how women athletes’ identities are policed, on and off the court

Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer.

A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity.

A riveting portrait of an elite basketball program, Denied will forever change our understanding of women athletes and the sports they play.

A rare look into the lives of Hasidic youth

From the ardently religious young woman who longs for the life of a male scholar to the young rebel who visits a strip club, smokes pot, and agonizes over her loss of faith to the proud Lubavitcher with a desire for a high-powered career, Stephanie Wellen Levine provides a rare glimpse into the inner worlds and daily lives of these Hasidic girls.

Lubavitcher Hasidim are famous for their efforts to inspire secular Jews to become more observant and for their messianic fervor. Strict followers of Orthodox Judaism, they maintain sharp gender-role distinctions.

Levine spent a year living in the Lubavitch community of Crown Heights, Brooklyn, participating in the rhythms of Hasidic girlhood. Drawing on many intimate hours among Hasidim and over 30 in-depth interviews, Mystics, Mavericks, and Merrymakers offers rich portraits of individual Hasidic young women and how they deal with the conflicts between the regimented society in which they live and the pull of mainstream American life.

This superbly crafted book offers intimate stories from Hasidic teenagers' lives, providing an intriguing twist to a universal theme: the struggle to grow up and define who we are within the context of culture, family, and life-driving beliefs.

Thirty years after its first publication, Womansword remains a timely, provocative work on how words reflect female stereotypes in modern Japan.

Short, lively essays offer linguistic, sociological, and historical insight into issues central to the lives of women everywhere: identity, girlhood, marriage, motherhood, work, sexuality, and aging. Cherry uses Japanese society, from folklore to pop culture, to illuminate female identity, simultaneously teaching us about both.

A new introduction shows how things have—and haven't—changed.

Women, Magic, Wisdom: Explore a Japanese myth through the words and images of key scholars and artists.

Alluring, nurturing, dangerous, and vulnerable the yamamba, or Japanese mountain witch, has intrigued audiences for centuries. What is it about the fusion of mountains with the solitary old woman that produces such an enigmatic figure? And why does she still call to us in this modern, scientific era? 

Co-editors Rebecca Copeland and Linda C. Ehrlich first met the yamamba in the powerful short story “The Smile of the Mountain Witch” by acclaimed woman writer Ōba Minako. The story revealed the compelling way creative women can take charge of misogynistic tropes, invert them, and use them to tell new stories of female empowerment.

This unique collection represents the creative and surprising ways artists and scholars from North America and Japan have encountered the yamamba.

The active role of women in the labor force is not limited to recent decades, or even to the last century. As William Chester Jordan amply demonstrates in Women and Credit in Pre-Industrial and Developing Societies, women in premodern times played an integral part both as a source of labor and as participants in lending and borrowing. In this wide-ranging and provocative study, the author assesses the overall significance of women's work in medieval and early modern Europe, and in colonial and postcolonial societies.

While earlier studies have concentrated on women in agriculture or craftwork, Jordan investigates consumption lending and borrowing among women in the European Middle Ages, female investment in early modern Europe, and, in a final section, the role of African and Caribbean marketwomen and their provision of and access to credit. By viewing the historical situation, Jordan sheds light on contemporary concerns about commercialization, the transformation of rural society, and industrialization. He provides a historical and comparative context for some of the current issues that plague the twentieth-century female work force. By understanding the role of gender in such an important aspect of traditional life as credit relationships, Jordan advances an ongoing reexamination of the issue in general.

This work will be of interest to students and scholars of medieval and early modern European, African, and Caribbean history; anthropology; and women's studies.

This ethnography unravels the continuing political tensions surrounding Senegal’s 1999 national ban on “female genital mutilation”

The Senegalese parliament authorized a national ban on “Female Genital Mutilation” in 1999. Because only a third of the Senegalese population practiced female genital cutting (FGC) at the time, policy makers did not expect that the new law would cause controversy or provoke commotion. Yet, in Fouta Toro and among Fulani, who traditionally practiced FGC, the response to the new law was fury, and frustrations often turned violent. More than a decade after the ban, Fouta Toro was considered “the most difficult region” for anti-FGC activists, both from inside and outside the government. Tires were burned, international NGO delegates were threatened, and activists publicly speaking out against the practice were religiously condemned. Animosity toward the ban remains palpable in the region to this day. The ban, many (but not all) locals say, is nothing other than an overt act of Western cultural imperialism imposed on their community. For these individuals, resisting the ban is critical for maintaining the autonomy and integrity of a traditional way of life. And from the outside, opposition to the law and NGOs can seem unified.

However, anthropologist Sarah O’Neill discovers that on the ground, there are tensions between those who oppose the ban and those who support it—even as that support is nuanced and often complicated. This ethnography unravels the continuing political tensions surrounding both national and international interventions in Fouta Toro and in Senegal that place protection of the female body at the center of their concerns. By way of the many stories of ordinary women and men caught up in debates around the value of the practice and meaning of FGC, Compromised Bodies reveals the personal struggles and difficult decisions Fulani face, be they traditional cutters, religious leaders, mothers, husbands, divorced women, or anti-FGC activists.

Growing urbanization affects women and men in fundamentally different ways, but the relationship between gender and city environments has been ignored or misunderstood. Women and men play different roles, frequent different public areas, and face different health risks. Women suffer disproportionately from disease, injury, and violence because their access to resources is often more limited than that of their male counterparts. Yet, when women are healthy and safe, so are their families and communities. Urban policy makers and public health professionals need to understand how conditions in densely populated places can help or harm the well-being of women in order to serve this large segment of humanity.

Women's Health and the World's Cities illuminates the intersection of gender, health, and urban environments. This collection of essays examines the impact of urban living on the physical and psychological states of women and girls in Africa, Asia, Latin America, and the United States. Urban planners, scholars, medical practitioners, and activists present original research and compelling ideas. They consider the specific needs of subpopulations of urban women and evaluate strategies for designing spaces, services, and infrastructure in ways that promote women's health. Women's Health and the World's Cities provides urban planners and public health care providers with on-the-ground examples of projects and policies that have changed women's lives for the better.

A candid and generous color-illustrated account of women artists creating politically and personally effective art works, exhibitions, and actions over two tumultuous decades

This abundantly illustrated personal narrative takes readers through twenty-two years of activism in the women's art movements in New York City during a period of great cultural change. Author Sabra Moore vividly recounts life in this era of social upheaval in which women artists responded to war, racial tension and reconciliation, cultural and aesthetic inequality, and struggles for reproductive freedom. We learn intimately how she and fellow women artists found ways to create politically and personally effective art works, exhibitions, actions, and institutions.

The book features Moore's involvement in pivotal art organizations of this time and her own development as an artist, counterbalanced with her connections to family in rural East Texas and friends in New Mexico. Moore was a member of the Heresies Collective, an influential feminist activist group, became editor of their art and politics journal Heresies, and was president of the NYC/Women's Caucus for Art. She helped coordinate and curate many of the earliest large-scale exhibitions of women artists in NYC, including Views by Women Artists (1982), and the collaborative shows Reconstruction Project and Connections Project/Conexus. Moore was a principle organizer of the 1984 demonstration against MoMA over their lack of inclusion of women artists and was a member of various groundbreaking collaborative arts groups in the 1970s, including Atlantic Gallery and WAR (Women Artists in Revolution).

While Openings is an historical narrative of women artists' actions, organizations, and ideas, it also candidly describes their periods of challenge, including the death of sculptor Ana Mendieta and the indictment of her husband and the author's own attempted murder by her former art teacher.

The book is illustrated throughout by a treasure of 950 color and black & white images of the art from this momentous period: a valuable collection that is concurrently being archived by Barnard College along with papers, letters, show cards, posters, original artworks, and other documents.

This eye-opening book includes forewords by renowned art critic Lucy Lippard and poet/activist Margaret Randall.

An examination of hysterectomy and the struggle for bodily and reproductive autonomy

At least one hysterectomy is performed every minute of the year, making it the most common gynecological surgery worldwide. By the age of sixty-five, one out of five people born with a uterus will have it removed. So, why do we seldom talk about this surgery? Highly performed yet overlooked, examining the paradox of hysterectomy begins to unravel the various problems with how we medically treat uteruses and the people who have them.

Get It Out weaves centuries of medical history with rich qualitative data from 100 women, trans men, and nonbinary people who had, want, or are considering hysterectomy. In compelling detail, Andréa Becker reveals how America’s healthcare system routinely deprives people of the ability to control their own bodies along race and gender lines. When people ask for a hysterectomy, they are often met with pushback: Are you sick enough? Old enough? Have you had enough babies? Will you regret this? How will your future husband feel about this? Yet this pushback is not equally experienced. While some people are barred access, others are ushered toward a hysterectomy. These contradictory recommendations reveal the persistent biases entrenched within healthcare.

Get It Out interrogates how little choice people with uteruses ultimately have over their reproductive health, and explores what these “choices” signify amid interlocking systems of inequality.

This book explores the social, educational and linguistic acculturation of a group of Saudi wives and mothers sojourning in New Zealand while their husbands undertook full time study. Such sojourners, and their families, are faced with many challenges due to linguistic, social and cultural distance – as well as ethnic stereotyping and prejudice. They tell their stories in a series of interviews and focus groups, relating their pre-sojourn background, the challenges they faced and the changes they made during their sojourn, and their preparation for returning home post-sojourn. The narratives illustrate how these women renegotiated their own identities in relation to their changed circumstances and environment. The authors address the distinctive challenges faced by sojourners as opposed to immigrants, and present a nuanced and detailed picture of the women as individuals negotiating the complex interaction between the influence of the host country and the Saudi and Islamic identities of themselves and their children.

An examination of hysterectomy and the struggle for bodily and reproductive autonomy

At least one hysterectomy is performed every minute of the year, making it the most common gynecological surgery worldwide. By the age of sixty-five, one out of five people born with a uterus will have it removed. So, why do we seldom talk about this surgery? Highly performed yet overlooked, examining the paradox of hysterectomy begins to unravel the various problems with how we medically treat uteruses and the people who have them.

Get It Out weaves centuries of medical history with rich qualitative data from 100 women, trans men, and nonbinary people who had, want, or are considering hysterectomy. In compelling detail, Andréa Becker reveals how America’s healthcare system routinely deprives people of the ability to control their own bodies along race and gender lines. When people ask for a hysterectomy, they are often met with pushback: Are you sick enough? Old enough? Have you had enough babies? Will you regret this? How will your future husband feel about this? Yet this pushback is not equally experienced. While some people are barred access, others are ushered toward a hysterectomy. These contradictory recommendations reveal the persistent biases entrenched within healthcare.

Get It Out interrogates how little choice people with uteruses ultimately have over their reproductive health, and explores what these “choices” signify amid interlocking systems of inequality.

This ethnography unravels the continuing political tensions surrounding Senegal’s 1999 national ban on “female genital mutilation”

The Senegalese parliament authorized a national ban on “Female Genital Mutilation” in 1999. Because only a third of the Senegalese population practiced female genital cutting (FGC) at the time, policy makers did not expect that the new law would cause controversy or provoke commotion. Yet, in Fouta Toro and among Fulani, who traditionally practiced FGC, the response to the new law was fury, and frustrations often turned violent. More than a decade after the ban, Fouta Toro was considered “the most difficult region” for anti-FGC activists, both from inside and outside the government. Tires were burned, international NGO delegates were threatened, and activists publicly speaking out against the practice were religiously condemned. Animosity toward the ban remains palpable in the region to this day. The ban, many (but not all) locals say, is nothing other than an overt act of Western cultural imperialism imposed on their community. For these individuals, resisting the ban is critical for maintaining the autonomy and integrity of a traditional way of life. And from the outside, opposition to the law and NGOs can seem unified.

However, anthropologist Sarah O’Neill discovers that on the ground, there are tensions between those who oppose the ban and those who support it—even as that support is nuanced and often complicated. This ethnography unravels the continuing political tensions surrounding both national and international interventions in Fouta Toro and in Senegal that place protection of the female body at the center of their concerns. By way of the many stories of ordinary women and men caught up in debates around the value of the practice and meaning of FGC, Compromised Bodies reveals the personal struggles and difficult decisions Fulani face, be they traditional cutters, religious leaders, mothers, husbands, divorced women, or anti-FGC activists.

The Home: Its Work and Influence (1903) is a sociological study by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for women’s suffrage, Gilman sought to write a work of nonfiction that explained the role of the home as a human institution, as well as to address the problems and inequities of home life—especially for women. In the beginning, Gilman argues that “[e]very human being should have a home.” The role of the home in human society, she claims, is not only to provide safety and comfort, but to facilitate the productivity, creativity, and individuality of every person. Despite this, the home has evolved far slower than all other human institutions, ensuring that the life of humanity has failed to progress as far as its ideals would suggest. Having identified this problem—as well as shown that women bear responsibility for maintaining households while men control the home as a system of power—Gilman moves through such topics as domesticity, cooking, entertainment, and children in order to properly identify the highly gendered roles of each member of the home. Ultimately, Gilman argues that a progressive home will benefit not only each individual within the family unit, but the whole of society at large. The Home: Its Work and Influence is a powerful work of sociological thought by a leading reformer and feminist of her day.

This edition of Charlotte Perkins Gilman’s The Home: Its Work and Influence is a classic of American literature and nonfiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The High-Caste Hindu Woman (1887) is a work of political nonfiction by Pandita Ramabai. Written for an American audience, The High-Caste Hindu Woman was published in Philadelphia while Ramabai was living in the United States as a lecturer for the Women’s Christian Temperance Union. Born and raised in India, Ramabai converted to Christianity and dedicated her life to advocating on behalf of impoverished women and children. A fiery orator and true iconoclast, Ramabai’s activism led to important educational and social reforms in her native country.

Arguing for the need to offer education to women, Ramabai examines the nature of life for Hindu women born into the Brahman caste in nineteenth century India. Despite their position in Indian society, these women remained subjected to the control of their husbands, who limited their freedom and social mobility. Ramabai examines the traditions and customs of Hinduism in order to show how women are made ignorant by their oppression and taught to accept their conditions, thereby prolonging the suffering of lower caste and impoverished Hindus. Through education alone, Ramabai shows, are women able to alter their oppressed condition. Both a portrait of Indian life and a moving political treatise, The High-Caste Hindu Woman showcases Ramabai’s foresight as an activist and reformer who sought to radically improve the lives of her people.

This edition of Pandita Ramabai The High-Caste Hindu Woman is a classic work of Indian political nonfiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Women and Economics (1898) is a sociological and economic study by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for women’s suffrage, Gilman sought to write a work of nonfiction that explained the need to introduce women into the workforce while alleviating their responsibilities as wives and mothers. Women and Economics, arguably Gilman’s most important work, employs the theories of Karl Marx, Charles Darwin, and Thorstein Veblen to not only assess the damage done to women and human society by inequality, but to propose realistic ways of eliminating gender oppression while benefitting humanity at large.

Observing that women in their roles as wives and mothers tend to work harder for longer hours than men while being excluded from the work force, Gilman proposes that the progress of human society depends upon the equality of men and women in all aspects of working and domestic life. She acknowledges the importance of the suffragist movement—in which she was a leading figure—while making the case for the economic equality of men and women in addition to the democratic equality sought by their activism. Ultimately, Gilman advocates for the professionalization of domestic work, suggesting that women should be allowed to enter the workforce while hiring others to care for and educate their children as well as perform the duties necessary for the upkeep of the home. Grounding her work in the dominant sociological, biological, and economic theories of the time, Gilman provided the intellectual arguments necessary for elevating the feminist cause from a popular movement to a true political force. Women and Economics is a powerful work of sociological thought by a leading reformer and feminist of her day.

This edition of Charlotte Perkins Gilman’s Women and Economics is a classic of American literature and nonfiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Explore how women of all ages are conditioned to suppress their emotional health and discover therapeutic ways to confront challenging feelings.

The Times and Sunday Times Self-Help Book of the Year

Hysterical, selfish, dramatic. These are just a few of the labels women are given if they do not meet society’s expectations of what it is to be a good girl. With so much emotional build-up, it’s no wonder that our physical health is being affected. To address this issue, learn how you can use your anger to improve your health and wellbeing instead with psychotherapist Jennifer Cox’s amazing advice in Women Are Angry. This honest women empowerment book shares how you can use strong negative emotions such as hate and resentment as tools to speak up and demand positive change.

It’s natural to be angry. So many women are looking for advice for personal transformation, but so many are missing the bigger picture: it’s okay to be upset. Join Jennifer Cox as she explores how repressing our “ugly emotions” can cause us more harm than good, and why expressing them can help us thrive. With practical mental health tools, relatable experiences, and innovative conversations, you will find so much can change by exploring what makes you angry before letting go.

In Women Are Angry, Jennifer Cox provides strategies for overcoming the following effects of sexist and repressive stereotypes to readers at every stage of womanhood:

• Ways baby girls face strict societal norms through clothes, toys, and more.
• How young women are sexualized and criticized for their bodies
• Why motherhood and career expectations can be overwhelming for many female adults
• How doctors and medical professionals often ignore concerns from older women

So if you enjoyed feminist books such as Take Back Your Brain, Stop People Pleasing, or Secret Lives of Royal Women, then you will love Women Are Angry.

Bien des projets de développement international visent actuellement les femmes. Mais la multitude de ces petits projets soi-disant générateurs de revenues les aident-elles vraiment ? Pour évaluer la pertinence et l’impact de ces politiques, Marie France Labrecque prend en exemple une région andine de la Colombie, La Cocha. À l’aide d’une méthodologie d’anthropologie socioculturelle, elle démontre que les changements sociaux les plus importants ne s’effectuent pas seulement dans les rapports entre hommes et femmes mais aussi entre les générations. L’auteure procède à une analyse minutieuse de la division du travail dans les activités principales auxquelles se livrent les hommes, les femmes, les adultes et les enfants. Elle présente aussi les trajectoires individuelles de femmes appartenant à différentes générations et décrit leur niveau d’insertion dans le travail et dans le développement. Enfin, elle se penche sur les organisations communautaires, leur implication dans la région pour tenter d’évaluer leur influence sur le changement des structures sociales, de la vie quotidienne tant pour les individus que pour la collectivité.

Published in French.

Il peut paraître étonnant d’évoquer la notion de liberté en matière d’apprentissage. Celle-ci ne fait-elle pas partie intégrante de nos systèmes de valeurs ? Si la fin du XIXe siècle a été témoin de la lutte des femmes pour l’accès à l’éducation, le XXIe siècle s’annonce comme celui où les notions de pluralité, de diversité et d’accroissement continu occuperont la première place. Liberté d’apprendre, certes, mais de quelle manière ? La recherche sur les femmes en milieu universitaire montre que leur expérience est parfois aliénante. Dans cet ouvrage, Jeannine M. Ouellette révèle que le malaise vient de ce que l’apprentissage est détaché de la vie d’apprenante. Ainsi, le « autrement » se rapporte à l’intégration de l’expérience des femmes dans le projet d’apprentissage.

La « liberté » devrait être celle de rechercher dans le milieu d’apprentissage les moyens de mettre au jour les connaissances qui proviennent de l’expérience des femmes. Les personnes en situation de formation feraient leur profit d’une démarche qui reconnaîtrait leur contribution personnelle. Pour bien des femmes, il est particulièrement utile de mettre leur expérience en rapport avec les connaissances transmises, car les réalités qu’elles vivent sont parfois occultées par un système axé sur des préoccupations essentiellement masculines. Tenant compte du développement du moi, de la parole et de la pensée des femmes, l’auteure plaide en faveur d’une méthodologie de l’enseignement qui peut rendre l’expérience universitaire plus satisfaisante pour les femmes, d’une part, et soutenir leur démarche de croissance personnelle, d’autre part.

Publié en français

Les trajectoires familiales et professionnelles suivies par les femmes gestionnaires sont multiples. Plusieurs d’entre elles ont dû subir les effets préjudiciables des rapports sociaux de sexe. Certaines ont su recueillir l’héritage culturel de leur mère, et la plupart ont tenu à faire des études poussées et voulu se ménager une vie personnelle moins contraignante en termes de responsabilités familiales et conjugales. Elles ont par ailleurs bénéficié d’une conjoncture socio-politique favorable à l’avancement des femmes : création de programmes d’équité en matière d’emploi, scolarisation en masse, présence croissante des femmes dans la fonction publique et l’entreprise privée. Dans leur vie professionnelle, les femmes de carrière ont manifesté une prédilection pour des occupations leur permettant de s’accomplir pleinement. Plusieurs d’entre elles ont choisi de défendre un point de vue féministe au travail et ont tablé, pour ce faire, sur la présence de plus en plus forte des femmes. Ouvrage arrivant à point nommé et bien étoffé, Femmes de carrière, carrières des femmes ouvre des perspectives nouvelles pour l’étude d’une réalité sociale qu’il est impossible de passer sous silence.

Publié en français

En paralelo a la guerra contra el patriarcado se está llevando a cabo una batalla entre las propias mujeres. Una pugna en la que amigas, colegas de trabajo o familiares compiten por el éxito, por su aspecto y por una idea determinada de lo que es la maternidad o la pareja. No se trata de un mito, ni de un estereotipo abolido por la última ola feminista, sino de una realidad que experimentan casi todas las mujeres y de la que no se habla.

Tras el éxito de El síndrome de la impostora las autoras reflexionan en este libro sobre la rivalidad femenina como una herramienta más del sexismo, pero también como una vía de emancipación. Mientras que la competencia entre mujeres se ha considerado contraria a los valores habitualmente asignados al sexo femenino –la delicadeza, la solidaridad y la empatía–, con los hombres no solo se acepta y se valora, sino que incluso se ritualiza: ¡que gane el mejor!

El libro desvela cómo la interiorización del pensamiento misógino y el miedo a ser vistas como «histéricas» impiden a las mujeres afrontar la competición como un proceso natural y saludable. Nos ayuda a entender las raíces históricas, psicológicas y biológicas de la rivalidad femenina y nos da las claves para que nos apropiemos de ella tanto en un entorno personal como profesional con el fin de alcanzar la verdadera sororidad.

¿Por qué en el colegio las chicas creen que no han estudiado lo suficiente y en cambio los chicos piensan que «el examen era muy difícil»? ¿Por qué en la actualidad, aunque las estadísticas continúen mostrando que ellas sacan mejores notas, sigue faltándoles confianza (cosa que además influirá profundamente en su desarrollo profesional)? ¿Por qué la mayoría de mujeres sienten que son un fraude en su trabajo y que sus éxitos son solo fruto de la buena suerte? Esto es lo que se conoce como el síndrome de la impostora: una falta de autoestima que te lleva a dudar constantemente de tu potencial.

Este libro ahonda en las causas psicológicas de este fenómeno, explica cómo incluso algunas grandes líderes y creadoras —Michelle Obama, Angela Merkel o Margaret Atwood— lo han sufrido y da herramientas para aprender a creer en una misma y ganar la seguridad necesaria para tener una carrera profesional y personal exitosa.

In this book, Sally King interrogates the diagnostic label of premenstrual syndrome (PMS) to expose and challenge sexist assumptions within medical research and practice. She powerfully demonstrates how the concept of the ‘hormonal’ premenstrual woman is merely the latest iteration of the ‘hysterical’ female myth. By blaming the healthy reproductive body (first our wombs, now our hormones) for the female-prevalence of emotional distress and physical pain, gender myths appear to have trumped all empirical evidence to the contrary.

The book also provides a primer on menstrual physiology beyond hormones, and a short history of how hormonal metaphors came to dominate medical and popular discourses. The author calls for clinicians, researchers, educators and activists to help improve women’s health without unintentionally reproducing damaging stereotypes.

In this book, Sally King interrogates the diagnostic label of premenstrual syndrome (PMS) to expose and challenge sexist assumptions within medical research and practice. She powerfully demonstrates how the concept of the ‘hormonal’ premenstrual woman is merely the latest iteration of the ‘hysterical’ female myth. By blaming the healthy reproductive body (first our wombs, now our hormones) for the female-prevalence of emotional distress and physical pain, gender myths appear to have trumped all empirical evidence to the contrary.

The book also provides a primer on menstrual physiology beyond hormones, and a short history of how hormonal metaphors came to dominate medical and popular discourses. The author calls for clinicians, researchers, educators and activists to help improve women’s health without unintentionally reproducing damaging stereotypes.

Locating Black girls’ desires, needs, knowledge bases, and lived experiences in relation to their social identities has become increasingly important in the study of transnational girlhoods. Black Schoolgirls in Space pushes this discourse even further by exploring how Black girls negotiate and navigate borders of blackness, gender, and girlhood in educational spaces. The contributors of this collected volume highlight Black girls as actors and agents of not only girlhood but also the larger, transnational educational worlds in which their girlhoods are contained.

There is growing interest in urbanization as currently a third of the world’s urban population live in slums, and by 2030 there may be two billion slum dwellers across the globe (Davies 2004, 17). During economic crises, slum dwellers are involved in increasing feats of self-exploitation. The literature on slums and informal settlements tends to focus on economic survival strategies, particularly those of men. But how do women, as the most marginalized and excluded slum-dwellers, survive in the face of poverty and gender oppression? What are the emotional rather than material costs of poverty? This book conveys the rich fabric of life in the slum.

‘Body Parts on Planet Slum’ discusses the importance of Christianity and telenovelas, and explores what it is about women’s lives in particular that makes these stories so central. Yet it is also increasingly clear that for the poorest women, church attendance has become a rare luxury – whereas telenovelas are piped into their homes on a daily basis. The unemployed women watch up to six hours of telenovelas a day in the midst of arduous physical labour in the home. The women suffer in relation to their bodies, but invest in a masochistic glorification of suffering. It is this glorification of suffering that links the women’s lives to the telenovelas in crucial ways. It reveals disturbing valuations of women’s bodies that traverse reality and fiction, and connect to a central feminist question, ‘What is a woman?’

A new edition of a groundbreaking, feminist defense of pornography as free speech

Named a Notable Book by The New York Times Book Review in 1995, Defending Pornography examines a key question that has divided feminists for decades: is censoring pornography good or bad for women? Nadine Strossen makes a powerful case that increasing government power to censor sexual expression, beyond the limits that the First Amendment sensibly permits (for example, outlawing child pornography) would do more harm than good for women and others who have traditionally been marginalized due to sex or gender, She explains how the very anti-porn laws pushed by some feminists have led to the censorship of LGBTQ+ and feminist works, and she examines the startling connections between anti-porn feminists and right-wing fundamentalists. In an illuminating new Preface, Strossen lays out the multiple current assaults on sexual expression, which continue to come from across the ideological spectrum. She shows that freedom for such expression remains an essential prerequisite for the equality, safety, and dignity of women and sexual/gender minorities.

The ebook edition of this title is Open Access, thanks to Knowledge Unlatched funding, and freely available to read online.

Shortlisted for the Foundation for the Sociology of Health and Illness Book Prize 2021

Growing numbers of women around the world are now accessing social egg freezing: a fertility extension technology which is enabling some women to extend their fertility and reproductive timelines when faced with age-related fertility decline. This book explores the accounts and experiences of some of the pioneering users of this technology in the UK and the USA.

Drawing on theories and concepts across medical sociology and parenting culture studies, as well as literature from demography, anthropology, law, and bioethics, this book examines women’s motivations and experiences of social egg freezing in the context of debates surrounding reproductive choice and delayed motherhood. The book also delves into the broader sociological questions raised by this technology in relation to the gendered burden of appropriately timed parenthood, the medicalisation of women’s bodies in the reproductive domain and the further entrenchment of the geneticisation of society. It also considers the sexual politics underpinning the timing of parenthood, relationship formation and progression, and the way in which reproductive and parenting ideals, values and expectations can come in to conflict with the biological and relational realities of women’s lives.