A collection of essays on varied aspects of German and Scandinavian literature.
This collection of essays by prominent German and Scandinavian literary scholars contains articles on early modern German writing and on 18th-, 19th-, and 20th-century German, Danish, Faeroese, Norwegian, and Swedish literature.The essays regard the literary work in its historical context, addressing such issues as the relationship of literature to contemporary intellectual and political life, the representation of women and the nature of the female literary voice, the construction of national canons, and the differences between literary and historical writing.
The Monastic Breviary of Hyde Abbey, Winchester
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Nestroy and the Critics
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First survey of the history of criticism on the plays of the Viennese dramatist Nestroy.
Johann Nepomuk Nestroy (1801-62) dominated the Viennese popular stage from the early 1830s until his retirement in 1860, both as an actor, and as the author of some 80 plays, mostly satirical comedies with farcical plots illuminated by virtuoso word play. His reputation, however, has always been mixed. This book, the first ever survey of the whole history of Nestroy criticism, traces the changing critical reactions to him, beginning with contemporary records, which show how he often offended the morals of conservative theatre critics; his acidic wit led to his being considered a destructive cynic, an assessment which became a critical orthodoxy in the half-century after his death.It was not until 1912 that he was 're-discovered' by Karl Kraus as a linguistic genius, and in the last 40 years the rise in his reputation has been meteoric. The story Professor Yates traces is not just one of changing fashion, with shifts in critical judgement, but of the struggle to establish a reliable evaluation of Nestroy's stature - reflected in the many attempts to establish a definitive text of his work.
Introduction to a Postnational History of Contemporary Basque Literature (1978-2000)
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A sophisticated introduction to contemporary Basque literature that chronicles its growth and success after the death of Spanish dictator Francisco Franco.
By developing a new theory of postnationalism about the relationship between minor and major literatures, this book chronicles the growth and success of Basque literature after the death of Spanish dictator Francisco Franco (1975), and the historical and literary struggles that took place in its aftermath in order to achieve global recognition: the reduction of Basque literature to a representation of an exotic and magic place and people (the Basque Country), best exemplified by Bernardo Atxaga's novel Obabakoak (1988). The book also deploys postnationalist theory in order to chronicle the way in which women's literature challenged and changed this model in the 1990s and paved the way for what is now a complex and diverse literature.
JOSEBA GABILONDO is an Associate Professor in the Department of Romance and Classical Studies, Michigan State University.
Kudrun
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Prose translation with scholarly apparatus, of German epic c.1230, comparable with Nibelungenlied.
Kudrun is an heroic epic written around 1230 second in importance only to the Nibelungenlied; it is characterized by its greater focus on female characters and a tone gentler than that of the brutal Nibelungenlied. For his translation Professor McConnell has gone back to the sole (a later and problematic) existing manuscript, found in the Ambraser Handschrift in the holdings of the Austrian National Library at Vienna.
The Song Repertoire of Amelia and Jane Harris
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The Ordinal and Customary of the Abbey of Saint Mary York Volume III
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The Critical Fall and Rise of John Marston
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Analysis of critical reception of Marston, also revealing for light it sheds on relations between dramatists of late 16c -early 17c.
John Marston, the most infamous of the late 16th and early 17th-century English satirists and dramatists, achieved both fame and notoriety, and an accepted place in the Elizabethan/Jacobean canon, for his scathing satires such asThe Scourge of Villanie, and other plays, most notably Antonio's Revenge; his works are characterised by a highly individual verbal style and a variety of lurid theatrical devices. Fred Wharton's study answers along-felt need for a full-length analysis of Marston's critical reception, a story almost as wild and extravagant as the rhetoric of Marston's own work. He suggests the reasons underlying Marston's fall and rise, and examines those features of his work most likely to repel or attract successive readerships.
Studies on Spanish Poetry in Honour of Trevor J. Dadson
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A collection of essays on Spanish poetry honouring a distinguished British Hispanist.
Trevor J. Dadson is a British Hispanist of international distinction whose remarkable scholarly range has resulted in a published output that embraces cultural, literary and social history, textual editing, literacy, book ownership and literary criticism. The twelve essays of the present volume pay tribute to his distinctive interventions in the field of Spanish poetry (early modern and contemporary); collectively they recognize the catalytic role of Professor Dadson's original research while opening up to dialogues beyond it, aiming to inspire new conversations around the topics he has inspired generations of scholars to pursue. Represented in the volume are former doctoralstudents, former colleagues and international collaborators, all of whom are also distinguished authorities in their fields.
Javier Letrán is Senior Lecturer in Spanish at the University of St Andrews. Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University Belfast.
Music and German Literature
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The relationship between music and literature is emerging as one of the prominently discussed subjects among literary scholars and musicologists. This volume brings together the scholarly fields of musicology and German literature. Among the areas of research discussed are the study of opera libretti, the history of poetry set to music, metaphorical references to music, and writers' contributions to the formulation of our view of music in the modern period. The present volume is especially valuable as a contribution to our understanding of the relationship of German music and culture because German composers have tended to select products of their own linguistic culture to set to music. And in German literature, more than in any other, music has represented a poetic theme of major significance in the works of many of its best writers.
The Antiphonary of Bangor
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Edward Lear and the Critics
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Critical response to Lear's literary, journalistic, musical and artistic output.
This book is a history of how critics from the nineteenth century on have regarded Lear's extensive work. The survey includes not only what has been written in Great Britain and North America; it is also includes that which has come out of Spain, Italy, Germany, France, Greece, India and the Ukraine. In addition to offering a chronological sense of the various responses to Lear's work, the book identifies patterns of thought that run through the numerous critical reactions.
Violeta Parra
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The first book in English to consider the full extent of the accomplishments and influence the Chilean cultural icon, Violeta Parra.
Violeta Parra was an extraordinary figure. She is best known for her contribution to the Latin American New Song movement and for her visual art, which was exhibited in the Musée des Arts Décoratifs of the Louvre gallery in 1964. Parra spent her early career singing Mexican songs in bars and researching traditional Chilean culture. All the different phases of Parra's life and work are discussed in this book, with analyses of her music, paintings, sculptures, embroideries (arpilleras), and poetry. Her exhibition in the Louvre gallery and the music venue that she set up before she died, La Carpa de la Reina, are also covered. Among the individual essays collected here are seminal works by Patricio Manns and Leonidas Morales, which have been translated into English for the first time. These works introduce the historical and biographical context for Parra's work. Other essays feature thelatest research and findings by Catherine Boyle, Ericka Verba, Paula Miranda, Serda Yalkin, Romina A. Green, and Lorna Dillon. The book also includes an interview with Violeta Parra's brother, the influential poet Nicanor Parra and a Foreword by Marjorie Agosín.
Lorna Dillon earned her PhD at King's College London. She is currently a network facilitator and associate lecturer at the University of Kent.
Post-War Mothers
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Women's experience of childbirth in the mid-twentieth century, revealed in their own words.
For pregnant women in the 1930s and 1940s Dr. Grantly Dick-Read (1890-1959) proposed natural childbirth as the "normal" way to have babies, making drugs, instruments and hospitalization unnecessary. His book Childbirth withoutFear, first published in 1933, spoke of the joys of natural childbirth; women from around the world wrote long, detailed, and poignant letters in response, describing their own experiences in giving birth. This edited collection of the correspondence affords a rare look at childbirth experiences in the hospitals and birthing centers in post-war America and Britain from the perspective of the patient, as women discuss the way they were viewed bysociety, by hospitals, and by physicians and nurses, and their own feelings on childbirth; overall, the book provides an important opportunity to evaluate the treatment of women in the 1940s and 1950s, the generation who gave birth to the so-called "baby boomers." Professor MARY ALVEY THOMAS teaches at Bentley College, Waltham.
The Buik of King Alexander the Conquerour by Sir Gilbert Hay
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The Martyrology of Oengus the Culdee
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Henry David Thoreau
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A reception history of the writings of Henry David Thoreau, author of Walden.
Professor Scharnhorst's survey of trends in Thoreau criticism over the past century and a half shows that Thoreau's elevation to literary sainthood was the result of a distinct, if not wholly conscious, process of critical resurrection and revival. Each of Scharnhost's five chapters covers approximately thirty years of critical commentary on Thoreau's works, including his contemporary reputation, his postumous revival at the end of the century, his 'packaging' as a literary property early in the 20th century, and his vogue since the Great Depression as a darling of both formalist and political critics. Scharnhorst comments on the enduring division of critical opinion over Thoreau and his work, attributing it to the different audiences attracted by his subject matter - issues such as war, racial justice and environmental ethics - and the refinement of his literary achievement.
Gender Violence in Twenty-First-Century Latin American Women's Writing
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How do contemporary female authors in Latin America tackle gender violence in their writings?
This book analyses the portrayal of violence against women in the works of ten contemporary Latin American female authors: Alejandra Jaramillo Morales, Laura Restrepo, Ena Lucia Portela, Wendy Guerra, Selva Almada, Claudia Pineiro, Diamela Eltit, Carla Guelfenbein, Lydia Cacho and Fernanda Melchor. Governments in Latin America have routinely failed to protect women from abuse, threats, censorship, repressive policies on reproduction rights, forced displacement, sex trafficking, disappearances and femicides, and this book beats a new path through these burning issues by drawing on the knowledges encapsulated by sociology as much as the visions articulated by literature. Through an exploration of works published in the twenty-first century by women writers from Argentina, Chile, Colombia, Cuba and Mexico, this volume reconceptualises positions of privilege and power in the region and provides new readings about the meaning of gender, sexuality, violence and the female body in contemporary Latin America. The aim of this book is to raise awareness of the daily threat of violence against women in Latin America, underline the importance of the voice of Latin American women within that daily struggle, and encourage governments, organisations and institutions in Latin America and the Caribbean to take gender violence seriously and fight to secure peace and social equality for all women in the modern world.
Al-Andalus in Motion
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At a time when the discourse of a clash of civilisations has been re-grounded anew in scaremongering and dog-whistle politics over a Hispanic "challenge" to America and a Muslim "challenge" to European societies, and in the context of the War on Terror and migration panics, evocations of al-Andalus - medieval Iberia under Islamic rule - have gained new and hotly polemic topicality, championed and contested as either exemplary models or hoodwinking myths. The essays in this volume explore how al-Andalus has been transformed into a "travelling concept": that is, a place in time that has transcended its original geographic and historical location to become a figure of thought with global reach. They show how Iberia's medieval past, where Islam, Judaism and Christianity co-existed in complex, paradoxical and productive ways, has offered individuals and communities in multiple periods and places a means of engaging critically and imaginatively with questions of religious pluralism, orientalism and colonialism, exile and migration, intercultural contact and national identity. Travelling in their turn from the medieval to the contemporary world, across Asia, Africa, Europe and the Americas, and covering literary, cultural and political studies, critical Muslim and Jewish studies, they illustrate the contemporary significance of the Middle Ages as a site for collaborative interdisciplinary thinking.
The Winchester Troper
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Good Newes from Fraunce
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An exploration of the importation of French political thought into England during the last decades of Elizabeth's reign.
The French Religious Wars generated a large body of political propaganda from the Huguenots, the Politiques (a Huguenot-Catholic confederacy) and the Catholic League. Dr. Parmelee discusses how, in the last decades of the reign ofElizabeth I some 130 translated documents were imported into England, most of them - originating from the Politiques, written in support of the Protestant Henry of Navarre's accession to the French throne-advocating religious tolerance as a way to peace. She argues that while most English political thinkers did not openly embrace or articulate the absolutist ideas often expressed in these writings, they had a wide impact on political discourse in the lateElizabethan period. They were useful against foreign enemies, Catholic recusants and Presbyterians, but particularly, in a time of fear of civil war engendered by an unsettled succession, they helped to establish an intellectualclimate conducive to the later development of Stuart absolutism.
Dr. Lisa Ferraro Parmelee teaches in the Department of History at Villanova University.
Andreas Gryphius
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Critical study of great 17c German poet and dramatist.
Andreas Gryphius (1616-1664) was the greatest German poet and dramatist of the 17th century, yet he remains virtually unknown outside his own country. One of the chief reasons for his relative obscurity outside Germany is that almost all studies devoted to him are written in German. Another problem has to do with the inaccessibility of the recondite forms of Baroque literature. This book is designed especially for students and scholars in disciplines other than German, particularly those in comparative literature and the modern languages, where a lack of knowledge about this major German writer distorts a proper international perspective on major figures of the 17th century.But it also addresses the Germanist, especially scholars in Germany; they will find interpretations and a way of presenting them entirely new.
The Stowe Missal MS D.II.3 in the Library of the Royal Irish Academy, Dublin
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The Stowe Missal, now housed in the Royal Irish Academy in Dublin as MS.D.II.3, is one of the most famous Irish manuscripts to have survived from the middle ages. The first part consists of excerpts from the Gospel of St John (fols. 1-11), the second the Stowe Missal proper (fols. 12-67). It is one of the earliest datable Irish manuscripts and an important witness to the early Irish church and to the Irish language at that time.
The Last von Reckenburg
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Reprint of English translation of important 19th-century German novel with strong feminist overtones.
In Die letzte Reckenburgerin (1871), Louise von François, one of the major female German-language writers of the nineteenth century, describes the fate of two women, the aristocrat Eberhardine von Reckenburg and the middle-class Dorothee Müller, set against the events of the French Revolution. This complex work is both an absorbing picture of the period, and a subtle psychological study with a strong feminist slant: François depicts Dorothee as a victim of a patriarchal society that robs her of any chance of self-development. The book thus has considerable significance in the light of recent feminist literary criticism. Professor Laane's detailed introduction gives an account of the the critical reception of the book in the United States - it was translated into English in 1887 by Mary Joanna Safford (under the pseudonym J.M. Percival) after achieving great popularity in Germany - and suggests ways of understanding this long neglected novel.
Wanderjahre of a Revolutionist and Other Essays on American Music
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Selected autobiographical and critical essays by the important early 20c American composer/campaigner Arthur Farwell: a major narrative of American musical life c.1900.
Arthur Farwell was the great apostle of American music. He published works by American composers in his Wa-Wan Press, he lectured widely on the need to develop a national style, and he spearheaded the American Music Society's drive to promote the country's composers. The twenty-year crusade covered in `Wanderjahre,' originally published as articles in Musical America, begins in 1889 when Farwell's musical interest first developed, continues throughhis Bohemian days in Boston as a budding composer and his trip to Europe for further study, then chronicles his work in America on his return in 1899. Later critical articles and reviews confirm Farwell as an original, often audacious voice, frequently at odds with the musical establishment but raising key issues of American musical life in his day, and giving valuable insights into that milieu.
El imperio de la virtud
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Terukina ofrece una nueva biografía de Bernardo de Balbuena y analiza la compleja matriz interdisciplinaria de Grandeza mexicana (1604).
Terukina offers an updated biography of Bernardo de Balbuena and analyzes the complex interdisciplinary matrix within which Grandeza mexicana (1604) is articulated.
En contraste con la normativa lectura criollista y proto-nacionalista de Grandeza mexicana (1604), El imperio de la virtud analiza el texto de Bernardo de Balbuena en un contexto atlántico y propone interpretarlo como una defensa del derecho natural de los inmigrantes peninsulares a gobernar la Nueva España. Además de ofrecer una actualizada y documentada biografía de Balbuena que nos recuerda sus lazos con la península ibérica, el libroreconstruye las olvidadas tradiciones retórica, científica, geopolítica y económica que articulan Grandeza mexicana. Gracias a ello, la obra presenta este elogio de la capital virreinal como un posicionamiento político en favorde peninsulares como el propio Balbuena, supuestos poseedores de las virtudes morales e intelectuales necesarias para gobernar espiritual y temporalmente el virreinato novohispano, y en desmedro de los moralmente deficientes criollos y los salvajes indígenas. El imperio de la virtud nos invita a reconsiderar el lugar que Balbuena y Grandeza mexicana ocupan en el acervo cultural mexicano.
Jorge L. Terukina Yamauchi es docente e investigador de Estudios Hispánicos en el College of William and Mary.
Against the normative proto-Mexican and criollista reading of Grandeza mexicana (1604), El imperio de la virtud positions Bernardo de Balbuena's work in an Atlantic context and hence interprets it as a political assertion of the natural right of peninsular émigrés to rule New Spain. The book offers an updated biography of Balbuena that reminds us of his ties tothe Iberian Peninsula, and traces the pre-modern rhetorical, scientific, geopolitical, and economic paradigms upon which Grandeza mexicana is designed. Thus, the work analyzes Balbuena's encomium of Mexico City as a political prise de position in favor of peninsular émigrés like Balbuena himself, who are allegedly endowed with the moral and intellectual virtues needed to direct the spiritual and temporal life of the viceroyalty, and against the morally deficient criollos and the barbaric Indians. El imperio de la virtud invites us to reassess the role that Balbuena and Grandeza mexicana play in the cultural history of present-day Mexico.
Jorge L. Terukina Yamauchi is Assistant Professor in Hispanic Studies at the College of William and Mary.
Michigan German in Frankenmuth
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A phonological, grammatical, and lexical description of a German-American dialect, Michigan Frankenmuth.
Professor Born's book provides a phonological, grammatical, and lexical description of a German-American dialect that has never before been studied. It compares the Michigan Frankenmuth dialect with its parent dialect in central Franconia. The town of Frankenmuth was established in 1845 by an unusually homogeneous group of orthodox Lutherans bent on remaining separate from the American mainstream. The settlement history was therefore a significantfactor in postponing the shift to American English in Frankenmuth until the middle of this century. This study will be of interest to scholars and students of dialectology, contrastive dialectology, and sociolinguistics.
Portiforium of St Wulstan I
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Cambridge, Corpus Christi College 391, a Worcester manuscript of the second half of the 11th century, is the earliest surviving example of a `primitive' breviary, that is, a book for the Office containing calendar, psalter, canticles, litany, hymnal, collectar (full lists of incipits of antiphons and hymns) and private prayers; the manuscript quite possibly belonged to Wulstan II, bishop of Worcester 1062-95. Vol. II includes the private prayers (some of which are in Old English), and contains a brief introduction and full indices.
Language and the History of Thought
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17 essays discussing the role of language in the history of western thought.
Since Adam before the Fall named the animals by true insight into their essences, language has never ceased to be the pivot of efforts to understand human nature and our capacity to feel at home in the twin worlds of nature and society. This volume brings together seventeen essays that have appeared in the Journal of the History of Ideasover the last thirty years. Their common theme is the role of language in aspects of the history of western thought from the Renaissance to the nineteenth century. The essays cover questions in epistemology, religion, anthropology, lexicography, evolution, the theory of signs, and the origin of language.
Contributors: FRANK L. BORCHARDT, MARGRETA DE GRAZIA, SIDONIE CLAUSS, JAN MIEL, THOMAS C.SINGER, VICTOR ANTHONY RUDOWSKI, JULES PAUL SEIGEL, JAMES McLAVERTY, J.R. KNOWLSON, STEPHEN K. LAND, LIA FORMIGARI, H.J. JACKSON, W. JAY REEDY, V.P. BYNACK, CYMBRE QUINCYRAUB, MICHAEL SPRINKER, S. MORRIS ENGEL.
Wunderkind
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A detailed critical history of McCullers's reputation and the social crosscurrents that shaped it.
The critical reception of Carson McCullers, author of The Heart Is aLonely Hunter, The Member of the Wedding, and The Ballad of theSad Café has reflected the prevailing cultural preoccupations of thefive decades since the publication of her first novel in 1940. Jamesdistinguishes between pre and post-war criticism and furtheridentifies other critical approaches - that of New Criticism which sawher work as working in the shadow of Faulkner; the response to thepsychological and social rhythms of her fiction; and the recognition ofthe interplay of gender, race, and class in her life, and her texts.
English Saints in the Medieval Liturgies of Scandinavian Churches
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Evidence of the spread of the cults of English saints in medieval Scandinavia is revealed by detailed detective work in fragmentary manuscripts.
The process of Christianising the Scandinavian countries in the tenth to the thirteenth centuries was spearheaded in the earliest phases by missionaries from Anglo-Saxon England. It is likely that such missionaries took with themthe books that would have been essential for church services - Bibles, Gospel-books, Psalters, Breviaries - along with saints' relics, thus introducing the cults of the saints venerated at the time in England. A remarkable quantity of mainly fragmentary manuscripts have survived from this activity and from Scandinavia manuscripts produced in imitation of the imports. Almost all of them were gathered together at the Reformation as redundant and used mainlyto provide covers and bindings for provincial accounts from the sixteenth and seventeenth centuries; they are preserved largely in the National Archives in Copenhagen, Helsinki, Oslo and Stockholm. Materials for some seventy-fourEnglish saints are recorded in this volume, giving an idea of the extent of their presence in the liturgies of medieval Scandinavia. They include all occurrences of the saints in surviving liturgical calendars, martyrologies, missals, breviaries, etc; where the texts are not otherwise attested, they are reproduced in full. It will be an essential point of reference for all scholars working on the English saints and on the spread of Christianity in the middle ages.
Distinguished Outsider
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A study of the shifts of critical opinion on Musil, with special reference to The Man Without Qualities.
Austrian writer Robert Musil (1880-1942) ranks with Proust, Joyce, Kafka and Thomas Mann as a master of the modern prose narrative; his works encompass a wide range of theoretical and aesthetic impulses, ranging from Nietzsche toMach, from Gestalt theory to Freudian psychoanalysis. This volume traces the scholarly reception of Musil's works, marked by discontinuities and abrupt shifts of perception. At the beginning of his career, Musil was stereotyped asan author primarily interested in morally questionable 'psychological' issues, before being plunged into near oblivion by his exile, forced by National Socialism. After the Second World War he was 'rediscovered', but the development of Musil studies was severely hampered by the inability to determine an authoritative edition of his unfinished masterpiece, Der Mann ohne Eigenschaften (The Man without Qualities), 1930-43. Professor Rogowski shows howsuccessive generations of scholars have appropriated Musil for their own ends, constructing a bewildering and often contradictory array of images of the author according to their own ideological and methodological biases, and howthis multitude of different perspectives corresponds with changes in German studies and historical developments over the past four decades. In so doing, he sheds new light on Musil's paradoxical status as, in the words of Frank Kermode, 'the least read of the great twentieth-century novelists'. CHRISTIAN ROGOWSKI is assistant professor of German at Amherst College.
Nation, Culture and Class in Argentine Cinema
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An unprecedented close textual analysis of numerous films within their contemporary cultural context.
This book engages with representations of social crisis in Argentine fictional cinema between 1998 and 2005, a period when Argentina experienced a deep economic crisis that brought about significant changes in politics, culture, society and the arts. It focuses on the ways in which cinema interpreted and represented both contemporary and long-established issues within national and social discourse, while re-assessing notions of national identity, culture and class. Despite a growing body of scholarship on Argentine film published in English over the past few years, the role of more conventional films aimed at the public at large remains underexplored. By combining close textual analysis of films with the study of their cultural context, this book argues that fictional cinema at large addressed predominantly middle-class audiences, offering both reflective and divergent views on social reality that enriched the cultural arena in which Argentineans could reflect on their past, their daily life, and their relationship with the other. In this sense cinema helped Argentine people to learn to live in democracy.
Essays on Political Philosophy
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Twenty-three influential essays on political philosophy,culled from the published riches of the JHIover the past half-century.
The best political theory pieces from the Journal including contributions by SHLOMO AVINERI, LEWIS WHITE BECK, ISAIAH BERLIN,ERNST CASSIRER, JOHN DEWEY, A.O. LOVEJOY, C.B. MACPHERSON, JUDITHSHKLAR, JEAN STAROBINSKI, and LEOSTRAUSS are here presented with a substantial editor's Introduction. They cover the whole of Western political and moral philosophy from the pre-Socraticsto Nietzsche and Freud; the thought of the Enlightenment receives particularly thorough coverage.
Robert Bly
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An analysis of critical comment on Bly, American poet, critic, translator and political activist.
Robert Bly has become one of the moving and motivating forces in contemporary culture, both in America and abroad. He has been active as poet, literary critic, translator, political activist, and media guru. His translations havebeen instrumental in introducing the work of Pablo Neruda, César Vallejo, Federico Garcia Lorca, Cunnar Ekelöf, Kabir, Juan Ramón Jimémez, Antonio Machado, Rainer Maria Rilke and others to an English-speaking audience. Robert Bly: The Poet and His Critics is the first detailed analytical analysis of the extensive critical commentary devoted to Bly, and also the first book to account for Bly's best-selling men's group book, Iron John: A Book About Men (1990). It offers a systematic chronological treatment of the reception of Bly's work during the past thirty years, and analyses the various critical methodologies that critics have applied to Bly's work during thecourse of his long and varied career.
English Benedictine Kalendars After A. D. 1100
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Fathers and Daughters
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A study of the evolution of the sub-genre of seduction and tragedy through three centuries of German drama.
Stressing the verbal nature of seduction, with its roots in the unkept promise and the seduction discourse, the author reveals the core of the seduction interaction in the destruction of the father-daughter relationship. Once found sexually alluring by a man not of her father's choosing, the fate of the daughter is sealed. The only way she can demonstrate her virginal purity, to her father, her society, and herself, is by sacrifice and death. In chapters dealing with Andreas Gryphius's Catharina von Georgien, Lessing's Miss Sara Sampson and Emilia Galotti, and Hebbel's Maria Magdalena, the author uncovers the archetypal patterns that always inform the dramatic conception of the daughter's seduction. Walsoe-Engel's analysis of Emilia Galotti is especially provocative, as she reveals the source of the much disputed inconsistency and ambiguity in the character of the title-figure. She provides a surprising answer to the age-old questions: 'Does Emilia love the Prince?' and 'Has Emilia been seduced?'
A Companion to Miguel de Unamuno
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Surveys the thought and literary work of a towering figure in twentieth-century Spanish cultural and political life.
As a novelist, dramatist, essayist, poet and public intellectual, Miguel de Unamuno (1864-1936) was a strikingly energetic and prolific writer, and a towering figure in twentieth-century Spanish cultural and political life. His work explored fundamental questions about existence and identity (both individual and national).Widely recognised and translated during his lifetime, he was an inescapably canonical figure on university syllabi across Europe and the Americas for many years after his death, and still appears on many curricula. In this Companion, a range of distinguished scholars with very different approaches both survey Unamuno's work chronologically, analysing major developments and turning points or breaks as well as continuities, and further study key themes and preoccupations across his prolific narrative, theatrical and essay output. All contributors offer not just incisive discussion of the texts or topics studied, but also a balanced overview of issues and debates arising in Unamuno studies.
Julia Biggane is senior lecturer in Hispanic Studies at the University of Aberdeen. She is a general editor of theBulletin of Spanish Studies, and director of the Sir Herbert Grierson Centre for Textual Criticism and Comparative Literary History at the University of Aberdeen.
John Macklin was Professor of Hispanic Studies and Head of the School of Modern Languages and Cultures at the University of Glasgow. In 1994, he was made a Commander of the Order of Isabel la Católica by King Juan Carlos of Spain.
The Ordinale and Customary of the Benedictine Nuns of Barking Abbey I
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Path for Freedom The Liberal Project of the Swabian School in Württemberg, 1806-1848
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Describes the activities of writers working for liberalism in 19th-century Württemberg.
A Path for Freedom describes a little understood activity of poets and writers of Württemberg in the first half of the nineteenth century. These writers, the majority of whom are consigned by historians to the 'Biedermeier'or conservative camp, were in fact engaged in what is here called the liberal project, using their writing to further the cause of constitutional liberalism. Poets like Uhland and Kerner, and lesser known journalists suchas Friedrich List and Rudolf Lohbauer, were engaged in working within the system to further the liberal cause; nonetheless, many of them served terms in prison for their actions. Professor Doerksen's book follows such figures beyond the pages of literary history to observe the Württemberg writers in their political roles and as literary combatants. This cross-disciplinary study will be of interest not only to Germanists but also to historians of social thought and German political movements of the nineteenth century.
The Psalter and Martyrology of Ricemarch
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Eichendorff's Scholarly Reception
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A survey of criticism of the 19th-century German writer Joseph von Eichendorff (1788-1857)
Until the 1950s most critics tended to treat Eichendorff as a kind of light-hearted raconteur who spun tales of warmth and action having little aesthetic or philosophical depth. Critics who read his works more closely then began to view him as a thinker whose works concealed, behind seemingly simpler constructs, profound insights into the human condition. Marxist critics were especially drawn to Memoirs of a Good-for-Nothing, finding in that ostensibly frivolous novella a romantic critique of capitalism. This work, the first thorough survey of Eichendorff criticism in any language, and written for the general reader of literature as well as the specialist, is a mustfor college and university libraries.
English Benedictine Kalendars After A.D. 1100
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Lucas Fernández: Farsas y églogas
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La edición que aquí se presenta se basa en el estudio cuidadoso de los dos únicos ejemplares que quedan del impreso de 1514. Va acompañada de una introducción novedosa, de numerosas notas a pie de página, imprescindibles hoyla comprensión del texto, de un importante glosario y de una bibliografía al día.
This edition is based on a careful comparison of the two only surviving texts of the 1514 printed edition.
Lucas Fernández (1474-1542) fue músico, dramaturgo y poeta. De sus obras solo quedan las Farsas y églogas que se publicaron en 1514 en Salamanca. La edición que aquí se presenta no pretende ofrecer lo que pudo ser el manuscrito original y se basa en el estudio cuidadoso de los dos únicos ejemplares que quedan del impreso de 1514. Va acompañada de una introducción novedosa, de numerosas notas a pie de página, imprescindibles hoy para la comprensión del texto, de un importante glosario y de una bibliografía al día.
Françoise Maurizi es profesora en la Universidad de Caen, Francia.
Lucas Fernandez was a musician, playwright and poet. His only survivingworks are the Farsas y églogas , which were published in Salamanca in 1514. This edition, rather than attempting to reconstruct an original manuscript, is based on a careful comparison of the two sole surviving texts of the1514 printed edition. It is accompanied by an introduction, full and informative footnotes to the text, a glossary, and bibliography.
Françoise Maurizi is a professor of Spanish at the Université de Caen, France.
The German Novella
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Overview of the critical history of the German novella.
Originating with Boccaccio during the Italian Renaissance, the novella, a cyclical collection of frame stories in prose, quickly inspired many imitations in Italy, France, Spain and Great Britain. However, it was not widely used in Germany until the end of the eighteenth century, when, inspired by Goethe, the genre retained the original medium but abandoned the cyclical format; it rapidly grew in popularity, dominating the nineteenth century literary scene, and became the object of much artistic speculation. The orthodox theory of the novella has sharply divided the critical establishment; defended in modern times by some scholars,it has been sharply attacked by others. The German Novella: Two Centuries of Criticism is the only work in English or German that illuminates the main currents of theory formation, evaluation, and revaluation from its inception with Wieland to the present, tracing a path through the huge amount of critical material devoted to the novella.
Saints in English Kalendars before AD 1100
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Edition of Anglo-Saxon kalendars reveals much about the history of the period.
The surviving Anglo-Saxon Kalendars are not only valuable evidence for the cults of particular saints; they also help to date and localise the manuscripts in which they are found, providing important information for the palaeographer and cultural historian. This volume collates the texts of twenty-seven such kalendars, written or owned in England before 1100, into monthly tables to allow easy comparison of which saints are included and to give a sense of how rare a particular feast was. It also has an introduction to the use of kalendars in the study of Anglo-Saxon England, and a discussion and bibliography of each kalendar manuscript. An index of names allows easy discovery of variant feast days for the same saint.
Dr REBECCA RUSHFORTH is Research Associate in the Department of Anglo-Saxon, Norse, and Celtic, University of Cambridge.
Outbelieving Existence
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Surveys the scholarship and criticism surrounding Dickey's work, detailing the poet's intent as well as the critical reception.
In their analysis of James Dickey's work, critics have often assumed too narrow a focus, concerning themselves with a reputation as a man larger than life, who hunts rattlesnakes with a blowgun and who shoots white-water rapids.Such critics do not see the forest at all; they mistake the tree for the forest. In the more than thirty years since Dickey's first volume of poetry appeared, he has endeavoured to push himself and language into new realms. What he has said, and how he has said it, have evolved; it is what Dickey terms the "motion" of his poetry. And it has generated both solid scholarship and superficial criticism. Van Ness' study surveys the scholarship and criticism surrounding Dickey's work in a chronological and methodological manner. Its intent is to synthesise and assess and to suggest areas where further study remains. As it measures the motion, Outbelieving Existence details Dickey's intent as well as the critical reception. No other book has done this.
Cuerpos plegables
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Este libro trata de la atracción de los "Siglos de Oro" por cierta doble configuración de lo monstruoso.
This is a book about the obsession of the Spanish Golden Age with the monstrous, and more specifically with the monstrous as structured into a dual image.
Este libro explora la atracción de los "Siglos de oro" por lo monstruoso. Varios trabajos recientes ya han arrojado luz sobre la abundante representación de cuerpos excesivos que afloran en los siglos XVI y XVII y que parecen, acaso, reflejar el lenguaje inflado y deformado a través del cual son descritos en la literatura de la época. Sin obviar sus logros, el libro intenta ir más allá para mostrar que lo más sorprendente de la monstruosidad en este periodo no es la manera en que representa un exceso barroco, sino la forma en que el exceso mismo está estructurado en una imagen dual. Muchos de estos "monstruos" (hermafroditas, bicéfalos o licántropos) ostentan un diseño geminado que permanece, de hecho, inexplicado. ¿Qué explica tal anomalía? ¿Cómo contribuirá esta excepción a modelar la imagen misma de lo normal? ¿Qué tiene que ver con la configuración del nuevo cuerpo políticones sociales iban a ser imaginadas, a partir de entonces, en el mundo occidental?
Víctor M. Pueyo es profesor titular en el Departamento de Español y Portugués de Temple University.
This is a book about theobsession of the Spanish "Golden Age" with the monstrous. Recent research has begun to cast light upon the abundant representation of excessive bodies that mirrors the swelled and deformed language through which they are depictedin early modern literature. Without disregarding its representational approach, the book goes beyond this body of research by arguing that the most surprising element about monstrosity in the sixteenth and seventeenth centuries is not the way it represents Baroque excess, but the way excess itself is structured into a dual image. Most of these "monsters" (hermaphrodites, lycanthropes, two-headed creatures) have a geminated form that remains, indeed, largely unaccounted. What explains such an anomaly? How will it shape the rule? What does it have to do with the configuration of the new body politic through which social relations were going to be imagined in the Western World?
Víctor Pueyo is associate professor in the Department of Spanish and Portuguese at Temple University.
The Monastic Breviary of Hyde Abbey, Winchester
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The Critical Fortunes of a Romantic Novel
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Critical history of classic 19th-century German Romantic novel.
Since its posthumous publication in 1892, German, French, British and American critics have regarded the novel Heinrich von Ofterdingen by Friedrich von Hardenberg (Novalis) as the epitome of German Romanticism. A criticalhistory of Heinrich von Ofterdingen thus provides an exemplary opportunity to analyze changing patterns of German and international literary criticism over the past two hundred years, particularly with respect to the changing definitions of Romanticism. Critical response to the Klingsohr tale in the novel is a constant point of reference in this study, providing a record of successive approaches to the work.
The Durham Collectar
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A translation and study of Durham Cathedral Library MS A. IV. 19, a book of collects for the Divine Office, a part of the service-books of monk or priest in Anglo-Saxon England.
Few liturgical historians are aware that a book of collects for theDivine Office formed part of the service-books owned by a monk orpriest in Anglo-Saxon England. The Durham Collectar, misnamed the`Durham Ritual'and tentatively dated to the tenth century, is the earliest collectar to have survived in England. Where did it come from,and how was it used? To answer the first, a new edition of the Latintext is presented in this volume, with extensive collationtablesshowing at a glance the most influential liturgical sources. In theintroduction, the function of the collectar is discussed.
The St. Gall Tractate
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New edition of 10th-century German manuscript occupying an important place in the history and development of syntax.
The St Gall Tractate is the earliest medieval attempt at a comprehensive treatment of syntax. Dating from the tenth century and originating in the Swiss St Gall monastic school, the Tractate instructs readers in the art of analysing the construction of Latin texts. While its aim, the comprehensible oral delivery of Latin sentences, is purely practical, the Tractate also develops a penetrating analysis of language, anticipating by a full two centuries the exploration of syntax by the modistic grammarians. Its anonymous author demonstrates an encyclopedic knowledge of late classical, patristic and early medieval school texts; the topics addressed cover the entire scope of the liberal arts. This volume replaces the nineteenth-century edition by Paul Piper, and presents the Latin text from the Zurich, Zentralbibliothek C98 manuscript (not used by Piper) with English translation (by David Porter) on the facing page. A full set of textual and explanatory notes by both editors, and a scholarly introduction by Anna Grotans, setting the text in its cultural and intellectual context, complete the volume.
Spanish Golden Age Poetry in Motion
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The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics.
Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento enla poesía española del siglo de oro
The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics, without limiting the dialectic of stasis and movement to any single sphere or manifestation. Interrogation of the interdependence of tradition and innovation, poetry, power and politics, shifting signifiers, the intersection of topography and deviant temporalities, the movement between the secular and the sacred, tensions between centres and peripheries, issues of manuscript circulation and reception, poetic calls and echoes across continents and centuries, and between creative writing and reading subjects, all demonstrate that Helgerson's central notion of conspicuous movement is relevant beyond early sixteenth-century secular poetics, By opening it up we approximate a better understanding of poetry's flexible spatio-temporal co-ordinates in a period of extraordinary historical circumstances and conterminous radical cultural transformation. Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento en la poesía española del siglo de oro, sin limitar la dialéctica de la estasis y movimiento a una sola esfera o manifestación única. Entre los multiples enfoques cabe destacar: el cuestionamiento de la interdependencia de la tradición e inovación, de la poesía, del poder y la política, de los sigantes que se transforman, de los espacios que conectan y cruzan con los tiempos 'desviados'; análisis de las tensiones entre lo sagrado y lo secular, del conflicto centro-periferia y del complejo sistema de producción, circulacióny recepción de los manuscritos; el diálogo con el eco poético a través de los siglos y de los continentes y la construcción creativa del sujeto escritor y/o lector. Al abrir la noción central de Helgerson del "movimiento cono" más allá de la poesía nueva secular, este libro propone un entendimiento más completo de las coordinadas espacio-temporales de la poesía en un periodo de circunstancias históricas extrao
Jean Andrews is Associate Pssor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham. Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University, Belfast. Contributors: Jean Andrews,Dana Bultman, Noelia Cirnigliaro, Marsha Collins, Trevor J. Dadson, Aurora Egido, Verónica Grossi, Anne Holloway, Mark J. Mascia,Terence O'Reilly, Carmen Peraita, Amanda Powell, Colin Thompson, Isabel Torres
Interpreting Goethe's Faust Today
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This collection of essays on Goethe's Faust by prominent American and German scholars explores the work's significance in the context of recent historical, political, and scholarly developments and points to new directionsfor research. Topics include translation (into Indo-European languages), Faust's relationship to Mephistopheles, Faust and the feminine, sexual imagery, gothic allusions, musical representations of Faust, political and moral implications, Faust in the contemporary theatre, devils in German literature, Faust in the continuing debate over modern and postmodern, Goethe's stylistic use of complementary points of view, and his use of myth.
The Customary of the Cathedral Priory Church of Norwich
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Journey to St Patrick’s Purgatory
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In autumn 1397, Viscount Ramon de Perellós left the papal palace in Avignon to travel to St Patrick's Purgatory, famous throughout Europe as a gateway to the next world. There, he spent twenty-four hours in an underground cavern, where he claimed to have travelled through the nine fields of Purgatory, accompanied by demons, before entering the Earthly Paradise and catching a glimpse of Heaven.
In autumn 1397, Viscount Ramon de Perellós, a Catalan nobleman, soldier and diplomat, left the papal palace in Avignon to travel to St Patrick's Purgatory in Donegal, in the northwest of Ireland. St Patrick's Purgatory, an underground cavern on Station Island in Lough Derg, was famous throughout Europe as a gateway to the next world, and the Viscount wanted to ascertain if the soul of his recently deceased friend and master, King John I of Aragon, was, if not in Heaven, then at least in Purgatory. Ramon spent twenty-four hours in the cavern, where he claimed to have travelled through the nine fields of Purgatory, accompanied by demons, before entering the Earthly Paradise and catching a glimpse of Heaven.
This book provides a richly annotated translation of Ramon's account of his journeys, both earthly and spiritual. An extensive introduction sets his Viatge al Purgatori in context, examining Ramon's life, the factors that motivated the trip, the history of St Patrick's Purgatory, the literary influences on the account, its historicity, its afterlife and its textual history. The Viatge notably provides important first-hand observations on Gaelic society and customs, by a cosmopolitan traveller with a keen eye for detail, and went on indirectly to inspire Lope de Vega's El mayor prodigio o El purgatorio en vida, and Calderón de la Barca's (1600-1681) El purgatorio de San Patricio. Part travelogue, part vision literature, with aspects of hagiography, homily, autobiography, chivalric romance and anthropological essay, the text is a fascinating and entertaining window into a medieval Catalan nobleman's world view.
The Shifting Fortunes of Wilhelm Raabe
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Chronicles the most important scholarly criticism of the 19th-century German writer Wilhelm Raabe, from his day to the present.
Wilhem Raabe (1831-1910), the most gifted German novelist between Goethe and Fontane, was a kind of German Victorian writer, a counterpart to Dickens and Thackeray, by whom he was profoundly influenced. The reassessment and upgrading of his literary achievement has been one of the liveliest topics of German literary scholarship - much influenced by British and American contributions - of the last thirty years. This process has involved a rescue from a cult of idolatry that grew up around his death and evolved into a Nazi allegiance that for a time sank his reputation.
A Companion to Galician Culture
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The first in-depth yet accessible introduction to Galician history and culture for both lay and specialized readers.
Of all the differentiated regions comprising contemporary Spain, Galicia is possibly the most deeply marked by political, economic and cultural inequities throughout the centuries. Possibly due to the absence of a nationally awarelocal bourgeoisie and the enduringly colonial structures informing Spanish-Galician economic and cultural relations, processes of national construction in the region have been patchily successful. However, Galicia's cultural distinctness is easily recognisable to the observer, from the language spoken in the region---the contemporary variant of old Galician-Portuguese---to the specific forms of the Galician built landscape, with its unique mixture of indigenous, imported and hybrid elements. The present volume offers English-language readers an in-depth introduction to the integral aspects of Galician cultural history, from pre-historical times to the present day. Whilst attention is given to the traditional areas of medieval culture, language, contemporary history and politics, the book also privileges compelling contemporary perspectives on cinema, architecture, the city of Santiago de Compostela and the urban qualities of Galician culture today.
Helena Miguélez-Carballeira is a Senior Lecturer in Hispanic Studies at Bangor University, and Director of the Centre for Galician Studies in Wales.
Anais Nin and Her Critics
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An assessment of the critical response to Anaïs Nin over the past 60 years.
Once considered merely a coterie writer and literary adventuress, Anaïs Nin slowly found both critical acclaim and a world-wide audience. But in the sixty years since her writings began to appear, no systematic overview of the critical response to her work has been available until now. Professor Jason defines the issues in Nin criticism, traces the historical contours of that criticism, and assesses the major critical statements. In this succinct yet admirably thorough study Jason has provided future students and scholars with a reliable guide to the quite varied responses Nin's works have provoked.
The Leofric Collectar
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Politics and the Political Imagination in Later Stuart Britain
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New essays focussing on the problems of politics, women, and print culture in seventeenth-century Britain.
This collection of essays, presented as a tribute to the career of Lois Green Schowerer, the highly-esteemed scholar of early modern British history, explores the several topics which have been central to her interests: politics,political thought, and the role of women in later Stuart Britain. Through two related sections, on the politics of violence and revolutions, and on the play of political imagination, American and British scholars address ProfessorSchowerer's pioneering brief for the role of radicalism in the three decades spanning the Restoriation and the Revolution: Professor Schwoerer offers her own view and summary of that "wicked and turbulent" era in response. Throughout, the articles are ultimately concerned with the underlying issue of sovereignty, coming to terms with the contradictions and continuing tensions between a desire for monarchichal stability and the fear of an emerging absolutism an issue not unique to the Restoration era. Whether looking back to the early career of Thomas Hobbes, the antecedents of patriarchalism and ancient constitutionalism, or the trial and execution of Charles I, they see the Restoration and Revolution in the broader context of the whole seventeenth century.
Professor HOWARD NENNER teaches in the Department of History, Smith College.
Contributors: Mark Goldie, Janelle Greenberg, Tim Harris, Howard Nenner, Linda Levy Peck, J.G.A. Pocock, Gordon Schochet, Hilda L. Smith, Steven Zwicker, Melinda Zook, Lois Green Schwoerer.
Decolonising the Museum
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Explores the scope that there is for Indigenous curatorial agency in the relationship of Indigenous contemporary art with the 'art world'.
This monograph focuses on the current boom in Indigenous contemporary art in Brazil, exploring in particular the way that this work interfaces with the art world through exhibitions, and the scope that there is for Indigenous curatorial agency in this relationship. After a brief introduction to Indigenous art, it gives an overview of the evolving relationship between Indigenous art and the art world, exploring in particular the nature of decolonial and/or Indigenous curatorial practice both in Brazil and elsewhere in the world. It then hones in on a recent exhibition: 'Arte Eletrônica Indígena' [Indigenous Electronic Art], held at the Museum of Modern Art of Bahia in Salvador in August 2018. Based on participant observation and interviews, it provides an ethnographic reading of the opening weekend of the exhibition, looking at the alternative modalities of Indigenous curatorial agency that were exercised by the Indigenous people present. The conclusion explores the legacy of the 'Arte Eletrônica Indígena' exhibition, particularly for the Indigenous communities involved, and looks to the evidence provided by the exhibition for lessons to be learned for future exhibitions.
Pontificale Lanaletense
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Music and Musicians in the Escorial Liturgy under the Habsburgs, 1563-1700
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The performance and composition of liturgical music at El Escorial re-examined.
Philip II of Spain founded the great Spanish monastery and royal palace of El Escorial in 1563, promoting within it a musical foundation whose dual function as royal chapel and monastery in the service of a Counter Reformation monarch was unique; this volume explores the performance and composition of liturgical music there from its beginnings to the death of Charles II in 1700. It traces the ways in which music styles and practices responded to the the changing functions of the institution, challenging notions about Spanish musical patronage, scrutinising musical manuscripts, uncovering the biographical details of hundreds of musicians, and examining musical practices.
Michael Noone is Professor of Musicology at the University of Hong Kong.
Mosén Diego de Valera
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Este libro reúne las últimas investigaciones de los máximos especialistas en este importante autor del siglo XV castellano que cultivó todos los géneros literarios. Contains the latest research by the most important scholars of the Castilian author Mosén Diego de Valera.
Esta obra colectiva reúne las últimas investigaciones de los máximos especialistas en este importante autor del siglo XV castellano que cultivó todos los géneros literarios.
En este volumen monográfico Guido Cappelli escribe sobre Valera y el Humanismo; Federica Accorsi analiza la relación de Valera con los judíos conversos; Florence Serrano estudia la presencia de Diego de Valera en Borgoña y en su literatura; Gonzalo Pontón se centra en las cartas escritas por Diego de Valera; Jesús Rodríguez Velasco analiza a Diego de Valera como artista microliterario; Cristina Moya analiza la influencia de la crónica Valeriana entre 1482 y 1567; Fernando Gómez Redondo explica las palabras que Juan de Valdés dedica a Valera en su Diálogo de la lengua; José Julio Martín Romero analiza la influencia de Diego de Valera en el Nobiliario Vero de Hernán Mexía y, finalmente, Juan Luis Carriazo Rubio prueba que mosén Diego de Valera no escribió el Origen de la Casa de Guzmán.
Cristina Moya García es profesora en la Universidad de Córdoba.
This collection contains the latest research by the most important scholars of this fifteenth century Castilian author who cultivated all literary genres. Guido Cappelli writes about Valera and Humanism; Federica Accorsi analyzes the relationship between Valera and the converted Jews; Florence Serrano studies the presence of Diego de Valera in Burgundy and in its literature; Gonzalo Pontón focuses on the letters written by Diego de Valera; Jesús Rodríguez-Velasco studies Diego de Valera as micro-literary artist; Cristina Moya examines the influence of the Valeriana between 1482 and 1567; Fernando Gómez Redondo explains the words dedicated to Diego de Valera by Juan de Valdés (Diálogo de la lengua); José Julio Martín Romero discusses the influence of Diego de Valera in Nobiliario Vero of Hernan Mexía; and, finally Juan Luis Carriazo Rubio proves that Mosén Diego de Valera did not write the Origen de la Casa de Guzmán.
Cristina Moya García is a profesora at the Universidad de Córdoba.
Contributors: Federica Accorsi, Guido Cappeli, Juan Luis Carriazo Rubio, Fernando Gómez Redondo, José Julio Martín Romero, Cristina Moya García, Gonzalo Pontón, Jesús Rodríguez Velasco, Florence Serrano
Fashion, Gender and Agency in Latin American and Spanish Literature
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In the last two decades, the glorification of sewing - whether involving needlework, tailoring, or fashion design - has thrived in Latin American and Iberian cultural works, particularly literature.
In the last two decades, the glorification of sewing - whether involving needlework, tailoring, or fashion design - has thrived in Latin American and Iberian cultural works, particularly literature. While fast fashion has relegated the handicraft to maquiladoras in the Global South, Spanish and Latin American authors have created protagonists whose skill with needle and thread allows them to break out of culturally confining roles and spaces. In this fictional realm, seamstresses and tailors enter exciting adventures as spies, peacemakers, or explorers, all facilitated by their artistry and expertise. This book examines the depiction of women and the textile arts in contemporary Hispanic and Brazilian literature. Employing space and gender theories, the book explores how sewing, traditionally viewed as respectable only if practiced at home, gives agency and encourages self-reflection and mobility,allowing protagonists to transgress physical and socially prescribed limits. Texts analyzed include María Dueñas's El tiempo entre costuras (2009), César Aira's La costurera y el viento (1994), Pedro Lemebel's Tengo miedo torero (2001), Frances Ponte de Peebles's The Seamstress (2009), and children's literature. Encouraging readers to look behind garments to the agents of production, the book shows how contemporary authors, through their celebrations of an age-old skill, help to renew interest in sewing, tailoring, upcycling, and embroidery.
German Socialist Literature 1860-1914 Predicaments of Criticism
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First introduction in English to the literary life of German socialism around the turn of the century.
The reception of early socialist literature in Germany departs radically from the principles of traditional literary criticism. As the author shows, there is no consensus about the characteristics of socialist literature, and no canon of recognized texts: both during the period 1860-1914, and in later decades, the literary texts written in and for the socialist movement were judged by the extent to which they assisted the work of the movement or by the political correctness of their content. Changes in the body of texts discussed and shifts in the patterns of criticism directly reflect changes in the ideology of the Social-Democratic movement, or in the political agendas of later critics. In this pioneering book, Schulz discusses the development of the socialist movement and its political philosophy before proceeding to its cultural theory and practice and the role literature played in both, bringing out the strong links between the criticism itself and the ideological discourse of German socialism and its critics.
Facsimiles of Horae de Beata Maria Virgine
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Philosophy and the Darwinian Legacy
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Has exclusion of Darwin's views on evolution distorted 20c philosophy? Cunningham suggests a reappraisal.
Two of the dominant traditions in twentieth-century philosophy, analytic philosophy (founded by G.E. Moore and Bertrand Russell) and phenomenology (founded by Edmund Husserl), explicitly excluded Charles Darwin's account of evolution, not because they saw it as mistaken, but because they saw it as irrelevant. These two traditions set the stage for a great deal of subsequent philosophy, and Professor Cunningham argues that the non-Darwinian framework they constructed continues to constrain significant portions of the field, in particular theories of perception and mind. In tracing the major reasons for this exclusion of Darwin and evolutionary considerations, and the consequencesfor philosophy, Professor Cunningham criticises purely cognitivist theories of perception and Machine Functionalist theories of mind, and offers proposals on how these theories should be amended to take account of the adaptive role that perception and mind play on behalf of a living organism's struggle for survival and well-being. SUZANNE CUNNINGHAMis Associate Professor of Philosophy at Loyola University, Chicago.
Eça de Queirós and the Victorian Press
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Focusses on the years that Eça de Queirós lived in Paris and shows how the periodicals he conceived and edited were modeled on dozens of Victorian and American publications.
Eça de Queirós' work has primarily been studied within the context of French literature and culture. This book presents a different Eça. Focusing on the years that he lived in Paris, it demonstrates how the periodicals he himselfconceived and edited were modeled on dozens of Victorian ones such as the Contemporary Review, the Review of Reviews or the Idler, as well as on some American ones such as the Forum, the Arena, and the North American Review. This book shows us an Eça who is undeniably an Anglophile, an Eça long seduced by the diversity and originality of English thought, an Eça increasingly distant from the French cultural model which had marked his education.
Teresa Pinto Coelho is Full Professor and Chair in Anglo-Portuguese Studies at the Universidade Nova de Lisboa.
Love in the Poetry of Francisco de Aldana
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Places the warrior-poet Aldana in the appropriate poetic and philosophical context of the Spanish Golden Age and the European Renaissance.
This study explores the love lyric of one of the greatest, yet oft-neglected, warrior-poets of the Spanish Golden Age - Francisco de Aldana (1537-78). Hailed for his skill by Cervantes, Lope de Vega, Quevedo, and the Generation of27's Cernuda alike, Aldana's lyric is the unique result of his Florentine education and interactions with the Medici family as well as Benedetto Varchi's literary circle. Aldana died young, fighting in the Battle of Alcazaquivirin the service of Portugal's Sebastian I. His brother, Cosme, subsequently edited and published his poetry in three volumes between 1589-93. Perhaps the most alluring aspect of Aldana's poetry is his exploration of the natureof love via the reconciliation of seemingly opposing and discordant elements of physical love with the Neoplatonic spirituality more common to sixteenth-century poetry, especially as portrayed by the Petrarchan tradition. Throughclose examination of Aldana's lyric -religious, philosophical, pastoral, and mythological- this study reveals how Aldana exploits the gaps in Petrarchism, Neoplatonism, and contemporary poetic models to communicate his belief inthe importance of the physical in our search for those fleeting moments of transcendental bliss on the earthly plane.
Paul Joseph Lennon is Lecturer in Spanish and Comparative Literature at the University of St Andrews,UK.
Fin(s) de Siecle in Scandinavian Perspective
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Essays focusing on the artistic innovations of Scandinavian fin de siècles.
This collection of essays by eminent Scandinavists focusses on works and artistic movements prominent towards the ends of the last four centuries. The last decade of each century has seen amazing innovations in Scandinavian arts,especially in literature: the flowering of genres in national languages in the 1600s, the bawdy rococo voice of Carl Michael Bellman in the 1700s, the rise of Scandinavian drama with August Strindberg and Henrik Ibsen and the neoromanticism of the premodernistic novels of Hamsun. Each essay is a study from the unique perspective of one of the field's foremost European or American scholars and is inspired by the Renaissance interests of the Norwegian scholar Harlad S. Naess. The collection as a whole contributes to the creation of a modern, multilayered view of the beginnings and endings of the seventeenth-, eighteenth-, nineteenth- and twentieth-century worlds in Scandinavia and Scandinavian America.
The Calendar of St Willibrord
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The Poetic Debussy
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Texts and translation of all Debussy's songs with valuable notes.
This completely revised second edition of The Poetic Debussy contains the most recent discoveries in the composer's oeuvre, including a number of hitherto unknown songs. The texts of all Debussy's songs, both in the original French and with revised English translations on the facing page, are collected in chronological order, with notes and location of sources. In addition, Margaret Cobb has brought together a fascinating selection of Debussy's letters which have poetic refences, and has updated the notes on those twenty-six compositions based on or inspired by literary texts. This work will prove an invaluable aid to performers, scholars and students, as it contains the texts, with translations, of the full output of Debussy's songs, describes his works derived from literary sources, and includes important background material.
Contemporary Hispanic Cinema
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This collection of original essays focuses on the cross-currents and points of contact among Spain, Portugal and Latin America and their impact on the regions' film industries.
This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'Latinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere.
Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds
Early and Miscellaneous Letters of J.W.Goethe Including Letters to His Mother
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Comprehensive collection of the letters of the yound Goethe in English translation.
Goethe's letters, especially those of his youth, constitute one of the most significant documentations of the development of his artistic personality and Weltanschauung. The letters in this volume include many of the most important written in his lifetime. This 1884 edition of Goethe's letters also forms volume XII of Goethe's Works (1848-1890) in the Standard Library that the Bell publishing house took over and continued as part of the BohnLibraries. Since then the collection has not been duplicated in English: the Edinburgh Letters from Goethe (1957) contains for the pre-Weimar period only 66 letters rather than Bell's 313. The work is thus an indispensibleresource for all research libraries and comparative literature collections.
Narrativas del descalabro
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A comprehensive inquiry into the literary representation of the convulsive social and political changes introduced by the Bolivarian Revolution.
La novela venezolana del siglo XXI se ha erigido como un observatorio creativo de la inmediatez política. Las intervenciones críticas que recoge este libro revelan un amplio abanico de corrientes temáticas y estrategias estéticasa través de las cuales se articula el tratamiento ficcional de la crisis del proyecto revolucionario y su impacto social. A través de la lectura de novelas publicadas entre 2002 y 2015, la autora examina cómo el conflicto político ha permeado la actual narrativa venezolana para trazar los orígenes y consecuencias de una contemporaneidad turbulenta. Estos dispositivos creativos de resistencia desafían los discursos oficiales, al tiempo que denuncian los antecedentes y consecuencias de la fractura del orden institucional y contribuyen al balance histórico de uno de los periodos más convulsos de la nación.
Patricia Valladares-Ruiz es profesora asociada de literaturaslatinoamericanas y caribeñas en la Universidad de Cincinnati.
This book explores the intersections of cultural policies, social changes, political conflict, and fiction writing in modern-day Venezuela. The study as awhole consists of two interrelated sections. The first section provides an analysis of the relationship between the discursive goals of the Bolivarian cultural policies and how authors work within and respond to them. The secondsection introduces a series of case studies of a comprehensive corpus of novels published between 2002 and 2015. Narrativas del descalabro closes a gap in current Venezuelan literary studies by offering a comprehensive inquiry into the literary representation of the convulsive social and political changes introduced by the Bolivarian Revolution.
Patricia Valladares-Ruiz is Associate Professor of Latin American and Caribbean literatures at theUniversity of Cincinnati.
Bec Missal [The
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The MSS, from the abbey of Bec (Le Bec-Hellouin), written c. 1265-1272 is not strictly a missal, since it lacks an ordo missae and the canon, but in other respects it is close to a missale plenum in its contents, though it includes all the chants. It may have been a precentor's book, but equally well may have been designed for use of the altar. The plainchant melodies are not reproduced here. The English interest of Bec, home to Lanfranc and Anselm, archbishops of Canterbury, and with other strong cross-channel connections, is obvious.
Renaissance Essays
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Fifteen classic essays illuminate a broad cross-section of the intellectual history of the Renaissance.
The Journal of the History of Ideashas, over the years, published many important articles on the Renaissance; this selection provides a significant index of American scholarship in the field in the first twenty-five years of the journal's publication. Apart from the quality of the papers, the main criterion of selection has been their diversity. The editors aimed to present a broad cross-section of the intellectual history of the Renaissance, and have on the whole preferred comprehensive rather than monographic studies. The so-called problem of the Renaissance is represented by FERGUSON; the historical thought of the period by WEISINGER, BARON, and REYNOLDS; its social, moral and religious thought by ADAMS, RICE and TRINKAUS; humanism by GRAY; philsophy and science by CASSIRER, RANDALL and BOUWSMA; literature by TUVE; the visual artsby SCHAPIRO; and music by LOWINSKY. First published 1968.
Fernando Pessoa's Modernity without Frontiers
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Eighteen short essays by the most distinguished international scholars examine Pessoa's influences, his dialogues with other writers and artistic movements, and the responses his work has generated worldwide.
Portuguese writer Fernando Pessoa claimed that he did not evolve, but rather travelled. This book provides a state of the art panorama of Pessoa's literary travels, particularly in the English-speaking world. Its eighteen short, jargon-free essays were written by the most distinguished Pessoa scholars across the globe. They explore the influence on Pessoa's thinking of such writers as Whitman and Shakespeare, as well as his creative dialogues with figuresranging from decadent poets to the dark magician Aleister Crowley, and, finally, some of the ways in which he in turn has influenced others. They examine many different aspects of Pessoa's work, ranging from the poetry of the heteronyms to the haunting prose of The Book of Disquiet, from esoteric writings to personal letters, from reading notes to unpublished texts. Fernando Pessoa's Modernity Without Frontiers is a valuable introduction to this multifaceted modern master, intended for both students of modern literature and general readers interested in one of its major figures.
Nature's Hidden Terror
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Imaginatively explores violent images of nature as they appear in 18th-century literature.
'This is an intelligent, well-written, and well-edited book. It offers compelling insights and raises interesting questions.' Edward T. Larkin, MONATSHEFTE 'Interesting, imaginative, well-written...' CHOICE
Estetizar el exceso
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La primera monografía académica en ocuparse de la historia del icono cleopátrico en la cultura española.
The first thorough study of the history of the Cleopatra icon in Spanish culture.
Estetizar el exceso: Cleopatra en la cultura hispánica medieval y del Siglos de Oro A lo largo de cinco capítulos--cada no centrado en un género literario o forma artística esífica, desde la historiografía a la poesía, el teatro, la pintura o la tapicería--y adoptando una perspectiva interdisciplinar, Estetizar el exceso pone a dialogar el icono cleopátrico con algunos de los principales debatesculturales, sociales y políticos de la España medieval e imperial, usándolo como punto de partida para reflexionar, entre otras cosas, sobre el modo en el que la Historia fue entendida y escrita, las relaciones de género cuestionadas y redefinidas, el Otro, doméstico y extranjero, representado y consumido, los sentidos explotados y contralados, o la forma en la que literatura y arte pasaron a formar parte de las nuevas estrategias de distinción social y posicionamiento político.
Javier Jiménez Belmonte es Profesor Titular de Literatura Española en la Universidad de Fordham.
The Monastic Ordinale of St Vedast's Abbey Arras
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The Martyrology of Tallaght
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The Martyrology of Tallaght is contemporary with that of Oengus (vol. 29 in this series) and served as the latter's source. Tallaght monastery, close to Dublin, was founded by Maelruain (d. 792), and his disciple Oengus wasa member of the community. The Stowe Missal (vols 31 and 32 in this series) also has a Tallaght provenance. Dated to c. 797-808, the Martyrology of Tallaght is the earliest Irish compilation of its kind, but seems to have aimed at a full list of saints from the Roman Calendar. Under each day is given an entry in Latin followed by a supplement in Irish. The principal manuscript is the Book of Leinster. The many marginal notes and poems of themanuscript are reproduced here, and the edition contains a wealth of notes and very full indexes.
Gabriel García Márquez and Ovid
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This book explores the ways in which Ovid's poem, Metamorphoses, and Gabriel García Márquez's novel, One Hundred Years of Solitude, use magical devices to construct their literary realities.
This book explores the ways in which Ovid's poem, Metamorphoses, and Gabriel García Márquez's novel, One Hundred Years of Solitude, use magical devices to construct their literary realities. The study examines in detail the similarities and differences of each author's style and investigates the impact of politics and culture upon the magical and frequently brutal realities the two authors create in their works. Ultimately the book is interested in the use of magical elements by authors in political climates where freedoms are being restricted, and by using magical realism to explore Ovid's Metamorphoses, it is able to illuminate aspects of the regime of emperor Augustus and the world of Ovid and demonstrate their closeness to that of García Márquez's Colombia.
Lorna Robinson holds a PhD in Classics from University College London. She is the author of Cave Canem: A Miscellany of Latin Words and Phrases and the essay 'The Golden Age in Metamorphoses' and 'One Hundred Years of Solitude' in A Companion to Magical Realism (Tamesis, 2005).
The Republic of Genius
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Taylor analyzes Nietzsche's thoughts on the state, culture and education.
While his influence remains controversial, there is little disputeregarding the enormous influence and continuing relevance of FrederichNietzsche. To the popular mind, Nietzsche is best-known as theiconoclastic philosopher of'nihilism' who proclaimed "God is dead",and erected the "Superman" as the meaning and goal of life. Nietzscheis also commonly identified as the thinker who went "beyond good andevil" in the name of a "transvaluation of all values", culminating inan affirmation of the "will to power" and "eternal recurrence". Suchassociations are predictable insofar as the vast majority of what hasbeen written about Nietzsche revolves around these doctrines, which aregenerally taken to constitute the essence of his thought. Yettwo-thirds of Nietzsche's finished works contain no direct referencesto these doctrines. Rejecting the prevalent view that Nietzsche's earlywritings are significantonly in relation to his 'mature' philosophy,Quentin Taylor has written the first full-length study of Nietzsche'searly philosophy. Drawing on a diffuse body of writings, Dr Tayloradeptly reconstructs the principal tenets of Nietzsche's early thoughtwith an emphasis on its positive and constructive dimensions. As such,this study fills a sizeable gap in the literature on Nietzsche andrepresents a seminal contribution to a more balanced and accurateunderstanding of his philosophy.DR QUENTIN P. TAYLOR is an independent scholar who received his Ph.D in political science from the University of Missouri. He has also written extensively on Plato, Machiavelli, and The FederalistPapers.
The Monastic Breviary of Hyde Abbey, Winchester
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Rewritings, Sequels, and Cycles in Sixteenth-Century Castilian Romances of Chivalry
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Examines the importance of intertextuality, in particular hypertextuality, in the poetics of Castilian romances of chivalry.
Runner-up for the 2015 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland and the Spanish Embassy
Castilian romances of chivalry were the dominant form of fiction in Europe during the peak of the Spanish Empire in the the sixteenth century. Whilst the material traits of chivalric romances have been thoroughly studied, Don Quijote's shadow has often resulted in the neglect of the literary aspects and influence of the genre, thus hindering our understanding of Golden Age and Spanish fiction. Conversely, this book examines the literary transformation of the genre throughout the sixteenth century from the perspective of intertextuality. In particular, this book focuses on the literary practices central to the craft and development of the genre: the rewriting of previous romance, the writing of sequels, and the formation of narrative cycles. These three processes defined the poetics of the genre and set the bases and literary techniques for other fictional genres and works, including Don Quijote itself.
Daniel Gutiérrez Trápaga is Associate Professor in Research Methodologies (Hispanic Literature) at the Facultad de Filosofía y Letras, Universidad Nacional Autónoma de México.
The Gilbertine Rite
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Shaping the College Experience Outside the Classroom
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Study of the employment programs devised for students in America.
This book records the results of programs organised to create useful and career-related employment opportunities for students to enable them to pay for a significant portion of their college expenses. It evaluates the programs, through relating the experiences of a number of participants, and builds on those findings to offer suggestions on setting them up.
James Scannell is Vice President for Enrollments, Placement, Alumni Relations and Development at the University of Rochester.
Officium Ecclesiasticum Abbatum
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A Companion to Calderón de la Barca
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The first comprehensive study of Calderón in English
Pedro Calderón de la Barca (1600-1681) is one of the most important dramatists - many would say the single most important dramatist - of the Spanish Golden Age. Spain's dominant and most prestigious playwright for much of the seventeenth century, his work is still regularly staged and translated, influential in more recent times on writers as diverse as Schiller, Shelley and Lorca. The author of around 120 plays (not counting his numerous Corpus Christi autos) in a variety of styles, Calderón is most famous for his stirring dramas, characterized by rhetorically powerful poetry, dramatic structures carefully calibrated to produce poignant echoes, and the fizzing intellectual energy they apply to the age's ontological, eschatological and political preoccupations. His plays succeed in combining these perennial concerns with compelling plots subtle enough to defy definitive interpretation. As this volume seeks to show, however, Calderón's comedies deserve equal recognition. Too long stereotyped as a dour, cerebral conservative, this playwright's comic works are as amusing as they are clever.
This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.
The Monastic Breviary of Hyde Abbey, Winchester
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The Fiction of Juan Rulfo
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This is the first extended, English-language study to focus exclusively on the fiction of Juan Rulfo in over twenty years, analyzing a selection of short stories from Rulfo's collection and also two of the main characters of hismasterpiece, Pedro Páramo.
This is the first extended, English-language study to focus exclusively on the fiction of Juan Rulfo in over twenty years. It contains innovative analyses of a selection of short stories from Rulfo's collection, El llano en llamas (1953). It also examines in great depth two of the main characters of Pedro Páramo (1955), Rulfo's masterpiece and only novel. The book shows how Rulfo's works can be read as exercises in irony directed againstthe rhetoric of post-Revolutionary Mexican governments. It also demonstrates the relevance of certain legacies of colony in Rulfo's use of irony. Successive Mexican governments promoted a vision of post-Revolutionary society founded on specific notions of ethnicity, family, nation, education, religion and rural politics. The author combines examination of the speeches, images and newspaper articles which disseminated this vision with incisive literary analyses of Rulfo's work. These analyses are informed both by his original theory of irony, based on "internal" and "external" referents, and by existing postcolonial theories, particularly those of Homi K. Bhabha.
Amit Thakkar is a Lecturer in Hispanic Studies at Lancaster University.
Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg
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The Missal of the New Minster Winchester
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Published by Boydell & Brewer Inc.
Doctrina pueril
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An unforgettable introduction to the medieval world and its culture for the modern reader.
Published in association with Editorial Barcino.
Ramon Llull wrote the Doctrina pueril between 1274 and 1276 to provide minimum knowledge to those people---children, but also adults---who did not have the opportunity to acquire a sufficient doctrinal and intellectual education. In the late thirteenth century this meant stressing the basics of Christian doctrine and also accessing some aspects of general culture. The most important part of the Doctrina is dedicated to the catechism (articlesof faith, commandments, sacraments, vices and virtues, and so on.). Especially interesting, however, are the more general sections, encyclopedic in nature, on issues such as the three monotheistic religions of the Mediterranean,the lessons that could be studied in the medieval universities, and other medical and scientific subjects.
Published in association with Editorial Barcino.
Ramon Llull (1232-1316) was a mystic, missionary, philosopher, and author of narrative and poetry. He is credited with writing the first major work of Catalan literature.
John Dagenais is a senior professor of Medieval literature and specialist in Hispano-Latin manuscript culture at the University of California, Los Angeles.
The Canterbury Benedictional British Museum Harl. MS. 2892
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Record of liturgical observances at Canterbury in 11c, including valuable full record of the cult of saints there in the last days of the Anglo-Saxon church.
The benedictional was a bishop's book, containing the prayers which only a bishop (or archbishop) could pronounce when he said mass, characteristically a lavish production. Several have survived from Anglo-Saxon England and thesehave recently been attracting the attention of liturgists and palaeographers. One of the most important is the `Canterbury Benedictional', now London, British Library, Harley 2892, written at Christ Church, Canterbury, around themiddle of the eleventh century. The `Canterbury Benedictional' provides a valuable record of liturgical observance at the seat of the English archbishop. In particular, it gives a full record of the cult of saints at the metropolitan see in the last days of the Anglo-Saxon church. The Latin text is accompanied by an introduction and detailed liturgical notes in which the relationships between the surviving Anglo-Saxon benedictionals and their continental antecedents are set out for the first time. The book will be of interest to students of the medieval liturgy, and to historians of the Anglo-Saxon church. First published 1917.
Belén Gopegui
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This book is the first major study of one of Spain's most celebrated younger novelists, Belén Gopegui, whose work stands apart from other writers of her generation for its uncompromising focus on the social function of literature.
This book is the first major study of one of Spain's most celebrated younger novelists, Belén Gopegui, whose work stands apart from other writers of her generation for its uncompromising focus on the social function of literature.
Gopegui's social commitments find expression in her concern for solidarity and collective projects. These become more radical over time in response to a disenchantment with the evolution of the left in Spain and to the global impact of the capitalist economic system, giving rise to increasingly interventionist narrative strategies. The core theme of solidarity is explored in relation to the collective experience of Spain's largely consensualdemocratic transition and to the apparent erosion of collective goals in post-transition society. Gopegui's discourse of solidarity is examined through engagement with theorists of advanced modernity, including Ulrich Beck's 'risksociety' model and various contemporary reflections on the concept of solidarity. Centred on Gopegui's first four novels, the study situates analysis of these within the perspective of her later works and illuminates her artisticand intellectual trajectory by drawing on an extensive array of her non-fiction writings and personal interviews, one of which is published here for the first time.
Hayley Rabanal is Lecturer in Hispanic Studies at the University of Sheffield.
Disorders and Dysfunctions of the Self
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Comparative studies of normal self-development and atypical psychopathological populations contribute to an understanding of normal development of the Self.
Disorders and Dysfunctions of the Selfcontinues the tradition of the Rochester Symposium on Developmental Psychopathology series highlighting how knowledge of normal self-development can be applied to the study of atypicaland psychopathological populations and, conversely, how examinations of abnormality can enhance understanding of the normal development of the self. The authors in this volume illustrate advances that have been made in understanding the developmental mechanisms that contribute to anomalies and perturbations in the self systems of high risk and disordered populations. PETER MUNDY, ANNE HOGAN, CLAIRE B. KOPP, NATALIE WYER,SIMON BARON-COHEN, MARY M. ROBERTSON, JOHN MORIARTY, PATRICIA M. CRITTENDEN, KURT W. FISCHER, CATHERINE AYOUB, DREW WESTON, FRANK W. PUTNAM, ROGER KOBAK, HOLLAND COLE, GIL G. NOAM, GAYLE VALIANT, SUSAN HARTER, DONNA B. MAROLD, MICHAEL CHANDLER