Name: From the Margins to the Centre in Seventeenth-Century England
Brand: Edited by Tim Reinke-Williams and Angela McShane
Price: 120.0 USD
Availability: InStock

Edited by Tim Reinke-Williams and Angela McShane

From the Margins to the Centre in Seventeenth-Century England

$120.00

Collection of essays showcasing how one of the greatest historians of seventeenth-century England has shaped and continues to influence the direction of studies in early modern society, culture and belief.

This collection of essays showcases how, over an illustrious career spanning more than fifty years, Professor Bernard Capp FBA has shaped and continues to influence the direction of studies in early modern English social and cultural history. Initially influenced by the historiographical agendas set in the 1960s by Christopher Hill and Sir Keith Thomas, over the last five decades Capp has produced important studies of religious radicalism, print culture, gender and sibling relations, the culture wars of the 1650s and the maritime world. Collectively this body of work enabled him not only to recover the experiences of the marginalised, but also to highlight the importance of topics previously deemed (at best) of marginal interest to historians of seventeenth-century England.

The contributions to this volume, produced by a new generation of historians whose doctoral work Capp supervised and examined, are similarly wide-ranging and innovative. Engaging in dialogue with Capp's work, as well as those he has been in dialogue with himself, the authors provide novel studies of hermits, sailors and surgeons, as well as shedding fresh light on topics such as the politics of the parish, the lives of plebeian women, men's emotions, and the cultural worlds of 'Jane' Shore and John Taylor the Water-Poet. Like Capp, the authors use evidence from legal records, life-writings and cheap printed texts to recover marginalised voices and reconstruct the everyday lives of those overlooked and misunderstood by their contemporaries and by historians. By doing so, they demonstrate how one of the greatest historians of seventeenth-century England continues to inspire the production of innovative studies of early modern society, culture and belief.

CONTRIBUTORS: Richard Blakemore, Heather Falvey, Jasmine Kilburn-Toppin, Anu Korhonen, Peter Marshall, Angela McShane, Elaine Murphy, Naomi Pullin, Tim Reinke-Williams

Cover image for From the Margins to the Centre in Seventeenth-Century England, isbn: 9781837651665

Edited by Elisabeth Krimmer and Maureen Burdock

German Graphic Narratives and Trauma

$120.00

This volume explores the representation of political, racial, sexual, and environmental trauma in German-language graphic narratives, which has thus far received little scholarly attention.

In recent decades, as graphic novels have exploded in popularity and have increasingly been engaged with by scholarship, there has been a marked increase in comics that deal with traumatic experiences. These experiences arise variously from warfare, genocide, terrorism, racism, sexual violence, domestic violence, illness, disability, migration, natural disasters, or climate-change, among other causes. Indeed, scholars including Hillary Chute and Gillian Whitlock have argued that graphic narratives are particularly well-suited to portraying traumatic experiences through the lens of individual memories.

This edited volume builds on the emergent body of work on the representation of trauma in graphic narratives, but focuses exclusively on German-language graphic narratives, whose exploration of trauma has so far received little scholarly attention. Essays dealing with theoretical and conceptual concerns are joined by analyses of individual creators of graphic narratives, including Olivia Vieweg and Volker Reiche. In addition, there are transcribed conversations among the contributors to the graphic story compilation But I Live, Miriam Libicki, Gilad Seliktar, and Barbara Yelin, and between Birgit Weyhe, creator of the graphic narratives Madgermanes and Rude Girl, and the Germanist Priscilla Layne, who is the model for the main character in the latter book. A final essay looks back further with a critical appraisal of the poet Rolf-Dieter Brinkmann's sampling of comics in his late 1960s Popliteratur works.

Cover image for German Graphic Narratives and Trauma, isbn: 9781640142022

Sebastian Meurer

Administrative Reform in Late Eighteenth-Century Britain and its Empire

$120.00

Indispensable for understanding the historical forces that shaped modern governance.

How did Enlightenment philosophy shape the modern bureaucratic state? While thinkers like Adam Smith and David Hume are celebrated for their contributions to political economy, the crucial work of administrative reformers has largely been forgotten-until now. Here, this question is explored through the untold story of the specialists of public administration, such as the Commissioners for Examining the Public Accounts, whose pioneering efforts to translate political economy into practice laid the foundation for contemporary public administration.

This methodologically refined study re-evaluates Britain's administrative reforms of the late eighteenth century. It traces how systematic, resource-oriented administrative rationality replaced patrimonial notions of office, which treated public offices as royal privileges similar to titles of nobility. Sebastian Meurer relates the British reforms to contemporary administrative reform processes in British India and Ireland and reveals their manifold interconnections. Furthermore, the book offers an analysis of the very process, in which new notions pervaded public administration and traces the interrelations of different perspectives and their gradual shift of credibility.

By connecting the rise of public administration with the early social sciences, this monograph illuminates how ideas once confined to philosophical discourse were adapted into the practical realities of governance, reform, and statecraft across the British Empire.

Cover image for Administrative Reform in Late Eighteenth-Century Britain and its Empire, isbn: 9781837650989

Ernest Cole

Migration and Return in Modern African Literature

$120.00

Using close readings of nine novels by African or African-descended novelists, this book examines three phases of African migration: departure, disillusionment and the impulse to return.

The experiences of African migrants in the diaspora are deeply inflected by the condition of living as Black bodies in white spaces. In this work, author Ernest Cole examines closely the narratives of migration and return presented in nine powerful novels by authors who include Chimamanda Adichie, NoViolet Bulawayo, Teju Cole and others. The novels reveal a reversal of expectations that migrants from Africa experience upon arrival in the West, a reversal prompted in part by the racial prejudice they are confronted with as Black individuals. As the author notes, the novels also illustrate the desire to return to the homeland as a better alternative to the precarious life in the West, even though such a move is not without its complications.

The study is divided into three parts with seven chapters. The first two chapters deal with the reasons for the departure of migrants from the continent, the next two depict the experiences of migrants in the West, and the last three focus on contemplations of the return journey home. Collectively, the chapters lay out three phases in the migration process: departure from home, disillusionment in the West, and return to the country of origin. Within this framework, the book uses displacement and dislocation to examine a host of themes—social alienation, alterity and the precarity of Africans in the diaspora.

Cover image for Migration and Return in Modern African Literature, isbn: 9781648251122

Translated by Rachel Koopmans

The Passion and Miracles of St. Thomas Becket by Benedict of Peterborough

$170.00

The first full English translation of one of the most important sources on Thomas Becket.

Benedict of Peterborough's Passion and Miracles of St Thomas Becket puts the reader in Canterbury on the day of one of the most famous murders of all time, when four of King Henry II's knights killed the archbishop inside his cathedral on 29 December 1170. It reveals how a monk thrust into the role of chronicler attempted to understand the earliest cures at Thomas Becket's tomb and the rapid growth of his reputation as a miracle-worker. With its description of Becket's murder and some 275 miracles, all dating to 1171-1173, Benedict's text, which went on to circulate across Europe, is by far our most important source for the beginnings of the cult that would draw hundreds of thousands of medieval pilgrims to Canterbury.

This book provides the first full English translation of Benedict's Passion and Miracles from the original Latin. It includes an introduction that assesses the relationship of the Canterbury monks to the archbishop, analyses the story of the murder as told in the Passion, and examines the ways in which Benedict gathered material and constructed the Miracles. The translation is also accompanied by full explanatory notes, while two appendices provide biographical information and a translation of the eighteen stories in the Miracles that are also recounted in a slightly later Canterbury collection. This translation will make Benedict's hugely significant text accessible to a wider audience for the first time.

This book is available as Open Access under the Creative Commons license CC BY-NC-ND.

Cover image for The Passion and Miracles of St. Thomas Becket by Benedict of Peterborough, isbn: 9781837652648

Lourdes Parra Lazcano

Escritora, no hay camino

$120.00

Escritora, no hay camino... explores Mexican travel literature -from early nineteenth-century publications to the contemporary era- to reveal how the experiences of six women writers reconfigured perceptions of themselves and the foreign.

From a feminist and transcultural critique, this book delves into how Laura Méndez de Cuenca, Elena Garro, Rosario Castellanos, María Luisa Puga, Esther Seligson and Myriam Moscona confront cultural normativity in their narratives, drawing on their cultural interactions in Spain, Germany, Kenya, England, Israel and Bulgaria, among other countries.

The cross-cultural performativities studied here allow us to analyse how the authors incorporate categories such as sex, gender, class, nationality and ethnicity in their works. The comparative chapters explore themes such as transatlantic intellectual exchanges, the border identities' critique of normativity, and the relationship of genealogy to literary and cultural re-appropriations. This book offers an analytical insight into how Mexican women writers have contributed to travel literature by subverting and reconfiguring their identity and relationship to the world.

Escritora, no hay camino... explora la literatura de viaje mexicana -desde las primeras publicaciones del siglo XIX hasta la época contemporánea- para revelar cómo las experiencias de seis escritoras reconfiguraron percepciones sobre sí mismas y lo extranjero.

Desde una crítica feminista y transcultural, el libro profundiza en cómo Laura Méndez de Cuenca, Elena Garro, Rosario Castellanos, María Luisa Puga, Esther Seligson y Myriam Moscona enfrentan las normatividades culturales en sus relatos, a partir de sus interacciones culturales en España, Alemania, Kenia, Inglaterra, Israel y Bulgaria, entre otros países.

Las performatividades transculturales que aquí se estudian permiten analizar cómo las autoras incorporan categorías como sexo, género, clase social, nacionalidad y etnicidad en sus obras. En los capítulos comparativos se exploran temas como los intercambios intelectuales transatlánticos, la crítica a las normatividades de las identidades fronterizas y la relación de la genealogía con las reapropiaciones literarias y culturales. Este libro ofrece una mirada analítica para comprender cómo las escritoras mexicanas han contribuido a la literatura de viaje, subvirtiendo y reconfigurando tanto su identidad como su relación con el mundo.

Cover image for Escritora, no hay camino, isbn: 9781855663916

Michele L.C. Seah

Financing Queenship in Late Fifteenth Century England

$120.00

"Seah's important book richly documents and deftly analyzes the complex household economies of three fifteenth-century queens consort of England who lived during a period of political and economic upheaval. This book, based on impressive meticulous research, is more than just a much-needed methodological model for studying queenly finances that fills a gap in the historiography of queenship. It is a powerful study of the intrinsic worth of a queen." Theresa Earenfight, Professor Emerita of History, Seattle University.

Late medieval queens required considerable economic and financial resources, to enable them to dispense patronage, exercise power and influence, and establish and maintain political and social networks. This book examines the nature and usage of these resources, via an in-depth study of the reigns of three queens consort from the second half of the fifteenth century in England - Margaret of Anjou, Elizabeth Woodville and Elizabeth of York - considering how the queens were supported in material terms, and their impact on the economic landscape of the period. It surveys in detail the economic assets available to these queens, including dower lands, monetary and non-monetary grants, and queens' gold, before moving on to a discussion of two major entities - households and affinities - which they needed to maintain. It both sheds light on individual queens and on broader questions of authority and agency in late-medieval English queenship.

Cover image for Financing Queenship in Late Fifteenth Century England, isbn: 9781837650460

Ann Eljenholm Nichols

Making Books in Fifteenth-Century Cambridge

$130.00

Richly illustrated venture into book production in Cambridge.

William Dyngley (Peterhouse, 1393-1441), known for his personal library of at least 29 manuscripts, was primarily an editor. In the second decade of the fifteenth century, he began a major patristic project that ultimately comprised eight volumes of Augustine of Hippo, anthologies of Origin, Ambrose and Jerome, and a patristic miscellany. Dyngley also constructed thirty-five indexes for Augustine's works, which he copied in tandem with his primary text writer, the so called "Fish Scribe".

This richly illustrated monograph considers the people who made the books, the network of Cambridge scribes who copied the texts, the limners who decorated them and the remarkable man behind the project. Dyngley, placed here in the context of contemporary life in a Cambridge college, is shown to be in charge at every stage of production, acquiring exemplars, correcting scribal errors, storing incomplete quires, reassigning texts from one volume, copying and revising tables of content and tallying expenses. The volume also examines the constituent features of the manuscripts themselves, non-verbal cues as well as content. Overall, it sheds considerable new light on manuscript production in the period more generally.

Cover image for Making Books in Fifteenth-Century Cambridge, isbn: 9781914049293

Translated by Rachel Koopmans

The Passion and Miracles of St. Thomas Becket by Benedict of Peterborough

$39.95

The first full English translation of one of the most important sources on Thomas Becket.

Benedict of Peterborough's Passion and Miracles of St Thomas Becket puts the reader in Canterbury on the day of one of the most famous murders of all time, when four of King Henry II's knights killed the archbishop inside his cathedral on 29 December 1170. It reveals how a monk thrust into the role of chronicler attempted to understand the earliest cures at Thomas Becket's tomb and the rapid growth of his reputation as a miracle-worker. With its description of Becket's murder and some 275 miracles, all dating to 1171-1173, Benedict's text, which went on to circulate across Europe, is by far our most important source for the beginnings of the cult that would draw hundreds of thousands of medieval pilgrims to Canterbury.

This book provides the first full English translation of Benedict's Passion and Miracles from the original Latin. It includes an introduction that assesses the relationship of the Canterbury monks to the archbishop, analyses the story of the murder as told in the Passion, and examines the ways in which Benedict gathered material and constructed the Miracles. The translation is also accompanied by full explanatory notes, while two appendices provide biographical information and a translation of the eighteen stories in the Miracles that are also recounted in a slightly later Canterbury collection. This translation will make Benedict's hugely significant text accessible to a wider audience for the first time.

This book is available as Open Access under the Creative Commons license CC BY-NC-ND.

Cover image for The Passion and Miracles of St. Thomas Becket by Benedict of Peterborough, isbn: 9781837652716

Kate Ash-Irisarri

Rewriting the Past in Scottish Literature, 1350-1550

$120.00

Considers how Anglo-Scottish conflict was memorialised, reimagined and embedded by later writers.

The Anglo-Scottish Wars of Independence are often treated in historical and poetical works produced in Scotland between the fourteenth and sixteenth century, from chronicles and hagiographical romances to advisory and commemorative poems. Through an examination of such texts, this book explores how late-medieval writers drew on the memory of the wars to articulate a collective identity; and how literary and historical frameworks were deeply influenced by shifting Anglo-Scottish relations. It covers a range of topics: how borders - textual, geographic, and cultural - became a focus for articulations of national memory; the utilisation of origin myths and royal genealogy; anxieties around failures of memory or deliberate acts of forgetting; and the impact of the Battle of Flodden (1513) on writing about Scottish nationhood. Dealing in particular with Bower's Scotichronicon, Hary's Wallace, The Complaynt of Scotland and Lyndsay's Dreme, this study argues that these writers drew on understandings of the arts of memory to shape selective, and collective, recollections of the past as a response to contemporary concerns, providing an emotive memorialisation of Scotland's history.

Cover image for Rewriting the Past in Scottish Literature, 1350-1550, isbn: 9781843846772

Peter Doyle

Roman Catholicism in Bedfordshire 1700-1900

$36.95

An account of the revival of Catholicism in Bedfordshire from 1700 to 1900, including a selection of key documents and relevant registers.

This volume draws on a range of evidence to illustrate the revival and growth of Catholicism in Bedfordshire between 1700 and 1900. Active opposition to such a revival was only to be expected in Bunyan's county and the volume tells how this was gradually overcome, so that by the end of the period a number of Catholic churches had been well established across the county. Their growth is illustrated by the detailed baptism, marriage and death registers for Shefford (1770s-1850s), Bedford (1860s-1900) and Leighton Buzzard (1890s-1900), that are included and that provide an invaluable source of information about the make-up of the congregations. The account is also enriched by the inclusion of key original documents, correspondence, visitation reports and newspaper accounts.

We can also see the contributions made to this growth by national and local individuals, from trades people to members of the nobility, who contributed to the building of a number of local churches and the support of the clergy. The county also became the home of a small diocesan theological college and a nationally recognised boys' orphanage and home. The invaluable work of members of the clergy is examined, along with their contribution to reducing the longstanding anti-Catholicism that had existed across the county. Much remained to be done, but much had also been accomplished.

Cover image for Roman Catholicism in Bedfordshire 1700-1900, isbn: 9780851550862

Piet van Cruyningen

Farming the North Sea Coast, 900-2000

$130.00

"A brilliant and provocative synthesis of a thousand years of coastal farming." Tim Soens, University of Antwerp, Belgium.

The fascinating story of how the North Sea coast has been farmed is ever changing. Long before the industrial revolution, the inhospitable fens and marshes of the low-lying coastal wetlands on both sides of the Sea had been transformed into one of the most productive agricultural regions in Europe. Agriculture in the coastlands reached its apogee during the eighteenth and nineteenth centuries, as is witnessed by the many impressive farm buildings established then. However, more recently, it has become clear that lowland farming and even the physical existence of the lowlands are in jeopardy, owing to rising sea levels and problems of drainage.

This book offers a history of farming and water management on the North Sea coast, assessing the forces driving - and inhibiting - agricultural progress more broadly. It examines the ways in which farmers in the past dealt with the two main constraints on their decision-making: the natural environment and the human environment of institutional rules and customs regulating behaviour. It looks in particular at how setbacks were overcome, and how farming practices were improved which then raised the money with which to finance the maintenance of dykes, canals, and sluices.

Cover image for Farming the North Sea Coast, 900-2000, isbn: 9781837652624

Edited and translated by Constant J. Mews and Seppo Heikkinen

The Letters of Hugh Metel

$190.00

Hugh Metel's letters, addressed to some of the most famous individuals of his age are the work of a stylish writer exploring the common concerns of this group.

This volume offers a critical edition and translation of the fifty-five letters of Hugh Metel (c. 1080-c. 1150), an Augustinian canon, which cover a wide range of issues, relating to scripture, theology and canon law. He was also a prolific writer of verse, and he was keen to show how he could combine his interest in the liberal arts with his knowledge of scripture and the Church Fathers. His circle of correspondents included some of the most famous individuals of his age, including Bernard of Clairvaux, Peter Abelard, Heloise and many bishops in his region. The few scholars who mention Hugh Metel have often described his rhetorical style, permeated by literary allusions, especially to Horace, scripture and the Fathers, as 'bombastic'. Nonetheless, Hugh does have a powerful command of Latin and took pleasure in crafting letters to his circle of friends and to those with whom he wanted to share common concerns.

Cover image for The Letters of Hugh Metel, isbn: 9781837650910

Lucy Brookes

Convention and the Individual in Medieval English Romance

$120.00

Offers a nuanced reading of character and subjectivity in medieval romance via an exploration of its conventions.

Medieval romances can be characterised by their formulaic motifs, predictable plots, and "stock" figures and character types. This book offers a fresh perspective on these conventions, arguing that authors used them, and the expectations they generate, as a form of shorthand to interiority. Understanding romance conventions in this way reveals that romance characters' complex and often contradictory inner lives are made available precisely through the genre's narrative structures, shapes, and norms. Drawing upon recent work in the History of Emotions and Affect Theory, the author explores character and subjectivity in a variety of English romance texts from 1100 to 1500 - such as Amis and Amiloun, Le Bone Florence of Rome, The Squire of Low Degree, Sir Orfeo, Sir Gawain and the Green Knight and Malory's Le Morte Darthur. Through new readings of these texts, the book demonstrates the contribution made by romance to the growing significance of the individual in fiction after the twelfth century by paying particular attention to the ways in which convention, expectation, and genre intersect with character-formation and the representation of identity.

Cover image for Convention and the Individual in Medieval English Romance, isbn: 9781843846895

Neil Horsley

Mills Transformed

$39.95

Highly illustrated, the book celebrates renovation of textile mills in the North of England. Case studies from interviews with those responsible for these iconic buildings give insights into how other mills may be reused.

Textile mills producing woollen, cotton and silk fabric were the backbone of the industrial revolution, and as much part of our national heritage as churches and country houses. They were responsible for placemaking in the towns and cities of Yorkshire, Greater Manchester, Lancashire and Cheshire, and are still a familiar and prominent part of the landscape of many towns. There are over 650 mills in these counties which are empty or underused, and under threat. But there are many examples of mills being renovated and repurposed for a variety of uses by inspiring people and organisations.

With case studies drawn from extensive interviews with owners, developers and users of these buildings, the book celebrates the repurposing of industrial mill buildings in the North of England. It tells the human story behind many renovations, drawing together common themes, and insights as to what determines successful renovation, and how further schemes can be developed.

Cover image for Mills Transformed, isbn: 9781738540006

James Stevens Curl

Classical Architecture

$135.00

Celebration of the classical architectural tradition, spanning 2500 years but widely practised today. Professionals, students and enthusiasts will benefit from the profuse illustrations, including detailed line drawings, demonstrating this rich tradition and its prevailing themes and motifs.

Classical architecture continues to be widely practised today, and this book describes and demonstrates the fundamental principles from its origins in Antiquity and continuous development during the Renaissance, the Baroque and Rococo phases, Neo-Classicism, and survival in various forms into the current century. Heavily illustrated with colour and black and white photography, a particular strength of the book is the many detailed and annotated line drawings for which the author is well-known and a glossary which serves as a dictionary of Classical architecture in itself.
The author celebrates the richness of Classical architectural vocabulary, grammar and language, and demonstrates the huge range of themes and motifs found in the subject. The book provides a basis for understanding this rich source of architectural design which has been at the core of Western culture for over 2500 years and continues to be widely studied and practised worldwide. For practicing architects, planners and students, this is the benchmark book for understanding the Classical tradition in architecture and landscape.

Cover image for Classical Architecture, isbn: 9781739822927

Paul Cockerham

Cornish Churches in the Nineteenth Century

$39.95

These two sets of little-known notes, recorded first-hand by 19th-century antiquaries, underpin our understanding of how these structures developed into the buildings we see today.

These manuscript notes on Cornish churches contain much previously unknown material, and were compiled by three 19th century antiquaries. The brothers Daniel and Samuel Lysons toured the county from 1805-11, working towards the publication of the Cornish volume of their series Magna Britannia. Sir Stephen Glynne, 9th Bt of Hawarden, had a passion for recording church architecture, travelling widely around the UK and the continent.

Presented here for the first time, the two sets of notes neatly complement each other, the Lysons' focusing on notable features in the churches, while Glynne's form clear architectonic descriptions. An Introduction uncovers the working methods of these men, and their roles in understanding architectural descriptions and ecclesiology. The text is also supplemented by further archival research which shows how these structures have evolved between the nineteenth century and today. Parishes A-L are covered in this volume, with M-Z to be published subsequently.

Cover image for Cornish Churches in the Nineteenth Century, isbn: 9780901853646

Edited and Translated by Theodore Albrecht

Beethoven's Conversation Books Volume 5

$65.00

A complete new edition of Beethoven's conversation books, in 12 volumes, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.

Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer had begun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition.

These important booklets are here translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand new introductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these often lively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table.

Cover image for Beethoven's Conversation Books Volume 5, isbn: 9781837651023

Dr Robert W. Wason

Heinrich Schenker's Conception of Harmony

$59.95

The first detailed study of Schenker's pathbreaking 1906 treatise, showing how it reflected 2500 years of thinking about harmony and presented a vigorous reaction to Austro-Germanic music theory ca. 1900.

What makes the compositions of Handel, Bach, Haydn, Mozart, Beethoven, Schubert, Schumann, Chopin, and Brahms stand out as great works of art? Heinrich Schenker (1868-1935) set out to answer this question in a series of treatises, beginning with a strikingly original work with the deceptive title Harmonielehre (roughly: Treatise on Harmony, 1906).

Whereas other treatises of the period associated harmony with the abstract principles governing chords and chord progressions, Schenker's treated it as the conceptual glue that allowed the individual elements of a work (melodies, motives, chords, counterpoint, etc.) to work together locally and globally. Yet this book, though renowned and much cited, has never been studied systematically and in close detail.

Heinrich Schenker's Conception of Harmony approaches Schenker's 1906 treatise as a synthesis of ancient ideas and very new ones. It translates, for the first time, two preparatory essays for Harmonielehre and describes his later views of harmony and the ways in which they influenced and also were ignored by the 1954 edition and translation, entitled simply Harmony. Though problematic, Harmony was the first published translation of a major work by Schenker, inaugurating the study of his writings in postwar America and Britain, where they continue to be highly influential.

Cover image for Heinrich Schenker's Conception of Harmony, isbn: 9781648251153

Bill Kibler

Three Preludes to the Song of Roland

$38.95

The first complete English translation of three chansons de geste inspired by the Romance epic, the Song of Roland.

The success of the eleventh-century Song of Roland gave rise to a series of around twenty related chansons de geste, known collectively as the Cycle of the King. In addition to reworkings of the Song of Roland in Old French and other medieval languages, these poems are devoted to the numerous military campaigns of Charlemagne against the Muslims before and after the tragic Battle of Roncevaux. These texts provide valuable insights into the medieval reception of the Roland material, exemplifying the process of cycle formation and attesting to the diversity of the Romance epic. Far from presenting a simplistic view of the clash of civilizations, these chansons de geste display a web of contradictions, offering both a glorification and a critique of hatred and violence.

This volume offers English translations of the three epic poems whose action directly precedes the events of the Song of Roland. Gui of Burgundy extends the period of time spent in Spain by Charles and his army from seven to twenty-six years, which gives the sons of the Twelve Peers the opportunity to reach adulthood and come to the rescue of their fathers. Roland at Saragossa, composed in Occitan, takes place in the days immediately preceding the decisive defeat and relates in an heroi-comic manner how Roland sneaks into Saragossa at the request of the pagan Queen Braslimonda, who has been enraptured by his strength and beauty. Finally, Otinel tells of a Saracen envoy who comes to Paris to challenge Charlemagne on behalf of the Emir Garsile, who has his capital in Lombardy. The action takes place in France and northern Italy in a lull between the capture of Pamplona and the defeat at Roncevaux.

The translations are presented with notes, and the volume includes an introduction placing the poems in their wider historical and cultural contexts.

Cover image for Three Preludes to the <i> Song of Roland</i>, isbn: 9781843847373

Johann Joachim Winckelmann

Johann Joachim Winckelmann on Art, Architecture, and Archaeology

$37.95

Modern English translations of several of the most important essays of Winckelmann, one of the fathers of art history and archaeology and a strong influence on Goethe and Schiller and Weimar Classicism.

Johann Joachim Winckelmann (1717-68) has long been recognized as one of the founders of modern art history and a major force in the development of archaeology and the study of ancient Greek architecture. He also exerted an influence on the Weimar Classicism of Goethe and Schiller, for whom his description of Greek sculpture as evoking "edle Einfalt und stille Grösse" (noble simplicity and a calm greatness) became a watchword. He contributed to modern scientific archaeology through his application of empirically derived categories of style to the analysis of classical works of art and architecture, and was one of the first to undertake detailed empirical examinations of artifacts and describe them precisely in a way that enabled reasoned conclusions to be drawn about ancient societies and their cultures. Yet several of his important essays are not available in modern English translation. The present volume remedies this situation by collecting four of Winckelmann's most seminal essays on art along with several shorter pieces on the topic, two major if brief essays on architecture and one longer essay on archaeology. Paired with this is an introduction covering Winckelmann's life and work.

Cover image for Johann Joachim Winckelmann on Art, Architecture, and Archaeology, isbn: 9781640142190

Professor Owen Nevin

The Bear: Culture, Nature, Heritage

$37.95

Investigations into the cultural significance of that most familiar and charismatic group of animals, bears.

Bears are iconic animals, playing a variety of roles in human culture. They have been portrayed as gods, monsters, kings, fools, brothers, lovers, and dancers; they are seen as protectors of the forest; symbols of masculinity; a comfort for children; and act as symbols for conservation and environmental issues. They also symbolise wilderness, reinforcing and maintaining our connection to the natural world. And stories abound of cultures that gathered berries in the same fields as bears and fished on the same rivers; consequently a wealth of myths, legends and folklore has informed us of our place in the world and the deep connection we have with bears.
The essays collected here provide a rich selection of views on the human/bear relationships. They explore how bears are an influence in contemporary art, and how they are represented in the illustrations in children's literature and in museum exhibitions. The connection between bears and native peoples, and how contemporary society lives alongside these animals, provides an understanding of current attitudes and approaches to bear management and conservation. The history of captive bears is brought into contemporary relief by considering the fate of captive bears held in Asian countries for bile production. Other pieces look at how bears feature in gay culture, and are an intrinsic component to researchon the Yeti and Sasquatch. Together, these articles present an insight into the changing face of attitudes towards nature, species survival and the significance of conservation engagement in the twenty-first century. Biologists, historians, anthropologists, cultural theorists, conservationists and museologists will all find riches in the detail presented in this bear cornucopia.

OWEN NEVIN is Associate Vice-Chancellor, Gladstone Region, CQUniversity, Australia; IAN CONVERY is Professor of Environment and Society at the University of Cumbria; PETER DAVIS is Emeritus Professor of Museology in the International Centre for Cultural and Heritage Studies at Newcastle University.

Contributors: Philip Charles, Melanie Clapham, Ian Convery, Koen Cuyten, Elizabeth O Davis, Peter Davis, Sarah Elmeligi, Beatrice Frank, Barrie K. Gilbert, Jenny Anne Glikman, Tracy Ann Hayes, Mike Jeffries, Jón Jónsson, John Kitchin, Miha Krofel, Gareth Longstaff, Henry McGhie, Jeff Meldrum, Owen T. Nevin, Heather Prince, Lynn Rogers, Kristinn Schram, Bryndís Snæbjörnsdóttir, Russ Van Horn, Mark Wilson, Samantha Young.

Cover image for The Bear: Culture, Nature, Heritage, isbn: 9781837652655

Willene B. Clark

A Medieval Book of Beasts

$49.95

Text, translation, and critical study of one of the most important medieval bestiaries.

The bestiary - a book of animals, both real and mythical - is one of the most interesting and appealing medieval artefacts. The "Second-family" bestiary is the most important and frequently produced version (some 49 known manuscripts exist). Of English origin and predominantly English production, it boasts a spiritual text "modernized" to meet the needs of its time, and features exceptional illustrations. This study addresses the work's purpose and audience, challenging previous assumptions with direct evidence in the manuscripts themselves, linking their use to teachers at the elementary-school level, and exploring the art, the text, and the cultural context for the bestiary. It includes a critical edition and new English translation, and a catalogue raisonné of the manuscripts. Fully illustrated.

Cover image for A Medieval Book of Beasts, isbn: 9781837652679

Edited by Clare Bielby and Mererid Puw Davies

Violence Elsewhere 2

$36.95

Examines ideas of violence in German culture after 9/11 through the lens of "violence elsewhere" - exploring works and discourses about violence in distant locations or times.

Following the Nazi era, the Holocaust, and the Second World War, in postwar Germany thinking or speaking about that extreme violence seemed distinctively difficult - even perhaps, at times, impossible. Yet we can learn about understandings of violence in this period in novel ways by exploring images and constructions in German culture of faraway violence, as shown in the recent volume Violence Elsewhere 1: Imagining Distant Violence in Germany, 1945-2001.

As of September 11, 2001, violence came to appear transnationally, spectacularly mobile in new ways. Consequently, Violence Elsewhere 2 explores ideas about "violence elsewhere" in German-language culture since 2001. Here, "elsewhere" can mean not only distant places; it may also be violence perceived as foreign, or in the past. Simultaneously, this work suggests that the idea of 9/11 as a watershed in thinking about violence is more complex than meets the eye.

Here, nine essays consider classic literary forms like poetry and prose fiction, from the short story to the intergenerational German family novel to Black feminist speculative fiction. Contributors examine, too, philosophy, performance and multimedia art, political and other forms of public discourse, and film. Topics include, amongst others, the "war on terror," slow environmental violence, the Armenian genocide, portrayals of refugees and migrants, legacies of colonial violence, space travel, and the persistent resonance of the German past.

Cover image for Violence Elsewhere 2, isbn: 9781640142176

Stuart Taberner

The New German Jewish Literature

$120.00

Posits a New German Jewish Literature that has surprising implications for today's German Jewish - and Jewish - identity, including solidarity with others, even after October 7, 2023.

Eighty years after the Holocaust, it is now possible to speak of a New German Jewish Literature. Emerging out of a community that, following the arrival of more than 200,000 people of Jewish ancestry from the former Soviet Union, is now vastly larger, increasingly diverse, and culturally vibrant, German Jewish writers are re-articulating what it means to be Jewish in the "land of the perpetrators." More generally, they are also rethinking Jewish values and Jewish solidarity against the backdrop of global events and trends such as the resurgence of antisemitism, the Israeli-Palestinian conflict, and growing intolerance toward ethnic, religious, and sexual minorities.

Stuart Taberner's book provides the first comprehensive account of the tension between Jewish particularism and Jewish universalism that characterizes this New German Jewish Literature. To what extent should Jewish identity be focused on the "Jewishness" of the Jewish experience, including the Holocaust? Or does "Jewish purpose" reside in expressing solidarity with persecuted minorities everywhere? Taberner argues that this new literature presents an aesthetically engaging and politically nuanced deliberation on Holocaust memory, on worldliness, and on solidarity - with sometimes surprising and radical implications for modern-day German Jewish and Jewish identity. He also examines authors' responses to the Hamas attack on Israel of October 7, 2023, and speculates about the future of German Jewish writing.

This book is available as Open Access under the Creative Commons license CC BY-NC-ND.

Cover image for The New German Jewish Literature, isbn: 9781640141797

Roger Allen

Arthur Nikisch

$120.00

Considers Nikisch as a primary link between the later nineteenth century performance practice, and the twentieth-century 'fetishisation' of the superstar conductor as a commercially driven phenomenon.

The Hungarian-born conductor Arthur Nikisch (1855-1922) was among the first of the new breed of virtuoso conductors who came to prominence in the immediate aftermath of Wagner. As a youthful violinist in the Vienna Court Orchestra, he played under Wagner, Verdi and Brahms; in 1895 he reached the pinnacle of German musical life as Chief Conductor of the Leipzig Gewandhaus and Berlin Philharmonic Orchestras. His career was, however, by no means confined to Austro-German lands. He spent four seasons in the USA as Director of the Boston Symphony Orchestra and travelled regularly to conduct in Imperial Russia. His visits to Britain had a significant impact on London's concert life through his associations with the newly opened Queen's Hall, the fledgling London Symphony Orchestra, Covent Garden Opera House and even as piano accompanist at the Bechstein (later Wigmore) Hall. He was also a fervent champion of the music of non-Austro German composers such as the Russian Pyotr Ilyich Tchaikovsky and the Englishman Edward Elgar.

This book considers Nikisch's role and influence as a leading musical executant within the declining Habsburg monarchy and the ascendant German Empire. It also examines how the newly established phenomenon of the virtuoso conductor reached across international boundaries at a time when hardening ideologies and shifting political allegiances were leading towards the disintegration of the old Europe in the carnage of the First World War. It considers Nikisch as a primary link between the later nineteenth century performance practice and aesthetics of Wagner and the twentieth century phenomenon of the all-powerful superstar conductor who came to surpass even the composer in importance.

Cover image for Arthur Nikisch, isbn: 9781837650040

Wilfred Hammond

Catholic Nobles and the Elizabethan State, 1558–1588

$190.00

A vivid exploration of how Catholicism endured far longer into the Elizabethan era and continued to shape the very identity of early modern England.

This compelling study delves into the complexities of religious and political power during Elizabeth I's reign, presenting a further, important challenge to the traditional narratives of a swift and uncontested Protestant triumph. Here, Wilfred Hammond explores why Catholic aristocrats, despite wielding significant regional power and Court influence, failed to block or reverse the emerging religious revolution.

Focusing on the Stanley earls of Derby, the dominant noble family in Lancashire - a county described by the Elizabethan government as "the very sink of popery" - the author reconstructs their role in obstructing Protestant reform. Using the State and Cecil Papers, as well as foreign ambassadorial reports , the study re-evaluates the Stuart party-building efforts of Lady Margaret Douglas and Mary, Queen of Scots. Hammond re-examines the context of the papal bull of deposition, and uncovers the Stanley-Gerard conspiracy of 1570 with its links to the Ridolfi Plot.

This richly detailed analysis of the Stanleys positions them at the heart of a network of nobles, including the Percies and Nevilles, who were opposed to the religious change presented by Protestantism. As such, this vibrant case-study unfolds to offer fresh insights into the slow, fraught transformation of England's religious landscape during one of its most turbulent periods.

Cover image for Catholic Nobles and the Elizabethan State, 1558–1588, isbn: 9781914967030

Edited by Shaun McGuinness

Bangor Episcopal Acta, 1092-1306

$49.95

A thorough examination of the acta of the bishops of Bangor in North Wales opens a revealing window into the medieval Welsh church.

This volume provides a first edition of the acta (charters, indulgences, letters, petitions, professions of obedience etc) of the bishops of Bangor in north Wales for the period 1092-1306. A period which witnessed momentous change not only for the prince of Wales but also for the Welsh Church. There are 102 acta in total, 24 of which survive as originals, 6 retaining their original seals. Latin transcriptions of the acta are provided in extenso with English summaries. Textual and historical notes follow the transcriptions, with an explanation of the date ascribed to each document. The volume begins with an introduction to the medieval diocese of Bangor, its geographical extent, structure and the personnel responsible for its administration. There is also an examination of the native
Welsh clas, which existed before a chapter was introduced. After brief biographies of the ten bishops who held the see during the period covered by the volume, there is an analysis of the diplomatic of the acta, including sealing
arrangements. The volume concludes with the bishops' itineraries.

Cover image for Bangor Episcopal Acta, 1092-1306, isbn: 9780907239888

Kenneth M. Ralston

Thinking Through German Literature with Andrew Jaszi

$120.00

Brings to light an important and unconventional teacher of literature whose way of thinking and method are relevant in German Studies and beyond, particularly in view of the present crisis of the humanities.

At a time when enrollment in the humanities is said to be in "free fall" (Nathan Heller, The New Yorker, 2/27/2023), the figure of Andrew Jaszi offers an alternative vision of what a literary education might look like. Jaszi was a Hungarian-born philosopher and literary scholar in the German Department at the University of California, Berkeley, from 1948 to 1985. His accessible, jargon-free approach, a method he developed through analogy with Goethe's unique way of doing science, attracted students of diverse backgrounds and majors to his classes, while also winning acclaim from colleagues who compared him to Wittgenstein and Buber.

Drawing on a set of previously unknown tape recordings of Jaszi's seminars, this book offers readers the opportunity to witness this legendary teacher in action. The book's immediate benefit is the illumination provided by Jaszi's original interpretations of Goethe's Faust and Kafka's "The Judgment." More broadly, it illustrates the transformative, whole-self education Jaszi advocated and himself embodied, one that runs counter to the technocratic imperatives of our time. Ultimately, the book's goal is to make better known an important literary thinker and an unconventional teacher of German Studies, the value of whose work extends beyond a single discipline to humanities education in general, with special bearing on its present crisis and potential future.

Thinking Through German Literature with Andrew Jaszi

Edited by David Roberts

Charles Gildon’s The Life of Mr Thomas Betterton, the Late Eminent Tragedian

$120.00

Roberts reveals how Gildon's fusion of biographical study with neoclassical aesthetics and theatrical theory makes The Life an essential text for understanding early eighteenth-century performance.

Charles Gildon's The Life of Mr Thomas Betterton is a landmark text in English theatrical biography. First published in 1710, it not only commemorated the death of Thomas Betterton, the most renowned English actor of his era, but is the first major study in English to focus on an actor's craft rather than his personal life. However, despite its pioneering nature, Gildon's work has long been overshadowed by controversy. With one quarter of the text copied from a French oratorical treatise, many readers and scholars dismissed it as a plagiarized work.

This first modern edition reassesses the value of a text that is part biography, part textbook, and part borrowed from French sources. Here, David Roberts, reframes The Life as an essential resource not only for theatre history and life writing, but also for the study of publishing practices and early theories of plagiarism. Furthermore, as in Gildon's original publication, Roberts presents the Life with Betterton's comedy, The Amorous Widow.

In a comprehensive introduction, Roberts explores Gildon's relationships with both his publishers and with Betterton himself, presenting the Life as a classical dialogue based on a personal knowledge of the actor. It also sheds light on how Gildon exploited early definitions of plagiarism, balancing his unacknowledged borrowings with original insights into acting theory.

With old spelling and detailed annotations, this edition provides a rich foundation for understanding Gildon's impact on theatre, publication, and the evolving standards of intellectual property.

Cover image for Charles Gildon’s <i>The Life of Mr Thomas Betterton, the Late Eminent Tragedian</i>, isbn: 9781843847434

Robert V. Kenny

Monsieur Francisque’s Touring Troupe and Anglo-French Theatrical Culture, 1690-1770

$170.00

This deeply accomplished and lively monograph charts the career of a travelling French actor-manager whose impact and significance have been overlooked.

The "inimitable Monsieur Francisque" (François Moylin, c. 1690-1770), was an extraordinary actor-manager and key figure in the early eighteenth-century theatre world of both England and France. Leader of a family of gifted performers, including his niece, the famous dancer-choreographer Marie Sallé, he took them to every corner of France and beyond, playing before Louis XV as well as George I and II of England.

However, despite his fame among his contemporaries, Francisque's career has been largely overlooked. Robert V. Kenny resurrects Moylin from the footnotes of theatre history with this detailed case-study of an entrepreneurial actor-manager, his troupe and their repertory. Following them from the Paris fairs to the courts of Europe, via one of the worst riots in English theatre history, the book showcases the giddying range of activities and performances undertaken by this family and their associates.

Through the careful piecing together of diverse and fragmentary historical records, Kenny reveals the crucial role played by Francisque and his troupe in the conflict between Parisian fairground players and the established theatres, stressing Francisque's major contribution to the development of opéra-comique. This book not only revives Moylin's legacy but enriches our understanding of cross-cultural theatrical exchanges in eighteenth-century Europe.

Monsieur Francisque’s Touring Troupe and Anglo-French Theatrical Culture, 1690-1770

Edited by Lisa Fetheringill Zwicker and Martina Cucchiara

Women, Religion, and Emotions in Modern Germany and Beyond

$120.00

Analyzes the role of emotions in the religious lives of women from across Germany and Europe from the nineteenth century to the 1970s.

Scholarship on women and religion has focused primarily on the intersection between women's religious engagement and their emancipation. This volume goes beyond that to examine the vital role religion has played in the private and public lives of German and European women. Because emotions are central to the expression of religiosity, it draws on approaches from the history of emotions to examine how women understood, felt and practiced religion in their search for meaning.

Spanning from the nineteenth century to the 1970s, the volume's essays show how religion helped women make sense of their lives. It also illuminates the degree to which women used religion and its attendant emotional scripts to shape modern society and how religious discourses in turn shaped women's emotions and comportment in the public sphere. The volume builds on recent research that shows that religion-especially the religiosity of women-remained a pressing public concern in modern Europe. From anxieties over the religiosity of Bavarian servants to restrictive norms imposed on Jewish widows, from the interfaith commitments of kindergarten teachers to the autobiographical narratives of aspiring Protestant deaconesses, from the suffering of stigmatics in Germany and Belgium to Irish women's public narratives of their religiosity, this book reveals how women's faith and attendant religious emotions have been central to their public and private lives.

Women, Religion, and Emotions in Modern Germany and Beyond

Maren Clegg Hyer

Textiles and Textile Imagery in Early Medieval English Literature

$120.00

Identifies and analyses a wide range of textile metaphors and imagery from peace-weaving in Beowulf to word-crafting in Elene.

Textile metaphors, or metaphors involving the process and product of cloth-making, occur widely in literary traditions around the world. The same phenomenon holds true among the peoples of early medieval England. As close observers of a long and culturally significant textile tradition, pre-Conquest English writers drew upon their close familiarity with spinning and weaving to create a wide range of metaphorical textile images in both Old English and Anglo-Latin literature.

This book examines early medieval English textile imagery in close detail, situating it within its cultural and material contexts and addressing the ways in which lived experience informed these metaphors, whether inherited, invented, or both. It explores imagery linked to themes of creation, peace, death, magic, and fate in a comprehensive variety of texts, including Beowulf and Elene, Anglo-Latin letters and riddles, the Exeter Book riddles, prognostics, penitentials, hagiographic and homiletic texts, medical collections, and glosses. Overall, it demonstrates how an understanding of this important body of textile metaphors alters and shapes the ways in which we read the literature of this period.

Cover image for Textiles and Textile Imagery in Early Medieval English Literature, isbn: 9781843847441

Robert Doran

Liszt and Virtuosity

$49.95

CO-WINNER: The Triennial Alan Walker Book Award, sponsored by the American Liszt Society 2023

A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.

In the annals of music history, few figures have dominated the discussion of virtuosity as much as Franz Liszt. A flamboyant performer whose hair-raising technical feats at the piano created a sense of awe-inspiring excitement andan icon whose star power radiated far beyond the realm of music, Liszt was, along with his early model, Paganini, among the first major performer-composers to define himself principally by virtuosity.

Featuring new essays by an international group of preeminent scholars, Liszt and Virtuosity offers a reevaluation of the concept and practices of virtuosity as shaped and defined in Liszt's multifaceted oeuvre, as well as a reconsiderationof Liszt's relation to other major and lesser-known musical figures, including Czerny, Schubert, Chopin, Brahms, Debussy, and Marie Jaëll.

Set in the context of larger trends within the fields of music history, musicanalysis, intellectual history, and performance studies, these capacious explorations demonstrate that Liszt's uniqueness and significance resided in his ability to transform virtuosity into a revolutionary musical force, pushingthe piano aesthetic to the limits of sound and poetic meaning.

Jake Dyble

Managing Maritime Risk in Early Modern Europe

$120.00

Draws on the rich surviving archives of the Tuscan port of Livorno to explore how General Average worked.

Commercial seafaring, both dangerous and with large amounts of capital at stake, was the source of the risk-management institutions that still undergird the global economy today. A key institution of early modern risk management was General Average, a procedure used to redistribute extraordinary costs arising from a maritime venture between all financially interested parties. For example, should one merchant's cargo be jettisoned to lighten a ship in a storm, the loss would be shared pro rata by the shipper and all the cargo-owners. A risk-sharing practice, different from the risk-shifting of marine insurance which became established relatively late, General Average is still in widespread use.

This book explores how General Average worked. It reveals the gap between General Average in law and how it worked on the ground. It shows how General Average partitioned a wide array of business costs, thereby performing a significant role in structuring maritime commerce, managing risk and promoting shipping and trade. In addition, the book discusses how far General Average was a feature of a supposedly ancient, universal, customary maritime law, and contributes to debates about the evolution of institutions in economic development.

Cover image for Managing Maritime Risk in Early Modern Europe, isbn: 9781837651559

Edited by Elizabeth Gemmill

The Register of John Salmon, bishop of Norwich, 1299-1325

$49.96

John Salmon's fourteenth-century register brings to life the day-to-day world of a medieval bishop.

John Salmon's register is the earliest to survive for the diocese of Norwich: a complete record of institutions to ecclesiastical benefices during the quarter-century of his episcopate, from 1299 to 1325. Although his diocese was not the wealthiest in England, the early fourteenth century saw the region at the height of its ecclesiastical powers, with an abundance of churches and chapels and numerous religious houses.
Institutions to benefices and offices were at the heart of the work of the medieval bishop. This edition, which takes the form of a calendar supplemented with transcriptions and translations of entries of special interest, enables a detailed and thorough examination of the character and qualifications of the clergy who served local communities at the beginning of the fourteenth century, of the motives of the patrons who presented them to their livings and of the concerns of the bishop himself.

The Register of John Salmon, bishop of Norwich, 1299-1325

Alexander Robert Phillips

Ecology and German Realism

$120.00

Shows, contrary to the traditional view, that the major authors of German literary realism not only thematized environmental transformation but that it was central to their aesthetics.

In nineteenth-century Europe, and particularly in Germany, the industrial revolution led to air and water pollution, urban and industrial sprawl, and the physical reconstitution of natural landscapes. This book investigates the relationship between environmental degradation and German Realist aesthetics, challenging a longstanding argument in the scholarship that German Realism largely occluded urban and industrial realities by demonstrating that its major authors-Adalbert Stifter, Wilhelm Raabe, Theodor Storm, and Theodor Fontane-not only thematized environmental matters, but that environmental transformation became the very condition for their texts' reflections on the aesthetic representation of reality.

German Realist aesthetics in this sense are thus inseparable from environmental aesthetics. Environmental aesthetics, in turn, are inseparable from environmental politics, connected as they are to problems such as the loss of individual livelihoods, displacement of communities, and the legal and ethical standing of animals, plants and landscapes. By exploring how these problems appear in the fiction of the period, Alexander Phillips's book situates the literature in a longer genealogy of environmentalism and ecological aesthetics beyond Germany. That genealogy includes the early twentieth-century "Nature Fakers" debate in the United States, twentieth-century nature writing and contemporary ecocritical theory.

Edited by Laura Ashe, Philip Knox, Caroline Batten and Wendy Scase

New Medieval Literatures 25

$120.00

This volume continues the series' engagement with intellectual and cultural pluralism in the Middle Ages, showing the best new work in the field.

Essays in this volume deal with texts from the ninth to the fifteenth century and include some unexpected comparisons with British Romanticism. Great attention is paid to manuscripts in their contexts and situations of production: thirteenth-century mortuary rolls are examined as sites of fluidly variegated scribal training and practice, revealing a "scriptscape" of social networks spread across the country. Elsewhere, close analysis of manuscripts known to have belonged to Henry Despenser, bishop of Norwich (1370-1406) makes the case for an effective scribal atelier in the city, presided over by the "Despenser Master". Three essays are linked by a consideration of didactic writing: the Old English translation of Gregory the Great's Pastoral Care is analysed both textually and paleographically for what it reveals about grammatical study in England's early Middle Ages, and the moral freighting of that learning; a comparative analysis of multilingual retellings of sheep fables making an important contribution to animal studies; and recent, violent historical events are shown to have been reshaped into a parable for the instruction of wives in the Mesnagier de Paris. Finally, Gower's expansive geographical and genealogical imaginary in the Confessio Amantis reveals the impossibility of controlling the affordances of his multivalent "East"; while the Alliterative Morte Arthur is newly examined for its representation of mountains and mountaineering as sites of active moral allegory and spiritual importance, as well as real-world experiences of beauty and danger.

John Elphinstone

Russian Faith, Honour, & Courage Displayed in a Faithfull Narrative of the Russian Expedition by Sea (1769 & 1770)

$185.00

Captain John Elphinstone's first-hand account of serving the Russian Empress Catherine the Great in the Russian navy during the Russian-Ottoman war and at the famous Battle of Çeşme.

Russian Faith, Honour & Courage Displayed in a Faithfull Narrative of the Russian Expedition by Sea in the Years 1769 & 1770 is British Captain John Elphinstone's four-volume account of his two years in the Russian navy, serving the Russian Empress Catherine the Great. The Faithfull Narrative contains descriptions of his voyage from the Baltic to the Mediterranean, movements through the Aegean Sea, and commentary on the activities of the Imperial Russian Navy during the Russian-Ottoman War of 1768-74. Elphinstone offers one of the few first-hand accounts of the expedition and the celebrated Battle of Chesme (1770), which gave the Russian empire its maritime credentials. The text covers the squadron's movements around the Aegean Sea, including the major events and incidents of 1770: the Battle of Chesme, the siege of Lemnos, the loss of Elphinstone's flagship, Sviatoslav. The final part of the text sees Elphinstone return to St Petersburg in 1771 and then to London at the end of that year, to deal with the repercussions of the voyage to the Mediterranean.

Cover image for Russian Faith, Honour, & Courage Displayed in a Faithfull Narrative of the Russian Expedition by Sea (1769 & 1770), isbn: 9781916931022

Edited by Megan G. Leitch and K.S. Whetter

Arthurian Literature XL

$120.00

Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENT

Appropriately for the journal's fortieth milestone, this volume of Arthurian Literature offers an especially wide range of topics, from printers' modifications in early Arthurian books to a study of archetypal characters in several linguistic traditions. It begins with the winner of the Derek Brewer Essay Prize, which has this year been awarded to an original and intriguing investigation of how and why Wynkyn de Worde (or various of his staff working under his direction) modified his 1529 printing of Sir Thomas Malory's Le Morte Darthur. Thereafter, literary-critical explorations range across French, Welsh, and Middle English Arthurian literatures, including examinations of marriage in Chrétien's Chevalier au Lion, Peredur in the Welsh Grail texts, fairies and cosmic providence in Sir Gawain and the Green Knight, and the shifting degrees of agency possessed by Malory's Gwenyvere. The volume also features a lively reconsideration of the Arthurian tomb at Glastonbury from the point of view of material culture, and an examination of Arthur's hagiographical characterisation in Latin-Breton Saints Lives'. It closes with a survey of twentieth-century English-language retellings of Arthurian fiction that highlights female authors' many contributions to the genre.

Daniel Tong

Re-Reading the Beethoven Violin Sonatas

$130.00

New readings of the ten Beethoven sonatas for piano and violin, embracing both the performer's interpretation and the analyst's rigour.

This book provides new readings of the ten Beethoven sonatas for piano and violin, many of which have been given surprisingly little attention by scholars to date. This may be because nine of the sonatas are relatively early works, written between 1797-1803, with only the final sonata, Op.96 (1812) standing apart. However, within these ten works, Beethoven demonstrates numerous aspects of his musical personality and compositional style. The analyses in this book engage with postmodern concerns such as hermeneutics, intertextuality, gender, humour, narratology and human interest, revealing characteristics within these sonatas that have been slow to come to light. Here are examples of the Beethovenian narrative that do not always encapsulate heroic struggle and triumph; in many of the sonatas we find a witty, smiling composer, at odds with the growling Beethoven iconography. Works within the violin sonata cycle interrogate the hypermasculine Beethoven trope, before the last sonata is explored via a host of intertextual relationships with a body of early Romantic repertoire that emerged after Beethoven's death.

Embracing both the performer's interpretation and the analyst's rigour (or vice versa), this work offers methodologies for performer's analysis whilst acknowledging that both disciplines are essential to any project that seeks to address the nature of music as it is experienced in time.

Emil Lauge Christensen

The Reception of Papal Legates in England, 1170-1250

$120.00

Considers the reception of legatine missions to England during a significant period in the development of Anglo-Papal relations.

Papal legates, as the most powerful representatives of the pope, wielded significant influence in establishing and upholding papal authority throughout Christendom. The adventus - the elaborate ceremony of lordship on their arrival - provided a reception to mark their status. While the ceremony was ostensibly a straightforward display of power, communicating the lordship and authority of the papal legate, and a tool for establishing, negotiating, and gauging the relationship between the pope and other European powers, it was also susceptible to manipulation and distortion.

This book investigates how four chroniclers - Roger of Howden, Gervase of Canterbury, Roger of Wendover, and Matthew Paris - observed and interpreted such legatine adventus ceremonies in England in the twelfth and thirteenth centuries. These writers, aware of the curia's view that the reception of a papal legate signified acquiescence to papal authority and hegemony, offer a range of responses, from ridicule to praise. Drawing on chronicles, customaries, decretals, and other sources, it sheds new light on the intricate interplay between the expectations of both the papacy and the legates, and the diverse viewpoints found in the response of English writers.

The Reception of Papal Legates in England, 1170-1250

Edited by Dr Brian Hodgkinson

The Louth St James Churchwardens’ Accounts: 1527-1570

$60.00

Tudor Paperwork: accounts revealing the trials and tribulations of church officials during the Reformation period.

The Louth churchwarden's accounts are some of the county's most comprehensive surviving parish records. These continue in an almost unbroken sequence from the beginning of the sixteenth century, opening a panorama on the financial undertakings of a large and relatively prosperous parish church. The first published transcription, edited by Reginald Dudding, Rector of Saleby (1859-1937), covered the years 1500/1 to 1523/4 and recount the construction of the church's magnificent spire in considerable detail. The documents transcribed in this present publication date from 1527/8 to 1570/1 and comprise of two volumes now deposited in the Lincolnshire Archives. These, alongside the comprehensive parish registers commencing in 1538, illustrate the fiscal and social interactions between a local parish church and its parishioners. Importantly, although these texts are in hindsight historically significant, to the churchwardens of the period they were primarily a statement of the financial situation of the church; merely Tudor paperwork.

The Louth St James Churchwardens’ Accounts: 1527-1570

Edited by Clare Bielby and Mererid Puw Davies

Violence Elsewhere 1

$29.99

Explores the significance of postwar German representations of violence in other places and times.

Germany's twentieth-century history has made imagining and representing violence in German culture challenging, meaning that it can be difficult to locate and explore critically the significance of violence in and for the postwar German states. This volume approaches that challenge through critical analysis of "violence elsewhere," that is, constructions of violence in distant, imagined, or temporally distinct times and places. Such representations have offered a stage on which to imagine violence. Moreover, German representations of "violence elsewhere" are simultaneously images of Germany itself, revealing something about otherwise submerged meanings and functions of violence in German culture.

The essays in this volume explore selected, emblematic works from East, West, and, later, unified Germany, which imagine violence in, for example, Latin America, Vietnam, Cambodia, the USA, and the Middle East, as well as in the respective "other" German state and in the German past. Drawing on fields including cultural, literary, film, visual, and gender studies, it introduces multidisciplinary theoretical approaches to the topic of violence elsewhere that may be transferable beyond German studies too. As such, the volume allows us to reflect more broadly on relationships between violence, culture, community, and the creation of identities, and to look beyond binary notions of "here" and "elsewhere," "self" and "other." It thus expands our understanding of what German culture is and could be.

Professor Sidra Lawrence

intimate entanglements in the ethnography of performance

$37.95

Honourable Mention for Society for Ethnomusicology - Ellen Koskoff Edited Volume Prize

Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance ethnography and in institutional and disciplinary settings.

Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political.

Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars.

intimate entanglements in the ethnography of performance

Edited by Julian Goodare and Liv Helene Willumsen

Scottish Witchcraft Trials

$65.00

This book presents a selection of original texts of Scottish witchcraft trial records, with historical commentary. These are the essential sources for understanding the intensity of witch-hunting in Scotland.

Witchcraft was a statutory offence in Scotland between 1563 and 1736, and the authorities held many trials and executions for witchcraft in this period. This book presents a representative selection of original records of these trials, with historical commentary. The documents are selected mainly from the records of local kirk sessions, presbyteries and burghs, and the central justiciary court. Some records include statements by neighbours about alleged bewitchment; these narrate quarrels, illness and healing, and misfortunes in everyday life. In other records, the accused witches themselves are interrogated about alleged dealings with the Devil; the resulting confessions can include fantastical accounts of visionary experiences and encounters with fairies. Each case has its own uniqueness; these are all individual human stories, often tragic ones. The records show the local church authorities, and the criminal courts, investigating and unwittingly creating an impossible crime.

Edited by Maria Power and Jonathan Bush

Lay Catholic Societies in Twentieth Century Britain

$75.00

This volume brings to light the Catholic laity's rich history of collective action to address major social issues in twentieth-century Britain, from women's suffrage to the AIDS crisis.

Catholic teaching in the twentieth century placed renewed emphasis on the role of lay people in enacting Christian values and beliefs in the circumstances of their ordinary lives. In Britain, this call for Catholic action in the social sphere was answered by many organisations and associations that in very different ways channeled and transformed the engagement of Catholic believers with the Church and with wider society. This volume casts fresh light on the neglected contributions of Britain's Catholic minority to widely familiar movements and issues across the twentieth century, from women's suffrage at its beginning to the peace movement and AIDS response at its end.

While much research has been done on lay Catholic associations in North America and Continental Europe, very little has previously been known about such societies in the British context. Chapters in this ground-breaking collection discuss such organisations as the Catholic Women's League, St Joan's Social and Political Alliance, the Guild of Catholic Teachers, the Catholic Evidence Guild, the Young Christian Workers, the Newman Association, the Catenians, the Catholic Worker movement, the charismatic prayer groups that proliferated in the 1970s, and Catholic AIDS Link.
These groups operating under lay leadership variously worked to support working and professional women, secure equal voting rights, advance the professionalisation of teachers, combat prejudice against the reasonableness of Catholic doctrines and those holding them, give young working people the skills and confidence to engage actively with their conditions, provide aid to exiles from totalitarian regimes, create forums for respectable conviviality and collective charitable endeavour for middle-class men, promote radical social justice and peace activism, experiment with new forms of worship and spirituality, and respond to the crisis of the AIDS pandemic of the 1980s.

The sheer variety of concerns addressed by these associations - a small selection from the many more that have existed and that continue to operate - indicate something of the breadth of the Catholic laity's engagement with the condition of twentieth-century Britain and the depth of its response to the call for Catholic social action.

Lay Catholic Societies in Twentieth Century Britain

Edited by Leslie Zarker Morgan and translated by Shira Schwam-Baird with contributions from Philip E. Bennett, Alan E. Bernstein, Michela G. Scattolini and Jean-Claude Vallecalle.

Huon d’Auvergne

$220.00

The first complete edition of a fourteenth-century Franco-Italian chanson de geste, presented with facing page English translation.

The late medieval poem Huon d'Auvergne ("Hugh of Alvernia") belongs linguistically and thematically to both Italian and French literary history. Structurally a chanson de geste, an Old French epic form, Huon was created in the northern Italian peninsula for an audience of its courts and princes.

It is the first poem to quote Dante's Divine Comedy. However, far from merely imitating the Inferno, Huon reworks a long and varied tradition of Otherworld journeys ranging in origin from antiquity to the fourteenth century, its protagonist's voyages echoing those of St Brendan, Virgil and Dante. Sent by King Charles Martel of France to demand tribute from Lucifer, Huon, en route to Hell, travels through multiple fantastic places, fighting serpents, rescuing a lion and being transported by griffons. He meets Prester John, converts multiple eastern cities to his Christian faith, and sees Alexander, Trojan warriors and Old Testament figures. Its lively narrative contains trial by combat, romance and attempted seduction, fights with monsters and human enemies, penance and redemption, sin and punishment.

This volume presents a complete edition of the earliest known version from 1341, with a full facing-page English translation - making this exciting text available to a wider audience. It also includes a substantial introduction, covering authorship claims, textual tradition, poetic form and reception. Detailed notes offer an explication of particular points of the text.

Nigel Simeone

Edward Elgar and Adrian Boult

$85.00

Considers Boult's interpretations of Elgar's major works by drawing on their correspondence, Boult's annotated scores, broadcast performances, commercial recordings and press reviews, ranging from the composer's lifetime to Boult's final public appearances.

Edward Elgar (1857-1934) and Adrian Boult (1889-1983) first met in 1904 and they saw each other frequently over the next thirty years. This book documents how Boult's Elgar interpretations evolved and the ways in which Boult drew on his experience of Elgar's own performances as well as their personal contacts. It provides fascinating biographical context, with a particular focus on the role played by the charismatic music patron Frank Schuster. A misunderstanding led to Elgar and Boult falling out in 1924 and it was not until 1931 that Elgar sought to restore their friendship.

The book considers Boult's interpretations of Elgar's major works, drawing on a variety of sources including Boult's annotated scores as well as his broadcasts and commercial recordings of Elgar's music, ranging from those made in the composer's last years to Boult's final public appearances in 1978. The view of contemporary critics provides further evidence. All the works with which Boult was closely associated are considered in detail: the two symphonies, The Dream of Gerontius, The Kingdom and The Apostles and orchestral works including the Enigma Variations, Falstaff and the Violin and Cello Concertos. The text is complemented by appendices including a chronology of performances and a discography. These provide invaluable information for anyone interested in this fascinating composer-conductor relationship, and in Boult's advocacy of Elgar's music throughout his long career.

Jane Bonsall

Women and Magic in Medieval Romance

$120.00

Explores the conventions and contradictions inherent in archetypes of magical femininity - from loathly ladies to monstrous mothers - in a range of popular late medieval English romances.

The female characters in Middle English romances with particular power and agency are often portrayed as supernatural, possessing either magical abilities or identities. This book argues that a genre-focused reading of these supernatural women reveals romance's strategies for working through and articulating anxieties about the changing world of the late medieval period, as well as exposing their contemporary audiences' unexpectedly flexible attitudes toward feminine authority and moral ambiguity.

It explores five distinct types of magical femininity: the Tristan tradition's marvelously gifted healers; the Muslim princess in Bevis of Hampton; the endlessly wealthy fairy imagined by Sir Launfal and Partonope of Blois; the monster-mother Melusine; and Morgan le Fay, the prototypical witch. By tracking the way each type first establishes then complicates generic patterns, this study highlights the tension between romance's persistent fascination with feminine power, and its simultaneous reiteration of the social and generic bounds on women's agency and authority. Interrogating generic expectations from an intersectional feminist perspective, it makes a case for a recuperative re-reading of romance, one that asks us to revise our assumptions about the potentialities of women's power in the medieval imaginary.

Cover image for Women and Magic in Medieval Romance, isbn: 9781843846659

Ernest Ernest Cole

The Literature of Contemporary Sierra Leone

$120.00

What are Sierra Leonean and diaspora authors writing about today? What genres are they working in? What are future possibilities and directions of travel?

The ethnically and linguistically diverse nation of Sierra Leone boasts a rich cultural legacy and, in the first decades of the twenty-first century, has built an internationally recognized literary canon despite the ravages caused by a brutal civil war and then the Ebola and Covid pandemics. While acknowledging the country's literary and creative heritage dating back to the mid-twentieth century, this book interrogates a number of prominent themes and critical perspectives on Sierra Leone's contemporary literature.

Drawing from body studies, post-colonial theory, spatial theory, trauma theory, ecocriticism, history, and cultural studies, scholars and writers from West Africa and the United States tease out the beginnings, ecology, and dynamism of a bona fide national literature. They do so through a careful examination of such themes as social oppression and class distinction, dystopia, ethnocentricity, homophobia, misogyny and gender disparities, anthropocentrism, self-discovery, social transformation, identity, social degradation, genocide, and trauma, while also theorizing constructs such as home, migration, displacement, community, and return. Throughout, contributors argue for a better appreciation of a vibrant national literature by Sierra Leoneans themselves as well as its place in and contribution to world literature more generally.

The Literature of Contemporary Sierra Leone

Edited by Sean Ireton

A Companion to the Works of Adalbert Stifter

$170.00

Presents Stifter's multi-faceted oeuvre to both a German Studies and non-specialized Anglophone audience, showing today's readers the relevance of its concerns.

The canonical nineteenth-century Austrian writer Adalbert Stifter (1805-1868), long considered a staid stylist - if not mannerist - and a conservative-bourgeois apologist, has recently become the subject of more vibrant literary-theoretical approaches. While Stifter is primarily known for his fictional prose, including two lengthy novels (Der Nachsommer [Indian Summer] and Witiko) and numerous novella-length narratives, he also wrote dozens of cultural-political and scientific essays. Moreover, his professional activity in the Austrian school system and his diverse publications in the realm of pedagogy not only shed interpretive light on his literary production but also inform enduring debates on education reform and the intellectual-historical question of Bildung. This volume covers a wide range of texts and topics within Stifter's oeuvre. With respect to literary-historical coverage, it extends from his earliest tale Der Condor (The Condor, 1840) to his posthumously published chronicle Aus dem bairischen Walde (From the Bavarian Forest, 1868); in terms of genre, it embraces his novels and novellas, his essayistic work, and even his landscape paintings; finally, it pursues a host of deeper problems and thematic strands that permeate his texts and make them relevant to readers today. These include (neo-)conservatism, social unrest, law and order, ecology, climatology, bioregionalism, and the Anthropocene.

A Companion to the Works of Adalbert Stifter

Edited by Alyce A. Jordan and Kay Brainerd Slocum

Images of Thomas Becket in the Middle Ages and Beyond

$170.00

Explores the commemoration and memorialisation of the Canterbury martyr in visual and material culture.

In life, and especially in death, Thomas Becket was nothing short of a medieval celebrity, whose significance spanned the European high Middle Ages in to the sixteenth-century. Henry VIII's suppression of his cult in 1536 only served to enhance his popularity elsewhere. Visual depictions of his life, high-profile careers, spectacular demise, and posthumous legacies, are numerous. These images document both the extent, and the efficacy, of his invocation across religious, political and civic agendas. Becket remains the stuff of literature and legend, art, drama and cultural commodification.

This volume explores Becket imagery, both in such traditional media as stained glass and illuminated manuscripts, and less common objects: toys, baptismal fonts, and vernacular almanacs. Its essays provide new interpretations of the archaeological, iconographic, and historiographic spectrum of Becket imagery by, for example, deconstructing religious-secular binaries in the study of pilgrim badges and revising long-established interpretations of Canterbury stained glass. They also expand the Becket visual canon into broader geographic and temporal contexts, from medieval Denmark and Spain to eighteenth- and nineteenth-century Britain and twenty-first-century Boston. Meanwhile, contributions which look at the appropriation and use of Becket imagery in the aftermath of the English Reformation break new ground in scrutinizing a subject well traversed in text, but that has only begun to be explored in visual and material culture.

Images of Thomas Becket in the Middle Ages and Beyond

Tom Wilder

A Cultural History of the Violin in Nineteenth-Century London

$130.00

Examines the violin's evolution as not just instrument but valued objet d'art through the eyes of musicians, collectors, makers, dealers, connoisseurs, journalists, auctioneers and traders.

The nineteenth century saw developments in the composition, performance and reception of classical music that led to an unprecedented shift in how the violin was appreciated, from humble craft object to one of art. A utilitarian tool defined in 1800 by its tonal properties became by century's end an expensive objet d'art, classified almost exclusively in terms of physical, visible properties. In London's vibrant musical life, Cremonese violins acquired special significance and in turn helped shape the beliefs, knowledge and behaviour of the disparate actors connected to the instrument: musicians, collectors, makers, dealers, connoisseurs, journalists, auctioneers and traders.

By 1880, London had supplanted Paris as the centre of the international violin trade. One firm in particular, W.E. Hill & Sons, emerged as a major presence in both the local musical community and the global violin market. The Hills were makers, restorers, dealers, and connoisseurs. They were also writers, collectors, and melomaniacs deeply implicated in London's instrument auction and exhibition scene. The mutually reinforcing nature of these activities - which they consciously turned to account for commercial reasons - bear witness to events and developments earlier in the century. Their story illuminates this first study of the violin's nineteenth-century journey from simple musical instrument to mystified work of art.

A Cultural History of the Violin in Nineteenth-Century London

Stuart Taberner

The New German Jewish Literature

$29.99

Posits a New German Jewish Literature that has surprising implications for today's German Jewish - and Jewish - identity, including solidarity with others, even after October 7, 2023.

Eighty years after the Holocaust, it is now possible to speak of a New German Jewish Literature. Emerging out of a community that, following the arrival of more than 200,000 people of Jewish ancestry from the former Soviet Union, is now vastly larger, increasingly diverse, and culturally vibrant, German Jewish writers are re-articulating what it means to be Jewish in the "land of the perpetrators." More generally, they are also rethinking Jewish values and Jewish solidarity against the backdrop of global events and trends such as the resurgence of antisemitism, the Israeli-Palestinian conflict, and growing intolerance toward ethnic, religious, and sexual minorities.

Stuart Taberner's book provides the first comprehensive account of the tension between Jewish particularism and Jewish universalism that characterizes this New German Jewish Literature. To what extent should Jewish identity be focused on the "Jewishness" of the Jewish experience, including the Holocaust? Or does "Jewish purpose" reside in expressing solidarity with persecuted minorities everywhere? Taberner argues that this new literature presents an aesthetically engaging and politically nuanced deliberation on Holocaust memory, on worldliness, and on solidarity - with sometimes surprising and radical implications for modern-day German Jewish and Jewish identity. He also examines authors' responses to the Hamas attack on Israel of October 7, 2023, and speculates about the future of German Jewish writing.

This book is available as Open Access under the Creative Commons license CC BY-NC-ND.

Jan-Peer Hartmann

Remains of the Past in Old English Literature

$130.00

Argues for a new understanding of Old English responses to materiality and historical change.

Human communities have interacted with the material remains of earlier periods for millennia. Such "archaeological objects" - including bones, coins, weapons, building materials and architectural landmarks - were physically handled, reused, transformed and reinterpreted; they were also depicted in literature. This book examines how Old English texts imagine such human encounters with the remnants of the past. It explores Elene's perspective on the discovery of the True Cross as a narrative of political, spiritual and epistemic translatio and the multiple ways in which The Wanderer and The Ruin use images of ruins and the poetic formula "work of giants'" to construct an unknown and unrecoverable past; it also considers the engagements with 'untimely objects' in Beowulf and the Anonymous Old English Legend of the Seven Sleepers and how the Ruthwell Cross Poem and The Dream of the Rood play off "figural'" against 'literal' history.

As this study demonstrates, Old English texts combined and creatively adapted a broad variety of ways of conceptualizing not merely history, but indeed the very processes by which historical thought operates. Its careful readings show that these texts not only display a deep and conflicted understanding of the philosophical implications of viewing history and temporality through the prism of material objects, but also exhibit a powerful capacity for expressing such an understanding through aesthetic strategies.

Remains of the Past in Old English Literature

Ralph Moffat

Medieval Arms and Armour: a Sourcebook. Volume I

$60.00

Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them.

"A substantial and impressive piece of scholarship, one that will serve scholars and enthusiasts of medieval arms and armour very well indeed". Dr Robert W. Jones, Franklin and Marshall College

Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with fifty-two images of extant armour and weapons from the period and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter and martial artist, to students of literature, military history, art and material culture.

Medieval Arms and Armour: a Sourcebook. Volume I

Nicholas R. Amor

Late Medieval Ipswich

$36.95

A detailed study of Ipswich at a time of great growth and prosperity, highlighting the activities of its industries, merchants and craftsmen.

Ipswich in the late Middle Ages was a flourishing town. A wide range of commodities passed through its port, to and from far-flung markets, bought and sold by merchants from diverse backgrounds, and carried in ships whose design evolved during the fourteenth and fifteenth centuries. Its trading partners, both domestic and overseas, changed in response to developments in the international, national and local economy, as did the occupations of its craftsmen, with textile, leather and metal industries of particular importance.

However, despite its importance, and the richness of its medieval archives, the story of Ipswich at the time has been sadly neglected. This is a gap which the author here aims to remedy. His careful study allows a detailed picture of urban life to emerge, shedding new light not only on the borough itself, but on towns more generally at a crucial point in their development and during a period of growing affluence when ordinary people enjoyed an unprecedented rise in standards of living and the benefits of what might be termed our first consumer revolution.

Andrew D. Buck

The Principality of Antioch and its Frontiers in the Twelfth Century

$36.95

An investigation into how Antioch maintained itself as an independent principality during a period of considerable challenges.

Situated in northern Syria, on the eastern-most frontier of Latin Christendom, the principality of Antioch was a medieval polity bordered by a host of rival powers, including the Byzantine Empire, the Armenian Christians of Cilicia, the rulers of the neighbouring Islamic world and even the other crusader states, the kingdom of Jerusalem and the counties of Edessa and Tripoli. Coupled with the numerous Christian, Muslim and Jewish communities who populated the region, Antioch's Frankish settlers - initially installed into power by the military successes of the First Crusade - thus faced numerous challenges to their survival.

This book examines how the ruling elites of the principality sought to manage these competing interests in order to maintain Antioch's existence during the troubled twelfth century, particularly following the death of Prince Bohemond II in 1130. His demise helped to spark renewed interest from Byzantium and the kingdom of Jerusalem, and came at a time of both Islamic resurgence under the Zengids of Aleppo and Mosul, as well as Armenian power growth under the Rupenids. An examination of Antioch's diplomatic and military endeavours, its internal power structures and its interaction with indigenous peoples can therefore help to reveal a great deal about how medieval Latins adapted to the demands of their frontiers.

The Principality of Antioch and its Frontiers in the Twelfth Century

Richard Rastall with Andrew Taylor

Minstrels and Minstrelsy in Late Medieval England

$54.95

A major new study piecing together the intriguing but fragmentary evidence surrounding the lives of minstrels to highlight how these seemingly peripheral figures were keenly involved with all aspects of late medieval communities.

Minstrels were a common sight and sound in the late Middle Ages. Aristocrats, knights and ladies heard them on great occasions (such as Edward I's wedding feast for his daughter Elizabeth in 1296) and in quieter moments in their chambers; town-dwellers heard and saw them in civic processions (when their sound drew attention to the spectacle); and even in the countryside people heard them at weddings, church-ales and other parish celebrations. But who were the minstrels, and what did they do? How did they live, and how easily did they make a living? How did they perform, and in what conditions? The evidence is intriguing but fragmentary, including literary and iconographic sources and, most importantly, the financial records of royal and aristocratic households and of towns. These offer many insights, although they are often hard to fit into any coherent picture of the minstrels' lives and their place in society. It is easy to see the minstrels as peripheral figures, entertainers who had no central place in the medieval world. Yet they were full members of it, interacting with the ordinary people around them, as well as with the ruling classes: carrying letters and important verbal messages, some lending huge sums of money to the king (to finance Henry V's Agincourt campaign in 1415, for instance), some regular and necessary civic servants, some committing crimes or suffering the crimes of others. In this book Rastall and Taylor bring to bear the available evidence to enlarge and enrich our view of the minstrel in late medieval society.

Minstrels and Minstrelsy in Late Medieval England

Laura L Gathagan

Gender, Memory and Documentary Culture, c.900-1300

$130.00

Considers the role gender played in the production, use and preservation of documents.

How was the world of medieval documentation and memory creation affected by gender? This question is central to the essays collected here, which bring together aspects of gender and documentary culture that are usually studied only in isolation. Covering the tenth to the thirteenth centuries, the volume offers a broad geographical reach - England, France, Flanders, Germany, Spain - and an array of sources, from charters, letters and court proceedings to seals, iconography, and illumination. There is a particular focus on lay female communities, including women's collective legal action in pre-Conquest England, documentary initiatives of Castilian peasant widows, and urban Flemish women's sealing practices. Re-examinations of noblewomen's centrality - and erasure - in charters focus on Ermengarde of Brittany, Mathilda of Boulogne and Berengaria of Navarre. Contributions on gender and historical writing explore their development in Ottonian courts, tenth-century English coronation portraits, Orderic Vitalis' Historia Ecclesiastica, and French chroniclers' rhetorical strategies for writing noblewomen's rage. Further chapters consider monastic spaces, including women's houses at Auxerre and Marcigny and at Holy Trinity, Caen, and explore women's memory preservation efforts, at Spanish houses - San Salvador de Oña and Santa María de Piasca - and a community at Bouxières. This volume demonstrates the new insights that can be gleaned by viewing various processes, such as legal disputes and monastic narratives and foundation, through a gendered lens.

Gender, Memory and Documentary Culture, c.900-1300

Edited by Laura Loguercio Cánepa and Stephanie Dennison

Brazilian Horror Cinema in the Twenty-First Century

$130.00

Brazil's pressing socio-political questions as seen through the country's horror-film-influenced audio-visual production between 2008 and 2022.

Since the 2008 release of Embodiment of Evil, the third instalment in the Coffin Joe trilogy, which began with At Midnight I'll Take Your Soul, Brazil's audiovisual industry has been producing an increasing number of unsettling, often violent and frequently dystopian films, reflecting the wide-ranging social, cultural, environmental and economic problems the country is facing.

This edited volume by scholars from Brazil, the United Kingdom and the United States discusses a broad selection of Brazilian audio-visual productions released between 2008 and 2022 which, through their use of aesthetic and narrative devices borrowed from horror cinema, shed light on the country's pressing socio-political questions. Mostly by first-time directors, these productions bear witness to a second 'Golden Age' of Brazilian horror cinema (reflected in new, specialised festivals such as CineFantasy, RioFan, CRASH and Fantaspoa) and ultimately serve to illustrate, in audio-visual form, the tensions at the heart of Brazilian society in the second decade of the twenty-first century.

Brazilian Horror Cinema in the Twenty-First Century

Edited by Gwilym Dodd and Helen Lacey

Fourteenth Century England XIII

$120.00

Essays on a diverse range of topics, presenting the latest research on themes of gender, religion, warfare, the built environment and chronicle-writing of the period.

This collection brings into dialogue scholarship on social, religious, economic, military and political history, offering exciting new insights into a range of topics, based upon meticulous research into published and unpublished archival records. Two studies reveal the influence of gendered norms and expectations at different ends of the social spectrum, one focussing on peasant women charged with extramarital sex known as leyrwite, the other on the martial achievements and expectations of Edward III. Several essays examine patronage, property investment and the built environment, with actors ranging from the papacy to religious guilds and members of the gentry. Further contributions provide new perspectives on conflict and violence: a re-examination of how the Peasants' Revolt was recorded in the Anonimalle Chronicle, a consideration of how armies were recruited at the time of civil war in 1321-22, and an investigation of the life and career of Henry Crystede, an Englishman fighting in Ireland.

Neil MacGillivray

An Innovative Physician and Scientist in Britain and British India

$120.00

Through an examination of the life and remarkable achievements of Sir William Brooke O'Shaughnessy, this book reveals a great deal about both medical and scientific innovation in the nineteenth century.

It traces O'Shaughnessy's career. At the age of twenty-three in 1831 he identified the physiological cause of death from cholera and recommended intravenous saline as the cure in the face of the contemporary medical belief in bloodletting. In 1833 as an Assistant Surgeon of the East India Company, and later as Professor of Chemistry in the new Calcutta Medical School, he saw the possibilities of native plants and studied several. These included cannabis, about which he published a detailed analysis which led to the introduction of cannabis as a pharmaceutical product in the West, a use which continued until the mid-twentieth century.

Later he pioneered telegraphy, first with an experimental line in Calcutta and then, as superintendent of Indian Telegraphs, he supervised the successful construction of several thousand miles of telegraph across India, thereby enabling closer control of India by the colonial power. Throughout, besides giving details of O'Shaughnessy's personal life, the book sets his work and achievements in their wider context.

An Innovative Physician and Scientist in Britain and British India

Edited by Yvonne Cripps

Law and the Protection of Democracy

$190.00

Highly topical collection of innovative essays on the protection of democracy by eminent contributors from the judiciary, the practicing legal profession, the academy, and the realm of journalism.

With international safeguards for democracy showing signs of fragility as they come under various forms of attack, the vitality of the legal imagination will be essential to the future of the democratic rule of law. This collection of essays undertakes an innovative and timely assessment of the legal system's capacity for self-renewal. In its focus on law as a creative project in the service of democracy, the volume honors Alfred C. Aman Jr., a distinguished law professor, administrator, jazz musician, and scholar. Aman's extensive body of work includes farsighted, and ultimately optimistic, writings drawing attention to the potential of law reform as a means of addressing democracy deficits in the United States.

This book provides a timely, even urgent, analysis of current challenges to democracy, tackling questions of Constitutional interpretation, separation of Church and State, press freedom, personhood, admissibility of evidence, environmental protection, and legal education, among other issues. Beyond current problems, authors consider resources for renewal in unexpected places, for example, looking to mentorship in legal education as support for democratic imagination and to processes of interpretation, improvisation, and generative dissonance as exemplified in music in ways that are relevant to law. The essays relate to the United States and other jurisdictions that, like the US, have fought hard for their freedoms and democracy through law.

Edited by Yvonne Cripps. Contributors: Nathan D. Alder, Dan Cole, Lloyd Green, Carol Greenhouse, David Hamilton, Jay Krishnan, Tzu-Yi Lin, Christiana Ochoa, Aviva Orenstein, Arantxa Recarte, Lauren Robel, Landyn Rookard, Susan Williams, Elisabeth Zoller.

This book will be made Open Access (license CC BY-NC-ND) within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/.

Karin Baumgartner

Inventing the German Nation in Travel Literature, 1738-1839

$130.00

Argues that German national identity was fostered, and even invented, in and through travelogues and other travel writing.

Far into the nineteenth century, Germany remained a collection of separate principalities. Scholars have long debated the causes and implications of this "belatedness" relative to other European nations like England and France. This book offers a fresh perspective by arguing that travel literature helped shape a distinct and cohesive German identity well before political unification in 1871. Beginning in the eighteenth century, foreign travelers' accounts depicted "Germany" as a distinct place despite its political divisions, thus allowing German readers to imagine their fragmented nation as a conceptual whole. Ethnographic descriptions from distant places further aided this process as Germans learned to view themselves through this particular lens. Around 1800, Germans, too, began to explore their homeland and describe their experiences, creating travelogues that solidified the nascent sense of national identity.

Drawing on a vast collection of German, British, and French travelogues, travel handbooks, and popular geographic texts, Karin Baumgartner examines how travel writing reflects shifts in geographic paradigms and national identity in eighteenth- and nineteenth-century Germany. Incorporating discourses of nationalism and geography, including Edward Soja's influential concept of Thirdspace, Baumgartner illuminates how these texts encapsulated evolving perceptions of space that forged a specific German national identity.

Cover image for Inventing the German Nation in Travel Literature, 1738-1839, isbn: 9781640141384

Edited by David Como and Michael Questier

Religion, Politics and the Public Sphere, 1500-1850

$170.00

An examination of the political, cultural and spiritual shock waves unleashed by the reformation and counter-reformation.

The traumas and transformations sparked by the reformation and counter-reformation were felt in countless ways over the two centuries that followed. This book examines the political, cultural and spiritual shock waves unleashed by the reformation. It considers religion, religious identity and religious conflict, paying particular attention to the self-professed beliefs and mental structures articulated by early modern people, in an effort to make sense of how those people lived, formed communities and understood their religious lives. It explores how the pervasive effects of religious schisms shaped political life across Europe, exerting profound effects on political structures and arguments, reshaping borders, sowing endemic conflict and engendering various solutions for confronting and overcoming those conflicts. In addition, the book discusses how the religious and political controversies provoked by the reformation were conducted publicly, often in print, before increasingly broader audiences, often making use of new modes of representation that emerged during the period. Overall, the book provides a broad, in-depth, very insightful analysis of this crucially important period.

Contributors: Simon Adams, Michael Braddick, Thomas Cogswell, David Como, Richard Cust, Lori Anne Ferrell, Kenneth Fincham, Paul E. J. Hammer, Ann Hughes, Anthony Milton, Jason Peacey, Steve Pincus, Michael Questier, Nigel Smith and Nicholas Tyacke

Religion, Politics and the Public Sphere, 1500-1850

Edited by Jackson R. Bryer and Richard Reisinger

F. Scott Fitzgerald Remembered

$190.00

Personal reminiscences of Fitzgerald - many previously unpublished - by those who knew him, allowing the reader to construct a composite biography.

Fitzgerald once wrote: "There never was a good biography of a good novelist. There couldn't be. He is too many people if he's any good." Since his untimely death in 1940, Fitzgerald has been scrutinized in nine major biographies, each of which seeks to construct a single narrative that conveys the biographer's interpretation of Fitzgerald. In contrast, F. Scott Fitzgerald Remembered presents over sixty first-hand accounts of Fitzgerald, many of them previously unpublished, by those who knew him at all stages of his life - from his time as an adolescent in St. Paul and an undergraduate at Princeton through his meeting and marrying Zelda Sayre and his first successes, the high points and increasing dissipation of the 1920s in New York, Paris, and the Riviera and the 1930s in Baltimore and North Carolina, to his final years in Hollywood.

The guiding principle is not to provide a single interpretation of Fitzgerald's life but to present these accounts in all their variety and even contradiction, inviting the reader to form a biographical portrait based upon them. Making these reminiscences available to scholars, students, and fans of Fitzgerald is particularly timely given the centenary of the publication of The Great Gatsby in 2025.

Edited by Matthew Firth

Pre-Conquest History and its Medieval Reception

$130.00

Offers insights into the political, social and cultural interests that informed the shaping of England's pre-Conquest history.

The Norman Conquest brought about great change in England: new customs, a new language, and new political and ecclesiastical hierarchies. It also saw the emergence of an Anglo-Norman intellectual culture, with an innate curiosity in the past. For the pre-eminent twelfth-century English historians - such as Eadmer of Canterbury, William of Malmesbury and Henry of Huntingdon - the pre-Conquest past was of abiding interest. While they recognised the disruptions of the Conquest, this was accompanied by an awareness that it was but one part of a longer story, stretching back to sub-Roman Britain. This concept of a continuum of English history that traversed the events of 1066 would prove enduring, being transmitted into and by the works of successive generations of medieval English historians.

This collection sheds new light on the perceptions and uses of the pre-Conquest past in post-Conquest historiography, drawing on a variety of approaches, from historical and literary studies, to codicology, historiography, memory theory and life writing. Its essays are arranged around two main interlinked themes: post-Conquest historiographical practice and how identities - institutional, regional and personal - could be constructed in reference to this past. Alongside their analyses of the works of Eadmer, William and Henry, contributors offer engaging studies of the works of such authors as Aelred of Rievaulx, Orderic Vitalis, Gervase of Canterbury, John of Worcester, Richard of Devizes, and Walter Map, as well as numerous anonymous hagiographies and histories.

Pre-Conquest History and its Medieval Reception

Edited by Alison Sinclair

Cultures of the Popular in the Modern Hispanic World

$130.00

How many cassette tapes do you still own? In one hundred years, how many TikTok videos or Instagram posts will still be accessible? Yet much of today's news and mass culture is produced and disseminated via transient means. Just as in previous eras.

Hispanic popular cultures of previous centuries, once intended for a broad audience, can now only be glimpsed in fragile, and frequently overlooked, media such as chapbooks, newspapers, journals and early sound recordings. This bilingual collection explores aspects of the ephemeral cultures of Spain and Latin America between the sixteenth and twentieth centuries, taking advantage of the recent digital turn in the humanities.

The first section examines the varied audiences for mass literature in Spain and the authorities' attempts to censor and control it. The second looks at pliegos sueltos, songbooks and collections of popular poetry in Argentina, Mexico and Chile. The third section concentrates on questions of performance, studying placards which originally accompanied oral readings of pliegos sueltos, news ballads and zarzuelas. The volume concludes with a focus on three case studies: the travels of an eighteenth-century giant and the reception of his self-fashioning in Spain, the diffusion of the works of a Spanish pulp novelist in Portugal and Brazil and the revival of a Peruvian festival of popular music in the early twentieth century.

Throughout, the chapters show how the increasing digitisation of library and archival collections has enabled much of this ephemeral material to be 'discovered', analysed and compared, leading to new understandings of how popular culture developed and migrated and, indeed, what is meant by 'popular'.

Cultures of the Popular in the Modern Hispanic World

Paul A. Elliott

Erasmus Darwin's Gardens

$39.95

This first full study of Erasmus Darwin's gardening, horticulture and agriculture shows he was as keen a nature enthusiast as his grandson Charles.

Famous as the author of the Botanic Garden (1791) and grandfather of Charles Darwin (1809-1882), Erasmus Darwin (1731-1802) was a larger-than-life enlightenment natural philosopher (scientist) and writer who practised as a doctor across the English Midlands for nearly half a century. A practical gardener and horticulturist, Darwin created a botanic garden near Lichfield - which galvanised his poetry - and kept other gardens, an orchard and small "farm" in Derby. Informed by his medical practice and botanical studies, Darwin saw many parallels between animals, plants and humans which aroused hostility during the years of revolution, warfare and reaction, but helped him to write Zoonomia (1794/96) and Phytologia (1800) - his major studies of medicine, agriculture and gardening. Captivated by the changing landscapes and environments of town and country and supported by social networks such as those in Lichfield and Derby, Darwin avidly exchanged ideas about plants, animals and their diseases with family, patients, friends such as the poet Anna Seward (1742-1809), farmers, fellow doctors, huntsmen and even the local mole catcher.
The is the first full study of Erasmus Darwin's gardening, horticulture and agriculture. It shows him as keen a nature enthusiast as his contemporary Rev. Gilbert White of Selbourne (1720-1793) or his grandson Charles, fascinated with everything from swarming insects and warring bees to domestic birds and dogs, pigs and livestock on his farm to fungi growing from horse dung in Derby tan yards. Ranging over his observations of plant physiology and anatomy to the use of plant "bandages" in his orchard and electrical machines to hasten seed germination to explosive studies of vegetable "brains", nerves and sensations, the book demonstrates the ways in which Erasmus Darwin's landscape and garden experiences transformed his understanding of nature. They provided him with insights into medicine and the environmental causes of diseases, the classification of plants and animals, chemistry, evolution, potential new medicines and foodstuffs and the ecological interdependency of the natural economy. Like the amorous vegetables of the Loves of the Plants (1789) which fascinated, scandalised and titillated late Georgian society, the many living creatures of Darwin's gardens and farm encountered in this book were for him real, dynamic, interacting and evolving beings who helped inspire and re-affirm his progressive social and political outlook.

Scott Corbet Riley

New World Medievalisms

$120.00

Examines how the European Middle Ages has been used and received in a variety of American cultural contexts.

There is a deep-seated preoccupation in North America with the cultures of the European Middle Ages, but despite the insightful conversations that have developed between medieval and postcolonial studies, this phenomenon remains underexplored. This book considers these New World medievalisms, from the links between New World colonization and Christian crusades to the medievalisms endemic to contemporary cultural productions, such as Game of Thrones, demonstrating how European figures and narratives have functioned to rationalize Euro-American colonial efforts.

Each of the chapters takes up a period of British colonial or U.S. cultural history, with an eye to how authors of that period depict, refer to and imagine the medieval. Topics range from the remarkable popularity throughout American literary history of Miguel Cervantes's Don Quixote to the role the Norman Conquest of Britain played in the British-American colonial cultural imaginary. It also showcases subversive counter-narratives from Edgar Allan Poe, Mark Twain, William Faulkner, and Ursula K. Le Guin; these authors challenge the use of anachronistic and geographically displaced medieval figures and narratives to define a modern nation-state such as the United States. Drawing on postcolonial theory, medievalism studies, medieval studies and American studies, this book shows how the "medieval/modern divide" continues to inform U.S. national identity and American historiography more generally.

John M. Gilbert

Elite Hunting Culture and Mary, Queen of Scots

$120.00

Examines the political significance and performativity of elite hunting in sixteenth-century Scotland.

Hunting during the early modern period was not simply a popular form of elite entertainment; it also had an important part in court politics and royal governance. However, little attention has been devoted to it in sixteenth-century Scotland. This study of the role that hunting played in the life of Mary, Queen of Scots, in France and in Scotland, aims both to shed new light on the subject and to provide a new perspective on Mary herself.

Drawing on the hunting treatises of Gaston Phoebus and Henri de Ferrières, the histories of Robert Lindsay of Pitscottie and John Lesley, and a wide variety of other literary and visual sources, including letters, administrative records and fieldwork evidence, it reveals the full significance of the hunt in Mary's life and career. She is shown to be an able and enthusiastic huntress, using this "pastime" to establish herself as a Stewart monarch, demonstrate her royal authority, and, particularly during the later stages of her reign, to attempt to hold together a fractious Scottish aristocracy.

Elite Hunting Culture and Mary, Queen of Scots

Jonathan M. Jackson

Visions for an African Valley

$130.00

What was the effect of the numerous, albeit often unsatisfied, plans for development on the land and communities of the Kilombero valley throughout the colonial period and after independence?

This book traces histories of development in - and crucially, visions of development for - the Kilombero valley of south-central Tanzania. Taking the notion of development planning as a form of 'future making', the book examines the many visions or 'past futures' projected onto Kilombero by colonial and national governments, by international organisations, syndicates, and individuals. It examines how such plans were conceived, evaluates their successes, and analyses their shortcomings against changing political and economic landscapes. Four key themes - agricultural intensification, ecology control, infrastructure and (re)settlement - are shown to persistently surface and continue to shape the valleyscape today.

By considering past future visions for the reorganisation of rural life in Tanzania, the book reveals how even recent initiatives have suffered through their failure to learn from this history. Offering fresh insights and approaches to the historiography of development, Visions for an African Valley shows Kilombero to be a prism which refracts broader phenomena across more than a century.

Jeffrey Arlo Brown

The Life and Music of Gérard Grisey

$38.95

The first biography of the composer Gérard Grisey shows how the artist's sensuality and rigor came together to form the musical genre known as spectralism.

The French composer Gérard Grisey (1946-98) changed the course of music history with his small but potent output. Labeled "spectral" music, his compositions looked to the physics of sound and the capacities of human perception for material and inspiration. Born in Belfort, Grisey was the son of a French Resistance veteran turned car mechanic and a homemaker. His first instrument was as humble as his background: the accordion. But Grisey rose from his provincial background to the heights of his profession.

This first biography of Grisey traces his journey from rigid Catholicism to broader mysticism; his studies in Olivier Messiaen's legendary composition class; the development of the first "spectral" works in the 1970s; Grisey's stint teaching at the University of California at Berkeley, during which he suffered severe depression; the development of his late, post-spectral style; and his untimely death at the age of 52, shortly after completing his masterpiece on death, the Four Songs for Crossing the Threshold. Drawing on original archival research, interviews with more than fifty of Grisey's colleagues, friends, and lovers, and the study of previously overlooked sketches, this biography shows the delirium and form at the heart of Grisey's life and art—the structured sensuality that allowed him to revolutionize the music of the twentieth century.

Edited by William North and Laura E. Wangerin

The Haskins Society Journal 34

$85.00

Essays illuminating a wide range of topics from Cistercian preachers and the "geography" of purgatory to royal and ecclesiastical justice and power.

This volume continues the Society's commitment to historical and interdisciplinary research from the early and central Middle Ages and demonstrates its belief that the close interrogation of primary documents yields new insights into or important recalibrations of our understanding of the past.

It begins by surveying the works of the Greek Fathers rendered into Latin in late antiquity, exploring their reception and deployment in England before the conquest. The twelfth century occupies a central place in this volume. Four papers offer close readings or re-readings of key authors or sources: one reconstructs William of Malmesbury's journeys in the mid-1130s; another offers a new reading of two of Aelred of Rievaulx's royal biographies; a third considers the influence of Henry of Marcy on Herbert of Clairvaux's Liber visionum et miraculorum Clarevallensium; and a fourth examines the Historia Gaufredi Ducis and its outsized impact on the history of the ritual of dubbing.

Two papers address royal and ecclesiastical justice in mid-thirteenth-century France through meticulous work with archival sources: they respectively consider the case of Geoffroy de Milly and limits of sovereign authority and enquêtes as a technique of power. Further topics include the emerging "geography" of purgatory in the imagination of the twelfth and thirteenth centuries; the different dimensions of medieval institutional culture as seen in the intersection of earthly and angelic power in Angevin England (placed in dialogue with American medieval historiography); and the evolving historiographical treatment of men of the Church employed as trusted administrators by Italian communes.

The volume concludes with two essays on significant moments in the history of American medieval studies: examinations of the publication history of Evelyn Faye Wilson's Stella Maris of John of Garland and of the life, scholarship and legacy of Bennett David Hill round out the volume.

Cameron McKay

Crime and the First World War in Scotland

$120.00

Previously unavailable archival sources reveal the socially disruptive impact of the First World War in Scotland.

While a great deal has been written on Scotland and the First World War, the question of how it affected criminality has been underexplored. Although mass enlistment reduced offending drastically, servicemen based in Scotland continued to commit offences - whilst some crimes, such as bigamy, actually rose during the war. After demobilisation, which saw crime rise again, fears over "brutalisation" created a belief that Scotland was a more violent place than before the war.

By analysing criminal statistics from 1909 to 1926, drawn from previously unavailable archival sources, prison registers, anonymous interviews, newspapers and legal proceedings, this book argues that the First World War had a socially disruptive impact on Scotland, evident in abnormal crime patterns during and after the war. Covering categories of offence from murder and culpable homicide to lesser felonies, such as theft and fraud, it discusses how contemporary notions around class, gender and respectability shaped the perception of crimes committed by ex-servicemen. It also looks at whether the war had a disruptive influence on law and order by desensitising society and through psychological damage to a generation of men, examining such commonalities as alcoholism, family breakdown, health problems and unemployment, and the prevalence of domestic violence and spousal homicide.

Crime and the First World War in Scotland

Catherine S. Beck

Patronage and the British Navy, 1775-1815

$130.00

Argues that patronage served a very useful function and should not be seen as a form of corruption.

This book, based on extensive original research, examines the rich and varied nature of patronage in the British navy at the end of the long eighteenth century. Patronage underpinned naval advancement, determined where officers, seamen and dockyard workers were stationed, and fashioned their reputations. It was also a system of trust whereby an individual's connections acted as guarantors of their ability, character and suitability for a position.

This book moves beyond considering patronage as being primarily about promotion to uncover its deeper social and cultural implications. Considering not just the officer class, but also warrant officers, ordinary seamen and dockyard tradesmen and workers, it reveals the fuller extent of naval patronage as it operated between both elite and non-elite men and women, within all forms of friendship, not just professional or political alliances, and beneath veneers of fashionable sensibility, duty and honour. Historians of the navy in this period are well aware of the importance of patronage, but the subject has never previously been studied in such detail. The book will be very welcome for uncovering the full nature of patronage, both for naval historians and also for cultural and social historians interested in the period more generally. Catherine Beck completed her doctorate at University College London in collaboration with the National Maritime Museum.

Patronage and the British Navy, 1775-1815

Susan Neal Mayberry

The Critical Life of Toni Morrison

$36.95

The first book to trace the critical reception of the great African American woman writer, attending not only to her fiction but to her nonfiction and critical writings.

Winner of the Toni Morrison Society Book Prize for Best Single-Authored Book, 2019-2022

Toni Morrison (1931-2019) is the most important American novelist since Faulkner, the most significant American woman writer since Dickinson, and the most widely read African American public intellectual of the last half century. Her influence as a writer, critic, editor, teacher, and scholar is profound: she changed the face of literature and literary criticism in the US, if not worldwide. Yet despite the ever-expanding field of Morrison scholarship, no book tracing her critical reception has existed, until now. The book is as much a cultural history of America as a reception history of an American writer.

Morrison worked brilliantly in many genres - fiction, of course (novels and short stories); drama/staged performance; poetry; non-fiction on historical, social, and political issues; and critical writings on the work of others and on her own work. She generated a literary-critical methodology that recognizes and embraces rather than ignores the African American presence in US literature, and thus transformed American academics' attitude toward American letters. The story of Morrison's achievement in making a home for herself - and for other women and people of color - in the stony bedrock of "white male" American literature is the subject of this book.

Sylvester Okwunodu Ogbechie

Ben Enwonwu

$49.95

Winner - African Studies Association's 2009 Melville J. Herskovits Award

An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history.

The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art.

In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression in African cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, and Enwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity.

First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art.

Edited by Robert G. Ingram and James M. Vaughn

Capitalism: Histories

$36.95

Charts the emergence and development of capitalism across the world from a variety of perspectives, providing a deep understanding of how capitalism came to be the dominant economic force.

This book re-examines the historical emergence and evolution of capitalism. Why did a radically new way of organizing economic life emerge in regions of the early modern world? Why did it eventually encompass the globe, tying the peoples of the world together in a common economic fate? These questions have been at the heart of historical and social-scientific inquiry since the nineteenth century. They are explored and answered anew by the scholars gathered together in this geographically and theoretically capacious volume. The chapters explore the emergence and development of capitalism in Africa, Western Europe, Eastern Europe, South Asia, East Asia, North America, and the Atlantic world, and they engage with many of the major intellectual approaches for understanding capitalism, from the New Institutional Economics to world-systems theory.

The authors share a common commitment, but not a common approach, to understanding the historical development of capitalism. They believe that the emergence and evolution of capitalism must be understood by examining the concrete conditions of socioeconomic life in a particular country, empire, or region, and that such empirically and archivally driven historical analysis must be combined with theoretical discussion of the concepts and categories used to make sense of capitalism and its dynamics.

This work offers different accounts of capitalist development across and within major regions of the world. It is a histories of, rather than a history of, capitalism. As such, it introduces readers to new historical research on capitalist development in different regional and national contexts and to several significant intellectual approaches for understanding what Max Weber called "the most fateful force of our modern life."

Salvatore Cipriano

The Universities of Scotland, Ireland, and New England during the British Civil Wars

$130.00

Highlights the contested nature of higher education in the British Atlantic world between the Reformation and the Enlightenment

Universities in the early modern period were powerful institutions in the formation of societies, utilised as both tools to legitimise and perpetuate the power of states and archetypes upon which to model an idealised society that might maintain social order. In an era of upheaval and civil war, rival authorities clashed in the universities, where the conflicts and complexities of early modern state formation were regularly laid bare.

The encroachment of the Stuart monarchy beyond England into Scottish and Irish academe stimulated broader resistance from Scottish and Irish authorities, while prompting the founding of institutions of higher learning among expatriate communities beyond the British Isles, especially in New England. In these spaces, universities were viewed as institutional bulwarks against external intrusions that promoted localised, competing visions of the godly church and state amid the conflicts and complexities of early modern state formation.

This book provides new insight into the contested nature of higher education in the British Atlantic world between the Reformation and the Enlightenment and corrects outmoded notions about the universities' purported insularity and intellectual poverty. Rather, the image that emerges of these universities is one of genuine academies of strategic importance, employed to serve the agendas of ruling powers in Scotland, Ireland, and New England. Trinity College, Dublin, Harvard College, and the Scottish universities existed on the frontiers of a deteriorating composite monarchy with a centralizing impulse, becoming battle grounds of the mid-seventeenth-century's intellectual, political, and religious conflicts.

SALVATORE CIPRIANO is Associate Director of Career Coaching and Education, Stanford University. He holds a Ph.D. in Early Modern European History from Fordham University.

The Universities of Scotland, Ireland, and New England during the British Civil Wars

Sarah E. Naramore

Benjamin Rush, Civic Health, and Human Illness in the Early American Republic

$38.95

Benjamin Rush (1745-1813) casts a long shadow over American medicine as well as over the social and political history of the American republic. The Philadelphia physician involved himself in numerous social, political, and scientific projects while maintaining a busy practice and lecturing to thousands of students over his career. As a result, attempts by historians to make sense of Rush and his world have been complicated and contradictory. Nevertheless, it is within that mixed narrative of the social, medical, and political that Rush's story becomes its most compelling.

At the end of the Revolutionary War, new American citizens found themselves in a new country. For Rush and his colleagues, that newness extended beyond a change in political structure. They believed that the physical challenges of growing cities and western expansion and the psychological challenges of new identities came together in ways that could help or hurt American health. From his vantage point at one of the nation's few medical schools, located in its intellectual capital, Rush developed a reputation as America's physician—while mixing social and scientific ideas for the "improvement" of the country as a whole. Putting Rush in this context, Benjamin Rush, Civic Health, and Human Illness in the Early American Republic goes beyond biography to explore his social and scientific networks and their role in the development of a distinctly American medical profession.

Benjamin Rush, Civic Health, and Human Illness in the Early American Republic

Ingeborg Bachmann

The Critical Writings of Ingeborg Bachmann

$39.95

The first English translation of the essays, lectures, and other critical writings of the celebrated Austrian poet, novelist, and public intellectual, one of the most influential postwar writers in German.

The Austrian Ingeborg Bachmann (1926-1973) is one of the most important postwar writers in German. Her work is enmeshed with the intellectual and cultural developments of the period: she was influenced by European modernism in the early 1950s, experienced the sweeping changes of the 60s, and worked until her death in 1973 on her celebrated and sprawling "Todesarten" (Ways of Death) project, on the decades following National Socialism. Her poetry and prose confront what she called "the sickness of our time": the subtle connection between patriarchal society, catastrophic history in the form of National Socialism, and the subjugation of the Other. Even during her lifetime, Bachmann achieved a prominent position in postwar German-language literature. Interest in her literary output increased sharply in the early 1980s with the publication of the first edition of her works, and has been growing steadily ever since.

Bachmann's impact on German literature is comparable to that of Virginia Woolf on English literature. Just as an appreciation of Woolf's poetic oeuvre, and that of other women writers, is impossible without reference to "A Room of One's Own," the critical writings of Bachmann enhance our awareness of not only her own works, but also those of many other writers, philosophers, and artists. As the only translation of Bachmann's essays, lectures, speeches, and theoretical texts into English, The Critical Writings will be a valuable tool for students of Comparative Literature and German literature and cultural studies.

The Critical Writings of Ingeborg Bachmann

Helen E. Lunnon

East Anglian Church Porches and their Medieval Context

$36.95

Major interdisciplinary study of medieval church porches, bringing out their importance and significance.

The church porches of medieval England are among the most beautiful and glorious aspects of ecclesiastical architecture; but in comparison with its stained glass, for example, they have been relatively little studied. This book, the first detailed study of them for over a century, gives new insights into this often over-looked element. Focussing on the rich corpus of late-medieval East Anglian porches, it begins with two chapters placing them in a broad cultural outline and their context; it then moves on to consider their commissioning and design, their architecture and ornamentation, their use and their meaning. This book will appeal to all those interested in church fabric and function.

East Anglian Church Porches and their Medieval Context

Ute Stoecklin

Meinrad Schütter

$120.00

Meinrad Schütter is one of the most intriguing of recent Swiss composers. His music offers a highly personal synthesis of 20th-century European modernisms, from Hindemith to Bartók, Stravinsky, Berg and beyond.

Meinrad Schütter (1910-2006) is one of the most intriguing of recent Swiss composers. He was born in Chur in the Swiss Alps, studied at the Zurich Conservatoire, attended Paul Hindemith's classes at Zurich University, and enjoyed early support from the conductor Hermann Scherchen. Schütter's wayward attitude towards authority resulted in his debarment from the Swiss Musicians' Association and its manifold opportunities for advancement, but avid study and a thirst to acquaint himself with the latest trends led to his developing an idiosyncratic style, initially Neo-Classical but later featuring elements of serialism and even aleatory.

After retirement, Schütter enjoyed a remarkable Indian summer, bringing forth several dozen songs, chamber and orchestral works. Many have now been recorded, garnering enthusiastic reviews. This book is the first in English to examine his life and music.

Anthony Payne

Richard Hakluyt: A Bibliography 1580–1588

$195.00

This bibliography concerns the ten works written by or produced with the involvement of Richard Hakluyt (1552-1616) between 1580 and 1588, describing each book and its history with as much primary and secondary documentation as possible. The introduction gives a brief notice of Hakluyt's life and career, followed by an outline of the bibliography's scope and conventions. The detailed bibliography enables us to trace not only the composition and material form of these writings and their reception, but also Hakluyt's developing interests, his intellectual debts and milieu, the books and other sources available to him, and his patrons and career from his time at Oxford until the imminent publication of the original edition of the Principall Navigations, his celebrated collection of voyages and travels, in 1589. While partly an exercise in documentation, identifying sources and references as a guide to research, it goes further in attempting a study of Hakluyt's books drawing on the various approaches to bibliography, taking these into the allied field of 'the history of the book'.

Richard Hakluyt: A Bibliography 1580–1588

Peter Auker

Britten, Opera and Film

$120.00

Investigates cinematic qualities in opera and reveals why Benjamin Britten's operas lend themselves to TV and film interpretations.

Benjamin Britten's 1954 opera The Turn of the Screw, based on Henry James's ghost story, has been described by many critics and commentators as cinematic. Along with Peter Grimes, The Turn of the Screw is one of the most frequently televised or filmed of Britten's operas. Some of these productions have used location footage and/or studio work, and others are based on theatrical settings. This book explores the notion of cinematic opera in the context of The Turn of the Screw and filmed opera in general, and questions what inherent cinematic qualities exist in the work which make it particularly conducive for screen interpretation, an aspect of Britten's compositional style which has rarely been examined in detail before.

Contrary to the prevailing narrative around Britten's disdain for cinema and television, the composer engaged with film as both a cinemagoer and film music composer early in his career and these experiences informed his compositional and dramatic choices. Archival research reveals clues to the composer's adaptation process. By tracing the progress from Henry James's original novella to operatic stage and screen production, via the development of Myfanwy Piper's libretto and Britten's score, the journey of adaptation is discussed in detail. A key part of the book looks at the subsequent interpretation of the opera on screen. Case studies evaluate eight directors' interpretations of the opera ranging from 1959 up to the 2020s. Included is a special study of Peter Morley's 1959 ITV version, which had previously been thought lost. This reveals the roots of Britten's subsequent engagement with screen media, culminating in his television opera Owen Wingrave. The book also briefly explores the influence of cinema on stage productions of the opera which have not been filmed.

Gillian Cookson

Making an Industrial Revolution

$36.95

A new look at Britain's industrial revolution showing how communities of shared skill, knowledge and experience drove industrial innovation.

Making an Industrial Revolution presents a fresh perspective on British industrialization. Advances in technology, commerce and science played their part, but - as this book argues - above all it was communities of shared skill, knowledge and experience which drove industrial innovation in the eighteenth century.

Connections and relationships in key sectors - iron, textiles and engineering - produced transformative forces that revolutionized industrial life in Britain. Including new insights into Scotland's unique contribution, the book explores industrial change across the country, highlighting the significance of inter-regional and overseas migration and connection. It considers how social status enabled or limited individuals. It questions how exactly eighteenth-century science linked with emerging industrial technologies; and the importance of science, relative to skills and experience, in shaping innovation.

Richard Allen and Benjamin Pohl

The Aynho Cartulary and its Documentary Culture

$130.00

A major contribution to scholarship on medieval roll cartularies, shedding light both on the Aynho Cartulary itself and on the wider social, political, and economic culture that produced it.

Despite being one of the earliest and best preserved of its type in Britain and Ireland, the thirteenth-century roll cartulary of the wayfarer hospital of SS James and John in Aynho, Northamptonshire, has received almost no scholarly attention to date.

This book offers the first full study of this fascinating document, which is now conserved in the archives of Magdalen College, Oxford, together with a critical edition and translation. Combining extensive historical and prosopographical research with a focussed examination of the cartulary's contents and a forensic scribal and material analysis, it takes an holistic approach to - and aims to provide a model for - the study of these types of artefacts and the documentary cultures and societies that produced them. Uniting three areas of scholarship which are rarely brought into dialogue (the study of medieval cartularies, rolls, and hospitals), the volume's innovative approach demonstrates how such an examination of the Aynho Cartulary can shed light on the social, political, economic, spiritual, and scribal networks within which this relatively obscure but well-connected hospital was situated. Written with experienced researchers and students in mind, this book is designed to be a go-to resource for both.

RICHARD ALLEN is a researcher and archivist at Magdalen College, Oxford, UK.
BENJAMIN POHL is Professor of Medieval History at the University of Bristol, UK.

The Aynho Cartulary and its Documentary Culture

Robert Houghton

The Middle Ages in Computer Games

$170.00

Offers the most comprehensive analysis and discussion of medievalist computer games to date.

Games with a medieval setting are commercially lucrative and reach a truly massive audience. Moreover, they can engage their players in a manner that is not only different, but in certain aspects, more profound than traditional literary or cinematic forms of medievalism. However, although it is important to understand the versions of the Middle Ages presented by these games, how players engage with these medievalist worlds, and why particular representational trends emerge in this most modern medium, there has hitherto been little scholarship devoted to them.

This book explores the distinct nature of medievalism in digital games across a range of themes, from the portrayal of grotesque yet romantic conflict to conflicting depictions of the Church and religion. It likewise considers the distinctions between medievalist games and those of other periods, underlining their emphasis on fantasy, roleplay and hardcore elements, and their consequences for depictions of morality, race, gender and sexuality. Ultimately the book argues that while medievalist games are thoroughly influenced by medievalist and ludic tropes, they are nonetheless representative of a distinct new form of medievalism. It engages with the vast literature surrounding historical game studies, game design, and medievalism, and considers hundreds of games from across genres, from Assassin's Creed and Baldur's Gate to Crusader Kings and The Witcher series. In doing so, it provides a vital illustration of the state of the field and a cornerstone for future research and teaching.

Jill Suzanne Smith

The Afterlives of Weimar Berlin

$120.00

Explores the recent proliferation of cultural representations of Weimar Berlin in the German-speaking world, probing the connections between historical and contemporary texts, their contexts, and their creators.

More than a century after its founding, there can be little doubt that Weimar is back. The recent proliferation of references to and portrayals of the Weimar Republic - Germany's first democracy, born out of the aftermath of the First World War and characterized by economic and political crisis - is not surprising given our crisis-filled present. That said, the Weimar era has been a consistent focus of scholarly work in both the German-speaking and the Anglo-American academic worlds since the 1970s, and yet depictions of this period in German literature and visual culture were few and far between until the beginning of the 21st century. This book traces this renewed fascination with Weimar - specifically its capital, Berlin - in contemporary German-language culture, providing both wide-angle and close-up views. While discussions of the time period in mainstream media and historiography tend to focus on Weimar as a warning against the dangers of economic and political instability, the novels and visual works produced by contemporary German writers and filmmakers in the last 15 years revive and reshape the cultural legacy of Weimar Berlin. The Afterlives of Weimar Berlin explores the creative interplay between contemporary and historical texts, their contexts, and their creators, tracing a cultural legacy that has the work of German Jews and women as its foundation.

Merrill Kaplan

The Paganesque and The Tale of Vǫlsi

$95.00

Challenges the concept that the notorious horse penis is key to understanding the Tale of Vǫlsi, via the concept of the "paganesque".

A family of Norwegian pagans, stubbornly resisting the new Christian religion, worship a diabolically animated preserved horse penis, intoning verses as they pass it from hand to hand until King Olaf the Saint intervenes. This is the matter of the medieval Tale of Vǫlsi. Traditionally, it has been read as evidence of a pre-Christian fertility cult - or simply dismissed as an obscene trifle. This book takes a new approach by developing the concept of the "paganesque" - the air of a religious culture older than and inimical to Christianity. It shows how the Tale of Vǫlsi deploys a range of vernacular genres, from verbal dueling and mythological poetry to folk belief about milk-stealing witches and the reanimated dead, to create the flavor of paganism for a fourteenth-century Icelandic audience: an imagined paganism that has theological stakes as well as satirical bite. Throughout, the study challenges the notion that the horse penis is the key to understanding the narrative. Once the object is removed from the center of interpretation, the artistry and wit of the tale's "Paganesque" come fully into view.

The Paganesque and <i>The Tale of Vǫlsi</i>

Ian C. Campbell

An Account of the Natives of the Tonga Islands in the South Pacific Ocean

$180.00

John Martin (1789-1869) was a London-based, Edinburgh-educated physician interested in anthropological matters. This comprehensive account of Tongan Society is his only book. He was inspired to write it by a chance encounter with its subject, William Mariner (1791-1853) who spent four years (1806-1810) in Tonga, in the South Pacific, at a time before any substantial European influence disturbed or modified that society. Mariner, an extraordinarily mature and perceptive youth, became thoroughly imbued with Tongan language and culture as the adopted son of the most powerful chief in Tonga. Martin’s intelligent engagement with Mariner resulted in a compelling narrative and a comprehensive account of Tongan society which, together with the accompanying grammar and vocabulary, became a classic. Often celebrated as an extraordinary real-life adventure story, it is a pioneering work of anthropology, and for 200 years it has been a primary and authoritative source for research into Tongan history and culture.

An Account of the Natives of the Tonga Islands in the South Pacific Ocean

Trevor H. Levere

The Arctic Journal of Captain Henry Wemyss Feilden, R.A., the Naturalist in H.M.S. Alert, 1875-1876

$190.00

The British Arctic Expedition of 1875–6 was the first major British naval expedition to the high Arctic where science was almost as important as geographical exploration. Henry Wemyss Feilden, an army officer, was chosen as one of two naturalists on board HMS Alert. He kept a detailed daily journal which is presented in this volume, with a detailed introduction by the volume editor, Trevor H. Levere.

The Arctic Journal of Captain Henry Wemyss Feilden, R.A., the Naturalist in H.M.S. Alert, 1875-1876

Glen F. Dille

Spanish and Portuguese Conflict in the Spice Islands

$105.00

Gonzalo Fernández de Oviedo y Valdés' account of the second and third Spanish Expeditions to the Moluccas.

Gonzalo Fernández de Oviedo y Valdés (1478-1557), warden of the fortress and port of Santo Domingo on the Island of Hispaniola, also served his Emperor, Charles V, as the official chronicler of the first half-century of the Spanish presence in the New World.

Book XX, published in 1557, concerns the first three Spanish voyages to the East Indies. Only the first four chapters deal with Magellan's voyage, the remaining thirty-one detail two subsequent expeditions to the Moluccas, 1525-35, the first initially led by García Jofre de and Loaysa. The narrative offers many details of the hardships and conflict with the Portuguese endured by the Spanish. There is also much information about indigenous culture, commerce, geography and the fauna and flora of the Spice Islands.

Spanish and Portuguese Conflict in the Spice Islands

Sarah Weaver

Tennyson's Philological Medievalism

$130.00

Considers Tennyson's poems, from the elegiac In Memoriam to the Arthurian Idylls of the King, in the context of Victorian interest in philology.

How do words come to mean what they mean, and how can we hope to use them precisely when they are constantly changing? The urge to find a word's meaning through its etymology is an old and enduring one, gaining new momentum in the nineteenth century as advocates of the so-called "new philology" argued that major revelations were to be found within the biographies of everyday expressions. Developing hand in hand with a growing national interest in all things "Anglo-Saxon", language study simultaneously seemed to offer a pathway to the roots of English culture and to illuminate human history on a grand scale.

Alfred Tennyson (1809-1892) came of age in the midst of this exploding popularity of both Anglo-Saxonism and philology, and he did so among men who were to be responsible for advancing both fields. This study places this preeminent Victorian poet in the context of the period's preoccupation with the history of language. It shows that the intellectual milieu that surrounded him encouraged him to revive archaic words and to reveal the literal metaphors lurking within his words. Moreover, his familiarity with past forms of English enabled him to arrange the connotations of his vocabulary for precise effect. Surveying his techniques at every scale, from individual vowels to narratives, this book argues that Tennyson held a more optimistic view of language than scholars have generally supposed, and shows the sophistication of his philological techniques.

Sam Zeno Conedera, SJ

Alfonso Salmerón on the Scriptures

$130.00

A ground-breaking study that unveils, for the first time, the entirety of a founding Jesuit's theology.

Revered as a founder of the Jesuit order, an accomplished preacher, a papal theologian at all three sessions of the Council of Trent, and the provincial of Naples, Alfonso Salmerón was a significant figure in the intellectual life and ecclesiastical affairs of the sixteenth century. His Commentaries represent one of the most ambitious theological-exegetical endeavours of the post-Tridentine period.

Fr. Sam Zeno Conedera, SJ, brings long-overdue recognition to a foundational figure and key theologian of the order. Here, presented for the first time, is a detailed overview of Salmerón's writings and theology. It explores the author's creative use of history, his endeavour to integrate Scripture and tradition, and his exposition of the mysteries of the Christian faith. As Conedera shows, Salmerón's approach to controversial Reformation issues, such as the veneration of Mary, justification, the sacraments, and the nature of the Church, combined respect for tradition with innovation. Furthermore, his moral teachings offer profound insights into significant societal issues of the period, including public worship and the relations between the sexes.

Salmerón's brief yet carefully crafted discussion of the Society of Jesus provides invaluable insight into the self-perception of the first generation of Jesuits. This book highlights the ways in which this exceptional figure enriches our understanding of early modern Catholicism and Jesuit history.

Edited by Stephen H. Rigby

Historians on Robin Hood

$190.00

Offers a comprehensive thematic introduction to a wide range of medieval writings about the outlaw-hero from a series of different historical perspectives.

By the fifteenth century, churchmen were complaining that laypeople preferred to hear stories about Robin Hood rather than to listen to the word of God. But what was the attraction of this outlaw for contemporary audiences?

The essays collected here seek to examine the outlaw's legend in relation to late medieval society, politics and piety. They set out the different types of evidence which give us access to representations of Robin and his men in the pre-Reformation period, ask whether stories about the outlaw had any basis in reality and explore the many different purposes for which his legend was adapted.

The volume is divided into six parts: the sources for the medieval legend of Robin Hood and its origins; social structure; social conflict; kingship, law and warfare; piety and the church; and the outlaw's legend in Wales and Scotland. Key issues addressed by its essays include the dating of the surviving tales, attitudes to social hierarchy, representations of gender and masculinity, the extent to which the tales drew upon or shaped contemporary attitudes towards law and justice, the development of Robin Hood plays and games, and whether the legend emerged from or appealed to particular social groups. It not only sheds new light on a character who, whether "real" or not, is one of the most important and memorable figures in the history of medieval England but also explores the extent to which the outlaw became popular in Scotland and Wales.

Edited by Jess Cotton

Literature and Institutions of Welfare

$39.95

Perspectives on the ways in which welfarist ideology has underpinned the teaching, reading and production of literature from the 1930s to the present.

The welfare state in Britain established a new level of access to literature as a public good alongside other national resources that were grounded in a principle of democratic egalitarianism: the National Health Service, secondary education, promises of full employment and new housing structures. This volume charts the impact of the founding of the welfare state on the teaching, reading and production of literature, and the legacy of this social democratic vision of literature, from the 1930s to the present day; it is especially concerned with the representational possibilities, the social arrangements and political claims that welfare makes possible. Individual contributions consider the ways in which the history of literature is related to the history of welfare; and how it shaped the literary culture that emerged during these years; and how literature has communicated the value and character of the welfare state, moving, like the literature they examine, between a disenchantment with the institutions of welfare and an urgent need to articulate welfare's vision of social repair. Amongst the particular authors discussed are Raymond Williams, T.S. Eliot and Caryl Phillips, as well as an evaluation of the publisher Virago's contribution to the women's movement.