This wide-ranging and fascinating collection of essays by prominent scholars reflects Kreuzer's catholic interests.
Andrew Ashbee
The Harmonious Musick of John Jenkins II
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The long-awaited sequel to Andrew Ashbee's pioneering study of the life and music of John Jenkins (1592-1678). The primary focus of this second volume is Jenkins' huge output of fantasia-suites, but his vocal music also comes under examination, and a complete source-list of Jenkins' music is provided.
John Jenkins (1592-1678) was both the most prolific and the most esteemed of English composers in the fifty years or so between the death of William Byrd and the rise of Henry Purcell. After his apprenticeship Jenkins became renowned as a skilled performer on lute and viol, once playing to Charles I 'as one that performed somewhat extraordinary'. Throughout his long life he was employed as a resident musician in East Anglia in households of the nobility, where, as well as playing, teaching and directing the music-making, his duties would include the composing and copying of music. At the restoration of Charles II Jenkins became a court musician, although, in view of his advanced age, he spent little time there. He died on 27 October 1678 at Kimberley, Norfolk, where he is buried. As a composer, Jenkins' preferred medium was instrumental music, and he wrote little else. He came to maturity in the 1620s,when the consort fantasia for viols was in its prime. In later years he turned to the newer music then in vogue, such as the fantasia-suite and suites of dances, contributing significantly to their development. This book is the second in a two-volume study of Jenkins and his music. Volume I contains a full biographical introduction before concerning itself exclusively with the superb consorts for viols which dominate the early part of the composer's career. This second volume surveys the rest of his output, setting each group of pieces in context, beginning with his innovative series of fantasia-suites. Although often unpretentious and geared to amateur performance, his 'horsloads' of airs maintain a lively and varied character. More than fifty works for bass viol(s) are among the best of their kind, as are the pieces featuring the lyra viol in both solo and consort works. The book ends by examining Jenkins' vocal music. Whatever medium he chose, Jenkins was able to add important pieces to the repertory. An growing list of recordings endorses Christopher Simpson's view that he was 'the ever Famous and most Excellent Composer,in all sorts of Modern Musick'.
Michael Barlow
Whom the Gods Love
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The first study of the life and music of the composer George Butterworth [1885-1916], including some of his own writings on music.
The career of the composer George Butterworth was cruelly cut short by a sniper's bullet at the Somme. His name is kept alive by the popularity of his orchestral tone-poems, such as The Banks of Green Willow and A Shropshire Lad, and his songs. In this book, the first full-length study of Butterworth, Michael Barlow traces his brief life: from preparatory school through Eton and Oxford, a teaching post at Radley, study at the Royal College ofMusic, a period as a music critic for The Times - and his enlisting in August 1914 which, two years later, led to his heroic death at the Somme. All of Butterworth's surviving compositions are discussed, and important chapters examine his Housman settings and his friendship with Vaughan Williams. Butterworth was also prominent in the folksong revival, and chronicled here for the first time are his extensive activities as a folksong and dance collector. The book also includes some of Butterworth's own writings on music.
Joep Bor
The Raga Guide
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The Raga Guide is an introduction to Hindustani ragas, the melodic basis for the classical music of Northern India, Pakistan, Nepal and Bangladesh.
Ragas are complex entities. Performers, who have spent many years acquiring their knowledge, often prefer to keep silent, and in any case few have been taught to approach ragas from an analytical point of view. Musicologists, on the other hand, often lack a thorough practical insight into raga music. The authors of this guide are all well-versed in the theory and practice of raga music. Of the hundreds of ragas that exist, the guide surveys seventy-four of the most performed and well-established ones, with specially commissioned recordings by Hariprasad Chaurasia (flute), Buddhadev DasGupta (sarod), Shruti Sadolikar-Katkar (vocal) and Vidyadhar Vyas (vocal). For each ragathe guide provides: An analytical and historical description; transcription of the alap (melodic construction) for each raga as performed on the CDs; ascent-descent and melodic outline in both western and Indian notation; Song texts with English translation (for sung ragas). The Raga Guide includes four CDs with over five hours of music. It will be essential reading for listeners and conoisseurs, students and scholars. JOEP BOR is a professor at Leiden University. He was the founder of the Rotterdam World Music Department, and the artistic advisor for the Amsterdam India Festival. He has written extensively on Indian music.
Professor Peter Biller
Handling Sin
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Penance and confession were an integral part of medieval religious life; essays explore literary evidence.
Penance, confession and their texts (penitential and confessors' manuals) are important topics for an understanding of the middle ages, in relation to a wide range of issues, from medieval social thought to Chaucer's background. These essays treat a variety of different aspects of the topic: subjects include the frequency and character of early medieval penance; the summae and manuals for confessors, and the ways in which these texts (written by males for males) constructed women as sexual in nature; William of Auvergne's remarkable writing on penance; and the relevance of confessors' manuals for demographic history. JOHN BALDWIN's major study `From the Ordeal to Confession', delivered as a Quodlibet lecture, traces the appearance in French romances of the themes of a penitent's contrition, the priest's job in listening, and the application of the spiritual conseil and penitence.
PETER BILLER is Professor of Medieval History at the University of York; A.J. MINNIS is Douglas Tracy Smith Professor of English, Yale University.
Contributors: PETER BILLER, ROB MEENS, ALEXANDER MURRAY, JACQUELINE MURRAY, LESLEY SMITH, MICHAEL HAREN, JOHN BALDWIN
Andrew Ashbee
The Harmonious Musick of John Jenkins I
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This first volume of a projected two volume study of the music of John Jenkins concentrates exclusively on his consorts for viols.
John Jenkins (1592-1678) was both the most prolific and most esteemed of English composers between the death of Byrd and the rise of Purcell. During his long life he was employed as a resident musician in East Anglian noble households and became a court musician to Charles II in his later years.
This is the first in a two-volume study of Jenkins and his music. It presents a biographical introduction to the composer then concerns itself exclusively with the superb consorts for viols which dominate the early part of the composer's career. It is profusely illustrated with music examples and discusses virtually every work in this form.
ANDREW ASHBEE is an internationally renowned expert on C17th English instrumental music, has edited a number of volumes of music from the period, and is an author, broadcaster and lecturer.
Alistair Wightman
Szymanowski's King Roger
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A guide to the origins and music of Szymanowski's exquisitely beautiful opera King Roger.
Karol Szymanowski (1881-1937), the most important Polish composer after Chopin, wrote only two operas, the second of which, King Roger, completed in 1924, is a masterpiece. After decades of neglect this magnificent work hasbegun to receive more attention around the world, and this first extended study of King Roger investigates its origins, uncovers its ideology, examines its music and documents its history.
The book opens with an outline of the role the theatre played in Szymanowski's career, from his early operetta, Lottery for Husbands, and the rousing ballet panotmime, Harnasie, based on legends from the Polish highlands.
Intracing the evolution of King Roger from conception to completion, Alistair Wightman, one of the leading Szymanowki scholars, examines the contribution of the co-librettist, Jaroslaw Iwaszkiewicz, and serveys the various strands which make up its ideology, from Euripides The Bacchae and Plato Phaedrus and The Symposium to works by Pater, Nietzsche, Merezhkovsky and Micinski. He charts Szymanowski's fascination with the historical background of the opera, the world of the twelfth-century ruler of Norman Sicily, Roger II (1095-1154). Szymanowski's own novel, Efebos, written in 1918-19 and only partially preserved offers intriguing parallels with hisopera.
ALISTAIR WIGHTMAN has written extensively about Polish music of the early twentieth century and his translation, Szymanowski on Music was published by Toccata Press in 1999.
Karol Szymanowski
Szymanowski on Music
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The first comprehensive selection of Szymanowski's writings to be published in English, containing all the most important of the composer's essays and interviews.
Karol Szymanowski [1882-1937] is now widely acknowledged to be the most important Polish composer since Chopin. He was also a considerable thinker on musical topics: the role of music in society, the goal of musical education, thepurpose of criticism, the nature of Romanticism, the hallmarks of national identity - indeed, he was passionately concerned with the emergence of the Polish voice in music, and the role of Chopin in particular.
Szymanowski on Music is the first comprehensive selection of his writings to be published in English. It contains all the most important of the composer's essays and interviews, throws light on the trying conditions under which he was obliged to work in the 1920s and '30s, especially in education, and gives perceptive assessments of the work of some of the major composers of the nineteenth and early twentieth centuries - Wagner, Strauss, Stravinsky, Ravel, Satie and others - and the trends they embodied. A number of pieces of a more biographical nature are also included. Overall it provides, in the words of the translator Alistair Wightman, `abundant evidence of the breadth and depthof Szymanowski's personal culture, and at the same time a telling demonstration of his search for an all-embracing humanistic synthesis'. Dr Wightman faces his pioneering translations from Szymanowski's Polish originals with an extensive introductory essay that places his literary activities in the context of his life and career. This book will be a vital element in the rediscovery of the music of one of the twentieth century's most appealing composers.
Professor Marianne Ailes
Reading around the Epic
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Contributors: Alexander Kerr, Jean Subrenat, Joseph J. Duggan, Judith Belam, Marianne Ailes, Philippe Verelst, François Suard, Karen Pratt, James Simpson, Philip E. Bennett, Peter Noble, Tony Hunt, Edward A. Heinemann, Finn Sinclair, Colin Smith, Gordon Knott, Jan A. Nelson
Brian Newbould
Schubert and the Symphony
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First full-length study of Schubert's career as a symphonist.
Astonishingly, Schubert's symphonies have never received the detailed study that their prominence in the orchestral repertoire would suggest they deserve. In this book Professor Brian Newbould, perhaps the best-known of contemporary Schubert scholars, examines each symphony for its individuality and shows its relationship to Schubert's symphonic ouvre. He gives particular attention to the sketched works that have recently emerged in his own completions andto the two familiar masterpieces of Schubert's maturity, the `Unfinished' and the `Great C major'. He also casts new light on the role of Haydn and Mozart as models for the younger Schubert.
Schubert and the Symphony is conceived as a companion to the symphonies for the listener, the professional musician and the student.
BRIAN NEWBOULD is Professor of Music at the University of Hull. He has lectured extensively in Europe and North and South Ameica, and occasionally finds time to compose, conduct and perform.
William Alwyn, Andrew Palmer
Composing in Words
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An anthology of the writings of the English composer William Alwyn [1905-85].
The English composer William Alwyn was not only one of the most versatile creative figures of his age, writing music for the concert hall, recital room, operatic stage and film screen; he was also a virtuoso instrumentalist and conductor, the teacher of some of the most important composers of the succeeding generation, and the founder of a number of influential music committees such as the Composers' Guild of Great Britain. Alwyn was a gifted writer, too,alive to literature and art - especially pre-Raphaelite painting, on which he was an authority - as well as to music, and Composing in Words presents his most important writings: the autobiographical essay Winged Chariot; the diary, Ariel to Miranda, in which he chronicled the composition of his Third Symphony; an extract from Early Closing, Alwyn's reminiscences of his Northampton childhood; and essays on film music, and on other composers, among them Elgar, Bax and Puccini.
Heitor Villa-Lobos
The Villa-Lobos Letters
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Presents for the first time the complete surviving correspondence of the outstanding Brazilian composer Heitor Villa-Lobos [1887-1959], one of the most colourful figures in twentieth-century music.
This complete edition of the letters of the Brazilian composer Heitor Villa-Lobos, collected for the first time in any language, details his stay in the Paris of the 1920s, his work in Brazil and the 1930s and `40s and his international travels as conductor of his own music. The letters also discuss commissions for ballets, concertos and other works. Lisa M. Peppercorn, who knew Villa-Lobos, is the acknowledged expert on the life and music of this colourful figure, and she gives a detailed commentary on the events giving rise to the letters. A chronology gives a detailed account of Villa-Lobos' life, which is thoroughly illustrated with photographs of the persons and places associated with Villa-Lobos, facsimiles of works and concert programmes, and so on. The letters thus form a guide to the most productive years of his life.
Carl Kears
Medieval Science Fiction
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Essays looking at the idea of "science fiction" as it can be applied to medieval texts, and the synergies between the genres.
This volume brings two areas of study that have traditionally been kept apart into explosive contact. For the first time, it draws the historical literatures and cultures of the Middle Ages into the orbit of modern science fiction, aligning the cosmologies, technologies and wonders of the past with visions of the future. The essays it contains consider where, how and why "science" and "fiction" interact in medieval literature; they explore the ways in which works of modern science fiction illuminate medieval counterparts; and they also identify the presence and absence of the medieval past in science-fiction history and criticism. From the science and fictions of Beowulf tothe medieval and post-medieval appearances of the Green Children of Woolpit; from time travel in the legend of the Seven Sleepers to the medievalism of Star Trek; from manmade marvels in medieval manuscripts to the blurringof medieval magic and futuristic technology in tales of the dying earth, the chapters repeatedly rethink the simplistic divides that have been set up between modern and pre-modern texts. They uncover striking resonances across time and space while also revealing how arguably the two most popular genres of today, science fiction and fantasy, have been constructed around conceptions, and misconceptions, of the Middle Ages.
JAMES PAZ is Lecturer in Early Medieval English Literature at the University of Manchester; CARL KEARS is currently based at King's College London, where he teaches Old and Middle English Literature.
Contributors: Daniel Anlezark, Mary BaineCampbell, Guy Consolmagno, Denis Ferhatovic, Michel F. Flynn, Alison Harthill, Patricia Clare Ingham, Minsoo Kang, R.M. Liuzza, Jeff Massey, James Paz, Andy Sawyer, Andrew Scheil
Joyce Bazire
Eleven Old English Rogationtide Homilies
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Vagn Holmboe
Experiencing Music
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Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience.
Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' working methods, and how much are they really aware of them? What is the role of performers, and what sort of freedom do they have in interpreting music?What do listeners do in listening to music? What, essentially, is the musical experience?
Professor Paul Rapoport contributes a lengthy introduction to this book, although, as he points out, `this is not a book about Vagn Holmboe nor a book addressed solely to musicians ... Holmboe's prose, like his music, is addressed to his fellow human beings, whoever and wherever they may be'.
Havergal Brian, Malcolm MacDonald
Havergal Brian on Music
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This second volume of Brian's writings shows him to have been one of the most perceptive commentators on contemporary music in the twentieth century.
Malcolm MacDonald's introductions and annotations provide the background to each piece and cast light on Brian's more obscure references.
Neil Butterworth
The Music of Aaron Copland
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First survey of Copland's entire output for some 30 years - a period seeing some of his most important works.
Aaron Copland was one of the twentieth century's most popular and distinguished composers. Copland was born in 1900 in Brooklyn, where he began his musical career, before moving to the Paris in the 1920s, where Stravinsky, Prokofiev and Les Six were the centre of attention. On his return to the United States at the end of the decade he began to produce a series of works which could leave no one in any doubt that American composers were capable of writing music equal to the best of their European contemporaries.
This chronological survey of Copland's work discusses ever one of his compositions and examines his influential writings on music. Profusely illustrated with musicexamples and photographs, it includes a conversation on the piano music with Aaron Copland and Leo Smit and also features sketches of Copland in rehearsal by Milein Cosman.
NEIL BUTTERWORTH was formerly Head of Music atNapier College, Edinburgh.
Rosamund S Allen
Layamon: Contexts, Language, and Interpretation
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Contributors: Eric Stanley, Daniel Donoghue, Carole Weinberg, John Frankis, Cyril Edwards, Andrew Breeze, Herbert Pilch, Elizabeth J. Bryan, W.R.J. Barron, Richard Dance, Philip Durkin, Michiko Ogura, Robert McColl Millar, GloriaMercatanti, Rosamund Allen, James Noble, Lucy Hay, Joseph D. Parry, Marie-Françoise Alamichel, Kelley M. Wickham-Crowley, Kenneth J. Tiller, Lucy Perry, Wayne Glowka
Harold Truscott
The Music of Franz Schmidt
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A major step in the rediscovery of one of the towering composers of the twentieth century; this brings to Schmidt's music the scholarship it so richly merits.
Franz Schmidt is increasingly being recognised as a major composer. His music covers symphonies, quartets, opera and oratorio, and works and organ. In all of these genres he proves himself a master of large-scale symphonic form and one of the most substantial lyric geniuses of all time. Schmidt spent most of his life in Austria [he died in Vienna in 1939] where his importance was universally agreed.
Here, Harold Truscott, the outstanding authorityon Schmidt in the English-speaking world, examines the orchestral works, taking the reader and listener through each of these mighty scores. Introduced by the `Personal Recollections' of Hans Keller, who knew Schmidt well in pre-World-War-II Vienna, the book also features the first-ever translation into English of Schmidt's Autobiographical Sketch, where the composer tells of his early childhood in Hungary, his teenage years near Vienna and his life as acellist in the Vienna Philharmonic.
HAROLD TRUSCOTT is a composer and writer. He was Principal Lecturer in Music at Huddersfield Polytechnic and has performed widely as a pianist in recital, broadcast and concert work.
John Michael Beers
A Commentary on the Cistercian Hymnal
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This anonymous Commentary is printed from Troyes, Bibl. munic. 658, a manuscript written at Clairvaux in the late 12th century.It is well known that St Bernard in 1147 revised the monastic hymnal for the use of his Cistercian monks; the anonymous Explanatio is primary evidence for the content of Bernard's hymnal. It is also an invaluable index of Cistercian spirituality in the late 12th century, and provides an index of the range of reading of a Cistercianscholar of that time.
Rosalynn Voaden
God's Words, Women's Voices
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An examination of awareness of the ecclesiastical doctrine of discretio spirituum, the means of testing whether visions were truly of divine origin, in the works of medieval women visionaries from Bridget of Sweden to Joan of Arc.
Awareness of the ecclesiastical doctrine of discretio spirituum (the means of testing whether visions were truly of divine origin) was vital for medieval women visionaries. Visions and prophecy offered medieval women one ofthe few pathways to the religious and, in some cases, the political life of their time, but were subject to stringent checks due to the combination of women (deceitful by nature) and deceiving visions. However, those women visionaries who conformed could effectively fulfil their divine mandate to communicate their revelations. This book explores discretio spirituum in the works of a number of female visionaries: they include St Bridget of Sweden, who was eager to present her experiences as impeccably orthodox and valid; Margery Kempe, whose ambivalent reception is shown to be due to her inconsistent conformity to the doctrine; and Marguerite Porete and Joan of Arc, whose deaths by burning at the stake demonstrate the severe consequences of their failure to conform, their visions being deemed of demonic origin.
Professor ROSALYNN VOADEN teaches in the Department of English at Arizona State University.
Professor Ian Forrest
The Visitation of Hereford Diocese in 1397
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Text with facing English translation provides fascinating insights into medieval religious life.
In 1397 the bishop of Hereford toured his diocese asking questions about its churches and people. The answers he received were written into a slim paper book, which survives in the cathedral archives today. This important medieval document offers unparalleled insight into social life, sexual behaviour, religious belief and practice, and gender relations during a period of religious and political turmoil, revealing how the clergy were disciplined, how English- and Welsh-speakers interacted, and how the congregation experienced worship. It is also a major early source for Welsh naming practices, and a treasure trove of information about local churches and parishes before the Reformation. This volume provides a complete scholarly edition, accompanied by a full facing-page translation, introduction and notes; it will be invaluable for experienced researchers and students alike.
Noel Malcolm
George Enescu
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First full-length study of the composer George Enescu [1881-1955].
The Romanian composer George Enescu (1881-1955] is one of the neglected giants of the twentieth century. Prodigiously gifted, he became best known in America as a conductor (where he was considered as a successor to Toscanini in New York) and in Europe as one of the greatest violinists of the century. But he was first and foremost a composer; and, tragically, his mature works - works of extraordinary emotional depth and intricate beauty - remain almost unknown outside Romania. This, the first full-length study of Enescu and his music to be written in the West, tells the story of his life and development as a composer. All of Enescu's published compositions, and many unpublished works, are discussed, and there is a detailed list of Enescu's compositions and a list of all his known recordings as conductor, violinist and pianist. The book is intended for the non-specialist reader as well as the musicologist.
NOEL MALCOLM, the historian, philosopher and journalist, is the leading authority on Enescu.
Peter Clarke
Supplications from England and Wales in the Registers of the Apostolic Penitentiary, 1410-1503
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First edition of supplications concerning England and Wales from the Apostolic Penitentiary - an essential resource for any historian of the pre-Reformation Church.
The Apostolic Penitentiary was and remains the highest office in the Catholic Church concerned with sin and matters of conscience. The papacy reserved to itself absolution from certain grave sins, and successive popes empowered the cardinal penitentiary in charge of the office to absolve sinners in these reserved cases, which included violence against or by the clergy and abandonment of the religious life. The cardinal was also authorised to grant other favours that were a papal monopoly, including dispensations, notably for marriages between close relatives normally forbidden by church law, and special licences, for example allowing confession to a personal chaplain rather than one's parish priest. Petitioners from across Western Europe requested such favours in their thousands and their supplications shed important new light on religious, social and even political history, covering themes as varied as marriage, sexual deviance, violence, the religious life, popular piety, illegitimacy, and pilgrimage. This valuable evidence, recorded in the registers of the Apostolic Penitentiary held in the Vatican Archives, has only beenavailable to researchers since 1983. This edition makes accessible for the first time over 4,000 supplications concerning England and Wales in the office's fifty earliest surviving registers; they are presented with notes and introduction and other apparatus.
Peter D. Clarke is Reader in Medieval History at the University of Southampton; Patrick N.R. Zutshi is Keeper of Manuscripts and University Archives, Cambridge University Library, and a Fellow of Corpus Christi College, Cambridge.
Alvin Lowrey
Lowrey's International Trumpet Discography
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A two-volume work of nearly 1800 pages that provides an indispensable bibliography of trumpet albums and CDs, artists and composers.
Alvin L. Lowrey's International Trumpet Discography, sponsored by the International Trumpet Guild, is a two-volume work of nearly 1800 pages that provides an indispensable bibliography of trumpet albums and CDs. Features ofthe discography include: Over 1800 LP albums from the 1950s to 1988. Over 400 trumpet artists listed alphabetically, with over 750 individual trumpeters indexed. Album listings include complete repertoire and personnel in printed program format. A repertoire index with over 2700 compositions by over 1200 composers (1007 pages). An artist index with musicians listed by performance media, and a composers index (669 pages). Bibliographyof selected references.
David Hook
The Destruction of Jerusalem
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Janet H. Stevenson
The Register of Edward Story, bishop of Chichester 1478-1503
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Edition of the register of a late-medieval bishop's register sheds fascinating light on life at the time.
Edward Story, fellow of Pembroke Hall, Cambridge, and later master of Michaelhouse, was also, in two terms as chancellor, a university administrator. But it was as a royal servant that he rose to eminence from about 1460 to servesucceeding monarchs with the impartial efficiency of a career civil servant. Bishop of Carlisle from 1468, he was translated in 1478 to Chichester, which, although conterminous with the county of Sussex, contained several exempt jurisdictions, notably the archbishop of Canterbury's deanery of South Malling. The register begins with Story's primary visitation of his diocese.The full record reveals both the shortcomings of the cathedral chapter and of those religious houses subject to episcopal jurisdiction. Besides purely diocesan matters such as ordinations, collations and institutions, clerical indiscipline and the exercise of his judicial authority, the extraordinary actionsrequired of the bishop are reflected not only in reports of local suspicions of heresy, but also in matters of national importance such as summonses to convocation, clerical taxation, natural disasters such as plague, and external threats to the kingdom. The documents are presented here in translation with full notes and introduction.
Janet Stevenson, formerly an assistant editor of the Victoria History of Wiltshire, has edited The Edington Cartulary (Wiltshire Record Society, 42, 1987) and The Durford Cartulary (Sussex Record Society, 90, 2006).
N.H. Bennett
The Register of Richard Fleming, bishop of Lincoln 1420-1431: II
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Newly edited documents bring to life a hitherto shadowy figure, revealing the details of his work in the church.
Founder of Lincoln College, Oxford, and staunch opponent of the teachings of John Wycliffe, Richard Fleming is best known for his academic interests and his concern to prevent the spread of heresy. He has, however, left little trace in the archives apart from his episcopal register, of which this volume forms the second part of an edition. It comprises a calendar of the institutions of clergy to benefices in the archdeaconries of Leicester, Huntingdon, Bedford, Buckingham and Oxford, the collations of dignities and prebends in Lincoln Cathedral, and the ordinations of clerks, whether beneficed, unbeneficed or in religious orders, to the sacred ministry. The workings of the administration of the vast diocese of Lincoln can be seen running smoothly, even when the bishop was absent overseas on diplomatic business, revealing Fleming as an effective diocesan and a conscientious shepherd of his flock.
N.H. BENNETT is Vice-Chancellor and Librarian of Lincoln Cathedral.
Owen Toller
Pfitzner's Palestrina
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Investigation of unjustly neglected opera.
Hans Pfitzner's `musical legend' Palestrina is considered in the German-speaking countries to be one of the supreme masterpieces of music, and yet it is all but unknown elsewhere. The opera, first performed in 1917, tells the story of the composer Palestrina, his struggle to compose following the death of his wife and in the face of anti-musical decrees from the Church, and his eventual composition of the Missa Papae Marcelli, which, it is said, wasdictated to him by angles and reconciled the Church to contrapuntal music. The story, set against the historical background of the Council of Trent, is an allegory of the individual artist in society, as well as a statement of Pfitzner's own beliefs about the musical climate of his time.
Toller discusses the music and the dramatic structure, and presents a comprehensive introduction to the background material in the many diverse fields encompassed by the opera.
OWEN TOLLER is Head of Mathematics at Merchant Taylor's School; he is a member of the London Symphony Chorus and sings with a number of other groups. His interest in Pfitzner began when he sang in the first British performance of Palestrina, a semi-professional production by Abbey Opera in London in 1979.
William Melton
Humperdinck
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The first-ever full-length biography in English of Engelbert Humperdinck, composer of the opera Hänsel und Gretel, examining the rest of his substantial output in a historical framework which sets him in the rich musical life of Wilhelmine Germany.
Engelbert Humperdinck's opera Hänsel und Gretel is one of the best-known in the repertoire, its melodies as familiar as folk-tunes - and yet no full-length biography of Humperdinck (1854-1921) has ever been published in English: although highly regarded a century ago, he has since been overshadowed by the continued success of his own fairy-tale creation. His other works remain essentially unknown, but they include five additional operas, ten furtherstage works (including music for four Shakespeare plays), pieces for orchestra and for chorus, and many songs. This book sets a pioneering examination of Humperdinck's entire output in a biographical framework, with detailed, illustrated descriptions accompanied by quotations from Humperdinck's contemporaries. Humperdinck was a quintessential composer of the Germany of the Kaisers: his maturation coincided with the establishment of the German Empire,and his training with teachers who remembered Beethoven and Schubert culminated in an apprenticeship with Richard Wagner. His talents won him entry to the Bayreuth inner circle and to the home of Johannes Brahms, and earned him areception with Kaiser Wilhelm II and an evening in Theodore Roosevelt's White House. His friends included Richard Strauss, Hugo Wolf, Gustav Mahler, Giacomo Puccini and Isadora Duncan. Kurt Weill, Leo Blech, and Hans Pfitzner were among his hundreds of students. Humperdinck was a prolific writer, too, and the detailed and candid letters and diary entries quoted here provide an inside view of musical life in Wilhelmine Germany, with its extraordinary number of theatres, orchestras, choral societies, music publishers, journals and conservatoires, their principal personalities generously illustrated in the pages of this book. William Melton, born in Philadelphia in 1954, did hisgraduate studies in music history at the University of California Los Angeles and spent his career in the horn section of the Sinfonie Orchester Aachen (Aix-la-Chapelle). In addition, he is a contributor to The Cambridge Wagner Encyclopedia (2013) and the author of The Wagner Tuba: A History (edition ebenos, Aachen, 2008). Further projects have included biographical essays on lesser-known Romantics like Friedrich Klose, Henri Kling, Felix Draeseke, and Friedrich Gernsheim, and he has researched and edited the scores of the 'Forgotten Romantics' series for the publisher edition ebenos.
Lynne Grundy
Books and Grace: Aelfric's Theology
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David Robinson
The Register of William Melton, Archbishop of York, 1317-1340, VI
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This volume, continuing the series of great medieval bishops' registers, offers material valuable for both religious and social history.
The register of Archbishop William Melton is one of the largest and most comprehensive to survive. Its backbone is the institution of clergy and licences to them, papal provisions and ordination of vicars and chantries, but it also contains a wealth of material for social history. During the period it covers, the East Riding of Yorkshire was flourishing, and a number of entries in the register reflect the challenges which the newly-founded town of Kingstonupon Hull was causing for the existing parochial structure. The archbishop is shown anathematizing malefactors who stole his swans and invaded his liberties in Beverley and the river Hull, and demanding the return of stolen woolon behalf of a merchant whose ship had been wrecked in the river Humber. The register also covers the origins of one of the last monasteries to be founded in medieval England, Haltemprice, and reveals the shortcomings of monks andnuns as well as secular clergy and members of the laity; more widely, many entries reflect the tensions between outlying vills and chapelries and their mother churches. The text is presented here with introduction, apparatus, and notes which elucidate the entries.
David Robinson, until his retirement County Archivist of Surrey, was awarded his PhD from the University of Cambridge.
O.F. Robinson
The Register of Walter Bronescombe, Bishop of Exeter, 1258-80: III
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Impressive...a significant contribution to the ecclesiastical history of Exeter and the English thirteenth century. CATHOLIC HISTORICAL REVIEW Third and final volume of early Exeter episcopal register; Introduction in Vol. I.
The earliest of the Exeter episcopal registers to survive, Bronescombe's is a general register with a single chronological sequence of letters and memoranda on many aspects of diocesan administration. It also contains copies of charters by, among others, king Henry III and his brother Richard, King of the Romans, in his capacity as Earl of Cornwall. Volume one of this edition (which supersedes the unsatisfactory one of 1889) contains a substantial introduction and a full transcription of the Latin text of folios 2-26, with a modern translation on the facing pages; it will therefore be of value to students of medieval Latin as well as ecclesiastical and legal historians. O.F. ROBINSON is Douglas Professor of Roman Law at the University of Glasgow.
Anselme Davril
The Monastic Ritual of Fleury
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New light is shed on the spiritual life and liturgical rituals of the influential abbey of St Benedict in the 12th century.
During the central middle ages, the abbey of St Benedict at Fleury on the Loire was one of the most influential monasteries in Europe. Consequently its spiritual life and liturgical ritual are of great interest to scholars. Thispreviously unpublished monastic ritual, dating from the 12th century, sheds new light on studies in the field.
R.L. Storey
The Register of Gilbert Welton, Bishop of Carlisle 1353-1362
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Register of capable ecclesiastical administrator shows him imposing order on impoverished war-ton Carlisle diocese.
Gilbert Welton was an eminent ecclesiastical administrator who won papal favour when visiting the Curia at Avignon. He recruited qualified staff before settling in the impoverished, war-torn diocese of Carlisle, which had not beenaccustomed to a resident bishop or to a high standard of episcopal government. His professionalism is reflected in the professional quality of his register. Among its contents are a dozen records of matrimonial causes (one Carlisle woman was divorced twice in six weeks); of further social interest are the 59 wills of laymen and beneficed clergy, many of them victims of the second visitation of the Black Death in 1362. This volume offers a calendarof the whole manuscript, with an appendix of full Latin texts of entries of special interest.
Arvid O. Vollsnes, Beryl Foster
Ludvig Irgens-Jensen
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The first English language discussion of the life and music of this twentieth century Norwegian composer.
The Norwegian composer Ludvig Irgens-Jensen (1894-1969) was one of the towering creative figures of his native land, although his dignified and powerful music does not receive the attention its quality deserves, either at home orabroad. The success of his dramatic symphony Heimferd (Homecoming) in 1930 brought him national fame, but the post-War triumph of modernism, coupled with his personal modesty, pushed Irgens-Jensen's tonal music into the shadows: its contrapuntally based textures and its modally tinged harmonies were seen as things of the past. But a growing number of recordings is revealing him as one of the most distinguished and distinctive voices in twentieth-century music, a figure of international importance who wrote music of striking nobility and strength of purpose - with some meltingly lovely melodic lines.
Arvid O. Vollsnes' Ludvig Irgens-Jensen: The Life and Music of a Norwegian Composer is the first discussion in English of this profoundly decent man and his life-enhancing music. A review of the original Norwegian publication of this book in Aftenposten, the main Norwegian daily paper, described it as 'a gripping biographical portrait. As well as Irgens-Jensen's life we get a broad picture of Norwegian musical life from the 1920s to his death in 1969'. A CD of extracts from Irgens-Jensen's works has been prepared to accompany the English edition, providing readers with an introduction to his highly individual and immediately appealing sound-world.
Max Rostal
Beethoven: The Sonatas for Piano and Violin
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A rich survey of all Beethoven's sonatas for violin and piano.
The first in over half a century to be devoted to a detailed analysis of the complete Beethoven sonatas for violin and piano, this book arose from the author's desire to pass on to a younger generation more than sixty years' experience as a practising musician and teacher. Professor Rostal addresses himself to professional and amateur musicians alike, to students and to listeners, all of whom will derive pleasure and enlightenment from his words.
Each of the ten Sonatas is carefully discussed, the manuscripts and first and later editions meticulously compared. Musicians will find technical and interpretative problems approached and solved and the music-lover a helpful listener's guide to these ever-popular masterpieces. As the Amadeus Quartet's Preface says of this important book, `It is a "must" for all students and performers, and is a "must" for all lovers of Beethoven.'
A renowned violinist and teacher, Professor MAX ROSTAL studied music under Arnold Ros and Carl Flesch. Founder and President of the European String Teachers' Association, he has made many recordings and is the editor of numerous wirks inthe violin repertoire.
Alexander M. Kinghorn, Alexander Law
The Works of Allan Ramsay
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J.B. Hughes
The Register of Walter Langton, Bishop of Coventry and Lichfield, 1296-1321: I
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The earliest extant register for Coventry and Lichfield reveals important detail on Langton, a key political figure, treasurer of Edward I and briefly of Edward II, suspended from episcopal office by Pope Boniface VIII and twice imprisoned.
This book is volume one of a calendar of the episcopal register of Bishop Walter Langton (1296-1321). Langton's register is important for two reasons: it is the earliest extant register for the medieval diocese of Coventry and Lichfield, and it has shed new light on the life of one of the period's key political figures. The register contains some folios from an earlier working register, only some entries of which have been duplicated in the definitivecopy. These have been tabulated in the introduction, which discusses the arrangement of the whole register in detail. The register contains hitherto unknown information concerning both the local and central diocesan administration, including details of the work of the papal administrators when Langton was suspended from episcopal office by Pope Boniface VIII in 1302-3. Moreover, the register has confirmed that Langton was an efficient and conscientious bishop who conducted diocesan business himself whenever possible, despite his personal vicissitudes including two terms of imprisonment, and he successfully juxtaposed his episcopal and political duties when he was Treasurer of Edward I, and later briefly Treasurer of Edward II.JILL HUGHES is a Research Fellow at the University of St Andrews.
David Cairns
Discovering Berlioz
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The writings of David Cairns have played a major part in the relatively recent acceptance of Berlioz as a central figure in western classical music. Discovering Berlioz collects articles, lectures and other texts from several decades of advocacy, throwing new light on this outsize personality - the Romantic composer par excellence.
For the past half-century and more David Cairns has been one of the world's pre-eminent Berlioz scholars, translating Berlioz's freewheeling memoirs and writing a monumental biography of the composer that earned a procession of awards. But many of Cairns' writings on Berlioz were intended for particular audiences - the Berlioz Society Bulletin, articles in books and journals, contributions to newspapers (he was a critic for The Sunday Times for 25 years) and lectures - and have never been collected between a single set of covers. Discovering Berlioz presents nearly 40 essays from the past five decades that even now throw unexpected light on this most quixotic and profound of composers - firebrand and philosopher almost in the same breath. These articles follow the chronology of Berlioz's life, examining the influences of his provincial childhood on his music, the revelations of Virgil, Gluck, Shakespeare and Beethoven, the tribulations of his professional life in Paris, when the pressure to earn a living as a reviewer and writer robbed him of the time he should have spent on composition, and finally focusing on the masterpiece that crowned Berlioz's difficult life, the operatic epic Les Troyens. Discovering Berlioz also charts the history of Berlioz reception: the composer who in the mid-twentieth century was regarded as aneccentric outsider is now seen as one of the most vital figures in the history of western music - a re-assessment for which David Cairns himself deserves much of the credit.
Albert E. Gurganus
The Art of Revolution
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The first major study of the neglected fiction works of the well-known revolutionary politician Kurt Eisner.
This fascinating study analyzes the fiction (including the didactic political Märchen) of Kurt Eisner, who is best known as a revolutionary politician of the Wilhelminian and Weimar periods. Eisner's literary work has been little studied, even in the German Democratic Republic, where he was revered as a political martyr. This is the first major study of this neglected aspect of Eisner's production.
Reginald Brocklesby
The Register of William Melton, Archbishop of York, 1317-1340, IV
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Register of the archdeaconry of Nottingham, including records of prisoners in archdeacon's Nottingham gaol.
This fourth volume of Melton's register is partly Latin text, partly calendar, of its section for the archdeaconry of Nottingham. Melton continues to be a dedicated diocesan, probably the last archbishop to undertake four visitations of its deaneries; he also visited its religious houses, ordering reforms of finances and morals. The register shows his prison at Nottingham crowded with criminous clerks, some connected to the notorious Coterell and Folvillegangs; in contrast, ordinances for seven new chantries reflect the piety of other inhabitants of the shire.
REGINALD BROCKLESBY was until his retirement Senior Archivist in the Nottinghamshire Archives Office.
Phil Bradford, Alison K. McHardy
Proctors for Parliament: Clergy, Community and Politics, c.1248-1539. (The National Archives, Series SC 10)
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Edition of a major, previously unpublished, source for the history of England's medieval parliament.
In the middle ages clergy of all ranks, from archbishops to parochial clergy, sent proctors to parliament, whether as representatives of constituency groups - diocesan clergy and cathedral chapters - or substitutes for those expected to attend in person. The National Archives series SC 10 contains 2,520 surviving letters of appointments by these parliamentarians, both groups and, more especially, individuals, cathedral deans, archdeacons, and many bishops;especially valuable are the letters sent by bishops whose registers have not survived, as in the case of Chichester and of the Welsh dioceses. Most numerous of all are the letters of parliamentary abbots. This volume presents the first printed edition of the documents, opening up a level of political activity and interaction which has hitherto been unexplored. The introduction describes the history of proctorial practice and the fortunes of this source, with an analysis of its contents, while the appendices contain ancillary and misfiled documents, and brief biographies of many of the proctors. This first of a two-volume set covers the period from the beginning of the series under Henry III until the end of Edward III's reign. A second volume, covering the years from the accession of Richard II until the end of the series under Henry VIII, with also include analysis of the proctors and the indexto both volumes.
Phil Bradford gained his PhD in medieval history from the University of York and is currently Vicar of St Michael's, Worcester; Alison K. McHardy was formerly Reader in Medieval English History at theUniversity of Nottingham. She has published extensively on the relations between crown and church in late-medieval England, and on the politics of Richard II's reign.
Christopher Harper-Bill
The Register of John Morton, Archbishop of Canterbury 1486-1500: II
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Comprehensive records of sede vacanteadministration in the province of Canterbury from 1486-1500, including important financial accounts.
Among the most important rights of the archbishop of Canterbury wasthe administration of vacant sees upon the death or translation ofa bishop. Morton's register is remarkable for the proportion of itsfolios which are filled by sede vacantematerial.
T.C.B. Timmins
Register of John Waltham, Bishop of Salisbury 1388-1395
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Late 14c ecclesiastical records from the diocese of Salisbury.
The 235 folios of John Waltham's register contain letters, dispensations and letters dimissory, institutions; parochial visitations, and judicial acta. Five of the calendar's seven appendices supply additional related matter. As well as expediting routine business, the bishop is seen resolving, with royal support, a longstanding dispute with his chapter, resisting metropolitical visitation, using canon law to excuse his failure to levy papal taxes and statute law to safeguard patronage from papal provisions, and uncovering details about Lollard masses. It is of some interest that the clerks who preside over his courts differed markedly in their methods and sentencing policy. The medieval diocese of Salisbury covered the old counties of Berkshire, Dorset and Wiltshire, and the register will be of considerable interest to local historians as well as to medievalists.
D.P. Wright
The Register of Thomas Langton, Bishop of Salisbury, 1485-93
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Bohuslav Martinů, Isa Popelka
Martinů's Letters Home
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These letters document Martinu's life in his own words, from his student days in Prague and Paris to his triumphs in American exile.
The 121 letters collected in this book document Martinu's life in his own words, beginning as a student in Prague and Paris, following his flight from Nazi-occupied France and charting his triumphs in American exile; the last letter is dated shortly before his death in 1959. They are addressed to his family and friends back home in the village of Policka, on the Czech-Moravian border. Kept at a distance by the Nazi occupation and then by Communism, Martinuwas never to return there but, in a letter to the mayor, written as a gesture of solidarity after August 1938, he proudly described himself as a "native son who is far from his home but who constantly returns - if only in his thoughts - with gladness - to that dear land - the most beautiful on earth."
Eric E. Barker
Register of Thomas Rotherham, Archbishop of York, 1480-1500, I
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Kathleen Edwardes, Dorothy Owen
The Registers of Roger Martival, Bishop of Salisbury, 1315-1330, IV
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Teresa Balough
Comrades in Art
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The correspondence of the composer-pianists Percy Grainger [1882-1961] and Ronald Stevenson [b. 1928], together with Stevenson's writings on Grainger and two interviews with Stevenson.
In 1957 the Australian-American composer Percy Grainger, then 75 and in failing health, received a letter from another pianist-composer, the young Ronald Stevenson, writing from his home in West Linton, below Edinburgh. That firstcontact - requesting Grainger's reminiscences of Ferruccio Busoni, with whom he had studied - led to an exchange of 32 letters over the four years before Grainger's death in February 1961. The two men soon found that, despite their 46-year age-difference, they had many affinities. Both were pianists of staggering abilities and composers who combined a love for folk-music and working-class art with an aesthetic that proposed a `world music' to include the farthest reaches of humanity. Both made an art of piano transcription of a wide variety of works and were champions of little-known music and composers. And both revered the work of Walt Whitman, that great poet of inclusivity,the pioneering spirit and the open road.
This book presents both the complete Grainger-Stevenson correspondence and Ronald Stevenson's many articles and lectures on Grainger and his music, edited by Teresa Balough, whosetwo interviews with Stevenson open and close the volume - which includes a CD of a lecture-recital on Grainger that Stevenson presented in Grainger's home in White Plains, New York, in 1976.
J. B. Hughes
The Register of Walter Langton, Bishop of Coventry and Lichfield, 1296-1321: volume II
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Completes the register of Walter Langton, a leading figure in political life at the time.
Langton's register is important for two reasons: it is the earliest extant register for the medieval diocese of Coventry and Lichfield, and it has shed new light on the life of one of the period's key political figures (Langton was treasurer of Edward I and briefly of Edward II, suspended from episcopal office by Pope Boniface VIII and twice imprisoned). This volume completes the calendar of the register; it chiefly comprises ordination lists, but also contains charters confirming Langton's paternity. JILL HUGHES is a Research Fellow at the University of St Andrews.
Andrew Ashbee
The Harmonious Musick of John Jenkins: I
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This is the first in a two-volume study of Jenkins and his music. It concerns itself exclusively with the superb consorts for viols which dominate the early part of the composer's career.
Joyce Horn
Register of Robert Hallum, Bishop of Salisbury, 1407-1417
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Chris Walton
Richard Flury
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The first extensive study of the life and music of the Swiss composer, Richard Flury (1896-1967).
The late-Romantic composer Richard Flury (1896-1967) was born in Biberist, a tiny town outside the Baroque city of Solothurn in northern Switzerland. He went to school in Solothurn, later taught there, conducted its orchestra, andhad his operas and ballets performed at the local theatre by its semi-professional ensemble.
In his music of the early 1930s, the influence of Berg and Hindemith became apparent as Flury dabbled in modernism and free tonality before moving back to a more traditionalist stance; but he was also a fine tunesmith who loved writing Viennese waltzes and violin miniatures after the manner of Kreisler. In both his aesthetic and his career, Flury offers a fascinating case of a man negotiating constantly between the centre and the periphery - and composing some very good music in the process.The book includes a 23 track CD of Flury's music.
CHRIS WALTON teaches music history at the Basel University of Music in Switzerland. He is the author of Othmar Schoeck: Life and Works (2009) and Richard Wagner's Zurich: The Muse of Place (2007).
B.R. Kemp
Twelfth-Century English Archidiaconal and Vice-Archidiaconal Acta
The Register of William Melton, Archbishop of York, 1317-1340, II
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O.F. Robinson
The Register of Walter Bronescombe, Bishop of Exeter, 1258-80: II
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Introduction to and transcription of earliest surviving Exeter episcopal register.
The earliest of the Exeter episcopal registers to survive, Bronescombe's is a general register with a single chronological sequence of letters and memoranda on many aspects of diocesan administration. The second volume of this edition (which supersedes the unsatisfactory one of 1889) is especially notable for its accounts of the bishop's jurisdictional clashes with the earl of Cornwall, material not normally found in such a register. Praise for volume I: Useful discussions of Bronescombe's life and household, the administration of the diocese, and the bishop's dealings with religious houses, the dean and chapter, and such secular figures as the earls of Cornwall... It is for theclear presentation of the register itself, however, that this volume is most welcome. ENGLISH HISTORICAL REVIEW O.F. ROBINSON is Douglas Professor of Roman Law at the University of Glasgow.
Owen Toller
Pfitzner's Palestrina
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Investigation of unjustly neglected opera.
Hans Pfitzner's `musical legend' Palestrina is considered in the German-speaking countries to be one of the supreme masterpieces of music, and yet it is all but unknown elsewhere. The opera, first performed in 1917, tells the story of the composer Palestrina, his struggle to compose following the death of his wife and in the face of anti-musical decrees from the Church, and his eventual composition of the Missa Papae Marcelli, which, it is said, wasdictated to him by angles and reconciled the Church to contrapuntal music. The story, set against the historical background of the Council of Trent, is an allegory of the individual artist in society, as well as a statement of Pfitzner's own beliefs about the musical climate of his time.
Toller discusses the music and the dramatic structure, and presents a comprehensive introduction to the background material in the many diverse fields encompassed by the opera.
OWEN TOLLER is Head of Mathematics at Merchant Taylor's School; he is a member of the London Symphony Chorus and sings with a number of other groups. His interest in Pfitzner began when he sang in the first British performance of Palestrina, a semi-professional production by Abbey Opera in London in 1979.
Carl F. Flesch
And do you also play the violin?
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Carl F. Flesch grew up in Berlin surrounded by some of the most famous musicians of the day. This is his account of the men and women behind the famous names.
Carl F. Flesch is the son of the famous German violinist Carl Flesch [1873-1944] and grew up in the Berlin of the 1920s and `30s. He thus came into almost daily contact with some of the foremost musicians of the century - Furtwängler, Kreisler, Schnabel, Heifetz, Thibaud - including, of course, his father's pupils - Rostal, Haendel, Neveu, and many others. `And do you also play the violin?' was a question he was frequently asked as he grew up, and it explains his intention in writing this book: he had, in his words, `a ringside seat' to observe these musicians from close quarters and writes about the men and women behind the famous names; examining, often with some humour, the relationship between teacher and pupil, the pressure on public performers, life as the child of a famous parent, and the effect on German musical life of the Nazis' accession to power.
W.W. Capes
Registrum Ricardi de Swinfield
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R.L. Storey
The Register of John Kirkby, Bishop of Carlisle, 1332-1352, II
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Lively record of 14c ecclesiastical life in the north of England.
John Kirkby's episcopate was an eventful one. It coincided with a period of Anglo-Scottish warfare in which the bishop participated with gusto, but even domestically his tenure of the see of Carlisle was stormy: the bishop was involved in feuding among the local gentry, and quarrelled with his archdeacon and with the dean and chapter of York during the vacancy of 1340-42. This second volume of Kirkby's register includes a rental of episcopal manors, an appendix of transcripts of documents, and the index, adding to the calendar contained in the first volume and providing a lively record of life in a remote part of the country. R.L. STOREYis Emeritus Professor of Medieval History, Nottingham University. He is the author of several standard books on late-Medieval England.
Kathleen Edwardes
Registers of Roger Martival, Bishop of Salisbury, 1315-1330, I
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Vagn Holmboe
Experiencing Music
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Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience.
Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' working methods, and how much are they really aware of them? What is the role of performers, and what sort of freedom do they have in interpreting music?What do listeners do in listening to music? What, essentially, is the musical experience?
Professor Paul Rapoport contributes a lengthy introduction to this book, although, as he points out, `this is not a book about Vagn Holmboe nor a book addressed solely to musicians ... Holmboe's prose, like his music, is addressed to his fellow human beings, whoever and wherever they may be'.
Eric E. Barker
Register of Thomas Rotherham, Archbishop of York, 1480-1500, I
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Chris R. Langley
The Minutes of the Synod of Lothian and Tweeddale, 1648-1659
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Edition of the minutes of one of the most important ecclesiastical bodies in Scotland shows their response to Cromwell's invasion.
In the summer of 1650, an English army led by Oliver Cromwell crossed the River Tweed and invaded Scotland. Within less than a year, Edinburgh had fallen to the invading force and Presbyterian ministers across the Central Belt either fled to safer ground or remained to preach against Cromwell's agenda. The invasion brought with it ideas of a new religious settlement, a reorganisation of the civil administration of Scotland and a large body of men that needed housing, food and discipline. The Synod of Lothian and Tweeddale was one of the most senior ecclesiastical meetings in Scotland to face the English invasion. The meticulous record keeping of its scribes allows an insight into the local response, showing the complexity and negotiation of ecclesiastical government in wartime. The Synod took on a new significance during the 1650s by marshaling the national response to the English invasion, organisingcharitable events for those captured abroad and ensuring that ministers across the region maintained orthodoxy in such a difficult time. The minutes, previously scattered, are painstakingly stitched together in this volume, and are presented with full introduction and explanatory notes.
Christopher R. Langley is Senior Lecturer in Early Modern British History at Newman University, Birmingham.
R.N. Swanson
The Register of John Catterick, Bishop of Coventry and Lichfield, 1415-19
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Although Catterick himself was continually absent fom his diocese, a full register was kept of the activities of his vicar-general. Catterick's register is the first from this diocese to be printed by the Canterbury and York Society.
G. Richter, A. Schonfelder
Sacramentarium Fuldense Saeculi X
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A photographic reprint of the rare edition,first published in 1912, of the `Fulda Sacramentary' (Gottingen, UB, Cod. theol. 231), a 10th-century manuscript written at Fulda which represents a distinct recension of the Gregorian Sacramentary, possibly connected with the scholarly activities of Hrabanus Maurus (d.856). The Fulda Sacramentary was richly illuminated; it is also a rich repository of prayers and mass formulas, and its ample contents include aprayer in Old High German.
Neil Butterworth
The Music of Aaron Copland
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First survey of Copland's entire output for some 30 years - a period seeing some of his most important works.
Aaron Copland was one of the twentieth century's most popular and distinguished composers. Copland was born in 1900 in Brooklyn, where he began his musical career, before moving to the Paris in the 1920s, where Stravinsky, Prokofiev and Les Six were the centre of attention. On his return to the United States at the end of the decade he began to produce a series of works which could leave no one in any doubt that American composers were capable of writing music equal to the best of their European contemporaries.
This chronological survey of Copland's work discusses ever one of his compositions and examines his influential writings on music. Profusely illustrated with musicexamples and photographs, it includes a conversation on the piano music with Aaron Copland and Leo Smit and also features sketches of Copland in rehearsal by Milein Cosman.
NEIL BUTTERWORTH was formerly Head of Music atNapier College, Edinburgh.
Luigi Dallapiccola
Dallapiccola on Opera
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Brings out Dallapiccola's enduring importance as critic as well as composer.
The Italian composer Luigi Dallapiccola [1904-75] always characterised himself as a `man of the theatre', and Il Prigioniero [The Prisoner] has been performed more often than any other Italian opera since Puccini. Dallapiccola on Opera, the first collection of his writings to appear in English, proves that he was also an inspired essayist and critic. To the directness and psychological insight of his narrative style, Dallapiccola adds probing observation of details in the critical texts that form the core of this book. Whether writing about familiar masterpieces like Mozart's Don Giovanni and Verdi's Falstaff, Mussorgsky's Boris Godunov and Debussy's Pelleas et Melisande, or discussing such great but problematic works as Monteverdi's Il Ritorno di Ulisse in patria, Busoni's Doktor Faust and Verdi's Simon Boccanegra, Dallapiccola illuminates fundamental, previously unnoticed dramatic and musical aspects.
Alan R. MacDonald, Mary Verschuur
Records of the Convention of Royal Burghs, 1555; 1631-1648
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Material from conventions of Scottish parliamentary towns sheds fresh light on their activities and actions, from giving judgements in disputes to raising money for building projects.
The convention of the royal burghs of Scotland was a national representative assembly of parliamentary towns that was unique in Europe. It met in plenary session at least once every year by the end of the sixteenth century, as well as convening in ad hoc sessions for specific business. It had a wide range of responsibilities, including defence of the burghs' collective and individual trading privileges, lobbying central government, promoting manufactures and trade, arbitrating in disputes between burghs, apportioning national taxes among its members, co-ordinating the raising of money for public building projects within burghs, and maintaining and regulating the Scottish staple port at Veere on what was then the island of Walcheren in the province of Zeeland in the Netherlands. When much of its records were published in the nineteenth century, minutes from before the 1580s were fragmentary and awhole volume (covering the years 1631-1649) was lost. This volume goes some way to rectifying these deficiencies by making available in print, for the first time, the records of a convention at Perth in 1555, those of most of theconventions between 1631 and 1636, the minutes of a convention from 1647 and some other papers from the 1640s. They are presented here with an introduction and elucidatory notes.
Alan MacDonald is senior lecturer in History at the University of Dundee; Mary Verschuur lectured in the department of History at the University of Nebraska at Omaha.
Susan Reynolds
The Registers of Roger Martival, Bishop of Salisbury, 1315-1330. III Royal writs
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Karin Bowie
Addresses Against Incorporating Union, 1706-1707
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Edition of documents protesting against the Scottish and English Union.
In 1706-1707, a proposed union of the Scottish and English kingdoms excited vigorous debate. Dozens of Scottish burghs, shires and parishes sent petitions to the Scottish parliament, known as addresses, to protest against the treaty of union. The addresses reveal local opinions and feelings, as expressed through a sophisticated petitioning campaign. They show how Presbyterians and Jacobites joined in an oppositional coalition, which disagreed on most matters of church and state, but agreed to oppose the union. Thousands of male tenant farmers, artisans and servants subscribed with their own hands, or via notaries and church elders. Campaigners argued that these opinions mattered and that parliament should listen to the "mind of the nation". Though ultimately unsuccessful, the campaign had a strong impact on the shape of the union. This volume provides a transcript of each local voice from the originalhandwritten documents, explaining the circumstances in relation to the voting patterns of members of the Scottish Parliament. An introduction sets the addresses in their historical context.
Karin Bowie is a historian ofScotland, specialising in the study of early modern public opinion. She lectures in Scottish history at the University of Glasgow.
Phil Bradford
Proctors for Parliament: Clergy, Community and Politics, c.1248-1539. (The National Archives, Series SC 10)
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Edition of a major, previously unpublished, source for the history of England's medieval parliament.
In the Middle Ages clergy of all ranks, from archbishops to parochial clergy, sent proctors to parliament, whether as representatives of constituency groups - diocesan clergy and cathedral chapters - or substitutes for those expected to attend in person. The National Archives series SC 10 contains 2,520 surviving letters of appointments by these parliamentarians, both groups and, more especially, individuals, cathedral deans, archdeacons, and many bishops;especially valuable are the letters sent by bishops whose registers have not survived, as in the case of Chichester and of the Welsh dioceses. Most numerous of all are the letters of parliamentary abbots. This second of twovolumes presents the first printed edition of the documents, opening up a level of political activity and interaction which has hitherto been unexplored. It covers the years from the accession of Richard II until the end of the series under Henry VIII; it also includes an analysis of the proctors, and the indices to both volumes.
PHIL BRADFORD gained his PhD in medieval history from the University of York and is currently Vicar of St Michael's,Worcester; ALISON K. MCHARDY was formerly Reader in Medieval English History at the University of Nottingham. She has published extensively on the relations between crown and church in late-medieval England, and on the politics of Richard II's reign.
F. Donald Logan
The Register of Simon Sudbury, Archbishop of Canterbury, 1375-1381
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First printed edition of a hugely significant source of knowledge of a turbulent period in England's history.
Archbishop Simon Sudbury's register is something of a rarity. Of the eleven archbishops of Canterbury in the fourteenth century the registers of only seven have survived, and of these only two have been published: a portion of theregister of Robert Winchelsey (1295-1313) and the register of the brief episcopate of Simon Langham (1366-68). Sudbury became archbishop of Canterbury in 1375 while England was at war with France and while the church was about to split in two by schism. His register reveals all of this, but much more. There is the day-to-day administration of the church: clergy ordained, parishes filled, disputes settled, wills proved and much else. It shows Sudburyas a conscientious pastor animarum and an able administrator, as well as a skilled canon lawyer, who tried to steer a smooth course against the monetary demands of the crown, which were to lead to the Peasants' Revolt and to his own assassination on Tower Hill. This volume is a calendar edition of Archbishop Sudbury's register: it contains an English-language summary of each entry, including every place name and personal name and date. An introduction records the making of the register and a summary of its contents; notes elucidate particular points; and a full index allows easy access to references.
C.R. Elrington
The Registers of Roger Martival, Bishop of Salisbury, 1315-1330, IIi
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John Durkan, Jamie Reid-Baxter
Scottish Schools and Schoolmasters, 1560-1633
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A rich and comprehensive picture of schools and school education in early modern Scotland.
1560 is a crucial date in the development of Scottish education, for it was in this year that the First Book of Discipline set out its ambitious project of providing a school in every notable town. This book, the result of exhaustive archival research and extensive use of the Registers of Deeds (which offer evidence of schoolmasters so described, as witnesses to legal documents), provides an indepth and wide-ranging analysis of education during the period,considered in its full religious, social and cultural setting. The curriculum receives particular attention, with its emphasis on music drawn out. The volume also presents a list of all identified Scottish schools and schoolmasters from the Protestant Reformation down to 1633.
The late Dr John Durkan (1914-2006), historian and schoolmaster and a co-founder of the Innes Review, left a published legacy of hundreds of articles on Scottish intellectual and religious life in the Middle Ages and Renaissance and helped change the face of Scottish historiography. He was latterly a Senior Honorary Research Fellow of his alma mater, Glasgow University.
Keith Edward Beebe
The McCulloch Examinations of the Cambuslang Revival (1742): A Critical Edition [2 volume set]
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First published edition of what has been described as "one of the most remarkable testimonies of eighteenth-century piety ever compiled".
In recent decades scholars have rediscovered a handwritten source of historical documentation from the eighteenth-century transatlantic religious movement known as "The Great Awakening". The McCulloch Examinations manuscripts contain more than a hundred first-person conversion narratives from the Cambuslang Revival of 1742 that have never before been published in their entirety. Collected and compiled by Reverend William McCulloch in what was Scotland's first oral history project, these personal accounts open a unique window into the early modern Scottish soul and shed new light upon an important chapter of British and American history. In this first complete, unabridged and fully annotated edition of the Examinations, the editor offers an introduction and analysis of these fascinating narratives, and provides supplementary resources that will illuminate the text for the reader. In addition to preserving the narrative accounts in their original frame, the edition includes the proposed redactions and marginal comments of four prominent Church of Scotland clergy who assisted McCulloch with the project.
Keith Edward Beebe is Professor of Church History in the Department of Theology at Whitworth University, Spokane, Washington, and an ordained minister in the Presbyterian Church, USA.
Peter D. Clarke, Patrick N.R. Zutshi
Supplications from England and Wales in the Registers of the Apostolic Penitentiary, 1410-1503
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First edition of supplications concerning England and Wales from the Apostolic Penitentiary - an essential resource for any historian of the pre-Reformation Church.
The Apostolic Penitentiary was and remains the highest office in the Catholic Church concerned with sin and matters of conscience. The papacy reserved to itself absolution from certain grave sins, and successive popes empowered the cardinal penitentiary in charge of the office to absolve sinners in these reserved cases, which included violence against or by the clergy and abandonment of the religious life. The cardinal was also authorised to grant other favours that were a papal monopoly, including dispensations, notably for marriages between close relatives normally forbidden by church law, and special licences, for example allowing confession to a personal chaplain rather than one's parish priest. Petitioners from across Western Europe requested such favours in their thousands and their supplications shed important new light on religious, social and even political history, covering themes as varied as marriage, sexual deviance, violence, the religious life, popular piety, illegitimacy, and pilgrimage. This valuable evidence, recorded in the registers of the Apostolic Penitentiary held in the Vatican Archives, has only beenavailable to researchers since 1983. This edition makes accessible for the first time over 4,000 supplications concerning England and Wales in the office's fifty earliest surviving registers; they are presented with notes and introduction and other apparatus.
Peter D. Clarke is Reader in Medieval History at the University of Southampton; Patrick N.R. Zutshi is Keeper of Manuscripts and University Archives, Cambridge University Library, and a Fellow of Corpus Christi College, Cambridge.
Scott Parens, John H.R. Davis
The Warden's Punishment Book of All Souls College, Oxford, 1601-1850
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Edition, with full notes and apparatus, of a text which sheds much light on university affairs at the time.
The Warden's Punishment Book is a record of punishments imposed on the Fellows of All Souls College, Oxford, for minor infringements of the statutes and of College discipline, from its inception in 1601 until 1851. It is a uniquedocument in terms of its scope and detail among the College records of Oxford and Cambridge and provides significant insights into the daily life and personal relationships of such an institution during the early modern period. This volume presents an edition of the text of the Punishment Book, with a substantial biographical register detailing the careers of those mentioned as punishers or punished. An introduction explains the significance and context of the Punishment Book within collegiate, university, and social history.
Scott Mandelbrote is Fellow, Perne Librarian, and Director of Studies in History at Peterhouse, Cambridge, he was formerly Fellow and Sub-Warden of All Souls College, Oxford; John H.R. Davis is an Honorary Fellow of All Souls College, Oxford, of which he was Warden between 1995 and 2008. He is an anthropologist and was Professor of Social Anthropology at the Universityof Oxford, and, before that, at the University of Kent at Canterbury.
Margo Todd
The Perth Kirk Session Books, 1577-1590
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Sixteenth-century documents from the parochial church court reveal huge detail about the daily lives of ordinary Scottish townspeople of the time.
The Calvinist Reformation in Scottish towns was a radically transformative movement. It incorporated into urban ecclesiastical governance a group of laymen - the elders of the kirk session - drawn heavily from the crafts guilds aswell as wealthy merchants. These men met at least weekly with the minister and comprised a parochial church court that exercised an unprecedented discipline of the lives of the ordinary citizenry. They pried into sexual behaviour, administered the hospital and other poor relief, ordered fostering of orphans, oversaw the grammar school, enforced sabbath observance, investigated charges of witchcraft, arbitrated quarrels and punished people who railed at their neighbours. In times of crisis like the great plague of 1584-85, they rationed food sent from other towns and raised an already high bar on moral discipline to avert further divine wrath. The minute books of Perth's session, established in the 1560s and surviving most fully from 1577, open a window on this religious discipline, the men who administered it, and the lay people who both resisted and facilitated it, negotiating its terms to meet theirown agendas. They are presented here with full introduction and explanatory notes.
Margo Todd is Walter H. Annenberg Professor of History, University of Pennsylvania.
Peter D. Clarke, Patrick N.R. Zutshi
Supplications from England and Wales in the Registers of the Apostolic Penitentiary, 1410-1503
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First edition of supplications concerning England and Wales from the Apostolic Penitentiary - an essential resource for any historian of the pre-Reformation Church.
The Apostolic Penitentiary was and remains the highest office in the Catholic Church concerned with sin and matters of conscience. The papacy reserved to itself absolution from certain grave sins, and successive popes empowered the cardinal penitentiary in charge of the office to absolve sinners in these reserved cases, which included violence against or by the clergy and abandonment of the religious life. The cardinal was also authorised to grant other favours that were a papal monopoly, including dispensations, notably for marriages between close relatives normally forbidden by church law, and special licences, for example allowing confession to a personal chaplain rather than one's parish priest. Petitioners from across Western Europe requested such favours in their thousands and their supplications shed important new light on religious, social and even political history, covering themes as varied as marriage, sexual deviance, violence, the religious life, popular piety, illegitimacy, and pilgrimage. This valuable evidence, recorded in the registers of the Apostolic Penitentiary held in the Vatican Archives, has only beenavailable to researchers since 1983. This edition makes accessible for the first time over 4,000 supplications concerning England and Wales in the office's fifty earliest surviving registers; they are presented with notes and introduction and other apparatus.
Peter D. Clarke is Professor of Ecclesiastical History at the University of Southampton; Patrick N.R. Zutshi is Keeper of Manuscripts and University Archives, Cambridge University Library,and a Fellow of Corpus Christi College, Cambridge.
John Condliffe Bates
The Register of William Bothe, Bishop of Coventry and Lichfield, 1447-1452
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Newly edited register of William Bothe rehabilitates a much maligned figure.
William Bothe, bishop of Coventry and Lichfield, was the first bishop from a family that was to become a virtual episcopal dynasty, and one of the most vilified bishops of the fifteenth century. His register spans a short episcopate of only six years, but is nevertheless of great importance to the history of the see. It provides information about Bothe's episcopal officers, their backgrounds and careers, and about the details of life in the diocese at thistime. Moreover, it allows a reassessment of this bishop's administration, suggesting that his concern for his diocese and dedication to his work was greater than has been hitherto appreciated. An appendix gives full details of his itinerary.
F.N. Davis
Rotuli Hugonis de Welles [III]
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H.E. Salter
Munimenta Civitatis Oxonie
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Barry Collett
The Building Accounts of Corpus Christi College, Oxford, 1517-18
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This edition of the building accounts is put into a wider context with a study of its founder, Richard Fox.
Corpus Christi College, Oxford, was founded in 1517 by Richard Fox, bishop of Winchester. He intended it to educate students in classical Greek, Latin and Hebrew, and their literature; Erasmus praised it as a scholarly achievement, and a beacon of Renaissance classical learning. The heart of this book is an edition of the original fortnightly building site accounts of 1517-1518, giving us a window onto a late-medieval building site, with its detailsof early sixteenth-century building materials, craft techniques, project management skills and working conditions, including siesta periods and sub-contracting. The introduction describes Fox's long road to 1517: his motives far more complicated than a bishop looking for worldly fame and heavenly reward. Born into a Lincolnshire yeoman, Fox studied law at Oxford, rebelled against Richard III and became Henry VII's closest political adviser. Taken together,they provide a detailed account of the foundation of the College, both literal and metaphorical.
T.C.B. Timmins
The Register of William Melton, Archbishop of York, 1317-1340, V
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Latest volume in the series of great medieval bishops' registers continues the records for York Diocese. Covers the cathedral chapter and the chapters of the collegiate churches of Beverley, Howden, Ripon and Southwell, and the collegiate chapel of St Mary and Holy Angels beside York Minster.
This volume contains the Capitula section, which covers the cathedral chapter and the chapters of the collegiate churches of Beverley, Howden, Ripon and Southwell, and the collegiate chapel of St Mary and Holy Angels besideYork Minster. The growth of papal provisions features prominently; tense relations with the York chapter are also in evidence. Visits are recorded - and the installation of York's west window, Melton's lasting legacy.
Gwilym Dodd, Alison K. McHardy
Petitions to the Crown from English Religious Houses, c.1272-c.1485
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Petitions are vital sources for our knowledge of life in the middle ages. A selection is presented here with English summaries, notes, and introduction.
Through the petitions which they addressed to the crown the people of medieval England speak to us directly: the human interest stories they reveal are perhaps the nearest thing to local newspapers which the middle ages have leftus. Petitions were the subject's last resort when normal channels of law and government had failed, and offered kings the opportunity to exercise qualities of generosity, compassion, and sound judgment. However, despite their importance, they have not hitherto been recognized as a source for ecclesiastical history, a gap which this volume rectifies. A selection of over 200 cases shows the religious of medieval England taking full advantage of this mechanism, petitioning as landowners, neighbours, citizens, individuals, and religious orders. The subjects covered range from requests for tax rebates, and complaints about royal officials, to disputes with tenants, with townsmen, monastic rivals, and ecclesiastical superiors. National politics and international warfare are also represented, as are coastal erosion, and higher education. English summaries, explanatory notes and an extensive introduction enhance the reader's appreciation of this rich and remarkable resource.
Dr Gwilym Dodd is Lecturer in History at the University of Nottingham, where Dr Alison K. McHardy also taught until her retirement.
Edited by Robert Falconer
The General Account Book of John Clerk of Penicuik, 1663-1674
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Edition of a wealthy merchant's accounts sheds fascinating insights into life at the time.
The household account book of John Clerk of Penicuik, a Montrose-born merchant who honed his skills in Paris and brought home to Scotland a small fortune which he used to purchase the barony of Penicuik in 1654, provides an opportunity to explore the multifaceted life of a seventeenth-century merchant, moneylender, and improving landlord. This volume presents for the first time a full scholarly edition of the accounts. A prodigious bookkeeper, Clerk maintained incredibly detailed, and personally annotated, accounts which support the contemporary assessment that held him to be "a man of great sense and great application to busines"'. Uniquely, Clerk's tendency to add emotive statements or direct commentary to his detailed accounting of household expenditures sets these accounts apart from similar account books from this period. As this volume also shows, they reveal a businessman that did not suffer fools gladly and a devoted and loving husband and father who worked tirelessly to secure a future for his children, the estate, and his family name. Showcasing the household's expenditures, Clerk's accounts list a vast array of consumables and durables, his family's material support and the cost of educating his children, as well as disbursements to labourers, domestic servants, doctors, and various factors operating on behalf of Clerk and his family. Collectively, the material found in these records can contribute to broader inquiries into domestic consumption, the improvement of landed estates, gendered spending patterns, the employment of labour, household priorities, material culture, and identities and consumer behaviour in the last half of the seventeenth century.
This edition makes accessible a full edition of the accounts themselves, as well an extensive historical and historiographical introduction placing the accounts in their wider context and helping the reader to use and interpret the accounts. It also benefits from a full glossary of terminology used by Clerk. Covering the period from 1663 to Clerk's death in 1674, this volume presents the reader with an opportunity to pull back the curtains, open the cupboards, peer into the closets, and gaze onto the fields of a seventeenth-century laird's estate.
W.T. Mitchell
Register of Congregations, 1505-17, Vol II
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Simon Walker, Julian Munby
Building Accounts of All Souls College, Oxford, 1438-1443
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Edition, with full explanatory material, of the documents concerning the building of All Souls, Oxford: a vital source for our knowledge of the period.
The accounts covering the construction of All Souls, Oxford, in the five years from its foundation in 1438 are among the most important documentary sources for English medieval building history, and provide an almost unique recordof the physical creation of an Oxford college. They are here published in full for the first time, with commentary and analysis by the late Simon Walker. Supplementary material includes plans and documentation of the site, a description of the buildings, and an inventory of the college rooms in the sixteenth century.
Simon Walker was Professor of History, University of Sheffield; Julian Munby is head of Buildings Archaeology at Oxford Archaeology.
A.K. McHardy
Royal Writs addressed to John Buckingham, Bishop of Lincoln 1363-1398
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These writs, previously largely unstudied, prove a rich source of information on government, law and society, as well as the church.
The many commands which the crown addressed to bishops represent a rich source of information about the history of government, law, and lay society, as well as about the church itself. The writs collected in this volume touch on many aspects of life in the later fourteenth century, including tax gathering, political upheaval, property disputes, Lollardy, and foreign warfare. The bishop is seen swearing in local officials, setting up commissions of enquiry,organising the attendance of the clergy in parliament, and consulting episcopal archives to answer queries from the lay courts. It also provides a vivid series of vignettes of family life among the gentry class from Yorkshire toHampshire. An extensive introduction places the writs in their historical and archival contexts, and offers suggestions for further lines of research.
Dr A.K. McHARDY is the author of numerous articles about the relationsbetween crown and church in late medieval England, as well as an edition of the Clerical Poll-Taxes of the Diocese of Lincoln 1377-1381 (Lincoln Record Society, 1992)
C.F. Slade
Two Cartularies of Abingdon Abbey, Vol I
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Siobhan Talbott
Miscellany of the Scottish History Society, volume XV
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Collections of three important early modern documents from Scotland, providing crucial information on life at the time.
The Miscellany of the Scottish History Society brings together critical editions of important and previously unpublished manuscripts of relevance to Scottish History. As well as providing transcriptions, the editors introduce and explain the context of documents which have been neglected or even unknown to historians, providing a valuable resource for researchers, students, and all those interested in exploring Scottish history through the originalsources. Volume XV focuses on the turbulent middle decades of the seventeenth century, offering editions of three vital but previously unpublished manuscript sources for this period: the Letter-Book of John Clerk of Penicuik, 1644-1645; the Minute Book of The Board Of The Green Cloth, July 1650 - July 1651; and the Records of the Anglo-Scottish Union Negotiations, 1652-1653. With a particular emphasis on the economic and political history of the period, the records offer valuable insights on trade networks and commodities, and on the upheavals following in the wake of the execution of Charles I. They also help to place Scottish history in a wider British and European context, by highlighting mercantile networks and the negotiations for Anglo-Scottish Union under Oliver Cromwell. Together, they comprise an essential resource for those interested in seventeenth-century history.
F. Donald Logan
The Medieval Court of Arches
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First full-length study and edition of the acts of the Court of Arches, the most important medieval English ecclesiastical court.
The appellate court of the archbishop of Canterbury as metropolitan of the province of Canterbury [covering all of England south of the Humber and all of Wales] was the most important ecclesiastical court in medieval England; it sat in the church of St Mary le Bow in London, from whose Latin name [de arcubus] it took its popular name, the Court of Arches. This volume offers the first full-length study of the Court. The introduction traces its history from its first appearance in the records of the mid- thirteenth century to 1533, when the Statute in Restraint of Appeals altered its constitution, and describes how cases proceeded in the court from initial appeal to final disposition. It is followed by an edition of the essential texts governing the court - its statutes and its customs - as well as editions of treatises about the court's procedure, which were written by practitioners in the Arches. A list of the court's personnel, including proctors and advocates, and a discussion of the court's calendar complete the volume.
R.H. Adams
Memorial Inscriptions in St John's College, Oxford
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O.F. Robinson
The Register of Walter Bronescombe, Bishop of Exeter, 1258-1280: I
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Introduction to and transcription of earliest surviving Exeter episcopal register, with modern translation.
The earliest of the Exeter episcopal registers to survive, Bronescombe's is a general register with a single chronological sequence of letters and memoranda on many aspects of diocesan administration. It also contains copies of charters by, among others, king Henry III and his brother Richard, King of the Romans, in his capacity as Earl of Cornwall. Volume I of this edition (which supersedes the unsatisfactory one of 1889) contains a substantial introduction and a full transcription of the Latin text of folios 2-26, with a modern translation on the facing pages; it will therefore be of value to students of medieval Latin as well as ecclesiastical and legal historians. Two further volumes are to follow. O.F. ROBINSON is Douglas Professor of Roman Law at the University of Glasgow.
W.T. Mitchell
Registrum Cancellarii 1498-1506
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Keith Edward Beebe
The McCulloch Examinations of the Cambuslang Revival (1742): A Critical Edition. Volume I
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First published edition of what has been described as "one of the most remarkable testimonies of eighteenth-century piety ever compiled".
In recent decades scholars have rediscovered a handwritten source of historical documentation from the eighteenth-century transatlantic religious movement known as "The Great Awakening". The McCulloch Examinations manuscripts contain more than a hundred first-person conversion narratives from the Cambuslang Revival of 1742 that have never before been published in their entirety. Collected and compiled by Reverend William McCulloch in what was Scotland's first oral history project, these personal accounts open a unique window into the early modern Scottish soul and shed new light upon an important chapter of British and American history. In this first complete, unabridged and fully annotated edition of the Examinations, the editor offers an introduction and analysis of these fascinating narratives, and provides supplementary resources that will illuminate the text for the reader. In addition to preserving the narrative accounts in their original frame, the edition includes the proposed redactions and marginal comments of four prominent Church of Scotland clergy who assisted McCulloch with the project.
Keith Edward Beebe is Professor of Church History in the Department of Theology at Whitworth University, Spokane, Washington, and an ordained minister in the Presbyterian Church, USA.
Phyllis E. Pobst
The Register of William Bateman, Bishop of Norwich 1344-55: II
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Paint[s] a dramatic picture of the impact of the Black Death. Appendices cover diocesan administrators and the religious houses and hospitals of Norfolk and Suffolk,
This volume completes the Bateman register, the first of the Norwich registers to be published. Containing the later half of the calendar of institutions, it is unusual for the organisation, clarity and state of completeness of its records, which paint a dramatic picture of the impact of the Black Death on East Anglia. Scholars and students will also welcome the appendices dealing with diocesan administrators and the religious houses and hospitals of Norfolk and Suffolk, as well as indices for both volumes.
PHYLLIS E. POBST is Assistant Professor of History at Arkansas State University.