Name: The Journal of Bishop Daniel Wilson of Calcutta, 1845-1857
Brand: Andrew Atherstone
Price: 105.0 USD
Availability: InStock

Andrew Atherstone

The Journal of Bishop Daniel Wilson of Calcutta, 1845-1857

$105.00

Daniel Wilson (1778-1858) was a prominent personality in the British administration of the Indian subcontinent during the mid-nineteenth century, as Anglican bishop of Calcutta from 1832 and the first metropolitan of India and Ceylon.

Daniel Wilson (1778-1858) was a prominent personality in the British administration of the Indian subcontinent during the mid-nineteenth century, as Anglican bishop of Calcutta from 1832 and the first metropolitan of India and Ceylon. His episcopate coincided with the final decades of the British East India Company, and his vast diocese stretched from the Khyber Pass to Singapore. Under his leadership, the position of the Church of England in India was consolidated at a formational period for the nascent Anglican Communion, with the creation of new dioceses, the wide deployment of chaplains and missionaries, and an aggressive programme of church building in a colonial landscape dominated by temples and mosques.
Wilson's private journal covers the second half of his episcopate, beginning with a day-to-day account of his furlough in England in 1845-46, and including his frequent, lengthy journeys on visitation to far-flung mission stations. It reveals the development of his missionary strategies, his relationships with political and ecclesiastical power-brokers, his attitudes to Hinduism and Islam, and his confidence in the blessings of European civilization. The journal also sheds light upon Wilson's evangelical piety and abhorrence of Tractarianism, as well as his attempts to discipline immoral and criminous chaplains who brought public scandal upon thechurch.

ANDREW ATHERSTONE is Tutor in History and Doctrine at Wycliffe Hall, Oxford, and a member of Oxford University's Faculty of Theology and Religion.

The Journal of Bishop Daniel Wilson of Calcutta, 1845-1857

David Cox

The Church and Vale of Evesham, 700-1215

$120.00

A comprehensive account of the abbey of Evesham and its surroundings, demonstrating its full significance in the wider history of the time.

Provides a fine contribution to the rich history of the region, showing Evesham's place in the life of the medieval kingdom of England. Professor Ann Williams.

In c.701, a minster was founded in the lower Avon Valleyon a deserted promontory called Evesham. Over the next five hundred years it became a Benedictine abbey and turned the Vale of Evesham into a federation of Christian communities. A landscape of scattered farms grew into one of open fields and villages, manor houses and chapels. Evesham itself developed into a town, and the abbots played a role in the affairs of the kingdom. But individual contemplation and prayer within the abbey were compromised by its corporate aspirations. As Evesham abbey waxed ever grander, exerting a national influence, it became a ready patron of the arts but had less time for private spirituality. The story ends badly in the prolonged scandal of Abbot Norreis, a libertine whose appetites caused religion to collapse at Evesham before his own sudden downfall.
This book integrates the evidence of archaeology, maps, and documents in a continuous narrative that pays as much attention to religious and cultural life as to institutional and economic matters. It provides a complete survey over one of the most important and wealthy Benedictine abbeys and its landscape, a stage on which was enacted the tense interplay of lordship and prayer.

Dr David Cox, FSA, was until his retirement county editor of the Victoria History of Shropshire and lecturer at Keele University.

The Church and Vale of Evesham, 700-1215

Felix Brahm

Slavery Hinterland

$36.95

Contributors from the US, Britain and Europe explore a neglected aspect of transatlantic slavery: the implication of a continental European hinterland.

Slavery Hinterland explores a neglected aspect of transatlantic slavery: the implication of a continental European hinterland. It focuses on historical actors in territories that were not directly involved in the traffic inAfricans but linked in various ways with the transatlantic slave business, the plantation economies that it fed and the consequences of its abolition. The volume unearths material entanglements of the Continental and Atlantic economies and also proposes a new agenda for the historical study of the relationship between business and morality. Contributors from the US, Britain and continental Europe examine the ways in which the slave economy touched on individual lives and economic developments in German-speaking Europe, Switzerland, Denmark and Italy. They reveal how these 'hinterlands' served as suppliers of investment, labour and trade goods for the slave trade and of materials for the plantation economies, and how involvement in trade networks contributed in turn to key economic developments in the 'hinterlands'. The chapters range in time from the first, short-lived attempt at establishing a German slave-trading operation in the 1680s to the involvement of textile manufacturers in transatlantic trade in the first quarter of the nineteenth century. A key theme of the volume is the question of conscience, or awareness of being morally implicated in an immoral enterprise. Evidence for subjective understandings of the moral challenge of slavery is found in individual actions and statements and also in post-abolition colonisation and missionary projects.

FELIX BRAHM is Research Fellow at the German Historical Institute in London.

EVE ROSENHAFT is Professor of German Historical Studies, University of Liverpool.

CONTRIBUTORS: Felix Brahm, Peter Haenger, Catherine Hall, Daniel P. Hopkins, Craig Koslofsky, Sarah Lentz, Rebekka von Mallinckrodt, Anne Sophie Overkamp, Alexandra Robinson, Eve Rosenhaft, Anka Steffen, Klaus Weber, Roberto Zaugg

Alexander Lock

Catholicism, Identity and Politics in the Age of Enlightenment

$130.00

Explores the changing aspirations, attitudes and identities of English Catholics in the late eighteenth century

This book explores the changing aspirations, attitudes and identities of English Catholics in the late eighteenth century, a period which marked a critical moment of transition in their spiritual, political and intellectual culture. It is based on the experiences of the English Catholic baronet, Grand Tourist and politician Sir Thomas Gascoigne (1745-1810). Gascoigne was born on the Continent into a devout Catholic family based in Yorkshire; however, following an unusual Continental upbringing and extensive series of Grand Tours to the courts of Catholic Europe, he would abjure his faith for a seat in Parliament. Throughout his life, he was an important advocate of agricultural reform, a considerable coal owner interested in mining engineering, as well as a keen developer of spa culture. By examining the experiences of Gascoigne and his milieu, this book explores English Catholic attitudes towards continental Catholicism, the influence of the European Enlightenment upon their education and outlook, and how this affected their Christianity, their estates and their conception of national identity. It demonstrates how increased toleration entailed a gradual rejection amongst English Catholics of a pious separatism for a more ecumenical and, ultimately, Enlightened approach to religion. Although this risked the loss of English Catholics to Anglicanism, many - like Gascoigne - remained crypto-Catholic in sympathy. They adapted their faith to the Enlightenment and regarded it as a matter of personal conviction and private choice.

ALEXANDER LOCK is Curator of Modern Historical Manuscripts at the British Library.

Catholicism, Identity and Politics in the Age of Enlightenment

David Wyn Jones

Music in Vienna

$36.95

The image of Vienna as a musical city is a familiar one. This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900.

Vienna has long been associated with many of the most significant composers in Western music - from Haydn, Mozart, Beethoven and Schubert, through the Strauss family, Brahms, Bruckner and Wolf, to Mahler, Lehár, Schoenberg and Webern. Today, venerable institutions like the Vienna Philharmonic Orchestra, the Staatsoper and the Vienna Boys' Choir, together with the shared pride of residents and visitors in its musical inheritance, ensure that the image of a musical city is undimmed.

This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900, an approach which allows the very different relationships between music and society that existed in each of these periods to be distinguished. Patronage, social function and audience are key considerations, set within wider political and cultural developments. The volume is populated by emperors, princes, performers, publishers and writers as well as composers, and deals with institutional and commercial characteristics alongside representative individual works. Music in Vienna focusses on the political and social role of music, broadening our understanding of the city as a musical capital. It will appeal to a wide readership, including music historians and political, cultural and social historians, as well as the interested general reader.

DAVID WYN JONES is Professor of Music at Cardiff University.

David Wyn Jones

Music in Vienna

$85.00

The image of Vienna as a musical city is a familiar one. This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900.

The image of Vienna as a musical city is a familiar one. Vienna has long been associated with many of the most significant composers in Western music - from Haydn, Mozart, Beethoven and Schubert, through the Strauss family, Brahms, Bruckner and Wolf, to Mahler, Lehár, Schoenberg and Webern. Today, venerable institutions like the Vienna Philharmonic Orchestra, the Staatsoper and the Vienna Boys' Choir, together with the shared pride of residents and visitors in its musical inheritance, ensure that the image of a musical city is undimmed.
This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900, an approach which allows the very different relationships between music and society that existed in each of these periods to be distinguished. Patronage, social function and audience are key considerations, set within wider political and cultural developments. The volume is populated by emperors, princes, performers, publishers and writers as well as composers, and deals with institutional and commercial characteristics alongside representative individual works. Music in Vienna focusses on the political and social role of music, broadening our understanding of the city as a musical capital. It will appeal to a wide readership, including music historians and political, cultural and social historians, as well as the interested general reader.

DAVID WYN JONES is Professor of Music at Cardiff University.

Mark Bailey

The Decline of Serfdom in Late Medieval England

$170.00

An exciting, fresh look at one of the most important questions of medieval scholarship - the decline of serfdom and its implications.

Scholars from various disciplines have long debated why western Europe in general, and England in particular, led the transition from feudalism to capitalism. The decline of serfdom between c.1300 and c.1500 in England is centralto this "Transition Debate", because it transformed the lives of ordinary people and opened up the markets in land and labour. Yet, despite its historical importance, there has been no major survey or reassessment of decline of serfdom for decades. Consequently, the debate over its causes, and its legacy to early modern England, remains unresolved.
This dazzling study provides an accessible and up-to-date survey of the decline of serfdom in England, applying a new methodology for establishing both its chronology and causes to thousands of court rolls from 38 manors located across the south Midlands and East Anglia. It presents a ground-breaking reassessment, challenging many of the traditional interpretations of the economy and society of late-medieval England, and, indeed, of the very nature of serfdom itself.

Mark Bailey is High Master of St Paul's School, and Professor of Later Medieval History at the University of East Anglia. He has published extensively on the economic and social history of England between c.1200 and c.1500, including Medieval Suffolk (2007).

The Decline of Serfdom in Late Medieval England

Translated by Jeffrey L. Forgeng

The Book of Horsemanship by Duarte I of Portugal

$35.00

First full translation of an important treatise on chivalric horsemanship.

Written around 1430, Duarte of Portugal's remarkable treatise on chivalric horsemanship, the Livro do Cavalgar (Book on Riding), is the sole substantial contemporary source to survive on the definitive physical skill of themedieval knight. It also stands out from the body of technical writings of the Middle Ages for its intelligence, insight, and intellectual versatility, ranging from psychological reflections on horsemanship and its implications for human ethics, to the details of how to couch a lance under the arm without getting it caught on armour. Under the general rubric of horsemanship Duarte covers a range of topics that include jousting, tourneying, and hunting, aswell as the physical apparatus of equestrianism and various cultural styles of riding.
However, despite its importance for scholarship, its language and technical content have so far resisted proper translation, a need whichthis book fills. The introduction provides not only the background to make Duarte's text comprehensible, but for the first time offers modern audiences a systematic point of access to the subject of medieval equestrianism in general.

JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and Adjunct Professor of History at Worcester Polytechnic Institute.

<I>The Book of Horsemanship</I> by Duarte I of Portugal

Timothy Guard

Chivalry, Kingship and Crusade

$36.95

A fresh perspective on the Crusade shows its ideal and practice flourishing in the fourteenth century.

The central theme of this book is the largely untold story of English knighthood's ongoing obsession with the crusade fight during the age of Chaucer, "high chivalry" and the famous battles of the Hundred Years War. After combat in France and Scotland, fighting crusades was the main and a widespread experience of English chivalry in the fourteenth century, drawing in noblemen of the highest rank, as well as knights chasing renown and the jobbing esquire. The author exposes a thick seam of military engagement along the perimeters of Christendom; details of participants and campaigns are chronicled - in many cases for the first time - and associated matters of tactics, diplomacy, organisation, and recruitment are minutely analysed, adding substantially to the historiography of the later crusades. The book's second theme traces the surprisingly strong grip the crusade-idea possessed at the height of politics,as an animating force of English kingship. Disputing the common assumption that crusade plans were increasingly ill-treated by the monarchs - adopted as diplomatic double-speak or as a means of raiding church coffers - the authorargues that courtiers and knights moved in a rich environment of crusade speculation and ambition, and exercised a strong influence on the culture of the time.

Timothy Guard gained his DPhil at Hertford College, University of Oxford. He is Head of History at Rugby School.

Laura Crombie

Archery and Crossbow Guilds in Medieval Flanders, 1300-1500

$130.00

First full study devoted to the archery and crossbow guilds which grew up in Flanders in the middle ages.

The notion of "guilds" in civic society might conjure images of craft guilds, the organisations of butchers, bakers or brewers set up to regulate working practises. In the towns of medieval Flanders, however, a plethora of guildsexisted which had little or nothing to do with the organisation of labour, including chambers of rhetoric, urban jousters and archery and crossbow guilds.
This is the first full-length study of the archery and crossbow guilds, encompassing not only the great urban centres of Ghent, Bruges and Lille but also numerous smaller towns, whose participation in guild culture was nonetheless significant. It examines guild membership, structure and organisation, revealing the diversity of guild brothers - and sisters - and bringing to life the elaborate social occasions when princes and plumbers would dine together. The most spectacular of these were the elaborate regional shooting competitions, whose entrances alone included play wagons, light shows and even an elephant! It also considers their social and cultural activities, and their important role in strengthening and rebuilding regional networks. Overall, it provides a new perspective on the strength of community within Flemish towns and the values that underlay medieval urban ideology.

Laura Crombie gained her PhD from the university of Glasgow; she is currently a teaching fellow in medieval history at the University of Leicester.

Archery and Crossbow Guilds in Medieval Flanders, 1300-1500

Karen Sonnelitter

Charity Movements in Eighteenth-Century Ireland

$120.00

Relates charity movements to religious impulse, Enlightenment 'improvement' and the fears of the Protestant ruling elite that growing social problems, unless addressed, would weaken their rule.

The philanthropic impulse to engage in charitable work and to encourage economic "improvement" was sharpened in eighteenth-century Ireland as Irish Protestants became increasingly aware of the threat that social problems, such aspoverty, disease and criminality, posed to their rule. One response to this threat was the establishment of a number of voluntary societies which sought to address the different problems plaguing Ireland. This book examines a number of these voluntary societies, including those concerned with promoting education, supporting hospitals, and improving agriculture and manufacturing. It shows how these movements differed from earlier efforts in organisation, method and aims and demonstrates the connection between religiously motivated charities, Enlightenment-inspired scientific societies and the Irish government. It pays particular attention to the role of women, both as supporters of,and objects of, charity. It argues that, together, these movements aspired to purge Ireland of what they saw as destabilising factors that weakened the Anglo-Irish state. Improvers reflected Enlightenment-era optimism about the perfectibility of society and saw themselves as serving the interests and aspirations of the nation.

Karen Sonnelitter is Assistant Professor of History at Siena College, Loudonville, New York. She completed her doctorate at Purdue University.

Charity Movements in Eighteenth-Century Ireland

Charles C. Rozier

Orderic Vitalis: Life, Works and Interpretations

$49.95

First full-length collection on one of the most significant and influential historians of the medieval period.

The Gesta Normannorum ducum and Historia ecclesiastica of Orderic Vitalis are widely regarded as landmarks in the development of European historical writing and, as such, are essential sources of medieval history forstudents and scholars alike. The essays here consider Orderic's life and works, presenting new research on existing topics within Orderic studies and opening up new directions for future analysis and debate. They offer fresh interpretations from across the disciplines of medieval manuscript studies, English-language studies, archaeology, theology, and cultural memory studies; they also revisit established readings.

Charles C. Rozier gained hisPhD from the University of Durham; Daniel Roach gained his PhD from the University of Exeter; Giles E.M. Gasper is Senior Lecturer in History, University of Durham; Elizabeth van Houts is Honorary Professor of Medieval European History, University of Cambridge.

Contributors: William M. Aird, Emily Albu, James G. Clark, Vincent Debiais, Mark Faulkner, Giles E. M. Gasper, Véronique Gazeau, Estelle Ingrand-Varenne, Elisabeth Mégier, Thomas O'Donnell, Benjamin Pohl, Daniel Roach, Thomas Roche, Charles C. Rozier, Sigbjørn Olsen Sønnesyn, Kathleen Thompson, Elisabeth van Houts, Anne-Sophie Vigot,Jenny Weston

Orderic Vitalis: Life, Works and Interpretations

Frederick Aquilina

Benigno Zerafa (1726-1804) and the Neapolitan Galant Style

$130.00

This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726 - 1804), a specialist in sacred music composition.

This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726-1804), a specialist in sacred music composition. Zerafa's large-scale and small-scale vocal and choral works, mostly written during his long service as musical director at the Cathedral of Mdina, have been winning increased recognition in recent years. In addition to describing and analysing this extensive corpus, the book gives an account of Zerafa's sometimes eventful career against the wider background of the rich musical and cultural life in Malta, especial attention being paid to its strong links with Italy, and particularly Naples, where Zerafa was a student for six years. Itexamines in detail the complex relationship of music to Catholic liturgy and investigates the distinctive characteristics of the musical style, intermediate between baroque and classical, in which Zerafa was trained and always composed: one that today is commonly labelled "galant".
Well stocked with music examples, the book makes copious reference to Italian and Maltese composers from Zerafa's time and to modern analytical studies of Italian music from the middle decades of the eighteenth century, thereby offering a useful general commentary on the galant period. Its central aim, however, is to stimulate further interest in, and revival of, Zerafa's music. To this end the book contains a complete work-list with supplementary indexes. Scholars and students of eighteenth-century music, in particular sacred music, the galant style and Italian music, will find it invaluable.

FREDERICK AQUILINAis Senior Lecturer in Music Studies at the University of Malta.

Benigno Zerafa (1726-1804) and the Neapolitan Galant Style

N.A.M. Rodger, J. Ross Dancy, Benjamin Darnell, and Evan Wilson

Strategy and the Sea

$130.00

An important book, presenting the latest insights by the leading world authorities on naval history.

This book presents a wide range of new research on many aspects of naval strategy in the early modern and modern periods. Among the themes covered are the problems of naval manpower, the nature of naval leadership and naval officers, intelligence, naval training and education, and strategic thinking and planning. The book is notable for giving extensive consideration to navies other than those of Britain, its empire and the United States. It explores a number of fascinating subjects including how financial difficulties frustrated the attempts by Louis XIV's ministers to build a strong navy; how the absence of centralised power in the Dutch Republic had important consequences for Dutch naval power; how Hitler's relationship with his admirals severely affected German naval strategy during the Second World War; and many more besides. The book is a Festschrift in honour of John B. Hattendorf, for more than thirty years Ernest J. King Professor of Maritime History at the US Naval War College and an influential figure in naval affairs worldwide.

N.A.M. Rodger is Senior Research Fellow at All Souls College, Oxford.

J. Ross Dancy is Assistant Professor of Military History at Sam Houston State University.

Benjamin Darnell is a D.Phil. candidate at New College, Oxford.

Evan Wilson is Caird Senior Research Fellow at the National Maritime Museum, Greenwich.

Contributors: Tim Benbow, Peter John Brobst, Jaap R. Bruijn, Olivier Chaline, J. Ross Dancy, Benjamin Darnell, James Goldrick, Agustín Guimerá, Paul Kennedy, Keizo Kitagawa, Roger Knight, AndrewD. Lambert, George C. Peden, Carla Rahn Phillips, Werner Rahn, Paul M. Ramsey, Duncan Redford, N.A.M. Rodger, Jakob Seerup, Matthew S. Seligmann, Geoffrey Till, Evan Wilson

Heather Noel-Smith, Lorna M. Campbell

Hornblower's Historical Shipmates

$49.95

A fascinating account of varied careers, providing a rich snapshot of the later eighteenth-century sailing navy in microcosm.

This book sets out the lives of seventeen 'young gentlemen' who were midshipmen under the famous Captain Sir Edward Pellew. Together, aboard the frigate HMS Indefatigable, they fought a celebrated action in 1797 against theFrench ship of the line Les Droits de l'Homme. C. S. Forester, the historical novelist, placed his famous hero, Horatio Hornblower, aboard Pellew's ship as a midshipman, so this book tells, as it were, the actual stories of Hornblower's real-life shipmates. And what stories they were! From diverse backgrounds, aristocratic and humble, they bonded closely with Pellew, learned their naval leadership skills from him, and benefited from his patronage and his friendship in their subsequent, very varied careers. The group provides a fascinating snapshot of the later eighteenth-century sailing navy in microcosm. Besides tracing the men's naval lives, the book shows how they adapted to peace after 1815, presenting details of their civilian careers. The colourful lives recounted include those of the Honourable George Cadogan, son of an earl, who survived three courts martial and a duel to retire with honouras an admiral in 1813; Thomas Groube, of a Falmouth merchant family, who commanded a fleet of boats which destroyed the Dutch shipping at Batavia, capital of the Dutch East Indies, in 1806; and James Bray, of Irish Catholic descent, who was killed commanding a sloop during the American war of 1812.

Heather Noel-Smith is a genealogist and a retired Methodist minister. Lorna Campbell is a digital education manager at the University of Edinburgh and an education technology consultant. They are both independent researchers.

John Carnelley

George Smart and Nineteenth-Century London Concert Life

$130.00

The first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of Beethoven

Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure.

JOHN CARNELLEY is Deputy Director of Music and Head of Academic Music, Dulwich College, London. He holds a PhD in Historical Musicology from the University of London (Goldsmiths College) and has previously published research on the eighteenth-century organ manuscripts of John Reading, held in the Dulwich College Archive.

George Smart and Nineteenth-Century London Concert Life

Spike Bucklow

The Art and Science of the Church Screen in Medieval Europe

$39.95

Fresh examinations of one of the most important church furnishings of the middle ages.

The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly" jurisdiction, it has also been argued that they served to unify architectural space. This volume brings together the latest scholarship on the subject , exploring in detail numerous aspects of the construction and painting of screens, it aims in particular to unite perspectives from science and art history. Examples are drawn from a wide geographical range, from Scandinavia to Italy.

The Art and Science of the Church Screen in Medieval Europe

John Crook

English Medieval Shrines

$39.95

Survey of the growth and development of the magnificent shrines which reached their apogee during the middle ages.

The cult of saints is one of the most fascinating manifestations of medieval piety. It was intensely physical; saints were believed to be present in the bodily remains that they had left on earth. Medieval shrines were created inorder to protect these relics and yet to show off their spiritual worth, at the same time allowing pilgrims limited access to them.
English Medieval Shrines traces the development of such structures, from the earliestcult activities at saintly tombs in the late Roman empire, through Merovingian Gaul and the Carolingian Empire, via Anglo-Saxon England, to the great shrines of the fourteenth and fifteenth centuries. The greater part of the bookis a definitive exploration, on a basis that is at once thematic and chronological, of the major saints cults of medieval England, from the Norman Conquest to the Reformation. These include the famous cults of St Cuthbert, St Swithun, and St Thomas Becket - and lesser known figures such as St Eanswyth of Folkestone or St Ecgwine of Evesham.

John Crook, an independent architectural historian, archaeological consultant, and photographer, is the foremost authority on English shrines. He has published numerous books and papers on the cult of saints.

Sandy Calder

The Origins of Primitive Methodism

$130.00

The Primitive Methodist Connexion's mature social character may have been working-class, but this did not reflect its social origins.

This book shows that while the Primitive Methodist Connexion's mature social character was working-class, this did not reflect its social origins. It was never the church of the working class, the great majority of whose churchgoers went elsewhere: rather it was the church whose commitment to its emotional witness was increasingly incompatible with middle-class pretensions. Sandy Calder shows that the Primitive Methodist Connexion was a religious movementled by a fairly prosperous elite of middle-class preachers and lay officials appealing to a respectable working-class constituency. This reality has been obscured by the movement's self-image as a persecuted community of humble Christians, an image crafted by Hugh Bourne, and accepted by later historians, whether Methodists with a denominational agenda to promote or scholars in search of working-class radicals. Primitive Methodists exaggerated their hardships and deliberately under-played their social status and financial success. Primitive Methodism in the later nineteenth and early twentieth centuries became the victim of its own founding mythology, because the legend of a community of persecuted outcasts, concealing its actual respectability, deterred potential recruits.

SANDY CALDER graduated with a PhD in Religious Studies from the Open University and has previously worked in the private sector.

Catherine E. Karkov

The Art of Anglo-Saxon England

$36.95

A fresh appraisal of the art of Anglo-Saxon England, focusing on art as an aesthetic vehicle and art as an active political force.

Two particular perspectives inform this wide-ranging and richly illustrated survey of the art produced in England, or by English artists, between c. 600 and c.1100, in a variety of media, manuscripts, stone and wooden sculpture, ivory carving, textiles, and architecture. Firstly, from a post-colonial angle, it examines the way art can both create and narrate national and cultural identity over the centuries during which England was coming into being, moving from Romano-Britain to Anglo-Saxon England to Anglo-Scandinavian England to Anglo-Norman England. Secondly, it treats Anglo-Saxon art as works of art, works that have both an aesthetic and an emotional value, rather than as simply passive historical or archaeological objects. This double focus on art as an aesthetic vehicle and art as an active political force allows us to ask questions not only about what makes something a work of art, but what makes itendure as such, as well as questions about the work that art does in the creation of peoples, cultures, nations and histories.

Professor Catherine Karkov teaches in the School of Fine Art, University of Leeds.

Fabian Huss

The Music of Frank Bridge

$130.00

A detailed and long-overdue study of Frank Bridge's music and its socio-cultural and aesthetic contexts

The English composer, violist, and conductor Frank Bridge (1879-1941), a student of Sir Charles Villiers Stanford, was one of the first modernists in British music, developing the most radical and lastingly modern musical languageof his generation. Bridge was also one of the most accomplished British composers of chamber music in the twentieth century. After the lyrical romanticism of the early period, a notable expansion of style can be observed as earlyas 1913, leading eventually to the radical language of the Piano Sonata and Third String Quartet, drawing on influences such as Debussy, Stravinsky and the Second Viennese School composers.However, Bridge became frustrated that his later, more complex music was often ignored in favour of his earlier 'Edwardian' works; this neglect of his mature music contributed to the growing obscurity into which his music and reputation fell in his last years and afterhis death. Symptomatically, Bridge is still often remembered primarily for privately tutoring Benjamin Britten, who later championed his teacher's music and paid homage to him in the 'Variations on a Theme of Frank Bridge' (1937).This book, the first detailed, and long-overdue, study of Bridge's music and its relevant socio-cultural and aesthetic contexts, encourages a more thorough understanding of Bridge's style and development and will appeal to readers with interests in British music, early twentieth-century modernism and post-romanticism as well as genre and style.

FABIAN HUSS is Visiting Fellow at the University of Bristol and has published widely on British music (particularly EJ Moeran), with an emphasis on cultural history, and aesthetic and analytical issues.

David Roffe

Domesday Now

$36.95

Essays into numerous aspects of the Domesday Book, shedding fresh light on its mysteries.

Compiled from the records of a survey of the kingdom of England commissioned by William the Conqueror in 1085, Domesday Book is a key source for the history of England. However, there has never been a critical edition of the textand so, despite over 200 years of intense academic study, its evidence has rarely been exploited to the full. The essays in this volume seek to realize the potential of Domesday Book by focussing on the manuscript itself. There are analyses of abbreviations, letter forms, and language; re-assessments of key sources, the role of tenants-in-chief in producing them, and the nature of the Norman settlement that their forms illuminate; a re-evaluation of the data and its referents; and finally, fresh examinations of the afterlife of the Domesday text and how it was subsequently perceived.
In identifying new categories of evidence and revisiting old ones, these studies point to a better understanding of the text. There are surprising insights into its sources and developing programme and, intriguingly, a system of encoding hitherto unsuspected. In its turn the import of its data becomes clearer, thereby shedding new light on Anglo-Norman society and governance. It is in these terms that this volume offers a departure in Domesday studies and looks forward to the resolution of long-standing problems that have hitherto bedevilled the interpretation of an iconic text.

DAVID ROFFE and K.S.B. KEATS-ROHAN are leading Domesday scholars who have published widely on Domesday Book and related matters.

Thomas Malcomson

Order and Disorder in the British Navy, 1793-1815

$130.00

How did the British navy maintain authority among its potentially disorderly crews? And what order exactly did it wish to establish?

Churchill once famously remarked that he would not join the navy because it was "all rum, sodomy and the lash". How far this was true of the navy during the French Revolutionary and Napoleonic Wars is the subject of this important new book.

Summary punishments, courts martial, flogging and hanging were regularly made use of in this period to establish order in the navy. Based on extensive original research, including a detailed study of ships' captain's logs and muster tables, this book explores the concepts of order and disorder aboard ships and examines how order was preserved. It discusses the different sorts of disorder and why they occurred; argues that officers toosometimes pushed against the official order; and demonstrates that order was much more than the simple enforcement of the Articles of War.

The book argues that the behaviours that were punished, how and to what degree reveal what the navy saw as most resistive or dangerous to its authority and the order it wanted established. In addition, it considers the role of patronage in shaping order, outlining how this was affected by Admiralty moves to centralise appointments, and shows that acts of disorder were plentiful, and increasing, in this period, and that the imbalance in court martial outcomes for sailors, marines and warrant officers, in comparison to commissioned officers, points to a flawed system of justice. Overall, the book provides an extremely nuanced picture of order and how it was preserved.

Thomas Malcomson is a Professor in the School of Liberal Arts and Sciences at George Brown College, Toronto, Ontario. He completed his doctorate in history at York University, Toronto.

Order and Disorder in the British Navy, 1793-1815

James G. Clark, David Preest

The Deeds of the Abbots of St Albans

$275.00

The Deeds of the abbots of St Albans records the history of one of the most important abbeys in England, closely linked to the royal family and home to a school of distinguished chroniclers, including Matthew Paris and Thomas Walsingham. It offers many insights into the life of the monastery, its buildings and its role as a maker of books, and covers the period from the Conquest to the mid-fifteenth century.

The Deeds of the abbots of St Albans is the longest continuous chronicle of a medieval monastery in England, following its fortunes from its first foundation in the wake of the first Viking raids to its status as a proud and prosperous pillar of the church establishment more than six centuries later. More than merely a common, conventual annal, the Deeds drew contributions from the most accomplished chroniclers of the St Albans school including Matthew Paris, Thomas Walsingham and perhaps William Rishanger. It is a history of one of the most important abbeys, under royal patronage and always at the apex of the church hierarchy; it also offers a glimpse of life inside the monastic community from the Conquest to within a century of the Dissolution. There are detailed descriptions of the building, and rebuilding, of the abbey church, and recounts the abbey's commitment to the making of books, from thefirst flowering of the scriptorium in the twelfth century - when a famous psalter was made for the anchorite Christina of Markyate - to its Indian summer in the years before 1400 under Thomas Walsingham himself. There are rare snapshots of the daily routine of the monks, their liturgical observances, their interactions with their staff, tenants, townspeople and guests. And it captures the colour and character of the celebrated figures seen at the abbey, from King John to Edward the Black Prince.

Robin Netherton

Medieval Clothing and Textiles 12

$95.00

The best new research on medieval clothing and textiles, drawing from a range of disciplines.

The studies collected here range through art, artifacts, documentary text, and poetry, addressing both real and symbolic functions of dress and textiles. John Block Friedman breaks new ground with his article on clothing for pets and other animals, while Grzegorz Pac compares depictions of sacred and royal female dress and evaluates attempts to link them together. Jonathan C. Cooper describes the clothing of scholars in Scotland's three pre-Reformation universities and the effects of the Reformation upon it. Camilla Luise Dahl examines references to women's garments in probates and what they reveal about early modern fashions. Megan Cavell focuses on the treatment of textiles associated with the Holy of Holies in Old English biblical poetry. Frances Pritchard examines the iconography, heraldry, and inscriptions on a worn and repaired set of embroidered fifteenth-century orphreys to determine their origin.Finally, Thomas M. Izbicki summarizes evidence for the choice of white linen for the altar and the responsibilities of priests for keeping it clean and in good repair.

Laurie W. Rush

The Carabinieri Command for the Protection of Cultural Property

$120.00

First comprehensive study of Italy's "art police", an organisation devoted to protecting cultural artefacts.

Renowned for their rigorous investigative approach, the dedicated officers of the Carabinieri Command for the Protection of Cultural Property (Carabinieri TPC) have recovered thousands of objects and built legal cases resulting inhigh profile repatriations of cultural property. Their actions have effectively changed an art market that previously depended upon theft and criminal behaviour. Italy is a nation that greatly values its ancient past alongside its artistic present, and it is this appreciation that has led to the creation of the world's premier police force dedicated to law enforcement in the arts, heritage and archaeology. As the TPC's dedicated officers work to protect every aspect of Italy's rich cultural heritage, their organisation, training, approach, missions and successes offer valuable lessons for all who share the goal of protecting and recovering cultural property.

Laurie Rushis a Board Member of the US Committee of the Blue Shield, and employed as an archaeologist by the US army; Luisa Benedettini Millington is a Faculty member of the Community College of Vermont, US.

The Carabinieri Command for the Protection of Cultural Property

Ron Baxter

The Royal Abbey of Reading

$95.00

First full-length survey of Reading Abbey, one of the most important ecclesiastical buildings of the Middle Ages.

Reading Abbey was built by King Henry I to be a great architectural statement and his own mausoleum, as well as a place of resort and a staging point for royal itineraries for progresses in the west and south-west of England. Fromthe start it was envisaged as a monastic site with a high degree of independence from the church hierarchy; it was granted enormous holdings of land and major religious relics to attract visitors and pilgrims, and no expense wasspared in providing a church comparable in size and splendour with anything else in England.
However, in architectural terms, the abbey has, until recently, remained enigmatic, mainly because of the efficiency with which itwas destroyed at the Reformation. Only recently has it become possible to bring together the scattered evidence - antiquarian drawings and historic records along with a new survey of the standing remains - into a coherent picture.This richly illustrated volume provides the first full account of the abbey, from foundation to dissolution, and offers a new virtual reconstruction of the church and its cloister; it also shows how the abbey formed the backdropto many key historical events.

Ron Baxter is the Research Director of the Corpus of Romanesque Sculpture in Britain and Ireland.

Matthew Ward

The Livery Collar in Late Medieval England and Wales

$130.00

First full examination of the medieval livery collar, form, function, and significance.

The livery collar had a pervasive presence in late-medieval England. Worn about the neck to denote service to a lord, references to the collar abound in government records, contemporary chronicles and correspondence, and many depictions of the collar can be found in illuminated manuscripts and on church monuments. From the fifteenth century the collar was regarded as a powerful symbol of royal power, the artefact associating the recipient with the king; italso played a significant function in the construction and articulation of political and other group identities during the period.
This first book-length study of the livery collar examines its cultural and political significance from the late fourteenth to the early sixteenth centuries, in particular between 1450 and 1500, the period associated with the Wars of the Roses. It explores the principal meanings bestowed on the collar, considers the itemin its various political contexts, and places the collar within the sphere of medieval identity construction. It also investigates the motives which lay behind its distribution, shedding new light on the nature and understanding of royal power at the time.

The Livery Collar in Late Medieval England and Wales

Laura Cleaver

Education in Twelfth-Century Art and Architecture

$85.00

A study of the representation of education in material culture, at a period of considerable change and growth.

On the facade of Chartres cathedral serene personifications of the arts of grammar, rhetoric, dialectic, music, arithmetic, geometry and astronomy present passers-by with a vision of education as an improving process leading to greater knowledge of God. The arts proved a popular subject in medieval imagery, and were included in manuscripts, stained-glass and luxury metalwork objects as well as on the facades of churches. These idealized figures contrast with many textual accounts of education, in which authors recorded the hardships of student poverty and the temptations of drink and women to be found in the cities where teachers were increasingly establishing themselves.
Thisbook considers how and why education was explored in the art and architecture of the twelfth century. Through analysis of imagery in a wide range of media, it examines how teachers and students sought to use images to enhance their reputations and the status of their studies. It also investigates how the ideal models often set out in imagery compared with contemporary practice in an era that saw significant changes, beginning with a shift away from monastic education and culminating in the appearance of the first universities.

LAURA CLEAVER is Senior Lecturer in Manuscript Studies, Institute of English Studies, University of London.

Education in Twelfth-Century Art and Architecture

Tom Williamson, Ivan Ringwood and Sarah Spooner

Lost Country Houses of Norfolk

$39.95

Norfolk is a county sadly rich in "lost" country houses; this account and gazetteer offer a comprehensive account of them.

Winner of the general non-fiction category in the East Anglian Book Awards 2016.

The country houses lost from the landscape since the late nineteenth century exercise a peculiar grip on the English imagination, seeming to symbolise the passing of a world of taste and elegance, of stability and deference: a world destroyed by modernity. This important new book argues that most previous studies of the subject have been characterised by nostalgia and vagueness, and by a tendency to exaggerate the scale of the destruction and simplify its causes. It presents a balanced, systematic analysis of country house losses in Norfolk, discussing the scale and chronology of destruction. The authors argue that the loss of great houses was not an entirely new development of the twentieth century, they explain the varied reasons why houses were abandoned and destroyed, and they explore the archaeological traces which these places, their gardens and parks, have left in the modern landscape. Their arguments are illuminated by a full and lavishly-illustrated gazetteer.
This book, the results of many years of fieldwork and documentary research, will be essential reading for all those interested in the history of the country house, in the development of the post-medieval landscape, and in the archaeology and history of the county of Norfolk.

Tom Williamson is Professor of Landscape History at the University of East Anglia; Ivan Ringwood is an independent historical researcher; Sarah Spooner is Lecturer in Landscape History at the University of East Anglia.

Janet Burton

Thirteenth Century England XV

$120.00

Fruits of the most recent research into the "long" thirteenth century.

The twin themes of authority and resistance are the focus of this volume, explored through topics such as landholding and secular politics, the church and religious orders and contemporary imagery and its reception. Together, thepapers combine to illustrate the variety of ways in which historians of the "long" thirteenth century are able to examine the practices and norms through which individuals and institutions sought to establish their authority, andthe ways in which these were open to challenge.

JANET BURTON is Professor of Medieval History at University of Wales: Trinity Saint David; PHILLIPP SCHOFIELD is Professor of Medieval History at Aberystwyth University; BJORN WEILER is Professor of History at Aberystwyth University.

Contributors: Helen Birkett, Richard Cassidy, Judith Collard, Peter Coss, Ian Forrest, Philippa Hoskin, Jennifer Jahner, Melissa Julian Jones, Fergus Oakes, John Sabapathy, Sita Steckel.

Mark Goldie

Roger Morrice and the Puritan Whigs

$54.95

Mark Goldie's authoritative and highly readable introduction to the political and religious landscape of Britain during the turbulent era of later Stuart rule.

An exceptionally significant monograph, and without doubt one of the most important to appear in the field of Restoration history in the last twenty years. Mark Goldie has done more than anyone else to illuminate the political and religious assumptions of late seventeenth-century Englishmen.' Dr Grant Tapsell, University of Oxford.

Roger Morrice and the Puritan Whigs explains a movement, illuminates the world of its emblematic representative, and explores one of the most remarkable documents of the seventeenth century.
Morrice's Entring Book was supremely well-informed, passionately committed, and relentlessly opinionated. Chronicling the years 1677 to 1691, nearly a million words in length, it is the fullest surviving record of the tumultuous final years of the Stuart regime, from the Popish Plot and Exclusion Crisis to the Glorious Revolution.
Morrice was a Puritan clergyman turned confidential reporter for leading Whig politicians, a barometer of opinion, for whom reliable information was vital for public action. Just twenty years after Pepys's Diary, the Entring Book depicts a darker England, gripped by a new crisis of 'popery and arbitrary government'.
Mark Goldie's deeply considered book examines the fortunes of Puritanism in the later Stuart age. It offers a story of disillusion and diminuendo, ofstruggles for survival in the face of intolerance, and of self-understanding among those who hoped to transform England through 'Godly rule'.
Yet the book also tells a countervailing story of revitalized and transformed Puritanism. Puritans worked through parliament, the royal court, and the households of gentry, merchants, lawyers, and clergy. Setting out to galvanize civil society, they mobilized public opinion, organized electorates, and deployedthe arts of journalism, influence, and persuasion.

This book has been adapted, with a new substantial introduction and updated bibliography, from the first volume of the Entring Book of Roger Morrice.

Mark Goldie is Professor of Intellectual History at the University of Cambridge and a Fellow of Churchill College.

Michael Hicks

The Later Medieval Inquisitions Post Mortem

$120.00

Essays exploring the potential of the Inquisitions post mortem to shed important new light on the medieval world.

The Inquisitions post mortem (IPMs) are a truly wonderful source for many different aspects of late medieval countryside and rural life. They have recently been made digitally accessible and interrogatable by the Mappingthe Medieval Countryside project, and the first fruits of these developments are presented here. The chapters examine IPMs in connection with the landscape and topography of England, in particular markets and fairs and mills;and consider the utility of proofs of age for everyday life on such topics as the Church, retaining, and the wine trade.

MICHAEL HICKS is Emeritus Professor of Medieval History at the University of Winchester.

Contributors: Katie A. Clarke, William S. Deller, Paul Dryburgh, Christopher Dyer, Janette Garrett, Michael Hicks, Matthew Holford, Gordon McKelvie, Stephen Mileson, Simon Payling, Matthew Tompkins, Jennifer Ward.

The Later Medieval Inquisitions <I>Post Mortem</I>

Francis Young

Rookwood Family Papers, 1606-1761

$75.00

A selection of documents left by the Suffolk Catholic family, the Rookwoods, brings them vividly to life.

The Rookwoods of Coldham Hall in the parish of Stanningfield, Suffolk, were Roman Catholic recusants whose notoriety rests on Ambrose Rookwood's involvement in the Gunpowder Plot. In 1606 the owner of Coldham was hanged, drawn andquartered for treason for supplying the plotters with horses. A century later another Ambrose Rookwood suffered the same fate for conspiring to assassinate William III. Tainted by treason, the Rookwood family nevertheless managedto hold on to their estates in Suffolk and Essex, in spite of their Royalist sympathies in the Civil War, the recklessness of individual family members, and later adherence to the Jacobite cause - and even to thrive. As a result,the family left behind a lasting legacy in the form of the Catholic mission founded by Elizabeth Rookwood and her son in Bury St Edmunds.
The documents in this volume tell a remarkable story of resilience, survival and reinvention. They also testify to the Rookwoods' profound Catholic faith, their patronage of the Jesuits, and their cultural and literary interests. An extensive introduction sets the Rookwoods in their historical and local context.

Francis Young is the author of, among other titles, The Gages of Hengrave and Suffolk Catholicism, 1640-1767 (2015). He is Head of Sixth Form at a public school in East Anglia.

David Crook

The Growth of Royal Government under Henry III

$130.00

A survey of the complexity and sophistication of English royal government in the thirteenth century, a period of radical change.

The years between 1258 and 1276 comprise one of the most influential periods in the Middle Ages in Britain. This turbulent decade witnessed a bitter power struggle between Henry III and his barons over who should control the government of the realm. Before England eventually descended into civil war, a significant proportion of the baronage had attempted to transform its governance by imposing on the crown a programme of legislative and administrative reform far more radical and wide-ranging than Magna Carta in 1215. Constituting a critical stage in the development of parliament, the reformist movement would remain unsurpassed in its radicalism until the upheavals of the seventeenth century. Simon de Montfort, the baronial champion, became the first leader of a political movement to seize power and govern in the king's name.
The essays here draw on material available for the first time via the completion of the project to calendar all the Fine Rolls of Henry III; these rolls comprise the last series of records of the English Chancery from that period to become readily available in a convenient form, thereby transforming accessto several important fields of research, including financial, legal, political and social issues. The volume covers topics including the evidential value of the fine rolls themselves and their wider significance for the English polity, developments in legal and financial administration, the roles of women and the church, and the fascinating details of the development of the office of escheator. Related or parallel developments in Scotland, Wales and Ireland are also dealt with, giving a broader British dimension.

LOUISE J. WILKINSON is Professor of Medieval Studies, University of Lincoln; DAVID CROOK is Honorary Research Fellow at the University of Notthingham.

Contributors: Nick Barratt, Paul Brand, David Carpenter, David Crook, Paul Dryburgh, Beth Hartland, Philippa Hoskin, Charles Insley, Adrian Jobson, Tony Moore, Alice Taylor, Nicholas Vincent, Scott Waugh, Louise Wilkinson

The Growth of Royal Government under Henry III

Janet E. Mullin

A Sixpence at Whist: Gaming and the English Middle Classes, 1680-1830

$120.00

Peering through the windows of private homes and Assembly Rooms alike, this book shines a new light on the middle classes during the long eighteenth century.

Enlightenment thinking - the drive for order, organisation and rationality - was an underlying motive force in England's eighteenth century, influencing middle class thinking with regard to the running and improvement of business.In the same way, it shaped their choice of leisure activities. As many turned their backs on blood sports, they found that music, conversation and cards embodied rational enjoyment and exercise of human intellect and ability.
For the middle classes, card play made use of skills they had in hand and could be justified on the basis of teaching the young their numbers and the importance of accounting for money lost and won. The careful score-keeping, the accounting for sums won and lost, and the order and discipline of these players' favourite card games echoed and suited their tidy lives. As important participants in polite society on the strength of their new wealth and theirincreasing social prominence, the middle classes embraced the agreeable pastimes of gentility while rejecting its dangerous extremes. Card play became a means of forming and reinforcing social and commercial bonds within complex webs of family and business circles. As they tugged the fashionable activity of gaming onto their own playing-field from the high-risk arena of the aristocracy, the middle classes were imposing order on disorder, subjecting a reckless activity to new restraints. Drawing on the personal papers of the commercial and professional classes of eighteenth-century England, A Sixpence at Whist tells the stories of these men and women at play.

JANETE. MULLIN is Lecturer in History at St. Thomas University and the University of New Brunswick, both in Fredericton, N.B., Canada.

A Sixpence at Whist: Gaming and the English Middle Classes, 1680-1830

Howard Williams

Early Medieval Stone Monuments

$130.00

New insights into inscribed and stone monuments from across Europe in the early middle ages.

Often fragmented and without context, early medieval inscribed and sculpted stone monuments of the fifth to eleventh centuries AD have been mainly studied via their shape, their decoration and the texts a fraction of them bear. This book, investigating stone monuments from Ireland, Britain and Scandinavia (including the important memorials at Iniscealtra, County Clare), advocates three relatively new, distinctive and interconnected approaches to the lithicheritage of the early Middle Ages. Building on recent theoretical trends in archaeology and material culture studies in particular, it uses the themes of materiality, biography and landscape to reveal how carved stones created senses of identity and history for early medieval communities and kingdom. An extensive introduction and eight chapters span the disciplines of history, art-history and archaeology, exploring how shaping stone in turn shaped and re-shaped early medieval societies.

Howard Williams is Professor of Archaeology, University of Chester; Joanne Kirton is Project Manager, Big Heritage, Chester; Meggen Gondek is Reader in Archaeology, University of Chester.

Contributors: Ing-Marie Back Danielsson, Iris Crouwers, Meggen Gondek, Mark A. Hall, Joanne Kirton, Jenifer Ní Ghrádaigh, Clíodhna O'Leary, Howard Williams.

Peter Dickinson

Peter Dickinson: Words and Music

$130.00

Articles, tributes and reminiscences of composer, pianist and author Peter Dickinson are here brought together for the first time.

Peter Dickinson made an enduring contribution to British musical life, and his music has been regularly performed and recorded by leading musicians. His writings, brought together here for the first time, are equally noteworthy. Covering well over half a century, the subjects are fascinatingly varied. Apart from musical interests ranging from Charles Ives to John Cage, they touch on literature; and Dickinson's meetings with W.H. Auden and Philip Larkin are an intriguing insight that led to his Auden songs and the chamber work Larkin's Jazz. American themes are prominent in this collection. There are unique reviews of concert life in New York from 1959 to 1961; an account of the teaching programme at the Juilliard School of Music at that time; three studies of Ives; and features containing original material on Copland, Thomson and Cage, all of whom Dickinson knew. Features on Erik Satie include the imaginary discussion marking his centenary in 1966. Dickinson also writes about his own music, providing an insight into what it was like being a British composer in the later twentieth century.

Peter Dickinson was born in Lancashire in 1934 and lived in Suffolk until his passing. His 80th birthday was marked by a whole variety of tributes, including concerts, articles, broadcasts and various interviews - some included in this book.

PETER DICKINSON was a British composer and pianist as well as author and editor of Boydell/URP books on Berkeley, Copland, Cage, Barber and Berners. As a pianist, Dickinson had a twenty-five-year, international partnership with his sister, the mezzo Meriel Dickinson, for whom he wrote song cycles to poems of E. E. Cummings, Gregory Corso and Stevie Smith. He was a regular contributor to BBC Radio 3 and was widely read as a critic on the Gramophone. He was an Emeritus Professor of the Universities of Keele and London and was chair of the Bernarr Rainbow Trust, for which he edited several books on music education.

A.T. Brown

Rural Society and Economic Change in County Durham

$130.00

A regional study of landed society in the transition between the late medieval and early modern period.

In the middle of the fifteenth century, the economy of north-east England was beset by crises: population was low, production was stagnant and many landowners faced penury. By the end of the sixteenth century, however, the precocious development of the coal industry and high levels of inflation provided opportunities for investment and profit in the Durham countryside.
This book examines the development of agrarian capitalism; estate management; tenure and the land market; social mobility; the gentrification of merchant wealth and the emergence of the yeomanry during this period in the region. It looks at such questions as how the coal industry was affected by the fifteenth-century recession and the effects its rapid expansion had upon landed society; reassesses debates on the rise of the gentry and the "crisis" of the aristocracy; and considers how the wholesale economic changes of this period affected the social structure of late-medieval and early-modern England. Although this period is often seen as a transitional era, this book argues that it needs to be studied as one long agrarian cycle, showing the degree to which patterns of landholding fixed during the fifteenth-century recession affected the distribution of profits between different types of lords and tenants in the sixteenth and early seventeenth century.

A.T. Brown is an AddisonWheeler Fellow at Durham University.

Rural Society and Economic Change in County Durham

Jonathan Good

The Cult of St George in Medieval England

$29.99

A survey of the cult of St George in the middle ages, investigating its beginning and growth, and its manipulation for political and other ends.

Recently, St George has enjoyed a modest revival as a specifically English national symbol. But how he became the patron saint of England in the first place has always been a mystery. He was not English, nor was his principal shrine there - the usual criteria for national patronage; yet his status and fame have eclipsed all others. Instead, it was Edward III's use of the saint in his wars against the French that really established him as a patron and protector of the king. Unlike other such saints, however, George was enthusiastically adopted by other English people to signify their membership in the "community of the realm". This book traces the origins and growth of his cult, arguing that, especially after Edward's death, George came to represent a "good" politics (in this case, the shared prosecution of a war with spoils for everyone) and could be used to rebuke subsequent kings for their poor governance. Most kings came to realize this fact, and venerated St George in order to prove their worthiness to hold their office. This political dimension of the cult never completely displaced the devotional one, but it was so strong that St George survived the Reformation as a national symbol - one that grows ever more important in the wake of devolution and the recovery of a specifically English identity.

JONATHAN GOOD is Associate Professor of Historyat Reinhardt University, Georgia.

The Cult of St George in Medieval England

Janay Nugent, Elizabeth Ewan

Children and Youth in Premodern Scotland

$120.00

Essays exploring childhood and youth in Scotland before the nineteenth century.

Children and youth have tended to be under-reported in the historical scholarship. This collection of essays recasts the historical narrative by populating premodern Scottish communities from the thirteenth to the late eighteenthcenturies with their lively experiences and voices. By examining medieval and early modern Scottish communities through the lens of age, the collection counters traditional assumptions that young people are peripheral to our understanding of the political, economic, and social contexts of the premodern era.
The topics addressed fall into three main sections: the experience of being a child/adolescent; representations of the young; and the constructionof the next generation. The individual essays examine the experience of the young at all levels of society, including princes and princesses, aristocratic and gentry youth, urban young people, rural children, and those who came to Scotland as slaves; they draw on evidence from art, personal correspondence, material culture, song, legal and government records, work and marriage contracts, and literature.

Janay Nugent is an Associate Professor ofHistory and a founding member of the Institute for Child and Youth Studies at the University of Lethbridge, Alberta, Canada; Elizabeth Ewan is University Research Chair and Professor of History and Scottish Studies at the Centrefor Scottish Studies, University of Guelph, Ontario, Canada.

Contributors: Katie Barclay, Stuart Campbell, Mairi Cowan, Sarah Dunnigan, Elizabeth Ewan, Anne Frater, Dolly MacKinnon, Cynthia J. Neville, Janay Nugent, Heather Parker, Jamie Reid Baxter, Cathryn R. Spence, Laura E. Walkling, Nel Whiting.

Children and Youth in Premodern Scotland

Andrew Palmer

Encounters with British Composers

$49.95

Contemporary British composers talk about their music, with the emphasis on the aesthetic sensibilities and psychological processes behind composing rather than technique.

This book features interviews with leading and upcoming British composers who use the same raw materials but produce classical music that takes very different forms. Uniquely, Andrew Palmer approaches the sometimes baffling worldof contemporary music from the point of view of the inquisitive, music-loving amateur rather than the professional critic or musicologist. Readers can eavesdrop on conversations in which composers are asked a number of questionsabout their professional lives and practices, with the emphasis on the aesthetic sensibilities and psychological processes behind composing rather than technique. Throughout, the book seeks to explore why composers write the kindof music they write, and what they want their music to do. Along the way, readers are confronted with an unspoken but equally important question: if some composers are writing music that the public doesn't want to engage with, who's to blame for that? Are composers out of touch with their public, or are we too lazy to give their music the attention it deserves?

ANDREW PALMER is a freelance writer and photographer. He is editor of Composing in Words: William Alwyn on His Art (Toccata Press, 2009), author of Divas... In Their Own Words (Vernon Press, 2000) and co-author of A Voice Reborn (Arcadia Books, 1999). Since 1998 he has been a corresponding editor of Strings magazine (USA).

Interviewees include: Julian Anderson, Simon Bainbridge, Sally Beamish, George Benjamin, Michael Berkeley, Judith Bingham, Harrison Birtwistle, Howard Blake, Gavin Bryars, Diana Burrell, Tom Coult, Gordon Crosse, Jonathan Dove, David Dubery, Michael Finnissy, Cheryl Frances-Hoad, Alexander Goehr, Howard Goodall, Christopher Gunning, Morgan Hayes, Robin Holloway, Oliver Knussen, James MacMillan, Colin Matthews, David Matthews, Peter Maxwell Davies, John McCabe, Thea Musgrave, Roxanna Panufnik, Anthony Payne, Elis Pehkonen, Joseph Phibbs, Gabriel Prokofiev, John Rutter, Robert Saxton, John Tavener, Judith Weir, Debbie Wiseman, Christopher Wright

Laura L Gathagan

The Haskins Society Journal 26

$130.00

The most recent research into the Anglo-Saxon, Anglo-Norman, and Angevin worlds.

The essays here consider a broad range of topics drawn from the early to central Middle Ages. These include a fascinating glimpse of the controversy surrounding Theodoric of Ostrogoth's identity as a builder king; evidence of Byzantine slavery that emerges from a ninth-century Frankish exegetical tract; conciliar prohibitions against interfaith dining; and a fresh look at the doomed Danish marriage of Philip II of France. The Journal's commitment tosource analysis is continued with chapters examining female authority on the coins of Henry the Lion; the use and meaning of monastic depredation lists; and the relationship between Henry of Huntingdon and Robert of Torigni. Finally, the volume offers a truly rich set of explorations of the political and historiographical dynamics between England and Wales from the tenth century through the late Middle Ages. This volume also contains the Henry Loyn Memorial Lecture for 2008.

Contributors: Shane Bobrycki, Gregory I. Halfond, Thomas Heeboll-Holm, Georgia Henley, Jitske Jasperse, Simon Keynes, Maria Cristina La Rocca, Corinna Matlis, Benjamin Pohl, Thomas Roche, Owain WynJones

Aaron Jaffer

Lascars and Indian Ocean Seafaring, 1780-1860

$120.00

Cases of mutiny and other forms of protest are used to reveal full and interesting details of lascar shipboard life.

Shortlisted for the Royal Historical Society's 2016 Gladstone Prize.

Lascars were seamen from the Indian subcontinent and other areas of the Indian Ocean region who were employed aboard European ships from the sixteenth to the twentieth centuries. They experienced difficult working conditions and came from a wide variety of ethnic, cultural and religious backgrounds, which created considerable scope for friction between them and their Europeanofficers. This book, based on extensive original research, examines the role of lascars employed aboard country ships, East Indiamen and other British sailing vessels. The focus is on protest in its various forms, from mild unrest to violent acts of mutiny in which lascar crews murdered officers, seized ships and then sought refuge with local rulers. It is only through descriptions of such events - found in logbooks, seafaring diaries and the East India Company's judicial records - that many aspects of lascar life at sea become visible and lascar voices can be heard. Through the study of mutiny and other forms of protest, the book provides a detailed insight into shipboard conditions amongst lascars employed during this period.

Aaron Jaffer completed his doctorate in history at the University of Warwick.

Lascars and Indian Ocean Seafaring, 1780-1860

Samantha Owens

Music at German Courts, 1715-1760

$190.00

Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.

What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline.
What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring acast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.

SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia.

Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARY OLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN

David Crook

The Growth of Royal Government under Henry III

$36.95

A survey of the complexity and sophistication of English royal government in the thirteenth century, a period of radical change.

The years between 1258 and 1276 comprise one of the most influential periods in the Middle Ages in Britain. This turbulent decade witnessed a bitter power struggle between Henry III and his barons over who should control the government of the realm. Before England eventually descended into civil war, a significant proportion of the baronage had attempted to transform its governance by imposing on the crown a programme of legislative and administrative reform far more radical and wide-ranging than Magna Carta in 1215. Constituting a critical stage in the development of parliament, the reformist movement would remain unsurpassed in its radicalism until the upheavals of the seventeenth century. Simon de Montfort, the baronial champion, became the first leader of a political movement to seize power and govern in the king's name.
The essays here draw on material available for the first time via the completion of the project to calendar all the Fine Rolls of Henry III; these rolls comprise the last series of records of the English Chancery from that period to become readily available in a convenient form, thereby transforming accessto several important fields of research, including financial, legal, political and social issues. The volume covers topics including the evidential value of the fine rolls themselves and their wider significance for the English polity, developments in legal and financial administration, the roles of women and the church, and the fascinating details of the development of the office of escheator. Related or parallel developments in Scotland, Wales and Ireland are also dealt with, giving a broader British dimension.

Michael Hampe

The Crafty Art of Opera

$36.95

Insights into an opera stage director's work from an internationally acclaimed director and teacher.

Opera is nowadays performed worldwide. But as an art form it is little understood by performers and audiences alike. The Crafty Art of Opera wants to change that. Here, Michael Hampe brings glimpses of the director's work to a wider audience, uncovering the many techniques and rules that should inform an opera's staging: the need for singers to know their orchestra, the importance of space around singers, the gestures of languages, what we all can learn from Mozart, and the primacy of sense over effect, to name but a few. He shows how stories, through music, become tangible and real.
Packed with many anecdotes from the author's luminous career, this book is dedicatedto opera-lovers who want to understand 'how it is done'; to opera-makers who want to better understand their craft; and, last but not least, to those who loathe opera, in order to prove them wrong. Eminently readable, it brings both insight and wit from a life spent in opera as director and teacher.

MICHAEL HAMPE is an internationally acclaimed opera stage director. The Crafty Art of Opera was published in German as Opernschule.

Rebecca Pinner

The Cult of St Edmund in Medieval East Anglia

$130.00

An investigation of the growth and influence of the cult of St Edmund, and how it manifested itself in medieval material culture.

Longlisted for the Katharine Briggs Award 2016

St Edmund, king and martyr, supposedly killed by Danes (or "Vikings") in 869, was one of the pre-eminent saints of the middle ages; his cult was favoured and patronised by several English kings, and gave rise to a rich array of visual, literary, musical and political artefacts.
This study explores the development of devotion to St Edmund, from its first flourishing in the ninth century to the eveof the Reformation. It explores a series of key questions: how, why and when did the cult develop? Who was responsible for its promotion and dissemination? To which groups and individuals did St Edmund appeal? How did this evolveover time? Using as evidence a range of textual and visual treasures from the Anglo-Saxon king's erstwhile kingdom and later cultic heartland, Norfolk and Suffolk, the study draws on sources and approaches from a variety of disciplines (literature, art history, social history and anthropology) to elucidate the social, cultural and political dynamics of cult construction.

Dr Rebecca Pinner is a Lecturer in Medieval and Early Modern Literature atthe University of East Anglia.

The Cult of St Edmund in Medieval East Anglia

Tom Williamson

Environment, Society and Landscape in Early Medieval England

$130.00

The origins of England's regional cultures are here shown to be strongly influenced by the natural environment and geographical features.

The Anglo-Saxon period was crucial in the development of England's character: its language, and much of its landscape and culture, were forged in the period between the fifth and the eleventh centuries. Historians and archaeologists have long been fascinated by its regional variations, by the way in which different parts of the country displayed marked differences in social structures, settlement patterns, and field systems. In this controversial and wide-ranging study, the author argues that such differences were largely a consequence of environmental factors: of the influence of climate, soils and hydrology, and of the patterns of contact and communication engendered by natural topography. He also suggests that such environmental influences have been neglected over recent decades by generations of scholars who are embedded in an urban culture and largely divorced from the natural world; and that an appreciation of the fundamental role of physical geography in shaping human affairs can throw much new light on a number of important debates about early medieval society.
The book will be essential reading for all those interestedin the character of the Anglo-Saxon and Scandinavian settlements, in early medieval social and territorial organization, and in the origins of the England's medieval landscapes.

Tom Williamson is Professor of LandscapeHistory, University of East Anglia; he has written widely on landscape archaeology, agricultural history, and the history of landscape design.

Environment, Society and Landscape in Early Medieval England

Eric Saylor

The Sea in the British Musical Imagination

$130.00

For centuries, the sea and those who sail upon it have inspired the imaginations of British musicians.

For centuries, the sea and those who sail upon it have inspired the imaginations of British musicians. Generations of British artists have viewed the ocean as a metaphor for the mutable human condition - by turns calm and reflective, tempestuous and destructive - and have been influenced as much by its physical presence as by its musical potential. But just as geographical perspectives and attitudes on seascapes have evolved over time, so too have culturalassumptions about their meaning and significance. Changes in how Britons have used the sea to travel, communicate, work, play, and go to war have all irresistibly shaped the way that maritime imagery has been conceived, represented, and disseminated in British music.
By exploring the sea's significance within the complex world of British music, this book reveals a network of largely unexamined cultural tropes unique to this island nation. The essaysare organised around three main themes: the Sea as Landscape, the Sea as Profession, and the Sea as Metaphor, covering an array of topics drawn from the seventeenth century to the twenty-first. Featuring studies of pieces by thelikes of Purcell, Arne, Sullivan, Vaughan Williams, and Davies, as well as examinations of cultural touchstones such as the BBC, the Scottish fishing industry, and the Aldeburgh Festival, The Sea in the British Musical Imagination will be of interest to musicologists as well as scholars in history, British studies, cultural studies, and English literature.

ERIC SAYLOR is Associate Professor of Musicology at Drake University.

CHRISTOPHER M. SCHEER is Assistant Professor of Musicology at Utah State University.

CONTRIBUTORS: Byron Adams, Jenny Doctor, Amanda Eubanks Winkler, James Brooks Kuykendall, Charles Edward McGuire, Alyson McLamore, Louis Niebur, Jennifer Oates, Eric Saylor, Christopher M. Scheer, Aidan J. Thomson, Justin Vickers, Frances Wilkins

The Sea in the British Musical Imagination

Matthias Range

British Royal and State Funerals

$190.00

The first in-depth study of the ceremonial and music performed at British royal and state funerals over the past 400 years.

British royal and state funerals are among the most elaborate and solemn occasions in European history. This book is the first in-depth study of the ceremonial and the music performed at these events over the past 400 years, fromthe funeral of Elizabeth I in 1603. Covering funerals of both royalty and non-royalty, including Nelson, Wellington and Churchill, this study goes up to the funerals of Queen Elizabeth The Queen Mother in 2002 and the ceremonial funeral of Baroness Thatcher in 2013. While some of these funerals have received a good deal of attention - especially the 1997 funeral of Diana, Princess of Wales - these extraordinary events have largely not been discussed in their longer historical context.
The book examines the liturgical changes in the Anglican funeral rite since the Reformation and also the change from the so-called 'public' to 'private' funerals. It includes many new findings onthe development of the ceremonial and its intricate peculiarities, as well as new insights into the music and its performance. British Royal and State Funerals shows that, despite a strong emphasis on continuity in the choice of music, the ceremonial itself has shown an astonishing flexibility over the last four centuries. Overall, the book also contributes to the debate on the monarchy's changing public image over time by paying particular attention to topics such as tradition and propaganda. Drawing on substantial research in principal libraries and archives, including those of Westminster Abbey, the College of Arms, Lambeth Palace and the British Library, this book is an exhaustive resource for musicologists, musicians and historians alike, providing an unprecedented insight into this most sombre of royal and state occasions.

MATTHIAS RANGE is author of Music and Ceremonial at British Coronations (2012). He is a post-doctoral researcher for the Digital Image Archive of Medieval Music and its partner AHRC-funded Tudor Partbooks project at the Faculty of Music, University of Oxford.

Charlotte A. Stanford

The Building Accounts of the Savoy Hospital, London, 1512-1520

$105.00

First printed edition of the building accounts of one of London's most remarkable edifices.

Founded by Henry VII, the Savoy hospital was designed to execute corporal works of mercy and commemorate the king through prayer by housing one hundred poor men every night in palatial surroundings. The building complex, one of the landmarks of early Tudor London, was unique for English hospitals in its adoption of a cross-shaped ward, but its structural details have remained obscure.
Published for the first time here, the building accounts record, edited here for the first time, provides detailed evidence of that structure, as well as of the hundreds of craftsmen and laborers who toiled to complete it. In addition to the accounts themselves, this volume contains a thorough contextual introduction, elucidatory notes, and a glossary of building terms.

Charlotte A. Stanford is Associate Professor of Comparative Arts and Letters at Brigham Young University.

The Building Accounts of the Savoy Hospital, London, 1512-1520

Robert Beaken, Terry Waite CBE

The Church of England and the Home Front, 1914-1918

$60.00

Challenges the tired orthodoxy that the Church of England had a bad First World War.

In telling the story of the Church and its people in Colchester, a garrison town, Robert Beaken enlivens our understanding of the First World War - not only as a clash of mighty forces, but also at a personal and communal level.'The Very Rev. Dr John Hall, Dean of Westminster

The Church of England is popularly believed to have had a bad First World War. This book challenges that tired orthodoxy. It examines the relationship between parish churches and the Army during the war, using the important garrison town of Colchester as a case study. Colchester in 1914-18 was a microcosm both of English society and of the Church of England, in all their diversity. The presence of the Army also meant that wartime experiences and trends which were noticeable elsewhere in England were sharply felt in Colchester.
For the generation of Britons who lived through the Great War, Christianity was an important part of their culture, world view and, in many instances, personal lives. To understand life on the home front during the war, it is vital to understand the part played by Christianity, and particularly by the parishes of the Church of England. With the help of newly discovered archival material, this book reassesses the relations between clergy, soldiers and civilians to show that, contrary to widely-held belief, the clergy and their parishioners responded to the crisis of 1914-18 with courage, common sense and self-sacrifice: their ministry kept much of the population going during the Great War.

ROBERT BEAKEN is parish priest of St Mary the Virgin, Great Bardfield,and St Katharine, Little Bardfield, in Essex. He holds a PhD from King's College, London, and is a Fellow of the Royal Historical Society. He is the author of seven works, including Cosmo Lang: Archbishop in War and Crisis(2012).

The Church of England and the Home Front, 1914-1918

Benjamin Thompson

Political Society in Later Medieval England

$130.00

Essays on the connections between politics and society in the middle ages, showing their interdependence.

Christine Carpenter's influential work on late-medieval English society aspires to encompass a wide spectrum of human experience. Her vision of "total" history embeds the study of politics in a multi-dimensional social frameworkwhich ranges from mentalities and ideology to economy and geography. This collection of essays celebrates Professor Carpenter's achievement by drawing attention to the social underpinning of political culture; the articles reflectthe range of her interests, chronologically from the thirteenth century to the sixteenth, and thematically from ideology and culture, through government and its officials, the nobility, gentry and yeomanry, the law and the church, to local society. The connection between centre and locality pervades the volume, as does the interplay of the ideological and cultural with the practical and material. The essays highlight both how ideas were moulded in political debate and action, and how their roots sprang from social pressures and interests. It also emphasises the wider cultural aspects of topics too-easily conceived as local and material.

BENJAMIN THOMPSON is Fellow and Tutor in History at Somerville College, Oxford; JOHN WATTS is Professor of Later Medieval History at the University of Oxford and Fellow and Tutor of Corpus Christi College, Oxford.

Contributors: Jackson Armstrong, Caroline Burt, Tony Moore, Richard Partington, Ted Powell, Andrea Ruddick, Andrew Spencer, Benjamin Thompson, John Watts, Theron Westervelt, Jenny Wormald.

Political Society in Later Medieval England

Samantha Owens

Music at German Courts, 1715-1760

$59.95

Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.

What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast ofmusic directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.

SAMANTHA OWENS is Associate Professor in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia.

Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARYOLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN

David Roffe, K.S.B. Keats-Rohan

Domesday Now

$130.00

Essays into numerous aspects of the Domesday Book, shedding fresh light on its mysteries.

Compiled from the records of a survey of the kingdom of England commissioned by William the Conqueror in 1085, Domesday Book is a key source for the history of England. However, there has never been a critical edition of the textand so, despite over 200 years of intense academic study, its evidence has rarely been exploited to the full. The essays in this volume seek to realize the potential of Domesday Book by focussing on the manuscript itself. There are analyses of abbreviations, letter forms, and language; re-assessments of key sources, the role of tenants-in-chief in producing them, and the nature of the Norman settlement that their forms illuminate; a re-evaluation of the data and its referents; and finally, fresh examinations of the afterlife of the Domesday text and how it was subsequently perceived.
In identifying new categories of evidence and revisiting old ones, these studies point to a better understanding of the text. There are surprising insights into its sources and developing programme and, intriguingly, a system of encoding hitherto unsuspected. In its turn the import of its data becomes clearer, thereby shedding new light on Anglo-Norman society and governance. It is in these terms that this volume offers a departure in Domesday studies and looks forward to the resolution of long-standing problems that have hitherto bedevilled the interpretation of an iconic text.

David Roffe and K.S.B. Keats-Rohan are leading Domesday scholars who have published widely on Domesday Book and related matters.

Contributors: Howard B. Clarke, Sally Harvey, K.S.B. Keats-Rohan, Andrew Lowerre, John Palmer, David Roffe, Ian Taylor, Pamela Taylor, Frank Thorn, Ann Williams.

William C. Lubenow

Only Connect: Learned Societies in Nineteenth-Century Britain

$130.00

In nineteenth-century Britain, learned societies and clubs became contested sites in which a new kind of identity was created: the charisma and persona of the scholar, of the intellectual.

In the early modern period the subject of knowledge was dogma. Early modern knowledge was often tied to confessional tests and state-building. One road to modernity could be read as escape from institutional and confessional restraints to the freedom of reason. A second one could be read as escape to networks of association and belonging. In the nineteenth century, the latter space was filled in Britain by learned societies (within or outside universities)or even clubs. It was a movement toward a different kind of method and a different kind of learning. Learned societies and clubs became contested sites in which a new kind of identity was created: the charisma and persona of thescholar, of the intellectual. The history of cognition in nineteenth-century Britain became a history of various intellectual enclaves and the people who occupied them.
This book examines the nature of knowledge in nineteenth-century Britain and the role of learned societies, clubs and coteries in its formation, organization and dissolution. Drawing on numerous, unpublished, private papers and manuscripts, it looks predominantly at societies in the metropolitan centres of London, Oxford and Cambridge. It also takes up the relation of British styles of learning, in contrast to Continental forms, which aimed to produce people of culture and character suited for positions of public authority. While the British owed much to German exemplars, a tension in these intellectual exchanges remained, magnified by the Great War. The study concludes by comparing British cognitive niches with similar social formations in Germany, France and the United States.

WILLIAM C. LUBENOW is Distinguished Professor of History at Stockton College of New Jersey. His previous books include Liberal Intellectuals and Public Culture in Modern Britain (Boydell, 2010), The Cambridge Apostles, 1820-1914 (1998) and Parliamentary Politics and the Home Rule Crisis (1988). He has been president of the North American Conference on British Studies.

Only Connect: Learned Societies in Nineteenth-Century Britain

David Hunter

The Lives of George Frideric Handel

$60.00

How have Handel's 'lives' in biographies and histories moulded our understanding of the musician, the man and the icon?

To evaluate the familiar, even over-familiar, story of Handel's life could be seen as a quixotic endeavour. How can there be anything new to say? This book seeks to distinguish fact from fiction, not only to produce a new biography but also to explore the concepts of biography and dissemination by using Handel's life and lives as a case study. By examining the images of Handel to be found in biographies and music histories - the genius, the religious profound, the master of musical styles, the distiller into music of English sentiment, the glorifier of the Hanoverians, the hymner of the middle class, the independent, the prodigious, the generous, the sexless, the successful, the wealthy, the bankrupt, the pious, the crude, the heroic, the devious, the battler of ill-fortune, the moral exemplar - and by adding new factual information, David Hunter shows how events are manipulated into stories and tropes. Onesuch trope has been employed to portray numerous persons as Handel's enemies regardless of whether Handel considered them as such. Picking apart the writing of Handel's biographers and other reporters, Hunter exposes the narrative underpinnings - the lies, confusions, presumptions, and conclusions, whether direct and inferred or assumed - to show how Handel's 'lives' in biographies and histories have moulded our understanding of the musician, the man andthe icon.

DAVID HUNTER is Music Librarian at the University of Texas at Austin.

Robert W. Jones

Bloodied Banners: Martial Display on the Medieval Battlefield

$95.00

Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance.

`A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is the author's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that "host of many colours" that was a medieval army, it adds a new dimension to our understanding of medieval warfare.' Dr ANDREW AYTON, Senior Lecturer in History, University of Hull

The medieval battlefield was a place of spectacle and splendour. The fully-armed knight, bedecked in his vivid heraldic colours, mounted on his great charger, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite.

Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed, showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning.

ROBERT W. JONES gained his PhD from Cardiff University.

Bloodied Banners: Martial Display on the Medieval Battlefield

Caroline Potter

Erik Satie

$49.95

Satie's music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris.

Sunday Times Classical Music Book of the Year

Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as "classical music". Instead of pursuing the path of a professional composer, Satie initially earned a living as a café pianist and moved in bohemian circles which prized satire, popular culture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but is to be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartre and Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book.

CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season.

Cover image for Erik Satie, isbn: 9781783270835

Tom Williamson

Environment, Society and Landscape in Early Medieval England

$36.95

The origins of England's regional cultures are here shown to be strongly influenced by the natural environment and geographical features.

The Anglo-Saxon period was crucial in the development of England's character: its language, and much of its landscape and culture, were forged in the period between the fifth and the eleventh centuries. Historians and archaeologists have long been fascinated by its regional variations, by the way in which different parts of the country displayed marked differences in social structures, settlement patterns, and field systems. In this controversial and wide-ranging study, the author argues that such differences were largely a consequence of environmental factors: of the influence of climate, soils and hydrology, and of the patterns of contact and communication engendered by natural topography. He also suggests that such environmental influences have been neglected over recent decades by generations of scholars who are embedded in an urban culture and largely divorced from the natural world; and that an appreciation of the fundamental role of physical geography in shaping human affairs can throw much new light on a number of important debates about early medieval society.
The book will be essential reading for all those interestedin the character of the Anglo-Saxon and Scandinavian settlements, in early medieval social and territorial organization, and in the origins of the England's medieval landscapes.

Tom Williamson is Professor of LandscapeHistory, University of East Anglia; he has written widely on landscape archaeology, agricultural history, and the history of landscape design.

A.T. Brown

Crises in Economic and Social History

$45.95

Exploring how crises have shaped economic and social life from the thirteenth century to the twenty-first.

This collection of essays brings together historians examining social and economic crises from the thirteenth century to the twenty-first. Crisis is an almost ubiquitous concept for historians, applicable across (amongst others) the histories of agriculture, disease, finance and trade. Yet there has been little attempt to compare its use as an explanatory tool between these discrete fields of research. This volume breaks down the boundaries between traditional historical time periods and sub-disciplines of history to examine the ways in which past societies have coped with crises, and the role of crisis in generating economic and social change.
Should we conceptualise a medieval agrarian or financial crisis differently from their modern counterparts? Were there similarities in how contemporaries responded to famine or outbreaks of disease? How comparable are crises within households, within institutions, or across national and international networks of trade? Contributors examine how crises have shaped economic and social life in a range of studies from the Great Depression in 1930s Latin America to the outbreak of plague in seventeenth-century central Europe, and from sheep and cattle murrain in fourteenth-century England to the Northern Rock building society collapse of 2007.

A.T. BROWN is an Addison Wheeler Research Fellow at the Institute of Advanced Studies at Durham University.

ANDY BURN is a postdoctoral researcher at the Institute of Medieval and Early Modern Studies at Durham University.

ROB DOHERTY is a doctoral candidate in history at DurhamUniversity.

CONTRIBUTORS: Peter H. Bent, A.T. Brown, Andy Burn, Catherine Casson, Mark Casson, Samuel K. Cohn, Jr., Rob Doherty, Josette Duncan, Matthew Hollow, Pavla Jirková, Alan Knight, John S. Lee, Cinzia Lorandini,John Martin, Ranald Michie, Anne L. Murphy, Pamela Nightingale, John Singleton, Philip Slavin, Paul Warde

Professor John France

Journal of Medieval Military History

$130.00

Highlights "the range and richness of scholarship on medieval warfare, military institutions, and cultures of conflict that characterize the field". History 95 (2010)

Warfare on the periphery of Europe and across cultural boundaries is a particular focus of this volume. One article, on Castilian seapower, treats the melding of northern and southern naval traditions; another clarifies the military roles of the Ayyubid and Mamluk miners and stoneworkers in siege warfare; a third emphasizes cultural considerations in an Icelandic conflict; a fourth looks at how an Iberian prelate navigated the line between ecclesiastical and military responsibilities; and a fifth analyzes the different roles of early gunpowder weapons in Europe and China, linking technological history with the significance of human geography. Further contributions also consider technology, two dealing with fifteenth-century English artillery and the third with prefabricated mechanical artillery during the Crusades. Another theme of the volume is source criticism, with re-examinations of the sources for Owain Glyndwr's (possible) victory at Hyddgen in 1401, a (possible) Danish attack on England in 1128, and the role of non-milites in Salian warfare.

Contributors: Nicolás Agrait, Tonio Andrade, David Bachrach, Oren Falk, Devin Fields, Michael S. Fulton, Thomas K. Heeboll-Holm, Rabei G. Khamisy, Michael Livingstone, Dan Spencer, L.J. Andrew Villalon

Sue Bradbury

The Boyce Papers: The Letters and Diaries of Joanna Boyce, Henry Wells and George Price Boyce

$210.00

The first full edition of the correspondence, between three artists Joanna Boyce, her brother George P. Boyce and Henry Wells, who she eventually married. It dates from the period 1845 to 1861, and covers artistic life in both Paris and London, including the Pre-Raphaelites.

This correspondence, between three artists Joanna Boyce, her brother George P. Boyce and Henry Wells, whom she eventually married, dates from the period 1845 to 1861. They were all friends of Rossetti and the Pre-Raphaelite circle, but in addition Henry and Joanna both studied in Paris, and Joanna wrote extensively about her time there, training with Thomas Couture. She wrote for The Saturday Review as well as painting a small number of very interesting and much admired pictures.

Her brother George established himself as a successful watercolourist and member of the Old Watercolour Society, having been encouraged both by David Cox on his Welsh sketching expeditions,and by Ruskin, whose letters advising him what to paint in Venice are included here. Henry Wells was primarily a portrait painter. At first he specialised in miniatures, and was commissioned to paint Mary, princess of Cambridge byQueen Victoria. There are vivid accounts of visits to country houses to carry out commissions from their owners.

The three wrote constantly about techniques of painting and about the new colours that became available at this period, and about their visits to exhibitions both in Paris and London. They all contributed to the Royal Academy and other exhibitions. In addition, there is the extraordinary story of Joanna's and Henry's courtship and marriage, at first encouraged and then viciously opposed by Joanna's recently widowed mother.

The correspondence survives only in an unpublished transcript made in the 1940s, as the originals were all destroyed in a bombing raid on Bath during the second world war. Excerpts from George P. Boyce's diaries were published in the 1930s, but the present edition contains a considerable amount of new material.

The Boyce Papers: The Letters and Diaries of Joanna Boyce, Henry Wells and George Price Boyce

Nicholas Nicholas Temperley

Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family

$130.00

This book takes advantage of new and often surprising biographical research on the Loder family as a whole and its four main figures, using them to illustrate aspects of music history in the 19th century.

Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family illuminates three areas that have recently attracted much interest: the musical profession, music in the British provinces and colonies, and English Romantic opera. The Loder family was pre-eminent in Bath's musical world in the early nineteenth century. John David Loder (1788-1846) led the theatre orchestra there from 1807, and later the Philharmonic orchestra and Ancient Concerts in London; he also wrote the leading instruction manual on violin playing and taught violin at the Royal Academy of Music. His son Edward James (1809-65) was a brilliant but underrated composer of opera, songs, and piano music. George Loder (1816-68) was a well-known flautist and conductor who made a name in New York and eventually settled in Adelaide, where he conducted the Australian premieres of Les Huguenots, Faust, and other important operas. Kate Fanny Loder (1825-1904) became a successful pianist and teacher in early Victorian London, and she is only now getting her due as a composer.
This book takes advantage of new and often surprising biographical research on the Loder family as a whole and its four main figures. It uses them to illustrate several aspects of music history: the position of professional musicians in Victorian society; music in the provinces, especiallyBath and Manchester; the Victorian opera libretto; orchestra direction; violin teaching; travelling musicians in the US and Australasia; opera singers and companies; and media responses to English opera. The concluding section isan intense analysis and reassessment of Edward Loder's music, with special emphasis on his greatest work, the opera Raymond and Agnes.

NICHOLAS TEMPERLEY is Professor Emeritus of Musicology at the University ofIllinois at Urbana-Champaign and is a leading authority on Victorian music.

CONTRIBUTORS: Stephen Banfield, David Chandler, Andrew Clarke, Liz Cooper, Therese Ellsworth, David J. Golby, Andrew Lamb, Valerie Langfield, Alison Mero, Paul Rodmell, Matthew Spring, Julja Szuster, Nicholas Temperley

Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family

Charles Watkins

Uvedale Price (1747-1829)

$49.95

The first biography of the 18th-century landscape gardener, Uvedale Price, showing the key interconnections between his roles as landowner, art collector, forester, landscaper, connoisseur and scholar.

Uvedale Price achieved most fame as the author of the influential Essay on the Picturesque of 1794 in which he argued that the work of the greatest landscape artists, such as Salvator Rosa, Rubens and Claude, should be usedas models for the "improvement of real landscape". His attack on the smooth certainties of Capability Brown sparked off a public controversy, drawing in Richard Payne Knight and Humphry Repton, which became a cause célèbre.
This is the first biography of Uvedale Price, bringing out his contradictory and elusive character and revealing an astonishing cast of friends and acquaintances, including Gainsborough, Voltaire, William Wordsworth and ElizabethBarrett Browning. The book shows how he developed his ideas through practical experimentation on his own land and buildings and provides an understanding of the context of Price's practices and theories and the key interconnections between his roles as landowner, art collector, forester, landscaper, connoisseur and scholar.

CHARLES WATKINS is Professor of Rural Geography, University of Nottingham; BEN COWELL is Assistant Director, External Affairs, National Trust.

Janet S. Loengard

Magna Carta and the England of King John

$29.99

New interpretations of the effect of Magna Carta and other aspects of the reign of King John.

Magna Carta marked a watershed in the relations between monarch and subject and has long been the subject of constitutional and political historical writing. This volume has a different focus: what was the social, economic, legal, and religious background to the Charter - what was England like between 1199 and 1215? And, no less important, how was King John perceived by those who actually knew him?
Studies here analyse earlier Angevin rulers and theeffect of their reigns on John's England, the causes and results of the increasing baronial fear of the king, the "managerial revolution" of the English church, and the effect of the ius commune on English common law; theyalso explore the burgeoning economy of the early thirteenth century and its effect on English towns, the background to discontent over the royal forests which eventually led to the Charter of the Forest, the effect of Magna Cartaon widows and property, and the course of criminal justice before 1215. The volume ends with the first critical edition of an open letter from King John explaining his position in the matter of William de Briouze.

Contributors: James A. Brundage, David Crook, David Crouch, John Gillingham, Barbara A. Hanawalt, John Hudson, Janet S. Loengard, James Masschaele, R. V. Turner.

Magna Carta and the England of King John

Caroline Boswell

Disaffection and Everyday Life in Interregnum England

$130.00

A look at how ordinary English men and women responded to the transformations that accompanied the regicide, the creation of a republic, and the rise of the Cromwellian Protectorate.

How did ordinary English men and women respond to the transformations that accompanied the regicide, the creation of a republic, and the rise of the Cromwellian Protectorate? This book uncovers grassroots responses to the tangibleconsequences of revolution, delving into everyday practices, social interactions, and power struggles as they intersected with the macro-politics of regime change. Tussles at local alehouses, encounters with excise collectors inthe high street, and contests over authority at the marketplace reveal how national politics were felt across the most ordinary of activities.

Using a series of case studies from counties, boroughs, and the London metropolis, Boswell argues that factional discourses and shifting power relations complicated social interaction. Localized disaffection was broadcast in newsbooks, pamphlets, and broadsides, shaping political rhetoric that refashioned grassroots grievances to promote royalist desires. By uniting disparate people who were alienated by the policies of interregnum regimes, this literature helped to create the spectre of a unified, royalist commons that materializedin the months leading up to Charles II's Restoration. Such agitation - from disaffected mutters to ritualistic violence against officials - informed the broad political culture that shaped debates over governance during one of the most volatile decades in British history.

CAROLINE BOSWELL is Associate Professor in History at the University of Wisconsin, Green Bay.

Disaffection and Everyday Life in Interregnum England

Maren Clegg Hyer, Jill Frederick

Textiles, Text, Intertext

$130.00

Essays centred round the representation of weaving, both real and imagined, in the early middle ages.

The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile references and images drawn from the Bayeux Tapestry, examine parallels in word-woven poetics, riddling texts, and interwoven homiletic and historical prose, and identify iconographical textures in medieval art. The volume thus considers the images and creative strategies of textiles, texts, and intertexts, generating a complex and fascinating view of the material culture and metaphorical landscape of the Anglo-Saxon peoples. It is therefore a particularly fitting tribute to Professor Gale R. Owen-Crocker, whose career and lengthy list of scholarly works have centred on her interests in the meaning and cultural importance of textiles, manuscripts and text, and intertextual relationships between text and textile.

MAREN CLEGG HYER is Associate Professor and Graduate Coordinator in the Department of English at Valdosta State University; JILL FREDERICK is Professor of English at Minnesota State University Moorhead.

Contributors: Marilina Cesario, Elizabeth Coatsworth, Martin Foys, Jill Frederick, Joyce Hill, Maren Clegg Hyer, Catherine E. Karkov, Christina Lee, Michael Lewis, Robin Netherton, Carol Neuman de Vegvar, Donald Scragg, Louise Sylvester, Paul Szarmach, Elaine Treharne.

David Roffe

Decoding Domesday

$45.95

New light is shed on the motives and objectives for the compiling of the still-mysterious Domesday Book, revolutionising our understanding of the period.

The Domesday Book is one of our major sources for a crucial period of English history; yet it remains difficult to interpret. This provocative new book proposes a complete re-assessment, with profound implications for our understanding of the society and economy of medieval England. In particular, it overturns the general assumption that the Domesday inquest was a comprehensive survey of lords and their lands, and so tells us about the economic underpinning of power in the late eleventh century; rather, it suggests that in 1086 matters of taxation and service were at issue and data were collected to illuminate these concerns. What emerges from this is that Domesday Book tells us less about a real economy and those who sustained it than a tributary one, with much of the wealth of England being omitted. The source, then, is not the transparent datum that social and economic historians would like it to be. Inreturn, however, the book offers a richer understanding of late eleventh-century England in its own terms; and elucidates many long-standing conundrums of the Domesday Book itself.

DAVID ROFFE is an honorary research fellow at Sheffield University. He has written widely on Domesday Book and edited five volumes of the Alecto County Edition of the text.

Michael Reynolds

Creating Der Rosenkavalier

$130.00

A full account of the making, during 1909-10, of Der Rosenkavalier with emphasis on its derivation from a French opérette of 1907, L'Ingenu libertin.

L'Ingenu libertin was seen in Paris by Count Harry Kessler and formed the basis of the opera then to be written by Hofmannsthal and Strauss. Previous scholarship has credited the narrative and characters of Der Rosenkavalier to much older French sources known to and studied by Hofmannsthal, but this book shows clearly how every element in L'Ingenu libertin is in fact taken (and transformed) by Kessler and Hofmannsthal into the work that made fortunes for Hofmannsthal and Strauss, but left Kessler on the sidelines.

Michael Reynolds casts a major new light on Strauss's most popular operatic success, highlighting in particular how it was that Hofmannsthal - who had not until then had any theatrical success as an original playwright - was advised and empowered by Kessler to produce a work that succeeded onstage from its very first performance and went rapidly on to conquer the stages of the world.

Michael Reynolds is an established writer on opera, a translator and an online music critic, an interest that he sustained throughout thirty years in the world of international diplomacy. His previous book for Boydell, About Suffolk, was an anthology of writing about his adopted county.

Antony Buxton

Domestic Culture in Early Modern England

$130.00

A detailed study of the domestic life of the early modern, non-elite household

This book is a detailed study of the domestic life of the early modern, non-elite household, focussing on the Oxfordshire market town of Thame. Going beyond the exploration of the domestic economy and trends in living standards and consumption, it shows how close examination of the material context within which the household operated can provide evidence of its habitual activities, the relationships between its members, and the values that informed both. The book uses a familiar source, the probate inventory, supplemented by other contemporary written and pictorial evidence, to reveal how activities in the household were directly related to the agricultural, mercantile, and socialenvironment. It illustrates the variable and shifting nature of social relationships and shows how the early modern household was part of the wider economic and social narrative of modernism and how it responded to altered modes of production and consumption, social allegiances, and ideologies. Offering new perspectives to reinvigorate the discussion of domestic relationships and rigorously examine the vexed question of change, Domestic Culture in EarlyModern England will be of interest to scholars and postgraduate students of material culture as well as historians of the household and family more generally.

ANTONY BUXTON lectures on design history, material anddomestic culture for the Department for Continuing Education, University of Oxford and other institutions. He has published articles in various scholarly journals and holds a PhD from the University of Oxford.

Domestic Culture in Early Modern England

G. Roger Knight

Trade and Empire in Early Nineteenth-Century Southeast Asia

$120.00

Discusses the complexities of a trading network in this period, outling commodity chains, links between colonies and colonial centres, and tensions between local polities and competing empires.

This book explores European mercantile activity in Southeast Asia at a time when trade in this part of the world was being transformed and extended much more widely. Based on extensive original research including in newly discovered archives, the book reveals, through the study of one particular merchant and his extensive network, how trade in the region worked. It outlines the activities of Gillian Maclaine, a young Scottish "adventurer" (his word) who came to the region in about 1816 and established an enduring business in Batavia (present day Jakarta), trading in cotton goods and coffee, and later in opium. It examines the multi-faceted nature of such a trading network, including the wide scope of commodity chains, the associated link between colony and colonial metropole, and the many tensions between colonial powers, in this case the Dutch and the British, and with local polities. The book demonstratesthat Southeast Asian maritime trade was every bit as important to European worldwide commercial networks as the trade with India and China, which have been much more extensively studied, and it contributes to current scholarly debates about western imperialism, colonialism and the nature of empire.

G. Roger Knight is an Associate Professor in the School of History and Politics in the University of Adelaide. He has published three previous books and numerous journal articles on the economic and social history of Southeast Asia.

Trade and Empire in Early Nineteenth-Century Southeast Asia

Margaret H. Turnham

Catholic Faith and Practice in England, 1779-1992

$120.00

Reveals through a study of how ordinary Catholics lived their faith that Roman Catholicism, and not just Protestantism, can be seen as part of the Evangelical spectrum of religious experience.

Religious historians writing about Roman Catholicism after the Reformation have concentrated on institutional change, or the impact of certain groups or individuals. At the same time, those writing about Evangelical revivalism have tended to see this as an exclusively Protestant phenomenon. This book, by focusing on devotional practice and grass roots communities over a long period, demonstrates that renewal and revivalism were also present in the Roman Catholic Church, arguing that they are essential for faith to remain vibrant. The book examines how in the diocese of Middlesbrough (which comprises the old North and East Ridings of Yorkshire including Hull and York) Catholic faithand practice developed from a position where old Catholic gentry families were central through to the establishment of the Catholic hierarchy and large-scale immigration in the nineteenth century, when the church took on a distinctly Irish character. It re-evaluates the so-called "golden age" of the 1950s and considers the impact of the Second Vatican Council. Overall, the book shows how English Catholic faith and practice were influenced by social, cultural and geographical factors, how Roman Catholicism can indeed be seen as part of the Evangelical spectrum of religious experience, and, above all, how ordinary Catholics lived their faith.

Margaret Turnham completed herdoctorate at the University of Nottingham.

Catholic Faith and Practice in England, 1779-1992

William of Malmesbury

Miracles of the Blessed Virgin Mary

$170.00

The Miracles of the Virgin Mary, written c. 1135 by the Benedictine monk and historian William of Malmesbury (d. 1143), is an important document in the history of Marian devotion in medieval Europe.

This is the first title in the new series Boydell Medieval Texts, which will provide scholarly editions of major works with facing translation.
Written c. 1135 by the Benedictine monk, historian and scholar William ofMalmesbury (d. 1143), The Miracles of the Blessed Virgin Mary is of interest on several counts. It belongs in the first wave of collected miracles of the Virgin, produced by English Benedictine monks in the 1120s and '30s.These collections were to be influential across Europe and through the rest of the medieval period. Only two copies of William's work survive in anything like its complete form, and only one of them represents the finished product. But many of the stories were also transmitted separately, in groups or individually; the systematic use of this evidence is a feature of this new text.
The work is written in elegant Latin and embellished with William's customary erudition, including frequent quotations and echoes from (sometimes unusual) ancient authors. His instinct as a historian is to the fore, as he tries to establish historical context and credibility for his stories. Above all, the scope of the collection is surprisingly international, including stories drawn from all around the Mediterranean.
This is an important document in the history of Marian devotion in medieval Europe. In his long Prologue (which enjoyed some independent circulation), William argues strongly for the Virgin's Immaculate Conception and bodily Assumption, doctrines still not generally accepted in western Europe at the time.
With the appearance of this book all of William of Malmesbury's major works are available in modern editions and translations. A paperback edition of the translation alone is also available (9781783271962).

Tim Harris

The Final Crisis of the Stuart Monarchy

$130.00

Written in a lively and engaging style, and designed to be accessible to a broader audience, this collection combines new research with the latest scholarship to provide a fresh and invigorating introduction to the revolutionary period that transformed Britain and its empire.

There has been an explosion of interest in the "Glorious" Revolution in recent years. Long regarded as the lesser of Britain's seventeenth-century revolutions, a faint after tremor following the major earthquake of mid-century, itis now coming to be seen as a major transformative episode in its own right, a landmark event which marked a distinctive break in British history. This collection sheds new light on the final crisis of the Stuart monarchy by re-examining the causes and implications of the dynastic shift of 1688-9 from a broad chronological, intellectual and geographical perspective.
Comprising eleven essays by specialists in the field, it ranges from the 1660s to the mid-eighteenth century, deals with the history of ideas as well as political and religious history, and covers not just England, Scotland and Ireland but also explores the Atlantic and European contexts. Covering high politics and low politics, Tory and Whig political thought, and the experiences of both Catholics and Protestants, it ranges from protest and resistance to Jacobitism and counter-revolution and even offers an evaluation of British attitudestowards slavery. Written in a lively and engaging style and designed to be accessible to a broader audience, it combines new research with the latest scholarship to provide a fresh and invigorating introduction to the revolutionary period that transformed Britain and its empire.

TIM HARRIS is Munro-Goodwin-Wilkinson Professor in European History at Brown University.

STEPHEN TAYLOR is Professor in the History of Early Modern England at Durham University.

Contributors: Toby Barnard, Tony Claydon, John Gibney, Lionel K.J. Glassey, Gabriel Glickman, Mark Goldie, Tim Harris, John Marshall, Alasdair Raffe, Owen Stanwood, Stephen Taylor

David Bates

East Anglia and its North Sea World in the Middle Ages

$170.00

The relations between medieval East Anglia and countries across the North Sea examined from a variety of perspectives.

East Anglia was a distinctive English region during the Middle Ages, but it was one that owed much of its character and identity to its place in a much wider "North Sea World" that stretched from the English Channel to Iceland, the Baltic and beyond. Relations between East Anglia and its maritime neighbours have for the most part been peaceful, involving migration and commercial, artistic, architectural and religious exchanges, but have also at times beencharacterised by violence and contestation. All these elements have played a significant role in processes of historical change that have shaped the history both of East Anglia and its North Sea world.
This collection of essays discusses East Anglia in the context of this maritime framework and explores the extent to which there was a distinctive community bound together by the shared frontier of the North Sea during the Middle Ages. It brings together the work of a range of international scholars and includes contributions from the disciplines of history, archaeology, art history and literary studies.

Professor David Bates is Professorial Fellow in History, RobertLiddiard is Professor of History, at the University of East Anglia.

Contributors: Anna Agnarsdóttir, Brian Ayers, Wendy R. Childs, Lynda Dennison, Stephen Heywood, Carole Hill, John Hines, David King, Robert Liddiard,Rory Naismith, Eljas Oksanen, Richard Plant, Aleksander Pluskowski, Christopher Scull, Tim Pestell, Charles West, Gareth Williams, Tom Williamson.

East Anglia and its North Sea World in the Middle Ages

Christina Bashford

The Idea of Art Music in a Commercial World, 1800-1930

$170.00

Opens up significant paths for conversation about how musical concepts, practices and products were shaped by interrelationships between culture and commerce.

Art and money, culture and commerce, have long been seen as uncomfortable bedfellows. Indeed, the connections between them have tended to resist full investigation, particularly in the musical sphere. The Idea of Art Music in aCommercial World, 1800-1930, is a collection of essays that present fresh insights into the ways in which art music, i.e., classical music, functioned beyond its newly established aesthetic purpose (art for art's sake) and intersected with commercial agendas in nineteenth- and early twentieth-century culture. Understanding how art music was portrayed and perceived in a modernizing marketplace, and how culture and commerce interacted, are the book's main goals.
In this volume, international scholars from musicology and other disciplines address a range of unexplored topics, including the relationship of sacred music with commerce in the mid nineteenth century, the roleof music in urban cultural development in the early twentieth, and the marketing of musical repertories, performers and instruments across time and place, to investigate what happened once art music began to be understood as needing to exist within the wider framework of commercially oriented culture. Historical case studies present contrasting topics and themes that not only vary geographically and ideologically but also overlap in significant ways, pushing back the boundaries of the 'music as commerce' discussion. Through diverse, multidisciplinary approaches, the volume opens up significant paths for conversation about how musical concepts, practices and products were shaped byinterrelationships between culture and commerce.

CHRISTINA BASHFORD is Associate Professor of Musicology at the University of Illinois.

ROBERTA MONTEMORRA MARVIN is Director of the Opera Studies Forum in the Obermann Center for Advanced Studies at the University of Iowa, where she is also on the faculty.

CONTRIBUTORS: Christina Bashford, George Biddlecombe, Denise Gallo, David Gramit, Catherine Hennessy Wolter, Roberta Montemorra Marvin, Fiona Palmer, Jann Pasler, Michela Ronzani, Jon Solomon, Jeffrey S. Sposato, Nicholas Vazsonyi, David Wright

The Idea of Art Music in a Commercial World, 1800-1930

Paul Webster

King John and Religion

$130.00

A study of the personal religion of King John, presenting a more complex picture of his actions and attitude.

King John has been perceived as one of England's most notorious monarchs. Medieval writers and later historians condemn him as a tyrant, seeing his long-running dispute with the church as evidence of a king who showed little regard for his faith. This book takes issue with orthodox opinion, arguing that in matters of religion, the critique obscures the evidence for a ruler who realized that outward manifestations of faith were an important part of kingship. It demonstrates that John maintained chapels and chaplains, prayed at shrines of the saints, kept his own collection of holy relics, endowed masses, founded and supported religious houses, and fed the poor - providing for his soul and emphasising his aura of authority. In these areas, he ranks alongside many other medieval rulers.
The book also presents a major reassessment of the king's dispute with the church, when England was subject to a generalinterdict, and the king was excommunicate, the severest sanctions the medieval church could impose. It reveals the lasting damage to the king's reputation, but also shows how royal religious activity continued whilst king and pope were at loggerheads. Furthermore, despite his vilification since his death, there were those prepared to honour John's memory, during the medieval period and beyond.

Dr Paul Webster is a Teaching Associate at CardiffUniversity, in the Cardiff School of History, Archaeology and Religion.

Harry Potter

Law, Liberty and the Constitution

$29.95

A new approach to the telling of legal history, devoid of jargon and replete with good stories, which will be of interest to anyone wishing to know more about the common law - the spinal cord of the English body politic.

Throughout English history the rule of law and the preservation of liberty have been inseparable, and both are intrinsic to England's constitution. This accessible and entertaining history traces the growth of the law from its beginnings in Anglo-Saxon times to the present day. It shows how the law evolved from a means of ensuring order and limiting feuds to become a supremely sophisticated dispenser of justice and the primary guardian of civil liberties.This development owed much to the English kings and their judiciary, who, in the twelfth century, forged a unified system of law - predating that of any other European country - from almost wholly Anglo-Saxon elements. Yet by theseventeenth century this royal offspring - Oedipus Lex it could be called - was capable of regicide. Since then the law has had a somewhat fractious relationship with that institution upon which the regal mantle of supreme power descended, Parliament.
This book tells the story of the common law not merely by describing major developments but by concentrating on prominent personalities and decisive cases relating to the constitution, criminal jurisprudence, and civil liberties. It investigates the great constitutional conflicts, the rise of advocacy, and curious and important cases relating to slavery, insanity, obscenity, cannibalism, the death penalty, and miscarriages of justice. The book concludes by examining the extension of the law into the prosecution of war criminals and protection of universal human rights and the threats posed by over-reaction to national emergencies and terrorism. Devoid ofjargon and replete with good stories, Law, Liberty and the Constitution represents a new approach to the telling of legal history and will be of interest to anyone wishing to know more about the common law - the spinal cordof the English body politic.

Harry Potter is a former fellow of Selwyn College, Cambridge and a practising barrister specialising in criminal defence. He has authored books on the death penalty and Scottish history andwrote and presented an award-winning series on the history of the common law for the BBC.

Robert Liddiard

Late Medieval Castles

$190.00

A collection of the most significant articles in castle studies, with contributions from scholars in history, archaeology, historic buildings and landscape archaeology.

The castles of the late medieval period represent some of the finest medieval monuments in Britain, with an almost infinite capacity to fascinate and draw controversy. They are also a source of considerable academic debate.
The contents of this volume represent key works in castle scholarship. Topics discussed include castle warfare, fortress customs, architectural design and symbolism, spatial planning and the depiction of castles in medieval romance. The contributions also serve to highlight the diversity of approaches to the medieval castle, ranging from the study of documentary and literary sources, analysis of fragmentary architectural remains and the recording of field archaeology. The result is a survey that offers an in-depth analysis of castle building from the thirteenth to the fifteenth centuries, and places castles within their broader social, architectural and political contexts.

Robert Liddiard is Professor of History, University of East Anglia.

Contributors: Nicola Coldstream, Charles Coulson, Philip Dixon, Graham Fairclough, P.A. Faulkner, John Goodall, Beryl Lott, Charles McKean, T.E. McNeill, Richard K. Morris, Michael Prestwich, Christopher Taylor, Muriel A. Whitaker.

Rose-Marie Crossan

Poverty and Welfare in Guernsey, 1560-2015

$170.00

An account of poor relief in Guernsey from the Reformation to the twenty-first century, incorporating a detailed case-study of the St Peter Port workhouse and an outline of the development of Guernsey's modern social security system.

This book, based on extensive original research, provides an account of parochial poor relief in Guernsey from the Reformation to the twenty-first century, incorporating a detailed case-study of the parochial workhouse in the townof St Peter Port, and an outline of the development of Guernsey's modern social security system from its beginnings in the 1920s to the present day. Guernsey has had throughout much of its history a disproportionately large population for its size: in the early eighteenth century St Peter Port was on a par with English county towns such as Warwick and Lincoln. Moreover, since Guernsey was outside the jurisdiction of the Westminster Parliament and retainedcultural affinities with France, the island developed its own social welfare regime which was closer, in some respects, to continental regimes than it was to the English Poor Law model. The differing nature of welfare regimes, how they arose and and how they differ is a major focus of interest amongst historians of social welfare; besides being a fascinating local study, the book has much to contribute to the wider history of social welfare in Britain andEurope.

Rose-Marie Crossan completed her doctorate at the University of Leicester and is the author of Guernsey, 1814-1914: Migration and Modernisation (The Boydell Press, 2007). .

Poverty and Welfare in Guernsey, 1560-2015

Gillian Wagner

Thomas Coram, Gent.

$29.99

Thomas Coram was a supporter of women's and children's rights long before such causes became fashionable and founder of the children's hospital charity which still bears his name. This acclaimed biography unravels the many sides of this remarkable private man.

Thomas Coram is forever identified with the foundling hospital he established in 1739. This, however, came near the end of his life: previous records seemed few and far between until Gillian Wagner began to look at the scarce butintriguing evidence for his earlier career.

As a young man Coram went to Massachusetts, where he stayed for ten years building ships in Boston and Taunton, working to further the spread of Anglicanism. He returned to England disappointed and heavily in debt. Surviving this early setback, he slowly secured for himself a place within English society through his championing of further settlements to exploit America's natural resources, and his characteristic support for radical causes.

A strong believer in women's rights and equal opportunities for girls, he believed that it was due to the unique support of a group of aristocratic women - twenty-one ladies of quality and distinction - that he was granted a royal charter for his foundling hospital. Within two years of the establishment of the hospital, Coram fell out with the governors and was ejected from the governing body.

His last years were clouded by disagreements and poverty, but a pension, granted in 1749, finally signalled recognition of his achievements. He died in 1751 and was buried in the chapel of his hospital.

GILLIAN WAGNERwas the first woman to chair the Thomas Coram Foundation, successor to the foundling Hospital and which continues as the children's charity Coram, and Barnardo's - whose founder's biography she has also written. Her other books include Children of the Empire, the story of children sent to live and work in Canada and Australia in the nineteenth and twentieth centuries. She has had a long and noteworthy involvement with the voluntary sector (in particular, chairing the influential review into residential care, 'A Positive Choice'), and was created a Dame in 1994.

Robert W. Jones

Bloodied Banners: Martial Display on the Medieval Battlefield

$29.99

Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance.

A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is theauthor's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that `host of many colours' that was a medieval army, it adds a new dimension to our understanding of medieval warfare. ANDREW AYTON, University of Hull

The medieval battlefield was a place of spectacle and splendour. The fully-armed knight,bedecked in his vivid heraldic colours, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite.
Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed,showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning.

Dr ROBERT W. JONES teaches Medieval History at Advanced Studies in England, a branch campus of Franklinand Marshall College, in Bath. He was formerly a Visiting Research Fellow at the University of Leeds, and an Associate Lecturer at Cardiff University.

David Bates

East Anglia and its North Sea World in the Middle Ages

$39.95

The relations between medieval East Anglia and countries across the North Sea examined from a variety of perspectives.

East Anglia was a distinctive English region during the Middle Ages, but it was one that owed much of its character and identity to its place in a much wider "North Sea World" that stretched from the English Channel to Iceland, the Baltic and beyond. Relations between East Anglia and its maritime neighbours have for the most part been peaceful, involving migration and commercial, artistic, architectural and religious exchanges, but have also at times beencharacterised by violence and contestation. All these elements have played a significant role in processes of historical change that have shaped the history both of East Anglia and its North Sea world.
This collection of essays discusses East Anglia in the context of this maritime framework and explores the extent to which there was a distinctive community bound together by the shared frontier of the North Sea during the Middle Ages. It brings together the work of a range of international scholars and includes contributions from the disciplines of history, archaeology, art history and literary studies.

David Bates is Professorial Fellow in History at the Universityof East Anglia, Robert Liddiard is Professor of History at the University of East Anglia.

Contributors: Anna Agnarsdóttir, Brian Ayers, Wendy R. Childs, Lynda Dennison, Stephen Heywood, Carole Hill, John Hines, David King, Robert Liddiard, Rory Naismith, Eljas Oksanen, Richard Plant, Aleksander Pluskowski, Christopher Scull, Tim Pestell, Charles West, Gareth Williams, Tom Williamson.

Paul Webster

King John and Religion

$36.95

A study of the personal religion of King John, presenting a more complex picture of his actions and attitude.

King John has been perceived as one of England's most notorious monarchs. Medieval writers and later historians condemn him as a tyrant, seeing his long-running dispute with the church as evidence of a king who showed little regard for his faith. This book takes issue with orthodox opinion, arguing that in matters of religion, the critique obscures the evidence for a ruler who realized that outward manifestations of faith were an important part of kingship. It demonstrates that John maintained chapels and chaplains, prayed at shrines of the saints, kept his own collection of holy relics, endowed masses, founded and supported religious houses, and fed the poor - providing for his soul and emphasising his aura of authority. In these areas, he ranks alongside many other medieval rulers.
The book also presents a major reassessment of the king's dispute with the church, when England was subject to a generalinterdict, and the king was excommunicate, the severest sanctions the medieval church could impose. It reveals the lasting damage to the king's reputation, but also shows how royal religious activity continued whilst king and pope were at loggerheads. Furthermore, despite his vilification since his death, there were those prepared to honour John's memory, during the medieval period and beyond.

Michael D.J. Bintley, Thomas J.T. Williams

Representing Beasts in Early Medieval England and Scandinavia

$130.00

Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself.

For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge.
This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self.

Michael D.J. Bintley is Senior Lecturer in Medieval Literature at Canterbury Christ Church University; Thomas J.T. Williams is a doctoral researcher at UCL's Institute of Archaeology.

Contributors: Noël Adams, John Baker, Michael D. J. Bintley, Sue Brunning, László Sándor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams

Representing Beasts in Early Medieval England and Scandinavia

Laurie W. Rush

The Carabinieri Command for the Protection of Cultural Property

$29.99

First comprehensive study of Italy's "art police", an organisation devoted to protecting cultural artefacts.

Renowned for their rigorous investigative approach, the dedicated officers of the Carabinieri Command for the Protection of Cultural Property (Carabinieri TPC) have recovered thousands of objects and built legal cases resulting inhigh profile repatriations of cultural property. Their actions have effectively changed an art market that previously depended upon theft and criminal behaviour. Italy is a nation that greatly values its ancient past alongside its artistic present, and it is this appreciation that has led to the creation of the world's premier police force dedicated to law enforcement in the arts, heritage and archaeology. As the TPC's dedicated officers work to protect every aspect of Italy's rich cultural heritage, their organisation, training, approach, missions and successes offer valuable lessons for all who share the goal of protecting and recovering cultural property.

Laurie Rushis a Board Member of the US Committee of the Blue Shield, and employed as an archaeologist by the US army; Luisa Benedettini Millington is a Faculty member of the Community College of Vermont, US.

Jean Le Bel

The True Chronicles of Jean le Bel, 1290 - 1360

$36.95

The chronicles of Jean le Bel are one of the most important sources for the beginning of the Hundred Years' War. This is the first English translation of a work written from eyewitness accounts and personal experience.

The chronicles of Jean le Bel, written around 1352-61, are one of the most important sources for the beginning of the Hundred Years' War. They were only rediscovered and published at the beginning of the twentieth century, thoughFroissart begins his much more famous work by acknowledging his great debt to the "true chronicles" which Jean le Bel had written. Many of the great pages of Froissart are actually the work of Jean le Bel, and this is the first translation of his book. It introduces English-speaking readers to a vivid text written by a man who, although a canon of the cathedral at Liège, had actually fought with Edward III in Scotland, and who was a great admirer of the English king. He writes directly and clearly, with an admirable grasp of narrative; and he writes very much from the point of view of the knights who fought with Edward. Even as a canon, he lived in princely style, with a retinue oftwo knights and forty squires, and he wrote at the request of John of Hainault, the uncle of queen Philippa. He was thus able to draw directly on the verbal accounts of the Crécy campaign given to him by soldiers from Hainault who had fought on both sides; and his description of warfare in Scotland is the most realistic account of what it was like to be on campaign that survives from this period. If he succumbs occasionally to a good story from one of theparticipants in the wars, this helps us to understand the way in which the knights saw themselves; but his underlying objective is to keep "as close to the truth as I could, according to what I personally have seen and remembered, and also what I have heard from those who were there". Edward may be his hero, a "gallant and noble king", but Le Bel tells the notorious story of his supposed rape of the Countess of Salisbury because he believed it to be true,puzzled and shocked though he was by his material.
It is a text which helps to put the massive work of Jean Froissart in perspective, but its concentrated focus and relatively short time span makes it a much more approachable and highly readable insight into the period.

The True Chronicles of Jean le Bel, 1290 - 1360

Kathryn Hurlock

Crusading and Pilgrimage in the Norman World

$29.99

An examination into two of the most important activities undertaken by the Normans.

The reputation of the Normans is rooted in warfare, faith and mobility. They were simultaneously famed as warriors, noted for their religious devotion, and celebrated as fearless travellers. In the Middle Ages few activities offered a better conduit to combine warfare, religiosity, and movement than crusading and pilgrimage. However, while scholarship is abundant on many facets of the Norman world, it is a surprise that the Norman relationship with crusading and pilgrimage, so central in many ways to Norman identity, has hitherto not received extensive treatment.

The collection here seeks to fill this gap. It aims to identify what was unique or different about the Normans and their relationship with crusading and pilgrimage, as well as how and why crusade and pilgrimage were important to the Normans. Particular focus is given to Norman participation in the First Crusade, to Norman interaction in later crusading initiatives, to the significance of pilgrimage in diverse parts of the Norman world, and finally to the ways in which crusading and pilgrimage were recorded in Norman narrative. Ultimately, this volume aims to assess, in some cases to confirm, and in others to revise the established paradigm of the Normans as crusaders par excellence and as opportunists who used religion to serve other agendas.

Dr KATHRYN HURLOCK is Senior Lecturer in Medieval History at Manchester Metropolitan University; Dr PAUL OLDFIELD is Senior Lecturer in Medieval History at the University of Manchester.

Contributors: Andrew Abram, William M. Aird, Emily Albu, Joanna Drell, Leonie Hicks, Natasha Hodgson, Kathryn Hurlock, Alan V. Murray, Paul Oldfield, David S. Spear, Lucas Villegas-Aristizábal.

Crusading and Pilgrimage in the Norman World

John Cramsie

British Travellers and the Encounter with Britain, 1450-1700

$240.00

Encounters with a 'multicultural' Britain in the Tudor and Stuart periods written with an eye to debates about immigration and ethnicity in today's Britain.

This book recovers the encounter with a "multicultural" Britain by British travellers in the Tudor and Stuart periods. When William Camden, writing in the sixteenth century, set out to write the history of Britannia, he deliberately took to the roads to discover it first-hand, and those diverse cultures guided and informed his journeys. Here, John Cramsie offers original perspectives on Camden's multicultural Britain through the study of British travellersand their narratives. We meet characters such as the Tudor traveller John Leland, who intended to tell the peoples of England and Wales about themselves; chronicle how they came to settle the towns, villages, valleys, and mountaintops they called home; record the marks they left in the landscape; and celebrate the noble histories and cultures they created. Dozens - eventually hundreds - of Britons shared the same passion to meet their island neighbours and relate their experiences. The individuals studied in this book include actual as well as armchair travellers and those who blurred the boundaries between them. Their letters, diaries, journals, and histories range from the epic,poignant, and matter of fact to the exotic, preposterous, and hateful; the sources include actual and imaginative narratives and those which combined both elements. Travellers painted Britain with, in Leland's words, native colours that were rich, vibrant, and, above all, complex. Their remarkable journeys are the story of how Britons over two centuries met, interacted, and attempted (or not) to understand one another. Written with an eye to debates aboutimmigration and ethnicity in today's Britain, the book emphasizes the long history of making and remaking the island's cultural mosaic. The encounter with Britain's native colours has been a burden of history and opportunity formillennia, not simply for our own times.

JOHN CRAMSIE is Associate Professor, Department of History, Union College, NY.

British Travellers and the Encounter with Britain, 1450-1700

Frances Andrews

The Other Friars

$39.95

A concise and accessible history of four of the monastic orders in the middle ages.

In 1274 the Council of Lyons decreed the end of various 'new orders' of Mendicants which had emerged during the great push for evangelism and poverty in the thirteenth-century Latin Church. The Franciscans and Dominicans were explicitly excluded, while the Carmelites and Austin friars were allowed a stay of execution. These last two were eventually able to acquire approval, but other smaller groups, in particular the Friars of the Sack and Pied Friars, were forced to disband.

This book outlines the history of those who were threatened by 1274, tracing the development of the two larger orders down to the Council of Trent, and following the fragmentary sources for the brief histories of the discontinued friaries. For the first time these orders are treated comparatively: the volume offers a total history, from their origins, spirituality and pastoral impact, to their music, buildings and runaways.

FRANCES ANDREWS teaches at the University of St Andrews and is the author of The Early Humiliati (CUP 1999).

Cover image for The Other Friars, isbn: 9781843832584

Andrew Parrott

Composers' Intentions?

$45.95

Essays on musical performance practice by an acknowledged expert in the field.

These selected essays by conductor Andrew Parrott reflect the thinking behind some four decades of his ground-breaking performances and recordings. Bringing together seminal writings on the performance expectations of, amongst others, Monteverdi, Purcell and J. S. Bach, this volume also includes the full version of a major new article calling into question the presumed historical place of the 'countertenor' voice. Focusing primarily on vocal and choral matters, the time span is broad (some five centuries) and the essays multifarious (from extensive scholarly articles to radio broadcasts). Authoritative, provocative and readable, Parrott's writing is packed with information of valueto scholars, performers, students and curious listeners alike.

ANDREW PARROTT is the founder and director of the Taverner Consort, Choir and Players. His book The Essential Bach Choir (The Boydell Press, 2000) has been acclaimed as 'a brilliant piece of research' (BBC Radio 3); 'utterly fascinating' (Gramophone); and 'a document which will itself no doubt be a subject of study for years to come' (Times Literary Supplement).

John C. Appleby

Women and English Piracy, 1540-1720: Partners and Victims of Crime

$36.95

Drawing on a wide body of evidence, the book argues that the support of women was vital to the persistence of piracy around the British Isles at least until the early seventeenth century. The emergence of long-distance and globalized predation had far reaching consequences for female agency.

Piracy was one of the most gendered criminal activities during the early modern period. As a form of maritime enterprise and organized criminality, it attracted thousands of male recruits whose venturing acquired a global dimension as piratical activity spread across the oceans and seas of the world. At the same time, piracy affected the lives of women in varied ways. Adopting a fresh approach to the subject, this study explores the relationships and contacts between women and pirates during a prolonged period of intense and shifting enterprise. Drawing on a wide body of evidence and based on English and Anglo-American patterns of activity, it argues that the support of female receivers and maintainers was vital to the persistence of piracy around the British Isles at least until the early seventeenth century.
The emergence of long-distance and globalized predation had far reaching consequences for female agency. Within colonial America, women continued to play a role in networks of support for mixed groups of pirates and sea rovers; at the same time, such groups of predators established contacts with women of varied backgrounds in the Caribbean and the Indian Ocean. As such, female agency formed part of the economic and social infrastructure which supported maritime enterprise of contested legality. But it co-existed with the victimisation of women bypirates, including the Barbary corsairs. As this study demonstrates, the interplay between agency and victimhood was manifest in a campaign of petitioning which challenged male perceptions of women's status as victims. Against this background, the book also examines the role of a small number of women pirates, including the lives of Mary Read and Ann Bonny, while addressing the broader issue of limited female recruitment into piracy.

JOHN C. APPLEBY is Senior Lecturer in History at Liverpool Hope University.

Women and English Piracy, 1540-1720: Partners and Victims of Crime

Jean Le Bel

The True Chronicles of Jean le Bel, 1290 - 1360

$130.00

The chronicles of Jean le Bel are one of the most important sources for the beginning of the Hundred Years' War. This is the first English translation of a work written from eyewitness accounts and personal experience.

The chronicles of Jean le Bel, written around 1352-61, are one of the most important sources for the beginning of the Hundred Years' War. They were only rediscovered and published at the beginning of the twentieth century, thoughFroissart begins his much more famous work by acknowledging his great debt to the "true chronicles" which Jean le Bel had written. Many of the great pages of Froissart are actually the work of Jean le Bel, and this is the first translation of his book. It introduces English-speaking readers to a vivid text written by a man who, although a canon of the cathedral at Liège, had actually fought with Edward III in Scotland, and who was a great admirer of the English king. He writes directly and clearly, with an admirable grasp of narrative; and he writes very much from the point of view of the knights who fought with Edward. Even as a canon, he lived in princely style, with a retinue oftwo knights and forty squires, and he wrote at the request of John of Hainault, the uncle of queen Philippa. He was thus able to draw directly on the verbal accounts of the Crécy campaign given to him by soldiers from Hainault who had fought on both sides; and his description of warfare in Scotland is the most realistic account of what it was like to be on campaign that survives from this period. If he succumbs occasionally to a good story from one of theparticipants in the wars, this helps us to understand the way in which the knights saw themselves; but his underlying objective is to keep "as close to the truth as I could, according to what I personally have seen and remembered, and also what I have heard from those who were there". Edward may be his hero, a "gallant and noble king", but Le Bel tells the notorious story of his supposed rape of the countess of Salisbury because he believed it to be true,puzzled and shocked though he was by his material.
It is a text which helps to put the massive work of Jean Froissart in perspective, but its concentrated focus and relatively short time span makes it a much more approachable and highly readable insight into the period.

Linda Clark

The Fifteenth Century XIV

$95.00

This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW

For four decades, Michael Hicks has been a figure central to the study of fifteenth-century England. His scholarly output is remarkable both for its sheer bulk and for the diversity of the fields it covers. This extraordinary breadth is reflected by the variety of subjects covered by the papers in the present volume, offered to Professor Hicks by friends, colleagues and former students to mark his retirement from the University of Winchester. Fifteenth-century royalty, nobility and gentry, long at the heart of his own work, naturally take centre stage, but his contribution to economic and regional history, both in the early part of his career as a research fellow at the Victoria County History and more recently as director of a succession of major research projects, is also reflected in the essays presented here.
The individual contributions are populated by some of the major characters of Yorkist England, many of them made household names by Professor Hicks's own writings - King Edward IV and his mistresses; the Neville earls of Warwick and Salisbury; the Stafford, Herbert, Percy, Tiptoft and de Vere earls of Devon, Pembroke,Northumberland, Worcester and Oxford - while the themes covered span the full panoply of medieval life: from treason to trade, warfare to widowhood and lordship to law enforcement. Equally broad is the papers' geographical spread,covering regions from Catalonia to Normandy, from Hampshire to Yorkshire and from Worcestershire and the Welsh marches to East Anglia.

Contributors: Anne Curry, Christopher Dyer, Peter Fleming, Ralph Griffiths, JohnHare, Winifred Harwood, Matthew Holford, Hannes Kleineke, Gordon McKelvie, Mark Page, Simon Payling, A.J. Pollard, James Ross, Karen Stöber, Anne F. Sutton

Jeffrey L. Forgeng

The Art of Swordsmanship by Hans Lecküchner

$190.00

English translation of one of the most significant medieval texts on fighting with swords.

Completed in 1482, Johannes Lecküchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Lecküchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Lecküchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches.
This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content.

Jeffrey L. Forgeng is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

<I>The Art of Swordsmanship</I> by Hans Lecküchner

Christopher Webster

Late-Georgian Churches

$115.00

How the Anglican church responded to population growth and the need for more accommodation, with the building of 1500 new churches, many of the finest quality.

This book is the first comprehensive study of late-Georgian church-building. After centuries of post-Reformation inactivity, the Church of England began to address the desperate shortage of accommodation and build on a huge scale. Almost all the leading architects were involved and, amongst approximately 1500 new churches there are some outstanding designs; buildings of the very highest order architecturally.
In this pioneering study, the churches are considered free from the Ecclesiological zeal that condemned them and has, for so long, prevented their serious study. It will celebrate the best of them and provide valuable insights into the design and planning of the whole corpus. There will be many revelations.
Included is a thorough examination of the stylistic alternatives and contemporary liturgical imperatives, along with their architectural implications. And the book explores a lost world of late-Georgian churchgoing: what people expected and experienced in a church service. Also considered are some of the period's remarkable material and constructional innovations, ones often exploited in church-building, along with the provision of architectural services in the era that preceded full professionalisation.

John Greening

Accompanied Voices

$27.95

Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, but also a moving commentary by one set of practisingartists on the work of another.

Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, and a moving commentary by one set of practising artists on the work of another. There have been several anthologies of "music poems", but never one which follows the story of western music through from the Renaissance to the twenty-first century. This is in effect a chronologicalguide to the major composers of the last four hundred years, written in the language which comes closest to music itself - poetry.
Readers will find in Accompanied Voices the same pleasure that they might find in simply putting on a CD and listening. Every page brings something to arrest or transport and there is extraordinary diversity of response. Anecdote, epiphany, portrait, meditation... but many of these poets offer intellectual insights too and even critiques - there is far more variety here than any straightforward music essay can manage. These poems move beyond the mere names of composers and their works, reaching for more universal concerns.

Major poets represented include Geoffrey Hill, Ted Hughes, Elizabeth Jennings, Michael Longley, Andrew Motion, Peter Porter, Siegfried Sassoon, Jo Shapcott, Anne Stevenson and Charles Tomlinson among a total of nearly a hundred writers.

JOHN GREENING is a poet and received a Cholmondeley Award in 2008. He is also a Hawthornden Fellow and a Fellow of the English Association. He has published studies of the Poets of the First World War, Yeats, Hardy, Edward Thomas and Elizabethan Love Poets.

Tim Harris

The Final Crisis of the Stuart Monarchy

$36.95

Written in a lively and engaging style, and designed to be accessible to a broader audience, this collection combines new research with the latest scholarship to provide a fresh and invigorating introduction to the revolutionary period that transformed Britain and its empire.

There has been an explosion of interest in the 'Glorious' Revolution in recent years. Long regarded as the lesser of Britain's seventeenth-century revolutions, a faint after tremor following the major earthquake of mid-century, itis now coming to be seen as a major transformative episode in its own right, a landmark event which marked a distinctive break in British history. This collection sheds new light on the final crisis of the Stuart monarchy by re-examining the causes and implications of the dynastic shift of 1688-9 from a broad chronological, intellectual and geographical perspective.
Comprising eleven essays by specialists in the field, it ranges from the 1660s to the mid-eighteenth century, deals with the history of ideas as well as political and religious history, and not only covers England, Scotland and Ireland but also explores the Atlantic and European contexts. Encompassing high politics and low politics, Tory and Whig political thought, and the experiences of both Catholics and Protestants, it ranges from protest and resistance to Jacobitism and counter-revolution and even offers an evaluation of British attitudes towards slavery. Written in a lively and engaging style and designed to be accessible to a broader audience, it combines new research with the latest scholarship to provide a fresh and invigorating introduction to the revolutionary period that transformed Britain and its empire.

TIM HARRIS is Munro-Goodwin-Wilkinson Professor in European History at Brown University STEPHEN TAYLOR is Professor in the History of Early Modern England and Head of Department at Durham University.