A tribute to the work of Keith Wrightson which addresses fundamental questions about the character of English society during a period of decisive change.
A tribute to the work of Keith Wrightson, Remaking English Society re-examines the relationship between enduring structures and social change in early modern England. Collectively, the essays in the volume reconstruct the fissures and connections that developed both within and between social groups during the sixteenth, seventeenth and eighteenth centuries. Focusing on the experience of rapid economic and demographic growth and on related processesof cultural diversification, the contributors address fundamental questions about the character of English society during a period of decisive change. Prefaced by a substantial introduction which traces the evolution of early modern social history over the last fifty years, these essays (each of them written by a leading authority) not only offer state-of-the-art assessments of the historiography but also represent the latest research on a variety of topics that have been at the heart of the development of 'the new social history' and its cultural turn: gender relations and sexuality; governance and litigation; class and deference; labouring relations, neighbourliness and reciprocity; and social status and consumption.
STEVE HINDLE is W. M. Keck Foundation Director of Research at the Huntington Library, San Marino, California.
ALEXANDRA SHEPARD is Reader in History, University of Glasgow.
JOHN WALTER is Professor of History, University of Essex.
Contributors: Helen Berry, Adam Fox, H. R. French, Malcolm Gaskill, Paul Griffiths, Steve Hindle, Craig Muldrew, Lindsay O'Neill, Alexandra Shepard, Tim Stretton, Naomi Tadmor, John Walter, Phil Withington, Andy Wood
Christopher Anderson
Karl Straube (1873–1950)
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The first thorough examination of the most renowned and influential organist in early twentieth-century Germany and of his complex relationship to his country's tumultuous and shifting sociopolitical landscape.
In the course of a multifaceted career, Karl Straube (1873-1950) rose to positions of immense cultural authority in a German musical world caught in unprecedented artistic and sociopolitical upheaval. Son of a German harmonium-builder and an intellectually inclined English mother, Straube established himself as Germany's iconic organ virtuoso by the turn of the century. His upbringing in Bismarck's Berlin encouraged him to develop intensive interests in world history and politics. He quickly became a sought-after teacher, editor, and confidante to composers and intellectuals, whose work he often significantly influenced. As the eleventh successor to J. S. Bach in the cantorate of St. Thomas School, Leipzig, he focused the choir's mission as curator of Bach's works and, in the unstable political climate of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed. Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.
Kathryn Hurlock, Paul Oldfield
Crusading and Pilgrimage in the Norman World
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An examination into two of the most important activities undertaken by the Normans.
The reputation of the Normans is rooted in warfare, faith and mobility. They were simultaneously famed as warriors, noted for their religious devotion, and celebrated as fearless travellers. In the Middle Ages few activities offered a better conduit to combine warfare, religiosity, and movement than crusading and pilgrimage. However, while scholarship is abundant on many facets of the Norman world, it is a surprise that the Norman relationship with crusading and pilgrimage, so central in many ways to Norman identity, has hitherto not received extensive treatment.
The collection here seeks to fill this gap. It aims to identify what was unique or different about the Normans and their relationship with crusading and pilgrimage, as well as how and why crusade and pilgrimage were important to the Normans. Particular focus is given to Norman participation in the First Crusade, to Norman interaction in later crusading initiatives, to the significance of pilgrimage in diverse parts of the Norman world, and finally to the ways in which crusading and pilgrimage were recorded in Norman narrative. Ultimately, this volume aims to assess, in some cases to confirm, and in others to revise the established paradigm of the Normans as crusaders par excellence and as opportunists who used religion to serve other agendas.
Dr Kathryn Hurlock is Senior Lecturer in Medieval History at Manchester Metropolitan University; Dr Paul Oldfield is Lecturer in Medieval History at the University of Manchester.
Contributors: Andrew Abram, William M. Aird, Emily Albu, Joanna Drell, Leonie Hicks, Natasha Hodgson, Kathryn Hurlock, Alan V. Murray, Paul Oldfield, David S. Spear, Lucas Villegas-Aristizábal.
Lynda Rollason
The Thorney Liber Vitae (London, British Library, Additional MS 40,000, fols 1-12r)
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First printed edition, with facsimile and studies, of a significant manuscript from medieval England.
The Thorney liber vitae (BL, MS Add. 40,000, fols 1-12v) consists of many hundreds of names written in the front of a tenth-century gospel book. This liber vitae is one of only three such compilations surviving frommedieval England, the others being the Durham liber vitae (BL, MS Cotton Domitian A vii) and the New Minster liber vitae (BL, MS Stowe 944). Begun at Thorney abbey (Cambridgeshire) in the late eleventh century and continued into the late twelfth, it purports to be a record of the names of confraters of the abbey, that is of those people who, through their friendship and gifts to the abbey, were included in the daily prayers of the monks of the community. The present volume is the first complete edition of this important text, and includes a complete facsimile of the pages. It also contains studies of the manuscript context, of the names included and, where possible, the identities and relationship to the abbey of those named, many of whom are also entered in the priory cartulary known as the Red Book of Thorney. The introduction provides a wide-ranging historical context for the production of the liber vitae.
Lynda Rollason is Honorary Research Fellow in the Department of Archaeology at Durham University.
With contributions from Richard Gameson, John Insley and Katharine Keats-Rohan.
Rachel Wilson
Elite Women in Ascendancy Ireland, 1690-1745
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Provides a thorough examination of the role of women in Ascendancy Ireland.
The late seventeenth and early eighteenth century was a period of great social and political change within Ireland, as the Protestant Ascendancy gained control of the country, aided by the English government and aristocracy, withwhom the ruling class in Ireland mixed through marriage and travel. The resulting Anglo-Irish elite, with its distinct transnational identity, differed markedly from the preceding Irish elite, but, at the same time, because of itsIrish dimension, was very different also from the contemporary English and Scottish upper classes. Women played key roles in this Anglo-Irish elite, and the nature of the Protestant Ascendancy can only be completely understood byconsidering women's roles fully. This book provides a thorough examination of the role of women in Ascendancy Ireland. It discusses marriage, family and social life; explores women's roles in economic and political life and in charitable activities; and places Irish elite women of this period in their wider historiographical context. The book is based on extensive original research, including among the papers of aristocratic families in Ireland and Britain, and provides a wealth of detail on elite women's lives in this period.
Rachel Wilson completed her doctorate in modern history at Queen's University, Belfast.
Peter Lake, Isaac Stephens
Scandal and Religious Identity in Early Stuart England
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A window into the mental and cultural worlds of the Stuart period, capturing the existing religious, social and political tensions on the eve of the English Civil War.
This book starts with an extraordinary event and document. The event is the trial and execution for infanticide of a puritan minister, John Barker, along with his wife's niece and their maid, in Northampton in 1637; the document,what appears to be a virtual transcript of Barker's last speech on the gallows. His downfall soon became polemical fodder in scribal publications, with Puritans circulating defences of Barker and anti-Calvinists producing a Laudian condemnation of the minister.
Scandal and Religious Identity in Early Stuart England uses Barker's crime and fate as a window on the religious world of early modern England. It is based upon an extraordinary deposit of manuscript and printed sources, all produced between 1637 and 1640 by people living in close proximity to one another and all of whom knew one another, either as friends or more often as enemies. Marshalling evidence frompublic polemical sources and from almost entirely private ones - a diary, private letters and a spiritual autobiography - the book is able to examine the same events and persons, and beliefs and practices, from multiple perspectives: the micro and the macro, the personal and the political, and the affective and the doctrinal. Throughout, we meet a range of very different people putting various bodies of religious theory into practice, connecting the most local and particular of events and rivalries to the great issues of the day and responding, in certain cases, to the promptings of the Holy Spirit and the temptations of the devil. This approach enables a whole series of generalisations to be explored: about the relation between politics and religion, devotion and polemic, puritans and their enemies, local and national affairs; between rumour, manuscript and print; and, finally, about gender hierarchyand the social roles of men and women. The result is an extraordinarily detailed and intimate portrait of the religio- political scene in an English county on the eve of civil war.
PETER LAKE is Distinguished University Professor of early modern English history at Vanderbilt. He is the author of several studies of English religion, culture and politics in the Elizabethan and early Stuart periods.
ISAAC STEPHENS is Assistant Professor of History at Saginaw Valley State University and has published on early modern marriage, religion, and life-writing.
David Cantor
Cancer, Research, and Educational Film at Midcentury
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The story of a forgotten health education film, Challenge: Science Against Cancer (1950), and what it tells us about mid-twentieth century North American cancer research, medical filmmaking, and health education campaigns.
In 1949 the U.S. National Cancer Institute (NCI) and the Canadian Department of National Health and Welfare (DNHW) commissioned a film, eventually called Challenge. Science Against Cancer, as part of a major effort to recruit young scientists into cancer research. Both organizations feared that poor recruitment would stifle the development of the field at a time when funding for research was growing dramatically. The fear was that there would not be enough new young scientists to meet the demand, and that the shortfall would undermine cancer research and the hopes invested in it. Challenge aimed to persuade young scientists to think of cancer research as a career.
This book is the story of that forgotten film and what it tells us about mid-twentieth century American and Canadian cancer research, educational filmmaking, and health education campaigns. It explores why Canadian and American health agencies turned to film to address the problem of scientist recruitment; how filmmakers turned such recruitment concerns into something they thought would work as a film; and how information officers at the NCI and DNHW sought to shape the impact of Challenge by embedding it in a broader educational and propaganda program. It is, in short, an account of the important, but hitherto undocumented, roles of filmmakers and information officers in the promotion of post-Second World War cancer research.
This book is openly available in digital formats, under Creative Commons license CC BY-ND, thanks to a generous grant from the Andrew W. Mellon Foundation.
Christopher Fifield
Hans Richter
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Christopher Fifield's remarkable study explores the personality, life and work of a conductor who influenced and inspired the leading composers, singers and instrumentalists of his day.
The Austro-Hungarian Hans Richter (1843-1916) was the first career-conductor to gain international fame. His first appointment was to Budapest, and he went on to dominate music-making in Vienna, Bayreuth, London, Manchester (withthe Hallé Orchestra) and other towns and cities in Britain and Europe between 1865 and 1912. Richter gave first performances of works by Wagner, Brahms, Elgar, Bruckner, Tchaikovsky, Stanford and Parry and helped to further the careers of Dvorák, Sibelius, Bartók and Glazunov. Christopher Fifield's remarkable study explores the personality, life and work of a conductor who influenced and inspired the leading composers, singers and instrumentalists of his day. Originally published in 1993, this revised and expanded edition contains extensive new material in the form of Richter's conducting books. Translated and reproduced in full, they detail every one of the 4,351 public performances Richter gave in a professional life spanning 47 years. Drawing on Richter's own diaries, the book also presents his correspondence with many contemporary composers (Wagner in particular) and performers. Fifield's biography of this seminal figure provides a revealing insight into British and European music and concert life during the long nineteenth century.
CHRISTOPHER FIFIELD is a conductor, music historian, lecturer and broadcaster.He is the editor and author of the Letters and Diaries of Kathleen Ferrier and Max Bruch: His Life and Works, both published in new editions by The Boydell Press. He has also written Ibbs & Tillett - The rise andfall of a Musical Empire and The German Symphony between Beethoven and Brahms.
Rebecca Pinner
The Cult of St Edmund in Medieval East Anglia
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An investigation of the growth and influence of the cult of St Edmund, and how it manifested itself in medieval material culture.
Longlisted for the Katharine Briggs Award 2016
St Edmund, king and martyr, supposedly killed by Danes (or "Vikings") in 869, was one of the pre-eminent saints of the middle ages; his cult was favoured and patronised by several English kings, and gave rise to a rich array of visual, literary, musical and political artefacts. This study explores the development of devotion to St Edmund, from its first flourishing in the ninth century to the eveof the Reformation. It explores a series of key questions: how, why and when did the cult develop? Who was responsible for its promotion and dissemination? To which groups and individuals did St Edmund appeal? How did this evolveover time? Using as evidence a range of textual and visual treasures from the Anglo-Saxon king's erstwhile kingdom and later cultic heartland, Norfolk and Suffolk, the study draws on sources and approaches from a variety of disciplines (literature, art history, social history and anthropology) to elucidate the social, cultural and political dynamics of cult construction.
Dr REBECCA PINNER is a Lecturer in Medieval and Early Modern Literature atthe University of East Anglia.
Susanna Wade Martins
The Conservation Movement in Norfolk
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Norfolk played a unique role in the development of conservation. This book narrates the story of the movement, from its origins five hundred years ago to the present day.
Rare and beautiful Norfolk, as described by the artist John Sell Cotman in 1841, with its rich wildlife habitats, historic buildings, diverse landscapes and archaeological sites, has long been a focus of interest for both naturalists and antiquarians. It has also been at the forefront of the modern conservation movement. The Norfolk Archaeological Trust, still the only local trust of its kind, was founded in 1923; the Norfolk Naturalist Trust, (later the Norfolk Wildlife Trust), founded in 1926, was the first county wildlife trust; while Blickling Hall was the first property to be accepted by the National Trust under its Country House Scheme. By the 1970s traditional marsheswere seen as particularly under threat and it was proposals to drain part of the Broadland marshes that led to the introduction of conservation schemes which have transformed much of British agriculture. In this engaging book, the author traces the history of the conservation movement and the people who were involved, including the Norfolk botanist and founder of the Linnean Society, Sir James Smith. In particular, she shows the influence of changingsocial attitudes and priorities upon the movement and ideas of heritage.
Susanna Wade Martins is an honorary fellow of the School of History at the University of East Anglia; her previous publications include Coke ofNorfolk: A Biography and The Countryside of East Anglia (with Tom Williamson).
Marc Morris
The Bigod Earls of Norfolk in the Thirteenth Century
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Study of one of the most influential aristocratic families of medieval England.
The Bigods were one of the most powerful and important families in thirteenth-century England. They are chiefly remembered for their dramatic interventions in high politics. Roger III Bigod (c. 1209-70) famously led the march on Westminster Hall in 1258 against Henry III, while Roger IV Bigod (1245-1306) confronted Edward I in 1297 in similar fashion. This book is the first full-scale study of these two earls, and explores in depth the reasons thatled each of them to take the extreme step of confronting his king. It is only in part, however, a political study. In seeking to understand the motives that lay behind their public actions, the book scrutinizes the earls' privateaffairs. It establishes for the first time the precise extent of their landed estate, the size of their incomes, and the membership and quality of their affinities. It also examines their relationships with friends and relatives,their building works, and even their personalities. Extensive use is made throughout of unpublished manuscript sources: in particular, the hundreds of ministers' accounts that have survived from the administration of Roger IV Bigod, and the charters given by both earls, which are calendared and translated in an appendix.
Steve Hindle
Remaking English Society
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Written by leading authorities, the volume can be considered a standard work on seventeenth-century English social history.
A tribute to the work of Keith Wrightson, Remaking English Society re-examines the relationship between enduring structures and social change in early modern England. Collectively, the essays in the volume reconstruct the fissures and connections that developed both within and between social groups during the sixteenth, seventeenth and eighteenth centuries. Focusing on the experience of rapid economic and demographic growth and on related processesof cultural diversification, the contributors address fundamental questions about the character of English society during a period of decisive change. Prefaced by a substantial introduction which traces the evolution of early modern social history over the last fifty years, these essays (each of them written by a leading authority) not only offer state-of-the-art assessments of the historiography but also represent the latest research on a variety of topics that have been at the heart of the development of 'the new social history' and its cultural turn: gender relations and sexuality; governance and litigation; class and deference; labouring relations, neighbourliness and reciprocity; and social status and consumption.
STEVE HINDLE is W. M. Keck Foundation Director of Research at the Huntington Library, San Marino, California.
ALEXANDRA SHEPARD is Reader in History, University of Glasgow.
JOHN WALTER is Professor of History, University of Essex.
Contributors: Helen Berry, Adam Fox, H. R. French, Malcolm Gaskill, Paul Griffiths, Steve Hindle, Craig Muldrew, Lindsay O'Neill, Alexandra Shepard, Tim Stretton, Naomi Tadmor, John Walter, Phil Withington, Andy Wood
Professor Paul Ugor
Youth and Popular Culture in Africa
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Explores the range of vibrant cultural production and political activism of youth in Africa today, as expressed through art, music, theater, and online media.
This edited collection focuses on the links between youth and African popular culture. Contributions by a distinguished group of scholars explore popular culture produced and consumed by young people in contemporary Africa. Essays cover a variety of cultural representations--visual, oral, written, performative, fictional, social, and virtual--created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public and shared locally and globally. The volume examines the range of music, art, and media African youth produce, under what conditions or contexts they produce such work, and the aesthetic dimensions of these texts as cultural artifacts. Essays further explore why these textual practices matter as social facts, as interpretive acts, and as symbols of the cultural activism of young people in a rapidly changing world—a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems.
Adam Chapman
Welsh Soldiers in the Later Middle Ages, 1282-1422
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Examines the role of Welsh soldiers in English armies, from the conquests under Edward I through to the Battle of Agincourt.
Not only the leaders but the entire nation are trained in war. Sound the trumpet for battle and the peasant will rush from his plough to pick up his weapons as quickly as the courtier from the court. So wrote Gerald of Wales atthe end of the twelfth century; and war continued to define the experiences of Welshmen in the succeeding years. This book explores the role of the Welsh in England's armies and in England's wars between Edward I's conquest of Wales in the 1280s, through the wars in Scotland and France and the revolt led by Owain Glyndwr, concluding with Henry V's conquest of Normandy following his victory at Agincourt in 1415. It examines the structure and composition of armies and the social networks and hierarchies which underpinned them: what sort of Welshmen became soldiers? How was Welsh society organised for war? What impact did wider political considerations have upon Welshmen in England's armies? These questions are answered using both well-known sources, such as the financial records of the English crown, and others less familiar, including the records of local administration and the large surviving corpus ofWelsh-language poetry.
Adam Chapman is Editor and Training Coordinator with the Victoria County History of the Counties of England at the Institute of Historical Research, London.
J. Ross Dancy
The Myth of the Press Gang
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Overturns the generally held view that the press gang was the main means of recruiting seamen by the British navy in the late eighteenth century.
SHORTLISTED for the Society for Nautical Research's prestigious Anderson Medal.
The press gang is generally regarded as the means by which the British navy solved the problem of recruiting enough seamen in the late eighteenth century. This book, however, based on extensive original research conducted primarily in a large number of ships' muster books, demonstrates that this view is false. It argues that, in fact, the overwhelming majority of seamen in the navy were there of their own free will. Taking a long view across the late eighteenth century but concentrating on the period of the French Revolutionary and Napoleonic Wars of 1793-1815, the book provides great detail on the sort of men that were recruited and the means by which they were recruited, and includes a number of individuals' stories. It shows how manpower was a major concern for the Admiralty; how the Admiralty put in place a range of recruitment methods including the quota system; how it worried about depleting merchant shipping of sufficient sailors; and how, although most seamen were volunteers, the press gang was resorted to, especially during the initial mobilisation at the beginning of wars and to find certain kinds of particularly skilled seamen. The book also makes comparisons with recruitment methods employed by the navies of other countries and by the British army.
J. Ross Dancy is Assistant Professor of History at Sam Houston State University.
Ben Snook
The Anglo-Saxon Chancery
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An exploration of Anglo-Saxon charters, bringing out their complexity and highlighting a range of broad implications.
More charters survive from Anglo-Saxon England than texts of any other type. In a society in which the ownership of land was fundamental to status, wealth and power, the charters which gifted and guaranteed landholdings were crucial not only as legal documents but also as instruments of political power. As responsibility for their production was increasingly centralised at the royal court in the ninth and tenth centuries, charters also became vehicles forroyal and religious propaganda, reflecting the dynamic and creative culture of tenth-century England. Through an analysis of the extraordinarily sophisticated Latin in which these documents were written, this book demonstrates the literary ambitions of their draughtsmen (who may certainly be considered as Anglo-Latin literary authors in their own right), and also sheds light on the political ideologies of Anglo-Saxon England's most powerful and enigmatic kings and churchmen. Most tantalising of all, perhaps, is the fact that the language of royal charters, which may preserve some of the very words uttered by the king, provides an unparalleled view of the mechanisms by whichthe developing kingdom of England was governed. Not only does it indicate the increasingly sophisticated bureaucracy of an administratively advanced state, but it also reveals an atmosphere of literary and cultural attainment, emanating directly from the king's court, as rich as any in the early medieval Insular world.
Ben Snook teaches History at the Godolphin and Latymer School, London.
Julia Dokter
Tempo and Tactus in the German Baroque
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Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.
Before the advent of the metronome ca. 1800, there was little in the way of a standardized, commonly accessible method for precisely communicating how fast musical compositions should be performed. Instead of absolute time (that is, plottable on a metronome), Baroque musicians developed notational cues for relative speed: this was accomplished primarily through combinations of time signatures and note values. Julia Dokter's Tempo and Tactus in the German Baroque helps decode these tempo cues for modern performers.
Part 1 investigates metric theory in music treatises from roughly 1600 to 1790. Parts 2 and 3 explore the organ scores of pivotal composers such as J. S. Bach, Dieterich Buxtehude, Matthias Weckman, and Nicolaus Bruhns, and present case studies demonstrating how Baroque tempo indications may interact in performance situations.
Readers will discover how Baroque musicians modified the Renaissance mensural system to incorporate tempo shifts; how the various duple, triple, and compound meters interrelated; how the technical display of stylus phantasticus writing affected tempo; how tempo words (such as allegro) functioned; and how the choice of performing forces-chorus, solo keyboard, and so on-could affect the way tempo was notated.
By addressing questions of tempo fundamental to German Baroque music, this book lays important groundwork for organists and for performers of other instrumental music of this period.
Jeffrey L. Forgeng
The Art of Swordsmanship by Hans Lecküchner
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English translation of one of the most significant medieval texts on fighting with swords.
Completed in 1482, Johannes Lecküchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Lecküchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Lecküchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches. This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content.
JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.
J. Ross Dancy
The Myth of the Press Gang
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$29.99
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Overturns the generally held view that the press gang was the main means of recruiting seamen by the British navy in the late eighteenth century.
SHORTLISTED for the Society for Nautical Research's prestigious Anderson Medal.
The press gang is generally regarded as the means by which the British navy solved the problem of recruiting enough seamen in the late eighteenth century. This book, however, based on extensive original research conducted primarily in a large number of ships' muster books, demonstrates that this view is false. It argues that, in fact, the overwhelming majority of seamen in the navy were there of their own free will. Taking a long view across the late eighteenth century but concentrating on the period of the French Revolutionary and Napoleonic Wars of 1793-1815, the book provides great detailon the sort of men that were recruited and the means by which they were recruited, and includes a number of individuals' stories. It shows how manpower was a major concern for the Admiralty; how the Admiralty put in place a rangeof recruitment methods including the quota system; how it worried about depleting merchant shipping of sufficient sailors; and how, although most seamen were volunteers, the press gang was resorted to, especially during the initial mobilisation at the beginning of wars and to find certain kinds of particularly skilled seamen. The book also makes comparisons with recruitment methods employed by the navies of other countries and by the British army.
J. ROSS DANCY is Director of Graduate Studies in History and Assistant Professor of History at Sam Houston State University
Eva Rieger
Minna Wagner
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This biography of Minna Planer, Richard Wagner's wife of 30 years, reveals her as a self-assured woman and artist who was vital to her husband's creative life.
When Richard Wagner first met Minna Planer in 1834, he was an unknown conductor, she a popular actress. His hectic pursuit of her affections culminated in marriage in 1836. Minna endured poverty with him, nursed him through chronic illness, followed him across Europe as he fled from creditors and pursued his artistic goals, and sought to provide him with the stable domestic and erotic life that he craved. He played his works to her as he wrote them, up to Tannhäuser and Lohengrin, and set store by her opinions. But when he went on the run as a wanted revolutionary, Minna only reluctantly followed him into Swiss exile.
Domestic peace tentatively prevailed, but was ultimately destroyed by Wagner's passion for Mathilde Wesendonck. In 1858, he and Minna separated, she returned home to Germany, and subsequent efforts at reconciliation proved ultimately impossible. They remained married, however, until Minna's death in 1866.
Despite having been at Richard's side as he matured into the composer of the Ring and Tristan, Minna has been given short shrift by most Wagner commentators. In Eva Rieger's acclaimed biography, translated into English by Chris Walton, the author reveals Minna as a self-assured woman and artist who played a crucial role in the creative life of her husband.
Marc Morris
The Bigod Earls of Norfolk in the Thirteenth Century
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$95.00
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Study of one of the most influential aristocratic families of medieval England.
The Bigods were one of the most powerful and important families in thirteenth-century England. They are chiefly remembered for their dramatic interventions in high politics. Roger III Bigod (c. 1209-70) famously led the march on Westminster Hall in 1258 against Henry III, while Roger IV Bigod (1245-1306) confronted Edward I in 1297 in similar fashion. This book is the first full-scale study of these two earls, and explores in depth the reasons thatled each of them to take the extreme step of confronting his king. It is only in part, however, a political study. In seeking to understand the motives that lay behind their public actions, the book scrutinizes the earls' privateaffairs. It establishes for the first time the precise extent of their landed estate, the size of their incomes, and the membership and quality of their affinities. It also examines their relationships with friends and relatives,their building works, and even their personalities. Extensive use is made throughout of unpublished manuscript sources: in particular, the hundreds of ministers' accounts that have survived from the administration of Roger IV Bigod, and the charters given by both earls, which are calendared and translated in an appendix.
Jennifer Battaglia
The Reflector
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Incorporates etymology, history, art, drawing, and reflective writing to support medical students in the integration of the science and humanity of anatomy.
A comprehensive and holistic understanding of human anatomy is foundational to the care of patients. The Reflector is an innovative and interdisciplinary approach to the learning of human anatomy; it incorporates etymology, history, art, drawing, and reflective writing to integrate the learning of anatomical structures with the nonanatomical curriculum of the anatomy lab, thus establishing the foundation for a biopsychosocial approach to medicine. To develop visual skills, this work features drawings that illustrate the original inspirations for anatomical terminology while also providing the space to artistically reimagine these structures. Together, these activities enhance the comprehension and retention of anatomical information for application in medical sciences. The Reflector employs thought-provoking questions that emphasize humanity in anatomy, in order to prompt consideration of the anatomical structures beyond basic science. Reflecting on the experiences of anatomical dissections, specifically in relation to development of habits of mind necessary for patient- and family-centered care, continually connects students to the purpose of their studies - to become a knowledgeable, compassionate, self-aware, reflective, and skilled member of a healing profession. Edited by a medical student with a Master's of Science degree in Medical Humanities; an anatomical science faculty member dedicated to the holistically educated medical provider; an expert in visual learning and self-reflection; and a bioethicist, The Reflector is a valuable resource for all who want to understand the human in human anatomy.
Elisabeth van Houts
Anglo-Norman Studies XXXVII
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The latest research on aspects of the Anglo-Norman world.
The contributions collected here demonstrate the full range and vitality of current work on the Anglo-Norman period, from a variety of different angles and disciplines. Topics include architecture and material remains in Winchester, Kent and Hampshire; the role of Duke Richard II and Abbot John of Fécamp in early Normandy; political and liturgical culture at the Anglo-Norman and Angevin courts; the lost (illustrated?) prototype of Dudo of Saint-Quentin's early Norman history and Geoffrey of Monmouth's motivation for his Historia Regum Britonum; twelfth-century legal scholarship and the archaic use of vernacular vocabulary in law texts; trade and travel; and a study of episcopal acta from the south-western Norman dioceses.
Contributors: Richard Allen, Pierre Bauduin, Johanna Dale, Jennifer Farrell, Peter Fergusson, Sara Harris, Nicholas Karn, Edmund King, Lauren Mancia, Eljas Oksanen, Gesine Oppitz-Trotman, Benjamin Pohl, Katherine Weikert
Ama Oforiwaa Aduonum
Walking with Asafo in Ghana
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WINNER: Society for Ethnomusicology - 2024 Nketia Book Prize
The first full-length study of the musical pasts of Asafo warrior associations based on the author's "ways of walking" with local scholars along the Ghanaian littoral.
What is Asafo ndwom (music)? How and when is it performed? What is the state of this warrrior tradition that once served as the bedrock of the Akan, Ewe, and Ga societies in Ghana? How does Asafo enact the past and serve as an archive for the people? In an attempt to answer these questions, Walking with Asafo in Ghana investigates the musical pasts of Asafo. The book is an ethnography of walking, organized into eight chapters. Each chapter ends with a piece of creative writing in the author's "ethnographic voice," in which she sums up the main ideas. It is Aduonum's attempt at an anticolonial and decolonialist African musicology, one that subverts and decenters white racial framing of research, analysis, and presentation, disrupting how Euro-American concepts frame our ways of telling and experiencing ndwom.
Aduonum's goal on this trajectory is to tell her story, create something new, and chart a new path. Through this fluid and complex book, she repositions African Elders' knowledge as "epistemologies of decolonization and de-coloniality" and centers the stories shared by local Fante scholars. The text is polyvocal, multimodal, multiperspective, performative, reflexive, and dialogic, informed by the structure of Asafo ndwom, appellations, proverbs, her mentors' tellings, and "embodied" calling and responding. It is a performative scholarly discourse, ndwom-based: a performance. As a celebration of Asafo, those warriors who insisted their lives matter, the text is meant to be read and performed.
This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.
Mark Ain
Not Just in Time
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How a tiny start-up slayed an industry giant before redefining the way workers are managed around the globe.
This book recounts a success story rooted in one individual's desire to embrace his entrepreneurial spirit and forge his own company. Mark Ain led Kronos Incorporated from concept to the basements and garages of its early core team to a soot-filled ironworks foundry, and from there to its eventual role as a multi-billion-dollar global leader in an industry it refined, then redefined, and ultimately led. The story of Mark Ain and Kronos holds inspiration and insight for any aspiring entrepreneur. The tale starts not in a boardroom, but with Mark's early upbringing, where his adventurous spirit and fearless nature readied him to be both a risk-taking business pioneer and a leader who recognized the need to take a nontraditional approach to team building, prioritizing fit over resumes and potential over past accomplishments. The result was a company that could and would truly stand the test of time. His guiding philosophy of "If it isn't broke, fix it anyway!" applied in equal measure to the products and solutions Kronos provided to its ever-expanding customer base and to the way the company was structured and operated to consistently reinvest in its employees. Kronos, today known as the Ultimate Kronos Group, is now a multi-billion-dollar global organization of almost 13,000 employees. And Mark, the epitome of a triumphant business creator, has decided the time is right to share his own experiences to inspire a next generation of like-minded visionaries.
James Ross
`The Foremost Man of the Kingdom'
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First book to deal with de Vere's life and extraordinary career, during the Wars of the Roses and beyond.
Earl of Oxford for fifty years, and subject of six kings of England during the political strife of the Wars of the Roses, John de Vere's career included more changes of fortune than almost any other. He recovered his earldom afterthe execution of his father and brother for treason, but his resistance to Edward IV led to a decade in prison. He escaped in time to lead Henry Tudor's vanguard at Bosworth in 1485 and subsequently enjoyed twenty-five years as perhaps "the foremost man of the kingdom", virtually ruling East Anglia for the king. This is the first full-length study of de Vere's life and career. Through this lens it also tackles a number of broader themes. It reconsiders the role of the nobility under Henry VII, challenging the common perception of Henry as an anti-aristocratic king. It also explores East Anglian political society in the second half of the fifteenth century, how the earl came to dominate it, how successfully he exercised his power, and the personnel, including the Paston family, he used to run the region.
JAMES ROSS is Senior Lecturer in Late Medieval History at the University of Winchester.
Tim Beattie
British Privateering Voyages of the Early Eighteenth Century
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The story of hugely ambitious and risky long-distance private voyages, only one of which brought huge returns for investors.
The three great privateering expeditions into the South Sea, which set out, respectively, in 1703, led by William Dampier; in 1708, led by Woodes Rogers; and in 1719, led by George Shelvocke, were costly and ambitious long distance voyages, carrying great risk for their investors but promising great reward. This book tells the story of the voyages and their impact. It argues that, far from being anachronistic activities more in keeping with an earlier age,as some scholars have asserted, the voyages were significant events and had a huge impact - on politicians, influencing future maritime and naval strategy; on investors, swelling enthusiasm for the South Sea Company which ended in the disastrous Bubble; and in literature, where the narratives of the voyages became an important source for some of the greatest literature of the period, including Robinson Crusoe, Gulliver's Travels and The Rime of the Ancient Mariner. The book provides a great deal of original detail about the voyages, including the difficulties of undertaking such lengthy expeditions, unrest among the crews, and financial details of investmentsand returns - and losses.
Tim Beattie completed his doctorate at the University of Exeter.
Jeffrey R. Watt
The Consistory and Social Discipline in Calvin's Geneva
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Examines the most successful institution of social discipline in Reformation Europe: the Consistory of Geneva during the time of John Calvin
Created by John Calvin, the Consistory of Geneva was a quasi-tribunal entrusted with enforcing Reformed morality. Comprised of pastors and elders, this body met weekly and summoned people for a wide range of "sinful" behavior, such as drunkenness, dancing, blasphemy, or simply quarrels, and was a far more intrusive institution than the Catholic Inquisition. Among the thousands summoned during Calvin's ministry were a pair of women who were allegedly prophets, boys who skipped catechism to practice martial arts, and a good number of people begging for forgiveness for having renounced Protestantism out of fear of death.
This superbly researched book, reflecting author Jeffrey Watt's career-long involvement in the ongoing project of transcribing, editing, and publishing the Consistory records, is the first comprehensive examination of this morals court and provides a window into the reception of the Reformation in the so-called Protestant Rome. Watt examines the role of the Consistory in upholding patriarchy, showing that while Genevan authorities did not have a double standard in prosecuting illicit sexuality, the Consistory exhorted women to obey even violently abusive husbands. He finds also that Calvin and his colleagues vigorously promoted a strong work ethic by censuring people, mostly men, for laziness, and showed a surprising degree of skepticism toward accusations of witchcraft. Finally, Watt demonstrates convincingly that, while the Consistory encountered some resistance, Genevans by and large shared the ideals it promoted and that it enjoyed considerable success in fostering discipline in Genevan society.
This book is openly available in digital formats, under Creative Commons license CC BY-NC, thanks to a generous grant from the Andrew W. Mellon Foundation.
Nicoleta Paraschivescu
The Partimenti of Giovanni Paisiello
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Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students.
Giovanni Paisiello (1740-1816) was one of the most important composers of opera in the eighteenth century. His operas were performed throughout Europe, and his fame led to appointments as a maestro di cappella and composer at prominent European courts. This book is the first study to address his work as a teacher of composition and what we would today call music theory.
The practice of partimento (figured or unfigured bass lines) was an integral part of the training of musicians at the renowned conservatories in eighteenth-century Naples. By employing these often-unprepossessing partimento bass lines, young musicians learned the techniques of variation, improvisation, and composition while seated at the harpsichord.
Paisiello's Regole per bene accompagnare il Partimento (Rules for Harpsichordists; 1782) survives in both autograph and printed forms. It contains forty-six partimenti that have long been considered the core of his pedagogic oeuvre. However, two recently discovered manuscripts contain a further forty-one unknown partimenti, notated as two- and three-part disposizioni (realizations).
The present study offers numerous insights gleaned from the surviving sources and bolsters our understanding of how to perform the music of Paisiello and his contemporaries: music that has often survived in an incomplete form. These findings are relevant not just for keyboard players but also for singers, instrumentalists, and anyone interested in the inner workings of eighteenth- and early nineteenth-century music.
Bonnie S. Wasserman
Coming of Age in the Afro-Latin American Novel
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Explores the dimensions of the coming-of-age novel in the Spanish-speaking Caribbean and Brazil, focusing on works by eight major Afro-Latin American writers
The centuries-old European genre of the coming-of-age story has been transformed by contemporary Afro-Latin American novelists to address key aspects of the diaspora in various nations of the Caribbean and Latin America. While attention to Afro-Hispanic and Afro-Brazilian literature has increased in recent decades, few critics have focused specifically on the Afro-Latin American Bildungsroman, and fewer still have addressed novels from both Spanish- and Brazilian-speaking regions, as author Bonnie Wasserman does in this study.
The memory and continuing impact of slavery especially shape these coming-of-age stories. Often interwoven with race is a focus on religion, particularly the importance of African folk religions and traditions in the lives of young people. Immigration-and the return journey-is another important theme in the novels.
Coming of Age in the Afro-Latin American Novel discusses works&emdash;all published around the turn of the 21st century&emdash;by such important writers as Dahlma Llanos-Figueroa and Mayra Santos-Febres (from Puerto Rico), Conceição Evaristo and Paulo Lins (from Brazil); Teresa Cardenas and Pedro Pérez Sarduy (from Cuba); and Junot Diaz and Rita Indiana (from the Dominican Republic). Wasserman's far-reaching analysis is both rigorous and compassionate, shedding a clear light on ways in which descendants of Africans have experienced life in the New World.
Robin Netherton, Gale R. Owen-Crocker
Medieval Clothing and Textiles 11
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A wide-ranging and varied collection of essays which examine surviving garments, methods of production and clothes in society.
The second decade of this acclaimed and popular series begins with a volume that will be essential reading for historians and re-enactors alike. Two papers consider cloth manufacture in the early medieval period: Ingvild Øye examines the graves of prosperous Viking Age women from Western Norway which contained both textile-making tools and the remains of cloth, considering the relationship between the two. Karen Nicholson compliments this with practical experiments in spinning. This is followed by Tina Anderlini's close examination of the details of cut and construction of a thirteenth-century chemise attributed to King Louis IX of France (St Louis), out of its shrine for the firsttime since 1970. Three papers consider fashionable clothing and morality: Sarah-Grace Heller discusses sumptuary legislation from Angevin Sicily in the 1290s which sought to restrict men's dress at a time when preparation for war was more important than showy clothes; Cordelia Warr examines the dire consequences of a woman dressing extravagantly as portrayed in a fourteenth-century Italian fresco; and Emily Rozier discusses the extremes of dress attributed by moral and satirical writers to the men known as "galaunts". Two textual studies then show the importance of textiles in daily life. Susan Powell reveals the austere but magnificent purchases made on behalf of Lady Margaret Beaufort, mother of King Henry VII, in the last ten years of her life (1498-1509); Anna Riehl Bertolet discusses in detail the passage in Shakespeare's A Midsummer Night's Dream where Helena passionately recalls sewinga sampler with Hermia when they were young and still bosom friends.
William of Malmesbury,
Miracles of the Blessed Virgin Mary
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Originally written in elegant Latin, this paperback takes the translation from the original hardcover to produce an attractive edition for the student or general reader. It retains the introduction, notes and appendices while presenting the text in a modern English version as elegant and engaging as the original.
Written around 1135 by the Benedictine monk, historian and scholar William of Malmesbury (d. 1143), The Miracles of the Blessed Virgin Mary belongs in the first wave of collected miracles of the Virgin, produced by EnglishBenedictine monks in the 1120s and '30s. Only two copies of William's work survive in anything like its complete form, and only one of them represents the finished product. But many of the stories were also transmitted separately,in groups or individually; the systematic use of this evidence is a feature of this new text. Originally written in elegant Latin, this paperback takes the translation from the original hardcover to produce an attractive edition for the student or general reader. It retains the introduction, notes and appendices - important to understand William's quotations and echoes from ancient authors - while presenting the text in a modern English version as elegant and engaging as the original. Anyone wishing to compare the original and this translation may refer to the hardcover which remains available (9781783270163).
Toyin Falola
Decolonizing African Studies
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Examines transformational moments and liberation movements in the decolonization of inherited Western academic traditions in Africa.
This book explores how decolonization and decoloniality provide liberationist knowledge to question and replace the hegemony of Western knowledge systems imposed on Africa. It critically examines the silencing and exclusion of subalterns in global knowledge production and the far-reaching implications of this for pedagogy and policy. As global power is concentrated in the global north where Eurocentrism and white supremacy validate the monopoly of knowledge and its centrality and universality, African perspectives continue to be marginalized or excluded in research, creating the problem of misrepresentation of the continent. It is to this challenge that this book has responded&emdash;the urgent need to eliminate the vestiges of colonialism in the academy and research methodologies.
Coloniality is seen not only as a historical phenomenon but also as an ethnocentric continuum, dominating all aspects of present life, especially monopolizing human epistemology, the threshold of human existence, and even development activities. This book provides a balanced overview of what a feasible decoloniality should be. It is all-inclusive, aggregating differing perspectives, including decolonial feminist and LGBTQ thought. It deploys a holistic approach that critiques the limitations to decoloniality, the impediments that culminated in the failure of the late 20th century struggle for decoloniality, and the problems associated with current African resistance to academic decoloniality.
The book closes with a discussion of African futurism. Seen as the advanced stage of decoloniality, African futurism involves the application of "traditional" (indigenous) instruments of articulation and cohesion such as Afro-spirituality, myths, folklore, and indigenous techno-scientific innovations, deployed in their capacity to drive, harness, and actualize future possibilities.
Dr Sean Franzel
Goethe Yearbook 29
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Volume 29 features articles on Anton Reiser; the legacies of German romanticism; Goethe's morphology and computational analysis; Goethe commemorations in Argentina; and Goethe's Weltliteratur in the context of trade with China, along with two special sections and the book review.
Volume 29 features articles on Anton Reiser; the legacies and myths of German romanticism; Goethe's morphology as antecedent to computational analysis; on Goethe commemorations in Argentina; and a reconsideration of Goethe's Weltliteratur in the context of Handelsverkehr (trade) with China. Additionally, volume 29 features two special sections. The first commemorates an anniversary, Hölderlin's 250th birthday, with work devoted to "Reading and Exhibiting," compiled by Meike Werner. The other special section, on movement and edited by Heidi Schlipphacke, further explores research featured at MLA 2021 and revisits many questions of sentimentalism, visuality, and narration that are at the core of canon formation and eighteenth-century thresholds of modernity. As always, the book review section, edited by Sean Franzel, concludes the volume.
John Aloisi
Augustus Hopkins Strong and the Struggle to Reconcile Christian Theology with Modern Thought
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At the end of the nineteenth century Augustus Hopkins Strong worked to bring modernists and traditional Christians together but found the task more difficult than many imagined.
In the wake of the publication of Darwin's Origin of Species in 1859, Christianity, or at least many people's understanding of Christianity, was evolving. The rising popularity of Darwinism combined with the pervasive influence of German idealism began forcing many professing Christians to rethink the faith they had long taken for granted. Among those who would be compelled to face the apparent conflicts between modern thought and traditional orthodoxy was Baptist theologian Augustus Hopkins Strong (1836-1921).
As president and professor of systematic theology at Rochester Theological Seminary for forty years (1872-1912) Strong stood as the premier theologian of the Northern Baptists at the end of the nineteenth century. Yet, as author John Aloisi shows in this important study, he remains a puzzling figure. Strong considered himself a defender of orthodoxy even as the school he led transitioned to a more modern and arguably less orthodox understanding of the Christian faith. His Systematic Theology went through eight editions, and the later editions increasingly reflected a shift in his thinking. Strong wrestled with how to reconcile Christian theology with modern thought while also trying to solve tensions within his own theology. He hoped to be able to bring modernists and more traditional Christians together around a concept he labeled ethical monism. In the end, while his effort suggested the task was more difficult than many understood it to be, Strong's journey had a significant impact on the direction of Rochester Theological Seminary.
This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.
Michael Hall
Music Theatre in Britain, 1960-1975
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The author, a former BBC radio producer, conducted interviews with many leading British composers of the day, and his account provides for a unique insight into this often overlooked genre.
Based on Michael Hall's many interviews with leading British composers of the genre, this book looks at the heyday of the British Music Theatre in the 1960s and 70s, a period when the author as a BBC radio producer was actively involved with the contemporary music scene. Music Theatre - a composite of music, singing, dancing and speaking distinct from traditional opera and ballet - has its roots in works by Monteverdi, Schoenberg, Satie, Stravinsky, Weill,Hindemith and Eisler, but flourished anew in the 1960s, in America, Britain and Europe. Hall's book presents an account of the context for the activity of Birtwistle, Goehr and Maxwell Davies; it uncovers details of little-known early works by other major figures such as Cardew and Tavener; and it recognises the highly distinctive contributions of composers whose works are less well known. Music Theatre in Britain also throws new light upon the reaction of British composers to the economic and social upheavals of 'the Sixties', offering a distinct and valuable contribution to our understanding of the relationship of the post-war musical avant-garde to social movementsand ideology. Music Theatre in Britain will be of interest to all those working in the field of late twentieth-century British music, to students of composition, and to composers, performers and producers of Music Theatre.
MICHAEL HALL, who died in August 2012, had a long career as a conductor, founder of Royal Northern Sinfonia, BBC producer and broadcaster, university lecturer and writer on music.
Zarina Burkadze
Great Power Competition and the Path to Democracy
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A close examination of the competing influences of the West and Russia over the fate of democracy in Georgia and other former Soviet bloc nations
Following the collapse of the Soviet Union, newly formed transitional regimes took up the challenging task of democratization, a task that was complicated by competition between great world powers over the future of such regimes. This book explores the effects and implications of competition between Russia and Western nations, with specific reference to democratization in the case of Georgia. In doing so, it challenges the conventional wisdom that competition between promoters of democracy and autocracy reduces the effectiveness of efforts toward democracy.
Using the compelling example of Georgia, author Zarina Burkadze argues that great power competition may distribute political power in a way that causes a democratic regime to emerge, supporting her argument with evidence from an impressive array of archival sources as well as from sixty-six interviews with state officials, opposition leaders, foreign diplomats, media and nongovernmental representatives, and other experts. While the case study of Georgia is the central concern of the narrative, the book's final chapter provides an important cross-case comparison of democratization efforts in Armenia, Azerbaijan, Moldova, and Ukraine.
Susan Hurley-Glowa
Songs for Cabo Verde
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Chronicles the work of Norberto Tavares, a Cabo Verdean musician and humanitarian who served as the conscience of his island nation during the transition from Portuguese colony to democratic republic.
Based on twenty years of collaborative fieldwork, Songs for Cabo Verde: Norberto Tavares's Musical Visions for a New Republic focuses on the musician Norberto Tavares but also tells a larger story about postcolonial nation building, musical activism, and diaspora life within the Lusophone sphere. It follows the parallel trajectories of Cabo Verdean independence and Tavares's musical career over four decades (1975-2010). Tavares lived and worked in Cabo Verde, Portugal, and the United States, where he died in New Bedford, Massachusetts at age fifty-four. Tavares's music serves as a lens through which we can view Cabo Verde's transition from a Portuguese colony to an independent, democratic nation, one that was shaped in part through the musician's persistent humanitarian messages.
Sascha Pöhlmann
Vote with a Bullet
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Conceptualizes the genre of American assassination fiction as a dramatization of the tension between individualism and mass society in US culture.
Vote with a Bullet is the first systematic study of assassination in American fiction. It proffers not only a fundamental overview of the genre but also an argument about its larger cultural, aesthetic, and political significance in the present moment as well as in the respective historical contexts of the works themselves. The study argues that American assassination fiction is a symbolic condensation of the larger conflict between individual and society that is at the heart of modern democracy, and that has been especially contested in the democratic culture of the US. Starting with Henry James's The Princess Casamassima (1886) and ending with Noah Hawley's The Good Father (2012), the chapters analyze twelve works ranging from canonical classics to popular genre fiction. A conclusion considers Thomas Pynchon's Against the Day (2006). The book describes the loose continuum of assassination fiction as an imaginary laboratory in which fantasies of individual empowerment and social unity play out in different ways, negotiating the tension between individualism and mass society in a democracy that is based on the former but must restrict it to preserve the latter. Furthermore, the study connects the imaginary of assassination with a variety of related themes such as hegemonic masculinity and whiteness, electoral and non-electoral political choice, agency panic, subjectivity, as well as conspiracies and conspiracy theory.
Krzysztof Czyżewski
Toward Xenopolis
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Essays by a founder of the Borderland Foundation in East-Central Europe explore the meanings of community in a fractured world.
How do we build civil society? How does a society repair itself after violence? How do we live in a world with others different from ourselves? These questions lie at the heart of Krzysztof Czyzewski's writing and his work with Fundacja Pogranicze, the Borderland Foundation, at the border of Lithuania, Poland, and Belarus. Writing from the heartland of Europe's violence and creativity, Czyzewski seeks to explain how we can relate better to each other and to our diverse communities. Building on examples of places and people in East-Central Europe, Czyzewski's essays offer readers concepts such as the invisible bridge, the nejmar (the bridge-builder), and the xenopolis (the city of others), which create community throughout the world. The three sections of the book—concepts, places, and practices—show how this cultural work bridges the divide between concepts and practices and offers a new map of Europe. Ultimately, Czyzewski hopes we can all move toward xenopolis, toward the understanding that others are, in fact, ourselves. This book offers an introduction to Czyzewski's work, with framing essays by specialists in Central and East European history.
Dr Michael Bintley
Representing Beasts in Early Medieval England and Scandinavia
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Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself.
For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge. This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self.
MICHAEL D.J. BINTLEY is Lecturer in Early Medieval Literature and Culture at Birkbeck, University of London; THOMAS WILLIAMS is a former curator of Early Medieval Coins at the British Museum.
Contributors: Noël Adams, John Baker, Michael D. J. Bintley, Sue Brunning, László Sándor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams
Jane Ellsworth
The Clarinet
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Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras.
With essays written by leading performer-scholars, The Clarinet offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles. Beginning with a chapter on clarinet iconography, the book continues with an overview of the instrument's early history, chapters on the clarinet in the opera orchestra and the traditional symphony orchestra, and examinations of important genres involving the clarinet (the concerto and the clarinet quintet). Also included are chapters on leading twentieth-century clarinetists, the instrument's use in the historically informed performance (HIP) movement, and an expansive look at the clarinet's use in ethnic traditions and early jazz. The emphasis on topics not covered elsewhere makes this book an important contribution to the clarinet literature. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge. Contributors to this volume include Jane Ellsworth, Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner Lott, Colin Lawson, and S. Frederick Starr.
William Weber, Beverly Wilcox
Canonic Repertories and the French Musical Press
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A bold application of the concept of "canonical" works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.
This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "canonic": that is, admirable and worthy of being taken as models. In a series of interlinked essays, William Weber draws particular attention to the ways in which such reputations could shift in different eras and circumstances.
The first chapter outlines how such a surge of reputation came about for Jean-Baptiste Lully after his death in 1687, followed a century later by one for the operas of Christoph-Willibald Gluck and Niccolò Piccinni. Next, Beverly Wilcox contributes a crucial chapter exploring how a canon of sacred works evolved at the Concert Spirituel between 1725 and 1790. Subsequent chapters detail the rise of an "incipient canon" for Joseph Haydn's music in the 1780s; a new operatic canon centered on works of Gioachino Rossini and Giacomo Meyerbeer; a century-long canonic repertory at the theater of the Opéra-Comique; and, between 1860 and 1914, frequent concert performances of excerpts from Wagner's operas, sometimes along with excerpts from Meyerbeer's.
Throughout, Weber and Wilcox demonstrate how the French musical press reflected musical taste, and also shaped it, across two centuries.
Professor Anthony Curtis Adler
Politics and Truth in Hölderlin
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The first English-language study devoted to Hölderlin's novel in three decades, this book reveals Hyperion's literary and philosophical richness and its complex ties with politics, choreography, and economics.
While few would question the importance of Friedrich Hölderlin (1770-1843) for the development of German idealism and twentieth-century literature, philosophy, and critical theory, Hölderlin scholarship remains largely inaccessible to those working in English. This is especially true for his novel Hyperion - otherwise his most accessible work - which has not had a book-length study in English devoted to it in more than three decades. Anthony Curtis Adler opens Hölderlin's novel up to the reader by stressing its literary uniqueness, philosophical riches, complex ties with contemporaneous discourses, and relevance to contemporary Continental political theory. Neither merely a stepping-stone to his later and more esoteric poetry, nor a novelistic presentation of an idealist dialectics, Hyperion offers a powerful new vision of the relation between poetry, political economy, and philosophical truth. Poetry, for Hölderlin, anticipates forms of political life that have only been obscurely glimpsed; rather than imitating a luminously given idea of the Good, it patiently guides toward a dimly sensed better world. Thus it replaces the Platonic philosopher-king with the poetic leader of the dance. Yet in just this way, Adler shows, Hyperion's project converges with a constellation of quintessentially "modern" discourses and practices, including the codification of dance in early modernity and the rise of political economy in the 18th century. Readers will discover the "choreographic" logic underlying both of these - and, with this, a new way to think about the relations between literature, politics, economics, and dance.
Jordan A. Fenton
Masquerade and Money in Urban Nigeria
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Examines the economic and spatial importance of performance arts in West Africa through a close analysis of the masquerade culture of Calabar, the capital city of Nigeria's Cross River State.
Driving into urban Calabar, one is struck by two imposing, monumental rectangular columns, operating not unlike ancient triumphal arches, framing the entrance into Nigeria's capital city of the Cross River State. Relief carvings of Calabar's renowned masking characters adorn the monument. The icons, dramatically captured in choreographic poses, freezing the maskers in time, enshrine masquerade as the city's heritage and past identity. Far from being merely "traditional" and relegated to an earlier time, the Calabar-based masquerades explored in this book demonstrate a contemporary and global context indicative of the changing patterns of city life. While the topic of cultural change is not necessarily new to African art history and cultural studies, few scholars or writers have attempted to understand why African arts so readily change. This book, the first full-length monograph addressing contemporary art in Calabar, explains the fluidity and thriving nature of masquerade by analyzing the ways in which masking is steeped in economic transaction and how street performances have become more public and spatially calculated. By unraveling the urban layers of masquerade arts and their performances, this book shows how so-called traditional culture gains new roles or currencies within a contemporary, city-based context.
Frances Andrews
The Other Friars
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A concise and accessible history of four of the monastic orders in the middle ages.
In 1274 the Council of Lyons decreed the end of various "new orders" of Mendicants which had emerged during the great push for evangelism and poverty in the thirteenth-century Latin Church. The Franciscans and Dominicans were explicitly excluded, while the Carmelites and Austin friars were allowed a stay of execution. These last two were eventually able to acquire approval, but other smaller groups, in particular the Friars of the Sack and Pied Friars, were forced to disband. This book outlines the history of those who were threatened by 1274, tracing the development of the two larger orders down to the Council of Trent, and following the fragmentary sources for the brief histories of the discontinued friaries. For the first time these orders are treated comparatively: the volume offers a total history, from their origins, spirituality and pastoral impact, to their music, buildings and runaways.
FRANCES ANDREWS is Professor in Mediaeval History at the University of St Andrews.
Professor Alexander Orwin
Plato's Republic in the Islamic Context
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The first collection of essays devoted to the Arabic philosopher Averroes's brilliant Commentary on Plato's "Republic," which survived the medieval period only in Hebrew and Latin translations.
The first collection of essays devoted entirely to the medieval philosopher Averroes's Commentary on Plato's "Republic" includes a variety of contributors from across several disciplines and countries. The anthology aims to establish Averroes as a great philosopher in his own right, with special and unique insight into the world of Islam, as well as a valuable commentator on Plato. A major feature of the book is the first published English translation of Shlomo Pines's 1957 essay, written in Hebrew, on Averroes. The volume explores many aspects of Averroes's philosophy, including its teachings on poetry, philosophy, religion, law, and government. Other sections trace both the inspiration Averroes's work drew from past philosophers and the influence it had on future generations, especially in Jewish and Christian Europe.
Scholars of medieval philosophy, ancient philosophy, Jewish studies, and the history of political thought more generally will find important insights in this volume. The anthology is also intended to provide the necessary background for teachers aiming to introduce Averroes's commentary into the classroom. With the Republic regularly appearing near the top of lists of the most frequently taught books in the history of philosophy, this volume shows how the most important medieval commentary on it deserves a place in the curriculum as well.
Chris Walton
Richard Wagner's Essays on Conducting
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The first modern English edition of Richard Wagner's essays on conducting, extensively annotated, with a critical essay on Wagner as conductor: his aesthetic, practices, vocabulary, and impact.
Richard Wagner was one of the leading conductors of his time. Through his disciples Hans von Bülow, Hans Richter, Anton Seidl, Felix Mottl, Arthur Nikisch, and their many notable protégés, a Wagnerian art of interpretation became the norm in Europe and America until well into the twentieth century. Wagner's essays on conducting had an even longer impact, and were upheld as central to their art by later generations of conductors from Mahler to Strauss, Furtwängler, Böhm, Scherchen, and beyond.
This is the first complete, modern translation of Wagner's conducting essays to appear in English, and the first-ever edition to offer extensive annotations explaining their reception and impact. The accompanying critical essay offers a detailed analysis of Wagner's conducting practices, his innovations in tempo and the art of transition, his creation of a new vocabulary to describe his art, and his success in establishing a school of conductors to promote his works and his aesthetic.
A digital edition of this book is openly available thanks to generous support from the Swiss National Science Foundation.
Malasree Home
The Peterborough Version of the Anglo-Saxon Chronicle
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An examination of the linguistic and cultural construction of one of the texts of the Anglo-Saxon Chronicle.
In the twelfth century, a version of the Anglo-Saxon Chronicle was rewritten at Peterborough Abbey, welding local history into an established framework of national events. This text has usually been regarded as an exception, a vernacular Chronicle written in a period dominated by Latin histories. This study, however, breaks new ground by considering the Peterborough Chronicle as much more than just an example of the accidental longevity of the Chronicle tradition. Close analysis reveals unique interpretations of events, and a very strong sense of communal identity, suggesting that the construction of this text was not a marginal activity, but one essential to the articulation of the abbey's image. This text also participates in a vibrant post-Conquest textual culture, in particular at Canterbury, including the writing of the bilingual F version of the Chronicle; its symbiotic relationship witha wider corpus of Latin historiography thus indicates the presence of shared sources. The incorporation of alternative generic types in the text also suggests the presence of formal hybridity, a further testament to a fluid and adaptable textual culture.
Dr Malasree Home teaches at Newcastle University.
Hester Baer
The Cat Has Nine Lives
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Restores the first German feminist film, long neglected, to its rightful status as a classic forebear of more recent cinefeminism, demonstrating that the film is as relevant today as it was upon its 1968 release.
Acclaimed as postwar Germany's first feminist film, Ula Stöckl's The Cat Has Nine Lives disappeared from view shortly after its 1968 premiere when its distributor went bankrupt. Although it laid the groundwork for the flourishing feminist cinema that emerged in West Germany and beyond during the 1970s, Stöckl's vibrant film long remained largely unknown. Yet it is as fresh and relevant today as it was when it debuted half a century ago. Revived at the 2019 Berlin International Film Festival (Berlinale), The Cat Has Nine Lives is now available for the first time on DVD with English subtitles. Posing the question, "Women have never had as many possibilities to do what they want as they have today, but do they know what they want?," Stöckl's film follows the intertwined stories of five characters to explore the possibilities for and limitations on women's subjectivity, desire, friendship, work, and artistic expression in a society defined by gender inequality. Restoring this singular film to its rightful place as a German film classic, Hester Baer argues that The Cat Has Nine Lives forms an important aesthetic and theoretical precursor to the unfolding cinefeminism of later decades.
Peter Bloom
Berlioz in Time
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Fourteen revealing essays by a prominent Berlioz authority on some of the composer's acclaimed compositions (the Symphonie fantastique, Les Nuits d'été, Les Troyens) and writings (the celebrated Mémoires).
Written for both music lovers and scholars, these essays probe some of Berlioz's major works, including the Symphonie fantastique (the period of whose genesis is newly explored), Les Nuits d'été (whose origins are newly clarified by a revelation regarding Berlioz's possible muse), the Symphonie militaire (whose existence is examined in the period before it became the Symphonie funèbre et triomphale), Les Troyens (whose epilogue is seen as a paean to Napoléon III), and Béatrice et Bénédict (whose text reveals extraordinary understanding of the original play).
The essays consider anew Berlioz's relationships with Franz Liszt (with whom the composer shared intimate details of his marriage to Harriet Smithson) and Richard Wagner (by whom the Frenchman was both charmed and alarmed), his travels in Germany (revealed as having had a specifically administrative purpose), his appreciation of English literature and Shakespeare (on whose work he was considered an expert), his modus operandi in composing the Mémoires, and his major twentieth-century biographers. Of conspicuous concern are the "politics" of a man sometimes erroneously viewed as distant from the political arena.
This book is openly available in digital format, under Creative Commons license CC BY-NC-ND, thanks to generous funding from The New Berlioz Edition Trust.
Jacob Steere-Williams
The Filth Disease
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Shows how the investigation of local outbreaks of typhoid fever in Victorian Britain led to the emergence of the modern discipline of epidemiology as the leading science of public health
Typhoid fever is a food- and water-borne infectious disease that was insidious and omnipresent in Victorian Britain. It was one of the most prolific diseases of the Industrial Revolution. There was a palpable public anxiety aboutthe disease in the Victorian era, no doubt fueled by media coverage of major outbreaks across the nation, but also because Queen Victoria's husband, Prince Albert, died of the disease in 1861. Their son and heir, Prince Albert Edward, contracted and nearly succumbed to typhoid a decade later in 1871.
The Filth Disease shows that typhoid was at the center of a number of critical debates about health, science, and governance. Victorian public health reformers, the book argues, working in central and local government, framed typhoid as the most pressing public health problem in order to persuade local officials to implement sanitary infrastructure to prevent the spread of disease. In this period British epidemiologists uncovered how typhoid is spread via food and water supplies, disrupting the longstanding idea that typhoid was spread via filth. In the process the modern disciple of epidemiology emerged as the chief science of public health. Typhoid was as much a social and political problem as it was a scientific one, and The Filth Disease provides a striking reminder of the cultural context in which infectious diseases strike populations and how scientists study them.
Anjeana K. Hans
Warning Shadows
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A view of a long-neglected classic of Weimar cinema - now restored and widely available - as both a gripping narrative of infidelity and jealousy and a film inherently about film.
Artur Robison's Warning Shadows - in German simply Schatten, shadows - premiered in 1923 to critical acclaim. This story of a fateful dinner party at which a flirtatious wife, her jealous husband, and their guests are entertained by a traveling illusionist who deals in shadow play and hypnosis was extolled by one critic as superior to Wegener's Golem, Lubitsch's Passion, even Murnau's Nosferatu and Wiene's The Cabinet of Dr. Caligari. Yet where those films became mainstays of film history, Warning Shadows was long unknown: only recently, with the release of a restored version on DVD, has it begun to get its due. One of the few silent movies to eschew intertitles, it was an attempt to create a "pure film," drawing on the qualities of cinema that made it not an heir to literature or theater but a unique and autonomous art form. Staging a story of desire, adultery, and violence, Robison's film also engaged with discourses at the heart of Weimar culture, from changing gender norms to hysteria and hypnosis to the construction of spectatorship. Seen this way, Warning Shadows is both a gripping narrative of infidelity and jealousy and a film inherently about film.
Crispin Brooks
Beyond the Pale
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The first book devoted exclusively to the Holocaust in the North Caucasus, exploring mass killings, Jewish responses, collaboration, and memory in a region barely known in this context
When war between the Soviet Union and Germany broke out in 1941, thousands of refugees - many of whom were Jews - poured from war-stricken Ukraine, Crimea, and other parts of Russia into the North Caucasus. Hoping to find safety, they came to a region the Soviets had struggled to pacify over the preceding 20 years of their rule. The Jewish refugees were in especially unfamiliar territory, as the North Caucasus had been mostly off-limits to Jews before the Soviets arrived, and most local Jewish communities were thus small. The region was not known as a hotbed of traditional antisemitism. Nevertheless, after occupying the North Caucasus in the summer and autumn of 1942, the Germans exterminated all the Jews they found - at least 30,000 - aided by local collaborators.
While scholars have focused on local collaboration during the German occupation and on the subsequent Soviet deportations of entire North Caucasian ethnic groups, the region has largely escaped the attention of Holocaust researchers. This volume, the first book-length study devoted exclusively to the Holocaust in the North Caucasus, addresses that gap. Contributors present richly documented essays on such topics as German killing operations, decision-making by Jewish refugees, local collaboration, rescue, and memory, taking care to integrate their findings into the broader contexts of Holocaust, North Caucasian, Russian, and Soviet history.
Dr Anne M. Lovell
Reimagining Psychiatric Epidemiology in a Global Frame
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Examines psychiatric epidemiology's unique evolution, conceptually and socially, within and between diverse regions and cultures, underscoring its growing influence on the biopolitics of nations and worldwide health campaigns.
Psychiatric epidemiology, like the epidemiology of cancer, heart disease, or AIDS, contributes increasingly to shaping the biopolitics of nations and worldwide health campaigns. Despite the field's importance, this is the first volume of historical scholarship addressing psychiatric epidemiology. It seeks to comprehensively trace the development of the discipline and the mobilization of its constructs, methods, and tools to further social ends. It is through this double lens—conceptual and social—that it envisions the history of psychiatric epidemiology. Furthermore, its chapters constitute elements for that history as a global phenomenon, formed by multiple approaches. Those numerous historical paths have not resulted in a uniform disciplinary field based on a common paradigm, as happened arguably in the epidemiology of cardiovascular disease and cancer, but in a plurality of psychiatric epidemiologies driven by different intellectual questions, political strategies, reformist ideals, national cultures, colonial experiences, international influences, and social control objectives. When examined together, the chapters depict an uneven global development of epidemiologies formed within distinct political-cultural regions but influenced by the transnational circulation and selective uptake of concepts, techniques, and expertise. These moved through multidirectional pathways between and within the Global North and South. Authored by historians, anthropologists, and psychiatrists, chapters trace this complex history, focusing on Brazil, Nigeria, Senegal, India, Taiwan, Japan, the United Kingdom, the United States and Canada, as well as multicountry networks.
Vincent A. Lenti
Nurturing the Love of Music
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The third volume of Vincent Lenti's history of the Eastman School of Music
Nurturing the Love of Music is the third volume of Vincent Lenti's history of the Eastman School of Music, being preceded by For the Enrichment of Community Life: George Eastman and the Founding of the Eastman School of Music (2004) and Serving a Great and Noble Art: Howard Hanson and the Eastman School of Music (2009). This most recent addition to the written history of the school is mainly concerned with the period of time when Robert Freeman served as the school's fourth director (that is, dean). Freeman was recruited to lead the Eastman School in the fall of 1972 and officially assumed responsibilities as director on July 1, 1973. He served as director until his resignation in 1996. His was the second longest tenure in the school's history, only being surpassed by that of Howard Hanson. That tenure allowed him to exercise great influence over faculty recruitment, program development, and fundraising, as well as presiding over the most significant expansion of the school's physical presence in downtown Rochester since the original construction of 1921 and 1922. The publication of Nurturing the Love of Music coincides with the celebration of the Eastman School's one-hundredth anniversary. Because of that anniversary celebration, the book includes as its final chapter a brief summary of the post-Freeman years, a story that will no doubt be told in greater detail sometime in the future.
Asta Nielsen
The Silent Muse
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The memoirs of the pioneering Danish silent film star Asta Nielsen in English translation for the first time, with scholarly introduction and annotations.
From her explosive screen debut in The Abyss (1910) through her "scandalous" fourth marriage at age 89, the Danish actress Asta Nielsen (1881-1972) was a darling of fans and the press, a global star without parallel in the silent era. So famous in Germany that she was known simply as "die Asta," during her two decades of active filmmaking Nielsen also published about her career, her impoverished childhood, her breakthrough into film, the price of fame, and her interactions with the German film industry. In 1938 Nielsen returned to Denmark, where she published her memoirs in two volumes in 1945-46, expanding on her earlier writings. This carefully crafted, colorful text offers eyewitness insights into early European film, Nielsen's star persona, and the challenges of stardom in Germany in the tumultuous period before World War II. Yet although they have appeared in multiple Danish, German, and Russian editions, the memoirs have never been published in English until now. Nielsen's work has enduring value for transnational film history, and the recent growth of interest in women's contributions to early film makes the time ripe for this translation. Julie K. Allen accompanies the text with a scholarly introduction and annotations, and a foreword by leading early film scholar Jennifer M. Bean frames the volume.
Frauke Matthes
Edinburgh German Yearbook 14
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Examines the heightened role of politics in contemporary German and Austrian cultural productions and institutions and what it means for German Studies.
As debates about Europe, migration, resurgent nationalism, and neoliberalism intensify in Germany and Austria, politics has gained particular prominence in cultural production and cultural institutions. How does this development affect German Studies as a discipline and a practice? Volume 14 of Edinburgh German Yearbook examines political or politicized aspects of contemporary life that have become increasingly significant for culture today. The contributions gathered here offer engaging readings of contemporary literary texts (including work by Saša Stanišić, Anke Stelling, and Timur Vermes), films (by Fatih Akın, Ruth Beckermann, and Andreas Dresen), and other forms of cultural intervention (the polemics of Max Czollek and Oliver Polak, and the activism of the left-feminist group Burschenschaft Hysteria). These encourage us to consider how communities are being (re)shaped by current political and social crises, antagonisms around memory cultures, questions of European identity, as well as challenges to the status of an assumed Leitkultur and the discourse of integration.
Kendra Stepputat
The Kecak and Cultural Tourism on Bali
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Examines the history of one of the best known dramatic dance performance practices on Bali and its connection with cultural tourism.
The kecak is one of the best-known dramatic dance performance practices on Bali. Based on the ancient Indian Ramayana epic, it is performed by an ensemble of male and female solo dancers and accompanied by a hundred men who function as both musicians and living scenery. Since its creation in the 1930s, the kecak has been primarily a tourist performance.
Drawing on over twenty years of fieldwork and meticulous archival study, Kendra Stepputat provides here a comprehensive study of the history, form, and cultural significance of the kecak. The first part of the book focuses on the kecak in its present form, including musical, choreographic, and dramatic elements. The connection between cultural tourism on Bali and kecak performance practice is analyzed in detail, including the dependency between tourism professionals and artists and ways of promoting the kecak. Tourists' perspectives on the kecak are addressed separately. The second part deals with the genesis and development of the kecak from the 1930s onward, exploring how it became and stayed a tourist genre for more than eighty years.
David Breitman
Piano-Playing Revisited
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A guide, linked to an online suite of video examples, to how historical instruments influenced the composers of keyboard music, and a way to look at their scores with fresh eyes and ears.
Today's pianists are expected to play music of three centuries on a single instrument: Steinway's design from the late 1800s. Other types of pianos, such as Mozart's Walter or Chopin's Pleyel, are increasingly being copied or restored, but they are played almost exclusively by specialists in "Historical Performance." David Breitman has been introducing Oberlin Conservatory students to historical keyboards since 1991, and in this book he focuses on the music he cares about most deeply and the problems he has found most perplexing.
He begins by acknowledging the dilemma of confronting historical repertoire with modern instruments, then shows how to apply insights from period instruments to practical problems on any piano, including the relationship between melody and accompaniment and the use of the pedal. The central portion of the book discusses the pianos and piano music of Haydn and Mozart, Beethoven, Schubert, and Chopin, as well as the special place of the clavichord in eighteenth-century keyboard culture. A wide range of musical examples demonstrates how composers were influenced by the instruments they knew, and how that understanding can help today's performers. The book concludes with a passionate plea for individual creativity and autonomy, authentic voices for our own time.
A suite of videos, including demonstrations of representative musical examples as well as of the moderator pedal and clavichord action, can be found here: https://vimeo.com/showcase/8046349.
Elisabeth Krimmer
German #MeToo
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This volume of new essays represents a collective, academic, and activist effort to interpret German literature and culture in the context of the international #MeToo movement, illustrating and interrogating the ways that "rape cultures" persist.
Responding to the worldwide impact of the #MeToo movement, this volume investigates not only the ubiquity of sexual abuse and sexual violence but also the transhistorical and transnational failure to hold perpetrators accountable. From a range of disciplines, the collected essays engage current cultural and political discourses about systemic sexism, feminist theory and practice, and gender-based discrimination from an academic and activist perspective. The focus on national cultures of German-speaking Europe from the mid-eighteenth century to the present captures the persistence of normalized and institutionalized sexism, reframed through the lens of a contemporary political and social movement. German #MeToo argues that sexual violence is not a universal human constant. Rather, it is nurtured and sustained by the social, political, cultural, legal, and economic fabric of specific societies. The authors sustain and vary their exploration of #MeToo-related issues through considerations of rape, prostitution, sexual murder, the politics of consent, and victim-blaming as enacted in literary works by canonical and marginalized authors, the visual arts, the graphic novel, film, television, and theater. The analysis of rape myths - of discourses and practices in German history and culture that subtend and indemnify sexual violence - is a central subject of this edited volume. Throughout, German #MeToo challenges narratives of sex-based discrimination while emphasizing the strategies of resistance and the importance of telling one's own story.
Timothy Stapleton
West African Soldiers in Britain’s Colonial Army, 1860-1960
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Explores the history of Britain's colonial army in West Africa, especially the experiences of ordinary soldiers recruited in the region.
West African Soldiers in Britain's Colonial Army explores the complex and constantly changing experience of West African soldiers under British command in Nigeria, the Gold Coast (now Ghana), Sierra Leone, and the Gambia. Since cost and tropical disease limited the deployment of British metropolitan troops to the region, British colonial rule in West Africa depended heavily on locally recruited soldiers and their families. This force became Britain's largest colonial army in Sub-Saharan Africa. West African Soldiers looks at the development of this colonial military from the conquest era of the late nineteenth century to decolonization in the 1950s. Rather than describing the many battles fought by this army both regionally and overseas, and informed by the concept of military culture, the book looks at the broad and overlapping themes of identity, culture, daily life, and violence. Chapter topics include the enslaved origins of the force, military identities including the myth of martial races, religious life, visual symbols like uniforms and insignia, health care related to tropical and sexually transmitted diseases, the experience of army wives, disciplinary flogging, mutiny, day-to-day violence committed by troops, and the employment of former soldiers by the colonial state. Based on archival research in five countries, the book derives inspiration from previous work on ordinary African soldiers in the British and German colonies of East Africa and in French West Africa.
Kevin J. Hayes
How D. H. Lawrence Read Herman Melville
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Details Lawrence's reception of Melville and reveals his underacknowledged role in the Melville Revival, while contributing to the history of the book and the study of the creative process.
How Lawrence Read Melville is a highly focused account of D. H. Lawrence's discovery and reception of Herman Melville, from when he first read Moby-Dick as a young man to his final references to Melville in his late works. It shows Lawrence's initial reaction to Moby-Dick; how it led him to other works by Melville, namely Typee and Omoo; and how Melville affected Lawrence's critical and creative writing and shaped his philosophy. This book is a study of the creative process that shows how one great writer inspired another, but it also makes a major contribution to the history of the book and two of its subfields: the history of reading, and reception studies. By his death in 1891, Melville had been forgotten except by a small circle of English enthusiasts. That group put Lawrence onto Melville, whereupon he became a - until now largely unacknowledged - leader of the Melville Revival that rescued the great writer from obscurity. This Swiss army knife of a book will appeal to scholars and booklovers alike.
Elisabeth Krimmer
Writing the Self, Creating Community
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This volume examines the world of German women writers who emerged in the burgeoning literary marketplace of eighteenth-century Europe.
Beginning in the 1770s, the German literary market experienced unprecedented growth. The enormous demand for reading materials that stimulated this burgeoning market created new opportunities for women writers. At the same time, they still faced numerous obstacles. The new opportunities and limitations imposed on women writers are the subject of this book. The eleven essays contained within look beyond the negative strategies women writers employed, such as hiding their intellectual accomplishments or legitimizing their works by subordinating them to non-artistic purposes. Instead, they ask how women wrote about their own creative processes both directly, for example, by sketchinga female poetology, and indirectly, through literary representations of female authorship. This volume examines concepts of female authorship as they are presented in women's correspondence, theoretical statements, and literary works. The contributors bring to life the collaborative literary world of female writers through explorations of familial and professional mentorships, salons, writing circles, and their correspondences. They consider how female authors positioned themselves within contemporary intellectual discourses and analyze the tropes that shaped ideas about their authorship throughout the emerging literary marketplace of eighteenth century Europe.
Contributors: Karin Baumgartner, Margaretmary Daley, Ruth P. Dawson, Denise M. Della Rossa, Renata Fuchs, Amy Jones, Julie L. J. Koehler, Elisabeth Krimmer, Sara Luly, Monika Nenon, Lauren Nossett, Angela Sanmann.
Elisabeth Krimmer is Professor of German at the University of California, Davis, and Lauren Nossett is Visiting Assistant Professor of German at Randolph-Macon College.
Leslie Waters
Borders on the Move
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An examination of territorial changes between Czechoslovakia and Hungary and their effects on the local populations of the borderlands in the World War II era
The movement of borders and people was a remarkably common experience for mid-twentieth-century Central and Eastern Europeans. Such was the case along the border between Czechoslovakia and Hungary, where territory changed hands in1938 and again in 1945. During the intervening period and beyond, residents of the borderland were caught in a nearly continuous onslaught of ethnic cleansing - expulsion of Czech and Slovak "colonists," Jewish deportations during the Holocaust, and postwar population exchanges - that was meant to reshape the territory first in the desired image of the Hungarian state and later on in that of Czechoslovakia.
Borders on the Move examines the impact of border changes and migrations on this region between 1938 and 1948. It investigates the everyday consequences of geopolitical events that are well-known from the perspective of international and national histories, but does so explicitly in the context of the borderland. Making skillful use of state and local archival sources in Hungary and Slovakia, author Leslie Waters illuminates the catastrophic effects of state action - including sweeping wealth redistribution and the expulsion of those perceived as enemies of the state - on individuals. This engagingly written and far-reaching work will be invaluable to scholars of the Holocaust and of East Central Europe as well as to those who study forced migration, population exchange, and inter-ethnic relations.
Professor Ward J. Risvold
Renaissance Papers 2020
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Collection of the best scholarly essays from the 2020 Southeastern Renaissance Conference plus essays submitted directly to the journal. Topics run from the epic to influence studies to the perennial problem of love and beyond.
Renaissance Papers2020 features essays from the conference held virtually at Mercer University, as well as essays submitted directly to the journal. The volume opens with an essay that discusses the "ultimate story," the epic, and argues, pointing to the Henriad and The Faerie Queen, that some of the most ambitious remain unfinished; an essay on "just war" and Henry V follows, suggesting why such epic inconclusion may not be such a bad thing. A trio of influence studies investigate post-Marian virginity, Miltonic environmentalism, and cross-dressing knights. Three essays then interrogate the perennial problem of love: in popular ballads, in Hero and Leander, and in The Rape of Lucrece. An essay argues counterintuitively for Amelia Lanyer and Margaret Cavendish as exemplars of the Cavalier Ideal of the Bonum Vitae; it is followed by an equally provocative reconsideration of the role of Claudio D'Arezzo's rhetorical works for Sicilian national identity. The last essay analyzes the formal signatures of three sixteenth-century queens and how they sought to represent themselves on the public stage.
Andrea Meyertholen
The Myth of Abstraction
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An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.
Once upon a time (or more specifically, in 1911!) there was an artist named Wassily Kandinsky who created the world's first abstract artwork and forever altered the course of art history - or so the traditional story goes. A good story, but not the full story. The Myth of Abstraction reveals that abstract art was envisioned long before Kandinsky, in the pages of nineteenth-century German literature. It originated from the written word, described by German writers who portrayed in language what did not yet exist as art. Yet if writers were already writing about abstract art, why were painters not painting it? To solve the riddle, this book features the work of three canonical nineteenth-century authors - Heinrich von Kleist, Johann Wolfgang von Goethe, and Gottfried Keller - who imagine, theorize, and describe abstract art in their literary writing, sometimes warning about the revolution it will cause not just in art, but in all aspects of social life. Through close readings of their textual images and visual analyses of actual paintings, Andrea Meyertholen shows how these writers anticipated the twentieth-century birth of abstract art by establishing the necessary conditions for its production, reception, and consumption. The first study to bring these early descriptions of abstraction together and investigate their significance, The Myth of Abstraction writes an alternative genealogy featuring the crucial role of literature in shaping abstract art in aesthetic, cultural, and social terms.
Philip W. Davidson
A History of Developmental and Behavioral Pediatrics at the University of Rochester
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A history of the University of Rochester Medical Center's Developmental and Behavioral Pediatrics Division from its inception in 1947 through 2019.
The field of intellectual and developmental disabilities has evolved dramatically from the end of the nineteenth century, changing from dehumanizing institutional care to community-based services and supports. The University of Rochester Medical Center's response to community needs in this field began in 1947. This book describes the history of its Division of Developmental and Behavioral Pediatrics, written by the only two chiefs the division has had. The narrative traces the first effort to provide diagnostic service to parents of affected children and describes the emergence of a full program of interdisciplinary services, education of future leaders, community-based consultation, and research. It shows how the division's growth was molded by changing needs in the region and the world. It also tells the story of how a multidisciplinary program can emerge and thrive in a research-oriented medical center and serve as a bridge between a university and its community partners. Finally, it underscores the time-consuming process of program development, including building trust, acquiring needed resources, and maintaining the highest quality of programming during both good and difficult times.
Seth Howes
Moving Images on the Margins
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Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years.
In the German Democratic Republic during the 1970s and 1980s, more than two hundred films and videos, many of them experimental, were made outside government-run institutions despite legal restrictions on independent filmmaking, and despite the state-owned DEFA studio system's resistance to experimental film. Many were by professional artists who incorporated their painted, sculpted, and performed works in their films and then re-integrated their films into their other artistic endeavors. In addition to showing and debating their films informally in private, these artists worked within existing institutions, establishing annual meetings at Dresden's Academy of Fine Arts, publishing on experimental film in official journals, and even exhibiting films at the Academy of Arts in Berlin. Though pursued as political subversives by the Stasi and dismissed as dilettantes by older critics, these artists frequently engaged their detractors in open debate, advancing their creative itineraries by exposing conceptual problems lurking in the histories of art and cinema. Through extensive archival research, formal analyses of over a dozen films, and interpretation of their relation to their creators' work in other media, Seth Howes documents the rich allusiveness and intellectual probity of experimental filmmaking in East German socialism's final years. Individual chapters examine Lutz Dammbeck's incorporation of painting, dance, literature, and experimental film into a critique of the (mass-)mediation of experience; the Autoperforationsartisten's use of film to problematize the notion of the "performance document"; Greifswald-based artists' integration of film into mail-art projects that crossed political borders and boundaries between media; and Yana Milev's blending of film and installation art to theorize the organization and segmentation of urban spaces.
Seth Howes is Assistant Professor of German in the Department of German and Russian Studies at the University of Missouri.
Brian Murdoch
The Fortunes of Everyman in Twentieth-Century German Drama
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Death still comes to Everyman, but this study of three twentieth-century German plays shows the harder challenge of living without salvation in an age of war and unprecedented mass destruction.
Death comes to everyone, and in the late-medieval morality play of Everyman the familiar skeleton forces the universalized central figure to come to terms with this. Only his inner resources, in the forms of Good Deeds and Knowledge, ensure that he repents and is redeemed. Three important twentieth-century German plays echo Everyman - Toller's Hinkemann, Borchert's The Man Outside, and Frisch's The Arsonists/Firebugs - but the unprecedented scale of killing in the First and Second World Wars changed the view of death, while in the Cold War the nuclear destruction literally of everyone became a possibility. Brian Murdoch traces the heritage of Everyman in the three plays in terms of dramatic effect, changes in the image of Death, and especially the problem of living with existential guilt. Death, now over-fed, still has to be faced, but Everyman has the harder problem of living with the awareness of human wickedness without the possibility of salvation. All three plays have tended to be viewed in their specific historical contexts, but by viewing them less rigidly and as part of a long dramatic tradition, Murdoch shows that all present a message of lasting and universal significance. They pose directly to the theater audience questions not just of how to cope with death, but how to cope with life.
Dr Katja Herges
Contested Selves
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Investigates the field of German life writing, from Rahel Levin Varnhagen around 1800 to Carmen Sylva a century later, from Döblin, Becher, women's WWII diaries, German-Jewish memoirs, and East German women's interview literatureto the autofiction of Lena Gorelik.
In recent decades, life writing has exploded in popularity: memoirs that focus on traumatic experiences now constitute the largest growth sector in book publishing worldwide. But life writing is not only highly marketable; it also does important emotional, cultural, and political work. It is more available to amateurs and those without the cultural capital or the self-confidence to embrace more traditional literary forms, and thus gives voice to marginalized populations. Contested Selves investigates various forms of German-language life writing, including memoirs, interviews, letters, diaries, and graphic novels, shedding light on its democratic potential, on its ability to personalize history and historicize the personal. The contributors ask how the various authors construct and negotiate notions of the self relative to sociopolitical contexts, cultural traditions, genre expectations, and narrative norms. They also investigate the nexus of writing, memory, and experience, including the genre's truth claims vis-à-vis the pliability and unreliability of human memories. Finally, they explore ethical questions that arise from intimate life writing and from the representation of "vulnerable subjects" as well as from the interrelation of material body, embodied self, and narrative. All forms of life writing discussed in this volume are invested in a process of making meaning and in an exchange of experience that allows us to relate our lives to the lives of others.
Vincent A. Lenti
Nurturing the Love of Music
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The third volume of Vincent Lenti's history of the Eastman School of Music
Nurturing the Love of Music is the third volume of Vincent Lenti's history of the Eastman School of Music, being preceded by For the Enrichment of Community Life: George Eastman and the Founding of the Eastman School of Music (2004) and Serving a Great and Noble Art: Howard Hanson and the Eastman School of Music (2009). This most recent addition to the written history of the school is mainly concerned with the period of time when Robert Freeman served as the school's fourth director (that is, dean). Freeman was recruited to lead the Eastman School in the fall of 1972 and officially assumed responsibilities as director on July 1, 1973. He served as director until his resignation in 1996. His was the second longest tenure in the school's history, only being surpassed by that of Howard Hanson. That tenure allowed him to exercise great influence over faculty recruitment, program development, and fundraising, as well as presiding over the most significant expansion of the school's physical presence in downtown Rochester since the original construction of 1921 and 1922. The publication of Nurturing the Love of Music coincides with the celebration of the Eastman School's one-hundredth anniversary. Because of that anniversary celebration, the book includes as its final chapter a brief summary of the post-Freeman years, a story that will no doubt be told in greater detail sometime in the future.
Jeffrey L. High
Heinrich von Kleist
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WINNER of the 2023 CHOICE Outstanding Academic Title Award
Volume of new essays investigating Kleist's influences and sources both literary and philosophical, their role as paradigms, and the ways in which he responded to and often shattered them.
Heinrich von Kleist (1777-1811) was a rebel who upset canonization by employing his predecessors and contemporaries as what Steven Howe calls "inspirational foils." It was precisely a keen awareness of literary and philosophical traditions that allowed Kleist to shatter prevailing paradigms. Though little is known about what specifically Kleist read, the frequent allusions in his enduringly modern oeuvre indicate fruitful dialogues with both canonical and marginal works of European literature, spanning antiquity (The Old Testament, Sophocles), the Early Modern Period (Shakespeare, De Zayas), the late Enlightenment (Wieland, Goethe, Schiller), and the first eleven years of the nineteenth century (Mereau, Brentano, Collin). Kleist's works also evidence encounters with his philosophical precursors and contemporaries, including the ancient Greeks (Aristotle) and representatives of all phases of Enlightenment thought (Montesquieu, Rousseau, Ferguson, Spalding, Fichte, Kant, Hegel), economic theories (Smith, Kraus), and developments in anthropology, sociology, and law. This volume of new essays sheds light on Kleist's relationship to his literary and philosophical influences and on their function as paradigms to which his writings respond.
Patricia Anne Simpson, Birgit Tautz
Goethe Yearbook 27
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A new Forum section focuses on the impact of Digital Humanities on Goethe scholarship and on eighteenth-century German Studies, alongside articles on a diverse range of authors and topics.
The Goethe Yearbook is a publication of the Goethe Society of North America, showcasing North American and international scholarship on Goethe and other authors and aspects of the Goethezeit. Volume 27 features the yearbook's first Forum, a discussion of the impact of Digital Humanities (DH) and "computational criticism" on Goethe scholarship and eighteenth-century German Studies more broadly. For this launch, invited contributors were askedto consider the canon in comparison to "the great unread" (Margaret Cohen): the vast expanse of uncanonized texts. The contributions evince approaches that go beyond the established binary of scholarly methods vs. data sciences; they also explore DH as a way of navigating the gendered fault lines of canon formation. Beyond the Forum, there are articles on Goethe's self-marketing, on several of his major works, and on pivotal topics in them (orientation, der Gang, and transgression); on nascent anthropology, on Creativity Studies, and on other eighteenth-century figures (Rahel Levin Varnhagen, Karl Phillip Moritz). A newly discovered text by August von Kotzebue, sample entries fromthe prodigious work in progress Lexikon of Philosophical Concepts, and the customary book review section round out the volume.
Richard B. Apgar, Constanze Baum, Jane K. Brown, Matt Erlin, Renata Fuchs, Matthew Handelman, Katrin Henzel, Stefan Höppner, Julie Koser, James Manalad, Clark Muenzer, Maike Oergel, Andrew Piper, Mattias Pirholt, Michael Saman, Renata Schellenberg, Helmut J. Schneider, Oliver Simons, Leif Weatherby, George S. Williamson, Karin A. Wurst.
Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln. Birgit Tautz is George Taylor Files Professor of Modern Languages at Bowdoin College. Book review editor Sean Franzel is Associate Professor of German at the University of Missouri-Columbia.
Gerd Gemünden
Toni Erdmann
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The first in-depth analysis of Maren Ade's acclaimed contemporary classic, a generational tug-of-war about the meaning of life, work, and death.
Maren Ade's tragicomedy Toni Erdmann, a 2016 Cannes sensation and Oscar nominee, is an internationally acclaimed classic of recent German cinema. By turns hilarious, cringeworthy, and heart-wrenching, the film revolves around Winfried, a retired music teacher and prankster trying to rebuild a relationship with his daughter Ines, a high-powered business consultant based in Bucharest. At its center, this unpredictable scenario pits one type of performance - Ines's efforts to meet the unyielding expectations of the new economy - against another - Winfried's anarchic role-play meant to disrupt the standardization of life. This book, the first in-depth analysis of the film, explores the many layers of this generational tug-of-war about the meaning of life, work, and death. Employing Ade's trademark minimalist style, the film deftly comments on the precarity of life; the gendering of labor in the new economy; the re-definition of feminism by the children of the generation of 1968; and reconfigured East-West relations in post-Wall Europe. Lastly, in light of Ade's artisanal mode of filmmaking, in which she regularly assumes the role of writer, director, and producer, Toni Erdmann becomes a highly self-reflexive comment on the neoliberal dictates of global art cinema.
Sophie Redfern
Bernstein and Robbins
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The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time.
2022 CHOICE Outstanding Academic Title Winner.
Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years.
Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
Kevin J. Hayes
At War with The Red Badge of Courage
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The story of the critical reception of Crane's great Civil War novel from its publication to the present, with particular attention to the effects of later wars on that reception.
Stephen Crane's masterpiece The Red Badge of Courage was a sensation when it first appeared in 1895: many readers were astonished that this upstart, born after the Civil War, had written the single best novel on the subject. It remains one of the best books on the experience of war in American literature. Since its publication, The Red Badge has been repeatedly subjected to new scrutiny - not only by the passing of time and the changing of critical trends, but by every new war - to see if Crane's story still holds its power. So far, it has done so, not just in the eyes of literary critics but also among soldiers. The two world wars, Korea, Vietnam, the Gulf War, and the wars in Iraq and Afghanistan: all these have shaped the book's critical reception; and veterans, many of whom have commended Crane's insight into the experience of battle, have significantly affected how it has been read and understood. After World War I, Red Badge was closely associated with modernist novels written by those with wartime experience, Ernest Hemingway most importantly. After World War II and Korea, the book resonated with the manyveterans the G.I. Bill brought into the classroom to study American literature, some of whom became critics themselves. And during and after Vietnam and the other controversial wars that have followed, Crane's book has continuedto call forth a steady stream of critical response. Kevin J. Hayes's book is the story of the critical reception of The Red Badge both in and out of war.
Yvonne Zivkovic
The Literary Politics of Mitteleuropa
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Shows how postwar writers in Austria and Yugoslavia re-imagined the concept of Mitteleuropa, Central Europe, as a cultural space between nostalgia and totalitarianism.
The German term Mitteleuropa, or Central Europe, was never just a geographical concept: it connoted extending German influence to the east. In the 1980s, the eastern European dissident writers György Konrád, Czesław Miłosz, and Milan Kundera revived the concept to counter a perceived Cold War memory vacuum, aligning themselves with the multiethnic and multilingual legacy of the Habsburg Empire. Their observations gave rise to a protracted public debate that posited literature against politics. This debate was both anticipated and expanded upon in postwar literary works by Ingeborg Bachmann, Peter Handke, and Christoph Ransmayr in Austria, and Danilo Kiš, Aleksandar Tišma, and Dubravka Ugrešić in (the former) Yugoslavia, all of whom questioned notions of geographic identity and national allegiance by imagining Mitteleuropa as a cultural space between nostalgia and totalitarianism. Yvonne Zivkovic draws on space and memory studies to show how Mitteleuropa emerged as an alternate memory discourse that reveals deep ties between the Second Austrian Republic and the Socialist Federal Republic of Yugoslavia. The writers discussed address the major themes of the 1980s debate - traumatic memory, geographic displacement, and transnationalism - but also share a literary aesthetics that privileges the intersections of prose fiction and the essay, the literary fragment, and intertextuality. Zivkovic's book shows the persistence of Mitteleuropa as a literary network and as a cultural collective that examines civic values against public tendencies of memory manipulation.
Margaretmary Daley
Great Books by German Women in the Age of Emotion, 1770-1820
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Emphasizing the role of and portrayal of emotion, this study argues for the inclusion of six late-eighteenth-century German-language novels by and about women in a revised canon.
Literature written by women in German during the "Age of Goethe" was largely considered unworthy Trivialliteratur. Using insights from Gender Studies yet acknowledging the need for a literary canon, Great Books by German Women offers a critical interpretation of six canon-worthy German novels written by women in the period, which it calls the "Age of Emotion." The novels are chosen because they depict women's ordinary yet interesting lives and because each contains prose particularly expressive of emotion. Sophie von La Roche's Die Geschichte des Fräuleins von Sternheim draws on the tradition of the epistolary novel while finding new ways to depict empathetic emotions. Friederike Unger's Julchen Grünthal brings to the Frauenroman or women's novel the use of irony to portray a heroine's emotions during her coming of age. Sophie Mereau's Blütenalter der Empfindung imagines women's affinity for the philosophical sublime, while Caroline Wolzogen depicts female desire in her Agnes von Lilien: both add lyricism to their prose, capturing sensual emotions. Karoline Fischer's Die Honigmonathe explores the agony that extreme emotions cause - not only for women but for men. And Caroline Pichler's Frauenwürde expands the focus from a young heroine to multiple mature characters. This study concludes that the influence of these six works was in no way trivial, either in portraying women's lives and emotions or in the history of German literature.
Helga Thorson
Grete Meisel-Hess
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This first book in English on Meisel-Hess, an early feminist voice in modernist discourse, illustrates the dynamic interplay between gender, sexuality, and race/ethnicity in Austrian and German modernism.
Grete Meisel-Hess (1879-1922), a contemporary of Freud, Schnitzler, and Klimt, was a feminist voice in early-twentieth-century modernist discourse. Born in Prague to Jewish parents and raised in Vienna, she became a literary presence with her 1902 novel Fanny Roth. Influenced by many of her contemporaries, she also criticized their notions of gender and sexuality. Relocating to Berlin, she continued to write fiction and began publishing on sexology and the women's movement. Helga Thorson's book combines a literary-cultural exploration of modernism in Vienna and Berlin with a biography of Meisel-Hess and a critical analysis of her works. Focusing on Meisel-Hess's negotiations of feminism, modernism, and Jewishness, it illustrates the dynamic interplay between gender, sexuality, and race/ethnicity in Austrian and German modernism. Analyzing Meisel-Hess's fiction as well as her sexological studies, Thorson argues that Meisel-Hess posited herself as both a "New Woman" and the writer of the "New Woman." The book draws on extensive archival research that uncovered a large number of new sources, including an unpublished drama and a variety of documents and letters scattered in collections across Europe. Until now there have been only limited secondary sources about Meisel-Hess, most containing errors and omissions regarding her biography. This is the first book on Meisel-Hess in English.
Professor Markus Wessendorf
The Brecht Yearbook / Das Brecht-Jahrbuch 47
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An annual volume, this time with special attention to the relevance of Brecht's work in today's world of resurgent authoritarianism and the need for resistance.
The Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of particular interest to him, especially the politics of literature and of theater in a global context. Embracing a wide variety of perspectives and approaches, like Brecht himself it is committed to the use value of literature, theater, and theory. Volume 47 features the special section "Brecht Post-2020: Fascism and Misinformation, Resistance and Intersectionality," with articles on Fear and Misery of the Third Reich and today's surge in autocracy, on an adaptation of The Measures Taken and Brazil's right-wing turn, on Brecht's exile poetry as a model for truth in an era of fake news, and on the relevance of Brecht's late-1940s adaptations of plays about resistance, among others. Varied new research on Brecht follows: essays on the 1919 Spartacist uprising's influence on Drums in the Night, on the anti-Stalinist critique in the prologue to The Caucasian Chalk Circle, on a recent Korean production of the same play in traditional Changgeuk style, and on Mei Lanfang's performances in Moscow in 1935 that Brecht most likely attended. The final essay considers Brecht's unfinished exile poem "Garden in progress" and the inherent incompletion of artworks and historical processes.
Professor Sean M. Ireton
Mountains and the German Mind
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The first scholarly English translations of thirteen vital texts that elucidate the central role mountains have played across nearly five centuries of Germanophone cultural history.
Mountains have occupied a central place in German, Swiss, and Austrian intellectual culture for centuries. This volume offers the first scholarly English translations of thirteen key texts from the Germanophone tradition of engagement with mountains. The selected texts span over 450 years, ranging from the early modern period to the postmodern era, and encompass several discursive modes of the mountain experience including geographical descriptions, philosophical meditations, aesthetic deliberations, and autobiographical climbing narratives. Well-known figures covered in this translational sourcebook include Conrad Gessner, Johann Jakob Scheuchzer, G.W.F. Hegel, Alexander von Humboldt, Georg Simmel, Leni Riefenstahl, and Reinhold Messner. Each text is accompanied by a critical introduction that places the translated text within a broader cultural context. The dual translational-interpretational approach offered in this volume is intended to stimulate new international and interdisciplinary dialogue on the cultural history of mountains and mountaineering.
Sean Ireton (University of Missouri) and Caroline Schaumann (Emory University) are also the editors of Heights of Reflection: Mountains in the German Imagination from the Middle Ages to the Twenty-First Century (2012).
Kyle Frackman
Coming Out
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Examines the creation, context, and significance of the first and only East German feature film about homosexuality.
It took forty years for East Germany's state-run studios, DEFA, to produce a feature film about homosexuality: Coming Out. The film's story seems radically ordinary today: a young teacher, Philipp, is gay but cannot accept the truth about his sexuality. He starts a relationship with a fellow teacher, Tanja, but falls in love with a man he meets, Matthias, whose confidence in his own self-understanding is alluring for him as well as a challenge. Acclaimed director Heiner Carow created a film that shows the difficulties, both internalized and external, that queer people faced in East Germany. In a quirk of history, Coming Out premiered in German theaters on November 9, 1989, the very night on which the Berlin Wall was opened, which meant the film was initially overshadowed, to say the least, by the earthshaking political events. Yet it remains a popular film and is regularly screened around the world, including prominently at queer film festivals. Kyle Frackman's book examines the film in both the late East German context of its creation and the international context of its reception.
This book is openly available in digital formats under Creative Commons license CC BY-NC.
T.J. Reed
Genesis
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Illuminates how selected great works of literature arose, leading to deepened understanding of the works and harking back to what we still call the humanities.
This monumental study seeks the roots of great literary works and the processes by which they arose. It first illuminates the process from idea and inspiration through intention, formulation, revision (and sometimes frustration) to publication and reception. The textual studies that follow range from single poems to epic and dramatic works, from the genesis of new genres to that of a whole career. T. J. Reed sets the scene by going back to Homer's epics and the Bible, refreshing familiar scholarly material with new insights. Two early modern chapters then treat Montaigne, the founder of a new self-confidence, and Shakespeare, the beginner shaped by and shaping history. In the book's second half Reed concentrates on his specialty, modern German literature: Goethe, Büchner, Thomas Mann, Kafka, Brecht, Celan, and Christa Wolf. A sense of the origins of literary meaning in each case is a firm foundation for understanding, staying close to the quick of human communication. Against the depersonalized, skeptical, theory-laden readings of literature that have been dominant in recent decades, this study harks back to what we still call the humanities.
Professor Patricia Anne Simpson
Goethe Yearbook 28
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This volume's Forum section focuses on new directions in eighteenth-century German studies, alongside articles on a diverse range of topics concerning Goethe and the literature and arts of his age.
The Goethe Yearbook is a publication of the Goethe Society of North America, showcasing North American and international scholarship on Goethe and other authors and aspects of the Goethezeit. Volume 28 features articles on several of Goethe's signature works (Xenien, Wahlverwandtschaften, Faust), unified by their innovative approaches. It also includes a Forum section seeking to prompt discussion of new directions in eighteenth-century German studies. An essay documenting Goethe's engagement with China and another on Goethe's legacy in post-WWII Argentina emphasize these new directions. Other essays highlight Goethe's inter-arts approaches (music,theater, collecting); interdisciplinary intersections of eighteenth-century literary studies with gender and social history; media theory; and renewed emphasis on materialism. The latter is the focus of a recently convened collaboration on early nineteenth-century inventories presented in this volume. The customary book review section rounds out the volume.
Theodore Ziolkowski
Stages of European Romanticism
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Employs an innovative approach by "stages" to offer a unified vision of European Romanticism over the half-century of its growth and decline.
Romanticism was a truly European phenomenon, extending roughly from the French Revolution to the 1848 revolutions and embracing not only literature and drama but also music and visual arts. Because of Romanticism's vast scope, most treatments have restricted themselves to single countries or to specific forms, notably literature, art, or music. This book takes a wider view by considering in each of six chapters representative examples of works - from across Europe and across a range of the arts - that were created in a single year. For instance, in the first chapter, focusing on the year 1798, Beethoven's Pathétique sonata, Wordsworth and Coleridge's Lyrical Ballads,Tieck's novel Franz Sternbalds Wanderungen, and Goya's painting El sueño de la razón. The following chapters treat works from the years 1808, 1818, 1828, 1838, and 1848. This approach by "stages" makes it possible to determine characteristics of six stages of Romanticism in its historical and intellectual context and to note the conspicuous differences between these stages as European Romanticism developed-for example, the waxing and waning of religious themes, the shifting visions of landscape, the gradual ironic detachment from early Romanticism. In sum, the volume offers a unified vision of European Romanticism in all its aesthetic forms over the half-centuryof its growth and decline.
Theodore Ziolkowski is Professor Emeritus of German and Comparative Literature, Princeton University.
Prof Dr Monika Richarz
German Jews and the University, 1678-1848
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Traces the gradual opening of university education in Germany to Jews, its significance for assimilation to the bourgeoisie, and the legal restrictions that nonetheless barred Jewish graduates from most professional careers.
For centuries Jews in Germany were denied full rights and excluded from gentile society. At the same time, Jewish law restricted scholarship to exegesis of the Talmud. But from the late seventeenth century onward, as German universities progressively opened their doors to them, many Jews turned toward university studies. This process accelerated around 1800 once education (Bildung) assumed a central role for social ascent among the so-called Bildungsbürgertum (cultural bourgeoisie). Many Jews sought to benefit from the professional and social opportunities that university attendance enabled, but they soon discovered that while the state encouraged education as a means of the "moral improvement" of the Jews, it was unwilling to concede them the right to professional careers. Alienated from their ancestral religion and unwilling or unable to return to trading occupations, academized Jews often found themselves leading precarious existences. Many joined the struggle for emancipation or took up the reform of Judaism. Now available in English translation for the first time, Monika Richarz's classic study addresses the far-reaching transformation of German Jewry under the impact of university education. It traces the secularization of Jewish education, the significance of academic education for social assimilation, and the loss of Jewish solidarity with increasing acculturation and emancipation.
Richard Langston
The Patriot
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Revitalizes Alexander Kluge's classic 1979 film, showing it to be not just great storytelling but also an exploration of the poetic force of Frankfurt School Critical Theory.
Alexander Kluge achieved his breakthrough at the 1966 Venice Biennale with his first feature, Yesterday Girl (Abschied von gestern), but it is arguably his 1979 film The Patriot (Die Patriotin) that first embodied the great heights his storytelling could reach. Titled after its heroine, the history teacher Gabi Teichert, The Patriot is, however, much more than just a curious story about a headstrong pedagogue intent on teaching kids a version of German history that does not end in war and death: it is one of the finest examples of Kluge's exploration of the poetic force of Frankfurt School Critical Theory. This book pursues The Patriot's conception as a cinematic extension of the theoretical agenda that Kluge and social philosopher Oskar Negt began developing just as the Frankfurt School's first generation was ending. It will guide twenty-first-century English-language readers past superficial interpretations of the film's engagement with German history. By asking how and why The Patriot brings the twin concepts of history and obstinacy - the human propensity to resist capitalism's forces of expropriation and alienation - to the screen, this book revitalizes Kluge's film for the new millennium.
Jim Pearce
Renaissance Papers 2019
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Sixty-sixth annual volume, taking in a range of topics relating to the literature of the period, from the power of naming to Shakespeare and Spenser, Herbert, Margaret Tyler and Margaret Cavendish, and Ben Jonson.
Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2019 volume, the sixty-sixth annual, features essays from the conference held at North Carolina StateUniversity, as well as essays submitted directly to the journal. The volume opens with an essay on the power of naming in creating early modern subjectivities, followed by a pair of provocative discussions of Shakespeare's plays:the first addresses temporal gaps in A Winter's Tale; the second is a reading of misogyny in The Taming of the Shrew in which Petruchio is no longer seen as "the true tamer." The two essays at the epicenter of thisyear's volume focus on religious topics, with a consideration of the mystical, specifically the notion of ascesis, in the work of Shakespeare and Spenser, followed by a more sublunary presentation of religious themes in George Herbert's estate poems. The next essay proposes a novel source for Margaret Tyler's reference to "the Jews" in her "Mirror of Princely Deeds and Knighthood" and is followed by a reconsideration of the variety of epitaphic subgenres available in the seventeenth century. The penultimate essay addresses Margaret Cavendish, Ben Jonson, and humanist dramaturgy, and the essay that concludes the journal examines Jonson's attempts to construct a hierarchy of literaryvalue within the complex constraints of the early modern marketplace.
Ingo Cornils
Beyond Tomorrow
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Shows German Science Fiction's connections with utopian thought, and how it attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.
Since its beginnings, German Science Fiction (or SF) has engaged with social change and technological progress, often drawing from utopian thought. The writer Kurd Laßwitz challenged the authoritarian Wilhelmine order; later, film director Fritz Lang provided a searing critique of Weimar society. Meanwhile utopian thinkers like Ernst Bloch and Herbert Marcuse insisted on the possibility of hope, even in the face of totalitarianism. During the Cold War, German utopian writing and filmmaking were vital both as a warning and as a creative imagining of possible futures. More recently, as rapid scientific and technological advances have continued, literary and cinematic responses have become increasingly dystopian in outlook, reflecting fears connected with globalization, advances in artificial intelligence and genetic engineering, and persistent challenges like climate change, hunger, migration, and terrorism. This book explores German SF's responses to the question how humanity can match technological advances with social, ethical, and moral progress. It surveys German utopian thought and the German SF tradition-both literary and cinematic-providing close readings of selected works that paradoxically reflect boundless optimism for the possibility of change and increasing pessimism in its likelihood. English translations are provided throughout. Building on its rich tradition but now confidently entering the mainstream, German SF attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.
Linda Leskau
Disability in German-Speaking Europe
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This collection reflects on the development of disability studies in German-speaking Europe and brings together interdisciplinary perspectives on disability in German, Austrian, and Swiss history and culture.
Ableism remains the most socially acceptable form of intolerance, with pejoratives referencing disability - and intellectual disability in particular - remaining largely unquestioned among many. Yet the understanding, depiction, and representation of disability is also clearly in a process of transformation. This volume analyzes that transformation, taking a close look at attitudes toward disability in historical and contemporary German-speaking contexts.
The volume begins with an overview of the emergence and growth of disability studies in German-speaking Europe against the background of the field's emergence a decade or so earlier in the US and UK. The differences in timing, methodology, and research concentrations bring into focus how each cultural context has shaped the field of disability studies in its multiple and diverse approaches. Building on recent scholarship that uses a cultural studies approach, the volume's three sections analyze constructs of disability and ability in history, memory, and culture. The essays in the history section examine how the emotions, morality, and power have played into - and still do play into - the individual's experience of disability. Those in the memory section grapple with the origins of the Nazi persecution of people with disabilities, the fight for recognition of this genocide, and the politics of its commemoration. Finally, the culture section offers close readings of disability in literary and filmic texts from the twentieth and twenty-first centuries.
S.E. Jackson
The Problem of the Actress in Modern German Theater and Thought
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Reconstructs the constitutive role that German actresses played on and off the stage in shaping not only modernist theater aesthetics and performance practices, but also influential strains of modern thought.
Around 1900, German and Austrian actresses had allure and status, apparent autonomy, and unconventional lifestyles. They presented a complex problem socially and aesthetically, one tied to the so-called Woman Question and to the contested status of modernity. For modernists, the actress's socioeconomic mobility and defiance of gender norms opened space to contest social and moral strictures, and her mutability offered a means to experiment with identity. For conservatives, on the other hand, female performance could support antifeminist convictions and validate masculine authority by positing woman as nothing but a false surface shaped by productive male forces. Influential male-authored texts from the period thereby disavowed female subjectivity per se by equating "woman" and "actress." S. E. Jackson establishes the actress as a key figure in a discursive matrix surrounding modernity, gender, and subjectivity. Her central argument is that because the figure of the actress bridged such varied fields of thought, women who were actresses had a consequential impact that resonated in and far beyond the theater - but has not been explored. Examining archival sources such as theater reviews and writing by actresses in direct relation to canonical aesthetic and philosophical texts, The Problem of the Actress reconstructs the constitutive role that womenplayed on and off the stage in shaping not only modernist theater aesthetics and performance practices, but also influential strains of modern thought.
Elisabeth Krimmer
Realities and Fantasies of German Female Leadership
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A collection of essays achieving a deeper understanding of the historical roots and theoretical assumptions that inform the realities and fantasies of German female leadership.
The Western tradition of excluding women from leadership and disparaging their ability to lead has persisted for centuries, not least in Germany. Even today, resistance to women holding power is embedded in literary, cultural, andhistorical values that presume a fundamental opposition between the adjective "female" and the substantive "leader." Women who do achieve positions of leadership are faced with a panoply of prejudicial misconceptions: either considered incapable of leadership (conceived of as alpha-male behavior), or pigeonholed as suited only to particular forms of leadership (nurturing, cooperative, egalitarian, communicative, etc.). Focusing on the German-speakingcountries, this volume works to dismantle the prevailing disassociation of women and leadership across a range of disciplines. Contributions discuss literary works involving women's political authority and cultivation of community from Maria Antonia of Saxony to Elfriede Jelinek; women's social activism, as embodied by figures from Hedwig Dohm to Rosa Luxemburg; women in political film, environmentalism, neoliberalism, and the media from Leni Riefenstahlto Petra Kelly to Maren Ade; and political leaders Hillary Clinton and Angela Merkel.
Contributors: Dorothee Beck, Seth Berk, Friederike Brühöfener, Margaretmary Daley, Aude Defurne, Helga Druxes, Sarah Vandegrift Eldridge, Anke Gilleir, Rachel J. Halverson, Peter Hudis, Elisabeth Krimmer, Stephen Milder, Joyce Marie Mushaben, Lauren Nossett, Patricia Anne Simpson, Almut Spalding, Inge Stephan, Lisa Fetheringill Zwicker.
Elisabeth Krimmer is Professor of German at the University of California, Davis. Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln.
Theodore Ziolkowski
Roman Poets in Modern Guise
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Identifies and explores Roman modes of poetry as received by twentieth- and twenty-first-century Anglo-American, German, and French poets.
Analogies with Rome have been a powerful motif in American thought - and poetry - since the Founding Fathers. They resurged in the twentieth century, and especially after World War II, when the US saw its mission as analogous to that of Augustan Rome - a theme conspicuous in Robert Frost's poem for the Kennedy inauguration, which prophesied "The glory of a next Augustan age." This theme showed up in the poetry of other countries too. The Roman mode that Frost proclaimed was evident in not only American, but also French and German treatments of Virgil's Eclogues. Horace figures in poets from Bertolt Brecht and Ezra Pound down to James Wright. The Augustan poets were displaced during the more cynical postwar years by their Republican counterparts: the poet/scientist Lucretius (especially in Germany), the poet/lover Catullus, and the outsider Propertius. And the poets of the empire - Ovid, Seneca, and Juvenal - added certain dissonances to the Roman harmony. In a period when all the arts have looked increasingly to the past for models, the Roman poets have offered modern ones a wide variety of attitudes - from the patriotic fervor of Virgil and Horace to the cultural cynicism of Juvenal. All these tones are evident in the Anglo-American, German, and French examples discussed in this book.
Lou Andreas-Salomé
Anneliese's House
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The first English translation of a presciently modern portrayal of emerging feminist sensibilities in a nineteenth-century family, by one of Germany's leading pre-First World War writers.
Best known now for her involvement with Nietzsche, Rilke, and Freud, Lou Andreas-Salomé (1861-1937) first became famous for fiction and criticism that engaged provocatively with "the woman question." In recent years, the author's literary treatment of the challenges facing women in a patriarchal society has awakened renewed interest. Anneliese's House is the first English translation of her last and most masterful work of fiction, the 1921 Das Haus: Familiengeschichte vom Ende vorigen Jahrhunderts (The House: A Family Story from the End of the Nineteenth Century). Anneliese Branhardt, the book's protagonist, long ago renounced a career as a pianist to raise a family with her physician husband, Frank. She worries about her son Balduin - an aspiring poet modeled on Rilke - and about her equally free-spirited daughter Gitta. She is haunted by memories of a daughter who died in childhood and anxious about a risky, late pregnancy. With her domestic harmony threatened by her own stirrings of autonomy and her children's growing independence, Anneliese finds the future both frightening and promising. The edition is fully annotated, with a critical introduction and bibliography.
Peter Davies
Witness between Languages
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Shows how making translation and its effects visible contributes to a clearer understanding of how knowledge about the Holocaust has been and continues to be created and mediated.
A growing body of scholarship is making visible the contribution of translators to the creation, preservation, and transmission of knowledge about the Holocaust. The discussion has tended to be theoretical or to concentrate on exposing the "distorted" translations of texts by important witnesses such as Anne Frank or Elie Wiesel. There is therefore a need for a positive, concrete, and contextually aware approach to the translation of Holocaust testimonies that acknowledges the achievements of translators while being sensitive to the consequences of particular translation strategies. Peter Davies's study proceeds from the assumption that translators are active co-creators whose work does not simply mediate a pre-existing text, but creates a representation of that text for a new readership in a specific context. Translators of Holocaust testimonies, then, provide a form of textual commentary that works through ideas about witnessing, historical truth, and the meaning of the Holocaust. In this way they are important co-creators of knowledge about the Holocaust and its legacy.
The study focuses on translations between English and German, and from other languages (principally French, Russian, and Polish) into English and German. It works through a number of case studies, showing how making translation and its effects visible contributes to a clearer understanding of how knowledge about the Holocaust has been and continues to be created and mediated.
Peter Davies is Professor of German at the University of Edinburgh.
Jim Pearce
Renaissance Papers 2018
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Sixty-fifth annual volume, focusing notably on Shakespearean drama and the poetry of early modern England but with essays on a variety of other topics relevant to the period.
Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2018 volume features essays presented at the conference at Queens University of Charlotte, North Carolina, as well as essays submitted directly to the journal. The volume opens with four essays on Shakespearean drama, offering readings ranging from the heteroglossia in Henry VIII to the limits of language in King Lear, social networks in Anthony and Cleopatra, and epiphanic excursions in the Shakespearean corpus. The next essays look at iconology, agency, and alterity on the early modern stage and colonial Peruvian art. The journal then returns us to the poetry of early modern England. The first of this group explores the perils of poor reading in The Countess of Montgomery's Uriana and is followed by essays investigating the aesthetic connection between Spenser and Catullus and the sacred circularities in John Donne's "Good Friday 1613. Riding Westward." The volume concludes with an extended consideration of meritocracy and misogyny in the works of Ben Jonson.
Contributors: Nathan Dixon, Lisandra Estevez, Melissa J. Rack, Robert Lanier Reid, Rachel M. De Smith Roberts, Deneen Senasi, Jonathon Shelley, Kendall Spillman, John Wall, and Don E. Wayne.
The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of California, San Diego.
Barry Charles Tharaud
Paul Bowles
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Shows that the writings of Paul Bowles, who is often seen as a literary renegade, owe much to the antinomian American tradition of Emerson and his literary descendants.
Paul Bowles has often been considered a cult writer, a literary renegade: he lived more than fifty years as an expatriate in Morocco, and according to Norman Mailer, his works "let in the murder, the drugs, the incest . . . the call of the orgy, the end of civilization." In recent decades Bowles has found greater acceptance as a serious writer, as evidenced by the two-volume, 2,000-page Library of America edition of his works published in 2002. Still, he has rarely if ever been seen as having written in the antinomian tradition of Emerson and his literary descendants. The present book makes the case for doing so by demonstrating basic Emersonian attitudes and objectives in Bowles' life and works, especially in his focus on human consciousness and perception and on the need for the individual to escape from the trammels of social and cultural conditioning. Bowles' intellectual pursuits seem to have developed at first from his own spontaneous attitudes, which were then reinforced by his conservative and individualistic New England background on both sides of his family and deepened by a serious study of anthropology, Emersonian transcendentalism, and related "Oriental" thought such as the theosophy of Krishnamurti. Despite his half century in Tangier, Bowles is a writer who is thoroughly "in the American grain."
Tim Mehigan
Robert Musil and the Question of Science
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A major new study of Robert Musil by one of the world's leading Musil scholars. Musil's extraordinary works, the study reveals, emerged from the problem of the "two cultures."
The modern era is marked by the separate life of two cultures of understanding, one derived from art and its discourses, the other from science and its practices. This "problem of the two cultures" (as coined by C.P. Snow) describes the difficulty of bringing these distinct ways of understanding the world together. The works of the Austrian author Robert Musil (1930-33) represent the most distinguished treatment of this problem in the modern era. Nevertheless, doubts persist about Musil's true intentions. Did he maintain that the separation between art and science could be resolved? Or did he rise above the problem by advocating a new order of being or "other condition" that would dispense with it altogether? Mehigan's study moves these questions to center stage. He lends new clarity to the debate about Musil's position in regard to the two cultures by shining a light on ethical questions the author ultimately wished to clarify. It is the shape of a hard-won ethics, Mehigan argues, that provides the key to an effective response to the problem of the two cultures - an ethics, in the end, that can only be put forward as a new kind of art.
Tim Mehigan is Professor of German and Deputy Director of the Institute for Advanced Studies in the Humanities at the University of Queensland, Australia.
Seán Allan
Inspiration Bonaparte?
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"In the Beginning was Napoleon"--"Napoleon and no end": Inspiration Bonaparte explores German responses to Bonaparte in literature, philosophy, painting, science, education, music, and film from his rise to the present.
Two hundred years after his death, Napoleon Bonaparte (1769-1821) continues to resonate as a fascinating, ambivalent, and polarizing figure. Differences of opinion as to whether Bonaparte should be viewed as the executor of the principles of the French Revolution or as the figure who was principally responsible for their corruption are as pronounced today as they were at the beginning of the nineteenth century. Contributing to what had been an uneasy German relationship with the French Revolution, the rise of Bonaparte was accompanied by a pattern of Franco-German hostilities that inspired both enthusiastic support and outraged dissent in the German-speaking states. The fourteen essays that comprise Inspiration Bonaparte examine the mythologization of Napoleon in German literature of the nineteenth and twentieth centuries and explore the significant impact of Napoleonic occupation on a broad range of fields including philosophy, painting, politics, the sciences, education, and film. As the contributions from leading scholars emphasize, the contradictory attitudes toward Bonaparte held by so many prominent German thinkers are a reflection of his enduring status as a figure through whom the trauma of shattered late-Enlightenment expectations of sociopolitical progress and evolving concepts of identity politics is mediated.
