The Church of England and the Home Front, 1914-1918

$60.00

Challenges the tired orthodoxy that the Church of England had a bad First World War.

In telling the story of the Church and its people in Colchester, a garrison town, Robert Beaken enlivens our understanding of the First World War - not only as a clash of mighty forces, but also at a personal and communal level.'The Very Rev. Dr John Hall, Dean of Westminster

The Church of England is popularly believed to have had a bad First World War. This book challenges that tired orthodoxy. It examines the relationship between parish churches and the Army during the war, using the important garrison town of Colchester as a case study. Colchester in 1914-18 was a microcosm both of English society and of the Church of England, in all their diversity. The presence of the Army also meant that wartime experiences and trends which were noticeable elsewhere in England were sharply felt in Colchester.
For the generation of Britons who lived through the Great War, Christianity was an important part of their culture, world view and, in many instances, personal lives. To understand life on the home front during the war, it is vital to understand the part played by Christianity, and particularly by the parishes of the Church of England. With the help of newly discovered archival material, this book reassesses the relations between clergy, soldiers and civilians to show that, contrary to widely-held belief, the clergy and their parishioners responded to the crisis of 1914-18 with courage, common sense and self-sacrifice: their ministry kept much of the population going during the Great War.

ROBERT BEAKEN is parish priest of St Mary the Virgin, Great Bardfield,and St Katharine, Little Bardfield, in Essex. He holds a PhD from King's College, London, and is a Fellow of the Royal Historical Society. He is the author of seven works, including Cosmo Lang: Archbishop in War and Crisis(2012).

The Church of England and the Home Front, 1914-1918

Political Society in Later Medieval England

$130.00

Essays on the connections between politics and society in the middle ages, showing their interdependence.

Christine Carpenter's influential work on late-medieval English society aspires to encompass a wide spectrum of human experience. Her vision of "total" history embeds the study of politics in a multi-dimensional social frameworkwhich ranges from mentalities and ideology to economy and geography. This collection of essays celebrates Professor Carpenter's achievement by drawing attention to the social underpinning of political culture; the articles reflectthe range of her interests, chronologically from the thirteenth century to the sixteenth, and thematically from ideology and culture, through government and its officials, the nobility, gentry and yeomanry, the law and the church, to local society. The connection between centre and locality pervades the volume, as does the interplay of the ideological and cultural with the practical and material. The essays highlight both how ideas were moulded in political debate and action, and how their roots sprang from social pressures and interests. It also emphasises the wider cultural aspects of topics too-easily conceived as local and material.

BENJAMIN THOMPSON is Fellow and Tutor in History at Somerville College, Oxford; JOHN WATTS is Professor of Later Medieval History at the University of Oxford and Fellow and Tutor of Corpus Christi College, Oxford.

Contributors: Jackson Armstrong, Caroline Burt, Tony Moore, Richard Partington, Ted Powell, Andrea Ruddick, Andrew Spencer, Benjamin Thompson, John Watts, Theron Westervelt, Jenny Wormald.

Political Society in Later Medieval England

Music at German Courts, 1715-1760

$59.95

Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.

What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast ofmusic directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.

SAMANTHA OWENS is Associate Professor in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia.

Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARYOLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN

Domesday Now

$130.00

Essays into numerous aspects of the Domesday Book, shedding fresh light on its mysteries.

Compiled from the records of a survey of the kingdom of England commissioned by William the Conqueror in 1085, Domesday Book is a key source for the history of England. However, there has never been a critical edition of the textand so, despite over 200 years of intense academic study, its evidence has rarely been exploited to the full. The essays in this volume seek to realize the potential of Domesday Book by focussing on the manuscript itself. There are analyses of abbreviations, letter forms, and language; re-assessments of key sources, the role of tenants-in-chief in producing them, and the nature of the Norman settlement that their forms illuminate; a re-evaluation of the data and its referents; and finally, fresh examinations of the afterlife of the Domesday text and how it was subsequently perceived.
In identifying new categories of evidence and revisiting old ones, these studies point to a better understanding of the text. There are surprising insights into its sources and developing programme and, intriguingly, a system of encoding hitherto unsuspected. In its turn the import of its data becomes clearer, thereby shedding new light on Anglo-Norman society and governance. It is in these terms that this volume offers a departure in Domesday studies and looks forward to the resolution of long-standing problems that have hitherto bedevilled the interpretation of an iconic text.

David Roffe and K.S.B. Keats-Rohan are leading Domesday scholars who have published widely on Domesday Book and related matters.

Contributors: Howard B. Clarke, Sally Harvey, K.S.B. Keats-Rohan, Andrew Lowerre, John Palmer, David Roffe, Ian Taylor, Pamela Taylor, Frank Thorn, Ann Williams.

Only Connect: Learned Societies in Nineteenth-Century Britain

$130.00

In nineteenth-century Britain, learned societies and clubs became contested sites in which a new kind of identity was created: the charisma and persona of the scholar, of the intellectual.

In the early modern period the subject of knowledge was dogma. Early modern knowledge was often tied to confessional tests and state-building. One road to modernity could be read as escape from institutional and confessional restraints to the freedom of reason. A second one could be read as escape to networks of association and belonging. In the nineteenth century, the latter space was filled in Britain by learned societies (within or outside universities)or even clubs. It was a movement toward a different kind of method and a different kind of learning. Learned societies and clubs became contested sites in which a new kind of identity was created: the charisma and persona of thescholar, of the intellectual. The history of cognition in nineteenth-century Britain became a history of various intellectual enclaves and the people who occupied them.
This book examines the nature of knowledge in nineteenth-century Britain and the role of learned societies, clubs and coteries in its formation, organization and dissolution. Drawing on numerous, unpublished, private papers and manuscripts, it looks predominantly at societies in the metropolitan centres of London, Oxford and Cambridge. It also takes up the relation of British styles of learning, in contrast to Continental forms, which aimed to produce people of culture and character suited for positions of public authority. While the British owed much to German exemplars, a tension in these intellectual exchanges remained, magnified by the Great War. The study concludes by comparing British cognitive niches with similar social formations in Germany, France and the United States.

WILLIAM C. LUBENOW is Distinguished Professor of History at Stockton College of New Jersey. His previous books include Liberal Intellectuals and Public Culture in Modern Britain (Boydell, 2010), The Cambridge Apostles, 1820-1914 (1998) and Parliamentary Politics and the Home Rule Crisis (1988). He has been president of the North American Conference on British Studies.

Only Connect: Learned Societies in Nineteenth-Century Britain

The Lives of George Frideric Handel

$60.00

How have Handel's 'lives' in biographies and histories moulded our understanding of the musician, the man and the icon?

To evaluate the familiar, even over-familiar, story of Handel's life could be seen as a quixotic endeavour. How can there be anything new to say? This book seeks to distinguish fact from fiction, not only to produce a new biography but also to explore the concepts of biography and dissemination by using Handel's life and lives as a case study. By examining the images of Handel to be found in biographies and music histories - the genius, the religious profound, the master of musical styles, the distiller into music of English sentiment, the glorifier of the Hanoverians, the hymner of the middle class, the independent, the prodigious, the generous, the sexless, the successful, the wealthy, the bankrupt, the pious, the crude, the heroic, the devious, the battler of ill-fortune, the moral exemplar - and by adding new factual information, David Hunter shows how events are manipulated into stories and tropes. One such trope has been employed to portray numerous persons as Handel's enemies regardless of whether Handel considered them as such. Picking apart the writing of Handel's biographers and other reporters, Hunter exposes the narrative underpinnings - the lies, confusions, presumptions, and conclusions, whether direct and inferred or assumed - to show how Handel's 'lives' in biographies and histories have moulded our understanding of the musician, the man and the icon.

DAVID HUNTER is Music Librarian at the University of Texas at Austin.

Bloodied Banners: Martial Display on the Medieval Battlefield

$95.00

Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance.

`A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is the author's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that "host of many colours" that was a medieval army, it adds a new dimension to our understanding of medieval warfare.' Dr ANDREW AYTON, Senior Lecturer in History, University of Hull

The medieval battlefield was a place of spectacle and splendour. The fully-armed knight, bedecked in his vivid heraldic colours, mounted on his great charger, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite.

Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed, showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning.

ROBERT W. JONES gained his PhD from Cardiff University.

Bloodied Banners: Martial Display on the Medieval Battlefield

Erik Satie

$49.95

Satie's music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris.

Sunday Times Classical Music Book of the Year

Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as "classical music". Instead of pursuing the path of a professional composer, Satie initially earned a living as a café pianist and moved in bohemian circles which prized satire, popular culture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but is to be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartre and Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book.

Cover image for Erik Satie, isbn: 9781783270835

Environment, Society and Landscape in Early Medieval England

$36.95

The origins of England's regional cultures are here shown to be strongly influenced by the natural environment and geographical features.

The Anglo-Saxon period was crucial in the development of England's character: its language, and much of its landscape and culture, were forged in the period between the fifth and the eleventh centuries. Historians and archaeologists have long been fascinated by its regional variations, by the way in which different parts of the country displayed marked differences in social structures, settlement patterns, and field systems. In this controversial and wide-ranging study, the author argues that such differences were largely a consequence of environmental factors: of the influence of climate, soils and hydrology, and of the patterns of contact and communication engendered by natural topography. He also suggests that such environmental influences have been neglected over recent decades by generations of scholars who are embedded in an urban culture and largely divorced from the natural world; and that an appreciation of the fundamental role of physical geography in shaping human affairs can throw much new light on a number of important debates about early medieval society.
The book will be essential reading for all those interestedin the character of the Anglo-Saxon and Scandinavian settlements, in early medieval social and territorial organization, and in the origins of the England's medieval landscapes.

Tom Williamson is Professor of LandscapeHistory, University of East Anglia; he has written widely on landscape archaeology, agricultural history, and the history of landscape design.

Environment, Society and Landscape in Early Medieval England

Crises in Economic and Social History

$45.95

Exploring how crises have shaped economic and social life from the thirteenth century to the twenty-first.

This collection of essays brings together historians examining social and economic crises from the thirteenth century to the twenty-first. Crisis is an almost ubiquitous concept for historians, applicable across (amongst others) the histories of agriculture, disease, finance and trade. Yet there has been little attempt to compare its use as an explanatory tool between these discrete fields of research. This volume breaks down the boundaries between traditional historical time periods and sub-disciplines of history to examine the ways in which past societies have coped with crises, and the role of crisis in generating economic and social change.
Should we conceptualise a medieval agrarian or financial crisis differently from their modern counterparts? Were there similarities in how contemporaries responded to famine or outbreaks of disease? How comparable are crises within households, within institutions, or across national and international networks of trade? Contributors examine how crises have shaped economic and social life in a range of studies from the Great Depression in 1930s Latin America to the outbreak of plague in seventeenth-century central Europe, and from sheep and cattle murrain in fourteenth-century England to the Northern Rock building society collapse of 2007.

A.T. BROWN is an Addison Wheeler Research Fellow at the Institute of Advanced Studies at Durham University.

ANDY BURN is a postdoctoral researcher at the Institute of Medieval and Early Modern Studies at Durham University.

ROB DOHERTY is a doctoral candidate in history at DurhamUniversity.

CONTRIBUTORS: Peter H. Bent, A.T. Brown, Andy Burn, Catherine Casson, Mark Casson, Samuel K. Cohn, Jr., Rob Doherty, Josette Duncan, Matthew Hollow, Pavla Jirková, Alan Knight, John S. Lee, Cinzia Lorandini,John Martin, Ranald Michie, Anne L. Murphy, Pamela Nightingale, John Singleton, Philip Slavin, Paul Warde

Journal of Medieval Military History

$130.00

Highlights "the range and richness of scholarship on medieval warfare, military institutions, and cultures of conflict that characterize the field". History 95 (2010)

Warfare on the periphery of Europe and across cultural boundaries is a particular focus of this volume. One article, on Castilian seapower, treats the melding of northern and southern naval traditions; another clarifies the military roles of the Ayyubid and Mamluk miners and stoneworkers in siege warfare; a third emphasizes cultural considerations in an Icelandic conflict; a fourth looks at how an Iberian prelate navigated the line between ecclesiastical and military responsibilities; and a fifth analyzes the different roles of early gunpowder weapons in Europe and China, linking technological history with the significance of human geography. Further contributions also consider technology, two dealing with fifteenth-century English artillery and the third with prefabricated mechanical artillery during the Crusades. Another theme of the volume is source criticism, with re-examinations of the sources for Owain Glyndwr's (possible) victory at Hyddgen in 1401, a (possible) Danish attack on England in 1128, and the role of non-milites in Salian warfare.

Contributors: Nicolás Agrait, Tonio Andrade, David Bachrach, Oren Falk, Devin Fields, Michael S. Fulton, Thomas K. Heeboll-Holm, Rabei G. Khamisy, Michael Livingstone, Dan Spencer, L.J. Andrew Villalon

The Boyce Papers: The Letters and Diaries of Joanna Boyce, Henry Wells and George Price Boyce

$210.00

The first full edition of the correspondence, between three artists Joanna Boyce, her brother George P. Boyce and Henry Wells, who she eventually married. It dates from the period 1845 to 1861, and covers artistic life in both Paris and London, including the Pre-Raphaelites.

This correspondence, between three artists Joanna Boyce, her brother George P. Boyce and Henry Wells, whom she eventually married, dates from the period 1845 to 1861. They were all friends of Rossetti and the Pre-Raphaelite circle, but in addition Henry and Joanna both studied in Paris, and Joanna wrote extensively about her time there, training with Thomas Couture. She wrote for The Saturday Review as well as painting a small number of very interesting and much admired pictures.

Her brother George established himself as a successful watercolourist and member of the Old Watercolour Society, having been encouraged both by David Cox on his Welsh sketching expeditions,and by Ruskin, whose letters advising him what to paint in Venice are included here. Henry Wells was primarily a portrait painter. At first he specialised in miniatures, and was commissioned to paint Mary, princess of Cambridge byQueen Victoria. There are vivid accounts of visits to country houses to carry out commissions from their owners.

The three wrote constantly about techniques of painting and about the new colours that became available at this period, and about their visits to exhibitions both in Paris and London. They all contributed to the Royal Academy and other exhibitions. In addition, there is the extraordinary story of Joanna's and Henry's courtship and marriage, at first encouraged and then viciously opposed by Joanna's recently widowed mother.

The correspondence survives only in an unpublished transcript made in the 1940s, as the originals were all destroyed in a bombing raid on Bath during the second world war. Excerpts from George P. Boyce's diaries were published in the 1930s, but the present edition contains a considerable amount of new material.

The Boyce Papers: The Letters and Diaries of Joanna Boyce, Henry Wells and George Price Boyce

Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family

$130.00

This book takes advantage of new and often surprising biographical research on the Loder family as a whole and its four main figures, using them to illustrate aspects of music history in the 19th century.

Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family illuminates three areas that have recently attracted much interest: the musical profession, music in the British provinces and colonies, and English Romantic opera. The Loder family was pre-eminent in Bath's musical world in the early nineteenth century. John David Loder (1788-1846) led the theatre orchestra there from 1807, and later the Philharmonic orchestra and Ancient Concerts in London; he also wrote the leading instruction manual on violin playing and taught violin at the Royal Academy of Music. His son Edward James (1809-65) was a brilliant but underrated composer of opera, songs, and piano music. George Loder (1816-68) was a well-known flautist and conductor who made a name in New York and eventually settled in Adelaide, where he conducted the Australian premieres of Les Huguenots, Faust, and other important operas. Kate Fanny Loder (1825-1904) became a successful pianist and teacher in early Victorian London, and she is only now getting her due as a composer.
This book takes advantage of new and often surprising biographical research on the Loder family as a whole and its four main figures. It uses them to illustrate several aspects of music history: the position of professional musicians in Victorian society; music in the provinces, especiallyBath and Manchester; the Victorian opera libretto; orchestra direction; violin teaching; travelling musicians in the US and Australasia; opera singers and companies; and media responses to English opera. The concluding section isan intense analysis and reassessment of Edward Loder's music, with special emphasis on his greatest work, the opera Raymond and Agnes.

NICHOLAS TEMPERLEY is Professor Emeritus of Musicology at the University ofIllinois at Urbana-Champaign and is a leading authority on Victorian music.

CONTRIBUTORS: Stephen Banfield, David Chandler, Andrew Clarke, Liz Cooper, Therese Ellsworth, David J. Golby, Andrew Lamb, Valerie Langfield, Alison Mero, Paul Rodmell, Matthew Spring, Julja Szuster, Nicholas Temperley

Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family

Uvedale Price (1747-1829)

$49.95

The first biography of the 18th-century landscape gardener, Uvedale Price, showing the key interconnections between his roles as landowner, art collector, forester, landscaper, connoisseur and scholar.

Uvedale Price achieved most fame as the author of the influential Essay on the Picturesque of 1794 in which he argued that the work of the greatest landscape artists, such as Salvator Rosa, Rubens and Claude, should be usedas models for the "improvement of real landscape". His attack on the smooth certainties of Capability Brown sparked off a public controversy, drawing in Richard Payne Knight and Humphry Repton, which became a cause célèbre.
This is the first biography of Uvedale Price, bringing out his contradictory and elusive character and revealing an astonishing cast of friends and acquaintances, including Gainsborough, Voltaire, William Wordsworth and ElizabethBarrett Browning. The book shows how he developed his ideas through practical experimentation on his own land and buildings and provides an understanding of the context of Price's practices and theories and the key interconnections between his roles as landowner, art collector, forester, landscaper, connoisseur and scholar.

CHARLES WATKINS is Professor of Rural Geography, University of Nottingham; BEN COWELL is Assistant Director, External Affairs, National Trust.

Magna Carta and the England of King John

$29.99

New interpretations of the effect of Magna Carta and other aspects of the reign of King John.

Magna Carta marked a watershed in the relations between monarch and subject and has long been the subject of constitutional and political historical writing. This volume has a different focus: what was the social, economic, legal, and religious background to the Charter - what was England like between 1199 and 1215? And, no less important, how was King John perceived by those who actually knew him?
Studies here analyse earlier Angevin rulers and theeffect of their reigns on John's England, the causes and results of the increasing baronial fear of the king, the "managerial revolution" of the English church, and the effect of the ius commune on English common law; theyalso explore the burgeoning economy of the early thirteenth century and its effect on English towns, the background to discontent over the royal forests which eventually led to the Charter of the Forest, the effect of Magna Cartaon widows and property, and the course of criminal justice before 1215. The volume ends with the first critical edition of an open letter from King John explaining his position in the matter of William de Briouze.

Contributors: James A. Brundage, David Crook, David Crouch, John Gillingham, Barbara A. Hanawalt, John Hudson, Janet S. Loengard, James Masschaele, R. V. Turner.

Magna Carta and the England of King John

Disaffection and Everyday Life in Interregnum England

$130.00

A look at how ordinary English men and women responded to the transformations that accompanied the regicide, the creation of a republic, and the rise of the Cromwellian Protectorate.

How did ordinary English men and women respond to the transformations that accompanied the regicide, the creation of a republic, and the rise of the Cromwellian Protectorate? This book uncovers grassroots responses to the tangibleconsequences of revolution, delving into everyday practices, social interactions, and power struggles as they intersected with the macro-politics of regime change. Tussles at local alehouses, encounters with excise collectors inthe high street, and contests over authority at the marketplace reveal how national politics were felt across the most ordinary of activities.

Using a series of case studies from counties, boroughs, and the London metropolis, Boswell argues that factional discourses and shifting power relations complicated social interaction. Localized disaffection was broadcast in newsbooks, pamphlets, and broadsides, shaping political rhetoric that refashioned grassroots grievances to promote royalist desires. By uniting disparate people who were alienated by the policies of interregnum regimes, this literature helped to create the spectre of a unified, royalist commons that materializedin the months leading up to Charles II's Restoration. Such agitation - from disaffected mutters to ritualistic violence against officials - informed the broad political culture that shaped debates over governance during one of the most volatile decades in British history.

CAROLINE BOSWELL is Associate Professor in History at the University of Wisconsin, Green Bay.

Disaffection and Everyday Life in Interregnum England

Textiles, Text, Intertext

$130.00

Essays centred round the representation of weaving, both real and imagined, in the early middle ages.

The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile references and images drawn from the Bayeux Tapestry, examine parallels in word-woven poetics, riddling texts, and interwoven homiletic and historical prose, and identify iconographical textures in medieval art. The volume thus considers the images and creative strategies of textiles, texts, and intertexts, generating a complex and fascinating view of the material culture and metaphorical landscape of the Anglo-Saxon peoples. It is therefore a particularly fitting tribute to Professor Gale R. Owen-Crocker, whose career and lengthy list of scholarly works have centred on her interests in the meaning and cultural importance of textiles, manuscripts and text, and intertextual relationships between text and textile.

MAREN CLEGG HYER is Associate Professor and Graduate Coordinator in the Department of English at Valdosta State University; JILL FREDERICK is Professor of English at Minnesota State University Moorhead.

Contributors: Marilina Cesario, Elizabeth Coatsworth, Martin Foys, Jill Frederick, Joyce Hill, Maren Clegg Hyer, Catherine E. Karkov, Christina Lee, Michael Lewis, Robin Netherton, Carol Neuman de Vegvar, Donald Scragg, Louise Sylvester, Paul Szarmach, Elaine Treharne.

Decoding Domesday

$45.95

New light is shed on the motives and objectives for the compiling of the still-mysterious Domesday Book, revolutionising our understanding of the period.

The Domesday Book is one of our major sources for a crucial period of English history; yet it remains difficult to interpret. This provocative new book proposes a complete re-assessment, with profound implications for our understanding of the society and economy of medieval England. In particular, it overturns the general assumption that the Domesday inquest was a comprehensive survey of lords and their lands, and so tells us about the economic underpinning of power in the late eleventh century; rather, it suggests that in 1086 matters of taxation and service were at issue and data were collected to illuminate these concerns. What emerges from this is that Domesday Book tells us less about a real economy and those who sustained it than a tributary one, with much of the wealth of England being omitted. The source, then, is not the transparent datum that social and economic historians would like it to be. Inreturn, however, the book offers a richer understanding of late eleventh-century England in its own terms; and elucidates many long-standing conundrums of the Domesday Book itself.

DAVID ROFFE is an honorary research fellow at Sheffield University. He has written widely on Domesday Book and edited five volumes of the Alecto County Edition of the text.

Creating Der Rosenkavalier

$130.00

A full account of the making, during 1909-10, of Der Rosenkavalier with emphasis on its derivation from a French opérette of 1907, L'Ingenu libertin.

L'Ingenu libertin was seen in Paris by Count Harry Kessler and formed the basis of the opera then to be written by Hofmannsthal and Strauss. Previous scholarship has credited the narrative and characters of Der Rosenkavalier to much older French sources known to and studied by Hofmannsthal, but this book shows clearly how every element in L'Ingenu libertin is in fact taken (and transformed) by Kessler and Hofmannsthal into the work that made fortunes for Hofmannsthal and Strauss, but left Kessler on the sidelines.

Michael Reynolds casts a major new light on Strauss's most popular operatic success, highlighting in particular how it was that Hofmannsthal - who had not until then had any theatrical success as an original playwright - was advised and empowered by Kessler to produce a work that succeeded onstage from its very first performance and went rapidly on to conquer the stages of the world.

Michael Reynolds is an established writer on opera, a translator and an online music critic, an interest that he sustained throughout thirty years in the world of international diplomacy. His previous book for Boydell, About Suffolk, was an anthology of writing about his adopted county.

Domestic Culture in Early Modern England

$130.00

A detailed study of the domestic life of the early modern, non-elite household

This book is a detailed study of the domestic life of the early modern, non-elite household, focussing on the Oxfordshire market town of Thame. Going beyond the exploration of the domestic economy and trends in living standards and consumption, it shows how close examination of the material context within which the household operated can provide evidence of its habitual activities, the relationships between its members, and the values that informed both. The book uses a familiar source, the probate inventory, supplemented by other contemporary written and pictorial evidence, to reveal how activities in the household were directly related to the agricultural, mercantile, and socialenvironment. It illustrates the variable and shifting nature of social relationships and shows how the early modern household was part of the wider economic and social narrative of modernism and how it responded to altered modes of production and consumption, social allegiances, and ideologies. Offering new perspectives to reinvigorate the discussion of domestic relationships and rigorously examine the vexed question of change, Domestic Culture in EarlyModern England will be of interest to scholars and postgraduate students of material culture as well as historians of the household and family more generally.

ANTONY BUXTON lectures on design history, material anddomestic culture for the Department for Continuing Education, University of Oxford and other institutions. He has published articles in various scholarly journals and holds a PhD from the University of Oxford.

Domestic Culture in Early Modern England

Trade and Empire in Early Nineteenth-Century Southeast Asia

$120.00

Discusses the complexities of a trading network in this period, outling commodity chains, links between colonies and colonial centres, and tensions between local polities and competing empires.

This book explores European mercantile activity in Southeast Asia at a time when trade in this part of the world was being transformed and extended much more widely. Based on extensive original research including in newly discovered archives, the book reveals, through the study of one particular merchant and his extensive network, how trade in the region worked. It outlines the activities of Gillian Maclaine, a young Scottish "adventurer" (his word) who came to the region in about 1816 and established an enduring business in Batavia (present day Jakarta), trading in cotton goods and coffee, and later in opium. It examines the multi-faceted nature of such a trading network, including the wide scope of commodity chains, the associated link between colony and colonial metropole, and the many tensions between colonial powers, in this case the Dutch and the British, and with local polities. The book demonstratesthat Southeast Asian maritime trade was every bit as important to European worldwide commercial networks as the trade with India and China, which have been much more extensively studied, and it contributes to current scholarly debates about western imperialism, colonialism and the nature of empire.

G. Roger Knight is an Associate Professor in the School of History and Politics in the University of Adelaide. He has published three previous books and numerous journal articles on the economic and social history of Southeast Asia.

Trade and Empire in Early Nineteenth-Century Southeast Asia

Catholic Faith and Practice in England, 1779-1992

$120.00

Reveals through a study of how ordinary Catholics lived their faith that Roman Catholicism, and not just Protestantism, can be seen as part of the Evangelical spectrum of religious experience.

Religious historians writing about Roman Catholicism after the Reformation have concentrated on institutional change, or the impact of certain groups or individuals. At the same time, those writing about Evangelical revivalism have tended to see this as an exclusively Protestant phenomenon. This book, by focusing on devotional practice and grass roots communities over a long period, demonstrates that renewal and revivalism were also present in the Roman Catholic Church, arguing that they are essential for faith to remain vibrant. The book examines how in the diocese of Middlesbrough (which comprises the old North and East Ridings of Yorkshire including Hull and York) Catholic faithand practice developed from a position where old Catholic gentry families were central through to the establishment of the Catholic hierarchy and large-scale immigration in the nineteenth century, when the church took on a distinctly Irish character. It re-evaluates the so-called "golden age" of the 1950s and considers the impact of the Second Vatican Council. Overall, the book shows how English Catholic faith and practice were influenced by social, cultural and geographical factors, how Roman Catholicism can indeed be seen as part of the Evangelical spectrum of religious experience, and, above all, how ordinary Catholics lived their faith.

Margaret Turnham completed herdoctorate at the University of Nottingham.

Catholic Faith and Practice in England, 1779-1992

Miracles of the Blessed Virgin Mary

$170.00

The Miracles of the Virgin Mary, written c. 1135 by the Benedictine monk and historian William of Malmesbury (d. 1143), is an important document in the history of Marian devotion in medieval Europe.

This is the first title in the new series Boydell Medieval Texts, which will provide scholarly editions of major works with facing translation.
Written c. 1135 by the Benedictine monk, historian and scholar William ofMalmesbury (d. 1143), The Miracles of the Blessed Virgin Mary is of interest on several counts. It belongs in the first wave of collected miracles of the Virgin, produced by English Benedictine monks in the 1120s and '30s.These collections were to be influential across Europe and through the rest of the medieval period. Only two copies of William's work survive in anything like its complete form, and only one of them represents the finished product. But many of the stories were also transmitted separately, in groups or individually; the systematic use of this evidence is a feature of this new text.
The work is written in elegant Latin and embellished with William's customary erudition, including frequent quotations and echoes from (sometimes unusual) ancient authors. His instinct as a historian is to the fore, as he tries to establish historical context and credibility for his stories. Above all, the scope of the collection is surprisingly international, including stories drawn from all around the Mediterranean.
This is an important document in the history of Marian devotion in medieval Europe. In his long Prologue (which enjoyed some independent circulation), William argues strongly for the Virgin's Immaculate Conception and bodily Assumption, doctrines still not generally accepted in western Europe at the time.
With the appearance of this book all of William of Malmesbury's major works are available in modern editions and translations. A paperback edition of the translation alone is also available (9781783271962).

The Final Crisis of the Stuart Monarchy

$130.00

Written in a lively and engaging style, and designed to be accessible to a broader audience, this collection combines new research with the latest scholarship to provide a fresh and invigorating introduction to the revolutionary period that transformed Britain and its empire.

There has been an explosion of interest in the "Glorious" Revolution in recent years. Long regarded as the lesser of Britain's seventeenth-century revolutions, a faint after tremor following the major earthquake of mid-century, itis now coming to be seen as a major transformative episode in its own right, a landmark event which marked a distinctive break in British history. This collection sheds new light on the final crisis of the Stuart monarchy by re-examining the causes and implications of the dynastic shift of 1688-9 from a broad chronological, intellectual and geographical perspective.
Comprising eleven essays by specialists in the field, it ranges from the 1660s to the mid-eighteenth century, deals with the history of ideas as well as political and religious history, and covers not just England, Scotland and Ireland but also explores the Atlantic and European contexts. Covering high politics and low politics, Tory and Whig political thought, and the experiences of both Catholics and Protestants, it ranges from protest and resistance to Jacobitism and counter-revolution and even offers an evaluation of British attitudestowards slavery. Written in a lively and engaging style and designed to be accessible to a broader audience, it combines new research with the latest scholarship to provide a fresh and invigorating introduction to the revolutionary period that transformed Britain and its empire.

TIM HARRIS is Munro-Goodwin-Wilkinson Professor in European History at Brown University.

STEPHEN TAYLOR is Professor in the History of Early Modern England at Durham University.

Contributors: Toby Barnard, Tony Claydon, John Gibney, Lionel K.J. Glassey, Gabriel Glickman, Mark Goldie, Tim Harris, John Marshall, Alasdair Raffe, Owen Stanwood, Stephen Taylor

East Anglia and its North Sea World in the Middle Ages

$170.00

The relations between medieval East Anglia and countries across the North Sea examined from a variety of perspectives.

East Anglia was a distinctive English region during the Middle Ages, but it was one that owed much of its character and identity to its place in a much wider "North Sea World" that stretched from the English Channel to Iceland, the Baltic and beyond. Relations between East Anglia and its maritime neighbours have for the most part been peaceful, involving migration and commercial, artistic, architectural and religious exchanges, but have also at times beencharacterised by violence and contestation. All these elements have played a significant role in processes of historical change that have shaped the history both of East Anglia and its North Sea world.
This collection of essays discusses East Anglia in the context of this maritime framework and explores the extent to which there was a distinctive community bound together by the shared frontier of the North Sea during the Middle Ages. It brings together the work of a range of international scholars and includes contributions from the disciplines of history, archaeology, art history and literary studies.

Professor David Bates is Professorial Fellow in History, RobertLiddiard is Professor of History, at the University of East Anglia.

Contributors: Anna Agnarsdóttir, Brian Ayers, Wendy R. Childs, Lynda Dennison, Stephen Heywood, Carole Hill, John Hines, David King, Robert Liddiard,Rory Naismith, Eljas Oksanen, Richard Plant, Aleksander Pluskowski, Christopher Scull, Tim Pestell, Charles West, Gareth Williams, Tom Williamson.

East Anglia and its North Sea World in the Middle Ages

The Idea of Art Music in a Commercial World, 1800-1930

$170.00

Opens up significant paths for conversation about how musical concepts, practices and products were shaped by interrelationships between culture and commerce.

Art and money, culture and commerce, have long been seen as uncomfortable bedfellows. Indeed, the connections between them have tended to resist full investigation, particularly in the musical sphere. The Idea of Art Music in aCommercial World, 1800-1930, is a collection of essays that present fresh insights into the ways in which art music, i.e., classical music, functioned beyond its newly established aesthetic purpose (art for art's sake) and intersected with commercial agendas in nineteenth- and early twentieth-century culture. Understanding how art music was portrayed and perceived in a modernizing marketplace, and how culture and commerce interacted, are the book's main goals.
In this volume, international scholars from musicology and other disciplines address a range of unexplored topics, including the relationship of sacred music with commerce in the mid nineteenth century, the roleof music in urban cultural development in the early twentieth, and the marketing of musical repertories, performers and instruments across time and place, to investigate what happened once art music began to be understood as needing to exist within the wider framework of commercially oriented culture. Historical case studies present contrasting topics and themes that not only vary geographically and ideologically but also overlap in significant ways, pushing back the boundaries of the 'music as commerce' discussion. Through diverse, multidisciplinary approaches, the volume opens up significant paths for conversation about how musical concepts, practices and products were shaped byinterrelationships between culture and commerce.

CHRISTINA BASHFORD is Associate Professor of Musicology at the University of Illinois.

ROBERTA MONTEMORRA MARVIN is Director of the Opera Studies Forum in the Obermann Center for Advanced Studies at the University of Iowa, where she is also on the faculty.

CONTRIBUTORS: Christina Bashford, George Biddlecombe, Denise Gallo, David Gramit, Catherine Hennessy Wolter, Roberta Montemorra Marvin, Fiona Palmer, Jann Pasler, Michela Ronzani, Jon Solomon, Jeffrey S. Sposato, Nicholas Vazsonyi, David Wright

The Idea of Art Music in a Commercial World, 1800-1930

King John and Religion

$130.00

A study of the personal religion of King John, presenting a more complex picture of his actions and attitude.

King John has been perceived as one of England's most notorious monarchs. Medieval writers and later historians condemn him as a tyrant, seeing his long-running dispute with the church as evidence of a king who showed little regard for his faith. This book takes issue with orthodox opinion, arguing that in matters of religion, the critique obscures the evidence for a ruler who realized that outward manifestations of faith were an important part of kingship. It demonstrates that John maintained chapels and chaplains, prayed at shrines of the saints, kept his own collection of holy relics, endowed masses, founded and supported religious houses, and fed the poor - providing for his soul and emphasising his aura of authority. In these areas, he ranks alongside many other medieval rulers.
The book also presents a major reassessment of the king's dispute with the church, when England was subject to a generalinterdict, and the king was excommunicate, the severest sanctions the medieval church could impose. It reveals the lasting damage to the king's reputation, but also shows how royal religious activity continued whilst king and pope were at loggerheads. Furthermore, despite his vilification since his death, there were those prepared to honour John's memory, during the medieval period and beyond.

Dr Paul Webster is a Teaching Associate at CardiffUniversity, in the Cardiff School of History, Archaeology and Religion.

Late Medieval Castles

$190.00

A collection of the most significant articles in castle studies, with contributions from scholars in history, archaeology, historic buildings and landscape archaeology.

The castles of the late medieval period represent some of the finest medieval monuments in Britain, with an almost infinite capacity to fascinate and draw controversy. They are also a source of considerable academic debate.
The contents of this volume represent key works in castle scholarship. Topics discussed include castle warfare, fortress customs, architectural design and symbolism, spatial planning and the depiction of castles in medieval romance. The contributions also serve to highlight the diversity of approaches to the medieval castle, ranging from the study of documentary and literary sources, analysis of fragmentary architectural remains and the recording of field archaeology. The result is a survey that offers an in-depth analysis of castle building from the thirteenth to the fifteenth centuries, and places castles within their broader social, architectural and political contexts.

Robert Liddiard is Professor of History, University of East Anglia.

Contributors: Nicola Coldstream, Charles Coulson, Philip Dixon, Graham Fairclough, P.A. Faulkner, John Goodall, Beryl Lott, Charles McKean, T.E. McNeill, Richard K. Morris, Michael Prestwich, Christopher Taylor, Muriel A. Whitaker.

Poverty and Welfare in Guernsey, 1560-2015

$170.00

An account of poor relief in Guernsey from the Reformation to the twenty-first century, incorporating a detailed case-study of the St Peter Port workhouse and an outline of the development of Guernsey's modern social security system.

This book, based on extensive original research, provides an account of parochial poor relief in Guernsey from the Reformation to the twenty-first century, incorporating a detailed case-study of the parochial workhouse in the townof St Peter Port, and an outline of the development of Guernsey's modern social security system from its beginnings in the 1920s to the present day. Guernsey has had throughout much of its history a disproportionately large population for its size: in the early eighteenth century St Peter Port was on a par with English county towns such as Warwick and Lincoln. Moreover, since Guernsey was outside the jurisdiction of the Westminster Parliament and retainedcultural affinities with France, the island developed its own social welfare regime which was closer, in some respects, to continental regimes than it was to the English Poor Law model. The differing nature of welfare regimes, how they arose and and how they differ is a major focus of interest amongst historians of social welfare; besides being a fascinating local study, the book has much to contribute to the wider history of social welfare in Britain andEurope.

Rose-Marie Crossan completed her doctorate at the University of Leicester and is the author of Guernsey, 1814-1914: Migration and Modernisation (The Boydell Press, 2007). .

Poverty and Welfare in Guernsey, 1560-2015

Thomas Coram, Gent.

$29.99

Thomas Coram was a supporter of women's and children's rights long before such causes became fashionable and founder of the children's hospital charity which still bears his name. This acclaimed biography unravels the many sides of this remarkable private man.

Thomas Coram is forever identified with the foundling hospital he established in 1739. This, however, came near the end of his life: previous records seemed few and far between until Gillian Wagner began to look at the scarce butintriguing evidence for his earlier career.

As a young man Coram went to Massachusetts, where he stayed for ten years building ships in Boston and Taunton, working to further the spread of Anglicanism. He returned to England disappointed and heavily in debt. Surviving this early setback, he slowly secured for himself a place within English society through his championing of further settlements to exploit America's natural resources, and his characteristic support for radical causes.

A strong believer in women's rights and equal opportunities for girls, he believed that it was due to the unique support of a group of aristocratic women - twenty-one ladies of quality and distinction - that he was granted a royal charter for his foundling hospital. Within two years of the establishment of the hospital, Coram fell out with the governors and was ejected from the governing body.

His last years were clouded by disagreements and poverty, but a pension, granted in 1749, finally signalled recognition of his achievements. He died in 1751 and was buried in the chapel of his hospital.

GILLIAN WAGNERwas the first woman to chair the Thomas Coram Foundation, successor to the foundling Hospital and which continues as the children's charity Coram, and Barnardo's - whose founder's biography she has also written. Her other books include Children of the Empire, the story of children sent to live and work in Canada and Australia in the nineteenth and twentieth centuries. She has had a long and noteworthy involvement with the voluntary sector (in particular, chairing the influential review into residential care, 'A Positive Choice'), and was created a Dame in 1994.

Bloodied Banners: Martial Display on the Medieval Battlefield

$29.99

Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance.

A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is theauthor's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that `host of many colours' that was a medieval army, it adds a new dimension to our understanding of medieval warfare. ANDREW AYTON, University of Hull

The medieval battlefield was a place of spectacle and splendour. The fully-armed knight,bedecked in his vivid heraldic colours, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite.
Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed,showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning.

Dr ROBERT W. JONES teaches Medieval History at Advanced Studies in England, a branch campus of Franklinand Marshall College, in Bath. He was formerly a Visiting Research Fellow at the University of Leeds, and an Associate Lecturer at Cardiff University.

East Anglia and its North Sea World in the Middle Ages

$39.95

The relations between medieval East Anglia and countries across the North Sea examined from a variety of perspectives.

East Anglia was a distinctive English region during the Middle Ages, but it was one that owed much of its character and identity to its place in a much wider "North Sea World" that stretched from the English Channel to Iceland, the Baltic and beyond. Relations between East Anglia and its maritime neighbours have for the most part been peaceful, involving migration and commercial, artistic, architectural and religious exchanges, but have also at times beencharacterised by violence and contestation. All these elements have played a significant role in processes of historical change that have shaped the history both of East Anglia and its North Sea world.
This collection of essays discusses East Anglia in the context of this maritime framework and explores the extent to which there was a distinctive community bound together by the shared frontier of the North Sea during the Middle Ages. It brings together the work of a range of international scholars and includes contributions from the disciplines of history, archaeology, art history and literary studies.

David Bates is Professorial Fellow in History at the Universityof East Anglia, Robert Liddiard is Professor of History at the University of East Anglia.

Contributors: Anna Agnarsdóttir, Brian Ayers, Wendy R. Childs, Lynda Dennison, Stephen Heywood, Carole Hill, John Hines, David King, Robert Liddiard, Rory Naismith, Eljas Oksanen, Richard Plant, Aleksander Pluskowski, Christopher Scull, Tim Pestell, Charles West, Gareth Williams, Tom Williamson.

King John and Religion

$36.95

A study of the personal religion of King John, presenting a more complex picture of his actions and attitude.

King John has been perceived as one of England's most notorious monarchs. Medieval writers and later historians condemn him as a tyrant, seeing his long-running dispute with the church as evidence of a king who showed little regard for his faith. This book takes issue with orthodox opinion, arguing that in matters of religion, the critique obscures the evidence for a ruler who realized that outward manifestations of faith were an important part of kingship. It demonstrates that John maintained chapels and chaplains, prayed at shrines of the saints, kept his own collection of holy relics, endowed masses, founded and supported religious houses, and fed the poor - providing for his soul and emphasising his aura of authority. In these areas, he ranks alongside many other medieval rulers.
The book also presents a major reassessment of the king's dispute with the church, when England was subject to a generalinterdict, and the king was excommunicate, the severest sanctions the medieval church could impose. It reveals the lasting damage to the king's reputation, but also shows how royal religious activity continued whilst king and pope were at loggerheads. Furthermore, despite his vilification since his death, there were those prepared to honour John's memory, during the medieval period and beyond.

Representing Beasts in Early Medieval England and Scandinavia

$130.00

Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself.

For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge.
This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self.

Michael D.J. Bintley is Senior Lecturer in Medieval Literature at Canterbury Christ Church University; Thomas J.T. Williams is a doctoral researcher at UCL's Institute of Archaeology.

Contributors: Noël Adams, John Baker, Michael D. J. Bintley, Sue Brunning, László Sándor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams

Representing Beasts in Early Medieval England and Scandinavia

The Carabinieri Command for the Protection of Cultural Property

$29.99

First comprehensive study of Italy's "art police", an organisation devoted to protecting cultural artefacts.

Renowned for their rigorous investigative approach, the dedicated officers of the Carabinieri Command for the Protection of Cultural Property (Carabinieri TPC) have recovered thousands of objects and built legal cases resulting inhigh profile repatriations of cultural property. Their actions have effectively changed an art market that previously depended upon theft and criminal behaviour. Italy is a nation that greatly values its ancient past alongside its artistic present, and it is this appreciation that has led to the creation of the world's premier police force dedicated to law enforcement in the arts, heritage and archaeology. As the TPC's dedicated officers work to protect every aspect of Italy's rich cultural heritage, their organisation, training, approach, missions and successes offer valuable lessons for all who share the goal of protecting and recovering cultural property.

Laurie Rushis a Board Member of the US Committee of the Blue Shield, and employed as an archaeologist by the US army; Luisa Benedettini Millington is a Faculty member of the Community College of Vermont, US.

The Carabinieri Command for the Protection of Cultural Property

The True Chronicles of Jean le Bel, 1290 - 1360

$36.95

The chronicles of Jean le Bel are one of the most important sources for the beginning of the Hundred Years' War. This is the first English translation of a work written from eyewitness accounts and personal experience.

The chronicles of Jean le Bel, written around 1352-61, are one of the most important sources for the beginning of the Hundred Years' War. They were only rediscovered and published at the beginning of the twentieth century, thoughFroissart begins his much more famous work by acknowledging his great debt to the "true chronicles" which Jean le Bel had written. Many of the great pages of Froissart are actually the work of Jean le Bel, and this is the first translation of his book. It introduces English-speaking readers to a vivid text written by a man who, although a canon of the cathedral at Liège, had actually fought with Edward III in Scotland, and who was a great admirer of the English king. He writes directly and clearly, with an admirable grasp of narrative; and he writes very much from the point of view of the knights who fought with Edward. Even as a canon, he lived in princely style, with a retinue oftwo knights and forty squires, and he wrote at the request of John of Hainault, the uncle of queen Philippa. He was thus able to draw directly on the verbal accounts of the Crécy campaign given to him by soldiers from Hainault who had fought on both sides; and his description of warfare in Scotland is the most realistic account of what it was like to be on campaign that survives from this period. If he succumbs occasionally to a good story from one of theparticipants in the wars, this helps us to understand the way in which the knights saw themselves; but his underlying objective is to keep "as close to the truth as I could, according to what I personally have seen and remembered, and also what I have heard from those who were there". Edward may be his hero, a "gallant and noble king", but Le Bel tells the notorious story of his supposed rape of the Countess of Salisbury because he believed it to be true,puzzled and shocked though he was by his material.
It is a text which helps to put the massive work of Jean Froissart in perspective, but its concentrated focus and relatively short time span makes it a much more approachable and highly readable insight into the period.

The True Chronicles of Jean le Bel, 1290 - 1360

Crusading and Pilgrimage in the Norman World

$29.99

An examination into two of the most important activities undertaken by the Normans.

The reputation of the Normans is rooted in warfare, faith and mobility. They were simultaneously famed as warriors, noted for their religious devotion, and celebrated as fearless travellers. In the Middle Ages few activities offered a better conduit to combine warfare, religiosity, and movement than crusading and pilgrimage. However, while scholarship is abundant on many facets of the Norman world, it is a surprise that the Norman relationship with crusading and pilgrimage, so central in many ways to Norman identity, has hitherto not received extensive treatment.

The collection here seeks to fill this gap. It aims to identify what was unique or different about the Normans and their relationship with crusading and pilgrimage, as well as how and why crusade and pilgrimage were important to the Normans. Particular focus is given to Norman participation in the First Crusade, to Norman interaction in later crusading initiatives, to the significance of pilgrimage in diverse parts of the Norman world, and finally to the ways in which crusading and pilgrimage were recorded in Norman narrative. Ultimately, this volume aims to assess, in some cases to confirm, and in others to revise the established paradigm of the Normans as crusaders par excellence and as opportunists who used religion to serve other agendas.

Dr KATHRYN HURLOCK is Senior Lecturer in Medieval History at Manchester Metropolitan University; Dr PAUL OLDFIELD is Senior Lecturer in Medieval History at the University of Manchester.

Contributors: Andrew Abram, William M. Aird, Emily Albu, Joanna Drell, Leonie Hicks, Natasha Hodgson, Kathryn Hurlock, Alan V. Murray, Paul Oldfield, David S. Spear, Lucas Villegas-Aristizábal.

Crusading and Pilgrimage in the Norman World

British Travellers and the Encounter with Britain, 1450-1700

$240.00

Encounters with a 'multicultural' Britain in the Tudor and Stuart periods written with an eye to debates about immigration and ethnicity in today's Britain.

This book recovers the encounter with a "multicultural" Britain by British travellers in the Tudor and Stuart periods. When William Camden, writing in the sixteenth century, set out to write the history of Britannia, he deliberately took to the roads to discover it first-hand, and those diverse cultures guided and informed his journeys. Here, John Cramsie offers original perspectives on Camden's multicultural Britain through the study of British travellersand their narratives. We meet characters such as the Tudor traveller John Leland, who intended to tell the peoples of England and Wales about themselves; chronicle how they came to settle the towns, villages, valleys, and mountaintops they called home; record the marks they left in the landscape; and celebrate the noble histories and cultures they created. Dozens - eventually hundreds - of Britons shared the same passion to meet their island neighbours and relate their experiences. The individuals studied in this book include actual as well as armchair travellers and those who blurred the boundaries between them. Their letters, diaries, journals, and histories range from the epic,poignant, and matter of fact to the exotic, preposterous, and hateful; the sources include actual and imaginative narratives and those which combined both elements. Travellers painted Britain with, in Leland's words, native colours that were rich, vibrant, and, above all, complex. Their remarkable journeys are the story of how Britons over two centuries met, interacted, and attempted (or not) to understand one another. Written with an eye to debates aboutimmigration and ethnicity in today's Britain, the book emphasizes the long history of making and remaking the island's cultural mosaic. The encounter with Britain's native colours has been a burden of history and opportunity formillennia, not simply for our own times.

JOHN CRAMSIE is Associate Professor, Department of History, Union College, NY.

British Travellers and the Encounter with Britain, 1450-1700

The Other Friars

$39.95

A concise and accessible history of four of the monastic orders in the middle ages.

In 1274 the Council of Lyons decreed the end of various 'new orders' of Mendicants which had emerged during the great push for evangelism and poverty in the thirteenth-century Latin Church. The Franciscans and Dominicans were explicitly excluded, while the Carmelites and Austin friars were allowed a stay of execution. These last two were eventually able to acquire approval, but other smaller groups, in particular the Friars of the Sack and Pied Friars, were forced to disband.

This book outlines the history of those who were threatened by 1274, tracing the development of the two larger orders down to the Council of Trent, and following the fragmentary sources for the brief histories of the discontinued friaries. For the first time these orders are treated comparatively: the volume offers a total history, from their origins, spirituality and pastoral impact, to their music, buildings and runaways.

FRANCES ANDREWS teaches at the University of St Andrews and is the author of The Early Humiliati (CUP 1999).

Cover image for The Other Friars, isbn: 9781843832584

Composers' Intentions?

$45.95

Essays on musical performance practice by an acknowledged expert in the field.

These selected essays by conductor Andrew Parrott reflect the thinking behind some four decades of his ground-breaking performances and recordings. Bringing together seminal writings on the performance expectations of, amongst others, Monteverdi, Purcell and J. S. Bach, this volume also includes the full version of a major new article calling into question the presumed historical place of the 'countertenor' voice. Focusing primarily on vocal and choral matters, the time span is broad (some five centuries) and the essays multifarious (from extensive scholarly articles to radio broadcasts). Authoritative, provocative and readable, Parrott's writing is packed with information of valueto scholars, performers, students and curious listeners alike.

ANDREW PARROTT is the founder and director of the Taverner Consort, Choir and Players. His book The Essential Bach Choir (The Boydell Press, 2000) has been acclaimed as 'a brilliant piece of research' (BBC Radio 3); 'utterly fascinating' (Gramophone); and 'a document which will itself no doubt be a subject of study for years to come' (Times Literary Supplement).

Women and English Piracy, 1540-1720: Partners and Victims of Crime

$36.95

Drawing on a wide body of evidence, the book argues that the support of women was vital to the persistence of piracy around the British Isles at least until the early seventeenth century. The emergence of long-distance and globalized predation had far reaching consequences for female agency.

Piracy was one of the most gendered criminal activities during the early modern period. As a form of maritime enterprise and organized criminality, it attracted thousands of male recruits whose venturing acquired a global dimension as piratical activity spread across the oceans and seas of the world. At the same time, piracy affected the lives of women in varied ways. Adopting a fresh approach to the subject, this study explores the relationships and contacts between women and pirates during a prolonged period of intense and shifting enterprise. Drawing on a wide body of evidence and based on English and Anglo-American patterns of activity, it argues that the support of female receivers and maintainers was vital to the persistence of piracy around the British Isles at least until the early seventeenth century.
The emergence of long-distance and globalized predation had far reaching consequences for female agency. Within colonial America, women continued to play a role in networks of support for mixed groups of pirates and sea rovers; at the same time, such groups of predators established contacts with women of varied backgrounds in the Caribbean and the Indian Ocean. As such, female agency formed part of the economic and social infrastructure which supported maritime enterprise of contested legality. But it co-existed with the victimisation of women bypirates, including the Barbary corsairs. As this study demonstrates, the interplay between agency and victimhood was manifest in a campaign of petitioning which challenged male perceptions of women's status as victims. Against this background, the book also examines the role of a small number of women pirates, including the lives of Mary Read and Ann Bonny, while addressing the broader issue of limited female recruitment into piracy.

JOHN C. APPLEBY is Senior Lecturer in History at Liverpool Hope University.

Women and English Piracy, 1540-1720: Partners and Victims of Crime

The True Chronicles of Jean le Bel, 1290 - 1360

$130.00

The chronicles of Jean le Bel are one of the most important sources for the beginning of the Hundred Years' War. This is the first English translation of a work written from eyewitness accounts and personal experience.

The chronicles of Jean le Bel, written around 1352-61, are one of the most important sources for the beginning of the Hundred Years' War. They were only rediscovered and published at the beginning of the twentieth century, thoughFroissart begins his much more famous work by acknowledging his great debt to the "true chronicles" which Jean le Bel had written. Many of the great pages of Froissart are actually the work of Jean le Bel, and this is the first translation of his book. It introduces English-speaking readers to a vivid text written by a man who, although a canon of the cathedral at Liège, had actually fought with Edward III in Scotland, and who was a great admirer of the English king. He writes directly and clearly, with an admirable grasp of narrative; and he writes very much from the point of view of the knights who fought with Edward. Even as a canon, he lived in princely style, with a retinue oftwo knights and forty squires, and he wrote at the request of John of Hainault, the uncle of queen Philippa. He was thus able to draw directly on the verbal accounts of the Crécy campaign given to him by soldiers from Hainault who had fought on both sides; and his description of warfare in Scotland is the most realistic account of what it was like to be on campaign that survives from this period. If he succumbs occasionally to a good story from one of theparticipants in the wars, this helps us to understand the way in which the knights saw themselves; but his underlying objective is to keep "as close to the truth as I could, according to what I personally have seen and remembered, and also what I have heard from those who were there". Edward may be his hero, a "gallant and noble king", but Le Bel tells the notorious story of his supposed rape of the countess of Salisbury because he believed it to be true,puzzled and shocked though he was by his material.
It is a text which helps to put the massive work of Jean Froissart in perspective, but its concentrated focus and relatively short time span makes it a much more approachable and highly readable insight into the period.

The Fifteenth Century XIV

$95.00

This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW

For four decades, Michael Hicks has been a figure central to the study of fifteenth-century England. His scholarly output is remarkable both for its sheer bulk and for the diversity of the fields it covers. This extraordinary breadth is reflected by the variety of subjects covered by the papers in the present volume, offered to Professor Hicks by friends, colleagues and former students to mark his retirement from the University of Winchester. Fifteenth-century royalty, nobility and gentry, long at the heart of his own work, naturally take centre stage, but his contribution to economic and regional history, both in the early part of his career as a research fellow at the Victoria County History and more recently as director of a succession of major research projects, is also reflected in the essays presented here.
The individual contributions are populated by some of the major characters of Yorkist England, many of them made household names by Professor Hicks's own writings - King Edward IV and his mistresses; the Neville earls of Warwick and Salisbury; the Stafford, Herbert, Percy, Tiptoft and de Vere earls of Devon, Pembroke,Northumberland, Worcester and Oxford - while the themes covered span the full panoply of medieval life: from treason to trade, warfare to widowhood and lordship to law enforcement. Equally broad is the papers' geographical spread,covering regions from Catalonia to Normandy, from Hampshire to Yorkshire and from Worcestershire and the Welsh marches to East Anglia.

Contributors: Anne Curry, Christopher Dyer, Peter Fleming, Ralph Griffiths, JohnHare, Winifred Harwood, Matthew Holford, Hannes Kleineke, Gordon McKelvie, Mark Page, Simon Payling, A.J. Pollard, James Ross, Karen Stöber, Anne F. Sutton

The Art of Swordsmanship by Hans Lecküchner

$190.00

English translation of one of the most significant medieval texts on fighting with swords.

Completed in 1482, Johannes Lecküchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Lecküchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Lecküchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches.
This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content.

Jeffrey L. Forgeng is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

<I>The Art of Swordsmanship</I> by Hans Lecküchner

Late-Georgian Churches

$115.00

How the Anglican church responded to population growth and the need for more accommodation, with the building of 1500 new churches, many of the finest quality.

This book is the first comprehensive study of late-Georgian church-building. After centuries of post-Reformation inactivity, the Church of England began to address the desperate shortage of accommodation and build on a huge scale. Almost all the leading architects were involved and, amongst approximately 1500 new churches there are some outstanding designs; buildings of the very highest order architecturally.
In this pioneering study, the churches are considered free from the Ecclesiological zeal that condemned them and has, for so long, prevented their serious study. It will celebrate the best of them and provide valuable insights into the design and planning of the whole corpus. There will be many revelations.
Included is a thorough examination of the stylistic alternatives and contemporary liturgical imperatives, along with their architectural implications. And the book explores a lost world of late-Georgian churchgoing: what people expected and experienced in a church service. Also considered are some of the period's remarkable material and constructional innovations, ones often exploited in church-building, along with the provision of architectural services in the era that preceded full professionalisation.

Accompanied Voices

$27.95

Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, but also a moving commentary by one set of practisingartists on the work of another.

Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, and a moving commentary by one set of practising artists on the work of another. There have been several anthologies of "music poems", but never one which follows the story of western music through from the Renaissance to the twenty-first century. This is in effect a chronologicalguide to the major composers of the last four hundred years, written in the language which comes closest to music itself - poetry.
Readers will find in Accompanied Voices the same pleasure that they might find in simply putting on a CD and listening. Every page brings something to arrest or transport and there is extraordinary diversity of response. Anecdote, epiphany, portrait, meditation... but many of these poets offer intellectual insights too and even critiques - there is far more variety here than any straightforward music essay can manage. These poems move beyond the mere names of composers and their works, reaching for more universal concerns.

Major poets represented include Geoffrey Hill, Ted Hughes, Elizabeth Jennings, Michael Longley, Andrew Motion, Peter Porter, Siegfried Sassoon, Jo Shapcott, Anne Stevenson and Charles Tomlinson among a total of nearly a hundred writers.

JOHN GREENING is a poet and received a Cholmondeley Award in 2008. He is also a Hawthornden Fellow and a Fellow of the English Association. He has published studies of the Poets of the First World War, Yeats, Hardy, Edward Thomas and Elizabethan Love Poets.

The Final Crisis of the Stuart Monarchy

$36.95

Written in a lively and engaging style, and designed to be accessible to a broader audience, this collection combines new research with the latest scholarship to provide a fresh and invigorating introduction to the revolutionary period that transformed Britain and its empire.

There has been an explosion of interest in the 'Glorious' Revolution in recent years. Long regarded as the lesser of Britain's seventeenth-century revolutions, a faint after tremor following the major earthquake of mid-century, itis now coming to be seen as a major transformative episode in its own right, a landmark event which marked a distinctive break in British history. This collection sheds new light on the final crisis of the Stuart monarchy by re-examining the causes and implications of the dynastic shift of 1688-9 from a broad chronological, intellectual and geographical perspective.
Comprising eleven essays by specialists in the field, it ranges from the 1660s to the mid-eighteenth century, deals with the history of ideas as well as political and religious history, and not only covers England, Scotland and Ireland but also explores the Atlantic and European contexts. Encompassing high politics and low politics, Tory and Whig political thought, and the experiences of both Catholics and Protestants, it ranges from protest and resistance to Jacobitism and counter-revolution and even offers an evaluation of British attitudes towards slavery. Written in a lively and engaging style and designed to be accessible to a broader audience, it combines new research with the latest scholarship to provide a fresh and invigorating introduction to the revolutionary period that transformed Britain and its empire.

TIM HARRIS is Munro-Goodwin-Wilkinson Professor in European History at Brown University STEPHEN TAYLOR is Professor in the History of Early Modern England and Head of Department at Durham University.

Remaking English Society

$170.00

A tribute to the work of Keith Wrightson which addresses fundamental questions about the character of English society during a period of decisive change.

A tribute to the work of Keith Wrightson, Remaking English Society re-examines the relationship between enduring structures and social change in early modern England. Collectively, the essays in the volume reconstruct the fissures and connections that developed both within and between social groups during the sixteenth, seventeenth and eighteenth centuries. Focusing on the experience of rapid economic and demographic growth and on related processesof cultural diversification, the contributors address fundamental questions about the character of English society during a period of decisive change. Prefaced by a substantial introduction which traces the evolution of early modern social history over the last fifty years, these essays (each of them written by a leading authority) not only offer state-of-the-art assessments of the historiography but also represent the latest research on a variety of topics that have been at the heart of the development of 'the new social history' and its cultural turn: gender relations and sexuality; governance and litigation; class and deference; labouring relations, neighbourliness and reciprocity; and social status and consumption.

STEVE HINDLE is W. M. Keck Foundation Director of Research at the Huntington Library, San Marino, California.

ALEXANDRA SHEPARD is Reader in History, University of Glasgow.

JOHN WALTER is Professor of History, University of Essex.

Contributors: Helen Berry, Adam Fox, H. R. French, Malcolm Gaskill, Paul Griffiths, Steve Hindle, Craig Muldrew, Lindsay O'Neill, Alexandra Shepard, Tim Stretton, Naomi Tadmor, John Walter, Phil Withington, Andy Wood

Karl Straube (1873–1950)

$240.00

The first thorough examination of the most renowned and influential organist in early twentieth-century Germany and of his complex relationship to his country's tumultuous and shifting sociopolitical landscape.

In the course of a multifaceted career, Karl Straube (1873-1950) rose to positions of immense cultural authority in a German musical world caught in unprecedented artistic and sociopolitical upheaval. Son of a German harmonium-builder and an intellectually inclined English mother, Straube established himself as Germany's iconic organ virtuoso by the turn of the century. His upbringing in Bismarck's Berlin encouraged him to develop intensive interests in world history and politics. He quickly became a sought-after teacher, editor, and confidante to composers and intellectuals, whose work he often significantly influenced. As the eleventh successor to J. S. Bach in the cantorate of St. Thomas School, Leipzig, he focused the choir's mission as curator of Bach's works and, in the unstable political climate of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed.
Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.

Crusading and Pilgrimage in the Norman World

$120.00

An examination into two of the most important activities undertaken by the Normans.

The reputation of the Normans is rooted in warfare, faith and mobility. They were simultaneously famed as warriors, noted for their religious devotion, and celebrated as fearless travellers. In the Middle Ages few activities offered a better conduit to combine warfare, religiosity, and movement than crusading and pilgrimage. However, while scholarship is abundant on many facets of the Norman world, it is a surprise that the Norman relationship with crusading and pilgrimage, so central in many ways to Norman identity, has hitherto not received extensive treatment.

The collection here seeks to fill this gap. It aims to identify what was unique or different about the Normans and their relationship with crusading and pilgrimage, as well as how and why crusade and pilgrimage were important to the Normans. Particular focus is given to Norman participation in the First Crusade, to Norman interaction in later crusading initiatives, to the significance of pilgrimage in diverse parts of the Norman world, and finally to the ways in which crusading and pilgrimage were recorded in Norman narrative. Ultimately, this volume aims to assess, in some cases to confirm, and in others to revise the established paradigm of the Normans as crusaders par excellence and as opportunists who used religion to serve other agendas.

Dr Kathryn Hurlock is Senior Lecturer in Medieval History at Manchester Metropolitan University; Dr Paul Oldfield is Lecturer in Medieval History at the University of Manchester.

Contributors: Andrew Abram, William M. Aird, Emily Albu, Joanna Drell, Leonie Hicks, Natasha Hodgson, Kathryn Hurlock, Alan V. Murray, Paul Oldfield, David S. Spear, Lucas Villegas-Aristizábal.

The Thorney Liber Vitae (London, British Library, Additional MS 40,000, fols 1-12r)

$170.00

First printed edition, with facsimile and studies, of a significant manuscript from medieval England.

The Thorney liber vitae (BL, MS Add. 40,000, fols 1-12v) consists of many hundreds of names written in the front of a tenth-century gospel book. This liber vitae is one of only three such compilations surviving frommedieval England, the others being the Durham liber vitae (BL, MS Cotton Domitian A vii) and the New Minster liber vitae (BL, MS Stowe 944). Begun at Thorney abbey (Cambridgeshire) in the late eleventh century and continued into the late twelfth, it purports to be a record of the names of confraters of the abbey, that is of those people who, through their friendship and gifts to the abbey, were included in the daily prayers of the monks of the community.
The present volume is the first complete edition of this important text, and includes a complete facsimile of the pages. It also contains studies of the manuscript context, of the names included and, where possible, the identities and relationship to the abbey of those named, many of whom are also entered in the priory cartulary known as the Red Book of Thorney. The introduction provides a wide-ranging historical context for the production of the liber vitae.

Lynda Rollason is Honorary Research Fellow in the Department of Archaeology at Durham University.

With contributions from Richard Gameson, John Insley and Katharine Keats-Rohan.

The Thorney <I>Liber Vitae</I> (London, British Library, Additional MS 40,000, fols 1-12r)

Elite Women in Ascendancy Ireland, 1690-1745

$120.00

Provides a thorough examination of the role of women in Ascendancy Ireland.

The late seventeenth and early eighteenth century was a period of great social and political change within Ireland, as the Protestant Ascendancy gained control of the country, aided by the English government and aristocracy, withwhom the ruling class in Ireland mixed through marriage and travel. The resulting Anglo-Irish elite, with its distinct transnational identity, differed markedly from the preceding Irish elite, but, at the same time, because of itsIrish dimension, was very different also from the contemporary English and Scottish upper classes. Women played key roles in this Anglo-Irish elite, and the nature of the Protestant Ascendancy can only be completely understood byconsidering women's roles fully.
This book provides a thorough examination of the role of women in Ascendancy Ireland. It discusses marriage, family and social life; explores women's roles in economic and political life and in charitable activities; and places Irish elite women of this period in their wider historiographical context. The book is based on extensive original research, including among the papers of aristocratic families in Ireland and Britain, and provides a wealth of detail on elite women's lives in this period.

Rachel Wilson completed her doctorate in modern history at Queen's University, Belfast.

Elite Women in Ascendancy Ireland, 1690-1745

Scandal and Religious Identity in Early Stuart England

$170.00

A window into the mental and cultural worlds of the Stuart period, capturing the existing religious, social and political tensions on the eve of the English Civil War.

This book starts with an extraordinary event and document. The event is the trial and execution for infanticide of a puritan minister, John Barker, along with his wife's niece and their maid, in Northampton in 1637; the document,what appears to be a virtual transcript of Barker's last speech on the gallows. His downfall soon became polemical fodder in scribal publications, with Puritans circulating defences of Barker and anti-Calvinists producing a Laudian condemnation of the minister.

Scandal and Religious Identity in Early Stuart England uses Barker's crime and fate as a window on the religious world of early modern England. It is based upon an extraordinary deposit of manuscript and printed sources, all produced between 1637 and 1640 by people living in close proximity to one another and all of whom knew one another, either as friends or more often as enemies. Marshalling evidence frompublic polemical sources and from almost entirely private ones - a diary, private letters and a spiritual autobiography - the book is able to examine the same events and persons, and beliefs and practices, from multiple perspectives: the micro and the macro, the personal and the political, and the affective and the doctrinal. Throughout, we meet a range of very different people putting various bodies of religious theory into practice, connecting the most local and particular of events and rivalries to the great issues of the day and responding, in certain cases, to the promptings of the Holy Spirit and the temptations of the devil.
This approach enables a whole series of generalisations to be explored: about the relation between politics and religion, devotion and polemic, puritans and their enemies, local and national affairs; between rumour, manuscript and print; and, finally, about gender hierarchyand the social roles of men and women. The result is an extraordinarily detailed and intimate portrait of the religio- political scene in an English county on the eve of civil war.

PETER LAKE is Distinguished University Professor of early modern English history at Vanderbilt. He is the author of several studies of English religion, culture and politics in the Elizabethan and early Stuart periods.

ISAAC STEPHENS is Assistant Professor of History at Saginaw Valley State University and has published on early modern marriage, religion, and life-writing.

Scandal and Religious Identity in Early Stuart England

Cancer, Research, and Educational Film at Midcentury

$39.95

The story of a forgotten health education film, Challenge: Science Against Cancer (1950), and what it tells us about mid-twentieth century North American cancer research, medical filmmaking, and health education campaigns.

In 1949 the U.S. National Cancer Institute (NCI) and the Canadian Department of National Health and Welfare (DNHW) commissioned a film, eventually called Challenge. Science Against Cancer, as part of a major effort to recruit young scientists into cancer research. Both organizations feared that poor recruitment would stifle the development of the field at a time when funding for research was growing dramatically. The fear was that there would not be enough new young scientists to meet the demand, and that the shortfall would undermine cancer research and the hopes invested in it. Challenge aimed to persuade young scientists to think of cancer research as a career.

This book is the story of that forgotten film and what it tells us about mid-twentieth century American and Canadian cancer research, educational filmmaking, and health education campaigns. It explores why Canadian and American health agencies turned to film to address the problem of scientist recruitment; how filmmakers turned such recruitment concerns into something they thought would work as a film; and how information officers at the NCI and DNHW sought to shape the impact of Challenge by embedding it in a broader educational and propaganda program. It is, in short, an account of the important, but hitherto undocumented, roles of filmmakers and information officers in the promotion of post-Second World War cancer research.

This book is openly available in digital formats, under Creative Commons license CC BY-ND, thanks to a generous grant from the Andrew W. Mellon Foundation.

Cancer, Research, and Educational Film at Midcentury

Hans Richter

$75.00

Christopher Fifield's remarkable study explores the personality, life and work of a conductor who influenced and inspired the leading composers, singers and instrumentalists of his day.

The Austro-Hungarian Hans Richter (1843-1916) was the first career-conductor to gain international fame. His first appointment was to Budapest, and he went on to dominate music-making in Vienna, Bayreuth, London, Manchester (withthe Hallé Orchestra) and other towns and cities in Britain and Europe between 1865 and 1912. Richter gave first performances of works by Wagner, Brahms, Elgar, Bruckner, Tchaikovsky, Stanford and Parry and helped to further the careers of Dvorák, Sibelius, Bartók and Glazunov.
Christopher Fifield's remarkable study explores the personality, life and work of a conductor who influenced and inspired the leading composers, singers and instrumentalists of his day. Originally published in 1993, this revised and expanded edition contains extensive new material in the form of Richter's conducting books. Translated and reproduced in full, they detail every one of the 4,351 public performances Richter gave in a professional life spanning 47 years. Drawing on Richter's own diaries, the book also presents his correspondence with many contemporary composers (Wagner in particular) and performers. Fifield's biography of this seminal figure provides a revealing insight into British and European music and concert life during the long nineteenth century.

CHRISTOPHER FIFIELD is a conductor, music historian, lecturer and broadcaster.He is the editor and author of the Letters and Diaries of Kathleen Ferrier and Max Bruch: His Life and Works, both published in new editions by The Boydell Press. He has also written Ibbs & Tillett - The rise andfall of a Musical Empire and The German Symphony between Beethoven and Brahms.

The Cult of St Edmund in Medieval East Anglia

$36.95

An investigation of the growth and influence of the cult of St Edmund, and how it manifested itself in medieval material culture.

Longlisted for the Katharine Briggs Award 2016

St Edmund, king and martyr, supposedly killed by Danes (or "Vikings") in 869, was one of the pre-eminent saints of the middle ages; his cult was favoured and patronised by several English kings, and gave rise to a rich array of visual, literary, musical and political artefacts.
This study explores the development of devotion to St Edmund, from its first flourishing in the ninth century to the eveof the Reformation. It explores a series of key questions: how, why and when did the cult develop? Who was responsible for its promotion and dissemination? To which groups and individuals did St Edmund appeal? How did this evolveover time? Using as evidence a range of textual and visual treasures from the Anglo-Saxon king's erstwhile kingdom and later cultic heartland, Norfolk and Suffolk, the study draws on sources and approaches from a variety of disciplines (literature, art history, social history and anthropology) to elucidate the social, cultural and political dynamics of cult construction.

Dr REBECCA PINNER is a Lecturer in Medieval and Early Modern Literature atthe University of East Anglia.

The Cult of St Edmund in Medieval East Anglia

The Conservation Movement in Norfolk

$29.99

Norfolk played a unique role in the development of conservation. This book narrates the story of the movement, from its origins five hundred years ago to the present day.

Rare and beautiful Norfolk, as described by the artist John Sell Cotman in 1841, with its rich wildlife habitats, historic buildings, diverse landscapes and archaeological sites, has long been a focus of interest for both naturalists and antiquarians. It has also been at the forefront of the modern conservation movement. The Norfolk Archaeological Trust, still the only local trust of its kind, was founded in 1923; the Norfolk Naturalist Trust, (later the Norfolk Wildlife Trust), founded in 1926, was the first county wildlife trust; while Blickling Hall was the first property to be accepted by the National Trust under its Country House Scheme. By the 1970s traditional marsheswere seen as particularly under threat and it was proposals to drain part of the Broadland marshes that led to the introduction of conservation schemes which have transformed much of British agriculture.
In this engaging book, the author traces the history of the conservation movement and the people who were involved, including the Norfolk botanist and founder of the Linnean Society, Sir James Smith. In particular, she shows the influence of changingsocial attitudes and priorities upon the movement and ideas of heritage.

Susanna Wade Martins is an honorary fellow of the School of History at the University of East Anglia; her previous publications include Coke ofNorfolk: A Biography and The Countryside of East Anglia (with Tom Williamson).

The Bigod Earls of Norfolk in the Thirteenth Century

$36.95

Study of one of the most influential aristocratic families of medieval England.

The Bigods were one of the most powerful and important families in thirteenth-century England. They are chiefly remembered for their dramatic interventions in high politics. Roger III Bigod (c. 1209-70) famously led the march on Westminster Hall in 1258 against Henry III, while Roger IV Bigod (1245-1306) confronted Edward I in 1297 in similar fashion.
This book is the first full-scale study of these two earls, and explores in depth the reasons thatled each of them to take the extreme step of confronting his king. It is only in part, however, a political study. In seeking to understand the motives that lay behind their public actions, the book scrutinizes the earls' privateaffairs. It establishes for the first time the precise extent of their landed estate, the size of their incomes, and the membership and quality of their affinities. It also examines their relationships with friends and relatives,their building works, and even their personalities. Extensive use is made throughout of unpublished manuscript sources: in particular, the hundreds of ministers' accounts that have survived from the administration of Roger IV Bigod, and the charters given by both earls, which are calendared and translated in an appendix.

The Bigod Earls of Norfolk in the Thirteenth Century

Remaking English Society

$45.95

Written by leading authorities, the volume can be considered a standard work on seventeenth-century English social history.

A tribute to the work of Keith Wrightson, Remaking English Society re-examines the relationship between enduring structures and social change in early modern England. Collectively, the essays in the volume reconstruct the fissures and connections that developed both within and between social groups during the sixteenth, seventeenth and eighteenth centuries. Focusing on the experience of rapid economic and demographic growth and on related processesof cultural diversification, the contributors address fundamental questions about the character of English society during a period of decisive change. Prefaced by a substantial introduction which traces the evolution of early modern social history over the last fifty years, these essays (each of them written by a leading authority) not only offer state-of-the-art assessments of the historiography but also represent the latest research on a variety of topics that have been at the heart of the development of 'the new social history' and its cultural turn: gender relations and sexuality; governance and litigation; class and deference; labouring relations, neighbourliness and reciprocity; and social status and consumption.

STEVE HINDLE is W. M. Keck Foundation Director of Research at the Huntington Library, San Marino, California.

ALEXANDRA SHEPARD is Reader in History, University of Glasgow.

JOHN WALTER is Professor of History, University of Essex.

Contributors: Helen Berry, Adam Fox, H. R. French, Malcolm Gaskill, Paul Griffiths, Steve Hindle, Craig Muldrew, Lindsay O'Neill, Alexandra Shepard, Tim Stretton, Naomi Tadmor, John Walter, Phil Withington, Andy Wood

Youth and Popular Culture in Africa

$170.00

Explores the range of vibrant cultural production and political activism of youth in Africa today, as expressed through art, music, theater, and online media.

This edited collection focuses on the links between youth and African popular culture. Contributions by a distinguished group of scholars explore popular culture produced and consumed by young people in contemporary Africa. Essays cover a variety of cultural representations--visual, oral, written, performative, fictional, social, and virtual--created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public and shared locally and globally. The volume examines the range of music, art, and media African youth produce, under what conditions or contexts they produce such work, and the aesthetic dimensions of these texts as cultural artifacts. Essays further explore why these textual practices matter as social facts, as interpretive acts, and as symbols of the cultural activism of young people in a rapidly changing world—a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems.

Welsh Soldiers in the Later Middle Ages, 1282-1422

$130.00

Examines the role of Welsh soldiers in English armies, from the conquests under Edward I through to the Battle of Agincourt.

Not only the leaders but the entire nation are trained in war. Sound the trumpet for battle and the peasant will rush from his plough to pick up his weapons as quickly as the courtier from the court. So wrote Gerald of Wales atthe end of the twelfth century; and war continued to define the experiences of Welshmen in the succeeding years.
This book explores the role of the Welsh in England's armies and in England's wars between Edward I's conquest of Wales in the 1280s, through the wars in Scotland and France and the revolt led by Owain Glyndwr, concluding with Henry V's conquest of Normandy following his victory at Agincourt in 1415. It examines the structure and composition of armies and the social networks and hierarchies which underpinned them: what sort of Welshmen became soldiers? How was Welsh society organised for war? What impact did wider political considerations have upon Welshmen in England's armies? These questions are answered using both well-known sources, such as the financial records of the English crown, and others less familiar, including the records of local administration and the large surviving corpus ofWelsh-language poetry.

Adam Chapman is Editor and Training Coordinator with the Victoria County History of the Counties of England at the Institute of Historical Research, London.

Welsh Soldiers in the Later Middle Ages, 1282-1422

The Myth of the Press Gang

$120.00

Overturns the generally held view that the press gang was the main means of recruiting seamen by the British navy in the late eighteenth century.

SHORTLISTED for the Society for Nautical Research's prestigious Anderson Medal.

The press gang is generally regarded as the means by which the British navy solved the problem of recruiting enough seamen in the late eighteenth century. This book, however, based on extensive original research conducted primarily in a large number of ships' muster books, demonstrates that this view is false. It argues that, in fact, the overwhelming majority of seamen in the navy were there of their own free will. Taking a long view across the late eighteenth century but concentrating on the period of the French Revolutionary and Napoleonic Wars of 1793-1815, the book provides great detail on the sort of men that were recruited and the means by which they were recruited, and includes a number of individuals' stories. It shows how manpower was a major concern for the Admiralty; how the Admiralty put in place a range of recruitment methods including the quota system; how it worried about depleting merchant shipping of sufficient sailors; and how, although most seamen were volunteers, the press gang was resorted to, especially during the initial mobilisation at the beginning of wars and to find certain kinds of particularly skilled seamen. The book also makes comparisons with recruitment methods employed by the navies of other countries and by the British army.

J. Ross Dancy is Assistant Professor of History at Sam Houston State University.

The Anglo-Saxon Chancery

$120.00

An exploration of Anglo-Saxon charters, bringing out their complexity and highlighting a range of broad implications.

More charters survive from Anglo-Saxon England than texts of any other type. In a society in which the ownership of land was fundamental to status, wealth and power, the charters which gifted and guaranteed landholdings were crucial not only as legal documents but also as instruments of political power. As responsibility for their production was increasingly centralised at the royal court in the ninth and tenth centuries, charters also became vehicles forroyal and religious propaganda, reflecting the dynamic and creative culture of tenth-century England.
Through an analysis of the extraordinarily sophisticated Latin in which these documents were written, this book demonstrates the literary ambitions of their draughtsmen (who may certainly be considered as Anglo-Latin literary authors in their own right), and also sheds light on the political ideologies of Anglo-Saxon England's most powerful and enigmatic kings and churchmen. Most tantalising of all, perhaps, is the fact that the language of royal charters, which may preserve some of the very words uttered by the king, provides an unparalleled view of the mechanisms by whichthe developing kingdom of England was governed. Not only does it indicate the increasingly sophisticated bureaucracy of an administratively advanced state, but it also reveals an atmosphere of literary and cultural attainment, emanating directly from the king's court, as rich as any in the early medieval Insular world.

Ben Snook teaches History at the Godolphin and Latymer School, London.

Tempo and Tactus in the German Baroque

$190.00

Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.

Before the advent of the metronome ca. 1800, there was little in the way of a standardized, commonly accessible method for precisely communicating how fast musical compositions should be performed. Instead of absolute time (that is, plottable on a metronome), Baroque musicians developed notational cues for relative speed: this was accomplished primarily through combinations of time signatures and note values. Julia Dokter's Tempo and Tactus in the German Baroque helps decode these tempo cues for modern performers.

Part 1 investigates metric theory in music treatises from roughly 1600 to 1790. Parts 2 and 3 explore the organ scores of pivotal composers such as J. S. Bach, Dieterich Buxtehude, Matthias Weckman, and Nicolaus Bruhns, and present case studies demonstrating how Baroque tempo indications may interact in performance situations.

Readers will discover how Baroque musicians modified the Renaissance mensural system to incorporate tempo shifts; how the various duple, triple, and compound meters interrelated; how the technical display of stylus phantasticus writing affected tempo; how tempo words (such as allegro) functioned; and how the choice of performing forces-chorus, solo keyboard, and so on-could affect the way tempo was notated.

By addressing questions of tempo fundamental to German Baroque music, this book lays important groundwork for organists and for performers of other instrumental music of this period.

The Art of Swordsmanship by Hans Lecküchner

$54.95

English translation of one of the most significant medieval texts on fighting with swords.

Completed in 1482, Johannes Lecküchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Lecküchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Lecküchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches.
This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content.

JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

The Myth of the Press Gang

$29.99

Overturns the generally held view that the press gang was the main means of recruiting seamen by the British navy in the late eighteenth century.

SHORTLISTED for the Society for Nautical Research's prestigious Anderson Medal.

The press gang is generally regarded as the means by which the British navy solved the problem of recruiting enough seamen in the late eighteenth century. This book, however, based on extensive original research conducted primarily in a large number of ships' muster books, demonstrates that this view is false. It argues that, in fact, the overwhelming majority of seamen in the navy were there of their own free will. Taking a long view across the late eighteenth century but concentrating on the period of the French Revolutionary and Napoleonic Wars of 1793-1815, the book provides great detailon the sort of men that were recruited and the means by which they were recruited, and includes a number of individuals' stories. It shows how manpower was a major concern for the Admiralty; how the Admiralty put in place a rangeof recruitment methods including the quota system; how it worried about depleting merchant shipping of sufficient sailors; and how, although most seamen were volunteers, the press gang was resorted to, especially during the initial mobilisation at the beginning of wars and to find certain kinds of particularly skilled seamen. The book also makes comparisons with recruitment methods employed by the navies of other countries and by the British army.

J. ROSS DANCY is Director of Graduate Studies in History and Assistant Professor of History at Sam Houston State University

Minna Wagner

$170.00

This biography of Minna Planer, Richard Wagner's wife of 30 years, reveals her as a self-assured woman and artist who was vital to her husband's creative life.

When Richard Wagner first met Minna Planer in 1834, he was an unknown conductor, she a popular actress. His hectic pursuit of her affections culminated in marriage in 1836. Minna endured poverty with him, nursed him through chronic illness, followed him across Europe as he fled from creditors and pursued his artistic goals, and sought to provide him with the stable domestic and erotic life that he craved. He played his works to her as he wrote them, up to Tannhäuser and Lohengrin, and set store by her opinions. But when he went on the run as a wanted revolutionary, Minna only reluctantly followed him into Swiss exile.

Domestic peace tentatively prevailed, but was ultimately destroyed by Wagner's passion for Mathilde Wesendonck. In 1858, he and Minna separated, she returned home to Germany, and subsequent efforts at reconciliation proved ultimately impossible. They remained married, however, until Minna's death in 1866.

Despite having been at Richard's side as he matured into the composer of the Ring and Tristan, Minna has been given short shrift by most Wagner commentators. In Eva Rieger's acclaimed biography, translated into English by Chris Walton, the author reveals Minna as a self-assured woman and artist who played a crucial role in the creative life of her husband.

The Bigod Earls of Norfolk in the Thirteenth Century

$95.00

Study of one of the most influential aristocratic families of medieval England.

The Bigods were one of the most powerful and important families in thirteenth-century England. They are chiefly remembered for their dramatic interventions in high politics. Roger III Bigod (c. 1209-70) famously led the march on Westminster Hall in 1258 against Henry III, while Roger IV Bigod (1245-1306) confronted Edward I in 1297 in similar fashion.
This book is the first full-scale study of these two earls, and explores in depth the reasons thatled each of them to take the extreme step of confronting his king. It is only in part, however, a political study. In seeking to understand the motives that lay behind their public actions, the book scrutinizes the earls' privateaffairs. It establishes for the first time the precise extent of their landed estate, the size of their incomes, and the membership and quality of their affinities. It also examines their relationships with friends and relatives,their building works, and even their personalities. Extensive use is made throughout of unpublished manuscript sources: in particular, the hundreds of ministers' accounts that have survived from the administration of Roger IV Bigod, and the charters given by both earls, which are calendared and translated in an appendix.

Anglo-Norman Studies XXXVII

$130.00

The latest research on aspects of the Anglo-Norman world.

The contributions collected here demonstrate the full range and vitality of current work on the Anglo-Norman period, from a variety of different angles and disciplines. Topics include architecture and material remains in Winchester, Kent and Hampshire; the role of Duke Richard II and Abbot John of Fécamp in early Normandy; political and liturgical culture at the Anglo-Norman and Angevin courts; the lost (illustrated?) prototype of Dudo of Saint-Quentin's early Norman history and Geoffrey of Monmouth's motivation for his Historia Regum Britonum; twelfth-century legal scholarship and the archaic use of vernacular vocabulary in law texts; trade and travel; and a study of episcopal acta from the south-western Norman dioceses.

Contributors: Richard Allen, Pierre Bauduin, Johanna Dale, Jennifer Farrell, Peter Fergusson, Sara Harris, Nicholas Karn, Edmund King, Lauren Mancia, Eljas Oksanen, Gesine Oppitz-Trotman, Benjamin Pohl, Katherine Weikert

Walking with Asafo in Ghana

$45.95

WINNER: Society for Ethnomusicology - 2024 Nketia Book Prize

The first full-length study of the musical pasts of Asafo warrior associations based on the author's "ways of walking" with local scholars along the Ghanaian littoral.

What is Asafo ndwom (music)? How and when is it performed? What is the state of this warrrior tradition that once served as the bedrock of the Akan, Ewe, and Ga societies in Ghana? How does Asafo enact the past and serve as an archive for the people? In an attempt to answer these questions, Walking with Asafo in Ghana investigates the musical pasts of Asafo. The book is an ethnography of walking, organized into eight chapters. Each chapter ends with a piece of creative writing in the author's "ethnographic voice," in which she sums up the main ideas. It is Aduonum's attempt at an anticolonial and decolonialist African musicology, one that subverts and decenters white racial framing of research, analysis, and presentation, disrupting how Euro-American concepts frame our ways of telling and experiencing ndwom.

Aduonum's goal on this trajectory is to tell her story, create something new, and chart a new path. Through this fluid and complex book, she repositions African Elders' knowledge as "epistemologies of decolonization and de-coloniality" and centers the stories shared by local Fante scholars. The text is polyvocal, multimodal, multiperspective, performative, reflexive, and dialogic, informed by the structure of Asafo ndwom, appellations, proverbs, her mentors' tellings, and "embodied" calling and responding. It is a performative scholarly discourse, ndwom-based: a performance. As a celebration of Asafo, those warriors who insisted their lives matter, the text is meant to be read and performed.

This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.

Not Just in Time

$29.95

How a tiny start-up slayed an industry giant before redefining the way workers are managed around the globe.

This book recounts a success story rooted in one individual's desire to embrace his entrepreneurial spirit and forge his own company. Mark Ain led Kronos Incorporated from concept to the basements and garages of its early core team to a soot-filled ironworks foundry, and from there to its eventual role as a multi-billion-dollar global leader in an industry it refined, then redefined, and ultimately led. The story of Mark Ain and Kronos holds inspiration and insight for any aspiring entrepreneur.
The tale starts not in a boardroom, but with Mark's early upbringing, where his adventurous spirit and fearless nature readied him to be both a risk-taking business pioneer and a leader who recognized the need to take a nontraditional approach to team building, prioritizing fit over resumes and potential over past accomplishments. The result was a company that could and would truly stand the test of time.
His guiding philosophy of "If it isn't broke, fix it anyway!" applied in equal measure to the products and solutions Kronos provided to its ever-expanding customer base and to the way the company was structured and operated to consistently reinvest in its employees.
Kronos, today known as the Ultimate Kronos Group, is now a multi-billion-dollar global organization of almost 13,000 employees. And Mark, the epitome of a triumphant business creator, has decided the time is right to share his own experiences to inspire a next generation of like-minded visionaries.

`The Foremost Man of the Kingdom'

$36.95

First book to deal with de Vere's life and extraordinary career, during the Wars of the Roses and beyond.

Earl of Oxford for fifty years, and subject of six kings of England during the political strife of the Wars of the Roses, John de Vere's career included more changes of fortune than almost any other. He recovered his earldom afterthe execution of his father and brother for treason, but his resistance to Edward IV led to a decade in prison. He escaped in time to lead Henry Tudor's vanguard at Bosworth in 1485 and subsequently enjoyed twenty-five years as perhaps "the foremost man of the kingdom", virtually ruling East Anglia for the king.
This is the first full-length study of de Vere's life and career. Through this lens it also tackles a number of broader themes. It reconsiders the role of the nobility under Henry VII, challenging the common perception of Henry as an anti-aristocratic king. It also explores East Anglian political society in the second half of the fifteenth century, how the earl came to dominate it, how successfully he exercised his power, and the personnel, including the Paston family, he used to run the region.

JAMES ROSS is Senior Lecturer in Late Medieval History at the University of Winchester.

British Privateering Voyages of the Early Eighteenth Century

$120.00

The story of hugely ambitious and risky long-distance private voyages, only one of which brought huge returns for investors.

The three great privateering expeditions into the South Sea, which set out, respectively, in 1703, led by William Dampier; in 1708, led by Woodes Rogers; and in 1719, led by George Shelvocke, were costly and ambitious long distance voyages, carrying great risk for their investors but promising great reward. This book tells the story of the voyages and their impact. It argues that, far from being anachronistic activities more in keeping with an earlier age,as some scholars have asserted, the voyages were significant events and had a huge impact - on politicians, influencing future maritime and naval strategy; on investors, swelling enthusiasm for the South Sea Company which ended in the disastrous Bubble; and in literature, where the narratives of the voyages became an important source for some of the greatest literature of the period, including Robinson Crusoe, Gulliver's Travels and The Rime of the Ancient Mariner. The book provides a great deal of original detail about the voyages, including the difficulties of undertaking such lengthy expeditions, unrest among the crews, and financial details of investmentsand returns - and losses.

Tim Beattie completed his doctorate at the University of Exeter.

British Privateering Voyages of the Early Eighteenth Century

The Consistory and Social Discipline in Calvin's Geneva

$36.95

Examines the most successful institution of social discipline in Reformation Europe: the Consistory of Geneva during the time of John Calvin

Created by John Calvin, the Consistory of Geneva was a quasi-tribunal entrusted with enforcing Reformed morality. Comprised of pastors and elders, this body met weekly and summoned people for a wide range of "sinful" behavior, such as drunkenness, dancing, blasphemy, or simply quarrels, and was a far more intrusive institution than the Catholic Inquisition. Among the thousands summoned during Calvin's ministry were a pair of women who were allegedly prophets, boys who skipped catechism to practice martial arts, and a good number of people begging for forgiveness for having renounced Protestantism out of fear of death.

This superbly researched book, reflecting author Jeffrey Watt's career-long involvement in the ongoing project of transcribing, editing, and publishing the Consistory records, is the first comprehensive examination of this morals court and provides a window into the reception of the Reformation in the so-called Protestant Rome. Watt examines the role of the Consistory in upholding patriarchy, showing that while Genevan authorities did not have a double standard in prosecuting illicit sexuality, the Consistory exhorted women to obey even violently abusive husbands. He finds also that Calvin and his colleagues vigorously promoted a strong work ethic by censuring people, mostly men, for laziness, and showed a surprising degree of skepticism toward accusations of witchcraft. Finally, Watt demonstrates convincingly that, while the Consistory encountered some resistance, Genevans by and large shared the ideals it promoted and that it enjoyed considerable success in fostering discipline in Genevan society.

This book is openly available in digital formats, under Creative Commons license CC BY-NC, thanks to a generous grant from the Andrew W. Mellon Foundation.

The Consistory and Social Discipline in Calvin's Geneva

The Partimenti of Giovanni Paisiello

$130.00

Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students.

WINNER: The Giovanni Paisiello Festival Prize 2025

Giovanni Paisiello (1740-1816) was one of the most important composers of opera in the eighteenth century. His operas were performed throughout Europe, and his fame led to appointments as a maestro di cappella and composer at prominent European courts. This book is the first study to address his work as a teacher of composition and what we would today call music theory.

The practice of partimento (figured or unfigured bass lines) was an integral part of the training of musicians at the renowned conservatories in eighteenth-century Naples. By employing these often-unprepossessing partimento bass lines, young musicians learned the techniques of variation, improvisation, and composition while seated at the harpsichord.

Paisiello's Regole per bene accompagnare il Partimento (Rules for Harpsichordists; 1782) survives in both autograph and printed forms. It contains forty-six partimenti that have long been considered the core of his pedagogic oeuvre. However, two recently discovered manuscripts contain a further forty-one unknown partimenti, notated as two- and three-part disposizioni (realizations).

The present study offers numerous insights gleaned from the surviving sources and bolsters our understanding of how to perform the music of Paisiello and his contemporaries: music that has often survived in an incomplete form. These findings are relevant not just for keyboard players but also for singers, instrumentalists, and anyone interested in the inner workings of eighteenth- and early nineteenth-century music.

Coming of Age in the Afro-Latin American Novel

$120.00

Explores the dimensions of the coming-of-age novel in the Spanish-speaking Caribbean and Brazil, focusing on works by eight major Afro-Latin American writers

The centuries-old European genre of the coming-of-age story has been transformed by contemporary Afro-Latin American novelists to address key aspects of the diaspora in various nations of the Caribbean and Latin America. While attention to Afro-Hispanic and Afro-Brazilian literature has increased in recent decades, few critics have focused specifically on the Afro-Latin American Bildungsroman, and fewer still have addressed novels from both Spanish- and Brazilian-speaking regions, as author Bonnie Wasserman does in this study.

The memory and continuing impact of slavery especially shape these coming-of-age stories. Often interwoven with race is a focus on religion, particularly the importance of African folk religions and traditions in the lives of young people. Immigration-and the return journey-is another important theme in the novels.

Coming of Age in the Afro-Latin American Novel discusses works&emdash;all published around the turn of the 21st century&emdash;by such important writers as Dahlma Llanos-Figueroa and Mayra Santos-Febres (from Puerto Rico), Conceição Evaristo and Paulo Lins (from Brazil); Teresa Cardenas and Pedro Pérez Sarduy (from Cuba); and Junot Diaz and Rita Indiana (from the Dominican Republic). Wasserman's far-reaching analysis is both rigorous and compassionate, shedding a clear light on ways in which descendants of Africans have experienced life in the New World.

Coming of Age in the Afro-Latin American Novel

Medieval Clothing and Textiles 11

$95.00

A wide-ranging and varied collection of essays which examine surviving garments, methods of production and clothes in society.

The second decade of this acclaimed and popular series begins with a volume that will be essential reading for historians and re-enactors alike. Two papers consider cloth manufacture in the early medieval period: Ingvild Øye examines the graves of prosperous Viking Age women from Western Norway which contained both textile-making tools and the remains of cloth, considering the relationship between the two. Karen Nicholson compliments this with practical experiments in spinning. This is followed by Tina Anderlini's close examination of the details of cut and construction of a thirteenth-century chemise attributed to King Louis IX of France (St Louis), out of its shrine for the firsttime since 1970.
Three papers consider fashionable clothing and morality: Sarah-Grace Heller discusses sumptuary legislation from Angevin Sicily in the 1290s which sought to restrict men's dress at a time when preparation for war was more important than showy clothes; Cordelia Warr examines the dire consequences of a woman dressing extravagantly as portrayed in a fourteenth-century Italian fresco; and Emily Rozier discusses the extremes of dress attributed by moral and satirical writers to the men known as "galaunts". Two textual studies then show the importance of textiles in daily life. Susan Powell reveals the austere but magnificent purchases made on behalf of Lady Margaret Beaufort, mother of King Henry VII, in the last ten years of her life (1498-1509); Anna Riehl Bertolet discusses in detail the passage in Shakespeare's A Midsummer Night's Dream where Helena passionately recalls sewinga sampler with Hermia when they were young and still bosom friends.

Miracles of the Blessed Virgin Mary

$29.99

Originally written in elegant Latin, this paperback takes the translation from the original hardcover to produce an attractive edition for the student or general reader. It retains the introduction, notes and appendices while presenting the text in a modern English version as elegant and engaging as the original.

Written around 1135 by the Benedictine monk, historian and scholar William of Malmesbury (d. 1143), The Miracles of the Blessed Virgin Mary belongs in the first wave of collected miracles of the Virgin, produced by EnglishBenedictine monks in the 1120s and '30s. Only two copies of William's work survive in anything like its complete form, and only one of them represents the finished product. But many of the stories were also transmitted separately,in groups or individually; the systematic use of this evidence is a feature of this new text.
Originally written in elegant Latin, this paperback takes the translation from the original hardcover to produce an attractive edition for the student or general reader. It retains the introduction, notes and appendices - important to understand William's quotations and echoes from ancient authors - while presenting the text in a modern English version as elegant and engaging as the original.
Anyone wishing to compare the original and this translation may refer to the hardcover which remains available (9781783270163).

Decolonizing African Studies

$155.00

Examines transformational moments and liberation movements in the decolonization of inherited Western academic traditions in Africa.

This book explores how decolonization and decoloniality provide liberationist knowledge to question and replace the hegemony of Western knowledge systems imposed on Africa. It critically examines the silencing and exclusion of subalterns in global knowledge production and the far-reaching implications of this for pedagogy and policy. As global power is concentrated in the global north where Eurocentrism and white supremacy validate the monopoly of knowledge and its centrality and universality, African perspectives continue to be marginalized or excluded in research, creating the problem of misrepresentation of the continent. It is to this challenge that this book has responded&emdash;the urgent need to eliminate the vestiges of colonialism in the academy and research methodologies.

Coloniality is seen not only as a historical phenomenon but also as an ethnocentric continuum, dominating all aspects of present life, especially monopolizing human epistemology, the threshold of human existence, and even development activities. This book provides a balanced overview of what a feasible decoloniality should be. It is all-inclusive, aggregating differing perspectives, including decolonial feminist and LGBTQ thought. It deploys a holistic approach that critiques the limitations to decoloniality, the impediments that culminated in the failure of the late 20th century struggle for decoloniality, and the problems associated with current African resistance to academic decoloniality.

The book closes with a discussion of African futurism. Seen as the advanced stage of decoloniality, African futurism involves the application of "traditional" (indigenous) instruments of articulation and cohesion such as Afro-spirituality, myths, folklore, and indigenous techno-scientific innovations, deployed in their capacity to drive, harness, and actualize future possibilities.

Goethe Yearbook 29

$90.00

Volume 29 features articles on Anton Reiser; the legacies of German romanticism; Goethe's morphology and computational analysis; Goethe commemorations in Argentina; and Goethe's Weltliteratur in the context of trade with China, along with two special sections and the book review.

Volume 29 features articles on Anton Reiser; the legacies and myths of German romanticism; Goethe's morphology as antecedent to computational analysis; on Goethe commemorations in Argentina; and a reconsideration of Goethe's Weltliteratur in the context of Handelsverkehr (trade) with China. Additionally, volume 29 features two special sections. The first commemorates an anniversary, Hölderlin's 250th birthday, with work devoted to "Reading and Exhibiting," compiled by Meike Werner. The other special section, on movement and edited by Heidi Schlipphacke, further explores research featured at MLA 2021 and revisits many questions of sentimentalism, visuality, and narration that are at the core of canon formation and eighteenth-century thresholds of modernity. As always, the book review section, edited by Sean Franzel, concludes the volume.

Augustus Hopkins Strong and the Struggle to Reconcile Christian Theology with Modern Thought

$29.99

At the end of the nineteenth century Augustus Hopkins Strong worked to bring modernists and traditional Christians together but found the task more difficult than many imagined.

In the wake of the publication of Darwin's Origin of Species in 1859, Christianity, or at least many people's understanding of Christianity, was evolving. The rising popularity of Darwinism combined with the pervasive influence of German idealism began forcing many professing Christians to rethink the faith they had long taken for granted. Among those who would be compelled to face the apparent conflicts between modern thought and traditional orthodoxy was Baptist theologian Augustus Hopkins Strong (1836-1921).

As president and professor of systematic theology at Rochester Theological Seminary for forty years (1872-1912) Strong stood as the premier theologian of the Northern Baptists at the end of the nineteenth century. Yet, as author John Aloisi shows in this important study, he remains a puzzling figure. Strong considered himself a defender of orthodoxy even as the school he led transitioned to a more modern and arguably less orthodox understanding of the Christian faith. His Systematic Theology went through eight editions, and the later editions increasingly reflected a shift in his thinking. Strong wrestled with how to reconcile Christian theology with modern thought while also trying to solve tensions within his own theology. He hoped to be able to bring modernists and more traditional Christians together around a concept he labeled ethical monism. In the end, while his effort suggested the task was more difficult than many understood it to be, Strong's journey had a significant impact on the direction of Rochester Theological Seminary.

This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.

Augustus Hopkins Strong and the Struggle to Reconcile Christian Theology with Modern Thought

Music Theatre in Britain, 1960-1975

$75.00

The author, a former BBC radio producer, conducted interviews with many leading British composers of the day, and his account provides for a unique insight into this often overlooked genre.

Based on Michael Hall's many interviews with leading British composers of the genre, this book looks at the heyday of the British Music Theatre in the 1960s and 70s, a period when the author as a BBC radio producer was actively involved with the contemporary music scene. Music Theatre - a composite of music, singing, dancing and speaking distinct from traditional opera and ballet - has its roots in works by Monteverdi, Schoenberg, Satie, Stravinsky, Weill,Hindemith and Eisler, but flourished anew in the 1960s, in America, Britain and Europe.
Hall's book presents an account of the context for the activity of Birtwistle, Goehr and Maxwell Davies; it uncovers details of little-known early works by other major figures such as Cardew and Tavener; and it recognises the highly distinctive contributions of composers whose works are less well known. Music Theatre in Britain also throws new light upon the reaction of British composers to the economic and social upheavals of 'the Sixties', offering a distinct and valuable contribution to our understanding of the relationship of the post-war musical avant-garde to social movementsand ideology. Music Theatre in Britain will be of interest to all those working in the field of late twentieth-century British music, to students of composition, and to composers, performers and producers of Music Theatre.

MICHAEL HALL, who died in August 2012, had a long career as a conductor, founder of Royal Northern Sinfonia, BBC producer and broadcaster, university lecturer and writer on music.

Great Power Competition and the Path to Democracy

$120.00

A close examination of the competing influences of the West and Russia over the fate of democracy in Georgia and other former Soviet bloc nations

Following the collapse of the Soviet Union, newly formed transitional regimes took up the challenging task of democratization, a task that was complicated by competition between great world powers over the future of such regimes. This book explores the effects and implications of competition between Russia and Western nations, with specific reference to democratization in the case of Georgia. In doing so, it challenges the conventional wisdom that competition between promoters of democracy and autocracy reduces the effectiveness of efforts toward democracy.

Using the compelling example of Georgia, author Zarina Burkadze argues that great power competition may distribute political power in a way that causes a democratic regime to emerge, supporting her argument with evidence from an impressive array of archival sources as well as from sixty-six interviews with state officials, opposition leaders, foreign diplomats, media and nongovernmental representatives, and other experts. While the case study of Georgia is the central concern of the narrative, the book's final chapter provides an important cross-case comparison of democratization efforts in Armenia, Azerbaijan, Moldova, and Ukraine.

Great Power Competition and the Path to Democracy

Songs for Cabo Verde

$130.00

Chronicles the work of Norberto Tavares, a Cabo Verdean musician and humanitarian who served as the conscience of his island nation during the transition from Portuguese colony to democratic republic.

Based on twenty years of collaborative fieldwork, Songs for Cabo Verde: Norberto Tavares's Musical Visions for a New Republic focuses on the musician Norberto Tavares but also tells a larger story about postcolonial nation building, musical activism, and diaspora life within the Lusophone sphere. It follows the parallel trajectories of Cabo Verdean independence and Tavares's musical career over four decades (1975-2010). Tavares lived and worked in Cabo Verde, Portugal, and the United States, where he died in New Bedford, Massachusetts at age fifty-four. Tavares's music serves as a lens through which we can view Cabo Verde's transition from a Portuguese colony to an independent, democratic nation, one that was shaped in part through the musician's persistent humanitarian messages.

Vote with a Bullet

$120.00

Conceptualizes the genre of American assassination fiction as a dramatization of the tension between individualism and mass society in US culture.

Vote with a Bullet is the first systematic study of assassination in American fiction. It proffers not only a fundamental overview of the genre but also an argument about its larger cultural, aesthetic, and political significance in the present moment as well as in the respective historical contexts of the works themselves.
The study argues that American assassination fiction is a symbolic condensation of the larger conflict between individual and society that is at the heart of modern democracy, and that has been especially contested in the democratic culture of the US. Starting with Henry James's The Princess Casamassima (1886) and ending with Noah Hawley's The Good Father (2012), the chapters analyze twelve works ranging from canonical classics to popular genre fiction. A conclusion considers Thomas Pynchon's Against the Day (2006). The book describes the loose continuum of assassination fiction as an imaginary laboratory in which fantasies of individual empowerment and social unity play out in different ways, negotiating the tension between individualism and mass society in a democracy that is based on the former but must restrict it to preserve the latter. Furthermore, the study connects the imaginary of assassination with a variety of related themes such as hegemonic masculinity and whiteness, electoral and non-electoral political choice, agency panic, subjectivity, as well as conspiracies and conspiracy theory.

Toward Xenopolis

$39.95

Essays by a founder of the Borderland Foundation in East-Central Europe explore the meanings of community in a fractured world.

How do we build civil society? How does a society repair itself after violence? How do we live in a world with others different from ourselves? These questions lie at the heart of Krzysztof Czyzewski's writing and his work with Fundacja Pogranicze, the Borderland Foundation, at the border of Lithuania, Poland, and Belarus. Writing from the heartland of Europe's violence and creativity, Czyzewski seeks to explain how we can relate better to each other and to our diverse communities. Building on examples of places and people in East-Central Europe, Czyzewski's essays offer readers concepts such as the invisible bridge, the nejmar (the bridge-builder), and the xenopolis (the city of others), which create community throughout the world. The three sections of the book—concepts, places, and practices—show how this cultural work bridges the divide between concepts and practices and offers a new map of Europe. Ultimately, Czyzewski hopes we can all move toward xenopolis, toward the understanding that others are, in fact, ourselves. This book offers an introduction to Czyzewski's work, with framing essays by specialists in Central and East European history.

Representing Beasts in Early Medieval England and Scandinavia

$26.99

Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself.

For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge.
This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self.

MICHAEL D.J. BINTLEY is Lecturer in Early Medieval Literature and Culture at Birkbeck, University of London; THOMAS WILLIAMS is a former curator of Early Medieval Coins at the British Museum.

Contributors: Noël Adams, John Baker, Michael D. J. Bintley, Sue Brunning, László Sándor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams

The Clarinet

$65.00

Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras.

With essays written by leading performer-scholars, The Clarinet offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles. Beginning with a chapter on clarinet iconography, the book continues with an overview of the instrument's early history, chapters on the clarinet in the opera orchestra and the traditional symphony orchestra, and examinations of important genres involving the clarinet (the concerto and the clarinet quintet). Also included are chapters on leading twentieth-century clarinetists, the instrument's use in the historically informed performance (HIP) movement, and an expansive look at the clarinet's use in ethnic traditions and early jazz. The emphasis on topics not covered elsewhere makes this book an important contribution to the clarinet literature. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge.
Contributors to this volume include Jane Ellsworth, Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner Lott, Colin Lawson, and S. Frederick Starr.

Canonic Repertories and the French Musical Press

$130.00

A bold application of the concept of "canonical" works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.

This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "canonic": that is, admirable and worthy of being taken as models. In a series of interlinked essays, William Weber draws particular attention to the ways in which such reputations could shift in different eras and circumstances.

The first chapter outlines how such a surge of reputation came about for Jean-Baptiste Lully after his death in 1687, followed a century later by one for the operas of Christoph-Willibald Gluck and Niccolò Piccinni. Next, Beverly Wilcox contributes a crucial chapter exploring how a canon of sacred works evolved at the Concert Spirituel between 1725 and 1790. Subsequent chapters detail the rise of an "incipient canon" for Joseph Haydn's music in the 1780s; a new operatic canon centered on works of Gioachino Rossini and Giacomo Meyerbeer; a century-long canonic repertory at the theater of the Opéra-Comique; and, between 1860 and 1914, frequent concert performances of excerpts from Wagner's operas, sometimes along with excerpts from Meyerbeer's.

Throughout, Weber and Wilcox demonstrate how the French musical press reflected musical taste, and also shaped it, across two centuries.

Canonic Repertories and the French Musical Press

Politics and Truth in Hölderlin

$130.00

The first English-language study devoted to Hölderlin's novel in three decades, this book reveals Hyperion's literary and philosophical richness and its complex ties with politics, choreography, and economics.

While few would question the importance of Friedrich Hölderlin (1770-1843) for the development of German idealism and twentieth-century literature, philosophy, and critical theory, Hölderlin scholarship remains largely inaccessible to those working in English. This is especially true for his novel Hyperion - otherwise his most accessible work - which has not had a book-length study in English devoted to it in more than three decades. Anthony Curtis Adler opens Hölderlin's novel up to the reader by stressing its literary uniqueness, philosophical riches, complex ties with contemporaneous discourses, and relevance to contemporary Continental political theory. Neither merely a stepping-stone to his later and more esoteric poetry, nor a novelistic presentation of an idealist dialectics, Hyperion offers a powerful new vision of the relation between poetry, political economy, and philosophical truth. Poetry, for Hölderlin, anticipates forms of political life that have only been obscurely glimpsed; rather than imitating a luminously given idea of the Good, it patiently guides toward a dimly sensed better world. Thus it replaces the Platonic philosopher-king with the poetic leader of the dance. Yet in just this way, Adler shows, Hyperion's project converges with a constellation of quintessentially "modern" discourses and practices, including the codification of dance in early modernity and the rise of political economy in the 18th century. Readers will discover the "choreographic" logic underlying both of these - and, with this, a new way to think about the relations between literature, politics, economics, and dance.

Masquerade and Money in Urban Nigeria

$170.00

Examines the economic and spatial importance of performance arts in West Africa through a close analysis of the masquerade culture of Calabar, the capital city of Nigeria's Cross River State.

Driving into urban Calabar, one is struck by two imposing, monumental rectangular columns, operating not unlike ancient triumphal arches, framing the entrance into Nigeria's capital city of the Cross River State. Relief carvings of Calabar's renowned masking characters adorn the monument. The icons, dramatically captured in choreographic poses, freezing the maskers in time, enshrine masquerade as the city's heritage and past identity. Far from being merely "traditional" and relegated to an earlier time, the Calabar-based masquerades explored in this book demonstrate a contemporary and global context indicative of the changing patterns of city life.
While the topic of cultural change is not necessarily new to African art history and cultural studies, few scholars or writers have attempted to understand why African arts so readily change. This book, the first full-length monograph addressing contemporary art in Calabar, explains the fluidity and thriving nature of masquerade by analyzing the ways in which masking is steeped in economic transaction and how street performances have become more public and spatially calculated. By unraveling the urban layers of masquerade arts and their performances, this book shows how so-called traditional culture gains new roles or currencies within a contemporary, city-based context.

The Other Friars

$36.95

A concise and accessible history of four of the monastic orders in the middle ages.

In 1274 the Council of Lyons decreed the end of various 'new orders' of Mendicants which had emerged during the great push for evangelism and poverty in the thirteenth-century Latin Church. The Franciscans and Dominicans were explicitly excluded, while the Carmelites and Austin friars were allowed a stay of execution. These last two were eventually able to acquire approval, but other smaller groups, in particular the Friars of the Sack and Pied Friars, were forced to disband.

This book outlines the history of those who were threatened by 1274, tracing the development of the two larger orders down to the Council of Trent, and following the fragmentary sources for the brief histories of the discontinued friaries. For the first time these orders are treated comparatively: the volume offers a total history, from their origins, spirituality and pastoral impact, to their music, buildings and runaways.

FRANCES ANDREWS teaches at the University of St Andrews and is the author of The Early Humiliati (CUP 1999).

Cover image for The Other Friars, isbn: 9781783270040

Plato's Republic in the Islamic Context

$95.00

The first collection of essays devoted to the Arabic philosopher Averroes's brilliant Commentary on Plato's "Republic," which survived the medieval period only in Hebrew and Latin translations.

The first collection of essays devoted entirely to the medieval philosopher Averroes's Commentary on Plato's "Republic" includes a variety of contributors from across several disciplines and countries. The anthology aims to establish Averroes as a great philosopher in his own right, with special and unique insight into the world of Islam, as well as a valuable commentator on Plato. A major feature of the book is the first published English translation of Shlomo Pines's 1957 essay, written in Hebrew, on Averroes. The volume explores many aspects of Averroes's philosophy, including its teachings on poetry, philosophy, religion, law, and government. Other sections trace both the inspiration Averroes's work drew from past philosophers and the influence it had on future generations, especially in Jewish and Christian Europe.

Scholars of medieval philosophy, ancient philosophy, Jewish studies, and the history of political thought more generally will find important insights in this volume. The anthology is also intended to provide the necessary background for teachers aiming to introduce Averroes's commentary into the classroom. With the Republic regularly appearing near the top of lists of the most frequently taught books in the history of philosophy, this volume shows how the most important medieval commentary on it deserves a place in the curriculum as well.

Plato's <i>Republic</i> in the Islamic Context

Richard Wagner's Essays on Conducting

$36.95

The first modern English edition of Richard Wagner's essays on conducting, extensively annotated, with a critical essay on Wagner as conductor: his aesthetic, practices, vocabulary, and impact.

Richard Wagner was one of the leading conductors of his time. Through his disciples Hans von Bülow, Hans Richter, Anton Seidl, Felix Mottl, Arthur Nikisch, and their many notable protégés, a Wagnerian art of interpretation became the norm in Europe and America until well into the twentieth century. Wagner's essays on conducting had an even longer impact, and were upheld as central to their art by later generations of conductors from Mahler to Strauss, Furtwängler, Böhm, Scherchen, and beyond.

This is the first complete, modern translation of Wagner's conducting essays to appear in English, and the first-ever edition to offer extensive annotations explaining their reception and impact. The accompanying critical essay offers a detailed analysis of Wagner's conducting practices, his innovations in tempo and the art of transition, his creation of a new vocabulary to describe his art, and his success in establishing a school of conductors to promote his works and his aesthetic.

A digital edition of this book is openly available thanks to generous support from the Swiss National Science Foundation.

The Peterborough Version of the Anglo-Saxon Chronicle

$120.00

An examination of the linguistic and cultural construction of one of the texts of the Anglo-Saxon Chronicle.

In the twelfth century, a version of the Anglo-Saxon Chronicle was rewritten at Peterborough Abbey, welding local history into an established framework of national events. This text has usually been regarded as an exception, a vernacular Chronicle written in a period dominated by Latin histories. This study, however, breaks new ground by considering the Peterborough Chronicle as much more than just an example of the accidental longevity of the Chronicle tradition. Close analysis reveals unique interpretations of events, and a very strong sense of communal identity, suggesting that the construction of this text was not a marginal activity, but one essential to the articulation of the abbey's image. This text also participates in a vibrant post-Conquest textual culture, in particular at Canterbury, including the writing of the bilingual F version of the Chronicle; its symbiotic relationship witha wider corpus of Latin historiography thus indicates the presence of shared sources. The incorporation of alternative generic types in the text also suggests the presence of formal hybridity, a further testament to a fluid and adaptable textual culture.

Dr Malasree Home teaches at Newcastle University.

The Peterborough Version of the Anglo-Saxon Chronicle

The Cat Has Nine Lives

$29.99

Restores the first German feminist film, long neglected, to its rightful status as a classic forebear of more recent cinefeminism, demonstrating that the film is as relevant today as it was upon its 1968 release.

Acclaimed as postwar Germany's first feminist film, Ula Stöckl's The Cat Has Nine Lives disappeared from view shortly after its 1968 premiere when its distributor went bankrupt. Although it laid the groundwork for the flourishing feminist cinema that emerged in West Germany and beyond during the 1970s, Stöckl's vibrant film long remained largely unknown. Yet it is as fresh and relevant today as it was when it debuted half a century ago. Revived at the 2019 Berlin International Film Festival (Berlinale), The Cat Has Nine Lives is now available for the first time on DVD with English subtitles. Posing the question, "Women have never had as many possibilities to do what they want as they have today, but do they know what they want?," Stöckl's film follows the intertwined stories of five characters to explore the possibilities for and limitations on women's subjectivity, desire, friendship, work, and artistic expression in a society defined by gender inequality. Restoring this singular film to its rightful place as a German film classic, Hester Baer argues that The Cat Has Nine Lives forms an important aesthetic and theoretical precursor to the unfolding cinefeminism of later decades.

Berlioz in Time

$44.95

Fourteen revealing essays by a prominent Berlioz authority on some of the composer's acclaimed compositions (the Symphonie fantastique, Les Nuits d'été, Les Troyens) and writings (the celebrated Mémoires).

Written for both music lovers and scholars, these essays probe some of Berlioz's major works, including the Symphonie fantastique (the period of whose genesis is newly explored), Les Nuits d'été (whose origins are newly clarified by a revelation regarding Berlioz's possible muse), the Symphonie militaire (whose existence is examined in the period before it became the Symphonie funèbre et triomphale), Les Troyens (whose epilogue is seen as a paean to Napoléon III), and Béatrice et Bénédict (whose text reveals extraordinary understanding of the original play).

The essays consider anew Berlioz's relationships with Franz Liszt (with whom the composer shared intimate details of his marriage to Harriet Smithson) and Richard Wagner (by whom the Frenchman was both charmed and alarmed), his travels in Germany (revealed as having had a specifically administrative purpose), his appreciation of English literature and Shakespeare (on whose work he was considered an expert), his modus operandi in composing the Mémoires, and his major twentieth-century biographers. Of conspicuous concern are the "politics" of a man sometimes erroneously viewed as distant from the political arena.

This book is openly available in digital format, under Creative Commons license CC BY-NC-ND, thanks to generous funding from The New Berlioz Edition Trust.

The Filth Disease

$130.00

Shows how the investigation of local outbreaks of typhoid fever in Victorian Britain led to the emergence of the modern discipline of epidemiology as the leading science of public health

Typhoid fever is a food- and water-borne infectious disease that was insidious and omnipresent in Victorian Britain. It was one of the most prolific diseases of the Industrial Revolution. There was a palpable public anxiety aboutthe disease in the Victorian era, no doubt fueled by media coverage of major outbreaks across the nation, but also because Queen Victoria's husband, Prince Albert, died of the disease in 1861. Their son and heir, Prince Albert Edward, contracted and nearly succumbed to typhoid a decade later in 1871.

The Filth Disease shows that typhoid was at the center of a number of critical debates about health, science, and governance. Victorian public health reformers, the book argues, working in central and local government, framed typhoid as the most pressing public health problem in order to persuade local officials to implement sanitary infrastructure to prevent the spread of disease. In this period British epidemiologists uncovered how typhoid is spread via food and water supplies, disrupting the longstanding idea that typhoid was spread via filth. In the process the modern disciple of epidemiology emerged as the chief science of public health. Typhoid was as much a social and political problem as it was a scientific one, and The Filth Disease provides a striking reminder of the cultural context in which infectious diseases strike populations and how scientists study them.

Warning Shadows

$29.99

A view of a long-neglected classic of Weimar cinema - now restored and widely available - as both a gripping narrative of infidelity and jealousy and a film inherently about film.

Artur Robison's Warning Shadows - in German simply Schatten, shadows - premiered in 1923 to critical acclaim. This story of a fateful dinner party at which a flirtatious wife, her jealous husband, and their guests are entertained by a traveling illusionist who deals in shadow play and hypnosis was extolled by one critic as superior to Wegener's Golem, Lubitsch's Passion, even Murnau's Nosferatu and Wiene's The Cabinet of Dr. Caligari. Yet where those films became mainstays of film history, Warning Shadows was long unknown: only recently, with the release of a restored version on DVD, has it begun to get its due. One of the few silent movies to eschew intertitles, it was an attempt to create a "pure film," drawing on the qualities of cinema that made it not an heir to literature or theater but a unique and autonomous art form. Staging a story of desire, adultery, and violence, Robison's film also engaged with discourses at the heart of Weimar culture, from changing gender norms to hysteria and hypnosis to the construction of spectatorship. Seen this way, Warning Shadows is both a gripping narrative of infidelity and jealousy and a film inherently about film.

Beyond the Pale

$130.00

The first book devoted exclusively to the Holocaust in the North Caucasus, exploring mass killings, Jewish responses, collaboration, and memory in a region barely known in this context

When war between the Soviet Union and Germany broke out in 1941, thousands of refugees - many of whom were Jews - poured from war-stricken Ukraine, Crimea, and other parts of Russia into the North Caucasus. Hoping to find safety, they came to a region the Soviets had struggled to pacify over the preceding 20 years of their rule. The Jewish refugees were in especially unfamiliar territory, as the North Caucasus had been mostly off-limits to Jews before the Soviets arrived, and most local Jewish communities were thus small. The region was not known as a hotbed of traditional antisemitism. Nevertheless, after occupying the North Caucasus in the summer and autumn of 1942, the Germans exterminated all the Jews they found - at least 30,000 - aided by local collaborators.

While scholars have focused on local collaboration during the German occupation and on the subsequent Soviet deportations of entire North Caucasian ethnic groups, the region has largely escaped the attention of Holocaust researchers. This volume, the first book-length study devoted exclusively to the Holocaust in the North Caucasus, addresses that gap. Contributors present richly documented essays on such topics as German killing operations, decision-making by Jewish refugees, local collaboration, rescue, and memory, taking care to integrate their findings into the broader contexts of Holocaust, North Caucasian, Russian, and Soviet history.