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America and Other Poems (1853) is a book of poems by J.M. Whitfield. Published while the poet was working as a barber in Buffalo, New York, America and Other Poems captures his sense of poetic form while expressing his belief in the abolition of slavery. In these odes, hymns, and prayers, Whitfield established his reputation as a pioneering African American poet, an impassioned voice for his people who tirelessly sought to change the course of history with his words. “The North Star,” which concludes the collection, was written for Frederick Douglass’ abolitionist newspaper The North Star, that “guard of truth and liberty” for all. “The writer of the following pages is a poor colored man of this city, engaged in the humble, yet honorable and useful occupation of a barber.” In the introduction to his debut book of poems, J.M. Whitfield proudly and directly asserts his identity. Although he does not fit in with the traditional figure of the poet, Whitfield proves his mastery of form while condemning slavery in the strongest terms. “America” opens the collection with a direct address to the nation “from whence has issued many a band / To tear the black man from his soil, / And force him here to delve and toil”: “America, it is to thee, / Thou boasted land of liberty,— / It is to thee I raise my song, / Thou land of blood, and crime, and wrong.” Without fear, Whitfield questions the moral and political promise of a nation built by slaves. He demands through song and prayer the advent of a day when to “north and south, and east and west, / The wrongs we bear shall be redressed.”

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

America and Other Poems (1853) is a book of poems by J.M. Whitfield. Published while the poet was working as a barber in Buffalo, New York, America and Other Poems captures his sense of poetic form while expressing his belief in the abolition of slavery. In these odes, hymns, and prayers, Whitfield established his reputation as a pioneering African American poet, an impassioned voice for his people who tirelessly sought to change the course of history with his words. “The North Star,” which concludes the collection, was written for Frederick Douglass’ abolitionist newspaper The North Star, that “guard of truth and liberty” for all. “The writer of the following pages is a poor colored man of this city, engaged in the humble, yet honorable and useful occupation of a barber.” In the introduction to his debut book of poems, J.M. Whitfield proudly and directly asserts his identity. Although he does not fit in with the traditional figure of the poet, Whitfield proves his mastery of form while condemning slavery in the strongest terms. “America” opens the collection with a direct address to the nation “from whence has issued many a band / To tear the black man from his soil, / And force him here to delve and toil”: “America, it is to thee, / Thou boasted land of liberty,— / It is to thee I raise my song, / Thou land of blood, and crime, and wrong.” Without fear, Whitfield questions the moral and political promise of a nation built by slaves. He demands through song and prayer the advent of a day when to “north and south, and east and west, / The wrongs we bear shall be redressed.” This edition of J.M Whitfield’s America and Other Poems is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

America and Other Poems (1853) is a book of poems by J.M. Whitfield. Published while the poet was working as a barber in Buffalo, New York, America and Other Poems captures his sense of poetic form while expressing his belief in the abolition of slavery. In these odes, hymns, and prayers, Whitfield established his reputation as a pioneering African American poet, an impassioned voice for his people who tirelessly sought to change the course of history with his words. “The North Star,” which concludes the collection, was written for Frederick Douglass’ abolitionist newspaper The North Star, that “guard of truth and liberty” for all. “The writer of the following pages is a poor colored man of this city, engaged in the humble, yet honorable and useful occupation of a barber.” In the introduction to his debut book of poems, J.M. Whitfield proudly and directly asserts his identity. Although he does not fit in with the traditional figure of the poet, Whitfield proves his mastery of form while condemning slavery in the strongest terms. “America” opens the collection with a direct address to the nation “from whence has issued many a band / To tear the black man from his soil, / And force him here to delve and toil”: “America, it is to thee, / Thou boasted land of liberty,— / It is to thee I raise my song, / Thou land of blood, and crime, and wrong.” Without fear, Whitfield questions the moral and political promise of a nation built by slaves. He demands through song and prayer the advent of a day when to “north and south, and east and west, / The wrongs we bear shall be redressed.” This edition of J.M Whitfield’s America and Other Poems is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Between 1920 and 1950, America saw an unprecedented expansion of wealth and power underwritten by technological innovation, cultural confidence, and victory in war. American elites won World War II, rebuilt the world order with America at its head, inaugurated the jet age, and put a man on the moon. The boom led to a larger, richer middle class that confirmed America’s best ideals. 

By the early 1970s, that ended. American elites have captured a disproportionate share of the social and economic rewards over the last fifty years. Meanwhile, the middle class has shrunk in size and has become economically insecure, owning a smaller share of national wealth than at any time in the nation’s history. This has happened even while most households have two income earners, versus the single-income households that characterized the period of shared prosperity. At the same time, technological innovation that improves people’s standard of living has dramatically slowed. 

These trends undermine the basic premise behind the broad acceptance of a meritocratic elite, whose rule is predicated on the belief that if the best rise to the top, their talent and energy will create a rising tide that lifts all boats. We had that once. We can have it again. 

Unprecedented in scope and critical perspective, American and the Germans presents an analysis of the history of the Germans in America and of the turbulent relations between Germany and the United States. The two volumes bring together research in such diverse fields as ethnic studies, political science, linguistics, and literature, as well as American and German History.

Contributors are leading American and German scholars, such as Kathleen Neils Conzen, Joshua A. Fishman, Peter Gay, Harold Jantz, Günter Moltmann, Steven Muller, Theo Sommer, Fritz Stern, Herbert A. Strauss, Gerhard L. Weinberg, and Don Yoder.

These scholars assess the ethnicity and acculturation of German-Americans from the seventeenth century to the twentieth; the state of German language and culture in the United States; World War I as a turning point in relations between German and America; the political, economic, and cultural relations before and after World War II; and the midcentury state of affairs between the two countries. Special chapters are devoted to the Pennsylvania Germans, Jewish-German immigration after 1933, Americanism in Germany, and a critical appraisal of current research.

American and the Germans presents a fascinating introduction to the subject as well as new perspectives for a more critical and comprehensive study of its many facets. It can be used as a reader in the fields of German studies, American studies, political science, European and German history, American history, ethnic studies, and German and American literature. Although each of the 49 contributions reflects the state of current scholarship, they are formulated with the uninitiated reader in mind.

Unprecedented in scope and critical perspective, America and the Germans presents an analysis of the history of the Germans in America and of the turbulent relations between Germany and the United States. The two volumes bring together research in such diverse fields as ethnic studies, political science, linguistics, and literature, as well as American and German history.

Contributors are leading American and German scholars, such as Kathleen Neils Conzen, Joshua A. Fishman, Peter Gay, Harold Jantz, Gunter Moltmann, Steven Muller, Theo Sommer, Fritz Stern , Herbert A. Strauss, Gerhard L. Weinberg, and Don Yoder. These scholars assess the ethnicity and acculturation of German-Americans from the seventeenth century to the twentieth; the state of German language and culture in the United States; World War I as a turning point in relations between German and America; the political, economic, and cultural relations before and after World War II; and the midcentury state of affairs between the two countries. Special chapters are devoted to the Pennsylvania Germans, Jewish-German immigration after 1933, Americanism in Germany, and a critical appraisal of current research.

American and the Germans presents a fascinating introduction to the subject as well as new perspectives for a more critical and comprehensive study of its many facets. It can be used as a reader in the fields of German studies, American studies, political science, European and German history, American history, ethnic studies, and German and American literature. Although each contribution reflects the state of current scholarship, it is formulated with the uninitiated reader in mind.

Examines how the Irish American community, the American public, and the American government played a crucial role in the making of a sovereign independent Ireland

On Easter Day 1916, more than a thousand Irishmen stormed Dublin city center, seizing the General Post Office building and reading the Proclamation for an independent Irish Republic. The British declared martial law shortly afterward, and the rebellion was violently quashed by the military. In a ten-day period after the event, fourteen leaders of the uprising were executed by firing squad.

In New York, news of the uprising spread quickly among the substantial Irish American population. Initially the media blamed German interference, but eventually news of British-propagated atrocities came to light, and Irish Americans were quick to respond.

America and the Making of an Independent Ireland centres on the diplomatic relationship between Ireland and the United States at the time of Irish Independence and World War I. Beginning with the Rising of 1916, Francis M. Carroll chronicles how Irish Americans responded to the movement for Irish independence and pressuring the US government to intervene on the side of Ireland. Carroll’s in-depth analysis demonstrates that Irish Americans after World War I raised funds for the Dáil Éireann government and for war relief, while shaping public opinion in favor of an independent nation. The book illustrates how the US government was the first power to extend diplomatic recognition to Ireland and welcome it into the international community.

Overall, Carroll argues that the existence of the state of Ireland is owed to considerable effort and intervention by Irish Americans and the American public at large.

Examines how the Irish American community, the American public, and the American government played a crucial role in the making of a sovereign independent Ireland

On Easter Day 1916, more than a thousand Irishmen stormed Dublin city center, seizing the General Post Office building and reading the Proclamation for an independent Irish Republic. The British declared martial law shortly afterward, and the rebellion was violently quashed by the military. In a ten-day period after the event, fourteen leaders of the uprising were executed by firing squad.

In New York, news of the uprising spread quickly among the substantial Irish American population. Initially the media blamed German interference, but eventually news of British-propagated atrocities came to light, and Irish Americans were quick to respond.

America and the Making of an Independent Ireland centres on the diplomatic relationship between Ireland and the United States at the time of Irish Independence and World War I. Beginning with the Rising of 1916, Francis M. Carroll chronicles how Irish Americans responded to the movement for Irish independence and pressuring the US government to intervene on the side of Ireland. Carroll’s in-depth analysis demonstrates that Irish Americans after World War I raised funds for the Dáil Éireann government and for war relief, while shaping public opinion in favor of an independent nation. The book illustrates how the US government was the first power to extend diplomatic recognition to Ireland and welcome it into the international community.

Overall, Carroll argues that the existence of the state of Ireland is owed to considerable effort and intervention by Irish Americans and the American public at large.

A unique family reference guide to American history, featuring a timeline and newspaper-style articles that make you feel as though you are watching history happen! Bonus QR codes link to content from The Washington Post.

Experience the events that shaped the United States from earliest times to present day, as if it were all breaking news! Newspaper-style features bring history to life—from articles reporting events as they unfold to obituaries of key figures, recipes, inventions, and more. Live through the events that shaped America, including the American Revolution, the Civil War, the Civil Rights movement, and the September 11 attacks. Experience America’s fun and playful side, too, from the invention of bubble gum to the wonderous debut of Mickey Mouse. And learn about some unexpected and lesser-known sides of American history, like teen hero Sybil Ludington’s ride during the American Revolution and the Navajo Nation’s response to the Covid-19 pandemic. A running timeline and special context boxes support readers’ understanding of how episodes in America’s past have influenced its present day and its future.

Developed in collaboration with The Washington Post and with QR codes linking to Post podcasts and archival resources, this book is a powerful and compelling commemoration of the 250th birthday of the United States. It is the perfect book to meet this moment in history and bring families together to see how history is unfolding as we watch.

From 1932 until his death in 1990, Hal Draper was a prolific Marxist writer and socialist organizer who successfully combined rigorous research and passionate outrage to assess his political era. In this still-indispensable collection of essays written in the 1950s and 60s, Draper grapples with the role of the United States in the world, situating post-war American imperialism in a global picture of capitalist competition and expansion. The essays in this volume include Draper’s discussions of the United States' involvement in Guatemala, Guam, Samoa, Cuba, Vietnam, and elsewhere, as well as his, more general, socialist guide to national liberation movements.

Traces the development of American industrial power and the hurdles that threatened the country's ascendenceC

A lively tour of the United States in the first half of the twentieth century, America Ascendant traces the development of America's tremendous industrial power and its commercial deployment, at home and abroad. Emphasizing the contributions of those charismatic presidents who shaped the future of politics—Theodore Roosevelt, Woodrow Wilson, and Franklin Delano Roosevelt—the book also covers pioneers such as Henry Ford and the Wright brothers, whose technological contributions transformed societies the world over.

The book investigates the phenomena that threatened America's ascendance—the Great Red Scare of 1917-20 and the rout of organized labor, the Great Crash of 1929 and the searing depression years, and the apartheid policies that undermined American democratic ideals. Moreover, Sean Dennis Cashman sets the American story within the dramatic context of the rise and fall of political empires in Europe and Asia and two devastating world wars. Enriching the volume is an integrated account of the American cultural scene, replete with such figures as Ernest Hemingway, Frank Lloyd Wright, George Gershwin, Louis Armstrong, Billie Holiday, Charlie Chaplin, and D. W. Griffith.

Imaginatively conceived, America Ascendant once again reveals Sean Dennis Cashman's flair for bringing American history to life with all its triumphs, drama, and ambiguities.

Elections are, and always have been, the lifeblood of American democracy. Often raucous and sharply contentious, sometimes featuring grand debates about the nation's future, and invariably full of dramatic moments, elections offer insight into the character and historical evolution of American politics. America at the Ballot Box uses the history of presidential elections to illuminate American political democracy and its development from the early Republic to the late twentieth century.

Some of the contributions in America at the Ballot Box focus on elections that resulted in dramatic political change, including Jefferson's defeat of Adams in 1800, the 1860 election of Lincoln, and Reagan's 1980 landslide victory. Others concentrate on contests whose importance lies more in the way they illuminate the broad, underlying processes of political change, such as the corruption controversy of Cleveland's acrimonious election in 1884 or the advent of television advertising during the 1952 campaign, when Eisenhower defeated Stevenson. Another set of essays takes a thematic approach, exploring the impact of foreign relations, Anglophobia, and political communications over long periods of electoral time. Uniting all of the chapters is the common conviction that elections provide a unique vantage point from which to view the American political system.

Ranging from landmark contests to less influential victories and defeats, the essays by leading political historians seek to rehabilitate the historical significance of presidential elections and integrate them into the broader evolution of American government, policies, and politics.

Contributors: Brian Balogh, Gareth Davies, Meg Jacobs, Richard R. John, Kevin M. Kruse, Jeffrey L. Pasley, Andrew Preston, Elizabeth Sanders, Bruce J. Schulman, Jay Sexton, Adam I. P. Smith, Sean Wilentz, Julian E. Zelizer.

Elections are, and always have been, the lifeblood of American democracy. Often raucous and sharply contentious, sometimes featuring grand debates about the nation's future, and invariably full of dramatic moments, elections offer insight into the character and historical evolution of American politics. America at the Ballot Box uses the history of presidential elections to illuminate American political democracy and its development from the early Republic to the late twentieth century.

Some of the contributions in America at the Ballot Box focus on elections that resulted in dramatic political change, including Jefferson's defeat of Adams in 1800, the 1860 election of Lincoln, and Reagan's 1980 landslide victory. Others concentrate on contests whose importance lies more in the way they illuminate the broad, underlying processes of political change, such as the corruption controversy of Cleveland's acrimonious election in 1884 or the advent of television advertising during the 1952 campaign, when Eisenhower defeated Stevenson. Another set of essays takes a thematic approach, exploring the impact of foreign relations, Anglophobia, and political communications over long periods of electoral time. Uniting all of the chapters is the common conviction that elections provide a unique vantage point from which to view the American political system.

Ranging from landmark contests to less influential victories and defeats, the essays by leading political historians seek to rehabilitate the historical significance of presidential elections and integrate them into the broader evolution of American government, policies, and politics.

Contributors: Brian Balogh, Gareth Davies, Meg Jacobs, Richard R. John, Kevin M. Kruse, Jeffrey L. Pasley, Andrew Preston, Elizabeth Sanders, Bruce J. Schulman, Jay Sexton, Adam I. P. Smith, Sean Wilentz, Julian E. Zelizer.

Amidst the current debates on the future of welfare, one voice has been conspicuously absent: that of the unemployed and underprivileged. The result of almost a half-century of research, America Before Welfare traces the leadership and activities of the unemployed from industrialization to the outbreak of World War II. It is at once a profound work of history and an anecdotal window onto America's past, in the days before FDR's New Deal.

Amidst the current debates on the future of welfare, one voice has been conspicuously absent: that of the unemployed and underprivileged. The result of almost a half-century of research, America Before Welfare traces the leadership and activities of the unemployed from industrialization to the outbreak of World War II. It is at once a profound work of history and an anecdotal window onto America's past, in the days before FDR's New Deal.

• Where do rights come from?
• Do we have "unalienable rights"?
• Do rights to "life, liberty, and the pursuit of happiness" have any meaning?
• How could slaveowners claim to believe that "all men are created equal"?
• Is the God of the Declaration the God of the Bible?
• Does the Declaration establish a Christian State?
• Are there "Laws of Nature and of Nature's God"?

• Where do rights come from?
• Do we have "unalienable rights"?
• Do rights to "life, liberty, and the pursuit of happiness" have any meaning?
• How could slaveowners claim to believe that "all men are created equal"?
• Is the God of the Declaration the God of the Bible?
• Does the Declaration establish a Christian State?
• Are there "Laws of Nature and of Nature's God"?

A unique and revealing analysis of the diverse body that made up the American revolutionary army

One of the images Americans hold most dear is that of the drum-beating, fire-eating Yankee Doodle Dandy rebel, overpowering his British adversaries through sheer grit and determination. The myth of the classless, independence-minded farmer or hard-working artisan-turned-soldier is deeply ingrained in the national psyche.

Charles Neimeyer here separates fact from fiction, revealing for the first time who really served in the army during the Revolution and why. His conclusions are startling. Because the army relied primarily on those not connected to the new American aristocracy, the African Americans, Irish, Germans, Native Americans, laborers-for-hire, and "free white men on the move" who served in the army were only rarely altruistic patriots driven by a vision of liberty and national unity.

Bringing to light the true composition of the enlisted ranks, the relationships of African-Americans and of Native Americans to the army, and numerous acts of mutiny, desertion, and resistance against officers and government, Charles Patrick Neimeyer here provides the first comprehensive and historically accurate portrait of the Continental soldier.

A unique and revealing analysis of the diverse body that made up the American revolutionary army

One of the images Americans hold most dear is that of the drum-beating, fire-eating Yankee Doodle Dandy rebel, overpowering his British adversaries through sheer grit and determination. The myth of the classless, independence-minded farmer or hard-working artisan-turned-soldier is deeply ingrained in the national psyche.

Charles Neimeyer here separates fact from fiction, revealing for the first time who really served in the army during the Revolution and why. His conclusions are startling. Because the army relied primarily on those not connected to the new American aristocracy, the African Americans, Irish, Germans, Native Americans, laborers-for-hire, and "free white men on the move" who served in the army were only rarely altruistic patriots driven by a vision of liberty and national unity.

Bringing to light the true composition of the enlisted ranks, the relationships of African-Americans and of Native Americans to the army, and numerous acts of mutiny, desertion, and resistance against officers and government, Charles Patrick Neimeyer here provides the first comprehensive and historically accurate portrait of the Continental soldier.

A unique and revealing analysis of the diverse body that made up the American revolutionary army

One of the images Americans hold most dear is that of the drum-beating, fire-eating Yankee Doodle Dandy rebel, overpowering his British adversaries through sheer grit and determination. The myth of the classless, independence-minded farmer or hard-working artisan-turned-soldier is deeply ingrained in the national psyche.

Charles Neimeyer here separates fact from fiction, revealing for the first time who really served in the army during the Revolution and why. His conclusions are startling. Because the army relied primarily on those not connected to the new American aristocracy, the African Americans, Irish, Germans, Native Americans, laborers-for-hire, and "free white men on the move" who served in the army were only rarely altruistic patriots driven by a vision of liberty and national unity.

Bringing to light the true composition of the enlisted ranks, the relationships of African-Americans and of Native Americans to the army, and numerous acts of mutiny, desertion, and resistance against officers and government, Charles Patrick Neimeyer here provides the first comprehensive and historically accurate portrait of the Continental soldier.

Detailing the events of the Progressive Era and World War I (1901-20), America in the Age of the Titans is the only interdisciplinary history covering this period currently available. The book contains the results of research into primary sources an drecent scholarship with an emphases on leading personalities and anecdotes about them. Sean Dennis Cashman's sequesl to America in the Gilded Age gives special attention to industry and inventions, and social and cultural history. He covers developments in science, technology, and industry; the Progressive movement and the presidencies of Theodore Roosevelt, immigration, the new woman, and labor, including the Industrial Workers of the World and the Great Red Scare; the transportation and communications revolution in radio and motion pictures; the cultural contribuation of artists, architects, and creatice writers; and America's foreign policies across the world. Written in a lively, accessible style with over sixty illustrations, this book is an excellent introduction to these momentous years. It provides an assessment of the contributions of the titans - political, scientific, and industrial.

Detailing the events of the Progressive Era and World War I (1901-20), America in the Age of the Titans is the only interdisciplinary history covering this period currently available. The book contains the results of research into primary sources an drecent scholarship with an emphases on leading personalities and anecdotes about them. Sean Dennis Cashman's sequesl to America in the Gilded Age gives special attention to industry and inventions, and social and cultural history. He covers developments in science, technology, and industry; the Progressive movement and the presidencies of Theodore Roosevelt, immigration, the new woman, and labor, including the Industrial Workers of the World and the Great Red Scare; the transportation and communications revolution in radio and motion pictures; the cultural contribuation of artists, architects, and creatice writers; and America's foreign policies across the world. Written in a lively, accessible style with over sixty illustrations, this book is an excellent introduction to these momentous years. It provides an assessment of the contributions of the titans - political, scientific, and industrial.

Detailing the events of the Progressive Era and World War I (1901-20), America in the Age of the Titans is the only interdisciplinary history covering this period currently available. The book contains the results of research into primary sources an drecent scholarship with an emphases on leading personalities and anecdotes about them. Sean Dennis Cashman's sequesl to America in the Gilded Age gives special attention to industry and inventions, and social and cultural history. He covers developments in science, technology, and industry; the Progressive movement and the presidencies of Theodore Roosevelt, immigration, the new woman, and labor, including the Industrial Workers of the World and the Great Red Scare; the transportation and communications revolution in radio and motion pictures; the cultural contribuation of artists, architects, and creatice writers; and America's foreign policies across the world. Written in a lively, accessible style with over sixty illustrations, this book is an excellent introduction to these momentous years. It provides an assessment of the contributions of the titans - political, scientific, and industrial.

As climate change accelerates, the Arctic has become a frontline of global competition. Melting ice, rising temperatures, and swelling seas have made remote regions at once newly accessible and rife with new dangers. Vladimir Putin’s Russia has embarked on a substantial military buildup in the Arctic, and China has also turned its attention northward. The United States, however, has only recently begun to reestablish its Arctic presence after many years of waning influence.

America in the Arctic offers a timely and compelling case for why the United States must deepen its commitment to a region threatened by climate change and geopolitical rivalry. Mary Thompson-Jones surveys past and present U.S. relations with the Arctic lands: Canada, Iceland, Greenland, Denmark, Norway, Finland, Sweden, and Russia. She traces the history of the U.S. presence in the far north from the purchase of Alaska through the Cold War, arguing that lessons from the past should inform America’s relationships with its Arctic neighbors today. At its best, U.S. Arctic policy balanced security interests with residents’ needs and international cooperation on environmental and regional issues. In recent years, many policymakers scrambling to reassert U.S. leadership have framed their goals solely in security terms. Thompson-Jones argues that climate change now poses the greatest challenge, calling for a new approach that is inclusive of all the Arctic’s inhabitants. Bringing together national security expertise and historical insight, this book charts a course for American Arctic policy in a warming world.

The third and updated edition of the classic account of America in the latter half of the nineteenth century

When the first edition of America in the Gilded Age was published in 1984, it soon acquired the status of a classic, and was widely acknowledged as the first comprehensive account of the latter half of the nineteenth century to appear in many years. Sean Dennis Cashman traces the political and social saga of America as it passed through the momentous transformation of the Industrial Revolution and the settlement of the West. Revised and extended chapters focusing on immigration, labor, the great cities, and the American Renaissance are accompanied by a wealth of augmented and enhanced illustrations, many new to this addition.

The third and updated edition of the classic account of America in the latter half of the nineteenth century

When the first edition of America in the Gilded Age was published in 1984, it soon acquired the status of a classic, and was widely acknowledged as the first comprehensive account of the latter half of the nineteenth century to appear in many years. Sean Dennis Cashman traces the political and social saga of America as it passed through the momentous transformation of the Industrial Revolution and the settlement of the West. Revised and extended chapters focusing on immigration, labor, the great cities, and the American Renaissance are accompanied by a wealth of augmented and enhanced illustrations, many new to this addition.

In this, the third volume of an interdisciplinary history of the United States since the Civil War, Sean Dennis Cashman provides a comprehensive review of politics and economics from the tawdry affluence of the 1920s throught the searing tragedy of the Great Depression to the achievements of the New Deal in providing millions with relief, job opportunities, and hope before America was poised for its ascent to globalism on the eve of World War II. The book concludes with an account of the sliding path to war as Europe and Asia became prey to the ambitions of Hitler and military opportunists in Japan.
The book also surveys the creative achievements of America's lost generation of artists, writers, and intellectuals; continuing innovations in transportation and communications wrought by automobiles and airplanes, radio and motion pictures; the experiences of black Americans, labor, and America's different classes and ethnic groups; and the tragicomedy of national prohibition.
The cast of characters includes FDR, the New Dealers, Eleanor Roosevelt, George W. Norris, William E. Borah, Huey Long, Henry Ford, Clarence Darrow, Ernest Hemingway, Scott Fitzgerald, W.E.B. DuBois, A. Philip Randolph, Orson Welles, Wendell Willkie, and the stars of radio and the silver screen.
The first book in this series, America in the Gilded Age, is now accounted a classic for historiographical synthesis and stylisic polish. America in the Age of the Titans, covering the Progressive Era and World War I, and America in the Twenties and Thirties reveal the author's unerring grasp of various primary and secondary sources and his emphasis upon structures, individuals, and anecdotes about them. The book is lavishly illustrated with various prints, photographs, and reproductions from the Library of Congress, the Museum of Modern Art, and the Whitney Museum of American Art.

In this, the third volume of an interdisciplinary history of the United States since the Civil War, Sean Dennis Cashman provides a comprehensive review of politics and economics from the tawdry affluence of the 1920s throught the searing tragedy of the Great Depression to the achievements of the New Deal in providing millions with relief, job opportunities, and hope before America was poised for its ascent to globalism on the eve of World War II. The book concludes with an account of the sliding path to war as Europe and Asia became prey to the ambitions of Hitler and military opportunists in Japan.
The book also surveys the creative achievements of America's lost generation of artists, writers, and intellectuals; continuing innovations in transportation and communications wrought by automobiles and airplanes, radio and motion pictures; the experiences of black Americans, labor, and America's different classes and ethnic groups; and the tragicomedy of national prohibition.
The cast of characters includes FDR, the New Dealers, Eleanor Roosevelt, George W. Norris, William E. Borah, Huey Long, Henry Ford, Clarence Darrow, Ernest Hemingway, Scott Fitzgerald, W.E.B. DuBois, A. Philip Randolph, Orson Welles, Wendell Willkie, and the stars of radio and the silver screen.
The first book in this series, America in the Gilded Age, is now accounted a classic for historiographical synthesis and stylisic polish. America in the Age of the Titans, covering the Progressive Era and World War I, and America in the Twenties and Thirties reveal the author's unerring grasp of various primary and secondary sources and his emphasis upon structures, individuals, and anecdotes about them. The book is lavishly illustrated with various prints, photographs, and reproductions from the Library of Congress, the Museum of Modern Art, and the Whitney Museum of American Art.

America in Therapy presents an unprecedented perspective, envisioning the entire nation as a patient in dire need of therapy. 

In the first book of its kind, Leavitt highlights a crucial missing piece from national political discourse – the declining state of America’s mental health – and emphasizes that addressing our nation’s ills from a psychological perspective takes us beyond partisanship altogether.

Through a blend of personal anecdotes, client case studies, and historical insights, she correlates the destructive dynamics in families with the harmful behaviors of influential institutions and leaders. Using principles like Family Systems Theory and her own innovative concepts, Leavitt paints a vivid picture of the consequences of untreated societal trauma.

America in Therapy not only informs but also inspires actions towards reconciliation, unity, and healing. Aimed at a diverse audience, from social reformers to young adults navigating an uncertain future, Leavitt’s work underscores the urgency of waging peace for the survival of our nation and humanity. It is a clarion call to collectively embark on the challenging journey of national healing before it’s too late.

​​​La comunidad latinoamericana en Noruega se ha fortalecido numéricamente en las últimas décadas, con una fuerte presencia, sobre todo, en las grandes ciudades. El español se ha convertido en la lengua extranjera más popular luego del inglés en las escuelas y universidades y, al mismo tiempo, el español hablado en el país por la comunidad migrante está permeado por el contacto con la lengua noruega. Se registra una producción de escritores hispanoamericanos en el país y culturalmente existe una arena musical, cinematográfica, etc., digna de destacar.　

​Este volumen​, el primero sobre la comunidad latinoamericana migrante en Noruega, agrupa 9 capítulos académicos, un ensayo y dos entrevistas, que proponen adentrarse en el quehacer lingüístico, literario y cultural de la comunidad latinoamericana y, sobre todo, reflexiona sobre la construcción de un espacio propio en cada uno de esos ámbitos y sobre la constante negociación de las identidades en la migración, sobre la manera en la que América Latina, con cada latinoamericano, está presente en Noruega.

The central characters in this book are the myths born of the European collective imagination about the lands beyond Europe and the beings who inhabited them. The New World was an irresistible attraction to Renaissance Europe and the great geographical discoveries of the fifteenth and sixteenth centuries represent a unique moment in history, not only on account of the technical and human feat involved but also because the discoverers came to believe that they had reached the land of legends.

This is an enthralling account of the conflicting experiences of discovering the New World, drawing upon the intriguing tales of early discovery and amazing illustrations of the day. The authors invoke the unique exhilaration of exploration, investigating the conflict between the ambitious idealism and harsh realities that have always characterized and torn the country. After all, did people not go to America in search of both the Garden of Eden and the tribes of the damned?

“America Needs a Woman President will appeal to any woman or man of any political persuasion (or none at all) who hungers for wise and bold leadership. It is a love poem, a visionary rant, a call to action, a cry for sanity. America needs this funny, brilliant, and beautiful book.”—Elizabeth Lesser, author of The New American Spirituality

Imagine a president who leads with a mother’s love, the forgiving humor of a grandmother, and the wisdom of a medicine woman. These words, beautifully illustrated by artist Eben Dodd, give hope for a new paradigm of leadership at a time when we need it most.

There is surprisingly little fieldwork done on the United States by anthropologists from abroad. America Observed fills that gap by bringing into greater focus empirical as well as theoretical implications of this phenomenon. Edited by Virginia Dominguez and Jasmin Habib, the essays collected here offer a critique of such an absence, exploring its likely reasons while also illustrating the advantages of studying fieldwork-based anthropological projects conducted by colleagues from outside the U.S. This volume contains an introduction written by the editors and fieldwork-based essays written by Helena Wulff, Jasmin Habib, Limor Darash, Ulf Hannerz, and Moshe Shokeid, and reflections on the broad issue written by Geoffrey White, Keiko Ikeda, and Jane Desmond.  Suitable for introductory and mid-level anthropology courses, America Observed will also be useful for American Studies courses both in the U.S. and elsewhere.

There is surprisingly little fieldwork done on the United States by anthropologists from abroad. America Observed fills that gap by bringing into greater focus empirical as well as theoretical implications of this phenomenon. Edited by Virginia Dominguez and Jasmin Habib, the essays collected here offer a critique of such an absence, exploring its likely reasons while also illustrating the advantages of studying fieldwork-based anthropological projects conducted by colleagues from outside the U.S. This volume contains an introduction written by the editors and fieldwork-based essays written by Helena Wulff, Jasmin Habib, Limor Darash, Ulf Hannerz, and Moshe Shokeid, and reflections on the broad issue written by Geoffrey White, Keiko Ikeda, and Jane Desmond.  Suitable for introductory and mid-level anthropology courses, America Observed will also be useful for American Studies courses both in the U.S. and elsewhere.

Widespread media narratives portray an epidemic of neighborhood violence in urban areas—often ignoring the structural explanations advanced by community organizers fighting violence and activists such as those in the Movement for Black Lives. In this book, Dexter R. Voisin provides a compelling and social-justice-oriented analysis of current trends in neighborhood violence in light of the historical and structural factors that have reproduced entrenched patterns of racial and economic inequality.

America the Beautiful and Violent is built around the powerful voices and insights of black youth in Chicago and their parents and communities. Voisin interweaves their narratives with data, research findings, and historical accounts that provide context for their experiences. He highlights the broad historical, political, economic, and racial factors that shape the construction, concentration, and narratives of violence in black neighborhoods. Voisin explores these forces and the violence they produce; the behavioral health consequences of repeated exposures to neighborhood violence; and the ways youth, families, and communities cope with such traumas. America the Beautiful and Violent offers a set of practice and policy recommendations to address the patchwork inequality that leads to concentrated violence and to support children and adolescents struggling with the precarious conditions and threat of violence in their daily lives.

Widespread media narratives portray an epidemic of neighborhood violence in urban areas—often ignoring the structural explanations advanced by community organizers fighting violence and activists such as those in the Movement for Black Lives. In this book, Dexter R. Voisin provides a compelling and social-justice-oriented analysis of current trends in neighborhood violence in light of the historical and structural factors that have reproduced entrenched patterns of racial and economic inequality.

America the Beautiful and Violent is built around the powerful voices and insights of black youth in Chicago and their parents and communities. Voisin interweaves their narratives with data, research findings, and historical accounts that provide context for their experiences. He highlights the broad historical, political, economic, and racial factors that shape the construction, concentration, and narratives of violence in black neighborhoods. Voisin explores these forces and the violence they produce; the behavioral health consequences of repeated exposures to neighborhood violence; and the ways youth, families, and communities cope with such traumas. America the Beautiful and Violent offers a set of practice and policy recommendations to address the patchwork inequality that leads to concentrated violence and to support children and adolescents struggling with the precarious conditions and threat of violence in their daily lives.

A beguiling account of twentieth-century America through the eyes of an outsider, a remarkable inversion of the standard 'Westerner observing the exotic' travel writing formula. Wu Tingfang wrote this book at an intriguing juncture in history - aeroplanes and motion pictures had recently been invented (and his musings on both of these have proven correct) and while he did not know it, a tremendous cultural shift was about to take place in the West due to the First World War. The unassuming and inquisitive diplomat delves into topics such as: immigration; the Arms Race and changes in technology; religion and ethics in the classroom; women's equality; fashion; violence in the theatre; vegetarianism; and cruelty to animals. His observations are enlightening and remain as relevant today as the era in which they were written. In particular, the exploration of the 'American character' and the nation's attitude toward commerce and international relations have a powerful resonance.

The America of the modern administrative state is not the America of the original Constitution. This transformation comes not only from the ordinary course of historical change and development, but also from a radical, new philosophy of government that was imported into the American political tradition by the Progressives of the late nineteenth century. The new thinking about the principles of government—and open hostility to the American Constitution—led to a host of concrete changes in American political institutions. Our government today reflects these original Progressive innovations, even if they are often unrecognized as such because they have become ingrained in American political culture. This book shows the nature of these changes, both in principles and in the nuts and bolts of governing. It also shows how progressivism was often at the root of critical developments subsequent to the Progressive Era in more recent American political history — how it was different than the New Deal, the liberalism of the 1960s, and today’s liberalism, but also how these subsequent developments could not have transpired without the ground laid by the original Progressives.

Like it or not, George W. Bush has launched a revolution in American foreign policy. He has redefined how America engages the world, shedding the constraints that friends, allies, and international institutions once imposed on its freedom of action. In America Unbound, Ivo Daalder and James Lindsay caution that the Bush revolution comes with serious risks–and, at some point, we may find that America’s friends and allies will refuse to follow his lead, leaving the U.S. unable to achieve its goals. This edition has been extensively revised and updated to include major policy changes and developments since the book’s original publication.

Like it or not, George W. Bush has launched a revolution in American foreign policy. He has redefined how America engages the world, shedding the constraints that friends, allies, and international institutions once imposed on its freedom of action. In America Unbound, Ivo Daalder and James Lindsay caution that the Bush revolution comes with serious risks–and, at some point, we may find that America’s friends and allies will refuse to follow his lead, leaving the U.S. unable to achieve its goals. This edition has been extensively revised and updated to include major policy changes and developments since the book’s original publication.

Reveals how, through auctions, early Americans learned capitalism

As the first book-length study of auctions in early America, America Under the Hammer follows this ubiquitous but largely overlooked institution to reveal how, across the eighteenth and early nineteenth centuries, price became an accepted expression of value. From the earliest days of colonial conquest, auctions put Native land and human beings up for bidding alongside material goods, normalizing new economic practices that turned social relations into economic calculations and eventually became recognizable as nineteenth-century American capitalism.

Starting in the eighteenth century, neighbors collectively turned speculative value into economic “facts” in the form of concrete prices for specific items, thereby establishing ideas about fair exchange in their communities. This consensus soon fractured: during the Revolutionary War, state governments auctioned loyalist property, weaponizing local group participation in pricing and distribution to punish political enemies. By the early nineteenth century, suspicion that auction outcomes were determined by manipulative auctioneers prompted politicians and satirists to police the boundaries of what counted as economic exchange and for whose benefit the economy operated. Women at auctions—as commodities, bidders, or beneficiaries—became a focal point for gendering economic value itself. By the 1830s, as abolitionists attacked the public sale of enslaved men, women, and children, auctions had enshrined a set of economic ideas—that any entity could be coded as property and priced through competition—that have become commonsense understandings all too seldom challenged.

In contrast to histories focused on banks, currencies, or plantations, America Under the Hammer highlights an institution that integrated market, community, and household in ways that put gender, race, and social bonds at the center of ideas about economic worth. Women and men, enslaved and free, are active participants in this story rather than bystanders, and their labor, judgments, and bodies define the resulting contours of the American economy.

Reveals how, through auctions, early Americans learned capitalism

As the first book-length study of auctions in early America, America Under the Hammer follows this ubiquitous but largely overlooked institution to reveal how, across the eighteenth and early nineteenth centuries, price became an accepted expression of value. From the earliest days of colonial conquest, auctions put Native land and human beings up for bidding alongside material goods, normalizing new economic practices that turned social relations into economic calculations and eventually became recognizable as nineteenth-century American capitalism.

Starting in the eighteenth century, neighbors collectively turned speculative value into economic “facts” in the form of concrete prices for specific items, thereby establishing ideas about fair exchange in their communities. This consensus soon fractured: during the Revolutionary War, state governments auctioned loyalist property, weaponizing local group participation in pricing and distribution to punish political enemies. By the early nineteenth century, suspicion that auction outcomes were determined by manipulative auctioneers prompted politicians and satirists to police the boundaries of what counted as economic exchange and for whose benefit the economy operated. Women at auctions—as commodities, bidders, or beneficiaries—became a focal point for gendering economic value itself. By the 1830s, as abolitionists attacked the public sale of enslaved men, women, and children, auctions had enshrined a set of economic ideas—that any entity could be coded as property and priced through competition—that have become commonsense understandings all too seldom challenged.

In contrast to histories focused on banks, currencies, or plantations, America Under the Hammer highlights an institution that integrated market, community, and household in ways that put gender, race, and social bonds at the center of ideas about economic worth. Women and men, enslaved and free, are active participants in this story rather than bystanders, and their labor, judgments, and bodies define the resulting contours of the American economy.

The precise legal nature of the relationship between the United States and the people of Puerto Rico was not explicitly determined in 1898 when the Treaty of Paris transferred sovereignty over Puerto Rico from Spain to the United States. Since then, many court cases, beginning in 1901, have been instrumental in defining this delicate relationship.
While the legislation has clearly established the nonexistence of Puerto Rican nationhood and lack of independent Puerto Rican citizenship, the debate over Puerto Rico's status continues to this day.
Malavet offers a critique of Puerto Rico’s current status as well as of its treatment by the U.S. legal and political systems. Puerto Rico is a colony of the United States, and Puerto Ricans living on this geographically separate island are subject to the United States’s legal and political authority. They are the largest group of U.S. citizens currently living under territorial status. Malavet argues that the Puerto Rican cultural nation experiences U.S. imperialism, which compromises both the island's sovereignty and Puerto Ricans’ citizenship rights. He analyzes the three alternatives to Puerto Rico's continued territorial status, examining the challenges manifest in each possibility, as well as illuminating what he believes to be the best course of action.

The precise legal nature of the relationship between the United States and the people of Puerto Rico was not explicitly determined in 1898 when the Treaty of Paris transferred sovereignty over Puerto Rico from Spain to the United States. Since then, many court cases, beginning in 1901, have been instrumental in defining this delicate relationship.
While the legislation has clearly established the nonexistence of Puerto Rican nationhood and lack of independent Puerto Rican citizenship, the debate over Puerto Rico's status continues to this day.
Malavet offers a critique of Puerto Rico’s current status as well as of its treatment by the U.S. legal and political systems. Puerto Rico is a colony of the United States, and Puerto Ricans living on this geographically separate island are subject to the United States’s legal and political authority. They are the largest group of U.S. citizens currently living under territorial status. Malavet argues that the Puerto Rican cultural nation experiences U.S. imperialism, which compromises both the island's sovereignty and Puerto Ricans’ citizenship rights. He analyzes the three alternatives to Puerto Rico's continued territorial status, examining the challenges manifest in each possibility, as well as illuminating what he believes to be the best course of action.

Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption.

The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.

Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption.

The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.

Illuminating the religious and existential themes in Stephen King’s horror stories

Who are we? Why are we here? Where do we go when we die? For answers to these questions, people often look to religion. But religion is not the only place seekers turn. Myths, legends, and other stories have given us alternative ways to address the fundamental quandaries of existence. Horror stories, in particular, with their focus on questions of violence and mortality, speak urgently to the primal fears embedded in such existential mysteries. With more than fifty novels to his name, and hundreds of millions of copies sold, few writers have spent more time contemplating those fears than Stephen King. Yet despite being one of the most widely read authors of all time, King is woefully understudied. America’s Dark Theologian is the first in-depth investigation into how King treats religion in his horror fiction.

Considering works such as Carrie, The Dead Zone, Misery, The Shining, and many more, Douglas Cowan explores the religious imagery, themes, characters, and, most importantly, questions that haunt Stephen King’s horror stories. Religion and its trappings are found throughout King’s fiction, but what Cowan reveals is a writer skeptical of the certainty of religious belief. Describing himself as a “fallen away” Methodist, King is less concerned with providing answers to our questions, than constantly challenging both those who claim to have answers and the answers they proclaim. Whether he is pondering the existence of other worlds, exploring the origins of religious belief and how it is passed on, probing the nature of the religious experience, or contemplating the existence of God, King invites us to question everything we think we know.

Illuminating the religious and existential themes in Stephen King’s horror stories

Who are we? Why are we here? Where do we go when we die? For answers to these questions, people often look to religion. But religion is not the only place seekers turn. Myths, legends, and other stories have given us alternative ways to address the fundamental quandaries of existence. Horror stories, in particular, with their focus on questions of violence and mortality, speak urgently to the primal fears embedded in such existential mysteries. With more than fifty novels to his name, and hundreds of millions of copies sold, few writers have spent more time contemplating those fears than Stephen King. Yet despite being one of the most widely read authors of all time, King is woefully understudied. America’s Dark Theologian is the first in-depth investigation into how King treats religion in his horror fiction.

Considering works such as Carrie, The Dead Zone, Misery, The Shining, and many more, Douglas Cowan explores the religious imagery, themes, characters, and, most importantly, questions that haunt Stephen King’s horror stories. Religion and its trappings are found throughout King’s fiction, but what Cowan reveals is a writer skeptical of the certainty of religious belief. Describing himself as a “fallen away” Methodist, King is less concerned with providing answers to our questions, than constantly challenging both those who claim to have answers and the answers they proclaim. Whether he is pondering the existence of other worlds, exploring the origins of religious belief and how it is passed on, probing the nature of the religious experience, or contemplating the existence of God, King invites us to question everything we think we know.

Over the past three decades, the United States has embraced the death penalty with tenacious enthusiasm. While most of those countries whose legal systems and cultures are normally compared to the United States have abolished capital punishment, the United States continues to employ this ultimate tool of punishment. The death penalty has achieved an unparalleled prominence in our public life and left an indelible imprint on our politics and culture. It has also provoked intense scholarly debate, much of it devoted to explaining the roots of American exceptionalism.
America’s Death Penalty takes a different approach to the issue by examining the historical and theoretical assumptions that have underpinned the discussion of capital punishment in the United States today. At various times the death penalty has been portrayed as an anachronism, an inheritance, or an innovation, with little reflection on the consequences that flow from the choice of words. This volume represents an effort to restore the sense of capital punishment as a question caught up in history. Edited by leading scholars of crime and justice, these original essays pursue different strategies for unsettling the usual terms of the debate. In particular, the authors use comparative and historical investigations of both Europe and America in order to cast fresh light on familiar questions about the meaning of capital punishment. This volume is essential reading for understanding the death penalty in America.
Contributors: David Garland, Douglas Hay, Randall McGowen, Michael Meranze, Rebecca McLennan, and Jonathan Simon.

Over the past three decades, the United States has embraced the death penalty with tenacious enthusiasm. While most of those countries whose legal systems and cultures are normally compared to the United States have abolished capital punishment, the United States continues to employ this ultimate tool of punishment. The death penalty has achieved an unparalleled prominence in our public life and left an indelible imprint on our politics and culture. It has also provoked intense scholarly debate, much of it devoted to explaining the roots of American exceptionalism.
America’s Death Penalty takes a different approach to the issue by examining the historical and theoretical assumptions that have underpinned the discussion of capital punishment in the United States today. At various times the death penalty has been portrayed as an anachronism, an inheritance, or an innovation, with little reflection on the consequences that flow from the choice of words. This volume represents an effort to restore the sense of capital punishment as a question caught up in history. Edited by leading scholars of crime and justice, these original essays pursue different strategies for unsettling the usual terms of the debate. In particular, the authors use comparative and historical investigations of both Europe and America in order to cast fresh light on familiar questions about the meaning of capital punishment. This volume is essential reading for understanding the death penalty in America.
Contributors: David Garland, Douglas Hay, Randall McGowen, Michael Meranze, Rebecca McLennan, and Jonathan Simon.

Over the past three decades, the United States has embraced the death penalty with tenacious enthusiasm. While most of those countries whose legal systems and cultures are normally compared to the United States have abolished capital punishment, the United States continues to employ this ultimate tool of punishment. The death penalty has achieved an unparalleled prominence in our public life and left an indelible imprint on our politics and culture. It has also provoked intense scholarly debate, much of it devoted to explaining the roots of American exceptionalism.
America’s Death Penalty takes a different approach to the issue by examining the historical and theoretical assumptions that have underpinned the discussion of capital punishment in the United States today. At various times the death penalty has been portrayed as an anachronism, an inheritance, or an innovation, with little reflection on the consequences that flow from the choice of words. This volume represents an effort to restore the sense of capital punishment as a question caught up in history. Edited by leading scholars of crime and justice, these original essays pursue different strategies for unsettling the usual terms of the debate. In particular, the authors use comparative and historical investigations of both Europe and America in order to cast fresh light on familiar questions about the meaning of capital punishment. This volume is essential reading for understanding the death penalty in America.
Contributors: David Garland, Douglas Hay, Randall McGowen, Michael Meranze, Rebecca McLennan, and Jonathan Simon.

The comprehensive history from European settlement to the present day is illustrated by a treasure trove of rare period maps, paintings and photographs by prominent artists, and drawings and sketches by leading designers. The book serves as a critical resource guide encompassing landscape architecture, fine art, tree and plant propagation, and the conservation of natural sites. A rich story of art, design and horticulture awaits readers among the gardens, gazebos and trees of Newport.

America’s latest war, according to renowned social critic Henry Giroux, is a war on youth. While this may seem counterintuitive in our youth-obsessed culture, Giroux lays bare the grim reality of how our educational, social, and economic institutions continually fail young people. Their systemic failure is the result of what Giroux identifies as “four fundamentalisms”: market deregulation, patriotic and religious fervor, the instrumentalization of education, and the militarization of society. We see the consequences most plainly in the decaying education system: schools are increasingly designed to churn out drone-like future employees, imbued with authoritarian values, inured to violence, and destined to serve the market. And those are the lucky ones. Young people who don’t conform to cultural and economic discipline are left to navigate the neoliberal landscape on their own; if they are black or brown, they are likely to become ensnared by a harsh penal system.

Giroux sets his sights on the war on youth and takes it apart, examining how a lack of access to quality education, unemployment, the repression of dissent, a culture of violence, and the discipline of the market work together to shape the dismal experiences of so many young people. He urges critical educators to unite with students and workers in rebellion to form a new pedagogy, and to build a new, democratic society from the ground up. Here is a book you won’t soon forget, and a call that grows more urgent by the day.

America’s latest war, according to renowned social critic Henry Giroux, is a war on youth. While this may seem counterintuitive in our youth-obsessed culture, Giroux lays bare the grim reality of how our educational, social, and economic institutions continually fail young people. Their systemic failure is the result of what Giroux identifies as “four fundamentalisms”: market deregulation, patriotic and religious fervor, the instrumentalization of education, and the militarization of society. We see the consequences most plainly in the decaying education system: schools are increasingly designed to churn out drone-like future employees, imbued with authoritarian values, inured to violence, and destined to serve the market. And those are the lucky ones. Young people who don’t conform to cultural and economic discipline are left to navigate the neoliberal landscape on their own; if they are black or brown, they are likely to become ensnared by a harsh penal system.

Giroux sets his sights on the war on youth and takes it apart, examining how a lack of access to quality education, unemployment, the repression of dissent, a culture of violence, and the discipline of the market work together to shape the dismal experiences of so many young people. He urges critical educators to unite with students and workers in rebellion to form a new pedagogy, and to build a new, democratic society from the ground up. Here is a book you won’t soon forget, and a call that grows more urgent by the day.

America’s latest war, according to renowned social critic Henry Giroux, is a war on youth. While this may seem counterintuitive in our youth-obsessed culture, Giroux lays bare the grim reality of how our educational, social, and economic institutions continually fail young people. Their systemic failure is the result of what Giroux identifies as “four fundamentalisms”: market deregulation, patriotic and religious fervor, the instrumentalization of education, and the militarization of society. We see the consequences most plainly in the decaying education system: schools are increasingly designed to churn out drone-like future employees, imbued with authoritarian values, inured to violence, and destined to serve the market. And those are the lucky ones. Young people who don’t conform to cultural and economic discipline are left to navigate the neoliberal landscape on their own; if they are black or brown, they are likely to become ensnared by a harsh penal system.

Giroux sets his sights on the war on youth and takes it apart, examining how a lack of access to quality education, unemployment, the repression of dissent, a culture of violence, and the discipline of the market work together to shape the dismal experiences of so many young people. He urges critical educators to unite with students and workers in rebellion to form a new pedagogy, and to build a new, democratic society from the ground up. Here is a book you won’t soon forget, and a call that grows more urgent by the day.

The Making of a Female Serial Killer

"In America's First Female Serial Killer, McBrayer offers us a complex―and terrifying―portrait of a killer who seemed almost doomed from birth." ―Kate Winkler Dawson, author of American Sherlock: Murder, Forensics, and the Birth of American CSI

#1 Best Seller in History of Ireland, Child Psychology, and Crime & Criminals

For readers who are fascinated by how serial killers are made. This book is for listeners of true crime podcasts and readers of both fiction and true crime nonfiction. It is for watchers of television shows like Deadly Women and Mindhunter, who are fascinated by how killers are made. It’s for self-conscious feminists, Americans trying to bootstrap themselves into success, and anyone who loves a vigilante beatdown, especially one gone off the rails.

America’s first female serial killer was not always a killer. America’s First Female Serial Killer novelizes the true story of first-generation Irish-American nurse Jane Toppan, born as Honora Kelley. Although all the facts are intact, books about her life and her crimes are all facts and no story. Jane Toppan was absolutely a monster, but she did not start out that way.

Making of a serial killer. When Jane was a young child, her father abandoned her and her sister to the Boston Female Asylum. From there, Jane was indentured to a wealthy family who changed her name, never adopted her, wrote her out of the will, and essentially taught her how to hate herself. Jilted at the altar, Jane became a nurse and took control of her life, and the lives of her victims.

Readers of America’s First Female Serial Killer:

• Will gain insight into the personal development of a severely damaged person without rationalizing her crimes
• Experience the rarely told story of a female serial killer
• Understand that even monsters were humans, first

If you enjoyed books such as In We Keep the Dead Close, Mindhunter, or In Cold Blood; you will love reading America’s First Female Serial Killer.